#more long winded posts and analysis later

[swan-orpheus]

I really love how in Episode 1, we see Sabine walking around the ship looking at the place where she used to live/sleep, unobserved by her former Master, coupled with the reveal that Ahsoka hasn't lived anywhere else since. And then in Episode 2, we see Ahsoka conversely walking around in Sabine's room in the tower, also unobserved by her former Apprentice, seeing and experiencing where Sabine has lived for the past few years.

They both returned to a place where they were most comfortable, unwilling to move away, and neither one of them can fully speak about it.

And why is Sabine suddenly associated/associating with Loth cats?? She has one on her clothes, she drew them by her bed on the ship, and the show spends several moments showing Ahsoka interacting with the one that lives with Sabine before entering her rooms. Why did this particular cat decide to go live with Sabine in the first place?? I feel like there is more to this than simply, "oh look, a cute kitty!" The creatures on Lothal are deeply connected to the Force it being a planet with strong connections. Is this to show Sabine's own connection to the Force, however small?

[brujahinaskirt]

Okay, I obviously made the above post as a leetle joke, but since it's getting not insignificant traction, I do want to offer a more serious note.

I love this about Arthur. It's probably my favorite thing about him, but let me use this fresh new RDR2 meta post to clarify exactly what I mean. Despite the aspects of his personality & appearance that are traditionally hypermasculine, and despite how often he is annoyed with people (especially incompetents or people who meddle with his plans), Arthur is decidedly NOT annoyed by the social performance of femininity or by traits that are/were frequently stereotyped as feminine. Ever. Regardless of subject. I might go so far as to say he seems to canonically prefer hanging out with women and with "feminine" men.

Your long-winded, bullet-pointed analysis is below!

The Girls. Most noticeably, Arthur actually sits down to talk with and actively confides in the camp Girls (Tilly, Mary-Beth, Karen) more than anyone else around. These three are the most traditionally "girly" (single, 20s, active, pretty, unattached, highly social, feminine, chatty) members of the gang, though of course they are still criminals and don't perfectly adhere to all period-typical standards of feminine comportment. He doesn't mock the girls** like he sometimes does with other auxiliary members of the gang (like Uncle and Pearson, playful or not). Notably, he doesn't even gently tease Mary-Beth for writing her "silly" romance novels, a highly feminized hobby which she speaks about in a self-depreciating manner, much like Arthur speaks about his own artistic hobbies. Rather, he talks to her about writing like a peer and encourages her to write more by going out of his way to get her a nice pen. Crucially, there is no canon romantic or sexual interest in any of the girls on Arthur's behalf. He just feels the most comfortable in their company and seems to value their advice/opinions on life the most. To me, this is much stronger proof than his forever-burning torch for the cultured & ladylike Mary, which is (or was once) rooted in romantic desire. ** Unless the player persists in Antagonizing them, and these lines (while sometimes shockingly cruel and offhandedly sexual in nature; see Arthur teasing Tilly about pursuing Javier) are largely about goading them for laziness or, in Karen's case, her alcoholism. That said, many of the Antagonize lines strike me as clumsily tacked-on & poorly rooted in canon, which could indicate: (1) an Arthur who is deliberately trying to be disruptive (a generous interpretation), or (2) writers instructed to add throwaway content that will make a certain type of childishly misanthropic gamer (think 13 y.o. boys) squeal in glee with relatively low impact on the overall story.

Campmates. Following the above point... who doesn't Arthur hang out with much? The manly men of the gang; the very people social mores suggest he ought to be hanging out with. Bill, Micah, Joe, Cleet, and even Dutch. (To some extent, this includes John and Sean, but I'd say John sort of lives at the edges of gang life anyway, and Sean is, well, Sean.) Conversely, which male gang members does Arthur hang out with a lot? Sweet little bookish Lenny, a wordy, positive-energy, breezy intellectual who has just barely become an adult. Introspective, soft-voiced, long-haired Charles, who is traditionally masculine by some standards (strong, usually calm, can be standoffish) but decidedly NOT so when his appearance/demeanor is judged by the white Christian American male standards that began to dominate masculinity concepts in the later decades of the 1800s.

Algernon. Oh, my, Algernon. Arthur clearly dislikes Algernon's fancy, loud, outrageous clothing. But weirdly, he seems to like Algernon, not just tolerate him. Arthur in fact goes through significant personal discomfort to avoid hurting Algernon's feelings (the awful hat, the POST.MAN. sobbing), and he immediately says yes to having tea with him without any awareness of a coming business proposition, though half the time Arthur clearly has no fucking clue what Algernon is talking about. I am left to conclude that on some level, he just enjoys hearing Algernon talk, which is word-for-word what he says while listening to the Girls argue about romance novels ("I just like listening to you [all] talk." Hello????). I mean, for God's sake, he meets the man while he's choking to death on a nut at a fancy party, and the second thing Algernon does is tell him he looks like a guy who wears a corset. If anything was going to set off the boiling defensiveness of a dude who worships masculinity, thirty seconds with Algie would have done it.

Margaret, Mistress of Fucking Danger. It's pretty clear Arthur doesn't like Margaret. But that has little to do with Margaret's femininity & cross-dressing (this doesn't faze him at all when Charles Châtenay does it; more on that below) and everything to do with Margaret's deceptiveness and highly selective memory. It's not until the bullshittery unveils itself that Arthur starts getting visibly pissed off at Margaret. Conversely, Arthur does seem more positively disposed toward Sally Nash. (That said, this quest has a lot of problems and poorly aged lines that are depressingly easy for a politically motivated jerkoff to soundbite and miscast as Rockstar being pro-bigot. Cue 800 heterobnoxious gamerbro ARTHUR MORGAN ULTIMATE ANTI SNOWFLAKE SIGMA MALE OF THE WEST YouTube videos.)

Albert, my beloved. Rather than goading him to man up, Arthur tries to persuade Albert (whom he very obviously likes) to pick safer animal photography subjects, e.g. horses, and doesn't insult him for his lack of wilderness knowledge (an aspect of traditional manliness that is highly relevant to Arthur's lifestyle). You'd think he would tear into him for this shortcoming, given that they share so many of the same interests and passions, and IMO his genuine eagerness to serve as Albert's protector and facilitate his art is highly convincing evidence that Arthur does not necessarily view masculinity as a net positive.

Arthur is a basic goddamn boyfriend-hater. He pretty much harshly disapproves of every husband, boyfriend, male partner, etc. in the game and is very, very vocal about it... except one extremely unlikely candidate: Beau Gray. Weak, dandy artist Beau Gray, whom Arthur takes one look at and promptly hands the only gun to Penelope. Arthur is curt and impish to Beau at times, but helps him in his relationship troubles willingly (without collecting repayment), and seemingly for no other reason than the fact he can see that soft, fearful Beau is genuinely head-over-heels in love with Penelope. Is he projecting his own young love for Mary onto them? Maybe/probably, but Beau could not possibly be more different from young Arthur, and Arthur seems to believe this difference will make him a good husband for Penelope. A good husband, in Arthur's view, seems to simply be a man who ardently loves his beloved, regardless of his ability to provide for/protect her, and whose only goal in life is to live that life at her side. This is completely antithetical to mainstream late-1800s views on what constitutes a good husband and what it means to be a man.

Châtenay. Arthur shows us some of the most obvious delight and mirth he experiences in the game when he's hanging out with Charles "Allo Boys" Châtenay, who is straight up in drag a third of that time. This baffles Arthur a little, but doesn't disgust or repel him. I've written about this mission elsewhere at greater length because it is one of my favorite disasters, but it's worth mentioning here too.

Trelawny. Arthur clearly enjoys Trelawny despite his grumbly claims to the contrary. Most of these "claims" are just Arthur's established way of affectionate teasing (he does much the same with Uncle and Pearson, both of whom he genuinely likes). His authentic gripes about Trelawny are all about a perceived flightiness/lack of loyalty to the gang, not about his flamboyance. And even these gripes are half-assed, in Arthur's usual way.

Bluegills & Daisy Chains. One of the most genuine moments of softness we have with Arthur in RDR2 is when he takes Little Jack out of the camp to go fishing. Arthur's usually a much truer version of himself when he doesn't have to play the Big Bad Gang Lieutenant role, but this moment of escape is especially important, and not just because Arthur reveals his fondness for children and his natural understanding of how to talk to them. I notice this: Arthur tries to gently teach Jack about fishing, and Jack is completely fucking uninterested. Jack prefers to make flower chains for his mommy. Arthur doesn't scold him for his drifting attention or his lack of attraction to masculine past-times; on the contrary, Arthur goes out of his way to encourage and protect Jack's natural sweetness and innocence. That's a wild stance for a murdering outlaw to have re: the "next generation" of his family. Hell, I've encountered far too many 21st century dads in my own family who flip their shit when their tiny sons prefer hanging out with women & partaking in "womanly" hobbies like art, cooking, and flowers rather than hunting and fishing.

"...and be a god damn man." This seems like classic masculine bluster on the surface, but what does this keynote line mean in the context in which Arthur says it? Well, it's complicated. This statement serves as (a) Arthur's goodbye to John, (b) Arthur's final call to action for John, and (c) Arthur's last wish for his brother's life. But it certainly does not mean standing and fighting or being tough; i.e., "dying like a man." In that moment, it means abandoning all masculine bluster and revenge fantasy, and running away: leaving violence and fighting and brotherhood and all that crap behind to simply be there (alive, present) for your wife and son.

The Best Women People. Who are the best people Arthur knows, by his own crystal-clear declaration? Abigail and Sadie. Sadie's a rough-and-tumble, super-violent gunslinger and Abigail's a stubborn thief & a former sex worker (in the time Arthur has known her), but they are also, critically, two wives: the most traditional feminine role for a woman of the time period (and indeed perhaps most of human history once the concept of "wife" subsumed that of "mother"). It's also important to note that Arthur doesn't truly give up on Dutch until Dutch abandons Abigail, which serves as Arthur's point of no return. The other men left in the gang at this point specifically note that she's "just a woman" and not worth going back for. Arthur is straight-up shocked by all of this; he obviously considers her among the most worthwhile and value-having members of the gang, and certainly one of the most core members of the gang. Without any hesitation or doubt, the instant it's clear Dutch is cutting Abigail loose, Arthur declares: "That's that, then."

tl;dr: Arthur unironically prefers hanging out with women and queens and I love that for them.

[girlbossblackbeard]

S2 TRAILER ANALYSIS WITH 1 BILLION SCREENSHOTS

obligatory warning that this post is gonna be SOOOOOOOOOOOOO foolishly long and rambling with all my silly little theories and thoughts and if you ALSO have silly little theories and thoughts you should ABSOLUTELY share them here please!!!! we can clown so much harder when our cacophonous honking harmonizes!!!!!!!

NOW ONTO THE POST (putting it under a read more so tumblr doesn't literally explode):

-the revenge looks BUSTED AF: i don't know if this is from general disrepair when ed is in his kraken era or if she was in a battle but her sails are all dirty in the opening shot of the trailer, and later we see stede on her deck with tattered sails and ropes everywhere, AND i'm like 99% sure that the shot of buttons ziplining from one ship to another is him going from the Chinese warfleet ship to the revenge, which i'm guessing is essentially stuck bc the sails are so torn they would never be able to catch the wind strongly enough to move her. I also wonder if the shot of roach shooting a canon at something is him shooting a canon at her since we had all those allusions to her exploding from samba, vico, and david on twitter all those months ago

-stede's earring: he DOES NOT HAVE THE EARRING when we see him lying on the deck next to roach and sighing dramatically nor does he have it during his conversation with Olu about stede dumping him, but he DOES have the earring in later shots like the beach english fight and when he's talking about being a failure his whole life which means WE WILL GET TO SEE STEDE GET HIS EAR PIERCED!!!!!!!!!! we'll get to see him make the decision to look even hotter and who knows who does the piercing for him idk!!!!!! @sluterastede had a dastardly beautiful thought in her brain about ed giving stede the piercing and stede making groaning noises and izzy once again thinking they're flapping their jacks right there on the deck in front of god and everybody!!!!!

-stede is spilling his heart out ("i let him down. i should've just told him how i feel") to susan on her ship (you can tell it's her by the long hair)

-interesting that there's a drawing of a donkey next to ed's wanted poster considering s1 had the line "a rich donkey is still a donkey". also i can't really read what the surrounding posters say other than "WANTED 20 GUINEAS". is this in the republic of pirates?

-stede says "i will find him" meaning ed may be actively avoiding stede at the beginning of the season???? (or the basic laws of travel physics have finally caught up to them)

-"look, captain, you know blackbeard's gonna murder you" i just think it's interesting that Olu is referring to him as blackbeard again even though ed told everyone in his pink robe era to call him ed. like it makes sense that he'd say blackbeard considering ed is on a rampage but it just made my brain wheels start spinning

-the Kraken crew are eating cake :)

-ed is holding a torch while letting the storm rain down on him: i don't think the laugh we hear is his because i don't think his mouth is even open during that slow-mo shot

-STEDE with a TEAR in his EYE as he says "i think i hurt him pretty bad"

-ed sobbing on the floor while the little bride cake topper is next to his head

-ed choking on the weed smoke i'm ACTUALLY crying, but also: where the fuck is ed when he's sitting in the chair smoking??? i thought it was on deck at first bc above his head is really dark and it looks like the lanterns we see on the deck of the revenge but there's a chandelier too?? it might be whatever shop Anne Bonny and her friend "you two know each other?" run bc behind ed in that chair is just a bunch of random furniture and a chandelier like we see when ed and stede are at the market. in fact, i think ed is smoking with Anne Bonny because I think that's her hand in the corner of that shot:

-"no more booze, no more drugs, and no more _____" not sure what the end of that sentence could be but we know that the "stede" that was put in there is NOT what he actually says!!!!!!!!!!!!!!!!!!!!!!

-"you two know each other?" now hold on a sec because it kinda sounds like stede met Anne Bonny and Co. separately from Ed/before that market scene (maybe in the teaser clip of Anne on Stede's lap??) WHAT IF WE GET THE AITA SCENARIO WHERE ED AND STEDE TELL PEOPLE ABOUT THEIR VERSION OF EVENTS AND NO ONE REALIZES THEY'RE TALKING ABOUT EACH OTHER UNTIL THAT MOMENT BC THEY'RE BOTH SO BIASED ABOUT ONE ANOTHER

-the evil guy definitely got his nose sliced off by Jackie. good for her :D I also don't think the evil guy is Hornigold, i'm still holding onto my theory that the man in the white rags we saw in the teaser and this trailer is hornigold's "ghost" that ed needs to contend with to find his inner peace or whatever a la stede with nigel's "ghost". but i DO think the evil guy is the rich prince dude from that leaked audition tape from rhys's friend. if memory serves, the guy wants to buy his way into the pirate lifestyle but he's pompous and entitled which makes him reckless. based off the production stills we also got today, he still had a nose when he went into Spanish Jackie's...but i don't think he leaves with one. so because he gets butthurt over invading a space that was NOT meant for him and faces the consequences of purposely disobeying their customs, he defects to the english navy and goes on a rampage against all piracy, very MRA energy :/ also, later izzy says to him "you don't know the first thing about piracy" which would further support that this guy just tried to buy his way in

-izzy gets an honest-to-god pegleg but he doesn't start the season off with it because we see him in several shots with both legs, like the wedding raid and swordfighting stede on the beach. unsure if he loses it due to infection from the toe situation or if he gets shot in the knee like i've seen some posts talk about, but @sluterastede mentioned that one of the leaked audition tapes for archie included dialogue about an amputation so maybe that character has to uh. Get Her Roach On

-as i mentioned before with the teaser analysis, izzy is clearly training stede for something and now im guessing it's the english but like we kinda knew that !

-olu is in a bar fight??

-THE "ED GETS CAUGHT IN A BUCKET ON A ROPE DURING THE STORM AND GOES OVERBOARD" THEORY IS OUT. THE "ED TIES HIMSELF TO A MF BIG ASS ROCK AND JUMPS OFF A GOD DAMN CLIFF TO GO ON SOME SOUL-SEARCHING JOURNEY UNDER THE SEA" THEORY IS IN. and what the FUCK is the rag man doing with ed up on that cliff hello?????? if my theory is correct and that is in fact hornigold's ghost or whatever, what advice or harmful shit is he saying that makes ed do that?????????????????????? but do note the large rock with the rope around it in the first pic

-the revenge crew is blowing up SOMETHING on the side of a building. maybe to cause a distraction or gain access inside the building? is it the side of Spanish Jackie's?? also hiiiiiiii lucius <3

-"our entire escape relies on this" i'm just assuming they're trying to escape from the english bc that seems to be the Big Bad of the season??

-not plot related but during the rope swinging training session izzy slaps stede on the ass and makes this face (sir??????):

>he also has his pegleg here so their mentorship may ramp up after izzy is out of commission for hand-to-hand combat. maybe izzy was supposed to have a larger fighting role alongside ed in defeating the english but once he became incapacitated he realized he would need to train someone else up for the job so ed would be sufficiently protected. but it also had to be someone izzy knew would be willing to die for ed to save his life if it came to that, just like izzy would

-"i've been a failure my whole life. it's not so bad once you get used to it" is stede talking to ed here? is that ed's hair in the corner of the frame??

>side note: as mentioned above, stede also has his earring by this point!!

-"you're going through that 'if i was a regular dude' phase" first of all, SPANISH JACKIE AND EDWARD TEACH BEST FRIENDS TRUTHERS RISE UP. second, why would ed be considered a regular dude now?? how did he lose his reputation? did he willingly give it up or was it taken from him? is this permanent or just temporary? or did he fake his own death with the cliff and the rock thing so he could retire and live a more normal life?? the swede doesn't seem scared of him at all in the final clip from the trailer, straight up asking him if he's poor and going "back to basics". of course, that could just be a power trip from being one of Jackie's newest husbands (or at least her waitstaff)

-possibly totally minor/just a continuity error thing, but: ed has a red ring. we saw it in s1 as he picks up the rather fine cashmere and we see it as ed dramatically drapes himself across the ship's helm with his head on his hand. we do not see it in the scene where he's smoking (see above) or the scene where he's talking to the rabbit. now, if you'll allow me a little bit of clownery for a moment, red has been explicitly coded in this show to be a symbol of love/the heart, especially as it pertains to edward like his red silk scarf as a metaphor for his heart in s1. what if. what if he. gave the red ring (his heart) to. SomeOne. because.....................because his heart belongs to st--[GUNSHOTS]

-olu, jim, and archie with garlic around their necks and making a cross with their fingers - clearly they think someone is a vampire on the ship. @sluterastede proposed it could be izzy, especially if he's on the brink of death due to an infection and frenchie managed to spread his superstitions to other people on the ship!

-THIS FUCKIN GUY. WHO ARE YOU??? it seems like he kidnaps stede and his crew and throws a party on the ship and drugs the drinks which is why everyone is kinda tripping/laughing in some parts. but then everyone gets tied down (stede to the mast, wee john's hands get squished, olu and roach's heads get squished, and jim and archie's feet get secured to the ship's railing i think??). also that wide shot is definitely the rando dude hitting some shrill high note at the same moment the revenge crew cry out in pain from all the squishing (except maybe jim and archie - they might just be laughing at the others bc they're badasses and this pain is nothing). also don't know what the guy is looking at when we first see him but im thinking maybe it's a wanted poster of stede and he's looking at the description of the gentleman pirate to confirm it's the dude right in front of him/that he's captured?? also i think roach is wearing flowers from the drug party in his apron when he fires that canon, so maybe he's tripping too and shoots a canon?? i need a prayer circle for the revenge's safety at this time

-stede has a bullet hole???????????????? did ed fucking shoot him in the heart?????????????????????????? he also notably does NOT have the earring in this scene but he does have the sexy stiddies (blue) shirt like we see in the other shot where he DOES have the earring. maybe this weirdo dude pierces stede's ear bc he thinks stede needs to look more piratey?? or stede gets absolutely sloshed (or drugged) and gets his ear pierced idk !!! maybe jim does it bc they're effortlessly cool and has a bunch of ear piercings!!!

-idk if this is a coincidence or not but i'm pretty sure stede in his training scenes with izzy is wearing the clothes he wore in that final shot of s1 as he rows to find the crew on the island (white linen shirt, dark pants, brown belt and boots). so either costume changes are happening later in the season, they're reusing outfits like normal people do, or the training montage happens extremely early on in the season

-so originally with the teaser trailer i thought ed falling in the water was followed by the shot of ed coming out of the water on the beach. i don't know if i fully believe that anymore because ed is NOT wearing his jacket on the cliff (see above), but he IS wearing it as he comes up out of the water, so either it's two different events and ed just spends a lot of time in the water this season or he puts his jacket on before jumping off the cliff

-ed his holding his right side as he slashes that dude on the beach so he definitely got hurt in battle but i hope it's not him getting stabbed bc ur supposed to cleverly take the sword on the left where all the unimportant bits are :(((

-I VERY STRONGLY BELIEVE that the person in the scene where stede turns around and shoots his gun into the air and everyone else on deck suddenly draws their weapons against that person is our boy lucius!!!!!!!!!!!!!!!!!!!! he's wearing a beret?????????? @sluterastede proposed that lucius got picked up by the english navy after getting thrown overboard and that's why we see him in the english navy garb (which we later see frenchie in too?? i believe an infiltration fuckery is afoot). also the fact that the shot immediately after this one is of Black Pete doing a happy little fist pump which i'm choosing to interpret as a cute little easter egg symbolizing Pete gets reunited with his love. i also also also believe lucius is in the shot of buttons about to zipline from one ship to the other. i missed him :')

-okay i know i said in an earlier post that stede running across the beach was romantic but i changed my mind and i think izzy is just making stede do cardio as part of his training lol. his outfit matches the one he's wearing when swordfighting izzy in that earlier wideshot and i think he even still has the scarf belt and the full beard in both scenes (explained at the end of this post via production stills) so maybe they have an honest to god training montage that takes course over several days and we get an incredible 80s powerballad to play on top of it while stede thinks of ed to motivate him or whatever. david jenkins hire me to help write season 3 i have ideas

-i think jim is behind stede as he breaks into the weirdly religious room we saw in the teaser when stede punches that guy??

-ed is pretty bloodied in the shot of stede leaning over him and saying VERY worriedly "ed????" so my theory is that ed got hurt in battle or he was taken captive by the Chinese warfleet and stede was worried he was grievously injured. however, once ed comes to and realizes who's kneeling over him, he gets pissed and headbutts stede because he's still mad at him for breaking his heart, and maybe his hands are restrained/his body is too weak so he can't push stede away. or maybe they had to begrudgingly work together on some mission and stede fucked it up and ed got hurt so he's mad about that idk!! ALSO HE'S WEARING THE CRAVAT HELLO

-ed in buttons's shirt looking so PEACEFUL what the HELL. obviously it's from the same general time as him being in Spanish Jackie's when she's talking to him about being a regular dude and later when the swede asks him if he's poor addkjfajdfhlkefh i fucking love this show and its writing so much. but ed says "no, i'm just trying something different man >:/" so i wonder if this is ed at the end of s2 or if this is more towards the middle as he's still in the thick of his healing journey. maybe buttons teaches ed about meditation and/or the tai chi he practiced with the Chinese warfleet crew??

-the BTS production still of ed with his "trust no one" tattoo also features what i believe is the treasure chest we see jim carrying off the ship in the shot where fang is smashing two dudes' heads together!

-i also think the BTS production still of stede with the beard is early on in ep 1 because he has a full beard (that im hoping someone on the revenge bullies him into shaving off to the scruff we see in the rest of the promo materials) and ALSO because he's wearing a long red scarf around his waist, which we never see again in any of the other promo material - except, however, around his neck as a makeshift cravat:

>it's the same exact material and everything! my guess is he gets his ass handed to him in a fight (maybe against izzy??) and his scarf belt gets destroyed, so he repurposes the shredded fabric into his necktie

-there's literal gold bars in the background of this production still lmao the kraken crew got BUSY during ed's goth era

>speaking of, the fucking hair dye dripping down izzy's forehead in this production still:

*sad clown noises*

in conclusion:

WE'RE BACK BABEYYYYYYYYYYYYYY

anyway that's my second dissertation on less than 2 minutes of content that turned out to be quite literally 6 pages long :)

[kafus]

a likodot themed analysis of HZ049

hello it's been a while since my last truly longform post like this but guess who watched HZ049 today and is going absolutely fucking feral bonkers about it. it's me. and i have things to say about it of the likodot variety because if i don't get these thoughts out of my head i'll explode.

forgive me for my shipping bias because i'm not sorry. however i am slightly sorry for how messy this post ended up being my god i had a lot of thoughts but i did my best to make this at least somewhat entertaining to read and comprehensive. but it really is a long winding mess LOL. FULL OF PASSION AND ADORATION I LOVE THIS SHOW AND I LOVE LIKO AND DOT MORE THAN ANYTHING IN THIS WORLD

obviously there are heavy spoilers below the cut i'm going to be violently pulling apart all the scenes where these two interact and gnawing at all of it

so. first off. this episode displays massive growth in liko and dot's relationship by method of showing how much liko's behavior around gurumin has changed since these two met and since dot initially confessed to being gurumin. as we all know liko was a massive superfan of gurumin, and then when dot confessed to being gurumin... well liko's reaction was. Uh

well she was having a little bit of a crisis about it LOL. historically liko has gotten very flustered and panicked when reminded that dot is gurumin. and she has been really prone to fangirling still (ie. getting really excited about helping gurumin in HZ019 with the bakery stuff or helping gurumin with the pig town stuff in HZ036), despite knowing the person in the suit. she goes as far as to try to ignore that dot is in the suit entirely and keep them separate in her brain (shown for instance by her freaking out over seeing dot halfway in the gurumin suit in HZ039) because if she were to mentally cross those wires, she wouldn't be able to handle it.

but now in this episode, things have obviously changed a lot over time. the episode opens with a small scene that explains what dot is doing about gurumin while they are traveling on the terastal course (filming them beforehand and scheduling ahead of time lol) but liko and dot have a conversation about (a really CUTE conversation) about gurumin in the process.

do not get it twisted, liko is still very much a fan of gurumin, but this conversation is a lot more comfortable and grounded. she gets a notification about a new gurumin video and she's excited (and surprised because of the timing), but she is not panicking about it. and her first reaction to this information is to directly ask dot (with the softest expression fucking ever??) about it. this directly connects dot and gurumin together in a strong way. liko is no longer running from the fact that dot is the youtuber she looks up to, and in fact she's being pretty upfront about it.

not related to my main point, but i also just want to gush a little here about this scene more - dot reacts similarly to liko showing so much affection for her work in a similar way to how she reacted in HZ008 to liko complimenting her through the door - getting flustered about liko's genuine energy, but this time they know each other and are looking at each other face to face. liko's affectionate energy is enough to make her relent that maybe someday... she could film outside... which shows the sort of effect liko has on her. and also this becomes relevant later in the episode where dot literally does film gurumin videos outside - it's just good writing/foreshadowing lol

anyway, this continues later on when liko is the first to get worried about dot doing the battle livestream with nanjamo as gurumin instead of herself. i think if this situation had happened much earlier on, liko would have been thinking a lot more about the excitement of the idea of seeing gurumin battle in real life, but she doesn't even initially have that thought and have to backtrack, she's immediately worried about dot instead.

ironically, liko recognizing that gurumin isn't dot, as in gurumin is a mask that dot puts on instead of being representational of her true self, drives home liko's recognition of dot as gurumin even more. she understands the connection between dot and gurumin and what gurumin is to dot enough to have this concern in the first place - one roy initially doesn't understand, that is specific to liko. there is zero compartmentalization of dot being a youtuber here! liko is concerned about her friend who is an influencer, where she puts on a mask to be confident and outgoing. dot and gurumin are fully connected.

it's also worth acknowledging that liko holds the gurumin suit and is concerned about it being damaged but nothing more - unlike in HZ021 when she goes to dot's room to give her the suit after it's been washed and cleaned, and she's a little nervous and flustered about it still.

i've always talked about how there's a bit of a difference between shipping liko and dot, and liko and gurumin - not that those two sectors have zero overlap, but that to liko, gurumin and dot were usually kept so separate mentally that fans online could often be sorted into camps of being interested in the running silliness of liko's fascination and flustered behavior with the whole gurumin thing, and liko and dot's connection with each other as normal (girl)friends... liko has progressively adjusted more to dot being gurumin and has had moments where she is able to set aside her fangirl heart to be there for dot (like when she mentions dot being gurumin in her little supportive speech in HZ027), but this episode shows that in a much more drastic and meaningful way, and now those two sectors are FULLY overlapping canonically. i think it is overall a sweet and good thing for them that liko is able to see dot as a whole and directly appreciate her creative skills/work. it is obviously meaningful to dot!

TLDR;

HZ039:

HZ049:

you get the point.

NOW. onto the SECOND thing i want to talk about. the thing i've dubbed LIKODOT TELEPATHY. aka holy shit these girls understand each other without words. liko and dot understand each other on an intrinsic level and often notice when the other is worried, or pushing themselves too hard, or etc. that is EXTREMELY evident in this episode through liko's concern towards dot.

going back to the first scene before the opening theme, liko detects immediately when dot comments on roy's upbeat attitude that dot might be feeling nervous about her upcoming battle, and immediately offers reassurance.

(unfortunately i have to put aside my ramble about liko's continued lack of self esteem and her putting herself down here for another time because otherwise this post will get so off-topic and longer than it has any right to be, but you get the point. also holy shit dot saying "you don't have to fuss so much" but smiling and saying that line like she's happy to have liko fretting about her makes me CRAZY. I LOVE THEM SO MUCH. BUT. coughs. ANYWAY)

then, like i mentioned earlier, liko is the first to be worried about dot in this episode. she's the first to notice dot's anxious/shutting down behavior:

the first to recognize that dot might actually walk away unhappy if she were to do her terastal exam as gurumin instead of herself:

and the first to recognize that her filming videos outside is not as genuinely upbeat and happy as it may seem:

(two quick side notes about this, i really like how the writing puts emphasis on liko's concern by contrasting roy's total lack of it multiple times - NOT that he doesn't care of course, but just that liko understands dot particularly well and is in touch with dot's feelings in a special way that roy isn't. additionally, it makes me feel crazy that dot probably got the idea to film outside from liko's affectionate encouragement in the first scene in the episode... like, she's basically trying to use liko's advice to hype herself up and get through this... of course she would!! trusting liko's words has always ended up positively for her!! liko is such a massive support for her!! and liko acknowledges herself that yeah she said that but that isn't what she meant. GOD. i'm so insane about these girls)

this is notable not only because it's very sweet that liko is so concerned about dot, but also because dot doesn't really understand this herself. she is trying so hard to put on the gurumin facade, to run away from her anxiety as far as possible, to avoid the bad. and yet despite her attempts to cover her true feelings up as much as possible, even from herself, liko sees straight through it. dot cannot mask around liko, she understands regardless, sees the parts of her she doesn't want to acknowledge.

the contrast between dot's understanding of herself and liko's understanding of her is immense. directly after dot boldly proclaims that she feels so much stronger as gurumin and happily mentions that she has nanjamo's permission to do their battle as gurumin is when liko finally confronts her. the difference in mood is startling, almost, and easily shows that contrast. i need to break down this confrontation in detail cause it makes me insane

first, liko is still too nervous to say what she wants to say, but as per usual with LIKODOT TELEPATHY (tm) dot immediately notices liko going into her polite i-don't-want-to-inconvenience-you voice and pushes for what the matter is. she can tell immediately that liko has a problem even though liko hasn't said anything yet.

liko doesn't want to rock the boat and is overly gentle with her words (once again i have to push aside my ramble about liko's confidence problems AGH) but finally speaks her piece about the situation.

i want to mention here as well, these two situations are very different, but the similarities of dot noticing liko pushing herself back in HZ027 and then liko recognizing dot pushing herself in kind... SIIIGH

dot's reaction is to stammer with MUCH less confidence than before that she wasn't forcing anything. she's taken offguard by liko's concerns, but it's evident she recognizes what liko is saying within herself and is grappling with trying to maintain her mental wall after liko has cracked it in half with her words. liko was right and saw right through her, and dot isn't sure how to handle it. she avoids eye contact and everything.

this is where i bridge my conversation about likodot telepathy into talking about dot's characterization and growth as a character, so bear with me - quaxly attempts to drive the point liko is making home by separating dot from the gurumin suit, but afterwards is... The Scene. liko tries to bring the conversation back to what they were saying before, but at this point dot is overwhelmed by quaxly's actions and feels socially/emotionally cornered and... she explodes and screams at liko.

i think it's an interesting part of her personality that she is prone to irritable/angry outbursts and yelling when she has her buttons pushed too far and i'm glad that remains consistent for her, especially because...

the last time dot yelled directly at liko like this was in HZ008. the situation is actually quite similar with dot being pushed too far into a situation she doesn't know how to handle by liko reaching out to her more than she is ready for, causing her to lash out. but some MAJOR things have changed since then - obviously, the first time was through the door before they really knew each other, before liko had even seen her face, but this time it's up close and personal and they know each other. but secondly, at the beginning of the show, dot is irritated and overwhelmed by pretty much any attempt at conversation. she has come such a long way that now she's brought to screaming by something much, much more massive, with the whole being streamed live while battling in real life thing, showing how much she has overcome since then... and not only that!! thirdly! the first time, liko was encouraging gurumin, sharing how much of a fan of gurumin she was, and now this second time, it's in reaction to liko essentially telling her "i don't think you actually want to be gurumin in this situation". point is, the amount of growth dot has had is ironically so easy to see in her screaming at liko here because of the sheer level of contrast between the two times it's happened.

by this happening again, it also gives dot the chance to recognize her own shitty behavior and apologize for yelling later even though liko (nor roy) were asking for an apology - in fact they seemed to be surprised that dot wanted to apologize in the first place, like they had forgotten all about it. i think both liko and roy are used to shrugging off some of dot's more irritable behaviors, but this time dot noticed herself that she messed up and takes that moment to say sorry, which is sweet of her and once again a moment of character growth.

considering that dot also follows this up with the statement that she will take her terastal exam as herself, the apology is also connected to it - like she recognized that what liko was saying, the thing that made her yell, ended up being true. it was liko's genuine attempt to help her. and now that she's come to that conclusion on her own, she can see that yelling was even more misguided.

and that's my final conversation topic about this episode - the fact that dot came to that conclusion on her own. yes, liko cracked the wall she was putting up and gave her that starting push, but dot went above and beyond to take that crack and then smash that wall into pieces without liko's help. which despite what it sounds like i think is extremely important for these two's dynamic moving forward.

i'm going to spare you the analysis of dot's fear of cameras, why she hides behind gurumin, as well as a breakdown of the whole part of the episode with varoom bc i'm trying to talk mostly about likodot here, but assuming you've watched the episode you know what i'm talking about. here, i'm focused on the part where liko exclaims that they have to help dot, and dot denies her help and says she wants to handle it on her own, and then from this experience she is able to conclude she wants to do her terastal exam as herself.

this is massive. for so long, liko has practically dragged dot along and held her hand through tackling new experiences... sometimes literally lol, thinking about the scene in HZ027 where liko drags dot to chase after terapagos by the arm. but anyway, on top of that, this is also different from her standing up to her mom in HZ041, which was ALSO massive, but a large part of that episode consisted of liko's interventions, and she was pushed into that situation where she really had no choice in the matter. she had to if she wanted to stay on the brave asagi which was non negotiable. but here? there was nothing stopping dot from just taking the help and running from the cameras. in fact it probably would have been much easier to do that. but she wants to prove herself, and not because she has to to get the thing she wants, but just because... she wants to. she wants to succeed on her own.

and i think that's really important in the context of not just dot herself, but likodot, because while it is very sweet of liko to constantly be pushing dot and leading her to further self understanding and more confidence, and i will always be emotional about liko essentially caring for her to the point of dot braving ending her time as a NEET, the end goal for that should always be that dot is given confidence in herself to exist as a person independently of liko's pushing, for her own sake.

i think it's also incredibly meaningful that liko saw this happen - she experienced running out to help dot like usual, and then actually having her advances denied, but not for bad reasons this time... she gets to see dot be a better version of herself and come to that conclusion liko tried to push earlier, on her own accord, in her own way.

i say all this because i want liko to be able to love dot not as a person to fix but also just... a person. i want what liko has done for her to cause dot to be a better person outside of what liko does, for herself. and i want liko to be able to love the wonderful and more confident person dot becomes as a result. do you understand. am i making sense. GAH. i am so worked up about this. i'm holding them both in my hands and shaking them violentlySJDFJFSD

god. thank you for reading if you've actually come this far. i am going to end off this messy and deranged casual "essay" with a couple of notes i wasn't sure how to fit anywhere else.

one, i think it's very nice that when roy thinks dot's in trouble, liko is sure enough in dot's intelligence and battling skills to say with great confidence that dot MUST have a plan

and TWO, AHHHH I'M SO EXCITED FOR THE NEXT EPISODE AHHHH AHHHHHH WE ARE GOING TO GET EVEN MORE DOT CHARACTERIZATION AND GROWTH AND SHE'S GOING TO FACE HER MENTOR FIGURE HOW AM I GOING TO HANDLE IT AFTER ALREADY WRITING THIS MUCH ABOUT THE FIRST EPISODE IN THIS TWO-PARTER AND ALSO WHAT WAS THIS GAY SHIT IN THE EPISODE PREVIEW AHHHH AHHH

thank you for coming to my ted talk. goodnight tri state area

[anthurak]

So ever since the first season of Hazbin wrapped, there’s been more and more people (myself included) discussing and analyzing the parallels that Charlie and Vaggie seem to have towards Lucifer and Lilith. However, I’ve also started seeing a bit of debate as to how these two relationships parallel; namely whether Charlie is the parallel to her mother OR her father in this relationship, and whether Vaggie likewise parallels Lucifer OR Lilith.

And what I think is so INTERESTING about this is that the more I’ve looked back over what we’ve seen of both Chaggie and Lilith/Lucifer, the more I think we’re going to have to recognize that the parallels Chaggie has to Lucifer and Lilith actually cut in BOTH directions. That Charlie parallels BOTH Lilith and Lucifer in this relationship, and that Vaggie likewise parallels BOTH Lucifer and Lilith.

Because when you start looking back at Season 1 and all the analysis people have done, you really start finding a LOT of strong evidence for BOTH interpretations:

We have stuff like Charlie being an extremely powerful (half)human woman who inspires the people of Hell through her singing just like her mother, while also being an optimistic dreamer who longs to help humanity just like her father. Or stuff like Vaggie being a fallen angel and victim of Heaven’s cruelty just like Lucifer, while also being a woman hurt and cast out for not wanting to be controlled just like Lilith.

Really, it’s actually funny just looking at the scene of Charlie’s and Vaggie’s first meeting and seeing the number of people reading Charlie as Lucifer and Vaggie as Lilith, and the number of people reading Charlie as Lilith and Vaggie as Lucifer, being pretty much equal.

Charlie finds and gives comfort and shelter to Vaggie just as Lucifer did for Lilith, and Vaggie falls for Charlie just as Lucifer did for Lilith.

And we can find that kind of duel parallelism all over the place with Chaggie.

Charlie is the taller of the pair just like Lilith and Vaggie is the shorter one just like Lucifer, yet Charlie is the super energetic, optimistic dreamer which seems to parallel more what we’ve seen/heard about Lucifer while Vaggie is the more cool, quiet and sometimes more cynical one which likely has more in common with Lilith.

We’ve gotten hints that Lilith has been working on her own plan to help her people which led to traveling to Heaven to cut some kind of deal, just as we seen Charlie attempting. Yet when Charlie goes to Heaven she winds up speaking out against them and decrying what they’ve been doing, just as Lucifer has. And as I’ve discussed in other posts, Charlie’s dynamic with Emily has some potentially VERY interesting parallels to Lucifer and Eve: Charlie gives Emily knowledge that was long forbidden to her (the truth of the extermination) just as Lucifer gave Eve the apple of forbidden knowledge.

And in this regard, Vaggie’s not-so-well-hidden jealousy of how well Emily is getting along with Charlie could easily reflect how Lilith may have felt about Eve getting so close to Lucifer (something we KNOW happened thanks to the finale), yet the entire big reveal of that episode is that Vaggie is in fact a Fallen Angel just like Lucifer.

Then we have the two iterations of the song More Than Anything: The first version between Charlie and Lucifer is all about just how similar Charlie is to her father, with Lucifer not wanting his daughter to be hurt just like he was, yet also RELATING so much to Charlie’s goals.

But then we have the romantic reprisal of the song later between Charlie and Vaggie, which has Vaggie paralleling Lucifer, which in turn hints to Charlie more paralleling Lilith.

Now one way of interpreting this could be that Charlie is meant to exhibit the traits of both her parents, ultimately representing the best of both of them. Which in turn could naturally lead Vaggie, being Charlie’s romantic partner, to parallel both Lilith and Lucifer in her dynamic with Charlie. The Lucifer to Charlie’s Lilith AND the Lilith to Charlie’s Lucifer.

Just to give an example of this dynamic from a different show, just look at Blake and Yang in RWBY in relation to Blake’s allusions to Beauty and the Beast. Because Blake is an allusion to both ‘Beauty’ (Belle) and ‘the Beast’, this has led to Yang likewise showcasing nods to both in order to compliment wherever Blake is in her development; in the early volumes of the show when Blake is very withdrawn, brooding and standoffish like the Beast, Yang is very upbeat, positive and trying to get Blake out of her shell just like Beauty/Belle. And in later volumes when Blake has become much more upbeat and optimistic just like Beauty/Belle, Yang has likewise become more brooding and withdrawn much like the Beast.

HOWEVER, I think there may be more going on with Vaggie’s parallels to Lucifer and Lilith than just being an extension of Charlie’s own parallels. Namely that a number of her thematic parallels exist INDEPENDENT of her dynamic with Charlie. Like we have Vaggie’s being a Fallen Angel giving her a parallel to Lucifer even before she met Charlie. And if it turns out that Lute has one of those hyper-repressed, homophobic ‘hate-crushes’ on Vaggie and they were kinda-sorta a ‘thing’ back when Vaggie was in the exorcists, then that also basically makes Vaggie the Lilith to Lute’s Adam.

Not to mention we have the strong potential for things like Vaggie and Lucifer bonding over their shared experiences as fallen angels, as well as parallels drawn between Vaggie’s hiding her past from Charlie and Lilith’s own secrets.

All in all, while I think it’s still too early to call where exactly the story may be going with these character parallels, I do think we should be expecting and keeping in mind that Charlie and Vaggie seem to be paralleling BOTH Lucifer and Lilith in fairly equal measure.

[inkblackorchid]

What the hell happened with Crow: an autopsy (Part 4)

*Deep breath* Okay, everybody. Let's do this one more time.

First off, hello, or welcome back. Let's get the introductions and disclaimers out of the way, shall we?

This is the fourth and final instalment in my very, very long-winded attempt to analyse the character writing of Crow over the course of the entirety of yugioh 5Ds. For everyone who hasn't read the previous parts of the analysis, you can find part one here, part two here, and part three here.

This post, and my analysis as a whole, is neither meant as a Crow hate post, nor as a manifesto to convince people who don't like him that they're wrong. It's as genuine an attempt to simply look at and dissect what the show gives us about him as I can make, though I admit to personal bias because I do like Crow. That said, I'm trying to stay as neutral as possible, because the aim of this entire post tetralogy is to look at the writing decisions made for this character and how they impact him—and how they possibly influenced the audience's perception of him.

My previous three posts all reference this as well, but since I still see these things parroted all across the internet to this day: Please don't read this post under the assumption that any of the 5Ds production rumours are true, especially not the ones surrounding Crow. Because, to make this as short as possible, every popular theory as to why certain characters were mishandled during the later parts of the show fails to line up with the production timeline of said show. Chiefly among those theories, the idea that Crow was meant to be a dark signer and that his popularity correlated to his cards, and the idea that Aki, specifically, had to give up her screentime for him because her VA got pregnant, which both lack any basis in reality, as you can read in the posts I linked. (One final shoutout to @mbg159 here, who compiled these incredibly comprehensive posts and can also be found here on tumblr. Huge thanks.) So if you can do me one favour, please just let the 5Ds rumours die already and read this analysis without the hope of seeing any of them confirmed. I'm so sick of these crackpot theories at this point that I can hardly find the words for it. And while we're on the topic, I also don't want to see this post used as a means to pit Aki and Crow against each other in any way—both have good reasons to be well-liked and both deserve their spot in the narrative, all right? All right.

And now, at last, let's get down to business. The last time I got on a virtual soapbox and yelled about Crow, I covered the entire WRGP, murder-duel-robot induced break included. That means that for this, final stretch, we'll be looking at everything from episode 137 onwards—the Ark Cradle arc. (A side not for dub aficionados here: Episode 136 was the last episode that got an English dub. In other words, everything I talk about here never even made it into the English version. Because 4Kids, I guess.) As we've done before, we'll take a look at what exactly Crow gets up to during the final stretch of the show (and, notably, the epilogue), then see whether any of it needed improving, and if so, how it could have been improved.

You'll find all further yelling below the readmore, and I'll leave you with the other, usual warning here, as well: This will be long. Even if the Ark Cradle arc, relative to the rest of the show, isn't, this post most certainly will be. So get some snacks and perhaps don't start reading this late at night unless you're good at knowing when to stop and reading stuff in bursts. (I'm not.)

As I concluded at the end of my last post, the WRGP ended up being a bit of a mixed bag for Crow. He's there, he duels, but at the same time, despite being positioned as an equal third of a protagonist trio, he's notably less important and arguably also weaker than Yusei and Jack. Moreover, where the plot is concerned, he sure didn't get too much to do—not to speak of the fact that the writers didn't grace him with any meaningful interactions with a certain character who'll become very relevant here.

But I'm getting ahead of myself. First, the preamble.

With the end of the Team New World duel, the final arc of the show drops the by this point unexpected arrival of the Ark Cradle right on our heads. So, what does Crow do here, at the start, other than be shocked? Well, not much. A lot of the first episode that introduces the Ark Cradle focusses more on the imminent threat said structure poses to New Domino City, and we flash back to our protagonists mostly to ascertain that things are, in fact, going to shit. Even once that focus on the city evacuating shifts again, the episode concerns itself more with Yusei than with Crow. However, meagre as it is, we do get the first interaction between Crow and Sherry during the Ark Cradle arc in this episode.

(Uh.... at least they're technically talking to each other?)

And frankly... It's not much. Unfortunately, up until the duel where he faces her, the Ark Cradle arc continues a trend regarding interactions between Crow and Sherry that we already saw in the WRGP: They barely get to interact, and even when they do, they never have anything so much as resembling a meaningful conversation, mostly because Sherry basically never addresses Crow directly, nor seems very interested in him, while Crow is usually there only to react to what she's saying, rather than actually talk to her. While digging through my mountain of screenshots, I found that latter part to be especially interesting, because as it turns out, this is a trend not just in Crow's interactions with Sherry, specifically. Many moments that probably contribute to the nefarious "screentime" (I've explained my gripes with this term in part two) some people like to accuse Crow of hogging have him only be part of a scene so he can react to what happens in it, to the point of him sometimes feeling like a stand-in for the audience reaction the writers might be hoping for. The above is a perfect example, because as far as character writing is concerned, Crow's "interaction" with Sherry here is utterly devoid of meaning. He's just there to communicate his disbelief over the ominous prediction that Yusei is guaranteed to die if he goes to the Ark Cradle, which feels like exactly the kind of reaction the writers probably wanted from the audience. After all, it's a bold, shocking statement to make. The protagonist, dying? In a card game anime geared towards twelve year-olds? It's downright preposterous. And Crow seems to agree with that, if his dialogue is anything to go by.

This one and other scenes (mostly the kind that contain plot elements that Crow doesn't actually interact with) got me thinking, though, and after having gone through so much of the show with a fine-tooth comb now, I think I've come to a conclusion, so permit me a tangent here: I believe the choice to let Crow, specifically, be a character who often only reacts to events or interactions after the DS arc, rather than contributing much himself, is deliberate. Don't get me wrong, I don't think he's the only character who is frequently put in this position—Aki, the twins, and even Bruno, especially when they're on the sidelines in the WRGP, also often only seem to be there to react or comment on things, perhaps partially to remind us viewers that they still exist, despite not being in a position where they contribute anything to the plot. With how much the twins and Aki got pushed to the side after the pre-WRGP and the Unicorn duel, respectively, and with how toned-down Bruno's entire character is until the very end, as not to spoil his tragic antagonist status too much, Crow in particular ending up as an often reactive, rather than active character stands out a bit more, though. And I think this has everything to do with his personality, because it contrasts that of Jack and Yusei. Think of it. Sure, Crow is shown several times to be just as cool and competent as the other two, but what he has that the other two crucially lack is the ability to freak out like a normal person. I'm being hyperbolic here, of course, but I do genuinely believe this, because when I think back to the show, Jack and Yusei, due to their character writing, only ever seem to be allowed to lose their cool during pretty specific circumstances, and only in very specific ways. Jack, for example, only ever gets to freak out either when a scene paints him as the butt of the joke (like during his infamous, dramatic outburst over cup ramen), or when the freakout is caused by—and expressed as—righteous (or not so righteous) fury (like when he storms off angrily after catching everyone watching his old duel with Dragan). Meanwhile, Yusei is played so straight that we barely ever see him lose his composure at all, outside of intensely dramatic, high-stakes situations (think his dark signer duels with Kiryu, his confrontation with Roman, his initial failure to accel synchro). Hell, the closest we get to ever seeing him be mildly upset about something like a normal person, as far as I can recall, is when he gets embarrased by Martha calling him out on his perceived crush on Aki. That's it.

Crow, though. Crow's allowed to do something the other two aren't: He's allowed to react to the world around him like your average guy. Jack blows through their household money for expensive coffee. Crow gets upset. Understandable. Crow gets injured right before his big debut in a turbo duelling tournament and is upset to the point of snapping at his friends over it. Understandable. Seeing Yaeger's kid cheering his dad on and knowing that this kid will cry if his dad loses makes Crow relent and throw the match. Understandable. Sherry predicts Yusei's imminent death due to hocus pocus and Crow calls bullshit. Understandable.

Do you see what I'm driving at? With how the show treats the other two Satellite boys, I'd argue none of the moments above would have worked anywhere near as well if the writers had tried to make Jack or Yusei take Crow's place in any of them. Because while Yusei and Jack, I feel, were certainly written to be the coolest characters (at least to the target audience), Crow seems like he was written to be the most relatable. He's the guy who takes on a delivery job when they need money. He's the guy who complains about his cranky landlady. And he's the guy who reacts to insane nonsense happening around him a little more realistically than his defeated-an-ancient-devil-to-absorb-its-power brother, his shouldering-the-guilt-of-a-cataclysmic-event-decades-ago other brother, their mutual previously-violent-psychic-who-was-part-of-a-cult friend, and the one-of-us-can-see-spirits-and-we-share-a-weird-kind-of-magical-bond twins. As such, it doesn't feel too out there to me to claim that in many situations, they made Crow the stand-in for the audience, because he has a less iron composure than Jack and Yusei, is readily available in many scenes by virtue of living with the other two, and happens to be the guy who has the arguably most normal backstory out of the signers. (Save, perhaps, for Rua, but I've already addressed before why the writers barely ever pulled Rua centre stage for anything. And they certainly wouldn't have pulled him centre stage for this, either.)

Now, as far as character writing is concerned, assuming I'm at least halfway correct with my hunch above, I feel that whether or not this decision is good or a shot in the foot on the writers' part depends largely on every audience member's individual perception of Crow after the DS arc. If you liked seeing this scrappy guy introduced during the DS arc, of course you would have been happy to see more of him! Even if he's only present in scenes to comment on what's going on and doesn't actually get to do anything meaningful. If you didn't like Crow that much, though, I can see how him popping up so often only to yap a bit and contribute essentially nothing could have grated on you. And as I said, I think this is where the "screentime" discussion comes in again, because yeah, Crow is very much on screen in all these little-bit-of-nothing scenes. He doesn't get to do much and his character isn't fleshed out or reinforced in any way, but he sure is there. For better or for worse.

And this—this is where I can finally get back to him and Sherry. Because in his interactions specifically with her, it is for worse, due to the fact that all the scenes that contain both of them before the Ark Cradle duel are pretty much exclusively these kinds of little-bit-of-nothing, reactive scenes. Crow doesn't get to interact with Sherry meaningfully, and he never—and I need to empathise this—, not once gets to interact with her one on one, not until the end-of-series duel both of them take part in happens. What makes Crow's lack of meaningful interactions with Sherry even worse is that his later duelling partner against her is Aki, of all people, who by contrast gets to interact with Sherry a whole bunch, most notably during her duel against Yusei. Not only that, but Sherry is also shown to actually be interested in Aki, which cannot be said for Crow. Yet, still in the same episode I was describing above, while the Ark Cradle begins its descent, it's not Aki, but Crow who is entrusted with this card by Mizoguchi/Elsworth:

(I'd like to point out that the dialogue following this moment doesn't make it clear whether Crow even knows what Sherry's connection to this card is. For all we know, this could be the first time Crow sees it, without being aware of any of the context surrounding it.)

You know, the card that's essentially a symbol of Sherry's attachment to her parents and her commitment to revenge. The card that basically her entire character revolves around. For a single piece of cardboard, this thing comes with a lot of narrative baggage attached, yet canon doesn't even take the time to assure us that Crow knows what Z-ONE means, other than it being a memento of Sherry's parents, as Mizoguchi explains. And frankly, this all feels like a rather ham-fisted attempt to get some last-minute setup for the later confrontation between Crow and Sherry in. It's like the writers desperately wanted to feel the emotional moment in the duel later to feel earned; they wanted to have their cake and eat it, too. There's only one problem: They didn't even bake the damned thing, the ingredients are just sitting around, untouched, as if staring at them long enough will magically make a cake manifest.

But, well, since I'm already talking about this, I may as well get into the actual meat of the matter, because frankly, it's not like Crow gets much else to do at the start of the arc. Yusei takes off because he at first wants to go to the Ark Cradle alone (like an idiot), leading to the signers coming after him (and telling him he's an idiot). Joining this effort and assuring Yusei that they won't let him die alongside the others is as much as Crow gets to do before the inevitable three-way duel starts.

(That said, while it doesn't accomplish anything, I've always appreciated this little moment while Yusei still tries to pull his stupid kamikaze plan—Crow would know more shortcuts in the BAD area than he does. After all, he lived there for a good while!)

After that, everyone gets up to the Ark Cradle and, as we all know, the signer group is forcibly split up by Z-ONE before deciding to go to a Yusei gear each in order to shut down Ark Cradle's negative Moment. (Top ten sentences that wouldn't make a lick of sense to anyone who isn't up to their neck in 5Ds lore.) And the very first duel on the menu in this final stretch of episodes is also Crow's final duel in the entire show.

(Drumroll please.)

Here's the thing. I love this duel, actually. I get extremely hyped every time I rewatch it. BUT. But. I do not love it so blindly that I couldn't see that it has not one, but several issues. Not only that, but those issues don't just rest on Crow's shoulders, they sadly rest on the shoulders of all three participants in this duel, because frankly? Alongside the four-way Jack/Rua/Ruka/Aporia duel, this duel is one of the Ark Cradle arc's desperate attempts to tie up loose ends. Because as much as I enjoy this arc, that's exactly what it is: A race to the finish line, an attempt to tie as many loose ends as possible up in as little time as the show could get away with. To make clear why I think this, let me just list off all the things this arc resolves or at the very least tries to tie up with a neat bow:

It reintroduces Aki's psychic powers, which we were previously led to believe she'd lost. Notably, we didn't get a reason for why they disappeared and don't get a reason for why they reappear, either. It also turns them into healing powers in an attempt to establish a reason for why she later studies medicine.

It explains what happened to Sherry and what actually drives her revenge. Furthermore, it releases her from her narrative fridge-prison in order to actually let her duel Aki (yes, Aki, specifically), which is a confrontation that was subtextually implied several times previously.

It resolves the question of Bruno's identity by revealing him as an antagonist.

It finally reveals Life Stream Dragon, who was at this point teased over seventy episodes ago.

It also finally rewards Rua, who was teased to possibly become a signer during the DS arc, with an actual signer mark. (As short-lived as it may be.)

It actually explains Iliaster's real plan, which is Z-ONE's hope that the 5Ds gang can actually save the future.

Speaking of which, it actually explains who Z-ONE is and why he's a big deal. (Remember, this guy was first teased a good while ago at this point in time.)

Alongside Sherry, it dusts off several protagonists who didn't get an opportunity to duel on-screen and lets them duel one, final time. (Notably, Aki, Rua, and Ruka, who at this point haven't been seen duelling since the early WRGP or even pre-WRGP.)

You may notice that none of these bullet points contain Crow. They do, however, contain Aki and Sherry, both of whom went into this finale with several unanswered questions as to their characters. Crow, not so much. But let's just put a pin in that for now while we actually jump into the duel.

*Cracks knuckles* Aki & Crow VS Sherry. Here we go at last. Fair warning, the character writing of all three participants of this duel overlaps a fair bit here, so expect to hear a bit of a mishmash about our revenge trio.

So, how does this duel start? Firstly, with Sherry waxing poetic about why she's even opposing Team 5Ds now.

(A dramatic switch of sides that sadly doesn't hold a candle to Bruno turning out to be Antinomy. Which, funnily enough, might be why this duel is front-loaded and Bruno's comes later.)

I won't dig into this too much, but I just want to point out the one thing this moment gives us: It establishes character motivation. Sherry claims she can no longer get revenge and has thus lost her purpose. (The reason why she can no longer get revenge, if you're interested, is because Moment Express, her final lead, vanished in its entirety, as far as canon is concerned.) Thus, she took the bait when Z-ONE offered her a new purpose, and, more importantly, a reward. Now, Aki and Crow at this point in the episode don't get to hear what that reward is, but for our analysis, it's important to keep in mind: Z-ONE promised Sherry he'd alter the timeline so she would get her parents back if she helps him. And I think this is immensely important because this is not only Sherry's goal in the present, I think it's actually the core of her character from the very first moment we meet her. In classic, tragic-avenging-type character fashion, she claims to want revenge when what she's really doing is trying to numb the pain of the awareness that she'll never get her parents back. (Though I'll admit this may also be my generous read of her as a person who likes revenge-obsessed characters.) And then, Z-ONE dangles the actual thing she wanted all along before her. Of course she took the bait.

This brings us to the start of the duel itself. As we know, Sherry employs some tactics that feel quite different from what she previously did in this duel. First and foremost, she messes with the mechanics of the duel itself by using the field spell Ecole de Zone, creating an illusion that confuses Aki and Crow into duelling not her, but each other at first. Sherry, meanwhile, takes a very passive role, clearly intent on letting the two destroy each other while she sporadically activates card effects to accelerate this. What makes all this stand out as even more unusual for her is that she sets this up by lying. At the beginning of the duel, she tells Aki and Crow that there's two of her, and that each duellist will fight one copy of her on a seperate field each, but this is a misdirection to make the two signers duel each other instead of her. And, look. I don't need to tell you this is out of character for Sherry. Canon literally does that for me.

(Case in point.)

It's only after Crow and Aki catch onto the fact that something's wrong and after Aki destroys the field spell that Sherry uses her "real strategy", switching to Soul Binding Gate, which inflicts real damage every time a monster with less attack points than her life points is summoned, in order to whittle away at both other duellists' life points. This is also the point where she reveals to her opponents that she's doing all this to get her parents back. While she does that, we get a bit more back and forth in terms of cardplay, until Aki sets the field up just right so Crow can land a very high-damage hit with Black-Winged Dragon to end the duel. And that is pretty much the gist of it on the duelling side of things.

So what's going on on the narrative side of things, then? Well. Let me front-load something I've noticed on the narrative end: This duel heavily interacts with Crow's and Sherry's characterisation, but barely at all with Aki's. I'll make clear what I mean by that below. For now, let's just get an overview by going through the character moments as they occur in the duel. Why go through all of them? Because most either interact with Crow in some way, or set up a later interaction in the same duel that he's a part of, that's why. I'll get into the nitty-gritty of what this duel did well and what it didn't after that. (Mostly. You may have noticed I like tangents and rambling excessively.)

So.

The first moment belongs to Aki and Crow in equal measure, and happens just as Ecole de Zone is destroyed—which Aki accomplishes by using Crow's monster to synchro summon Black Rose Dragon, as well as prevent that synchro summon from being negated through the same monster's effect, so she can use her dragon's field wipe to get rid of Sherry's field spell. When Sherry is surprised by this, Aki and Crow explain that they memorised each other's cards as part of a strategic effort as a WRGP team.

(Friendship is, in fact, magic.)

Not only does this explanation make perfect sense, it's also an excellent little tidbit to tie Aki and Crow together as a tag-team here, as it strengthens the connection between them. The only gripe I could possibly see with this is that it feels like this didn't necessarily need to be a surprise, end-of-the-show reveal. Frankly, it could have been pretty cool to see this much earlier, to have members of Team 5Ds realise what their teammates were getting up to during the WRGP duels, for example. (Instead of so often having the other signers react just as shocked as the announcer to their teammates' plays—I'm side-eyeing the infamous "a trap from the graveyard"-moment in particular. Like, Aki, sweetie, if you memorised Crow's deck, why are you surprised that he has a trap he can activate from the graveyard? I digress.) Moreover, this could have built anticipation for this particular duel, as viewers would have been excited to see what Aki and Crow would come up with to defeat Sherry as a team. So this moment is not bad, really. Just a bit underutilised, at least to me. (The word "underutilised" might become a trend in this post.)

Every other character-driven moment from here on out is shoved into the second duel episode, 140. Speaking of which, this episode starts with Aki and Crow getting the reveal of why Sherry is helping Z-ONE, where she admits that she joined the bad guys because she wants her parents back. She even goes as far as stating that because Z-ONE showed her the future, she has no hope that it can be saved and thus at least wants her lovely past back so she can have some solace before everything goes to hell for humanity. But we already went over that above.

Next up, albeit this moment should probably be considered more of a running theme than just one self-contained thing, we have Crow's struggle with Soul Binding Gate. Remember, the effect of this field spell causes all players to take damage every time a monster with less ATK than Sherry's LP is summoned. And at this point in the duel, Aki is barely above 1000 life points, so Crow worries about triggering the field spell's effect and hurting her, which leads to him playing suboptimally because he's more concerned about his friend than about winning the duel. Notably, Aki calls him out on this.

(She has a point.)

Outside of providing an internal conflict for Crow to grapple with, this isn't much to write home about. (Side note: I do find it interesting that they introduce the fear of physically hurting someone in a duel specifically in connection to Aki here, though, given that through her psychic powers, she had to grapple with this exact issue many times in the past. I have no idea if this was intentional, though.)

Between this and the next moment, there's a nice bit of interplay between Crow and Aki again, where he activates a card to refill her life points just in time so she doesn't drop to zero through Soul Binding Gate, while Aki uses a defensive trap to protect Crow in return.

(This is just here because it's a money shot to me. The juxtaposition of their faces and their life points, showing that while Aki may have the lowest life points, she still has the coolest head in this duel, and while Sherry technically has the upper hand, she's beginning to falter because she didn't anticipate the other two to work so well together. It's chef's kiss. Mwah.)

What follows after this, is, of course, the Big Moment. Where Sherry tries to convince Crow to forfeit so she can win and have Z-ONE change the past. And this is the one I really need to dig into.

With Sherry's earlier admission that she's on Iliaster's side because she wants her parents back acting as setup, she begins her attempt to sway Crow by telling him that if he had the opportunity to change the past, he would do it, too. And while Crow initially protests, Sherry challenges this, then proceeds to show him what Z-ONE's power could accomplish, and we get a lengthy sequence where Sherry, through weird cyborg-techno-magic-shenanigans that are never explained, takes Aki and Crow to a dreamlike space where Crow sees the orphans he used to take care of being happily reunited with their parents. Sherry also ominously tells him that this is "what he desires deep in his psyche" before promising him that if he surrenders the duel, Z-ONE can give him a world where Zero Reverse never occurred and all the kids can have happy lives with their real families. (I wanted to post most of this sequence in screenshots, but while I have them, I've realised I'm only a few images short of tumblr's limit already, so forgive me because I will need those remaining image spots.) This moment proceeds to introduce some serious doubt on Crow's end. Aki, meanwhile, remains steadfast, telling him not to fall for Sherry's manipulation, which leads to her giving an almost Yusei-style speech. In a moment where Crow wavers, both because he's genuinely considering whether taking Sherry's offer might be the wiser choice, and because he doesn't want to hurt Aki by triggering Sherry's field spell effect, Aki calls out to him and tells him to snap out of it by reminding him of how Yusei reached out to her during their second duel. This speech is a bit, um. Clunky, I feel. (At least if the translation is correct. If it isn't, then that may be the issue.) See, she tells him that Yusei "saved her from the darkness of her psychic powers", that "he wasn't concerned about his own safety and risked his life to persuade her", that, because her psychic powers are now gone, she's "renewed" and that this somehow brought her to the epiphany that as long as she believes in her own potential, she can change the future. This is lifted almost verbatim from the scene, by the way. Leaving aside the fact that half of this feels like a mild to severe misrepresentation of Aki's character arc during the DS arc (don't talk about it, don't talk about it, I need to make this another post of its own, damn it), I, personally, can't exactly follow how she ended up with that final epiphany from the circumstances she listed. But lucky for us, Crow apparently gets what she's driving at, because he quickly echoes her statement and they both conclude that Crow's kids also believe in the future and fight to live, that they're not sad about their lives the way they are right now, even though they don't have parents. Thus, Crow catches himself, echoing Aki's sentiment and telling Sherry that he, too, believes in the future. And through the power of Friendship and Believing in the Future, he manages to use Aki's cards to land the final hit, nicely mirroring how she used his to destroy Ecole de Zone.

...Phew. Okay, look. First off, that above, large section is basically several character beats stacked on top of one another. On Sherry's end, we have the intriguing fact that she's specifically trying to manipulate Crow, not Aki. In fact, she doesn't so much as try to sway Aki, as though she knows it's no use. Then, on Aki's end, we've got her pulling a real Yusei, staying level-headed almost the entire duel and reaching out to make sure Crow stays on track. This moment also ties back to her own conflict with her powers again. (Which, unfortunately, I will talk about, and yes, I'll be chewing drywall the entire time I do it.) Finally, on Crow's end, we've got a nice, proper moment where he doubts himself and, by his own admission, nearly makes a terrible mistake because he wants nothing more than for the kids he used to take care of to have good lives.

Now, before I go over what worked about this moment and what didn't, let me just chew through the rest of the actual duel itself, too, then circle back too highlight some things. In other words, time for me to chew some drywall.

*Sigh*

At the very end of the duel, there are two more character moments that are noteworthy.

First, right before the final hit, we get Sherry desperately defending herself against Aki and Crow's newly strengthened belief that the future can, in fact, still be saved, which she does by (rather heartbreakingly) asking what's so wrong about wanting her parents back, about wanting their love and warmth back. It's at this point that Crow's allowed to get back at Sherry by challenging her beliefs, telling her that people "work hard to live because they only get one chance at life", and that there's no point in trying to go back to do things differently, that the only way to keep going is to believe in the future, regardless of whatever painful and sad events one has had to live through. I'd say this sentiment certainly fits Crow, character-wise, especially given his rough Satellite background. It does partially fall flat because it feels a bit weird for him, specifically, to now be acting like he knows Sherry inside and out, much like she did with him earlier, but again, this is simply a matter of setup and I'll try not to belabour that point again. The horse is already dead, no sense in beating it. It's after this speech and the final attack that Sherry finally realises her error.

Buuut this leads us right into the next character moment. Because as the duel ends, Sould Binding Gate physically falls apart, pelting all three of our duel participants in debris and threatening to crush them under it. While everyone does briefly fall over (and Sherry gets a moment to realise that her father wanted her to live strong, not accept seemingly inevitable doom and die weak), they soon realise they were not, in fact, buried under rubble, though. Because guess what! Black Rose Dragon to the rescue. Black Rose Dragon, who can suddenly physically affect her surroundings again. You know, that thing we were led to believe Aki could no longer make her monsters do because she lost her powers completely out of nowhere. And there's more! Because not only does Black Rose Dragon take care of the debris for the trio, as she disappears, she also heals all three of them, and in response, Crow gets a line that I unfortunately cannot for the life of me discuss without bias because it kills me every time.

(Crow. Crow, please. You're killing me. I beg you.)

This line out of Crow's mouth feels extremely weird to me, and in the process of typing up this post, I've been trying to find the reason why. Here's the conclusion I've come to: Firstly, it feels a bit out of place from him, somehow. A line hypothesising about what psychic powers can or can't do—this is something I would have expected out of Aki's mouth, but not out of Crow's. I believe what makes it feel so out of place, though, isn't necessarily that it seems a bit odd for him, specifically, to theorise about this, but that when I hear it, I don't feel like the character is saying it. Instead, in this moment, moreso than in some others that suffer from the same issue, I hear not Crow, but the writers speaking. I hear them telling me "look, we know we made it seem like Aki's powers are super gone and like they were super, irredeemably bad, and like she and you should be happy that they're gone, but here, see, this is what they're really like. Don't you think we came up with something clever here, to set her becoming a doctor later up nicely? No, this isn't because we needed to backpedal on our decision to make her lose them and be happy about it at the last second, why do you ask?". And yes, I concede this might just be me. (So feel free to disregard this in terms of analysis, I just have some weird kind of vendetta against this line.) But still, even without my personal issues hampering me, this line of dialogue out of Crow's mouth is just plain odd. After all, how would he know what "real" psychic powers are? Since when is he the expert, especially considering we've never so much as seen him comment on Aki's powers before? (And for the record, this line would have seemed just as weird had any other character other than Aki said it imo. It just has that unmistakable "writers trying to justify something at the last second"-tang to me.)

And do not. Do Not get me started on the fact that the writers, despite going to such great pains to paint Aki's psychic powers as an exclusively negative thing especially during the WRGP arc, decide to reintroduce them here, suddenly as a good thing that can also heal people, which directly contradicts every choice they've made when it came to Aki's relationship to her powers ever since the Team Catastrophe duel. While crucially also lacking the one thing this entire duel is practically begging for: Fucking. Setup. But at this point, the handling of Aki's powers, specifically, really needs its own post, so I'll hold off on any further comments here and come back to that another time. I feel like I'm beginning to talk in circles, anyhow. Setup. Setup, setup, setup. This duel wishes it had it, because then the ideas presented here—which, in a vacuum, are compelling—might have worked smoothly.

But, with that. We have finally made it through the duel itself. Sherry, at the very end, gets her change of heart and at last cements herself as a good guy, and that concludes the first duel in the finale, and also both Aki and Crow's last duel in the entire show.

And good lord, was this duel all over the place. Though I think my meandering scene-by-scene breakdown of it showed as much. Now, onto the proper evaluation of what worked and what didn't here. First, let's get the good these two episodes do out of the way, shall we. (Because there is a lot of Bad I need to yell about, unfortunately.)

By virtue of being one of the final duels, this is Aki and Crow's last chance to shine, and shine, they do. Both in the duelling department and in the character department. Aki makes two major plays that upend Sherry's strategy and Crow's perfectly in sync with her, showing that the two truly are teammates, and paying off all the character moments they had specifically in the Team Unicorn to Team Catastrophe section of the WRGP. Their friendship and cooperation is believable and entertaining to watch. Then on the character side, Aki's growth is (somewhat) paid off—where she used to be a character that doubted herself and was afraid of hurting people, she is now the one who can keep a level head and help others fight their self-doubt. Meanwhile, Crow gets to show off his unfailing dedication to community and family again, both by watching out for Aki and by selflessly desiring not for himself to have a better life, but for the kids he used to take care of. And Sherry, who was previously removed from the narrative in such an unsatisfactory way, finally gets to duel again, gets to explain why she actually does what she does, and gets to join the heroes at the end, permanently joining the ranks of the good guys instead of the villains. Happy endings all around.

Ehem. And this is where I'm gonna be less nice about this duel. Because the problem is, due to the specific constellation of characters involved in this duel and how they previously interacted in the show, there's a lot of stuff here that doesn't work nearly as well on a second watch as a first watch would like to make you believe.

First, a broader issue on the card game end of things: The way this duel feels, it's very much more Aki's duel than Crow's, which is also kind of confirmed in the card plays being made. Though it's Crow who's first shown to catch onto the fact that a third party is activating additional card effects out of nowhere, it's Aki who fully solves the mystery, uses Crow's monster to synchro summon Black Rose Dragon, then activates her dragon's effect to get rid of the illusion for good. And while Crow gets to land the final hit, it's Aki's setup and her trap, Synchro Stream, that make it possible for him to win for both of them. And yet. On the dialogue- and character-interaction side of things, this duel is made out to be much more Crow's than Aki's. Because, perhaps surprisingly to some, Aki doesn't waver one bit in this duel. She's got her head in the game the entire time. She's here to do business—that business being defeating Sherry—and by god, does she do it. Moreover, unlike Crow, she has much, much better setup to be duelling Sherry than he does. And this comes right back around to the main thing this duel suffers from, which I've already harped on about: Crow and Sherry, up until this point, have not interacted in a way that would make the connection between them seem in any way significant. Unfortunately for this duel, though, Aki and Sherry have.

From the first episode where we're introduced to Sherry, she's shown to be interested in who Aki is and what she can do. During the duel between her and Yusei, she comments on Aki's powers. Later, when Aki is getting her turbo duelling license, Sherry watches on with interest. At some point while Aki's training, Sherry drops by to speak with her and Yusei again. My point here being, of course, that Aki, unlike Crow, got several scenes where she interacted with Sherry or had Sherry meaningfully take note of her existence before this point. Yet, whatever dynamic the writers may or may not have been aiming for between these two is, at best, underutilised in the final duel, if not completely ignored, at worst. Instead, the writers shift their focus to Crow and try to make us believe that Sherry, a character who has barely acknowledged his existence thus far, would know him well enough to consider him the better target for her attempt at manipulation. (And don't get me started on how the hell Z-ONE's weird robot magic is supposed to expose what Crow "desires deep in his psyche". That is simply a chasm the show expects us to suspend our disbelief over.) And look. The thing is, I don't think the Big Moment where Sherry tries to convince Crow to forfeit is terrible in isolation. Like, they could have made this work, had they given these two setup, had they given us, the audience, reason to believe Crow could be swayed like this (which they, notably, also didn't), and had they given us the impression that Sherry knows Crow well enough to pull something like this. What hurts the scene immensely, however, is that it's preceded by everything before, starting from the WRGP, where there is no setup between these two, no reason to believe Crow could be convinced to forfeit a duel against a major antagonist, and no meaningful interactions to support the belief that Sherry knows who Crow really is at all.

What also stands out to me is that Crow really doesn't feel like the best character to parallel Sherry, here, either. Parallel in the sense that she tries to get to him by expressing a desire she believes they both feel—getting a certain, nicer version of the past they never had back. Because the thing is, Sherry and Crow hardly feel like they have very much in common, and there's certainly no previous hints to make anyone believe they would have this in common. (So for all we know, Sherry could have just been taking a shot in the dark by trying to convince Crow.) You know who could have made for an excellent character to mirror Sherry, though? Yeah. The third person in the room during this scene. Aki.

See, here's the thing about these three as characters, in relation to what this scene tries to accomplish (getting a protagonist to waver by having the antagonist appeal to certain emotional similarities between them): While Crow may perhaps be more relatable to the audience, he isn't all that relatable to Sherry. He comes from dirt poor origins, she from rich ones. He doesn't even remember his parents, she defines herself by the memory of hers. She's a lone wolf, he's incredibly community-focussed. The only parallel you could have drawn between these two, up until this duel, is knowing what it feels like to want revenge. (Sherry with her parents, Crow with his kids back in the DS arc.) But guess what, unfortunately, Aki knows that too, what with her past as the Black Rose Witch and wanting to make people pay for ostracising her. And to make matters worse, she has a lot of other things going for her that parallel Sherry much, much better, too. They both come from well-off families, both have had major, traumatising events in their lives revolve around their parents, both left their initial family structure by way of drastic changes in their life, both are intimately familiar with the desire for vengeance, and, most damningly, Aki knows what it's like to stand on the side of the bad guys—like Sherry is doing in that very scene—because you feel like it's the only place that gives you hope/meaning. Not to speak of the fact that Aki, given her turbulent past with her psychic powers, would probably know exactly what it feels like to want a past you never had back. There would have been so much to work with there, and it makes whatever they were gunning for with Crow look... lacklustre, to put it mildly, by comparison.

The worst part is, I think, that the blame lies neither with the characters nor with the scene concept here. Solely with the execution. Because I truly think they could have made this work. They could have made the entire duel work, big character moments and all. But the keyword is and always has been setup. Setup, which the writers, at least in part, strangely gave to Aki, but not to Crow, which is what hurts particularly his portion of this duel, and, arguably, his character writing in general. Because—and this may be a small thing in the grand scheme of things, but permit me this—while Crow wanting a better future for the kids he used to take care of over a better future for himself feels perfectly on brand, the idea of him forfeiting a duel against a major antagonist, while the threat of the entire city being destroyed is hanging above his head... doesn't. Like, yes, I've talked about the fact that Crow is the only character in 5Ds who ever actually loses duels on purpose. What you may remember, though, is that both occasions we've seen him do this—against Lyndon and Yaeger, respectively—were much lower-stakes duels than this. Not to speak of the fact that it also feels a little odd that Crow, of all people, would buy into the idea that Z-ONE's genuinely powerful enough to just give those kids their parents back, given how liberally he called bullshit on pretty much any and all supernatural mumbo-jumbo claiming that fate is inevitable, or that the gods have this-and-that power, or what have you the entire show. (Also, doesn't he strike you as the guy who'd wonder why Z-ONE's not using his fancy powers for better things, if the extent of them is so great? Or is that just me?) It's a moment of character doubt that tries to sell itself as believable, even though we've never been given any hints that this kind of temptation, specifically, could work on Crow.

Ultimately, Crow & Aki VS Sherry feels like a very hot-and-cold duel. On the cardplay side, the teamwork between Aki and Crow is well done, yet the duel does feel like it skews more towards Aki than towards Crow. Sherry, meanwhile, plays tricky and mean like a proper antagonist, but does so at the expense of sacrificing all her previous tactics and monsters (and, arguably, some of her character, though this is probably on purpose, given her transformation into an antagonist). Then, on the character side, we've got Aki in an interestingly Yusei-ish role, which, while it feels like a good way to show how she's matured and learned, wastes her character dynamic with Sherry. On the other side, Crow and Sherry interact in several personal ways throughout the duel that leave you wondering when exactly these two got to know each other so well, because the show certainly didn't give us a visible progression of their dynamic. The only dynamic that leaves nothing to be desired is that between Aki and Crow (stilted speeches aside), because it excellently showcases their friendship and teamwork. Very weird decisions made in the writing here all around.

We'll get into the nitty-gritty of what changes I would have suggested to improve this duel below, but first: What happens after this duel? Well, two more Yusei gear duels, Aporia briefly standing up to Z-ONE, and then, the final, big clash between Yusei and Z-ONE.

Given that Crow isn't even present for two of these duels and then barely gets more to do than stand on the side and react during the final two, I will dare to skip all that, though. Because really, Crow's occasional comments and the play-by-play he sometimes joins the others in giving when spectating a duel don't exactly contribute anything to his character. They're just there so he gets something to do and doesn't fade into the background entirely when a duel that doesn't involve him is going on. This includes the moment where he, much like the other signers, gets to give Yusei Black-Winged Dragon for the final duel, as well as the later moment when Yusei uses it, chanting in tandem with Crow as BWD arrives. And other than that and the tear-jerking moment when he later reacts to Yusei returning despite all odds, he really doesn't get any noteworthy scenes.

In other words, we are skipping straight to the end. So, where do we find Crow there?

(Oh, y i k e s.)

There's a popular post circulating around this site that goes something like "the worst thing you can do to a character is make them a cop during a timeskip". And, look. I don't think I need to tell anyone that becoming a sector security officer is an extremely jarring character choice for Crow. Crow, of all people! The guy with the face full of markers, who used to be part of a duel gang, who was introduced in the show gleefully stealing from security Robin Hood-style, and who has every reason to despise law enforcement! (Leaving aside the obvious logistical issue that Crow in no country in the world could have completed his police training in the few months between the Ark Cradle debacle and this scene. But given that 5Ds generously brushes realistic concerns like this one aside on multiple occasions, this is, funnily enough, the thing I'm also more willing to overlook here. The character dissonance, however, less so.)

I'll try to be generous and guess that the writers were aiming to convey a message somewhere along the lines of "even someone who's done bad things in the past can become an example for others" or something like it. The problem is just that Crow didn't need any such message because he was already the good guy while he was still actively stealing from security. He was the lovable rogue to a T, damn it! But this, in particular, is a surface scratch hinting at a bigger issue, I think—namely, the issue of the show's complete pivot when it came to the depiction of law enforcement after the DS arc. Because when we think back to that part of 5Ds, good security officers were the exception, rather than the rule. And this is exactly what makes Crow of all characters becoming one even weirder. He would know, would remember how security used to treat him, his kids, his friends, his brothers. And if the idea here was that, well, he's trying to improve sector security by joining it and changing it from the inside, so to speak, then guess what was missing again: Our good, old friend setup. I'm starting to feel like a broken record. So yeah, I don't think a ton of people, whether they like or hate Crow, would disagree that this is a supremely weird position to put his character in.

As we find out through 5Ds' epilogue, however, his sector security job isn't quite what Crow actually wants, though. (And thank god, because that would have been such a bizarre position to leave him in.) Instead, we're shown fairly quickly that several duelling leagues are apparently trying to scout Crow out, and that he's tempted to accept one of the offers and go into pro duelling. This is at first shown in a short scene where something like a league scout follows Crow, then later, when the whole group—sans Jack, at first—is getting together and everyone starts discussing their futures. Aside from complaining a bit about his job and upsetting Aki without meaning to, Crow doesn't get much to do here, either. For what it's worth, at least him feeling tempted to ditch the security job feels more in line with the original Crow we got than with whatever strange twist the writers were going for after this shorter timeskip.

What follows is the very last duel of the show, the long-awaited Yusei VS Jack rematch, of course. And while he doesn't get to participate in this one, Crow, much like Aki and the twins, spectates the duel and ends up having an epiphany about what he wants to do. This epiphany ends up being that he does want to turn to pro duelling, and as a reasoning, canon provides us with this:

(As is known, intense card games are the only way to make children smile.)

Personally, I wouldn't say this is a terrible or out of character reason for Crow to decide to go pro. But there's more to that I'd like to discuss. First, though, let's take a quick look at where we find Crow after the second, bigger timeskip, which is inserted right in the middle of Yusei and Jack's final duel.

(Okay, yeah, I'm a sucker for the bullet earrings.)

The quick scene Crow gets here makes it unmistakably clear that he did go into pro duelling, just like he decided during the duel in the past, and not only that, he went into tag-team duelling and apparently managed to reach world champion status with his teammates. The above scene, however, is the exact same moment he decides to leave said team, so he can instead go solo and (presumably) try to beat Jack.

Now, we can discuss this in a bit more detail. Personally, I'm extremely in two minds about Crow being one of three characters, total, who ends up becoming a pro duellist after canon. Jack seems obvious, especially given the pivot back to his more Fortune Cup-esque persona the writers did around the Red Nova episodes. Rua also makes sense, given that Jack was his idol from the start. Crow, though, feels a little more complicated. The thing is, like so many things surrounding Crow in the Ark Cradle arc, the writers gave us no indication pro duelling is something he's really passionate about before this point. Worse, they didn't even really tell us what reason he saw to participate in the WRGP with his brothers beyond "could be fun". So there isn't really a connection here. The same thing goes for the fact that he specifically talks about teaching his teammates above, which is also something he wasn't associated with all that much previously. Though this one is admittedly less egregious, because at least Crow was seen briefly coaching Aki as she prepared to take his spot during the Unicorn duel. Still, while I wouldn't go as far as saying it's an out of character choice for Crow to go pro, it still feels a little odd that he went down the same route as Jack. Personally speaking, it feels like the writers didn't quite know what to do with him. Because as I said, Jack is obvious and Rua also makes sense, and I'd say the same goes for Yusei. Then there's Ruka, who is treated about as in-depth in the epilogue as she was throughout canon, and Aki, whose "setup" for her timeskip self was done extremely hasty and last-minute, but at least it was there. Between all of them, Crow occupies a weird spot where it doesn't so much feel like he ended up on the wrong trajectory for his life, as it simply feels like there were choices the writers could have made that would have fit him much better. What with his theme of legacy and community, trying to make Pearson's dream of a place where disenfranchised children can learn good life skills a reality would have been a good fit, for example. Especially considering his close ties to the Satellite orphans he used to take care of, which, funnily enough, are reinforced one more time as canon flips back to present day and Crow is seen bidding his kids goodbye.

("Come back"? When, precisely? And what part about "literally saved the world twice" doesn't qualify you as a hero to a bunch of kids ten times over already?)

Considering canon seems hellbent on making sure we know the signers went their separate ways and that they aren't anywhere near each other by the very end of the show, though, my guess is that Crow had to end up doing something like pro duelling, in order to get him out of New Domino City and away from the friend group whose shenanigans we were so accustomed to following by that point. Of course, there's also the argument to be made that Crow staying in NDC and getting a more community-focussed ending would have also been significantly less cool than making him a kickass pro duellist with bullet earrings, which circles back to how the writing interacts with its target audience.

The only thing that follows after this, then, is the big goodbye, and with that, ladies, gentlemen, and other lovely 5ds nerds, we have successfully followed bird boy's path throughout the entire show. And what a ride it was. (I did not think this analysis would end up stretching over a whole four posts.) Time for some closing thoughts before I do my thing and suggest some rewrites that could have made all this feel more coherent one more time.

Crow's character arc, if it can even be called that, feels about as hot and cold as his and Aki's final duel with Sherry over the course of the show. His introduction is fast-paced, he's made to be likable quickly, and his integration into the main protagonist group is as quick as everything else about his narrative. Between the way he shows up out of nowhere, briefly disappears without fanfare, and is then reintroduced with even more importance before slipping into the signer group like he's always been there, it truly feels like his entire inclusion in the narrative was a last-minute decision by the writers to include that one, additional character concept Kazuki Takahashi had originally created after all. If there was one way to describe his whole arc, it would be that it's a rush. At the start, the writers are in a hurry to make him likable, then they're in a hurry to make him a signer, then they're in a hurry to give us a whole backstory for him, then they're in a hurry to give him a believable character dynamic with Aki, and at the end, they're in a hurry to pay off a character dynamic with Sherry they didn't properly set up with him. You may notice that leaves significant gaps, and the lack of balance between those gaps and the rushes surrounding them, I believe, are part of why he's such a polarising character.

Crow is integrated so thoroughly into the signer group at the end of the DS arc that, much like Aki and the twins, he gets stuck in the position of being a character that cannot simply be removed from the narrative for a longer amount of time. And this, I think, ends up biting him in the ass, because in the gaps where the writers don't rush to do something big with him, it often feels like they don't quite know what to do with him at all. So, he instead gets relegated to small side tasks, like inane duels that don't affect the plot, or becomes the person who reacts to unfolding situations in whatever manner wouldn't fit Yusei or Jack. He feels like he's the third portion of the protagonist trifecta only in theory—the status of an equal third player seems to be what the writers had in mind, yet, looking at the show, it feels like an honorary title, at best, because the writing choices made for him don't convey anywhere near the same amount of thought and effort as those of Yusei and Jack. Crow's backstory doesn't intersect significantly with that of his brothers, his dragon is introduced way too late and never given an upgrade, he never gets to clash with Iliaster until the Team New World duel, and throughout the entire WRGP and Ark Cradle arc, there isn't a single duelling victory that's solely his. People who prefer other characters over Crow like to harp on about how much screentime he gets; I argue that this is exactly what showcases how poorly the writers took care of him in many instances. For as much as Crow is plastered onto the screen and given the aesthetics of an equal player in a protagonist trio, his many appearances are as much of a curse as they are a gift, because too many of them aren't spent setting up anything meaningful or developing his character in any way. Speaking of character development: There is none. Crow exits the show pretty much exactly the same as he entered it, brief security stint aside. And, look, this need not necesarily be a bad thing. Static characters exist and they have their place in stories. It's just that in Crow's case, his utter lack of development feels like another damning indicator of the writers' cluelessness when it came to utilising him, given his weird, sort-of-elevated-protagonist. Aki, who is so often weighed against him, gets significantly more development than he does. And though Jack also ends up in almost the same place at the end of the show as he was at the start, at least he had a dip in the middle where his character was somewhat malleable and not set in stone. Crow didn't.

What we end up with, then, is a character whose concept is perfectly fine on paper, but whose execution proceeded to turn him into the one and only favourite for some, and the embodiment of piss poor writing for others. Having now looked at pretty much his entire run in the show with a bloody microscope, I end up somewhere in the middle, myself. He's a good character and much of his writing is confusing at best, utter dogshit at worst. As for what decisions in the writing room led to him turning out like this, I'd still pay good money to know them. For what it's worth, I've tried my very best to make an educated guess as to all of them.

And now, for the final time, allow me to do my very best to suggest how the issues of the Ark Cradle arc could have been addressed in order to make Crow's part in it less messy.

In previous posts, I've split up my rewrite suggestions depending on one circumstance: Whether or not Crow stays a signer. However, this time, I will deliberately forgo this, for one, very simple reason—Crow's status as a signer doesn't matter one bit for the Ark Cradle arc. Regardless of whether he has a mark or not, his duel with Sherry remains unaffected, and so does his later timeskip-self. Thus, pick your favourite, both versions work for the Ark Cradle.

Now. Onto the elephant vengeful Frenchwoman in the room. Let me repeat my favourite word in this post one more time. What the dynamic between Crow and Sherry needed, more than anything else, in order to satisfyingly be paid off during their Ark Cradle duel, was setup. There was so much time Crow spent on screen doing fuck all, and some of that time could have so easily been allocated to him interacting with Sherry in a meaningful manner. (I'm side-eyeing especially his pre-WRGP duels. Those did nothing to add to his character and could have easily been replaced with episodes where he actually gets to talk to Sherry one on one.) And if not that, then the writers could at least have done themselves the favour of letting Aki talk to Crow about Sherry, which would have arguably set up their three-way clash even better. Moreover, show us how the hell these two characters parallel each other and how they differ, damn it! The main issue with the big moment Sherry and Crow had in the duel was that Crow's faltering and his sudden, deep understanding of Sherry came completely out of nowhere. So what if they had shown some of that earlier, then? What if they had shown where the lmits of Crow's resolve lie, what could get him to doubt himself? What if they had drawn the parallel of Sherry and Crow both supposedly being characters that sometimes wistfully think about a past they never had earlier? It would have done so much to make that duel hit exactly the way it was probably meant to. As a bonus, if we had gotten Aki and Crow talking about Sherry, too, the scene of talking Sherry out of helping Z-ONE could have been a team effort, just like their card playing was. Both of them would have reasons to know different aspects of Sherry each, and both could have brought up good arguments. And this is really all this duel woild have needed to be better on the story end, I think: A solid, narrative foundation to make it obvious to us why it has to be these three characters duelling, why it could have only been this setup, why it made the most sense to let these three bounce off each other. Crow only needs that extra step to slot in better with the girls here.

As for the epilogue, I don't think anyone will be surprised to read that I would have never made Crow a cop, not even temporarily. The depiction of law enforcement 5Ds gives us during the DS arc is too damning for that. However, given the way the ending is structured, he does need some sort of occupation that feels like it's not quite the right thing so he can later change his mind about it, of course. Here, though, is where I, purely in service of Crow's character, would suggest a change that probably doesn't work with the ending's final aim of separating the 5Ds gang by hundreds of kilometres each. I would let Crow go into pro duelling first, then let him figure out that's not what he actually wanted. Crow, to me, is a character who is so intrinsically tied to community and family that turning him into a solitary pro duellist—even if he claims to do it to make the kids back home smile—feels off to me. Thus, from a character standpoint, I would let him pivot back to wanting to take care of those kids. Either through what I suggested above, letting him carry on Pearson's dream, or, which also feels fitting to me, by letting him help out Martha again and setting him up as the guy who'll take over when she can no longer run the orphanage. It's not the cool, glamorous end the show gave him, but it's what feels more like the family-focussed guy we first met in the show. It doesn't gel with the idea of permanently separating him from the other signers, though, unfortunately. To do something like that while keeping his community theme, one would probably have to send him away to shack up with Brave or something, to help orphans in other countries. But this, I think, nicely showcases the dissonance between what Crow's character writing would suggest he might do at the end, and what the show demanded he needed to do so he'd no longer be close to the others. Because my focus, as always, is only on character here. And Crow, with his personality and his writing, feels like the character who chafes the most against the idea of striking out solo, abandoning his ties to the community he was so invested in previously. To that extent, the above suggestion is the best I can provide with what we were canonically given. If we wanted to keep the canon ending he gets and actually make it make sense why he suddenly wants to be a lone wolf pro, the only thing I could suggest would be more setup for that. (Ah, there it is again. One final time.) Show Crow having some actual competitive drive, show him enjoying the whole tournament thing more than he thought he would during the WRGP. Just give us something that shows why he would want to go down this path, and why some other things that were previously important to him might not be a priority anymore. It all comes back to setup.

*Deep breath*

So, here we are, then, and this is it. This is all I could make of Crow's character writing in the entire show. To everyone who read this post in its entirety, a heartfelt thank you. To everyone who read the whole series of posts in its entirety, I'm so glad you're as insane about this show as I am, it makes me feel incredibly appreciated. Hope you enjoyed the ride, more meta posts will come eventually, just about different topics. In the meantime, see ya.

[voidsentprinces]

Shadowbringers took Emet-Selch from ARR Lahabrea levels of mustache twirling, Saturday Morning Cartoon villain. All monologue and evil laughter while his evil boobs malevolently boobed down the Post-Stormblood's darker breast boobily and changed him into an actual character. And the first Ascian who actually spent time with us in a more meaningful way. Flipping them from one note, evil that must be defeated. To one we came to understand and a group that connected to our character's literal past reincarnation that we do not recall.

Additionally, atmospherically, Shadowbringers brought us to Post-Apocalypse that wasn't 28 Days Later, Mad Max or Rapture-esque. While pulling from all those series. Its a world 100 years after the Apocalypse was averted but still causes the world to live in its shadow.

This expansion seems to be the beloved darling of the community. Even topping Heavensward in most regards. But, also, personally, I feel like Shadowbringers is only good Shadowbringers for the last three levels of it. And rest is just so much set dressing and putting together the A-Team. For lack of a better comparison, 70 - 79 is our Avengers Infinity War. We get the band back together, fight off the big bad and actually almost win. But then we lose and we lose HARD and we spend a handful of quests somewhat wandering aimlessly until we resolve to go after the one who took victory away from us. That lead up, to me, is alright but the story didn't really HIT, outside of my long winded story analysis reasons, until we reach Amaurot.

Even its Post-Patches seemed to struggle to figure out what to do. Having Elidibus bounce hither and thither without the Scions really trying to stop him because, "We don't know what he is up to." which was counterproductively frustrating to me. You are literally not stopping and banishing the villain so the plot can happen. Alisaie literally kept tabs on the Warriors of Darkness because we were focusing on dealing with Nidhogg. Why the hell couldn't they have kept tracked and harassed Elidibus at least? But no, the sky starts to shower stars and then it is go time. And while To the Edge and the Seat of Sacrifice are awesome. My suspense of disbelief that our Scions would just shrug and only off screen keep tags on lesser Ascians and then just be like, "I dunno fellas, this here Elidibus is tricky." strikes me as dense. Like, this is denser than a dead star. They let things happen for the sake of it happening.

Bottomline, there is some wiggle room here. Shadowbringers may be the community's darling. But I wonder if, its just because we remember the super highs of Amaurot to Seat of Sacrifice. And kind of brush things like; the Ran'jit fights, the Supernatural problem of Lucifer's Cousin's Roommate being the big bad in Lunar Primals, Thancred's treatment of Ryne and Speedrunning him some redemption in the Amh Araeng second half.

I'm rambling now, as a whole. Did you enjoy Shadowbringers? If not why? Vote your answer and leave your opinion in the tags if you'd like.

Note: I am aware that the Post-Patch production was stunted by the COVID Pandemic. Still, I'd like your opinion about anything you felt lacking. Even with that dead whale hanging over the entire thing.

[my-bated-breath]

Can people just admit that azula is a terrible person? While yes, she is a victim of ozai's abuse and indoctrination, she's not exactly innocent either. She also misblames Zuko for her own abuse and if her words at the beach are any indication, she's never gotten over the feelings of Zuko being loved more by Ursa (which isn't true) and still took it out on him to this day.

On my first watch of ATLA, I didn't spare too much thought toward Azula's redemptive qualities, but reading more analysis on her character later on definitely made me more sympathetic towards her. But I also think it's unfair to say that the show treated Zuko much better than it did Azula, or that the show was flawed for not giving Azula a chance to redeem herself, which I've also seen a lot of posts on Tumblr espousing.

I believe that an opportunity for redemption is due to luck and circumstances, which Zuko had with Iroh by his side. Meanwhile, Azula never had the chance to even see the world from a different perspective. I think this is the principal reason why a large part of the ATLA fandom wants to see her redeemed, and I think this is a testament to how balanced the show's writing and treatment of her, rather than the opposite. Because the show does paint Azula in a sympathetic light and illuminates her humanity. Again, her being cruel and antagonistic and thus, resented by the main cast of ATLA, is the result of circumstances that the show takes care to explore in great nuance later on.

That's a very long-winded way of saying that yes, I don't think Azula is a good person. Far from it, in fact. She never had the chance to become one, but the show acknowledges this.

[great-cats]

The Compress Analysis (2/?)

(From: This Post) Ⅰ - Ⅱ - ...

Part Ⅱ: The Mask

Yep, I see the mask as a key part of his character to the point where it simply must get a section of its own in this increasingly more insane ramble. One may immediately assume that the thing is used for identity concealment. While this is partially true, I reckon that its primary purpose is the concealment of his emotions, as implied in the ultra analysis entry for him (attached below). He may have a near perfect handle on his body language, but I will personally headcanon that he has a terrible poker face until the day I die. As a villain, his identity is going to come out at some point, you know? Even after the Kamino raid (where he got doxxed the hell out of), he continued to wear the mask up until his ta-da moment in 294. So with that info, we can reasonably assume that identity was on the back burner, and emotion/dramatics took centre stage. The latter option is thrown in because he obviously was saving that reveal to an extent. One can even go so far as to assume he hadn’t even taken his mask off around the league, which would be pretty interesting. We don’t ever see him without it while he’s with them, after all.

Beyond keeping his facial expressions behind closed doors, the mask may very well bolster Atsuhiro’s confidence. We don’t particularly see much of this in action given he wore the thing for so long and has only a select few moments of casual interaction, but I still like to think of it as a very real possibility. For all intents and purposes, Atsuhiro Sako is just a normal man with an interesting background and some past poverty. Despite this, the villain that is Mr.Compress– or what quite nicely amounts to a stage persona –is flamboyant, clever, and has a penchant for monologuing. I quite like to create a separation between “Mr.Compress” and “Atsuhiro Sako” because of this disparity. The latter is the flawed man behind the mask whilst the former is a faux, ideal identity put on for the audience. Only in those rude remarks and reckless actions do we see the facade begin to slip. So, what of the moment in the climax of chapter 294 in which he throws that covering off? Well, for starters, he couldn’t not. Jeanist’s quirk could nab anything fibrous, and the fellow couldn’t take any chances. But, beyond that, Atsuhiro thought that moment would wind up his final stand. What’s the use of concealment if you’re going to die soon? He might as well make things flashy.

A big thing in my opinion regarding the mask is how it often reflects Atsuhiro’s status. While I do like to make the distinction between him and Mister as mentioned prior, again, there’s that smidge of him shining through. When he lost his arm, the mask was solemn and in the times he was at his best, it portrayed a smug/snide grin. That grin in particular is by far his most iconic design! It gets the cogs turning in my head when his real emotions don’t seem to match it, though, Regardless of how Atsuhiro is really feeling, that mask keeps up the smile until it’s either broken or otherwise removed. It circles us back to that emotion concealment point, if that wasn’t already obvious. In pursuit of the perfect villain and the next in line for the illustrious goals and teachings of the late Peerless Thief. Atsuhiro has no room for error with that heavy load on his shoulders and must keep up appearances, even if he has to hide behind a smiling mask to do so. But why hold this legacy in such high regard? Atsuhiro claimed that it was the very reason he was there with the league, so what could’ve possibly gotten the man to be so dead set on the wishes of a long gone relative he likely never met? Perhaps, answers to questions like that could be found in what minimal information we know about…

Ah dear! That's part three exclusive content!! Tune in for "The Upbringing" later in which we'll pick right back up from where we left off!

[lookismaddict]

lookism characters as mythological gods 👀 who would be who

OH SHEEEEEESH, I LOVE MYTHOLOGICAL GODS. ESP GREEK & ROMAN GODS ✨ AYO, YOU A REAL ONE FOR ASKING THIS QUESTION, TY JANN! 💜 I hope you don’t mind this analysis… 😅 (Took a long time to write because there was a lot of research LMAO, I'M SORRY THIS TOOK ME FOREVER TO ANSWER. 🙏🏽) BUT NOW, I CAN PROUDLY POST THIS. 🫡 💖

While matching each god to a Lookism character, I found this very fun because there are so many mythological gods and goddesses that can be associated with any of them. Especially when it comes to their appearances, symbols, and folklore. The depictions of these gods all tie to each of these selected Lookism characters:

Gun and Goo || Fujin & Raijin (Shintoism)

First, let’s start off with Gun. There are many reasons why I see Gun as the Shinto god, Fujin, and here’s why:

Fujin [風神] is known to be the Shinto kami (god) of the wind. A deity that controls the winds of the Earth through his bag of air.

Due to his control of strong wind currents, he is connected to storms, especially powerful typhoons, that would cause the destruction of many trees and and homes. However, Fujin leaves most of the job to Raijin.

According to a Japanese legend from the 13th century, he managed to save Japan by sending storms to Mongol invaders who were trying to conquer Japan. Fujin’s winds were so ruthless, that the Mongol’s fleets were all destroyed in one storm.

Fujin and Gun are both forces to be reckoned with. Fujin’s destructive actions are similar to Gun’s, in which they both initiate both ruin and devastation. Since Fujin had wiped out over a thousand people for centuries, then it wouldn’t be a surprise if Gun’s future would eventually lead to the downfall of many more lives. This man had dealt with so many enemies (100+) all the way up to his current lifetime of about 20 years, that it wouldn’t even be a surprise if he so happens to murder even more people later on.

Also, since Fujin is associated with the use of harsh winds intermingled with water due to typhoons and storms, they are involved in a shared element. The nature element, water, represents them both in some way. Both Fujin and Gun are present whenever it rains. On days when there’s rain, Fujin’s winds are harsh during storms. Whereas, in Gun’s case, he is always present on days when the weather is rainy and gloomy. However, for Gun, he just appears when there’s rain to pass along the message of “the end” for people, especially when it comes to a person not being able to hold their position as Gun’s future successor. You could say, that the both of them also symbolize the presence of melancholy, since they both bring nothing but misfortune upon people during unpleasant weather. They play as the instigators of the end to peacefulness.

Fujin has an appearance of a true Oni, due to his mother Izanami giving birth to him when she reached the underworld. According to Gun’s background when he was still in Japan, many knew him as “Shiro Oni”. In the webtoon, the translation for his name was “White Ghost”. However, the word “Oni” actually meant ogre or demon in Japanese folklore. Of course, it wouldn’t be a surprise that many native Japanese residents would call him a demon due to his infamous yet terrifying background of nothing but merciless violence.

Not only was Fujin’s face alike from Gun’s, but also their attire. Apparently, Fujin usually wears leopard skin. And who else wore something leopard related? Gun Park. That leopard patterned long sleeved shirt really does say something about his fashion. He definitely must be Fujin, but in human form. Both of them really do share the same fashion sense. 💀

In addition to his face and attire, but Fujin only has four fingers on each hand. These four fingers represent the North, South, East, and West. In a way, this association of Gun as Fujin can be symbolic as well. Gun’s affiliation with the Four Major Crews can be shown through Fujin’s fingers since Gun, who had contributed to the establishment of these Four Major Crews, identified the strongest crews in South Korea. Each crew either coming from the North, South, East, and West of the Han River, which splits their territories into four different parts of South Korea.

Gun has the same personality trait as Fujin as well. Fujin is described to be the brother who is less spontaneous in personality, compared to Raijin. He is also unenthusiastic whenever he is met with some sort of issue that he has to deal with and he is more “laidback”, not taking things too seriously against enemies. This is probably due to how aware he is of his own powerful strength. The same goes with Gun. His personality when dealing with those who are against him is also like this as well, with a hint of arrogance, knowing that he can defeat anybody on his own.

Now, let’s talk about Goo as Raijin:

Raijin [雷神] is the Shinto kami of thunder, lightning, and storms. Often times, he’s seen alongside his brother, Fujin. They both mostly appear together as a pair, like Gun and Goo whenever they show up in certain scenes. (However, the only difference compared to Fujin and Raijin is that Gun and Goo aren’t brothers.)

To clarify, Raijin is responsible for the creations of storms, not Fujin. Fujin is only responsible for strong wind currents, so he leaves the work of thunder clouds and lightning to his brother, Raijin.

Raijin’s personality is one of the distinctive factors that many people use to distinguish between Raijin and Fujin. Similarly, with Gun and Goo too. The difference in personalities in each pair are quite the same indeed. Just like Raijin’s personality, Goo’s is very chaotic and he can be mischievous with trickery. Even though Raijin is known as a trickster, he either does good or bad. He produces good in the form of rainfall for crops or he creates storms that destroys both the living and non-living.

Just like Goo, he’s a character that brings good and bad in his own way. In a unique way, he gives people opportunities to help fulfill their own ambitions, by becoming one of his “secret friends”. For example, Goo used to beat up bullies to earn money. In a way, he somehow benefited others, such as that one event when Goo saved his cousin, Vasco, and Jace from school bullies. His encounter with Vasco had led Vasco to become stronger than he was before. In addition to these “good” occurrences, Goo offered Samuel Seo a new chance of power after being rejected by Gun, in which Samuel took him on his offer then became one of Goo’s so called “secret friends”. Another instance of this is when Goo recruited Logan Lee as another one of his “secret friends” too. Logan wanted to get stronger since his goal is to get back at the original Daniel Park, so this event was like Goo opening up a new beneficial start for Logan.

Although this was the case for some people, Goo also managed to cause distruction wherever he goes. Returning to the subject of the bullies, he did beat them up pretty badly. He even found it amusing to see them suffer. With almost every person that he had fought against, he had this maniacal enjoyment that he found in defeating others. It was as if he had fun beating up others just for the sake of his own amusement. Along with his chaotic mind, he took his destructiveness with him, just like Raijin. According to that one chapter when Sinu got a phone call from one of his old friends, his friend mentioned through the phone that he should be careful of someone named “Joon Goo” who had completely wiped out their whole entire crew. Which quickly indicated and foreshadowed, that Goo would eventually cause trouble for Big Deal.

Sinu Han || Heracles/Hercules (Greco-Roman Mythology)

There are some reasons why I believe that Sinu Han should be Heracles:

Even though Heracles was known as a demi-god (only a mortal), he became the god of heroes and the divine protector of mankind when he died. (This is completely unrelated to Sinu in comparison, but just wanted to address that Heracles isn’t a god when he completed his heroic deeds.)

As a defender for all, Heracles acts like a public servant. Throughout most of his lifetime, he protects civilians who are in dire need of help. Just like Heracles, Sinu Han’s mindset is similar. For about 10 years, he protected a street in Gangseo, in which he had dedicated himself to serve as the defender for the women who loved that street. It was his home. Even Heracles loved Greece and had thrown himself into dangerous situations just to defend his home.

Heracles rescued so many beings in need. A special being that he rescued was Prometheus. No matter how bad he may be as a titan to the gods, he was willing to set Prometheus free due to how he had helped humanity for giving them fire. Sinu Han's character is similar to Heracles since he is the type of person to set someone free, regardless if they have done something bad in the past. What matters is how good of a person's character is, and how they contribute to serving others. I can see Sinu letting someone go if they changed for the better, and by giving them another chance to redeem themself. For instance, even though this hasn't been directly approved by Sinu (but by Jake), Lineman used to be a character who caused trouble and lied to others, thinking that he was a big-shot. However, he changed by being accepted by Jake Kim into Big Deal and if Jake approves of these people who he have gained as his friends (or followers), then Sinu approved of them for being good people and they eventually became members of Big Deal. (Hence, believing in Jake's jurisdiction in finding good in others.)

Although he may be a well-known mythological hero, many do not know how much he had suffered. There was a time when Heracles was enslaved, and he was bought by the Lydian Queen Omphale. She made him do many things as a slave, such as forcing him to wear women's clothing (to humiliate him) and spun wool to help her and her maidens. Omphale did fall in love with Heracles, but eventually she set him free (and they got married). Alike from Sinu Han's situation, Mitsuki Soma was head over heels for Sinu, that she wanted him for herself. Treated like a slave, Sinu had to endure hardships of being her "lover". Manipulated and controlled by Mitsuki due to a mystery drug that made him forget his memories, Mitsuki made him stick by her side, in which she made him shower together. Sinu's identity and memories were twisted by her, which gave Mitsuki the power to successfully manipulate him for a long time (until Jake Kim had to rescue Sinu from The Workers).

Jake Kim || Balder (Norse Mythology)

This is why Jake Kim can be seen as Balder:

Balder is known to be not just the Norse god of light, joy, and summer. Jake Kim usually brought light and joy to people's lives, especially during his middle school days when he'd start getting himself involved with Big Deal. He had made a lot of friends and allies along the way, which would influence (I'll ignore Balder's death, and will be focusing more on his personal aspects, features, and his background that are similar to Jake's.)

Like Balder, Jake Kim shares handsome features and is a very attractive man. He has a bright smile just like Balder, and he has fair hair. In Norse mythology, it was said that Balder was so noble and handsome, that light shines down on his body in which flowers would bow down before him as he passes by.

Also he is the representation for the themes of justice, beauty, hope, and sacrifice. During the Jake Kim Arc, he sacrificed himself, especially for Big Deal who sought for the rescue of Big Deal's Former No. 1, Sinu Han.

(Side Note: I didn't want to associate Jake Kim with Eros because even though he's good-looking and is strongly related to the idea of "love" and "Romanticism", Eros is usually described as mischievous and unsympathetic due to him shooting arrows at people regardless of how they think/feel. It is the complete opposite to Jake's personality, in which he is considerate and kind towards others.)

Samuel Seo || Mercury (Roman Mythology)

Let me explain why I see Samuel as Hermes:

Mercury is well-known for being the messenger god AND the god of commerce. Alike from Samuel, Samuel specializes in business-related work and he manages finances really well. At one point, he was very close with Eugene and Samuel acted like a messenger to Eugene, since he reports to him about what goes on in the affiliates when Samuel used to be president for some of the affiliates.

Mercury had a dependent role in managing the gods. Just like Mercury, Samuel as well. He was close with the higher-ups of the Workers (especially Eugene) in which he was positioned by him to manage the 3rd and 4th affiliate of Workers. Both of their roles is to keep the gods or Workers

Even though Mercury’s role might seem “helpful” at first, do not be fooled by Hermes’s appearance, because he isn’t who he seems to be. Just like Samuel when he was first introduced in the Lookism series, we didn’t quite expect him to turn out the way that we know him now.

Mercury favors the ambitious, so he supports those who are willing to reach their goals, no matter how wicked they are. Going off by his “work smarter, not harder" ideology, Samuel is quite the ambitious man. He’s willing to reach higher things, in order to accomplish his dream as someone who’s powerful. Or, as he likes to refer to himself someday as a “King”. (As mentioned to Jake.)

As a god who defends tricksters and thieves, Hermes likes toying with others. He even favors cleverness and amusement. During the Workers (3 Affiliates) Arc, Samuel's behavior is shown as one who likes toying with others, initiating the start to Johan's rage when he found out that the Workers' Third Affiliate used to sell drugs to Pungsan, which was the God Dog cult that was ran by the former church pastor.

James Lee || Shiva “The Destroyer” (Hindu Mythology)

Here is why I believe James Lee should be Shiva:

Shiva is mainly known as "The Destroyer" and "The Creator" of worlds, in Hindu mythology. He even represents time as well. James Lee was known to be the man who ended the First Generation by defeating all of the First Generation Kings, which fits his character of being "The Destroyer". Consequently, causing the spark of a new generation, which is the emergence of the Second Generation. In this case, being "The Creator" does suit him because he is literally the catalyst to a new generation of fighters. You can also say, that he manipulates time if he were to be Shiva in this context.

Shiva also represents goodness, benevolence, and is said to be "The Protector". In a way, James Lee shows signs of "good" nature and benevolence, in which he acts as a guide to Daniel Park, in finding the secret to his two bodies. And even though James Lee isn't known as "The Protector", he did protect Charles Choi in the past. By aiding him as the company's head for an entertainment agency, he protected Charles' business by supporting him through this method.

This Hindu god is also named the "Lord of the Dance" or Nataraja, according to a Hindu artwork called, "Shiva Nataraja". From the statue, it depicts Shiva dancing in a halo of fire (which represents time), and Shiva stepping on a dwarf with one foot (which is a creature that represents illusion, who leads men astray from the actual truth). Metaphorically, this relates to James Lee because James Lee had the urge to find out the truth about the secret of the two bodies, and is willing to do anything to achieve his goal. Even if it meant betraying Charles Choi, by allying himself with The Workers, specifically Eugene.

Canonically confirming from the Webtoon, it is known that James Lee has a huge penis. Well, so does Shiva. In Hinduism, Shiva is associated with lingas, or phallic symbols, which represents fertility. 🍆

[umgeorge]

What Does an F1 Driver Do Between Races?

A racetrack might be the natural habitat of a Formula 1 driver, but making the most of the time away from the asphalt is also crucial when it comes to maximising performance. From debriefs and data digging, partner days and downtime, there's no time to take your foot off the pedal. We spoke to George to find out everything he gets up to between Grand Prix weekends. "The racetrack is the tip of the iceberg. The work that goes on at the factory is so vitally important. That's where everyone is aware of the car's performance," he explains. There's no gentle ease into the week. Drivers will often head straight back into the simulator, not to look ahead to the next race, but to go back over the previous weekend and see what did and didn't correlate between the virtual and real world. It's a schedule that doesn't always agree with a driver's sleeping pattern, either. "Take Australia as an example," says George. "I landed back in London at midnight. But I'll stay on a more Eastern time schedule, rather than shift back to GMT and then do nine hours to Japan in a couple of weeks." Win or lose, the best time to debrief will always be as soon after the event as possible. Sitting down with the team and talking about what could have gone better and how to ensure things will be different at future races is the priority. It's not all about screens, numbers, and data. It's a chance to come together and bounce thoughts and ideas off of a wide range of team members, be that the latest developments in the wind tunnel or an honest discussion with an engineer. "We'll always sit down and have breakfast and lunch together," George adds. Data analysis can take a few days to be completed. When it has, usually around Wednesday or Thursday, post-race weekend, there's a deep dive to be done. This is a full-blown catch up that allows a driver to truly digest the numerical facts and figures behind race performance. Formula 1 is a constant development. Dwelling too long on the past isn't an option and it's important to know as soon as possible what you're looking to try at the next event, but building a picture of what to try at the next race often starts during the race before. Drivers are so in tune with being on a racetrack that they may notice a performance trend at one circuit that will work well at another. "You may have just completed a quali lap somewhere, and you realise that what you have learned might be good to try at a race later in the year," reveals George. "In the world we live in, eyes are always forward." In between, the physical exertion doesn't relent. A driver will mix between gym sessions at home or at the factory. And it's not light work. "I'll usually do a double session every day when I get home, right up until the Monday of the next race week. From that point of view the week goes by pretty quickly," says George. More often than not, there may be some time on set behind a camera, carrying out important filming or marketing days with our partners. And what about downtime? Switching off while the engines are off is so important. Disconnecting from the world is a crucial part of a high profile athlete's itinerary. Whether it's a walk or just a catch up with friends or family, the importance of stepping outside that motorsport bubble for just a few moments cannot be underestimated. By now we're back into a race week. Prep done, the adrenaline and anticipation of racing is slowly building. A return to the racetrack beckons, and a Formula 1 driver can feel truly at home once more.

[accirax]

Disventure Camp All Stars Power Ranking (Round 6)

And, we're back! I'm so glad that the leaking issue didn't wind up making the team have to delay their episode releases, both for their sake and ours. I've been highly anticipating this teaser release, and look forward to cracking into the next round of Power Rankings.

In case you didn't see my last power ranking for Episode 5, the Power Ranking Format is essentially a way of ranking how well each player is doing in the game. So, in essence, this is a long form way of predicting who I think will be eliminated from the competition in the next episode. There will be spoilers for last week's episode (obviously) and its power ranking, so make sure to read that first if you don't want to be spoiled on how I ranked our last boot. If you want more clarification on the rules, that first post will help you out as well. Furthermore, I'm going to be spoiling the preview for next episode, so if you want to go in TOTALLY blind, save this for later. Let's go!

Recap - Connor's Elimination

Current Point Total: 9 acquired/14 possible

'Cause now we have lore! >:D

Well, turns out that my assessment that the Season 2 cast was safe turned out to not be true. At least Connor was my second lowest positioned of the S2 characters, and my bad vibes about the Yellow Tribe were on point... Yeah, that's some copium right there. Seems this whole predicting business might be harder than I thought. Genuinely, though, I'm glad that Connor was at least in the better half of the contestants ranked (barely).

While I'm a little disappointed that Connor didn't make it farther this time around-- I think his placement was nearly identical to how he did in S2-- he wasn't particularly one of my favorite characters, so the loss didn't hurt me that deeply. Instead, he was an understandable sacrifice in terms of making the villains out to be more of a threat, much like what I theorized for Grett. Lesson learned that sometimes the most obvious boot from a tribe simply will be the boot.

Trailer Analysis

Looking back on the last power ranking, I feel like I could have done a lot better if I'd been paying more attention to what we were shown in the preview beyond the song snippet. So, combined with the fact that I'm just really excited to figure out what's going on next episode, I decided that this time around I'd take a closer look. I've never been a fan of analyzing a trailer so closely that you basically spoil the entire story before it happens, but, I don't think that'll happen here...? Depending on how accurate I am, maybe this section will suddenly disappear next time. Who knows.

So, a compilation of relevant things that I think will happen next episode:

Connor and Trevor will have a conversation. While I doubt that this will have anything to do with the elimination order, it is interesting. I'm guessing that Connor will give Trevor some sort of advice regarding his feelings for Derek? Or, even if it can't be counted as advice (given the L he took with Riya), Connor could at least relate. I don't think this is foretelling that Connor will reenter the competition now, though.

Somebody set up a trap to catch a squirrel. My guess is Tom, as a continuation to the drama between Gabby and the others over killing and eating animals. (Aiden confirms in Episode 5 that catching the chicken was "Tom's trap.") However, it could also be something related to Jensen and/or Trevor and Derek, if they started trying to kill the forest animals again.

Yul will take more orders from Emily to make Grett happy. This means that this is an ongoing plotline.

Tess and Ally will reunite at some point. Interesting.

Tom and Jake are definitely going to fight. Given that Tom looks surprised in one screenshot and regretful in the other, I think he's going to realize how much his relationship with Aiden has been hurting Jake.

The challenge will be contestants pushing balls of yarn(?) down towards other teams' arches, trying to score a goal, while other members of the teams try to block them. All teams appear to have arches and people pushing balls. This is definitely another challenge taken from Survivor, I think possibly Gabon...? I'm pretty sure that, in real life, they had to stop doing this challenge because it injured people too much, but that's the beauty of animation!

At least Yul and Aiden will be knocked down, which could be a good thing or a bad thing. Does that mean they gave it their all to stop a ball, or that the ball trampled their attempts to stop it...? Focusing on the second screenshot, though, the Cyan team is stopping yellow and magenta balls at the same time. Assuming the contestants have any say in where they aim, I wonder if the Yellow (Grett) and Magenta (Ashley, possibly Fiore?) teams will align to target Cyan because they have five members. That could be an in-universe reason to keep the teams even with a Cyan elimination, despite Cyan being pretty physically fit.

"Sure, princess. Whatever floats your boat~!"

Given Fiore's placement in both of these screenshots, it seems like one image must happen right before the other, so Fiore is probably addressing Jake. She sounds really confident and mocking... for some reason? Not saying that's out of character for Fiore, but did something happen to make that confidence warranted as opposed to her anger at being on the bottom? Here are my two guesses: 1) Fiore, Ashley, and Ally have made a girls' alliance, so Fiore is dismissive towards Jake because she knows he's on the bottom. 2) More likely, this might have something to do with Tom and Jake's fight. Jake ran in to urgently tell Fiore something, which could be about a development in Tom and Jake's relationship. Fiore doesn't care, so she gets sassy. I'm honestly kind of confused by this, but we'll see what happens.

Those are all of the scenes from the trailer that I thought were important/I was actually able to get something of value out of. Onto the main event: the actual Power Ranking!

Power Ranking

#1: Jake

Other than... being a S1 character, I guess? There really isn't anything that makes me think that Jake would be headed home this week. He's entrenched in drama, he seems to have the numbers on his tribe, and I don't even think that Magenta is going to tribal. To me, it's so clear cut that I don't have much to say. If he does go home, I'll be very surprised.

#2: Alec

Woah, check out that jump! From 12th to 2nd. Adventure Camp Dan wishes he could've had that when moving to Disventure Camp.

Now that Alec has survived one Yellow vote-- which turned out to be Connor-- I think he's pretty safe. The idea of Riya, Yul, and Grett suddenly now turning around and all working together to eliminate their leader feels laughable, given how dysfunctional the three of them are. Like, could Alec really lose that much social capital in the span of one episode, in a challenge he'll presumably be good at...? I'm kind of anticipating a merge at 12 (Episode 7), so I'm hoping this would confirm that Alec makes the merge.

#3: Ashley

Speaking of making the merge, I honestly think that Ashley will be there. After exploring some more of DC's behind the scenes content (the charity livestream they held 4 months ago and Silly Billy's S1 cast interviews), I've come to learn that the DC cast really likes Ashley... for some reason.

Look, it's not like I hate the gal! I just don't see her as the standout, heroic and hilarious character that a bunch of the voice actors seem to. Because I held this opinion, I was unaware of the possibility that Ashley was brought back because she was some huge fan favorite that everyone wanted to see done to justice. If that's the case, I have a hard time seeing the DC writers eliminating her as a premerger again.

I don't think Magenta is going to tribal, and I think that Fiore or Ally would be more natural boots than Ashley would be anyways. Congrats on ranking this high even though you're currently being hunted for sport, S1 girl. I still don't think you're going to win overall, but you'll probably make it through the day.

#4: Yul

Another big jump! Yul's new position is aided by two major factors. The first is that he's one of only two S2 boys left in the game, after James, Hunter, and Connor were eliminated (side note: I did NOT notice that the game only started with three boys from S1. I wonder what level of safety that grants them. Why did they bring back every S1 girl except Lill. That's so many.)

The second is that the plotline between him and Emily is clearly continuing to have relevance. Perhaps I'm relying too much on the rule of threes, but it would be strange, in my opinion, to have Yul lean on Emily for assistance more than once, but still only twice. Perhaps Emily's character was largely designed to assist a major Yul plotline, after all.

He also doesn't seem to have suffered too greatly from that stage light falling on his foot last episode, which bodes well for his odds. Unfortunately, it seems like the viewing public is going to be subjected to Yul for a little while longer (/lh).

#5: Aiden

Woohoo, the other surviving S2 boy. I honestly wanted to put him higher, but the fact that I'm really feeling like Cyan is headed for tribal couldn't let me justify higher than 5th place.

And, there are genuine reasons why I think he could go home now. If that conversation between Tom and Jake ends in them reconciling, the writers might not want Aiden around anymore to continue being a barrier between them. (And, now that the music episode has passed, they don't need to keep him around for his pipes, either ;).) It's been long enough now since Lake's elimination that I don't think Aiden's elimination would feel super weird. He's had a bit of a chance to play for himself, so if his fate now becomes to hang out in a cool hotel with his boyfriend and bestie for a couple of weeks, it wouldn't seem so bad.

...But I still think Aiden isn't going home, dammit! Knowing DC, I doubt Tom and Jake would make up so early unless one of them was going home, not Aiden. They love the drama. Tom and Jake's relationship is more likely to get worse before it gets better. Not to mention, I still find the "James returns" theory very compelling. Although the Cyan girls have plenty of reasons to eliminate Aiden, I still don't really think they would.

#6: Ally

Is it just me, or would Ally's elimination feel... really random right now? Like, how would it happen, and what narrative point would it serve? The show has very deliberately shown Ally bonding with each and every member of her team. She's had multiple one-on-one conversations with Ashley cementing their friendship, she grew closer to Jake by relating to him through song, and was always the one to defend Fiore from Hunter's attacks. All three of them have reasons to like her and want to work with her, so why would they let her go?

However, Ally doesn't cement a higher placement because I do think there are ways that they could swing her elimination. It's possible that the writers only established relationships between Ashley, Jake, and Ally so that there'll be high stakes and tension between which teammate Ashley and Jake will pair with if Magenta does go to another vote. For Ally to go home, they would have to choose to side with Fiore, but that's not totally unreasonable given how they voted last time.

The fact that Ally and Tess seem to reunite in this episode is also troubling. We have the dangling plot thread from last episode that Ally is worried that she and Hunter won't be able to spend that much time apart (which she believes is good for them) before they have to reexamine their relationship. If that fear turns out to be true, I could see that giving Ally an opportunity to quickly get some advice and closure from Tess would allow her to head to the Losers' Motel with a plan of how to handle Hunter in the future.

I still don't think that Ally or Magenta has anything to fear with tribal, though.

#7: Tess

A definite downgrade from last week, but still not that terrible. A lot of Tess' new placement is that, as I keep reiterating, I think Cyan is very likely to go to tribal, so it's hard to justify putting anyone on Cyan too high.

Having the opportunity to reconnect with Ally is also potentially bad for Tess, although probably less problematic for Tess than for Ally. If the writers were like, "well, Tess got one conversation with Hunter and one with Ally, now she's out!", that would be kind of silly, imo. But, still, that chat will eliminate the sort of "immunity" from getting booted that I gave Tess previously.

It's also not like there's no reason for the Cyans to take out Tess here. The swing vote is usually a fairly protected position, as both alliances should be looking to her for aid. But, if neither side finds her trustworthy enough, they could unite to take her out. I can definitely see a potential character arc of Tess' indecision taking her out from the game. If she can truly never make up her mind about whether to trust Ellie or not, everyone could unite to take out their unreliable teammate and save their own asses.

However, from a narrative perspective, this would further postpone the conflict between Ellie and Aiden, which could be kind of anticlimactic. It would also throw away Tess' character over a trait that wasn't even particularly pronounced in her original appearance. Then again, we saw what the writers did to Hunter, so we can't be too sure that Tess isn't headed in a similar direction.

#8: Grett

Much like Alec, I'm a bit less worried about Grett in this episode after we had the Yellow elimination last episode. She's also picking up points from (presumably) being involved in the ongoing Yul and Emily plotline, which could give her some plot armor moving forward.

If Yellow is headed to a vote, I don't really see why Alec and Riya would choose to eliminate Grett over Yul. Riya really dislikes Yul, he's still possibly injured, and Alec has a history of working with Grett, even if it ended on kind of bad terms.

Why put her so far below Yul, then? Well, first of all, Grett is a meta-threatened S1 girl, while Yul is a meta-protected S2 boy. Secondly, I do still think that Yul will probably be the cause of Grett's elimination at some point down the line, even if it's not this episode. Perhaps I should make an overall theory post talking about some of my thoughts on potential endings someday. And, third, I actually did think of one reason why Alec and Riya would choose to keep Yul over Grett... kind of. If Emily wanted to keep Yul in the show for whatever reasons, she could use the earpiece to instruct Yul on clever, strategic things to say that could also convince Alec and Riya that he turned over a new leaf. Basically, it's possible that Emily could girlboss her way into keeping Yul in the game, rather than Yul staying in due to his own merits.

There are other S1 girls (and others) that I believe to be in a spicier position now than Grett, though, so she lands at #8.

#9: Fiore

With Fiore, we enter the realm of players that I seriously believe could be in danger of elimination this episode. Yes, despite my claims that I think Fiore could be the winner, I do think that, if Magenta goes to tribal this episode, Fiore would be the boot. I just don't think Magenta really is going to tribal; ha ha!

It's really that whole, "whatever you say, princess~" that has me worried for Fiore. I'm concerned that, after getting a taste of power with the Hunter boot going her way, Fiore has become overconfident in thinking that Ally is definitely the next boot and that she will make the merge, whenever it is. (Basically, Fiore would think that Ally's presence gives her enough of a buffer that she thinks the merge is essentially secured.) If she goes back to demeaning Jake and Ashley, they could easily choose to turn on her and protect their newfound friendships with Ally instead. Fiore's status as a S1 girl isn't helping that read.

Again, I feel like all of the current Magenta team members are probably going to make the merge at this point, so Fiore should be safe. However, as (in my opinion) the most likely Magenta boot, Fiore winds up at #9 in case of emergency.

#10: Gabby

Thinking back on it, other than being a S1 girl, my reasoning behind Gabby's elimination wasn't that strong.

Or, maybe it was, before Ellie absorbed even more of the villainous energy last episode with her comments about torturing Jake. With comments like that, it becomes even harder to believe that Tom and Aiden would choose to target Gabby instead of Ellie. The farther Gabby makes it into All Stars, the less of an excuse there is for her to be eliminated with very little focus beforehand.

Still, I think Cyan is in trouble, blah blah blah. If some sort of twist does occur that gives Ellie individual immunity amidst her team-- and I don't think that would be a totem, as Ellie using a totem on herself and inadvertently sending Gabby home would basically require her to make her totem publicly known before the vote-- then they could target Gabby instead.

It is harder to predict DC than Survivor because DC has more of a penchant for pulling random shit out of nowhere, like that vote in S1 where Gabby just straight up obliterated Ashley. I wonder if that relationship will reemerge later in All Stars... Gabby would probably need to be around for it to happen, so, clearly, she should stay in.

#11: Tom

When I was drafting out my initial thoughts for this list, I originally put Tom really high. Like, top 3 high. But, the more I thought about it, the more I started to feel like Tom could be on the chopping block this episode.

For starters, the love triangle. I said last episode that, because Tom is the central leg between Jake and Aiden, he wouldn't be at risk of elimination. Well... I take those words back, sort of.

Let's look at it this way: if you eliminated any one of Jake, Aiden, or Tom, what would happen? If you eliminate Jake, Aiden and Tom are left. That's pretty boring, because then they could just be friends without any particularly strong (or at least personally motivated) opposition. If you eliminate Aiden, Jake and Tom are left. That's definitely better, because Jake and Tom could simply continue the will-they-won't-they plotline on their own, but you'd still lose Aiden as an obstacle without Jake having any hand in it.

If you eliminate Tom, Jake and Aiden are left. In my opinion, this is by far the spiciest option. Jake would probably be super mad at Aiden for not doing enough to protect Tom from getting voted out, leading to Aiden being justifiably angry that Jake has been so aggressive towards him despite Aiden not wanting Tom to go home, either. I think that having Tom's two "love interests" left to fight each other without him actually being there is the most interesting way in which one corner of the triangle could be eliminated.

But that's all about why Tom "should" be eliminated; what about why he would get eliminated? There are a couple of possibilities here, too. First of all, that argument between Jake and Tom in the preview, which ended with Tom pretty clearly being remorseful about what he did. If Tom gets super demoralized about screwing things up with Jake, it could cause him to be seen as a liability. Or, in an extreme case, Tom could feel so guilty about his and Aiden's kiss that he would ask the girls to target him instead of Aiden.

Alternatively (or even additionally), we also saw that squirrel trap in the trailer, which I said could be hinting at further conflict between Tom and Gabby over the team's diet. If Gabby got really fed up with Tom's carnivore side, she could ask Ellie if they could target Tom instead of Aiden, which Ellie might agree to.

Despite all this, I can also totally understand why the writers would want to keep Tom around. After his kiss with Aiden, his visibility and importance seem higher than ever. If James does return to the competition later, having him chat with Tom would be... interesting, even given James not caring that his boyfriend was stage-kissing another man. And, Tom potentially has a winner plot set up, given that the writers found it important enough to tell us what Tom would do with the prize. With Cyan likely going to tribal, however, the possibility of a surprise Tom boot felt more viable than ever. I'm not putting him in last place, but if Tom does wind up going home, I'm gonna feel pretty smart.

#12: Riya

Much like Fiore, Riya is here as my safety net for who I think would go home if Yellow does wind up going to tribal instead of Cyan. However, I feel like a third Yellow tribal is, on the whole, more likely than a third Magenta tribal, so Riya gets kicked all the way down here.

Without Connor as a shield, Riya is in a much worse position. Yul already dislikes Riya in general, but that only increased after she caused the light to fall on him, and would only increase more if he ever learns that Riya was the one to fire that stray vote at him. Grett would probably work with Yul, which is already 50% of the votes against her.

Alec is definitely Riya's best lifeline, and it could work out in her favor. After all, if Alec continues working with Grett and Yul, if they go to tribal again, the couple would most likely vote him out. However, I think it's really a question of how much longer Alec thinks he has before the merge.

Here's my logic: if Alec thinks there's still a long time until the merge, then, yes, it would be better to work with Riya to have a chance to eliminate Grett or Yul. That's because, the more team challenges there are, the greater opportunity Yellow has to lose again, and the greater possibility that Grett and Yul vote him out.

However, if Alec thinks that the merge is soon, it's better to vote out Riya. If Alec and Riya managed to eliminate, let's say, Yul, then Alec is essentially losing two members of his villains alliance-- one due to Yul's elimination, and one due to Grett presumably withdrawing. Alec has already burned her once before.

That would cause the villains alliance to go into the merge with a maximum of only four members: Alec, Riya, Fiore, and Ellie. The other teams have already been primed to believe that the villains are a huge threat, and with such small numbers, they would be very easily eradicated. Even beyond others, Fiore and Ellie might also be mad at Alec for him dragging them onto his sinking ship of a plan, and try to desert as well. My point is, sticking with Riya could go really badly for Alec.

So, combining that doomsday scenario with me at least thinking that the merge probably will be soon, and the fact that Alec choosing to side with Riya would only put them at a 50:50, NOT a majority, and I can totally see why Alec would choose to vote for Riya.

And, that's not even taking into account Riya's poor behavior! The Yellow Team did lose the singing challenge due to Riya's influence, and they suffered during the diving challenge due to her fear of the depths, too. She's a challenge liability. She was also shown hogging the shower, and is now sunbathing during camp life, proving that she's not a team player. She has way too much confidence in her "power position," as she put it last episode, for where her game actually is. If it's not Cyan that goes to tribal, I can totally see the threads coming together to lead to a Riya elimination.

#13: Ellie

It's just simple math for me at this point. I think that Cyan is almost certainly going to tribal next episode + I think Ellie is by far the most likely boot for Cyan's next tribal = I think Ellie is really, really likely to be the next boot. She's even a S1 girl.

My argument is pretty much the exact same things I said last episode, except now they're even worse. The screenshots from the challenge now make me think that Cyan will go to tribal next episode, as opposed to my confusion about why Cyan would lose a music challenge. We also saw that Ellie has begun to prioritize suffering over strategy, which both increases the odds that people like Tess would want to take her out and decreases the odds that she'd be able to pull off an intellectual move to save herself.

I'll honestly be pretty surprised if Ellie doesn't go home next episode... but, hey, I was surprised by Connor's boot last episode, too! If Ellie does manage to survive another episode, I wonder if I'll have to start reconsidering putting her so close to the bottom. Part of it would depend on how she survives, of course.

The only way to know for sure is to actually watch the episode myself, so, see y'all on Thursday! Thanks for reading!

[perhaps-in-anotherdream]

[CN] Victor’s Sea Voyage Date (Eng Translation)

⌚Warning⌚ This post contains detailed spoilers for a date, 寻海之约, that is yet to be released on the global server! ♡

[Translation under the cut]

•─────⋅◍♡◍⋅─────•  

【Subbed Video】

[Notes from Anika]: There’s obviously a long analysis +rambling  at the end of the post. But for those of you who wish to read it, but are directly gonna head to the subtitle and don’t want to scroll all the way down later, you can find the analysis +rambling here too: ♡♡

──────────────────  

【Transcript】

【Chapter 1】

The weather is sunny and cloudless~ Truly a great day for going out to sea! The beach is covered in pristine, white gravel without any footprints~ What a perfect canvas to write something on!

I casually pick up a twig and write on the sandy beach: “Victor is the universe’s No. 1––”

Before I can finish the last stroke of my writing, the branch unearths a beautiful shell as I pull it out from the sand. 

I hurriedly bend down to pick it up. But as soon as I do, seeing my already bulging pockets causes me to feel distressed.

Victor: I told you to wait on the boat. Why are you sunbathing here by yourself?

Victor’s voice drifts from behind me, and as I turn to look, he is already walking toward me in large strides. The sea breeze ruffles his bangs and swells out his slightly open shirt.

I trot over to him and show him the seashell I’ve just picked up.

MC: I found another lovely little shell, but look at my pockets…

I pat my two pockets, which generates a solid and heavy sound of seashells clashing together.

MC: So, I’ve decided to bury this seashell under the writing “Vic” over there.

I point to the words I’ve written on the beach to show him.

MC: When we come back, I’ll dig it out of the sand again.

He looks up at the words written on the beach and nods his head in a manner as if he is very much in earnest.

Victor: You’re really genius to have come up with such a brilliant idea.

Victor: When we return, it will be high tide, and the water will come up to the shore, possibly reaching the spot we are standing right now. Do you think these words will still be there by then?

The teasing in his words is very obvious.

Victor: If you want to express that I’m the universe’s No. 1 dummy…

Victor: When it comes to the “dummy” discussion, I really don’t think I can be considered the No. 1 in your presence.

MC: Ahem! Mm… you’re right, though. So, I have come up with an even more genius idea!

I directly reach into Victor’s pants pocket and put the small seashell inside.

MC: The safest option is to keep it here!

Victor seems unable to refute, so he once again directs his gaze to the words written on the beach.

Victor: So, in your eyes, I’m the universe’s No. 1 safe-keeper?

MC: That’s not it.

I stumble over my words.

MC: …I haven’t thought about what I want to write yet.

I initially wanted to write that Victor is the universe’s No. 1 big dummy!

I turn my head and ponder my unfinished “masterpiece” multiple times, but I’m still unable to come up with anything.

MC: It doesn’t matter. Let’s get on the boat first. Who knows? Perhaps I’ll get some inspiration after seeing your performance today!

Victor: [dragging out teasingly]  Performance?

Victor savors the word, the hint of a smile tinges his eyes, and he reaches out his hand to me.

Victor: Let’s go.

—

•─────⋅◍♡◍⋅─────•    

  —  

【Chapter 2】

The sea’s winds and waves are gentle, and the boat rocks only slightly. The real-time footage transmitted by the drone is displayed on the tablet computer in Victor’s hands.

In the footage, a dolphin leaps out of the water and then dives back in, swimming its way to the northeast underwater.

MC: Does it still recognize the route to its home?

Victor: It’s smarter than you.

I pout, deciding to not comment.

Several weeks ago, LFG Marine Foundation rescued a stranded dolphin. And today, we’ve come to the sea to send it back home to its marine environment.

—

───── [Flashback Begins] ─────

 MC: It looks very dispirited.

Victor: The doctor just gave it a shot and medication, but it won’t have an immediate effect. We’ll need to keep it under observation for some time.

The stranded dolphin has been rescued and is now being adequately taken care of in the oceanarium the foundation is preparing to build.

It’s lying on its stomach in the pool, with its head drooping, resembling a listless puppy.

MC: Would it still be able to return to the sea?

Victor: After complete recovery, there may be a spell during which it will receive wildness training. If everything goes well, it can be released back into the sea.

Victor: If you feel concerned, you can come and visit it often.

—

In the following days, the stranded dolphin is nursed back to health in the oceanarium with utmost care and gradually recovers day by day. And with my feeding from time to time, it quickly develops a friendship with me too.

The only problem is that I don’t know what to call it, resorting to always using “hey” or “come here” to communicate. Victor suggests that I give the dolphin a name.

MC: But it’s not my pet…

Victor: Friends can also give each other nicknames.

Victor looks at me somewhat meaningfully–– the answer is already ready to appear on the call.

I crouch down and pet its head in the pool.

MC: Let’s call you “Dum-Dum,” then. As Victor often says, dummies usually have good luck. You’ll surely recover soon and return to the ocean where you belong.

—

[Anika’s notes]: I honestly struggled to come up with a good translation for the nickname LMAO. MC named the dolphin 笨笨 (BenBen), taking the first character from the nickname 笨蛋 (Bendan - dummy) Victor calls her. The fun here is that the character “笨” independently means “silly/dummy.” The “蛋” term is complementary in 笨蛋. So, using only 笨 for the nickname still means calling the dolphin “dummy.” MC simply used iteration (笨笨) cause it sounds cutesy in Chinese haha~ 🥺💕

───── [Flashback Ends] ─────

—

MC: I didn’t realize how quickly time would pass. In the blink of an eye, it’s already time to send it home. 

Victor hands me the tablet and points to the route displayed on the screen.

Victor: Dr. Yu said that as long as Dum-Dum moves a certain distance from the coast, we don’t need to continue observing it.

Victor: It has already reached home.

There is no longer any sign of Dum-Dum’s figure in the real-time footage. The azure sea is as serene as ever.

That smart little dolphin must have already made it back to its familiar nest and is now reuniting with its family and friends from whom it had been separated for a long time.

MC: This heartless little Dum-Dum! Forgot about its good friend as soon as it got home!

MC: I wonder if I’ll ever have the opportunity to see it again in the future…

Victor takes the tablet from my hands and turns off the signal source.

Victor: Who knows? Perhaps you will meet again next time you guys go to the sea.

MC: Mm… hmm? Hold on–– did I catch the keyword right? Does it mean that CEO Victor has decided to support my new show?

About two weeks ago, an Evolver who previously participated in “Finding Miracles” contacted us seeking assistance.

It’s highly likely that there are a few surviving individuals of a fish species that has already been declared extinct. But this year’s monsoon weather is unusual. And it means that if no action is taken, they may not survive winter.

This guest has never been wrong with their predictions about marine life activities, and I really want to join them on a sea expedition to search for this fish species and film a program about it.

 …even setting aside how the result of this filming will be, this trip out to sea will take me several months at the very least.

Victor: Are you saying that if I don’t support it, you won’t film the show?

Victor: I’ve noticed you’ve been working till midnight every day recently. Isn’t it because you’ve been occupied with this project?

MC: Hehe, I really can’t hide anything from CEO Victor.

When I talked to Victor about this project before any concrete plan was on the drawing board, he didn’t even express any opinion and left the decision up to me.

But after spending some time with Dum-Dum, I developed a new appreciation for the ocean, and as a result, I decided to start preparing for the project.

Victor: You’ve met Dr. Yu from the foundation. He is an expert in marine biology and is very interested in your project. He would like to join you guys on the journey.

Victor: Earlier at the dock, you already saw the ship, drones for aerial photography, and underwater equipment needed for the sea expedition. I will be providing all of these for you.

Victor: Instead of letting you go around seeking investments everywhere and owing favors to others, I’d rather you owe me that favor.

MC: Woah–– CEO Victor, you’re so generous…

Seeing that I’m about to get up enthusiastically to express my “sincere gratitude,” Victor reaches out and pushes me back down.

Victor: [laughs softly]  I’m not done yet.

—

•─────⋅◍♡◍⋅─────•    

  —  

【Chapter 3】

The surface of the sea glistens clearly in the sunlight, reflecting Victor’s lightly smiling profile.

Victor: Modern-day technology is capable of solving 90% of maritime emergencies. So, I don’t have concerns regarding your safety issue.

MC: …but shouldn’t you still worry a little bit? After all, I’ll be drifting alone on the ocean for several months.

Victor: It’s not the era of Titanic anymore. Besides, you won’t be alone.

Seeing me deliberately putting on an expression of feeling wronged, Victor appears slightly contemplative.

Victor: The show’s concept is great. But the topic of rescuing endangered species is always controversial and can cause public opinion disputes. So, you need to come up with a corresponding plan to ensure LFG’s stock price doesn’t get negatively affected.

MC: Huh? Oh…

Met with my half-hearted response, Victor’s tone elevates slightly.

Victor: It’s business.

MC: Of course, CEO Victor. Noted!

After a slight pause of two seconds, Victor speaks again.

Victor: Furthermore, I’m lending you experts and equipment, but you must comply with one condition of mine.

MC: Please, go ahead~

Victor finally looks at me with an earnest expression, a smile gracing his lips.

Victor: [chuckles softly]  Call me every day to let me know you’re safe and sound.

I prop my chin up, wearing a troubled expression.

MC: But the signal reception is poor when out at sea...

Victor: There is no such problem with satellite phones.

Inwardly amused, I stretch out my hand and gently run my fingertips over his forearm, tracing my way up from where he is holding onto the boat’s railing until I reach the sleeve folded at his elbow.

MC: Victor, you must miss me a lot when I leave, won’t you?

Victor picks up the camera nonchalantly and adjusts the parameters.

Victor: If I’m not busy, I might think about you once in a while.

Not receiving a satisfactory answer, I tug at his sleeve.

MC: But CEO Victor… for the next few months, you will have to go home alone after work, eat alone, and feed the cat alone…

MC: And amidst a pile of taxing work, you will also have to wait anxiously for a phone call from the sea.

My fingertips trail up his arm and linger on his neck, straightening the collar that has been blown askew by the wind.

MC: When the time comes, I’m sure you will miss me terribly.

Victor helplessly removes my hand resting on his neckline.

Victor: We are on a boat. Sit tight.

However, instead of letting go of my hand, he gently strokes the backs of my fingers with his own.

Victor: You’re about to set sail towards the stars and the sea, yet you’re still worried about whether or not I will miss you often?

MC: Of course. Because I will miss you like crazy.

I gently caress his palm, trying to engrave every grain on it in my memory.

MC: If it weren’t for you waiting for me, I’d truly be someone adrift on the sea all alone.

MC: When you have no home to return to, even freedom doesn’t seem valuable anymore.

I look up and carefully observe Victor’s slightly upturned lips, then continue to speak unhurriedly.

MC: So every day after setting sail, I will keep thinking about you all the time and take notes of every moment of my voyage…

MC: I will look forward to our reunion on the journey back and telling you about everything I’ve seen and experienced on the vast sea under the starry sky in our time apart.

With abundant patience, Victor waits for me to finish my speech, then cups my hand directly into his palm.

Victor: All these grand reasonings, just for coaxing me into saying I will miss you?

MC: What I said was…

Suddenly, the sound of dolphins comes from the sea surface, and I immediately lift my head––

MC: Dum-Dum!

It’s not only Dum-Dum! While we weren’t noticing, four or five dolphins appeared around our boat at some point, leaping and diving in the water surrounding us.

MC: Dum-Dum, come here!

Seeing me wave my hand, Dum-Dum takes the initiative to approach our boat and advances with us.

MC: Victor, look–– Our friendship is still strong. At least, it didn’t forget about me as soon as it got home.

Victor: You look ahead.

–

Amidst the cerulean sea and sky, four or five dolphins swim alongside our boat, jumping and diving up and down. Victor seeks to capture the moment by picking up his camera and framing the scene.

The sea breeze tousles the tips of his hair, drawing his entire being into the unbounded and more liberating expanse of the turquoise sky.

A dolphin, slightly chubbier than Dum-Dum, suddenly propels itself out of the water, carving a beautiful arc in the air before crashing back into the sea with a resounding splash.

Under the leadership of this dolphin, all the other dolphins follow suit, playfully jumping and competing with each other in response to the undulating waves.

Splish, splash! Water sprays all around, wetting Victor’s bangs and shirt. And as for me, I cheer Dum-Dum on enthusiastically.

MC: HAHAHA! Dum-Dum, you’re such a dummy! You’re about to be left behind by them! Hurry up! Catch up with them!

At this very moment, Victor suddenly aims the camera at me. And within just a few seconds, the shutter clicks away several times.

When I snap out of my reverie, he has already set aside the camera and is beaming at me with a smile.

—

•─────⋅◍♡◍⋅─────•    

  —  

【Chapter 4】

MC: Victor, shall we stop the boat and let them come closer?

Victor: Dr. Yu said that Dum-Dum has gotten accustomed to living independently of human support with great difficulty, so we shouldn’t approach it too closely.

But when Victor sees Dum-Dum calling out to me from the sea, he hesitates for a moment before eventually stopping the boat.

Victor: [sighs helplessly]  You can only play for a short while.

MC: Yes, sir!

I lean over the boat’s rail and shout loudly at Dum-Dum––

MC: DUM-DUM! WE MAY NOT HAVE MANY OPPORTUNITIES TO MEET AGAIN IN THE FUTURE. BE GOOD, AND LET ME TAKE THE MOST STUNNING PHOTO OF YOU!

As Dum-Dum pokes its head out of the water, I scramble to take out my phone.

MC: AHHHHHHHHH––

Victor is checking the photos he has just taken with his head lowered when my practically deafening scream startles him so much that he is left looking dumbfounded.

MC: My phone has dropped!

I stand in the spot where my phone has just slipped from my grasp, craning my neck to look again and again.

Victor’s bewildered expression lasts for a fleeting second before he quickly shakes his head with a subdued expression. I know all too well what this look means–– what he is simply trying to say is…

Victor: [chuckles softly]  I wasn’t thinking of calling you “dummy.”

Out of the blue, Dum-Dum pops up from the sea and promptly tosses my phone into the boat with its head.

The entire thing happens in a span of five seconds, and the transition from sadness to joy is so abrupt that I’m left dumbfounded. Wide-eyed, I stare blankly into Dum-Dum’s tiny eyes.

Victor, who witnessed the entire episode, suddenly laughs out loud.

Victor: [elated laugh]  MC, how could you dare to name it Dum-Dum?

I pick up my phone I’ve just regained and check it thoroughly–– Great, great, it’s not damaged.

MC: Oh, right! There are fish in the cabin. I’ll go and get them for you!

Carrying a heart filled with gratitude, I bring all the fresh fish from Victor’s cabin.

MC: Dum-Dum, you’re the smartest and cutest dolphin in the whole world! Thank you for saving my phone from premature death…

MC: All these fish are for you!

I find myself a pair of gloves and put them on before throwing a raw fish from the bucket to Dum-Dum. Seeing how busy I am, Victor reaches out and fixes my hair windblown hair.

Victor: The fish was on my boat. What’s up with this presenting the Buddha with borrowed flowers?

—

[Tidbits]: The music from here is his 6th birthday music btw~ T__T

Of course, I know what he is hinting at, but I deliberately pretend not to hear him. However, suddenly, Dum-Dum leaps up and gently brushes against Victor’s cheek.

MC: Woah!

If I understand correctly, it gave Victor–– a kiss.

Victor’s expression is replaced by a rare look of astonishment, and his hand holding the camera wavers slightly for a moment. What a shame! The moment was so fleeting that I couldn’t capture it on camera.

After Dum-Dum returns to the sea, Victor touches the water droplets on his cheek and sweeps his gaze over my face, who is laughing heartily.

Victor: I wonder who Dum-Dum learned to do that from.

White seagulls glide swiftly over our heads, flying toward the direction where the sun is hanging high.

As I gaze out at the sea, the friendly dolphins keep trying to playfully interact with me. I take a cue from them and lean over the boat’s side, gently tapping my head with Victor’s.

MC: Do you see how it’s swimming back and forth in a circle? Is it trying to tell us something?

As if to confirm my guess, Dum-Dum jumps up again and gently touches its head to mine.

MC: Victor, do you think it’s trying to thank us? Probably it’s thanking us for helping it?

MC: We humans express our feelings through kisses, and perhaps dolphins do the same too?

Victor: Is that so?

Victor lowers his gaze, speaking in a whispered tone as if he’s suddenly realized something.

Victor: Humans express their feelings through kisses, do they?

MC: Mhm… that’s right.

Receiving the implication in his words, I pretend to play with Dum-Dum and splash water, while my mind is quietly counting down the seconds.

At the end of the countdown, I’ll seize the moment when he isn’t paying attention and… kiss him.

Five, four, three…

Victor suddenly bends down and plants a kiss on my cheek.

MC: …

MC: [blushing]  How come I lost to you again…

Victor: I’m expressing my feelings to you right now, aren’t I?

Victor doesn’t wait for my response and directly throws me the answer. Though he speaks in a seemingly nonchalant tone, a profound tenderness is nestled within.

Victor: A scene like this before us is only possible when you are by my side.

Victor: This is also the reason why I support your freedom to explore the world freely to the maximum extent possible.

Victor: Like Dum-Dum, I am the recipient of your unconditional love and your meticulous care in every possible way. And so, I can’t help but reciprocate these feelings to you.

His voice is engulfed by the crashing waves, but it still sinks heavily into my ears.

Victor: Maybe it’s just the innate nature of all living beings–– just like how it’s for Dum-Dum, it’s the same for me too.

I slowly look into his eyes. His gaze hides within it many words that are yet to be spoken, but my heart already understands them all.

MC: Victor today seems a bit different, doesn’t he?

Victor doesn’t offer me any rebuttal. Instead, he simply withdraws his gaze and gestures for me to look at the time.

Victor: We should let Dum-Dum go now.

MC: Yes!

I exhale deeply and wave my hand toward Dum-Dum.

MC: It’s time for us to head back. We can’t keep playing with you any longer. You’re all good now, so hurry up and go home!

MC: If an opportunity arises in the future, we may cross paths again!

This time, I purposely refrain from calling it “Dum-Dum.”

I hope it can remember the time we had never met and how it lived so freely in this uninhibited and boundless sea.

As if understanding my words, Dum-Dum calls out twice from the sea surface and swiftly joins its companions as they swim into the wider ocean.

Victor and I stand on the deck, gazing at the dolphins breaking through the tranquil sea surface. Every time they soar upwards, the waves are refracted into a spectrum of colorful light beneath the sunlight. 

MC: Victor.

Victor: Hm?

I lift myself on my toes and steal a kiss on his cheek.

MC: I feel like… I am the one who is always being looked after by you, receiving too much of your love and care. And so, I can’t help but reciprocate these feelings to you.

Victor presses his lips together, and his gaze slowly lingers on the coastline as we make our way back.

Victor: So, have you thought about what I’m “No. 1 in the universe” for?

MC: Aw~ I see now. So you said all those deeply moving words today, just for coaxing me into praising you~

Victor: Those weren’t emotional enough to be deeply moving.

Victor’s tone is unhurried, speaking calmly.

Victor: I’m going to miss you terribly when you leave.

Victor: Amidst a pile of taxing work, I will wait anxiously for a phone call from the sea every day.

Though in a somewhat silly manner, I nod my head in understanding, satisfied as I take Victor’s hand in mine.

MC: Hmm… I’ve thought about it.

With my fingertips, I write two words on his palm. Victor watches me intently as I make one stroke after another, leaving traces in his palm.

MC: Never mind what you’re No. 1 in the universe or No. 1 in the world for. In any case, in my heart, only these two words can describe you most accurately.

These two words represent the sufficient tacit understanding and thoughtfulness between us every day, and they also represent the beginning and end point of every journey I embark upon.

Using this same hand that I have so attentively stroked, Victor wraps me in his arms in a habitual manner.

Victor: [the most euphoric of sighs as if holding the entire universe in his arms and yet feeling as light as a feather]  …

There’s no need to add any superfluous prefixes or embellishments. In my heart, there are only two words that can describe the name “Victor”––

My Beloved.

──

[Tidbits]: The term MC wrote is “爱人”, which actually means “spouse” i.e., you won’t casually refer to your girlfriend/boyfriend/lover as 爱人, unless they are the person you call “home”~ 🥺💕

──────────────────────────────────────────────────────  

[Anika’s Ramblings + what seems like an analysis LOL]

──

[poibynt]

This is a really long-winded work up to a fic idea/vague character analysis BEAR WITH ME.

this'll be the last HTTYD meta post of the night. It's hard to pinpoint when Cowell fully created the later book's storyline (The seeds really start getting planted in 5, but of course 8 kicks things off, but was that the book when she first truly knew? who knows) but it's obvious the end game plot wasn't conceived by the start of the series. Cowell manages to transition from mostly episodic style adventure books to an overarching plot pretty well but there's some occasional wonkyness. The most fascinating weirdness to me is how the earlier books treat dragons and their societal standing.

I am doing a very out of order re-listen rn so I could be very wrong but while dragons are treated as 'creatures to own' from the start the slavery and mistreatment of dragons by humans starts to really become more textual rather than messy implications by like the 3rd and 4th books. But I don't think Cowell knew if she wanted to Unpack All That Right Now just yet when writing those books, so we get this weird ground where the mistreatment of dragons is there and explicit but none of the characters linger or reflect on it. Specifically in book 4 Oneye is all very "y'all are fucking pig slave drivers" and Hiccup doesn't object or anything but does not think about or engage with Oneye's rhetoric at all. This was a tad jarring coming off of listening to Hiccup giving a massive impassioned speech about how slavery is disgusting and needs to be eradicated in 10 to Hiccup meekly telling Snotlout not to whip dragons for fun in 4. Of course, Hiccup is a child and very rarely do elementary schooler age members of the oppressor class fully understand the abusive systems they profit off of (and obviously Hiccup not standing up to Snotlout is a whole other thing bc Snotlout is a horrible little shit. I'm not condemning Hiccup for not doing much here). Hiccup has all the groundwork of becoming the little leftist abolitionist revolutionary he ends up but he isn't there just yet.

This should have been ground for a bit of a character arc. And yet, it sort of wasn't?? Kinda?? It is but isnt. I think by 7 Cressida knew where the series was going enough to know that Hiccup needed to have a personal reconing with slavery & that's what the Northern Wanderers were for. Hiccup has a close brush with human slaves, gets marked as a slave and comes to see their humanity and dignity despite the rest of his friends and his culture not respecting them or their personhood. On paper, that's decent. Maybe not very good indigenous rep, but decent plot wise. However, it doesn't entirely work. Firstly because Hiccup should already know that captial S Slavery is Bad because of 5. That's a large part of 5. And yet I do not remember Hiccup ever really having much dialogue or internal introspection about slavery and the horrors of it & how it has effected Windwalker and those around him. The narration drills in it's awfulness but Hiccup sort of...doesn't super acknowledge it. Which is weird bc Hiccup is so pro dragon and such a good person you think he might be a bit angry or have some shit to say about Lavalout island or what happened to Humongous (I think there was some 'wow that's awfuls' but nothing much more then that. Or maybe I'm mis remembering grain of salt) 5 should have already done this, but again in 7 we don't get any introspection! The wanderers say a lot of things to Hiccup. They call him a devil, they say that all of history is against his kind, they think that he is inherently irredeemable and should be killed before he himself does harm. Hiccup doesn't think about any of this. And so the attempted arc kind of...falls flat for me. But cool Hiccup is in theory like yeah capital S slavery is bad. Then 8 is what REALLY starts off on Hiccup's abolitionism. Hiccup saves Furious, empathises with the chained monster against possible best judgement, and is disgusted by his torture. He wants to free all the prisoners, everyone locked away on Berserk. This is finally when Hiccup starts having a bit more of a reaction to slavery and imprisonment, and then he starts truly pushing against it out of his own accord and disgust and anger at it.

And yet. Not much inner monologue or reflection or dialogue about slavery outside of Hiccup's talk with Furious. It stays that way until book 9, where Hiccup faces the concept of being a king for the first time and then fights his father for the throne, knowing his father won't do the right thing. So, character arc! We get all the beats but I feel like we sort of don't get the development that goes along with the beats so it doesn't totally feeel like a character arc. Why the internal radio silence? Truly it's probably something about Cowell not wanting to make the books too depressing too early on by lingering on the messed up stuff too hard or something else but. I think there's a very in character and plausible explanation for Hiccup's arc around slavery. And it's all about his father.

The Hooligans are later named as one of the 'kinder tribes' who don't engage in slavery and don't agree with it morally but turn a blind eye to rampant slavery happening elsewhere. Slavery seems to really not be discussed much on Berk, but Hiccup and the other Hooligan boys his age probably grew up with some vague sense of pride in being 'the better ones', for having more honour and morals, something shared by the older tribe members. But this inaction is immoral and even though the Hooligans and other tribes aren't slave fairing, they do abuse and exploit dragons on a daily basis. Book 9 is about Hiccup finally acknowledging what has stopped him from thinking too hard or engaging with the enslavement and mistreatment of dragons. The Hooligans are still in the wrong, doing the wrong thing, upholding a bad system. Which means his father is. Stoick is the HTTYD equivalent of a neo-liberal. He dislikes the disdainful messy bits of capitalism, but he ultimately upholds the abusive and violent capitalist system while helping put down leftist organising. And seeing that in your beloved father, for someone as impassioned as Hiccup, is a fucking bitch. It's what makes their fight so heartbreaking. Hiccup couldn't let himself start down the path of unpacking the suffering of dragons and other humans until it was VITAL to do so because I think he knew things would lead back to the feet of his father, and also Hiccup's own. You don't grow up in an abusive system as a member of the oppressor class without being at least a bit complicit in violence and oppression, and I think that eats at hiccup.

ANYWAY fic idea what if I actually fleshed this all out through fic via like snapshots of Hiccup's various radicalisation moments which then focuses on the gap between 9 and 10 where Hiccup is in the woods for like a year with nothing but dragons, anti war domestic terrorism/sabotage and his thoughts for company while showing more anti war rebellion groups bc surely Hiccup and Cami were not the only ones. Cami's team getting a spotlight. ....thuggory pov??? I have vague fic soup rn and it's threatening to engulf me so I had to get this out somehow.

[tuulikannel]

That poll I reblogged, about having another name than your birth name, led me to think about my online nick... I can't remember for sure when it was, but I think it might have been around the year 2000 when I discovered fanfiction.net and started reading fanfics. And then I figured I should come up with some consistent nick to sign my (anon) reviews.

I've never really had any nicknames, so at first I didn't have a clue what to use. Then I thought that maybe something from Finnish mythology would be nice, and in the end ended up with Tuulikki. Tuuli means wind, -kki is an ancient ending for female names. It was also my mother's middle name, and I think this was relatively soon after her death (which means it'd have been in 2001). That made the choice pretty obvious to me.

Honestly, back then I had no idea I was picking a name I'd be using for years to come, everywhere online. ^^; I just wanted something with which to sign my reviews... After a while I dropped off the -kki ending (Tuulikki is very prone to being misspelled by non-Finns, I noticed ^^;;) and so I ended up with Tuuli. As both Tuuli and Tuulikki are often taken, I sometimes use other variations, like tuuli-chan (heh) back in the old days of LJ, or tuulikannel (wind harp) here on tumblr. That latter one's fitting also in the sense that I play kannel (or kantele as it's more commonly called. A Finnish traditional instrument.) Sometimes I've also used tuulentupa which literally means wind's cottage and figuratively, castle in the air. (We're not that fancy here, we just have cottages, no castles XD)

Another reason I like the name tuulikannel is that there is a poem by Eino Leino by that name. It made a great impact on me when I first read it, and only way later I've fully understood why. I did see myself in it. I have no idea what the poem really is about, but the beauty of poetry is that you can have your own interpretation... and I see someone aroace in it. But I think I'll put the rest of my poetry analysis behind a cut, cause I feel like I'm really going off on a tangent here, I was just gonna make a short post about my username... XD

Here's the first verse of that poem, in original Finnish followed by my extremely literal, not-even-attempting-to-rhyme translation:

Muut sydämen saivat, ma kantelen, muut murehti, nautti, ma en, ma en, en kurja ma elää, en kuolla voi, kun sykä ei syömeni, soi, vaan soi!

Others got a heart, I, a harp, others sorrowed, enjoyed, but not me, I, poor wretch, cannot live, nor die, as my heart doesn't beat, it only rings!

This makes me so strongly think about that comic about an aroace girl whose heart is blue, not red like everyone else's. (This one.) That feeling that there's something wrong with your heart - with you - when you can't feel what others feel. That feeling of being different, and the loneliness it brings.

Third verse (it's a longish poem, I'm not going to go through it all)

Mun syömeni tuulikannel on, sen kielissä laulu on lakkaamaton, se yössä, päivässä, yksinään soi ilmahan ijäti väräjävään.

My heart is a harp of the wind, in its strings an unending song, in the day, in the night, all alone, it echoes in the shivering air.

From the aroace pov, this is interesting to me. There is a song in the heart, but it sings it alone. Should the heart have a rhythm then, rather than a melody? A rhythm it could share with someone (two hearts beating as one...) But why is rhythm more important than melody? Or is the problem the loneliness of the heart? Perhaps the heart is longing for another one to join the song. Or perhaps it has simply been conditioned to feel that way, by the surrounding society. A lonely heart isn't a good thing, we all know that, right? And if you're alone, you got to be lonely! But surely the song of a single heart can be beautiful, too.

Jumping to the end of the poem, now:

Kiro katkera, julmuus jumalien: Itse orja, ma vapautta veisailen, itse lemmetön, lemmestä laulan ma, itse tunnoton, viritän tunteita!

A bitter curse, the cruelty of gods: I, a slave, hum freedom, I, loveless, sing about love, I, unfeeling, evoke emotions!

This ending. I've always felt it pretty strongly. Sure, I don't write much romance, but it does exist in my stories too. Yet it is something I personally know nothing about, and never will. I would not call this a bitter curse, though, but I do understand that view. Again, I'm think of that girl in the comic... I can understand how this could feel like a curse to some.

I first used tuulikannel for my writing journal on livejournal, and this poem was pretty much the reason why. It felt so perfect, back then. I do connect to it now, too, but I would like to give the poet a hug. ^^ Let your heart sing its songs! I do rather have a kantele as my heart than a drum, anyway. ^^

[spamtoon]

DCRC Book Club TWO !

for last week. oops. i'm so sorry puffy school and driving have been kicking my metaphorical ahh BUT. i need to read more of the funny uno comic. you have uno it came free with your ducklair tower (has said this joke like five times)

PLEASE know this is just going to be like. liveposting. rather than an analysis im typing this all while i'm reading the comic

pkna spoilers. again long post do not feel like you have to read unless you want to

please know that every time i look at an evronian now i think HOLY SHIT ! its Agron from Evron! me and my friends had a very enjoyable reading of issue 1 but this bad boy is allll me baby

i was going to say wow this penguin guy looks sick i wonder if he's an actual charcter and then i realized the big metal thing is NOT armor that is their WEAPON and i am more dsappointed but yknow what sure. we need more penguin representation in duck.verse aside from those fuck ass penguins (referring to tus.kernini's penguins)

i would also like to note that the italian sound effects are very funny. i am told there is a SPAM later in the comic and i would like to see that come to fruition

ooh? you're already at the making breakfasts stage donald? how fascinating... sorry no matter if i get an attachment to uno i will acknowledge he is forever donald's alright. the fucking way uno looks back i'm so... he's so goobity. he's such a thing. such a goober in fact

well you see uno. this vandal is a club penguin fan and is looking to recreate the box dimensio--nevermind he's not taking any of the boxes joke cancelled HAH NEVERMIND HE IS TAKING THE BOXES see i told you

your AUNT is a mutant. obsessed with the idea of donald duck using your aunt instead of your mom because of his family being full of a whole bunch of uncles and aunts its beautiful i think

angus fangus can you please get your bitch ass out of here and into the other hemisphere for me? thanks. you made donald sad. you made him so fucking sad im so (feat lyla lay swagger)

cog i ough. from what i understand from other comics the publication that tries to frame them is almost never Actually On Their Premises. this could lead to some interesting setups...

donald yyou little fucking shit. i see where the 87 triplets get it from. i mean i approve but you little fucking shit. i love that uno just goes along with it like yeah this guy's a dick let's mess him up

im appreciating how they write lyla okay. she's so Manipulative but not in a bad way you know. yes she just said she was the duck avenger but she's doing it in order to gague donald's reactions, or as donald thinks possibly tip him off? she clearly knows a lot more than anyone gives her credit for and yet here we are.

oh she fucking knows knows actually alright. alright i see where they're going with this (i dont) (i am reading with Intrigue...) wait wait my epic brain thoughts alright.t they're doing the thing where they set something up and then they have a reveal so lyla lay. just might be a mutant like time fucky wucker was talking about eh? eh?

the fucking fight scenes int his comic... the way they show the differences between weapons and just like. play with the panels. it might be standard for th medium and i just havent read hat many comics but i love shit like this

please know that if uno didn't exit camera 9 would be my favorite character. spamcore. to me. and the fucking way they portray time travel here ough. cool as fucking hell. the slow stepping forward and the Wind Effect oho. ohoho.

uno's fucking face sory i just. i too wonder how the fuck they're gonna outliquida.tor themselves out of this one becuase this. guy does in fact seem overpowered but donald probably has to deal with many more overpowered people

2 issues in and we've already introduced time police dear lord i wonder how it's going to snowball from here.

the duck avenger version of the everyone's an idiot d.arkwing falacy. everyone's a fucking snoop and its beautiful. donald is so serious here and yet everybody else is like five steps ahead of him

uno smiling is so fucking precious i don't care what anyone says its so fucking precious okay. please know i'm starting to feel important is making me emo but im writing the rest of this post immedaitely after rewatching a goo.fy movie with people so... and after three episodes that make em fucking nsnngamgsnmgngnsmgab you know

the fucking way i actually went :O over this i'm so predictable omg. that's so cool. robots... are so cool holy shit. so there's just robots everywhere alright thats Fucking Sick Actually. i retract the thing i said in vc today acab does not apply to her i think she's... a silly girl...

hey uno. you see with uno. i dont even know much about him yet. i don't want to say it for certain right now but it feels like. not quite a bright spark in terms of Level yet but like. like bright spark in that i feel like him rejecting me would make me feel good you know. yes please list all the ways that though i am mechanical i am a disgrace to all robotkind, with my primitive technology and even more primitive habits. this could change. i am on the second issue of this long running comic. but at this point that probably isn't the case. uno makes me feel like a rat in that he's beautiful and i will prioritize saving him over the various citizens in the city. not that he needs it

gay ahh wink from this mega.mind lookin ahh... dude i literally went to movie night and then when i came bakc there were like. two three pages left. but y'know what i ough. as i've said before i am invested in this thing and i have homework to do but i also kinda wanna do week three right now y'know. oughghghg i just. i'm so glad that they like gave l.yla lay an acutla purpose like i knew she had to be the only pk.na character in mudae for a reason but from her introduction i was SO worried they were just gonna have her be. The Girl Friend Character but she is shaping up to be so so so much more than that.

thank you dipshit duck for getting me to like. suck it up and be comfortable with reading comics because theres so much duckverse has in store for me and i cant wait to experience it all