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sixteenthshen · 4 years ago

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post-finale stuff

Possible spoilers. Beware

Last night, I happened to check the scriptwriter's Weibo and saw that she had liked this fan's post. It's the only non-work related Weibo post that she had liked, so of course, I went to read it.

The fact that this is the only fan post she's given her approval to must mean that it is on point and she agrees with the characterisation. I thought it's pretty good, so I've gone ahead to translate it here. I own 0 rights to this. I just thought it's a good perspective that may help others like me who struggled with the ending.

I think I've mostly made my peace with it now, and to sum it up:

Just because someone doesn't love you the way you want them to doesn't mean they don't love you with all that they are.

A-Xu never once blamed Lao Wen for how things turned out because he understood that. And he’s clearly a better person than I am (lol).

Let me be clear about my stand - the real victim of how the drama unfolded in the last six episodes is WKX. When we feel our hearts ache for ZZS, it's because the show let down WKX (the character). If your heart is only hurting for WKX during episodes 33-34, you should try to ship WKX with someone else, ok? If you think the last six episodes were great and that WKX was very romantic (and only romantic), then I honestly don't know what to say.

I ship wenzhou. That means I like both Wen Kexing and Zhou Zishu. I want them to love each other, be good to each other and live happily ever after. And I want them not to be OOC.

The rest behind the cut. Spoilers for the whole drama.

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First, the source. Here is a link to that Weibo post, by 爱吐槽的栗小姐. I will delete this if requested by the OP - because this is really in a grey area imo. But I think the intention of a public post is for it to be shared? (especially something like this, which argues a point)

Secondly, the poster does try to be fair in her post, but as the problem here is WKX's ruined characterisation, ZZS's character is analysed primarily concerning this issue only. There's quite a bit left to ZZS's character and backstory that isn't relevant. I believe that's why the post doesn't elaborate on it, or so I hope.

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Ever since WKX faked his death, I received three to four waves of fellow sister fans' mournful wails: "Lao Wen actually faked his death; does he have a heart?" "They were supposed to be of the same heart and treat each other with honesty. How did they regress?" "What happened to their innate soulmate-ness?" "Why does A-Xu always say to face things together, yet Lao Wen always keeps his plans from him?" "A-Xu loves Lao Wen, yet Lao Wen only loves himself"…….

Wait. What have you guys misunderstood about the meaning of soulmates?

Soulmates are about values, but a person's behaviour… that's methodology FFS!

(Do they no longer teach this in political affairs class in high school anymore?)

Wenzhou, these soulmates, are incomparably compatible and mesh well in terms of values. According to the scriptwriter, the entire jianghu wants and tries to get the pieces of Glazed Armour, save the two of them. Not only do they not care for the peerless martial arts, immense power, nor the massive wealth that the Glazed Armour represents, they don't even care for the power they hold in their hands –Ghost Valley and the Window of Heaven. Both of them willing to give it up without a second thought.

Before they met each other, they were so tired of (ZZS) and so angry at (WKX) this earthly world that they didn't even want to live on anymore.

After they met each other, they gradually began to feel the warmth in this world again. How nice it would be if they could live in seclusion, hand in hand and just bask in the sun.

In this world, where everyone else is fighting for power or wealth, they are true soulmates. To intelligent people like them, whether or not they're honest about their identities or secrets is merely a matter of formality. They had already determined their attraction to the other's soul early on and have never doubted it.

There may be some here who would criticise loudly at this point, "Then can't you be more considerate for your soulmate (the actual phrased used is "spiritual companion")? A-Xu has said many times, let's face everything together, I'll bet that you will be honest with me. If you really love him, then why can't you care for his feelings?"

----- You guys, you've never been married.

If two souls meeting can naturally resolve all behavioural conflicts and disagreements, then the theory of "breaking in" * would not exist.

Let us take a look at what kind of a person WKX and ZZS each are.

Wen Kexing, he's a lone wolf.

After his parents' death and his entering the Ghost Valley, his smooth sailing life suddenly fell off a cliff. Ever since then, the only person he could rely on was himself. That deep-seated hatred is carved into his bones, yet he can't speak of it to anyone else. He isn't the same type of person as the rest of the ghosts in the Ghost Valley; he isn't the same type of person as A-Xiang, who he raised. If we talk about the world and everyone who lives in it, he doesn't have any fetters or feels any (positive) emotions.

His supposed craziness is a form of indifference. He's indifferent to others' lives, nor his own, because he just doesn't care. (T/N: I think he does care for his own life, but only for revenge, after that, he's indifferent. Indifferent isn't suicidal. I don't know why some fans seem to be confusing the two. Although he didn't plan to, if he somehow manages to stay alive after getting his revenge, WKX will continue to live on, even if it's only to keep A-Xiang happy because he is indifferent.)

Growing up like this, being solitary became his style. He's used to doing everything alone, used to making his own decisions, used to digesting all his emotions himself.

Every time he argues with A-Xu, he digests his emotions himself. The next day, he faces A-Xu with a smile again.

This is how he loves, to take it upon himself to face danger, difficulty and pain alone. It's how he had supported A-Xiang all these years in the Ghost Valley and what he's used to.

While Zhou Zishu, he's a lead horse (of a herd). **

Since a very young age, he's taught to take responsibility. He's used to bearing everything on his shoulders, be it the responsibility of his family or the responsibility for the Four Seasons Manor, even the responsibility for saving commoners from disasters.

Unlike the lone wolf, the lead horse is ultimately a social animal.

Regardless of his identity as the Manor Lord of the Four Seasons Manor or the Leader of the Window of Heaven, he's always the one to lead the herd and rarely fights alone. So, A-Xu not only has leadership ability but more than that, he also knows how to be tolerant and accepting of the differences of his team members. You can see the various ways he managed to influence Lao Wen along the road; he's firm when he needs to be and soft the other times. It's absolutely textbook in managing your lover workplace management.

Zhou Zishu believes in communication whenever there's a problem, that they should be open and honest. So, teamwork is what he's used to.

Does it mean that when a horse and lone wolf fall in love, that there won't be a breaking in period?

Obviously not.

I guess this is where some may say again, "isn't this part of a character's arc/development? The two of them quarrel time and time again. Did WKX not grow at all from it?"

Of course, after meeting each other, they both grew and saved each other.

When he first left Window of Heaven, A-Xu was lonely with regret. Unlike the lone wolf who's used to doing everything alone, a lead horse without the last of his herd has no way to bear the bone-deep loneliness and merciless self-recrimination.

ZZS wandered around this world aimlessly until Lao Wen started pestering him, until he picked up Zhang Chengling, right up until he felt he hadn't singlehandedly destroyed the Four Seasons Manor. This lead horse finally regained a goal in life. He gained a partner and a lover. Lao Wen sticks to him, Chengling relies on him, and the abandoned Four Seasons Manor became like-new in his hands. He finally reconciles with himself.

When he first came out of the valley, Lao Wen carried a rage strong enough to burn the world down. But when he met A-Xu, he also met the beauty of the world.

When the Four Sages of Anji died, WKX understood how he caused innocent suffering. When Gao Chong walked to his death knowingly, he understood that although some may desire power, they could still be righteous and upstanding people. When he learned of everything Long Que sacrificed to protect his family***, he finally relaxed his guard.

There were so many types of good people and things that he saw along this journey that he hadn't seen in the Ghost Valley. When A-Xu told him he was a good person as they basked in the sun, he genuinely wanted to return to the human (vs ghost) realm and be a good man.

Along their journey, A-Xu made up for the morals and values that WKX lost in the Ghost Valley and showed him a new world outlook. He appeased Lao Wen's anger, tempered his extremism. The process wasn't easy, but not that difficult either, because, in the end, Lao Wen is kind at heart.

But in the end, being a lone wolf is how he survived and succeeded in a place like the Ghost Valley. When A-Xu was so heavily injured and needed a lot of rest (for Wu Xi) to save his life, Lao Wen suddenly recalled his enemies and how such an excellent opportunity to take revenge just fell into his lap. Everything was in place, and all he needed to do was hide it from A-Xu; he could leave for a short while and have it settled quickly. Upon returning, he could then live happily ever after with his wife. To a crazy lone wolf, why would he not take a gamble?

What he couldn't predict was the news would've been leaked (to A-Xu), and he didn't know that by doing so, he would've forever lost his love.

Both of them were using their own methods to love the other person. Zhou Zishu is more forgiving and accepting because being forgiving is in his blood. While what WKX learned in his years in the Ghost Valley is -- love needs to be protected, like how he has A-Xiang, who he considers a sister, call himself master (to protect her).

Only when faced with painful consequences can a person's deep-rooted habits and approach to things change. So I don't think faking his death ruined the characterisation of Wen Kexing, but I regret that the last two episodes did not have a scene to show us Lao Wen's heartbreak when he learns the truth.

Until I know what it feels like to have lost you, I will only love you in my own way.

T/N:

*I can't think of the correct phrase for this as I don't read all that much about relationships >< please let me know if you know of it. Here, I'm referring to the process of wearing something new (like shoes) that will hurt at the start until it becomes soft and comfortable.

** I did some side-reading, and omg, A-Xu is TOTALLY the lead mare. Although he's not the stallion and weak/dying for most of the show, he's the head of their little family, and he expects "to be obeyed", aka, I'm not going to learn how to cook. Call me for dinner. Kthxbye.

From Rutgers' website: A herd of wild horses consists of one or two stallions, a group of mares, and their foals. The leader of the herd is usually an older mare (the "alpha mare"), even though one stallion owns the herd. She maintains her dominant role even though she may be physically weaker than the others. The older mare has had more experiences, more close encounters, and survived more threats than any other horse in the herd. The requirement of the lead horse is not strength or size; if this were so, then humans could never dominate a horse. Dominance is established not only through aggression but also through attitudes that let the other horses know she expects to be obeyed.

***I think this is important here because WKX wasn't crying for his loss. I think a big part of him was realising not everyone in the world was callous and turned their backs on his parents, that he could've gone his whole life without ever discovering what sacrifices some people have made. Good people suffer quietly and in silence. It's a big moment to realise he was wrong about many things that he had let hatred blind himself to the world. Because although he was sad about the Four Sages and somewhat shocked by Gao Chong's death, he hadn't truly faced up to his actions until now.

(screenshot of the scriptwriter liking the above post)

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To add:

I'm not sure how many of you read my "opinion" posts, but I've been struggling to find a way to accept the last six episodes of Word of Honor. I first tried looking at open forum postings, comments, and Tumblr posts. None of it worked because it was just arguing and emotions and no one made points good enough for me to accept things.

So I gave up and went back to reading Chinese sites. I found many posts discussing the plot. Some I liked, some I didn't, but none satisfied my need for a reasonable explanation. I felt they had biases (both ways), or else it lacked logic. After a time, I realised that I should be looking for WKX-stans (or pro-WKX fans) because they would be more motivated to explain his side, but also because well-written posts by wenzhou-fans & ZZS-stans made me super sad.

I'm sorry, but those who keep trying to explain why the ending was good completely missed that episodes 32-34 are the real problem to those who don't like it and only focused on 36. I can understand if people don't think those episodes are a problem, but no one could provide an articulate and sensible reason. There are just too few well-reasoned plot-focused posts in English (sorry). I've seen too many examples of WKX-fans arguing with people who are upset about the ending, backed by nothing more than "look how much WKX suffers, woe is him. And how romantic is this????" *dies*

Lastly, if you spot anything inaccurate, let me know & I will correct it.

#word of honor #word of honor meta #wenzhou #opinion #i think this counts as meta #if you think the drama did WKX justice #and that he can do no wrong #in the last 6 episodes #....#......#srsly #you can't claim to ship wenzhou #& think the last 6 eps are perfect

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orsuliya · 4 years ago

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Song Huaien is a good boy!

Book spoilers did me dirty. That’s a fact. Ever since I peeked at the last chapters of the novel, I’ve been convinced that Song Huaien was going to go rogue sooner or later. And so I looked upon him as one does upon a ticking bomb, watching him closely for any signs of rot and obvious mwahahahaing.

And that… might have been wrong of me. It’s not like The Rebel Princess ever treated any character’s novel journey as sacrosanct (see: Su Jin’er, Wanru, even Zitan). So what gives? Well, just look at the ever-precious Liu Duanduan. Wouldn’t you want to steel your heart in advance…?

And then the supremely astute @dangermousie came along and made me reconsider what could be done in the scant remaining number of episodes in order to deliver a satisfying ending. I trust The Rebel Princess, so it will be a satisfying ending, 12 cut episodes notwithstanding, and I’m choosing to ignore any contrary opinions! So what could be done? Well, getting rid of Song Huaien’s rebellion and conflict with Xiao Qi seems to be one of the most viable solutions, whether by design or by leaving it on the cutting-room floor. Okay, I’m sold, I thought at once, jumping without thinking as I’m wont to do. But does the drama itself support that?

Why, yes, I believe it does!

What are the actual visible signs of Song Huaien’s potential villainy? There’s the corruption/negligence thing, a pronounced liking for finer things in life and an unrequited love for Awu. That’s it.

The corruption scandal, if it can even be called such, what with Potato suppressing any further investigation attempts, is the biggest strike against Song Huaien. It’s clear that he’s somehow embroiled into unsavoury dealings, but the extent of his guilt is never shown. While I don’t fully believe his story about the birthday gifts being delivered during his absence and accepted without his express permission and/or knowledge, there is also nothing to suggest he’s been explicitly on Xie payroll, secret documents non-withstanding. The record book alone is no proof of guilt – why, the Xie might have simply noted that gifts of certain value had been given and received, not in exchange for a specific service, but rather as a start of a beautiful relationship. You get the drill. I believe if there was a solid proof of Song Huaien doing explicit harm to his own in exchange for Xie money, Xiao Qi’s reaction would have been much harsher.

As it stands, Song Huaien’s guilt is a matter of conjecture. There’s the birthday gift, which Xiao Qi cottons onto really quickly, which confirms that it may have been noted in the Xie secret books. There’s the fact that he may or may not have known about it and may or may not have chosen to keep it. I’d say he did know, if only after the fact, and that he originally meant to keep it. There’s also the damning fact that Song Huaien was the man taking care of logistics from the Ningshuo side. And he did his job really poorly, since multiple deliveries of substandard grain and clothing somehow made it through. But was it out of maliciousness? Was there ever a conscious decision on his part to let things slip? Not necessarily. It looks bad, sure. But let’s not forget that dealing with the capital sharks may be a first for Song Huaien, regardless of his previous experience as a procurement officer. Whatever his experience, it was either at the very end of the supply chain or it was mainly related to supplies coming from the area closest to Ningshuo. The former wouldn’t have prepared him for his present duties. And as for the latter, I think that the Ningshuo province has its own rules and ways, which are in no way comparable to the shark pond that the capital undoubtedly is. What’s more, Huaien really seems to buy into the illustrious capital life; it would not surprise me if he delegated a few things that should not be delegated simply because he was busy taking it all in!

So, intentional crime or crime of negligence? I’d be inclined to vote for negligence. It just fits what we know about Song Huaien up to that point, it fits his current circumstances and it makes Xiao Qi’s reaction quite reasonable.

The second strike against Huaien’s integrity is his love for the finer things in life. But then, is it really such a damning thing? Many of the Ningshuo soldiers must have experienced the same thing upon their arrival into the capital. Here they are, heroes and patriots all, having spent their whole life either on various battlefields or in decidedly non-luxurious circumstances. Why, they must be quite happy if they get enough to eat, which they do only because they have an honest general who cares about them very much. Other armies are not as lucky! And then they are shown all those useless noble scions, some of whom might nominally be officers despite barely knowing how to hold a sword (and even those swords would be ceremonial ones, so mostly useless). I don’t know about you, but I’d be bitter. Some of Xiao Qi’s closest clearly are, although he tends to shut that down very quickly. Also, covetousness is not a crime as long as Song Huaien is not actively taking bribes or jockeying for profit. And there is no proof of that. His manor and his title are both given to him without him ever asking for them. If he appreciates that… well, that is also not a crime and he doesn’t even gloat openly! As it later turns out, he took both as his due, believing that his talents were seen and duly appreciated outside the Ningshuo army.

Sooo… Nothing out of ordinary on that count. And seeing that at one point Song Huaien offers to use his savings to repair the ailing military budget – whether from guilt or from sense of duty – speaks to his advantage.

Now, let’s take a look at his unrequited love for Awu. I mean, is it any wonder he falls for her? I am half in love with her myself, so I totally get it! What matters is what he does with this love. Quite surprisingly, there is no attempt at coming between her and Xiao Qi. Why, Song Huaien actively tries to help their marriage by convincing Awu to return home from the temple. No hesitation there! And while he might realize he’s actually in love very late in the story (by this point it’s obvious to everybody), the realization itself changes very little. He gets very determined to go through with marrying Yuxiu, that’s it. Still no attempts to make a move on Awu. Even that flower he brought back from the Imperial Mausoleum was not an overly romantic gesture – she asked and he did as she asked in order to make her happy, nothing more. There’s also a genuine attempt to get over her. He goes to Yuxiu on their wedding night and despite the initial haziness on the matter, he seems to know quite well she’s not Awu and does his best. Although that bro slap in the morning… Let’s believe he did his best there too, the poor awkward thing. He gives her an actual hug when he comes back from Jiangnan! Progress!

What finally buried the theory that Song Huaien might rebel in order to take Awu away from Xiao Qi was his convo with Wang Su in episode 55. I was so afraid (just as I was afraid on his wedding night) that he might do something stupid. Like asking for Awu’s hand or betraying his romantic intentions towards her. But no. While Song Huaien tells Wang Su that he wants/needs to find Awu, there’s no romantic intent there, only duty towards Xiao Qi’s wife and respect towards a woman who has earned it many times over. If there is anything else, I just can’t see it! Why, during this whole conversation Song Huaien is more broken up about Xiao Qi than about Awu!

Whether Song Huaien manages to get over his love or not, there is no sign he was ever going to do anything about it, not while Xiao Qi lived and perhaps not even now that he’s supposed to be dead. Moreover, he made every possible effort to suppress his emotions out of sheer guilt and feeling of brotherhood towards Xiao Qi. Marrying Yuxiu might have been a bad, bad choice (although I still hope for the best), but it was a choice made for the best of reasons.

So that’s it, right? Well, wrong. Even with all of the above there was still a possibility for him to go the villain route. Except… he actually seems to be redeeming himself in leaps and bounds. Once away from the capital, Song Huaien seems to throw off the capital’s thrall and becomes the best version of himself. Jumping into stormy waters in clear disregard of any danger? Working tirelessly towards a common goal and for the good of the people? That’s pure Ningshuo stock, no moral rot in sight! Now, why would the narrative have him getting back to his old self only to make him regress again?

There’s also no real reason for him to ever go against Xiao Qi. If that was going to happen, I’d have expected at least some signs of bitterness and jealousy to have shown up by now. And yet there’s nothing, at least not towards Xiao Qi. Who, might I add, really does his best to mitigate any potential bitterness in the bud. Just look at the way they resolve the corruption scandal! And I’m not talking about Xiao Qi burning (or not burning?) the incriminating page. What got my attention is what their conversations over the matter boil to. Which is: Listen, brother, I get that you’ve been having some issues, but get your shit together. And please, take care of yourself. I don’t want you to get in trouble, so please remember that there are people watching your every step. No overt accusations, no anger in sight, maybe the slightest bit of sternness, but heavily undercut with roughly expressed care. And it’s the same with their confrontation over Awu. I know what’s going on with you and my wife, but I 100% get it, mate, so take a moment and decide how to proceed from here. Even if Song Huaien was actively seeking a reason to hold a grudge, it would take a truly rotten seed to find one. And a rotten seed Song Huaien is not.

Now, let’s wrap it up by going over Wang Su’s suborning of Song Huaien in episode 55. It’s really something special, as well as the main reason I’m choosing to reject any possibility of SHE/XQ showdown.

Wang Su waylays Song Huaien on his way out of camp. Song Huaien is clearly very emotional at this moment and not really inclined to stop for anybody. Why, I think that he was fully prepared to go through Wang Su if needed. It is also quite probable that his decision to leave for the capital was made on the spot, once he heard about what happened to Xiao Qi, Awu and his comrades. Yet he stops and listens, if only because Wang Su – Awu’s brother and Xiao Qi’s brother-in-law - should be his natural ally in his quest to clear Xiao Qi’s name. As he proclaims to be by announcing his willingness to join Song Huaien on his journey to the capital.

Wang Su (or rather Daddy Wang possessing Wang Su’s body) takes full advantage of Song Huaien’s state. First he breaks out a prop, Awu’s favourite wine. It does not work as well as it could have and I’d say that at this point Song Huaien remains quite astute as to Wang Su’s weird behaviour. His first outburst shows he’s got little patience for games. Awu is your sister and Xiao Qi your brother in law, he reminds Wang Su, who seems very controlled for a man with much more obvious ties to this whole situation than Song Huaien. Wang Su skips around the issue by taking out his ace card, the Empress Dowager’s order. Predictably, it takes Song Huaien off-balance and incites a sense of debt, if not gratitude. An excellent opening from the shapeshifting Daddy Wang! Then Wang Su makes an attempt at aiming Song Huaien at the Empress Dowager… and it doesn’t work. Song Huaien doesn’t care about his own life half as much as he cares about Xiao Qi. Cue a mournful soliloquy! There is no way a man this broken about his brother’s death is going to try to kill said brother in the 13 episodes remaining (less, in fact, since they will not meet until 59 or 60 at the earliest). There would be no build-up! The only way I can see this happening is if Xiao Qi went against Song Huaien first and in a deeply personal way. Which we know he would never, so...

Wang Su makes a brave attempt at corralling Song Huaien’s grief and turning it to anger, for all that he may say that anger will not help anyone; it doesn’t work and self-blame enters the picture. If only I was with him leads to a startling realization: all those honors and the brand new posting were just a ploy. Now, this realization could lead to two different results. Song Huaien could plausibly become bitter towards Xiao Qi – because of whose very existence his own talents weren’t truly recognized and he himself became a pawn. But there’s nothing to suggest that’s true. It’s more likely for Song Huaien to turn his bitterness over his wounded pride towards the Empress Dowager in particular and scheming nobles in general. Which is what I think he does. There is also a possibility of guilt: he bought into this whole noble life fairytale… and this is what partially facilitated him being turned into a pawn. It may be just wishful thinking, but I expect that in the future Song Huaien will be more wary of unexpected meat pies falling from the sky, however tasty they may be.

Just a moment later Wang Su offers him a meat pie. He’s going to help him take revenge! And Song Huaien swallows it whole – at least for now. This is where a truly interesting thing happens. Song Huaien, a general in his own right, a true hero and a man who’s been acting as Wang Su’s equal while in Jiangnan… folds and takes to a subordinate position like a duck to the water. Tell me what to do, he seems to be screaming with his eyes. And when Wang Su starts to use the word we, there’s a palpable sense of relief in Song Huaien’s whole demeanor. What’s more, he’s not reacting to the idea that he still needs to jump through some hoops in order to become a Wang minion. I’m not sure you’re ready to become my ally, lies Wang Su, knowing very well Song Huaien’s is already in his palm. Where’s the ambition? Where’s the slightest sign that this man may be capable of going for the throne for his own sake and against his brother? I don’t see it!

The Wang family is used to needing to pay their allies in hard coin (or titles, or favours), that much is clear, because that’s what Wang Su tries next. The title of a count is too lowly, he says and then dangles a princely one in front of his victim. If Song Huaien was really as hungry for honours and wealth as some of us were expecting him to be, he’d be all over that. But he’s not. He gives it due consideration, but, if anything, this proposition seems to bring him back to reality. There are no free meat pies to be had and he’s just remembered that. But since this is the best – and likely the only – proposition/offer of help he’s going to get, he seals the deal anyway.

There’s still some reluctance, though. Why, Song Huaien needs to rationalize this decision by reminding himself that Wang Su saved his life and that there’s revenge to be taken since he’s alive (as Xiao Qi is not). Not very eager to take part in a coup, is he? And then he actually makes getting justice for Xiao Qi a condition of this alliance! Finding Awu is the second one, but as I’ve already said, there seems to be no romantic intentions there.

And that’s it, the deal is done. So now, can anybody tell me how is this Song Huaien supposed to go against Xiao Qi? He’s more likely to go for a hug once he sees him alive!

There is no reasonable way to leave in Song Huaien’s conflict with Xiao Qi. There’s just no time and no real build-up to that! The only way to have him go rogue is to have a timeskip with Song Huaien doing a 180 in the meantime. And somehow I just can’t see it happening. But I guess we’ll have to see about that!

#SONG HUAIEN IS A GOOD BOY #it's not just because his hair looks nice I swear #I'm not that shallow or am I #the rebel princess #monarch industry #rebel princess meta #this is kinda long

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listless-brainrot · 4 years ago

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Avatar: The Last Airbender DS Game Review

no one asked for this but i don’t ever see anyone talk about the atla videogames, which is a true tragedy, and i know that this may be because the video games aren’t technically canon, but i think they’re still worth talking about!

i finished this game in about three days, and i’m going to be talking about its gameplay, graphics, and story, all in that order.

spoilers below, as i’ll be talking about the entire game in depth.

Gameplay:

the bulk of the gameplay consists of controlling your party of four, which consists of aang, sokka, katara, and haru. you can swap between any member of your party at any time using the touchscreen. you can run around with the d-pad, and you can also walk by holding down the b button. but onto the combat- each member has a specific set of attacks they can use, with two kinds of attacks and defenses, primaries and specials, with attacks assigned to the y and x buttons, and defenses assigned to the b and a buttons respectively. the game is jrpg-esque, in the sense that it has (somewhat) random encounters and a multi-person party, each with strengths and weaknesses. the random encounters aren’t fully random, as the enemies (which range from animals to machines) can be easily spotted and avoided in the overworld, but they do chase the party down. there is no in-game option to run from any random encounter, as you have to purchase smoke balls to run away from a fight. each random encounter will either drop a healing item or an unspecified amount of gold, which can be used in shops.

the game works in “chapters”, similar to the actual show’s structure, which has episodes, each of which start you and your party in/near a village, according to whatever setting the plot deems necessary. in each village, there is a variety of shops, which include an herbalist, medicine man, and fruit seller. the herbalist will mix together any random herbs you find (for a fee) in the overworld, creating single use status-buffing items that have varying effects based on the kinds of herbs used. the medicine man (unsure if that’s what he’s actually called) will sell incense and smoke bombs, with the latter used to control the rest of the party, with different kinds of incense used to dictate their behavior in battle. for example, defense incense will make the rest of your party use more defensive moves, rather than offensive. the fruit seller sells various healing items, which range between single and party-healing. as the game progresses, these items grow more and more costly, requiring increasing amounts of gold. there are also hidden item boxes, though these are found in both the villages and world itself. items can be held in a sizeable inventory, but items must manually be moved up into a six-slot hotbar for use during combat.

though the bulk of the gameplay is exploration and fighting, there are also some smaller parts within the game that switch it up a bit. there are minigames, such as four nations force, which can be found in villages and is a pai-sho-esque game with similar tiles, as well as opportunities to train certain members of the party, namely haru (at least in my experience). there is a segment in which you can control momo, and have him solve a puzzle to open a door, and in that same segment, there is a mission where you have to utilize the b-button to silently walk past guards. there are a few of fetch-quests, though they aren’t too difficult, and drive the plot forward.

the gameplay isn’t anything groundbreaking or spectacular, but it serves its purpose well, and can make for some really fun strategy-driven moments where you have to constantly swap between characters to see if there’s advantages to using one over the other, and rationing out health items carefully to see if they’ll last you before a boss fight. there’s definitely a lot of combat, and, while the game doesn’t force you to, there is the inherent expectation of level-grinding, which can make certain segments of the game a whole lot easier, especially with unlocked specials and higher power. there is also the fact that, should you lose a random encounter fight with no smoke bombs, you are basically stuck in the fight until you win or quit, which are the only two options. furthermore, should you quit, you’ll be sent back to your last save, and you must manually save, as is standard for most games of this era, as it only prompts you to save at the very conclusion of a chapter. there is a bit of mercy, however- should your entire party die and you continue, your party’s health will be restored to at least a third, and all items used in the previous battle will return in your inventory, ready to be used again.

Graphics:

as is expected with ds games of this era, the characters are rendered in charming little pixel sprites, which each sprite being beautifully animated and full of personality. in cutscenes, each character emotes with their own set of sprites, and their mouths are animated when they talk. sometimes, their sprites are used for comedic effect- there are rarely moments where characters are just standing and spewing dialogue. there are also pixel-rendered portraits of each character in the party on the touchscreen, allowing you to see their health, moves, and level.

what’s interesting about this game, however, is that, while the characters are 2d sprites, their surroundings are 3d, and you can change the viewpoint of the camera at any time in the overworld with the l and r bumpers, allowing you to really see the entirety of the map. this makes exploring all the more interesting, as you can spin the camera around to see hidden loot boxes or other items you may have missed. in villages, there is a lot of new personality and depth given to each setting, especially familiar sights from the show such as omashu and the northern air temple. the aesthetic of the overall show is kept intact well, as even the npcs in new towns all appear to fit by design, and there is a sense of visual cohesion that makes it feel true to its roots. there are little nods to canon beyond just the main characters, such as one of the healing items in the game being a custard tart, and town designs expanding on already established settings.

each segment of the game carries with it a unique feel, making each chapter easily distinguishable from the last. the game has so much charm, with its bright visual styles and faithfulness to its canon inspiration, and each setting is unique and fun to explore. the only thing that may bog it down in terms of both gameplay and graphics is that a majority of the surrounding buildings in villages and cities can’t be entered nor explored- they’re just props. this gives a slightly empty vibe to the environment when you notice that the background props are just props. it would be much more fun to explore the given environment if there was more to do, rather than just the same three to five things. furthermore, while the camera function is very useful, it can also be really confusing in terms of navigation. there’s a map and a compass, sure, but sometimes you’ll be stuck spinning the camera until you’re absolutely sure you’re headed in the right direction. the map, at least, does give you an indicator on where you’re supposed to go next to advance the plot, and there is a similar kind on the compass as well, which helps immensely.

Story:

unlike other games (namely burning earth and into the inferno), this game’s plot is mostly standalone, and doesn’t follow the canon timeline very closely. there is less “a game about playing through the show’s events”, and more of “a game that uses canon elements to create a story of its own”. the story, which doesn’t fully fit within the bounds of canon, is still an interesting story to present nonetheless.

spoilers for the entire story begin here!

the story opens with aang, katara, and sokka in the north pole, where master pakku has been mysteriously replaced with a character named master wei, who tells the gaang that one of their waterbenders, named hiryu, has vanished. upon further investigation, a waterskin and a weird piece of metal is discovered where the waterbender was seen last- however, these investigations are quickly halted by the arrival of zuko and the fire nation, who kidnap katara as bait for aang. sokka and aang track her down to a fire nation prison, where they have to dress up as fire nation soldiers in order to sneak in and get info on her whereabouts in order to save her. while saving katara, they also discover another prisoner named lian, who is presumably being forced to work for the fire nation. after a brief battle with the warden, they find that lian has escaped on her own, and left a note behind, pointing them in the direction of an earth kingdom village.

after katara has been saved and the gaang follows the note, they find the village being terrorized by mysterious machines with the ability to bend/use singular elements, though they are being fended off by two earthbenders. upon further investigation, the earthbenders turn out to be tyro and haru, who were saving villages when this one was attacked by machines. after defeating the machines, the gaang learns from tyro that another bender has been kidnapped- an earthbender named yuan, who was one of haru’s closest friends. because of this, tyro encourages haru to join the gaang’s quest to find out where the machines are coming from, and points them towards the forest for clues, as a wise spirit resides there. the party then encounters a bear-like creature, which attacks them, though upon defeat, reveals itself to be the forest spirit, who gives them very cryptic answers when asked about the origins of the machines, saying something related to the heart of the earth kingdom.

somehow, this prompts the gaang (now joined by haru) to go to omashu, as it’s in the heart of the earth kingdom. aang decides to ask his friend king bumi to help them figure out where they need to go to find the origins of the machines, and the king, while happy to see his friends again, is forbidden from helping the group discover secrets, due to his royal counsul, who refuses to let them go to where they need to go. nevertheless, bumi directs them towards the earth kingdom royal library, where a scroll is found showing a series of bending techniques, as well as some kind of map. upon bringing their findings to king bumi, he points them in the direction of four paws island- an unmarked island off the coast of the earth kingdom. however, as the gaang prepares to leave, the fire nation attacks once more, forcing them to find an alternate route out of the city, where they are challenged by the royal counsul, who is revealed to be conspiring with someone relating to the machines. haru, enraged by the counsul’s traitorous actions, takes him on one on one, and, upon defeat, allows the gaang to escape to four paws island.

now on four paws island, the party finds more mysteries than they bargained for, as there are more machines terrorizing the people of four paws, as well as more benders going missing. unsure where to start, they begin to search the island for a statue they recognized from the royal library, soon discovering a hidden passageway underneath it that leads them to a model of the island itself, which holds a mysterious blue rock. the rock, covered in old writing, is then brought to the elder of the village, who reveals that it holds the entire history of four paws, and also serves as a key to a secret passageway. the passageway, which is discovered in the side of a cliff west of the village, is revealed to be a sprawling, underground lair, crawling with machines. at the end of it, a large machine sits in wait as a familiar face operates on it. the person reveals themselves to be lian, who has been building the machines in hopes of restoring peace to the world. the machines, she hopes, will wipe out and replace benders, thus evening the playing field, as the very existence of benders creates divide between people and nations. she worked with the fire nation solely to gain resources for her machines, as well as the omashu royal counsul, and she tries to persuade aang to join her, stating that he will never be ready to fight ozai. aang refuses, along with the rest of the gaang, and, in a fit of rage, she states that she will cut off his connection to the avatar state and unleashes her prototype bending machine on them, which uses three of the four elements to attack. upon defeat of the machine, the gaang rushes to catch lian before she can escape again.

the group now lands at an earth kingdom village that borders the air temples, and aang decides to take appa head off on his own towards the northern air temple, knowing that lian will most likely head there and destroy the avatar statues, mistakenly believing that this action will sever his ties to the spirit world. the story then alternates between aang at the air temple, and katara, sokka, and haru back at the village. while aang fights off machines and tries to protect the air temple from destruction, the rest of the group fights off machines in the forest, where the people from the village were trying to rebuild. after defeating the machines, however, a mysterious large machine appears, and katara, sokka, and haru are taken. when aang arrives back at the village after successfully protecting the temple, he is attacked by a drill-like machine, and has to destroy it on his own. upon defeating the machine, he discovers a large hole/tunnel in the ground, and decides to follow it, hoping it’ll lead him to his friends.

the tunnel leads aang to another village, where a large temple resides in the northwest that villagers refuse to enter, due to benders mysteriously disappearing around there. aang, after battling his way through the surrounding forest, enters the temple and discovers his friends imprisoned there by lian, and he is forced to save each of them separately. sokka is found trapped in a strung up cage, and he discovers a tool left behind by lian, which he uses to open locked doors within the temple. katara is inexplicably found on the other side of a large lava pit, and aang must fly across it to save her. haru is found in a metal prison below the temple, and, after being feed by sokka, tells the rest of the gaang where lian is headed. now fully reunited, the group heads towards the heart of the temple, which is blocked by a series of large rocks that haru makes quick work of, and they prepare to stop lian.

before stopping lian, however, the group discovers zuko, who lays injured on a bridge. aang, who runs to help him, asks if he needs help and assumes he was captured by lian as well, but zuko refuses to accept his help, instead berating the fire nation for trusting lian and her nefarious machines. the gaang reassures zuko that they will do something about the machines, but are forced to leave him behind, unable to do anything to save him at the time, despite aang’s protests. the group then falls for a trap, which unleashes an even stronger version of the prototype bending machine from before, which now has the ability to freeze water, and is forced to destroy it before they can continue. after the ensuing battle, aang, sokka, katara, and haru finally prepare to confront lian for the final time.

lian, standing in front of a powerful machine with the ability to use all four of the elements, is found alongside two other benders- hiryu and yuan, who are revealed to be working with and for lian, teaching her machines their bending techniques, as they support and believe in their cause, rather than held against their will, as originally believed. this upsets haru, who tries to convince yuan to join their group, to no avail. lian repeats her speech on division between the four nations and elements, stating that she would rather have thinkers in charge of the world, rather than magicians. she gives the group one more chance to join her side, lest they be eliminated by her ‘avatar’ machine, stating that benders such as yuan that side with her cause will be spared, and that benders such as zuko who refuse will suffer the consequences. aang, who firmly believes that zuko didn’t make the wrong choice, states that being the avatar is something that can’t be replaced by machines, and he and the rest of the party ultimately challenge and prepare to destroy her ‘avatar’ machine.

midway through the fight, however, a fireball is shot at aang, which none of the group sees except for katara, and she throws herself in front of it, taking the hit for aang. while the rest of the group rushes to her aid, lian mocks the group for being weak, showing that this is proof that her machine is stronger than all benders. enraged, aang enters the avatar state, facing the machine alone and destroying it quickly, soon passing out from exhausion once the fight ends. unlike in other iterations of this same game, lian survives and is helped by hiryu and yuan, who realize the consequences of their mistakes and elect to help lian and improve themselves. escaping as sokka and haru care for aang and katara.

aang eventually reawakens in katara’s arms, and sokka gets angry with katara putting her life on the line for aang, but katara says that she had to do something, as aang is important to not only the world, but her as well. aang learns that this message is applicable to his role as the avatar, realizing that he has a responsibility to help when no one else can, and he must accept his role in the world. soon, the group escapes the fortress over to appa and momo, and begin heading back to haru’s village, bringing him home before starting back off on aang’s quest to learn all four elements. zuko is also revealed to have escaped the fortress, and is upset that he missed his opportunity to capture the avatar.

spoilers for the entire story end here!

the story is extremely simple, yet chaming and full of twists. it’s definitely not something one would expect from atla’s usual fare, especially considering the technology and themes, but it still fits pretty well. lian is an interesting and dynamic villain, and her motivations are presented in a believable manner, and she makes for a pretty sizeable threat over the course of the story. the dialogue and cutscenes are generally entertaining, and the story is fun to watch unravel. the only things i personally took issue with were the pacing and some character inconsistencies. there’s a segment in omashu that’s a bunch of fetch quests that lead up to a joke, and, while the joke is pretty funny, bogs the pacing down a lot. there’s also no sidequests whatsoever (barring the singular one in the north), and there is no way to go back to a previous chapter, so you have to accomplish every single thing you want to accomplish before moving forward. the story is extremely linear, which works well, but i found myself wanting more, especially in the character department. surprisingly, haru works extremely well as a member of the gaang, and i found his interactions with them to be entertaining and fun to watch. it’s cool to have an atla piece of media that not only remembers him, but makes him an actual character. however, there’s not much for character on character interactions, even with all the cutscenes. i wanted to see more of this new gaang being friends, since it presented an entirely different dynamic from the show. there’s also the issue of some interactions feeling pretty flat, such as haru being imprisoned again and having no reaction to it, or sokka not being given much depth outside of being the butt of many jokes (outside of the one scene with the kid and the boomerang), but these are minor gripes in the face of the characters and story it presented. overall, i think the only big thing i have to complain about is the ending, which was changed from the original ending, where lian ambiguously dies and haru and yuan reconcile. it feels like a last ditch attempt to redeem lian and yuan, which i understand to some extend, but it feels extremely out of place and put in at the last moment. this also downplays haru and yuan, which is sad considering that yuan getting captured is what leads haru to join the adventure in the first place.

In Summary:

7.5/10. it’s a fun game with some difficulty spikes and a genuinely enjoyable story. i know that most tv show videogames don’t have a great reputation, so i think this was pretty good compared to what i’ve played before. the main things that keep it from being a 10/10 for me was the realization that the game wanted me to grind, lack of extra content that would’ve heightened the experience, some story and character snags, and rather repetitive boss fights. i took off an entire .5 for the fight with the spirit bear, which was a really infuriating experience (that was largely my own fault as i walked in unprepared), but other than that, i would genuinely recommend this game to anyone who wants a fun time with well-made spinoff videogame.

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winryofresembool · 4 years ago

Text

Things We Lost in the Fire, ch 6

aka Caleo uni au

Fic summary: Calypso starts studying at a new university, but to her annoyance her new flatmate is a loud mouthed mechanic who also likes to sneak his dog in whenever. But as she learns to know him better, she realizes they might have more in common than what she first thought. Eventually, even the darkest secrets come out…

Chapter summary: Calypso gets a makeover.

Characters in this ch: Calypso, Annabeth, Piper, Leo

Words: 3233 (a long one :O)

Genre: romance & hurt/comfort

Warnings: none

previous chapter / next chapter / AO3

...

“So, Greek is your native language? That’s so cool!” Annabeth exclaimed as she and Calypso were on their way to a nearby mall to purchase new things for the new semester. “I’ve been trying to learn Ancient Greek just for fun but it’s harder than you’d think, I’m not very good yet.”

“Yeah,” Calypso nodded understandingly. “I’ve been living here since I was about 10 so I’d like to think that my English is fine now – apart from the accent – but it took me half a year to actually start speaking English in the class when I started school here… And I was homeschooled during my high school years so it was hard to maintain the language skills. It’s nice to be able to communicate with other students face to face now,” Calypso said with a sad undertone that Annabeth didn’t miss.

“You were homeschooled?” she asked with surprise. “Any special reason for that?”

Calypso didn’t know what to answer to that. The truth was very hurtful and she hadn’t ever told anyone about it, much less someone she had known less than a week. That’s why she tried to smooth it out as much as she could when she answered: “Um… My father seemed to think it was a safer option than going to a public school.” She shrugged. Annabeth didn’t ask more questions, probably thinking that her answer seemed acceptable.

“Makes sense. I’ve done a lot of studying at home too, mostly because I have ADHD and dyslexia so learning isn’t as easy to me as it is to some.” That information surprised Calypso.

“But… Sorry for the assumption but to me you seem like the type who always wants to be on the top of her class.”

“You guessed right.” Annabeth smiled. “But it hasn’t been an easy road. I have had to try a lot of learning methods before I finally found some that worked for me and made it easier for me to focus. Luckily these days there are a lot of audiobooks and other options for dyslexic learners so… it’s not so bad.”

“Right,” Calypso said. The conversation ended because they had finally arrived at their destination. Calypso had brought very little with her into her new home - just the most essential clothes and other everyday items - so there was plenty she needed. However, she also needed to figure out where to get more money once she was done with the shopping. She had some savings on her bank account thanks to helping her dad with his business (mainly stuff like paying bills and writing emails on his behalf) and because a dead relative had left her some money in her will, but those would only last for a couple of months. She had considered her options and one of them was opening an online shop where she’d sell things she’d herself made, from clothes (she was pretty handy with both knitting and sewing) to decorative objects such as jewellery and ceramic pots. The issue with the latter option was that she had no place to make them; the room she currently had was too small and Leo probably wouldn’t be thrilled if she turned their common area into a workshop.

“So,” she turned to Annabeth as they were checking a display at a bookstore. “This might be a bit of a random question, but do you have to work to pay for your studies?”

“Oh, yeah, I do!” Annabeth answered. “My dad would have helped but we’ve never been that close and I don’t feel it’s fair so I give children art classes and sometimes tutor them in various subjects. It also helps that I live together with my boyfriend so we can split our bills…”

“You said earlier that he’s a swimmer, right?” Calypso remembered from their earlier conversation. “I used to know one who I think is pretty good these days. But I haven’t kept in touch with him for a couple of years.”

“Oh? What’s his name?” Annabeth inquired. “I might know him?”

Calypso was about to answer when she suddenly spotted a couple of people she knew in the crowd outside the bookstore. She inhaled sharply and pulled Annabeth farther from that direction, hiding behind her.

“No, no… that can’t be… how would they know…” she muttered to herself.

“What’s wrong?” Annabeth asked, trying to see what had caused Calypso’s reaction.

“I… just saw some people I don’t want to find me. It’s a long story. But we should go.” Calypso said as quietly as she could, nodding towards the entrance of the mall.

“But we just came here…”

“I’m sorry!” Calypso bit her lip. “I really don’t want him to see me. We can go to some other place.”

“Fine,” Annabeth agreed, still glancing to the direction where the mysterious person had been. “There’s another shopping center nearby.”

Once they were safely outside, she asked: “What was that about?”

“I wish I could tell you but I don’t want you to get involved in this mess…” Calypso said, wrapping her arms around herself protectively. “But this is bad, they might have a clue I’m here… I don’t know what they’d do if…”

“You don’t make any sense now,” Annabeth noted bluntly. “But OK, someone is looking for you and you don’t want them to find you. I know we haven’t known each other long, but you can trust me. I’ll help you out if you need it.”

“Thanks,” Calypso said gratefully. “Right now, the farther I am from those people, the better.”

“What are we waiting for, then?” the blonde girl tugged on her sleeve and started running like a little child. “Let’s go!” she said, smiling as she ran farther from Calypso, and she couldn’t help but follow her.

…

In another shopping center Calypso spotted a hair salon, which gave her an idea. She figured that if she looked different than before escaping her childhood home, the men who worked for her father would have a harder time recognizing her. That meant a new haircut, new clothes, and possibly different kinds of make-up too. She didn’t usually use a lot of products on her face – mascara and lipgloss were her go-to make-up items – but maybe Annabeth would be able to help her with that.

“I… should probably use my money on more important things, but do you happen to know anyone who’d be willing to give me a haircut? And maybe even help with dyeing it?” Calypso asked while looking at the ads on the wall of the hair salon.

“You want to cut it?” Annabeth eyed her long, caramel colored hair that had been braided. “I thought it looks so pretty now.”

Calypso mumbled something about wanting to start kind of from a clean slate in a new place, not wanting to go too deep into her reasons.

“I understand.” The other girl nodded. “As for your question, yes, I happen to know just the person! My friend Piper McLean is quite experienced in that field because one of her sisters is a hairdresser and she taught Piper to cut her hair. She’s helped me sometimes too!”

“Piper?” The name reminded Calypso of something. Then she realized that she had heard Leo mention a girl named Piper the other day. “That is not a very common name here, is it? I mean, I think my flatmate knows someone called Piper too…”

“Now that you mention it, I think it might indeed be the same Piper,” Annabeth realized. “She does talk about Leo sometimes; apparently they are good friends. Somehow I’ve yet to meet him, though.” Calypso from a couple of days ago might have said that Annabeth really hasn’t missed much, but something had changed after the conversation with him the other day. She no longer felt annoyed simply by the mention of his name, and even though she didn’t really want to admit it, there was a part of her that wanted to know more about him. Something bad, apparently related to fire, had happened in his past that he kept inside him, and when Calypso thought about it, she couldn’t help but feel for him… She too had lost a lot. But then she shook her head because now was not the time to get stuck in her past.

“Maybe you will meet him if you come to our flat at some point; he’s home working a lot,” she answered instead.

“Maybe!” Annabeth said enthusiastically. “I’d like to know what all the fuss is about because somehow I seem to have a lot of connections towards him. First my boyfriend, then Piper, and now you too.”

“Small world, huh?” Calypso smiled. Annabeth agreed and after they paid for their purchases she proceeded to call Piper to ask if she’d be willing to help a friend out. Piper had nothing against that. They decided to meet up at Leo and Calypso’s flat in a few hours because it was closer to their current whereabouts than Annabeth and Piper’s homes.

...

About two hours later, Calypso’s wallet was notably lighter, but she had gotten herself a new, pink everyday dress, a jacket, shoes that matched the dress, a light blue shirt, some make-up products (for which she had had to ask the shop assistant’s help) and henna hair dye. She had debated on her color options for a good while, but ended up on the orange-ish because it wasn’t too far from her own hair color (she didn’t want too radical changes when she was dying her hair for the first time) and she also liked using natural, organic products when possible.

“Thanks for coming with me!” Calypso told Annabeth happily when they were finally back at her flat. “You were a big help.”

“No big deal,” Annabeth said back. “I’m always happy to help a friend. Not that you needed it a lot.”

“I meant more than just shopping wise,” Calypso said, looking down at her feet. “I don’t know how I would have reacted if I had been alone when…”

Annabeth understood she was referring to the strangers who had frightened her.

“You still don’t want to talk about that?” she asked carefully.

“I’d rather not,” Calypso shook her head. “It’s… a part of my life that I’m trying to leave behind me.”

Annabeth narrowed her eyes. “Can I ask you one question, though? You know those guys and they know you? And they’re searching for you?”

“I… I don’t know what they were really doing here. It could have been a total coincidence. I mean, only you knew we were going to be at that mall so it feels impossible that they would have known…” Calypso rubbed her forehead tiredly.

“You’re not trying to run away from the police or anything? Sorry, I just had to ask.”

“No, no!” Calypso lifted her hands in front of her defensively. “They are from my dad’s company… it’s complicated.”

That was Annabeth’s cue to stop asking more questions. She figured that Calypso would tell her with time if she let it be. The atmosphere started getting a bit awkward so both of the girls were relieved when Annabeth’s phone rang and Piper announced she was waiting at the front door. Calypso let her in.

“So you’re the famous Calypso!” she exclaimed the moment she saw her.

“Famous?” Calypso asked, her eyebrows raising.

“I just meant that Leo has talked quite a lot about you,” she grinned cheekily. Calypso couldn’t help but notice that the girl was very pretty, with mysterious multicolored eyes and brown hair that suited her even though it was cut unevenly. She secretly hoped that she had made it look like that on purpose and it didn’t show her real hair cutting skills.

“He has?” Calypso asked. “I bet he’s said nothing good about me…”

“Oh, don’t worry,” Piper replied, “he may seem a bit rude on the surface but I promise that he’s actually much nicer than what he looks like. Just awkward around new people. So, no, he hasn’t said anything that would make me hate you.”

“That’s a relief, especially since you’re supposed to use the scissors near me soon,” Calypso attempted to joke and to her relief Piper laughed at it.

“Anyways, as I’m sure you already know, I’m Piper.” She shook Calypso’s hand. “I hope you don’t mind me coming into your flat even though we are just meeting right now.”

“Oh, no problem!” Calypso reassured her. “I trust Annabeth’s judgement on friends.”

“Not Leo’s, though?” The corner of Piper’s mouth raised with amusement.

“Uh…” Calypso rubbed her neck. “We’ve had a slightly weird start but I think we have made a bit of progress in the past few days, though.”

“So he has talked to you like he promised?” Piper asked.

“Well, however you take it. The fire alarm started acting up yesterday and he fixed it. And I did learn some new things about him meanwhile,” Calypso confessed.

“Such as?”

“Either he’s really afraid of the voice of the fire alarm… or then the thing that causes it,” Calypso said vaguely, trying to see from Piper’s reaction if she knew something she didn’t.

“His home burned when he was a child,” Piper revealed. “He was only 8. It was pretty traumatizing for him so you’d probably do well if you didn’t ask about it. He’ll tell you more when he’s ready.”

Calypso could relate to that feeling because she had literally only moments before told Annabeth that she wasn’t ready to talk about her background.

“He mentioned something about a fire the other day but he was pretty vague about it… But anyway, that explains why he wasn’t thrilled when I was going to use the matches…” Calypso noted and the other two hummed in agreement. To lighten the mood, Piper decided to change the subject:

“Anyway, I believe I came here for a makeover, so maybe we should get started!” she said happily, gesturing towards the items she brought.

…

A couple of hours later, Piper had performed her magic and Calypso looked almost like a different person. Her hair, which used to reach her bottom, was now shoulder length and orange-ish instead of caramel blonde. Piper would have agreed to cut a fringe as well, but Calypso refused. The brunette was also a rather skilled make-up artist (she didn’t wear a lot of make-up herself, but her mother was extremely enthusiastic about all things beauty related and had taught her from a young age. Piper claimed she’d be proud if she saw her now) and she taught Calypso some simple tricks to do her everyday make-up. Turned out she didn’t need much: her skin was naturally smooth and her eyelashes long and dark. To complete the look, Calypso put on her new dress, and the other two girls cheered when she showed them it.

“I’d say mission successful!” Piper exclaimed, clapping her hands. “Even my mom would approve.”

“You think so?” Calypso asked shyly, still trying to get used to her new look.

“Definitely,” Annabeth agreed as well.

“Can I offer you something as a thanks?” Calypso suggested. “Coffee? Tea? Juice? I think I have some pie left from the other day as well unless Leo has stolen it…”

“Tea sounds good,” Piper nodded approvingly and the girls moved into the common area.

“Leo doesn’t seem to be home?” she asked Calypso when she started boiling the tea water. “And here I thought he’s always here building something.”

“I think he mentioned something about a sparring session…” Calypso shrugged. “I didn’t ask more about that.”

“Oh yeah, sometimes he and Jason and a couple of other friends do that but I know Jason wasn’t going to go anywhere today, he has a deadline for an assignment…”

The girls were still wondering the mystery of Leo’s whereabouts when keys started clinging by the front door and soon it opened. A smile spread on Leo’s face when he recognized Piper who sat on the kitchen counter.

“Speaking of the devil, there he is,” the brunette stated before Leo had time to say anything, making the boy confused.

“Pipes, what are you doing here? How did you get in?”

“I was with Calypso and Annabeth, duh,” she answered, gesturing at the two girls that Leo hadn’t noticed until that moment.

“I didn’t know you knew Calypso,” Leo stated before turning his attention properly to the two other girls. First he nodded at Annabeth who was sitting by the dining table and started introducing himself: “Hi, I’m Le...wow”

“What?” Annabeth snorted but didn’t get a reply because Leo had finally noticed that his flatmate looked very different from before. In a good way.

Calypso was frozen in her spot with a teapot in her hand, blushing when she felt Leo’s stare at her. But Leo didn’t notice that. He noticed how the make-up brought out her almond shaped eyes (Leo wondered how he had never noticed before that they were so dark brown that they almost looked black), how the dress she was wearing reminded him of one his mom had worn often during the holidays, and how the short hair curled cutely from the ends, tickling her jaw a bit. If he was honest with himself (which he tried hard not to be), he had previously thought she couldn’t possibly be prettier than she already was, but clearly he had been proven wrong. He had to bite his lip to not curse out loud (because he would NOT have a crush on his flatmate).

“Well? What do you think?” Piper asked when the silence that had fallen into the room was about to get awkward. “We had a small makeover here.”

“I… uh… she looks… good?” Leo stammered, feeling the heat rise all the way to his ears. In reality, he had to gather all his willpower to stop himself from using all the extravagant words he often used to describe his work (usually as a joke). Because he did like what he saw, he couldn’t deny that no matter what.

“Good? Calypso, his ears say otherwise. I’ve never seen them that red.” Piper teased.

“Shut it, Beauty Queen. “ Leo mustered the most burning expression he was capable of making.

Piper didn’t care. “Just so you know, Calypso, he’s used that name as a joke since we learned to know each other, so don’t think that he thinks of me that way. I have a boyfriend.” Calypso smiled at her awkwardly.

“Yeah, and sometimes I don’t get why Jason stands you. Estas loca.” Leo shook his head before withdrawing into his own room.

“Aww, he goes for Spanish when he’s nervous, Cal. I think you really made quite an impression,” Piper laughed, not caring about Leo’s reaction.

“Was that necessary, though?” Calypso asked, feeling almost as flustered as Leo a moment before.

“Don’t worry about it. We just like to make fun of him.” Piper shrugged. “He won’t be mad long.”

“But…” Calypso started, not knowing what to make of Leo’s reaction. Had he really liked her new look? Why had he gotten so flustered? Finally, she decided she must have been overthinking it. “Uh, never mind. Anyway, thanks for the help, Piper. What do I owe you for this?”

“Nothing. But please invite me over more often. I think we are gonna have fun together!”

#caleo #leo valdez #calypso #heroes of olympus #percy jackson and the olympians #trials of apollo #my fics #caleo uni au #let me know what you think!

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panharmonium · 4 years ago

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some disjointed thoughts about stranger things 2 under the cut (concealed to hide spoilers from my sister)

so, season 2!

i’ve gone into every season of this show knowing absolutely nothing about it. i’ve had no exposure to the fandom or to reviews or anything that would indicate what it was about or how good the seasons are in relation to each other, which i like, because i know my opinions are my own. season 1 i watched back in the winter, i think, and it was amazing. blew me away.

i just finished season 2 and i’m like...not as into it?

and i’m glad i had no preexposure to anything, because if i had, i’d worry that i was just being influenced by other people’s opinions, but i genuinely don’t know what people think of the various seasons. i’ve been stringently avoiding anything about this show, have it blocked on tumblr, etc, so i could watch it cold.

i’d have to watch it again to really pin down the places where my investment was flagging, and i’ll probably do that eventually, because i know my roommate will want to see it, but my general impression was this: they had me hooked in the beginning, and then they started to lose me.

- i feel like overall it was 9 episodes where very little substance actually happened. plotlines were stretched out over a reallllllly long period of time and became paper-thin. like nancy and jonathan? the only thing they really did over those entire nine episodes was make a tape recording and send it to the paper. that was their whole story, and it could have fit in one episode.

- and what did happen felt like it suffered from a lack of focus. can i explain this in more detail without watching the show again? not really. but i just mean that in S1, i could tell you what each of the main character’s arcs were, and i could lay out how those arcs had clear beginnings, middles, and endings. in S2, i can really only do that for El (and even that i feel like got messy by the last third).

- the horror vibe was different this season. it was LESS scary, to me. S1 was a CREEP factor that had my skin crawling - it wasn’t like...creature horror - it was the unsettlingness. the whole parallel world thing was so - well, the only word for it is unsettling, like. you felt like you could take a step and accidentally wind up somewhere no one should be - the idea that you can be trapped so close to somebody and yet so far away - you just felt like the world was inside out (or upside down, if you will). and so much of the fear in the first one came from how incomprehensible and uncertain the entire situation was - you didn’t know how things worked and nobody believed you when you tried to tell them what was happening. that scene where the christmas lights spell out R-U-N? scariest fucking thing i’ve ever seen. but S2 changed it to be like...it felt like more of a monster flick. like a zombie movie or something - lots of creatures running around that you can just shoot with a gun - that’s just not really the same vibe as the first season, and i didn’t find it quite as interesting.

- i don’t want to be That Person, because i liked maxine as a character in general, on her own terms, but from a writing perspective - what even was the purpose of her introduction? her and her brother both, honestly, the whole family. i feel almost bad for saying that, because i can guarantee that there were people out there complaining about her being introduced because “they just wanted to have another girl; it’s so stupid, blah blah,” cue more sexist stuff, etc, and that’s really not where i’m coming from, but for me, from a general storytelling perspective, i don’t understand why she or her family were introduced. they were superfluous to the story. they didn’t need to be there. and since i don’t even feel like the returning characters got enough development this season (see point #2), i don’t understand why we spent so much time on her/her family/her introduction to the Party. it felt like filler.

- stranger things S2 did that thing teen wolf does where 2/3 of the way through the season it drops a tonally-different expository/flashback episode that does a lot of the legwork tying other shit together while also being completely disconnected from the rest of the plot, which is basically an info dump and is my least favorite way of relaying plot/getting characters to the spot the writer wants them to go. i think kali was the most interesting new character we met this season; i was rapt every time she was onscreen, but i don’t love the “we’re going to shove all of the character development and background info into this one episode and at the end El has had her turnaround and goes back home.” it didn’t feel believable to me. are we ever going to see those people again, or were they just a plot convenience to serve the aforementioned purpose? (idk, i haven’t watched S3 yet, so...we’ll see.)

- some weird...minor tonal changes/dropped plots? in S1 one of the running undercurrents was how mike and nancy’s mom wanted them to talk to her and she really did care about what was going on but they couldn’t connect to her and that bothered her, whereas in S2 it’s like - that theme has been dropped; she’s not involved in their lives really at all, and her and ted’s spousal relationship is just being played for laughs, and there was that REALLY weird scene with her like...lusting after billy?????? that was so fucking bizarre.

and until one line in the very last episode, they dropped the whole thing about hopper’s daughter, too - the way they wove that into the first season was brilliantly done, and just - you don’t see a bit of it in S2, and that felt off, to me.

- killing bob was a bad call. it was gratuitous, AND it was contrived - who the hell is running for their life and then just stops dead in the lobby to smile at their girlfriend? ANY SENSIBLE PERSON WOULD KEEP RUNNING FOR THE DOOR. like - bob died, but the doctor survived???????? the doctor, who was attacked and immobilized and defenseless in a stairwell, somehow wasn’t killed?????? of course not, because he needed to survive, so he could get El her papers later....that entire thing irritated me. it made no sense. that was actually the point where i said to myself “uh-oh. first Bad-with-a-capital-B decision this show’s made.”

- lack of consistency in terms of how, exactly, Stuff Works. in S1 it was like - the Upside Down is everywhere. the demigorgon could come through anywhere, if you were unlucky. that was part of what made it so creepy - there’s this whole other world and it is RIGHT THERE with you, and sometimes the fabric separating the two universes gets scary thin, and bam, you’re somewhere no human has any business being. whereas in S2 it’s like - ok, things are coming through this one portal and spreading through tunnels underground, in our own dimension??? like at first i thought hopper had actually entered the Upside Down in the tunnels, but then it seemed like the tunnels were still on our plane, just gross-looking. so why in S1 could the demigorgon come through the ceiling of will’s house, or through that tree in the woods, or take barbara through the pool? why did the lab people think burning that little gate would help, when the first monster from last season was obviously popping into our dimension from all sorts of other places?

- this is a minor quibble, but it was driving me up the WALL in the last couple of episodes - what in god’s name were they injecting will with??? and HOW. mike just grabs that syringe off the counter like “we need to make will go to sleep” - there is NO reason that anyone in the room would know what was in the syringe or what the correct dosage was or HOW TO GIVE AN INJECTION IN THE FIRST PLACE. joyce gives it??????? by stabbing straight down???????? into will’s arm???????????? what the hell kind of injection technique is that?!?!?! that’s not....how that works. ever. and maxine does it to billy too, in his NECK - just straight in there. there is no....look, people in human medicine can weigh in better than me here; maybe things are different, but just from the veterinary perspective, you can’t just stab a creature any old place you want, and giving something via any route that isn’t intravenous isn’t going to drop an animal immediately, AND you do not have control over how long they’re going to be out. if you give a sedative, you can’t just wake an animal up by wafting ammonia under their nose. AND the animal is likely not going to be actually asleep until you also give an anaesthetic induction agent, and if you do give an anaesthetic induction agent, you’d better have some monitoring equipment and a breathing apparatus hooked up to your patient!

look, it just - the “go to sleep” injection was used to solve too many critical situations for me to just ignore it. it bothered me.

anyhow. overall, i didn’t hate it. but i thought it was way less cohesive than the first season, and therefore way less effective. i’m still curious to see what happens in S3, but my expectations are lower now.

[if you wanna talk to me about this, you have my permission, but ONLY if you’re able to do it without talking about S3 in any capacity, including your own personal evaluation of how good/bad it is in relation to the other seasons. i like to watch without knowing other people’s opinions of things, otherwise i feel like my viewing experience is colored by what i hear. thanks! :) ]

#interdimensional babysitters club

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ofmargos · 5 years ago

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chicago’s very own margo rosas has been spotted on madison avenue driving a mercedes-AMG G65 , welcome ! your resemblance to camila mendes is unreal . according to tmz , you just had your twenty-third birthday bash . your chance of surviving new york is uncertain because you’re distrusting , but being passionate might help you . i think being a scorpio explains that . 3 things that would paint a better picture of you would be lipstick stained kisses on mirrors , doing vocal warm-ups five minutes before top of show , popping bottles of bubbly to celebrate buying a new pair of shoes . ( my biological dad paid off my mom to keep my relation to him a secret ) & ( cis-female + she / her ) + ( lia , 20 , she / her , cst )

whAT is up my dudes ! i’m lia & i lowkey missed wealthy & writing for my bbygirl margo so i’m rlly excited to be here !!!! if you know her from before i’m sorry lmao i’ve tweaked her background a bit but everything else is p much the same ig ?? she’s fun , she’s a dumbitch , & she’s here to make things harder than they need to be probs . but if you wanna know more , i wrote a novel below so plz enjoy that . if you wanna plot then LIKE THIS & i’ll slide in your im’s.or if you prefer discord hmu @ 𝐛𝐛𝐧𝐨$𝐚𝐭𝐚𝐥𝐥#1904. i look forward to writing with y’all ! <3

S T A T S ↴

-- * FULL NAME : margaret lucia rosas -- NICKNAME(S) : margo ( preferred name , started introducing herself to people as “margo” back in like the 7th or 8th grade ??? who’s margaret ? we don’t know her ) , mar , mars -- * AGE : twenty-three -- * D.O.B : october 31 -- * ZODIAC : scorpio -- * GENDER : cis-female --* ORIENTATION : heterosexual heteroromantic -- * HEIGHT : 5′2″ -- * NATIONALITY : american -- * BIRTHPLACE : chicago , illinois -- * OCCUPATION : broadway performer -- * TRAITS : passionate , creative , dramatic , distrusting , outgoing , ambitious , fun-loving , loyal , daring , sarcastic , stubborn , overconfident , impulsive , hard-working , petty , secretive lowkey

B I O G R A P H Y ↴

( TW : BRIEF MENTIONS OF ABORTION, ALCOHOLISM, AND DRUG USE )

first things first , i’m just going to say it-- margo was an accident . and her story begins with her mother , stassia , who was born and raised on the wrong side of the tracks in chicago , illinois . although she was born into poverty , she had big aspirations for herself and wanted a better lifestyle . her ambition and work ethic were unmatched , and that’s how she managed to get into columbia university ( thank you scholariship $$ ). stassia was in the middle of struggling through her college years when she met her future baby daddy . he was older , going through grad school , and the sole heir to a billion-dollar company . the sparks between them flew instantly despite their differences and they messed around for the better part of a year before the unexpected happened . stassia found herself taking a pregnancy test in the bathroom in between finals ( #justcollegethings , amirite ) and swore she was going to pass out when she noticed the double lines . and let’s just say that her baby daddy did NOT take the news well . a lot of horrible things were said that day . too many hurt feelings for the relationship ( that apparently was never that serious to homeboy ) to carry on . ( TRIGGER WARNING !!! ) so he cut all ties with stassia-- but not before giving her a crazy proposition : get an abortion and never talk to him again OR keep the baby but tell absolutely no one it’s his and never talk to him again . they both seemed like shitty options to stassia , who was actually tragically in love w him , but when he even offered to PAY HER a hefty sum ( i’m talking millions of dollars ) to keep the secret .. well-- it seemed like a blessing in disguise . she’d finally have the funds to live the life she always wanted . even if there was now a baby she didn’t plan for in the mix . so she took the hush money , had the baby in secret , and ran off to completely reinvented herself . ( TRIGGER WARNING END )

although margo’s mother was born into poverty , margo certainly was not . by the time she was born , margo’s mom was ramping up to graduate college and join the high society in the heart of chicago . she got a good job , a lavish place to live , and never told margo about her past . margo grew up completely disconnected from her mother’s side of the family and had no idea of the lies she was being fed over the years . early on in margo’s childhood , her mother met a man through work who she would later go on to marry . that man is the only dad that margo has ever known . he and his daughter were a welcomed addition to their little family , making margo’s home life feel complete in some way . she was provided a good life with the dual income adding to the millions her mother kept . the life her mother always wished she had growing up . in a way , everything she did was for margo . she never wanted her babygirl to struggle like she had to .

as she got older , margo went to all the best schools but only made average grades . she was never too concerned with academics and instead focused on her poppin’ social life and extracurriculars . during her middle school days , she developed an affinity for the performing arts . when everyone had to pick an elective , margo found herself in the theatre class and absolutely loving it . and she was good too . she had excellent stage presence and took every role she got in school productions in stride -- literally the best tree number 3 you’ve ever seen in your life . as she moved on to high school , she rose in the ranks of the theatre department until she was pretty much landing every single lead by the time she was an upperclassmen . acting was her passion , and she figured why not turn being dramatic and talking a lot ( her two most notable personality traits ) into a career . to really hone the craft , she trained herself to be a triple threat : actor , singer , and dancer ( sutton foster , eat your heart out ) . honestly truly had rachel berry in early seasons of glee vibes-- she knew she was the best around and wouldn’t stand to let anyone take the spotlight from her . her peers hated to love her talents because she acted like such a bitch to them offstage / out of character . not that margo really cared for what others thought of her anyway . self absorbed as ever , she told herself she didn’t need friends and generally pushed away any one that dared try to get close to her-- save for her sister . though somehow , someway she managed to get sucked into a small group of friends that would change her for the better ( s/o to ky and gio , sorry they had to put up w bitchy hs margo , rip )

after graduating somewhere in the middle of her class , margo followed in her mother’s footsteps and went to columbia university . she was really only able to get in because she was a legacy and her parents made a considerable donation to the school , but we don’t talk about it . and to say that margo’s college years were transformative feels like an understatement . on one hand , they were some of the best years of her life : she got a true taste of independence , met some of her best friends ( s/o oliver and claudia ), and felt fulfilled to be in the city she had romanticized for so long-- new york baby ! but it was also a very low point for her . back in her high school years , she felt like a very big fish in a teeny tiny pond . she was hot shit , the top dog in her department , and all her hard work and effort to remain leading lady had paid off . however , at columbia she was just one in hundreds of talented people . some with more or less talent , or more or less connections , but they deserved a shot at fame just as much as she did . margo felt like she was fighting for her chance in the spotlight every single day and it was both parts exhausting and humbling for her . she had a amy march mentality “i want to be great, or nothing” and considered throwing in the towel . temporarily thrown off by the pressure to be successful , she took a small tumble from grace . ( TRIGGER WARNING !!! ) turning towards alcohol was her coping mechanism of choice . losing herself in the party scene and surrounding herself with other people that prioritized getting drunk or high over going to class and getting good grades had an obvious effect on her academic performance . ( END TRIGGER WARNING ) she almost lost her place in the BFA Theatre Program during her junior year due being on academic probation . it took a little bit of intervention on her close friends and family part to get margo clean and pull herself together . but by her senior year , she got back on track to graduate on time and participated in various shows at local theaters to build her resume . after almost losing everything she had ever worked for , a fire was lit under margo that had her determined to push herself hard than ever before and make a name for herself in the theatre world .

after she graduated from columbia she moved to new york permanently so that she could fully submerge herself in her work . not long after graduating , she was lucky enough to book several gigs including her big breakout role as lydia in beetlejuice the musical ! it really skyrocketed her into broadway stardom which is cool . a life long dream that once seemed unobtainable was suddenly a reality and she couldn’t have been more elated . with her sudden ( and well deserved ) success , she got a lot of media attention . soon she was getting verified on twitter , instagram , gaining a whole bunch of followers , and getting asked to be on talkshows and stuff to promote the show . honestly , truly a dream ! but her new-found fame gained the attention of another group of people .. her mom’s long lost family . one of her aunt’s ( that she previously didn’t know existed ) reached out to her through social media . and at first , margo honestly couldn’t believe that she had family that her mom never told her about . but after some thought it sort of made sense . in hindsight , her mom had always been evasive whenever margo asked about the other’s childhood or her side of the family .

when margo told her mom about her aunt reaching out and how she wanted to meet her , her mom shut it down quick . stassia told her there were a lot of reasons that she didn’t talk to that side of the family and that was that-- PERIODT . but margo was #rebellious and went to meet with her aunt anyway . and that’s how she found out about her brazilian roots and her big ol’ loving and supportive extended family . that whole experience made margo reconsider what other things her mom was keeping from her . and boy oh boy was that a rabbit hole she shouldn’t have gone down . when margo started to demand her mother tell her the truth , it caused their relationship to grow tense . stassia eventually cracked and told her about her bio-dad and all the things she went through for margo . with the truth finally being exposed to her , margo started seeing things in a new light . like her whole life is kinda a lie and why didn’t her father want her ? where was he ? does he know who she is ? why did he never try to contact her ? has she ever walked past him in the streets and never knew ? it was all too much for her to think about so she just kinda ... shut it all out . she acted like nothing was different , even if her “ what if ” thoughts keep her up most nights .

if you just ignore the abandonment issues , insecurities , and her inability to handle emotions and focus solely on her success in material terms : margo’s doing really well ! she’s been living in new york full time for two (2) years now . she’s one of broadway’s most popular rising stars . having completed her run as the original lydia deetz on broadway , she’s moved on to take on the mantel of janis in mean girls on broadway . she’s learning , growing , and thriving . just trying to have a good time all the time with her friends and live the dream , baby !

P E R S O N A L I T Y & F U N F A C T S ↴

margo is super fun-loving and down to clown

will try anything once and it’s gotten her in trouble more times than she can count

also cannot stand to be bored , so she’s always looking for the next big adventure

although she can be really ridiculous sometimes , she’s very serious when it comes to her work . she’s super hard-working and doesn’t let anything or anyone stand in the way of achieving her dreams : even herself

margo’s a very sociable girl and will talk to anyone and everyone . she’s the type that will hold a conversation for 2hrs with a stranger at a party and then when you ask her “who was that” she’s like “i don’t remember their name but i do know their entire life story so that’s cool”

has a way of making people feel like they know her really well when really she’s only letting them see 1/8th of her

keeps her personal life private normally unless you’re super good friends w her

i wouldn’t recommend pissing her off , bc she is petty as a mf and will lit rally never forget how one’s wronged her . this causes her to start fights sometimes . she’ll just bring up old shit out of no where and , since she’s nosy af , she makes everything her business and confronts people on their bs

she’s a whole liar bc she claims she’s a “retired party girl” but really party girl margo has never stopped , will never stop , can never be stopped

studied theatre in college but minored in mass communications just in case she needed a backup job

is v bad at being an adult !!!! like ... can’t cook , often forgets about her responsibilities until the last minute or needs to be reminded like 20 times , stills calls her parents to be like “how do u use a washing machine plz help” , y’know the drill . yet somehow she manages to act as a mom friend to the people that are closest to her ??? v much a “do as i say not as i do” type of hypocrite lol

she has a tiktok and posts dumb shit on there all the time w her friends and like vlogs her backstage experiences in the theater and does the stupid dances and all that stuff hehe

is learning portuguese after meeting the brazilian side of her family

self-proclaimed dancing queen and it’s not because she learned ballet , jazz , and tap whole dabbling in other styles but because when she’s drunk you will in fact catch her dancing on tables !!!!!

i cannot stress enough how bad she is at dealing with her own feelings . like ... instead of dealing with them head on she just ... shuts down . runs away . will ghost on someone she really likes just bc she’d rather leave first than get left and i hate her for it

have i mentioned how big her ego is ???? pHEW . she rides a v fine line between self confident and OVER confident . but tbh it’s just a cover up for how much she rlly hates herself , there i said it

loyalty is EVERYTHING to margo . if you got her back , she’s got your back . but if you screw her over or mess with anyone she loves then she’ll likely try to make your life a living hell IM SORRY

undiagnosed insomniac . nights she spends alone in her own bed are the hardest for her because it’s when all the bad scary thoughts creep up on her and no matter how much she wants to shut them out and just close her eyes and fall to sleep , she can’t . so she’ll often roam the city looking for a distraction or hit up her friends and bother them for some spare company

she’s doesn’t like to be alone ( not like in a romantic relationship sense -- she actually likes being single bc she’s afraid of letting ppl get close enough to hurt her ). hence why she’s always had a roommate even after she moved out of her parent’s house . if she’s not attached to her roommate / best friend kylie’s hip then she’s definitely hitting up her sister or her other friends to see if they want to hang out , even if hanging out is laying around doing nothing or running errands together . margo wants to tag along just for the company

notoriously known for coming up with terrible ideas or following through with other people’s terrible ideas without question bc #YOLO

she’s her pr agents worse nightmare simply bc she has no filter and will not change herself or what she posts just bc she has a big audience ( follow margo on social media and you’re gonna see the good , the bad , and the ugly she does not give a FUCK )

always has good intentions ! her execution / way of showing those intentions is just poor !

she is a rich girl that could not survive not being rich and doesn’t even realize how spoiled she is . spends money like it’s nothing

a mob boss ( this is a joke but also kinda not a joke )

WANTED CONNECTION PAGES HERE

#can y'all tell i hate writing bios ????#this whole thing is a JOKE but i tried lol #plz plot with my baby i will love u forever #THIS IS LONG BUT I'M GLAD IT'S FINISHED OMG #wealthyhq:intro #abortion tw #alcohol tw #drug tw

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rubykgrant · 5 years ago

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If you love high-fantasy, or are just kinda getting into it, and are looking for something to watch while you have extra time, I’d suggest the animated Ranking-Bass trio of the Hobbit (1977) as well as the sequel the Return of the King (1980), the Last Unicorn (1982), and the Flight of Dragons (1982).

I feel like the most well known is the Last unicorn, and a decent number of people are aware of the the Hobbit (but not so much the Return of the King), while the Flight of Dragons is somewhat forgotten. These animated Rankin-Bass movies were actually my first introduction to the Hobbit and anything Tolkein related, and I saw them a long time before I could even read (family friends had the VHS tape, and I’d watch it whenever my parents took me there to visit, starting when I was about 2 years old). This caused something kinda funny when I was in elementary school; I was taking a reading comprehension test, and we were allowed to go as far as we could with the test packet, which took me to high school level books. Because I’d seen the Hobbit (and other shows like Wishbone or Jim Henson’s the Storyteller), I could answer questions about the story, and my teachers thought I must have cheated somehow.

About these movies; the Hobbit/Return of the King are obviously based on the books by JRR Tolkein. Rankin-Bass had already done many animated and sto-motion movies (pretty much all the Christmas classics are them), and they wanted to get into stories with more depth in different styles, so they started making high-fantasy movies. For the Hobbit, the art style was partially inspired by the art of Arthur Rackham, who did the concept art for them. The scenery and backgrounds very beautiful with many details in the tree roots and rocks, creating lush watercolor world. Animation for it was done by Topcraft, which later became Studio Ghibli (the same studio and crew also worked on Return of the King). Many of the poems Tolkeing wrote in the book were used and made into songs, sometimes the characters singing/speaking the lines, but there was also mood-music and singing done by Glenn Yarbrough (including an original song just for the Hobbit). The voice cast for both movies included many talented people, but some that might be known for their other work; Hans Conreid plays Thorin (who was also Captain Hook in Disney’s Peter Pan), and Casey Kasem as Merry (who was the original Shaggy from Scooby-Doo). Both of these movies include very important scenes from the source material, and they really do them justice (Smaug’s boastful introduction, Thorin’s good-bye, Eowyn taking her stand, ect). Another animated movie, the Lord of the Rings (1978), combines The Fellowship/Two Towers, and was directed by Ralph Bakshi. It has completely different animation, and unique mood for itself, but is still rightfully impressive and worth watching as well (the live-action Lord of the Rings films were heavily influenced by Bakshi’s work)

The Last Unicorn is based on the book by Peter S Beagle, and he also worked on the screenplay for the film. Topcrfaft again worked on the animation, and while it is visually similar to the Hobbit in certain areas, it has an entirely different style and feeling, the backgrounds/scenery resembling classic tapestries. There is an especially lovely way hair and eyes are depicted in the Last Unicorn, something we can see in various anime shows/movies; the eyes are deep with shine-sparkles, and the hair flowls either elegantly or wildly. There is again a very amazing cast for this film, each person doing an amazing job. A few people that are known in other animated roles; Jeff Bridges plays Prince Lir (who has been in more recent animated movies like Surf’s Up as Zeke), and Angela Lansbury voicing Mommy Fortuna (who was Mrs Potts in Disney’s Beauty and the Beast). Like many books-turned-movies, certain things were cut for time, but what remains are still very important parts of the story. The movie also has a beautiful collection of original songs, performed by the group America. The over-all vibe of the the Last Unicorn is a combination of bright beauty, dark themes with sad undertones, and little bits of combedy scattered through it all

The Flight of Dragons is interesting, because it actually combines two different books into one animated movie; the Flight of Dragons by Pter Dickenson was where the author explored various myths and legends about dragons, and worked out how it related to real life. In some cases, what existing things people might have mistaken for dragons, but also if it was possible for dragons to have truly existed. Another book, the Dragon and the George by Gordon R Dickson (part of the Dragon Knight series), told the fictional story of a modern day man who works as an assistant to a history professor going on a strange journey to rescue his fiance. He winds up in another world where fantasy creatures are real, and dragons refer to all humans as “George”. While in this world, the man winds up inhabiting the body of a dragon, and a quest involving a knight/a magician/evil dragons/and much more. For the animated film, elements from both stories were used, creating a new one about “Peter Dickenson” being the modern day man who winds up in the body of dragon, which he is very excited about since he can learn more about his favorite subject this way. Yet again, the voice cast was incredible, and two that are known in other media; John Ritter as Peter Dickenson (who was also in Three’s Company and the Problem Child), and James Earl Jones as the evil wizard Ommadon (known for lending his voice to Mufasa in Disney’s the Lion King and Darth Vader from Star Wars). The film follows a similar plot to the Dragon and the George, but still includes the science the works out how dragons coult hypothetically existed, explaining the fire-breath and the flight. Themes in the movie also include science VS magic, how modern ideas often seem to harm forms of fantasy, the dangers of both forms when humans take no consideration with what they create, but ultimately it is using science as a force for good that saves the magical realm. Illustrations for the book Flight of Dragons were done by Wayne Anderson, who created very stylized drawings that was also heavily detailed, many of the dragons have pebbled scales/large eyes/and powerful claws. This art was used as the inspiration for animated dragons, bringing the illustrations to life

OK, enough from me; if you can track these down and feel like it, enjoy some fantasy films~

#text #long post #movies #fantasy #the hobbit #the return of the king #jrr tolkien #the last unicorn #peter s beagle #the flight of dragons #peter dickenson #the dragon and the george #gordon r dickson #rankin bass

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my-lady-knight · 5 years ago

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Favorite Reads of 2019

As seems to be my usual, I’m posting this at what feels like the last second.

Writing this year’s post was hard. I’ve been complaining offline all year that it feels like I read far fewer books I really, truly enjoyed. Even the books I did enjoy, they didn’t stick around long in my head for me to remember details. On the other hand, this list ended up being thirteen items long, so it can’t have been that bad. And having to go back to the books in order to write this list did make me remember how and why I loved them, so there is that.

Presented in chronological order of when I read them:

The Lions of Al-Rassan by Guy Gavriel Kay

The first book I read in 2019, and I knew would end up on this list as soon as I finished. It’s also the first book of Guy Gavriel Kay’s where I finally understood what the fuss was about - when he commits to writing three-dimensional characters with compelling interpersonal and socio-political relationships, he commits. The cultural/social details of this secondary-world version of medieval Spain set at the beginning of the end of the Caliphate and the rise of the Reconquista are evocative, and the scope deftly alternates between being vast without tripping over itself and touchingly personal. Most importantly, this book gave me an OT3 I wasn’t even expecting in the form of Amman ibn Khairan, famed soldier, poet, and advisor now outcast from the city-state of Cartada, Rodrigo Belmonte, beloved cavalry captain with a complicated loyalty to the rulers he serves, and Jehane bet Ishak, an esteemed physician whose path intersects with them both. Together they represent the connections and tensions between their respective, secondary-world Muslim, Christian, and Jewish communities, cities, and leaders in this secondary-world Spain and form a triangle of everything the country has, is, and can be. A year later I still love this book.

How to Write an Autobiographical Novel: Essays by Alexander Chee

This book is difficult to write about, because I remember loving it as I was reading it, but I can’t remember any of the essays very well several months after the fact (see above). What I do remember is that they were difficult, and complicated, and messy, and they did the thing I love when essays do where the fact that the things Alexander Chee was writing about are super-specific to him made them somehow feel all the more relatable. All the essays were nicely crafted stories and emotional journeys, withAlexander Chee tracing all the various aspects of his life through his writing, as an Asian man, a gay man, an aspiring writer, a professional writer, a resident of NYC, and a survivor of sexual assault, using prose that was both artistic and clear as water.

The Raven Tower by Ann Leckie

Amal El-Mohtar wrote in her NYT review that this book was akin to “Hamlet”, “if [the play] were told from the point of view of Elsinore Castle addressing itself to a Horatio who mostly couldn’t hear it,” to which my response was “huh?” Then I read the book and it a) made so much more sense and b) ended up being an astute, apropos explanation of the kind of book The Raven Tower is. It’s the story of a soldier and companion to the heir of a country investigating the disappearance of its ruler and the ascendency of another in his place. It’s also the story of a calm, patient god in the form of a stone who predates all of history and narrates the changing existence of gods, their power, and their relationship to humans and their civilizations. It’s an understated yet powerful book, full of Ann Leckie’s brilliant and clever writing, world-building, storytelling, and otherworldliness. It’s Ann Leckie. She knows what she’s doing. And it fucking works.

Sal & Gabi Break the Universe by Carlos Hernandez

This book - is bonkers. It is insane. It is one thousand percent over the top. I kept asking myself “why am I not irritated???” Instead I loved it. Sal is the new kid, a practicing magician with as showman’s flair for the dramatic and boundless energy, and he can open up portals into other universes. Gabi is the sharp-eyed, bossy class president and editor of the school newspaper who just knows something’s up with Sal and his shenanigans. Together, they become friends! And open up more portals into other universes. This book is warm and empathetic and funny and kind-hearted. It’s too-muchness quality somehow worked. The whole thing felt like the literary equivalent of a hug.

The Parting Glass by Gina Marie Guadagnino

This wasn’t a Deep book, but I could not stop thinking about it, nor could I stop recommending it to people. It’s a zippy historical fiction novel set in 1830s NYC prior to the Potato Famine. Mary (or Maire) and her brother Seanin are Irish immigrants working in the same wealthy family’s house, she as lady’s maid to the marriageable daughter named Charlotte, he as a groomsman. Mary is half in love with her Charlotte; unfortunately so is Seanin, and the two of them are carrying on an affair, the aftermath of which leaves Mary in a bind about where her loyalties lie. I love that this book has a queer take on a love triangle that I’ve never seen before, and I loved Mary’s anger and resentment, her unashamed attitude towards her desire for Charlotte as well as other women, and her selfishness as well as her loyalty. I also loved the upstairs-downstairs nature of the book and the clash of Anglo-American and Irish immigrant ethnic and class mores and the larger social and political setting of the city and time period.

The Bird King by G. Willow Wilson

I don’t even know how to begin describing this book. It’s a story about maps and boundaries and borders. It’s an epic of daring escape and adventure about a mapmaker named Hassan with a magical gift and a concubine named Fatima, two friends fleeing the Inquisition after the surrender of Granada, in search of a mythical island ruled by the King of Birds. It’s a story of faith and trust and bonds forged from disparate people, and transformation, transformation of yourself and the world around you because you will it to be so. It’s a beautiful, beautifully written book.

(As a side note, I’m intrigued by the fact that two of my favorite books on here are set during the Reconquista.)

On the Come Up by Angie Thomas

In some ways I liked this even better than The Hate U Give. I loved the complexity that arose out of Bri rapping about the injustices she’s experienced, with people drawing completely different meanings out of her words, people wanting her to use her rapping and her voice for differing reasons, and Bri herself working to figure out the power she has with her rapping and how she wants to use her talents, when it comes to financially supporting her family, standing up for herself, and being herself when so many around her are creating all these false images of her based solely off her words. I loved Bri’s anger, the way she kept speaking before thinking, her loving, sometimes complicated relationships with her family and friends...Angie Thomas’s writing and storytelling is phenomenal.

Kindred by Octavia Butler

I’m not even sure what to say about this book that hasn’t been said but, um, yeah, it’s Octavia Butler, it’s a classic, and really my favorite aspect of the book is how it so effectively bridges the gap between history and present and demonstrates how the two aren’t so far apart, and effectively blends them such that for Dana, the present becomes the past and the past is her present and suddenly she isn’t visiting history at a somewhat removed vantage point, she is part of history, her own history, her ancestors’ history, in all its horror, caught in a catch-22 of needing to repeatedly save the life of her white, slave-owning ancestor who over time grows more and more violent towards her, in order to ensure the chronological security of her own life.

The Weight of Our Sky by Hanna Alkaf

This was a harrowing read. Set in Kuala Lumpur, Malaysia during the 1969 Malay-Chinese race riots, sixteen-year-old Melati has OCD, or what she understands as a djinn living inside her that forces her to obsessively count in order to keep her mom alive, a secret she tries to hide so people don’t think she’s possessed. When the race riots break out across the city, Melati has to make her way through the violence in the streets in order to find her mom, all while battling the djinn as its power increases in the chaos. I repeat, this book was brutal. The descriptions of Melati’s OCD alone make it a tense, taxing read - combine it with the violence and unpredictability of the race riots and all the threats to Melati’s safety and her ever-growing fear for her mom and it’s a lot. Even so (perhaps because) I could not put this book down. The recreation of this part of history (which I had no clue of before and knew nothing about) was both immersive and informative, the story was deftly plotted, and I loved how Melati’s characterization and her relationship/the depiction of her OCD and how it specifically affects her in her particular circumstances.

Jade War by Fonda Lee

CLEAN BLADE CLEAN BLADE CLEAN BLADE

*ahem*

The second book of the Green Bone Saga was even better than the first. It took the story of the Kaul family and the No Peak clan and the worldbuilding of Jade City and turned everything up to eleven, expanding the story beyond Kekon into the global theater, particularly Espenia, bringing into the picture Kekonse immigration, diaspora, assimilation, and cultural heritage - what it means to be Kekonese, to be a Green Bone and carry jade and follow aisho outside of Kekon. The gang warfare between the No Peak clan and the Mountain clan spills over the domestic sphere into the international. Espenia grows more aggressive in its moves to gain control over jade at Kekon’s expense. It’s family loyalties and betrayals, it’s gang politics and warfare, it’s community, municipal, national, and international politics and culture clashes, and the changing world of being a Green Bone and wearing jade in a post-colonial world. Anyone who’s followed me this year because of Peaky Blinders - READ JADE CITY AND JADE WAR. YOU WILL LIKE THESE BOOKS I PROMISE.

Hexarchate Stories by Yoon Ha Lee

With this short story collection, Yoon Ha Lee has not only successfully published fan fiction of his own work in the Hexarchate universe and is getting paid for it, he’s published good fanfiction. The cute Cheris and Jedao backstory pieces of flash fiction he first published on his website are drabbles. One of the original pieces in this collection is straight-up PWP. (How the hell Solaris agreed to it I have no idea, there is literally no plot.) The very last story (also original) is fix-it fic for Revenant Gun that left me kicking and screaming over the CLIFFHANGER that Yoon Ha Lee ended it on HOW DARE YOU I DEMAND TO KNOW WHAT CHERIS AND JEDAO ARE GOING TO DO NEXT YOU BETTER BE WRITING MORE STORIES SET IN THIS AU TIMELINE. In sum, Yoon Ha Lee is a delight, I love him, and I loved this collection.

The Deep by Rivers Solomon

A novella about the weight of history, especially painful, traumatic history, and the necessity and yearning for it when you don’t have it. To be forced to bear the burden of history alone is to be crushed and subsumed by it. To lose or become detached from it is to lose connection to the people you’re from. Either way, it is difficult to impossible to maintain a people’s history alone. Rivers Solomon is such a poetic writer with her prose, painting beautiful images with just the right collection and arrangement of words, all while packing an astutely aimed punch in 160 pages.

Ninth House by Leigh Bardugo

I had some issues with how convenient some of the magic/magical artifacts felt, and the various threads of the murder plot didn’t tie up as nicely as I wanted, but oh, Alex Stern is a marvel - a survivor in every sense of the word who embraces that part of herself over and over, even as what being a survivor means changes for Alex over the course of the book. A dark/contemporary urban fantasy set at Yale where the university’s elite student societies are also magical societies— Alex is a dropout who got into drugs as a teenager in order to shield herself from the ghosts she can’t stop seeing, recruited to act as overseer of the societies’ magical rituals, and who takes it upon herself to investigate the murder of a young woman not too different than herself. The centrality of power and its abuse in this book is delicious, the read is gripping, and Alex is worth the price of admission. Yes, I will be reading the second book when it comes out.

(Also, this is literally the second book I’ve ever read that makes any mention or inclusion of Ladino (both Alex and Leigh Bardugo are Sephardi.))

Honorable Mentions

Finding Baba Yaga by Jane Yolen

King of Scars by Leigh Bardugo

How Long ‘til Black Future Month? by N. K. Jemisin

Our Year of Maybe by Rachel Lynn Solomon

Dragon Pearl by Yoon Ha Lee

The Boneless Mercies by April Genevieve Tucholke

The Best American Science Fiction and Fantasy 2018 edited by N. K. Jemisin and John Joseph Adams

The Calculating Stars by Mary Robinette Kowal

Amnesty by Lara Elena Donnelly

Storm of Locusts by Rebecca Roanhorse

Let Me Hear a Rhyme by Tiffany D. Jackson

The Monster of Elendhaven by Jennifer Giesbrecht

Pet by Akwaeke Emezi

Gideon the Ninth by Tamsyn Muir

It’s also been my practice over the past few years when making these posts to crunch the numbers regarding the number of books I’ve read by PoC authors. This year I read a total of 30 books, which is the exact same number as last year, but since I read fewer books this year, they accounted for 47 percent of my reading, compared to last year’s 43 percent. My goal since I started has been to get to 50-50 parity between PoC and white authors, and this year’s the second-closest I got (I reached 48 percent in 2017.) The goal for next year is once again 50-50.

#long post #book recs

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roseamongroses · 6 years ago

Text

PP part (4) : “two secrets and other lies we told ourselves without realizing “

Warnings: Lowkey life related crisis, Self doubt, cursing, jealousy but not in the way you think tbh

Characters: Remy Sanders, Patton Sanders, Virgil Sanders, Roman Sanders, Logan Sanders, (Mentioned: Deceit: goes by Eaton)

backround pairings: Remy/Patton, Roman/Logan, Virgil/ His vintage car seats, his career, and his cats

p(1) p(2) p(3)

Ao3

On paper, Patton and Roman were just friends

Eyes narrowed, Patton crammed another chunk of cake in his mouth, brushing away the crumbs with the sleeve of his newly finished knitted sweater.

Across the table his boyfriend, sighed, rolling his eyes, “You’re not going to convince me by throwing a tantrum,” He huffed, giving a pointed look over his tinted frames, jabbing his own barely touched cake with his finger for emphasis, “Look, girl, girl, you put too much damn vanilla in this.”

“I did not,” Patton swallowed, sniffing through the pain, “You’re just being mean.”

Remy scoffed, smiling, “Sure thing babe, “ he leaned over swiping some of Patton’s icing that escaped onto his face, tongue flicking out to taste that abomination of humanity, “Totally not,”

“Ugh, “ He batted Remy’s hands away, “No respect in this house I swear-” His nose curled, eyes darting to the kitchen, his kitchen, “My chocolate muffins shi-” He sprung from his chair, darting out the room, table and it’s random array of various holiday-themed ornaments clattering dangerously .

After a few dozen noticeable crashes from the danger zone, Remy's phone buzzed. Easily slipping it out, Remy glanced towards the kitchen before eying the string of texts, “Bitch,” he frowned, noting the recent timestamps of the vague as hell texts, “Ugh, this tea better be strong.”

He sighed, brushing off the remaining crumbs from his leather jacket, pushing his shades further up the bridge of his nose, he stood up, humming as he strolled to the door.

Swinging it open, he scowled, amused, “Isn’t it my favorite trash-man, what’s this? Late.” He tsked, moving to let Virgil inside.

“Shut your face,” Virgil sneered, quietly shutting the door behind him, not bothering to remove his jacket, “Weren’t you the man who was late to a dinner date at his own house?” His eyes narrowed, fighting the smile automatically curling on his face.

“I was seeing the sights,” Remy shrugged, lazily making his way back to the table.

Rolling his eyes, Virgil follows suit picking the seat closest to the door, “Remy, you disaster, you were in the house.”

“So,” said disaster clasped his hands, looking like a bored madman, “Where are these complications and how are they so complicated that you didn’t even spill over text?”

“Drama rat.”

“Correct, now did these complications involve the chess discourse or do they involve 80-year-old women threatening to destroy someone’s legacy from the source.”

“Neither,” Virgil said, reaching to steal Remy’s cake, which he pushed towards him gladly, “Though Lucy is pissed you didn’t visit last week,” he carelessly bit into a large chunk, face souring immediately, but swallowing nonetheless.

“Hey, this drama rat has to pay his bills.”

“Excuses, excuses,” Virgil ate another chunk with more visible ease, “Prince and Prince Charming are in the car,” he grumbled, fingers pinching the bridge of his nose.

“What are they making out all over your vintage seats or something?”

“I wish,” Virgil snorted, “They’ve been talking nerd the entire way, and that’d be fine if they didn’t somehow manage to shove their unresolved romantic- sexual shit into it.”

“Ah, I remember those days,” Remy almost swooned in distaste, “How long have those two have been pining? One? Two months or something?”

Virgil stared at him, slowly placing his fork down, blinking slowly, “Try... five... years.” he said as if the reality had just dawned on him.

He picked up his fork again, slamming it down for emphasis, “Five fucking years, holy shit. I’m done with Roman and his dramatic bullfuckshittery, fuck thi...and Logan. Logan. Nevermind I should’ve expected this...then again they aren't really obligated to define themselves, but my seats are too delicate to handle them avoiding it completely like they are--” his eyes were glazed, as he continued mumbled rant of vague curses.

Patton chose that moment to peek out of the kitchen, satin bonnet now on, smudges decorating his face, and soft hazel eyes holding a deathly gleam, “Did you just say Roman?”

Remy smiled sweetly, shooting Virgil a glare, “Yes, Roman, who just landed in Italy, right Virgil?”, meanwhile, he internally pleads for Virgil to shut the fuck up.

Virgil flushed, avoiding Patton’s curious gaze, “R-right, Italy--Italy. You know this cake is really good Patton let’s talk about that and not Roman, who is in Italy. Rome. Like his name...” he said, stuffing another scoop of the overtly flavored cake in his mouth.

Sensing weakness, Patton narrowed his attention onto Virgil, who unlike Eaton, could hardly manage to tell any less than the truth. It’s what Patton had always liked about Virgil. Especially moments like now, when Remy couldn’t sass his way out of interrogations.

“Virge,” Patton tilted his head, just a bit, batting his eyelashes, “You wouldn’t know if Roman, who I love more then anything-”

“The fuck am I?” Remy scoffed, not surprised

“Boyf-best-friend is different then Best-best-friend, love-” Patton corrected, not missing how Virgil none too subtly tried to fade into the furniture, “So, if I text him now he wouldn’t tell me he’s outside?”

“I….Uh.” Virgil looked to Remy for assistance.

They both knew the only other person worse then Virgil at keeping secrets from Patton was Roman. Not because he couldn’t lie for shit, hell he could give Eaton a run for his money if the chips were down. No, it was more like Roman would actually kill a man before he willingly disappointed Patton, even for a surprise.

Remy looked away like a goddamn traitor.

And that was enough evidence for Patton to go power walking out the door, not even bothering to put on shoes. By the time the other two had trudged out there, Virgil briefly raiding the kitchen beforehand, Patton was a bundle of giggles, excitedly chattering and bounding around the guest. Roman looking pleased, face flushed and beaming, and Logan looking vaguely disoriented, standing behind Roman as if Patton would bite.

‘Which he does.’ Remy smiled, standing in the doorway, eyes appreciatively watching his boyfriend’s freckled face, his initial irritation washing away.

“Ugh, stop giving me oogies,” Virgil blandly complained, not really looking up from his popcorn, “ I thought you said you ate your emotions.”

“I do. Without remorse,” Remy said, watching Patton’s attempts to talk to Logan, “--but he’s like, really cute though, look at him he’s like a puppy— it’s hella unfair.”

“Excuses,” Virgil glanced at Patton, who still wore that damned sweater dress, despite the rapidly fading brief winter weather, “Valid as they are—“ he admitted between mouthfuls, “Are still excuses yah filthy gremlin. Just admit it, you’re old and full of icky emotions like the rest of us.”

Remy scoffed, looking over his sunglasses appalled and mouth open for rebuttal, but whatever not teen rated thing he had to say was halted all as once as Patton twirled around, beckoning him to greet their guests.

Remy slid away quick with a bit too much skip in his “cool guy” walk to even be considered casual.

Virgil rolling his eyes and stubbornly remaining in the air conditioning called out, “You fucking softie..”

“You bet your vintage ass I am,” Remy said, flipping him off before sliding an arm around Patron guiding him and their honored guest inside.

Watching the clouds gather outside, Virgil knew it was going to be a long night.

Patton sighed into the cheap lawn chair they kept on the porch, the soft rolling of thunder, and the soft thuds of the incoming rain a familiar accompaniment as he lazily stirred his tea. It was strange to think that the holidays used to feel so...draining.

A lot of the time he spent it trying to ignore the overwhelming loneliness it brought seeing the whole world past lights blazing, laughing easy. Even when he was offered a place to spend the days with Roman and his parents or Virgil and his grandmother, even the rare occasions Eaton offered to let him hang out with their group of friends, it felt like he was intruding in someone else’s moment.

But now...the moment felt all his. It wasn’t the flashy lights or dramatic public displays, it wasn’t traveling the world, throwing himself headfirst into whatever life gave. it was something softer, comfortable. And he loved it. So he didn’t understand why he felt so…

“Oh, Patt, there you are,” the screen door opened, Roman ducking outside easily.

Patton swallowed, setting his tea aside, “Yea, Virge kicked me out of the kitchen,” he sniffed, “-and I don’t drink at every possible occasion, unlike some people.”

“Hey, hey, is that judgment?” Roman gasped, sitting in the other chair gayly, feet somehow propping themselves up while simultaneously maintaining an air of politeness, “Or-or, is it you're mad that shades and you lost?

“Oh I’m not judging,” Patton hummed, judgmentally, “I’m just saying that shoving Remy off the couch, while he was already tipsy is a questionable method at winning Mario Cart.”

“Virgil promised me a dollar if I did, that’s a lie I did it for free.” Roman shrugged, taking down his messy bun and threading his hands through his hair, “Anyway! Shades and Specs are sulking because I kicked their asses once again and, now, ugh! Refuse to give me any more attention, “ he whined, slumping further into his seat, “Patton, I needed attention, I can feel my youth draining already.”

Patton snorted, “What about Virgil?”

“He’s sleeping like a babe,” Roman scratched his chin, “A very loud grumpy babe, who hissed when I moved him upstairs because he can’t admit he likes being carried.”

“So I’m your last choice?” Patton said, “I’m hurt.”

“You shouldn’t and you weren’t,” he said, “I would’ve bugged you earlier but Remy threatened to slice me like a cake if I disturbed your peace. “ He sniffed, “The nerve, me? Disturbing the peace? I’m a delight.”

“Well, there was second grade when…”

Roman’s face flushed, “I was a kid, a very justified, gay kid.”

“Mhm, that’s what you always say,” Patton said, grinning, “How about that time at the park, with Ms. Flores. -”

“She might be old, may she be at peace, but she was petty and I never fail to rise to the challenge.” he crossed his arms, “And don’t mhm me, it was second grade! I’m allowed to have crushes, even if they have abysmal taste in writing.”

“Now that I think about it you’ve had crushes on a lot of our friends, most turned into squishes but... hmm..” he sipped his tea content, “Virgil, Eaton, Nate, Terrence-”

“Pat, please no, you said you loved me,” Roman groaned through his hands.

“I think me at one point?” Patton said, setting his cup down, “Don’t know why though…”

“I was five,” He huffed, “And you are cutest out of all of them.”

“Mhm, sounds fake, but that ring pop was pretty, plus,” Patton said, before adding on a bit more quietly, “I think it’s cute you had so much love to give,” He curled into the seat tighter, that creeping unease settling on him as easily as he pushed it away.

“Huh,” Roman paused, “I thought I was just...flaky.”

“No…” Patton frowned, “No. You are not a flake Roman, you throw yourself into everything, into everyone. You didn’t stop loving your crushes, you just love them a different way."

"No relationship is ever just…” Patton's voice hitched, “ no person is just a stepping stone for you. Well,” he forced a laugh, “At least I hope not, you have gotten pretty big online...you travel all the time, meet people all the time. Your career’s bigger than anything I've made in the workshop…”

Ah, that’s the feeling.

Not jealous….just…less. Too slow. Not enough. He was almost 30 after all, what has he to show, what has he done?

“Uh, Patton amour, pardon my french, but that’s bullshit,” Roman said, brow furrowed and trained on him.

“Wha-?”

“It's,” Roman leaned closer, “Bull-” he said, “Shit.”

Before Patton could finish gaping and respond, Roman jumped in, “Did you or did you not pay and work your way to college?”

“It was a community college-”

“It was unthinkable for you. Remember? You expected to fail high school, to barely get your GED.”

Patton smiled sadly, “I hated school.”

“As you should, some, not Mrs. Huang she was a saint, those teachers were fucking obnoxious shits with only a diploma shoved up their--”

Roman grumbled shaking his head, “Let it go-Let it go-Let it fucking go--,” he half sang, “Anyway, you hated the system, but you worked it. You graduated, went to college with little support at home. And got a whole job.”

“Roman I…” Patton slumped, “That’s great, wonderful, fantastic, but got that job I expected to...move on, to make a change, now I don’t have any expectations at all. I don’t have a growing career…”

“No, but you have a stable one.” Roman said, hugging himself, “Sure, my growth might be a bit much...but that’s all I have right now. Growth. Nothing’s stable, nothing’s set in stone...nothing is ...mine.”

“Roman…”

“No, I’m not being self-deprecative...I think. It’s just,” Roman sighed, rocking in his seat, “When my blog’s gone when my videos are gone when my friends all around the world start to settle down what do I have to show my progress?

"Patton, you have a home, a community you support and see every day, a fiance who loves you as much as you love him. I love my life to death, I’m thankful I can even have it, but sometimes, a lot of times, I think. Shocking, yes, but I think."

"About when I’m old, about when I’m dying, about when I don’t want to do this anymore. When I just want to settle down and just rest I--” He laughed, body jerking unnaturally," Will I even have a chance? None of it seems real now…And I-” he squeaked, Patton plopping into his lap.

“Pat-” Roman whined, “I --Ugh, sorry I was supposed to let you sulk,” Patton rested his head on Roman’s shoulder, playing with his hands.

“We can sulk like this,” Patton said, throat tight, “Being sad with friends is a preference of mine.”

“Even if it solves nothing?”

Patton closed his eyes, “Who says we have to solve anything?”

Because in the end, they were just Patton and Roman

#PaperPrinciples #Roman Sanders #Patton Sanders #Remy Sanders #Virgil Sanders #Logan Sanders #Sanders Sides #Sanders Sides Fanfiction

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soil-microbiology · 4 years ago

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Soil Algae Aims to Improve Soil Quality through Algae Cultures

Authors: Samreen Tariq, Areej Ashfaq and Ayesha Asif

Algae is not just for bodies of water anymore. "Twenty percent of the microbial biomass in natural, healthy soil is algae, but many farmers only monitor and maintain bacteria and fungi.” said, group of researchers. The study aim is to highlight the importance of soil algae that can be the beneficial for farmers to increase the fertility of soil for productivity rather than traditional agricultural practices. So, that farms may improve the health of their soil and boost production by algae cultures.

Soil algae live on the surface of soil. There are 2000 species of microscopic soil algae are known blue-green, green, yellow-green and diatom algae. Some blue-green algae fix atmospheric nitrogen (Gollerbakh et al., 1969). The major roles and functions of algae in soil are that it maintains the soil fertility, especially in tropical soils, adds organic matter to soil when they die and thereby reducing and preventing soil erosion (John et al., 2017). Algae fix nitrogen, improve soil fertility, and play a significant role in plant succession. It is also found that algae present on soil increase organic matter, nitrogen and stabilizes it. This promotes germination of seeds and growth of other microorganisms (Agha & Asrar, 2020).

In laboratory cultures of large surface samples, occasional cells and spores of algae which do not multiply actively in soil are favored by the altered pH, higher calcium carbonate content or the fluid culture medium. After a few days, those forms which first predominated tend to disappear, being replaced by others, generally more common and less fragile (Shields et al., 1964). Algal production in outdoor ponds is relatively inexpensive. The nutrient medium for outdoor cultures is agricultural-grade fertilizers instead of laboratory-grade reagents. At present, large-scale commercial production of microalgae biomass (Andersen et al., 2005).

Pakistan is a developing country and depends on agriculture. It is one of the countries consuming very large amounts of nitrogen per unit area. There are estimates that the use of nitrogen fertilizers will continuously increase. Pakistan is a country where rice is the second staple food and it is grown in many areas of the country, particularly in Punjab and Sindh. Some current practices of algal cultures are BGA synthesize and liberate auxin and amino compounds which stimulate the growth of plants, used particularly in rice crops. Whereas the amount of nitrogen fixed by the BGA under field conditions ranges between 15-80kg/ha according to the algal species, fertilization, soil, and environmental conditions (Rehman et al., 2015).

Algae plays an important role in community succession by increasing biodiversity in soil (Starks et al., 1982). At early succession, the biomass of microalgae increased in soil but decreased at later stage, due to presence of lichens, mosses, and vascular plants (Song et al., 2014) (Hu et al., 2003). Algae with high reproduction rate can produce large amount of biomass and cultivation systems play an important role in it. Open pond production systems are cost efficient and require less maintenance than bioreactors for algal biomass production. Microalgae generate more biomass in less time. They can grow on low economic value lands and utilize more carbon dioxide and nitrogen while agricultural crops require fertilizers, for biomass generation and utilize less carbon and nitrogen from the environment (Rajvanshi et al., 2020). Algal growth increases the carbon and nitrogen input in soil (Zaidi et al., 2018).

Nitrogen fixing blue green algae play role in nitrogen accumulation of soil. They grow in tropical regions and common in paddy fields. It is vigorously used as green manure in rice fields for favorable effects. Soil algae, blue green algae or Cyanobacteria contribute about 20-30 kg N ha −1 season −1 as well as organic matter to the soil which is useful for the economically weak farmers who are unable to invest on costly chemical nitrogen fertilizer. Thus, algal cultivation is much favored over traditional agricultural practices (Manzoor et al., 2015).

In Pakistan, microalgal biomass is used as biodiesel in different areas of the country. The first attempt to produce biodiesel from algal biomass in Pakistan was carried out by Khola et al., Pakistan possesses plentiful algal flora because of rich saline habitats and diverse water (Metting et al., 1981). Yet, it is not used as Bio stimulant or biofertilizer for increasing the productivity of crops in Pakistan. Production of algal blooms are due to suitable temperature and solar illumination widespread in different areas of the country. Geographically Pakistan lies in the world’s greatest solar insulation area, receiving high intensity of solar radiations due to favorable climatic conditions (Issa et al., 2014). So, these conditions suggest that cultivation of algal biomass is possible in Pakistan and as biofertilizers to increase the productivity of crops in Pakistan.

Soil conditioners are chemically biologically prepared substances that are used for the nourishment of soil which essentially helps in the growth of various plants. They are somehow different from the soil fertilizers. Fertilizers only supply nutrients to the soil but on the other hand, soil conditioners enhance the physical, chemical, and biological health of the soil. Algal soil conditioners increase aeration, water holding capacity, nutrient viability to the soil due to which the texture of soil and its quality also get improved which supports vegetation. They are effective as they improved the soil property and soil growth (Rehman et al., 2015).

Pesticides, insecticides, and herbicides influences the growth of soil algae. The influence can be variable with inhibition and stimulation of growth or no effect on growth. Microalgae have the bio stimulant and biofertilizers properties which attracts agrochemical industries. Microbial biostimulant and microbial biofertlizer increases the agriculture sustainability in crop production. They are environmentally friendly and cost-effective alternatives to the fertilizers, crop protection products and plant growth regulators. Bio stimulants are derived from organic materials that stimulate the growth and the development of several crops under both optimal and stressful conditions. Biofertilizers contains living organisms that improve chemical and biological soil properties, stimulating plant growth, and restoring soil fertility through natural substances present in them. Microalgae extracts have greater importance in crop production as MBS and MBF. Agrochemical companies are now including microalgal extracts in the formulation of innovative MBS and MBF. These extracts showed beneficial effects like increased nutrient uptake, induced tolerance to the abiotic stresses and improves crop yield and quality (Ronga et al., 2019).

Conclusion

Soil algae plays an important role in enhancing the fertility of soil. It is also beneficial for farmers for increasing productivity as well as cost efficient. Soil Algae, specifically blue-green algae or cyanobacteria is also capable of pulling nitrogen from the air and converting it into usable nitrogen within the soil. It eliminates the cost of nitrogen fertilizers by farmers, for agricultural use. The added algae increase soil biodiversity, organic biomass, and the total humus found in soil, all good things for farmers keen to produce in healthy soils.

References

Andersen, R. A. (Ed.). (2005). Algal culturing techniques. Elsevier.

Agha, Q., Asrar, M. U. D. A. S. S. I. R., Leghari, S. K., & Somalani, M. A. (2020). Algae, soil fertility and physicochemical properties in agricultural fields of balochistan, Pakistan. Pakistan Journal of Botany, 52(4), 1491-1495.

Gollerbakh, M. M., & Shtina, E. A. (1969). Pochvennye vodorosli. Leningrad: Izdatelstvo Nauka.

Hu, C. X., & Liu, Y. D. (2003). Primary succession of algal community structure in desert soil.

Issa, A. A., Abd-Alla, M. H., & Ohyama, T. (2014). Nitrogen fixing cyanobacteria future prospect. Advances in biology and ecology of nitrogen fixation, 2, 24-48.

Johns, C. (2017). Living soils: the role of microorganisms in soil health. Fut Direct Intl, 1-7.

Manzoor, M., Tabssum, F., Javaid, H., & Qazi, J. I. (2015). Lucrative future of microalgal biofuels in Pakistan: a review. International Journal of Energy and Environmental Engineering, 6(4), 393-403.

Metting, B. (1981). The systematics and ecology of soil algae. The Botanical Review, 47(2), 195-312.

Rajvanshi, M., & Sayre, R. (2020). Recent Advances in Algal Biomass Production. Biomass.

Ronga, D., Biazzi, E., Parati, K., Carminati, D., Carminati, E., & Tava, A. (2019). Microalgal biostimulants and biofertilisers in crop productions. Agronomy, 9(4), 192.

Rehman, A., Jingdong, L., Shahzad, B., Chandio, A. A., Hussain, I., Nabi, G., & Iqbal, M. S. (2015). Economic perspectives of major field crops of Pakistan: An empirical study. Pacific Science Review B: Humanities and Social Sciences, 1(3), 145-158.

Shields, L. M., & Durrell, L. W. (1964). Algae in relation to soil fertility. The Botanical Review, 30(1), 92-128.

Starks, T. L., & Shubert, L. E. (1982). Colonization and succession of algae and soil-algal interactions associated with disturbed areas 1. Journal of Phycology, 18(1), 99-107.

Song, Y., Shu, W., Wang, A., & Liu, W. (2014). Characters of soil algae during primary succession on copper mine dumps. Journal of soils and sediments, 14(3), 577-583.

Zaidi, A. A., Malik, A., Mushtaq, K., Ruizhe, F., & Shi, Y. (2018). Progress of Microalgal Biodiesel Research in Pakistan. J. Plant Sci. Curr. Res, 2, 2-7.

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resbang-bookclub · 7 years ago

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AMA Transcript: Simple Melody

For our final AMA of Resbang 2017, @alliope, @bbbutterfingers & @daciafu stopped in to answer questions about their Resbang, Simple Melody! Here’s some of what went down:

Q: My first question for Allie is what inspired you to do this AU?

Allie: Well I've generally had the idea for an Over the Garden Wall AU for a while, not necessarily for SE, but as the first check-ins deadline was approaching I ended up rewatching bits of Over the Garden Wall and it just kinda clicked? Mainly I think it came from Crona's betrayal and Beatrice's betrayal and everything fell into place from there. I thought the eerie atmospheres would work well together! So I ended up scrapping my previous idea and wrote 3k plus a summary like three days before the first check-ins, rip.

Q: For butter/dacia, what went into how you decided which scene(s) to art?

butterfingers: HM well there was some chitchat when we started about what kind of work we wanted to do and I said that I loved the Boom comics covers, and then I shouted WHAT IF I MADE COMIC BOOK COVERS! and I think Dacia went WHAT IF I DID BACKGROUNDS and I guess we just approached it as if we were doing something comic-y haha!

Allie: You two were the power duo.

daciafu: I've always been in love with the style of the backgrounds of OTGW since that's where all those cozy and spooky feelings of fall and the Unknown really shine and I'm honestly HORRIBLE at designing backgrounds so I wanted to take the challenge and push myself to get better! Mimicking other people's styles really helps me break down how they make their choices and teaches me how to make things look Decent so I was super hyped to pick up the OTGW style! And then when Butters and I were trying to figure out What Do and she said she wanted to tackle covers, I decided to do background-heavy scenes. 😊

Q: What is generally your guys’ process (writing for Allie and arting for butters and dacia)?

Allie: Well, I wrote in little scenes, like I would get an idea for a scene and just go for it, the fic wasn't at all coherent until maybe a few days before posting. This actually posed a problem since linking scenes took longer than I thought it would. Because I had most of my scenes written, I thought I had more finished than I really did. By the end of Resbang, I had 56k written but only 20k remotely post-able. I'm a super obsessive planner though, so my whole fic was outlined in detail early on, which was nice cause I knew what I was doing lol

butterfingers: I loved going through Allie's notes, I was always excited to see how they'd connect the dots! My art process is as follows: scribble something, put it aside, look at it a lot throughout the day with the thought that maybe I can surprise myself into seeing something new, find something I hate, fix it, rinse and repeat. For this project I actually... have a friend who works with Boom Comics and she was able to hook me up with a nice little gallery of illustrations for the OTGW comic so I got to go through and put together my mood board for it 😊

daciafu: I read over the gloriousness that was Allie's draft and immediately picked out some neat scenes or wanted to reimagine the classic OTWG ones. I spent a lot of time studying first! Looking at the art books, and poring over the show’s scenes and kind of getting a feel for the color palettes, textures and compositions. Then I watched a tutorial on Youtube where someone just deadass uploaded their painting process on a piece of official art that made it into the show. So that was EXTREMELY helpful to watch the way they painted back-to-front and kind of blended the planes without like, losing depth?? The internet is so, so wonderful. And then I got to work! Started with a soft brush for lineart so it wouldn't be too prevalent, moved onto base colors, then shading, and then really trying to establish textures and make the atmosphere Just Right(tm).

butterfingers: Genius!! Oh damn that sounds like such great advice vis à vis backgrounds. /takes notes

Q: You sound like the dream art partner Allie, I weep for my artists and my last minute HERE IS 10K I JUST TYPED UP BC IM A MESS.

Allie: Ahh geez, these two were the dream partners honestly, like I'm so glad they could gather stuff from my notes, cause I've always got everything together in my head, but then it gets out there and it's a mess, these two deserve all the love.

butterfingers: There was one thing I regret that I didn't have the chance to draw and it was like a throwaway line somewhere in your notes about Maka presenting Soul with a praying mantis and him freaking out. I resonated with that so hard hahaha.

Q: What was the hardest scene for you to write?

Allie: The hardest scene to write that's actually posted was anything with Justin really, I don't get his character and it was tough to write him. There were a few scenes that were hard to write because I rushed them, but I wouldn't say they were genuinely difficult scenes, I just gotta rewrite 'em! But overall the ending scene I'm still struggling to write and there's a dream scene that occurs which has been difficult to write just for making it dream-like enough?

Q: And what was the hardest to art? :o

butterfingers: I had a hard time with Maka's expressions. I had many scribbles designing a Ragnarok lantern, too, but it was very fun!!

Allie: Your design for the Ragnarok lantern was so good, I still cry over it.

butterfingers: Ahaha thank you! He was very Calcifer inspired ;)

daciafu: I struggled quite a bit with the first one I painted, just because it was all so new to me. I had to base color 3 different times because the soft lineart bothered me if something extended too far, or there was white background peeking through. And then reimagining the texture in the leaves and the ground to try to separate the planes there but also wanting them to be cohesive was a bit of a headache. If I had to go back and do that one over again I think I'd be more prepared to deal with the foliage lmao.

butterfingers: Your textures were very excellent, that was a quality I struggled with as well!

daciafu: The first one I painted was the Golden Light scene where Maka and Soul are leaving the woods and entering the fields.

butterfingers: Trees r hard.

Allie: They all came out so incredible though, I'm in awe of how you were able to create those leaves.

daciafu: Omg ;;;;; At the same time trees are so organic and flowy and the chances of getting them wrong are pretty slim considering they can get janked as hell lol they're super fun to just zone out to. "I’ll just put a happy little leaf here, ooh and how’s about another one right next to it. They can be happy friends. Oh look, the squad showed up!!" Channeling my inner Bob Ross... but yeah you can just do whatever with them and they somehow come together.

Q: Daciafu how do u.....background, like you did so well and all I hear from art friends is various levels of pterodactyl screeching when the word background is mentioned.

daciafu: I heavily based the Leafing the Forest scene and the church scene after stills from the show so I don't get composition points there, but I built the pumpkin fields just based off of the environment’s design elements. I really wanted to push the depth of that scene but also give it that same never-ending quality to it, and I'm super happy with the results. Another note is that I omitted the characters entirely while building the backgrounds. Since I'm usually a pretty character-heavy artist, I wanted to tackle it like I was preparing the scene for an animator later. And then once they were done, I added in our sweet kids. Doing it that way first really helped to cement the characters in the space rather than my usual "character is done, how can I put them in an interesting physical space?" struggle lmao.

Q: Did you guys feel like your writing/arting changed at all or that you learned anything/picked up new skills/honed old ones etc. etc. during Resbang?

Allie: Gosh yeah, it changed a lot. In hindsight a bad idea, but this was the first fic I'd ever written with intention of posting and the longest piece I'd ever written. Before this I had written very little and my longest piece was maybe 10k. Throughout Resbang I've learned most of everything from the ground up, it's taught me a lot about my limits, how I work and writing in general. I've definitely improved a lot from the experience!

butterfingers: Let me tell you all about the airbrush tool that I discovered during Resbang. Amazing. Incredible.

daciafu: I learned how to paint backgrounds!!! Which is something I've always wanted to get better at. And I got super comfortable in Clip Studio (I'd just gotten it) as well as using texture brushes, so overall it was a very helpful and wonderful experience as a Resbang participant and as an arteest.

Q: Oh that reminds me butters, what program do you use?

butterfingers: Paint Tool SAI for the most part, and then Photoshop for color correction, borders, and, like, finesse things! :)

Q: Did you guys listen to any music that inspired you or helped you create?

Allie: Ah, yeah! I had a playlist actually! https://www.youtube.com/playlist?list=PLjTCaFkFU6rkD1edJwCZmHvJiUwlSUeGZ

If you want I can explain some bits of it? I use music a lot when writing aha. I like to associate certain songs with characters and character relationships, so most of the songs are connected to a particular part of the story. The Monroe Transfer, Wayfaring Stranger, and Mountains were all more general atmosphere stuff. Blame was very much related to Maka, which may not be apparent now, but yeah. Ragnarok I actually connected a lot with Willow Tree March. Soul was probably closest with A Lady. Crona had a lot of songs, but Neptune was most specific to them, as was probably Ghost Towns. Some character relationships I associated with certain songs, Crona-Ragnarok and Soul-Maka were both pretty connected to Always Gold, especially that dang last line "there were holes in you, the kind that I could not mend" oh man. Crona-Maka was definitely We Could Be Friends, Bloom, and Spell. Meet Me in The Woods I thought was a pretty good group song! Those are just some general bits of my thinking with the music aha.

daciafu: Definitely checked out Allie's dope playlist. For most of my working time, tho, I was either listening to TAZ: Commitment or MBMBaM oddly enough lol. I will forever think of Justin's uproarious laughter whenever I look at them lmao.

Q: Were any of the relationships difficult to characterize?

Allie: Mmm this may sound weird but early Maka-Crona was weird for me, cause they were kinda at that point where they want to (or at least Maka wants to) like each other, but they don’t like or trust each other at all and it's a weird spot for them. I'm used to writing them as at least interested by one another, if not enemies or already fond of one another, so this felt like a very odd place to start with them.

Q: Do you guys have future plans for writing/drawing? Aside from polishing and posting the rest of the fic!

Allie: I have,,, too many plans,, I need less plans,, someone please take them away from me, I can't be trusted with them,,,, I do want to do a sequel for this when I get it finished, playing on the detail about crows memory lasting five years so. Beyond that I have a SoMa fic to finish for the prompt challenge!! I'm working on a gift for Crescentcrona, which is a fantasy Kirona fic called Eat The Rich. I have polyam week fics that I'm cleaning up, I think my favorite so far is a Azusa/Naigus/Sid/Mifune one for Through The Seasons. And God I have so many CroMa fics I want to write, I gotta fill the AO3 tag. I think the biggest one right now is a wings-related soulmates au that I've been working on on the side since October I think?

daciafu: Yo there's one scene that I'm like sUPER hyped to do if Allie does the sequel because I already know exactly how I wanna draw it but I wasn't able to fit that in near the end, and it didn't end up in the first part. But there are a couple of other scenes Allie and I workshopped that would be super fun to do and I would love to draw them. Other than that, my drawing plans are pretty much working on commissions as they come in. Surprisingly my queue has been maxed out and I just got a full time job so of course now I'm like.... hm.... I'll get 'em done eventually!!

----

That’s the end of the AMAs for the 2017 season! Thanks again for reading along with us, and see you next year! :)

#AMA transcripts #resbang book club #rbbc #simple melody

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ancientbrit · 4 years ago

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Natter # 6 7/26/2020

I love books. I have a passion for them - always have. My parents were the catalyst really. My Dad would read to my sister and me when we went to bed; stories from a huge volume of The Brothers Grimm and Aesops Fables with fine, thin pages and wonderful, colored plates by Arthur Rackham, protected by sheets of parchment. You could lose yourself in the tales and those wonderful illustrations; we did and I wish we still had that book. We would go out for long walks in the countryside and always packed along a couple of books on birds, plants, and animals for identification purposes. My Mother would take us to the public library, a 213 bus ride away to Worcester Park and we would ride back home triumphant with tales about Mumfie the Elephant and others. Books were always welcomed as birthday and Christmas gifts amongst others and when a public library was set up in our village I was one of the very first to join and I took out a book entitled “Tropical Aquarium Fishes} by William T Innes I had that ook exclusively for over a year. The library was within walking distance along Anne Boleyns Walk so it suited me very well. At school when the class was made to stand and read aloud one by one around the room, when it reached my turn I could never find the place because I was always about three pages ahead. I couldn't stand the slow pace that reading out loud produced. I began to develop a taste for adventure books where the same characters were repeated in subsequent volumes, such as in Arthur Ransome's children's book series, starting with "Swallows and Amazons." I always thought the illustrations were sort of crude sketches but the stories were great. I bought a set for my kids but somehow they never seemed to appeal to them. During the war, American comics were really desirable and they were hard to get. A little girl who lived just around the corner had relations in the States who would send her most of the popular comics of the day - be worth a fortune now no doubt. We found out about this and soon we had developed a bartering system - English comics for American comics. One of the American comics characters was a boy who was always getting into adventures & scrapes and getting out of them by building various things. What used to fascinate me about this was at the bottom of the pages were instructions on how to build the things that he had used. How to build a passenger rail car with lighted windows from an old shoebox, or a searchlight from a shaving soap container. That phrase "how to make...." has stayed with me for all my life and it still has the power to draw me in; I love to make things. Much more on this later. I became involved and interested in mechanical things and my Uncle Jim next door had a wealth of interesting gadgets which he used to shower on me. Old clocks, crystal sets, old firearms and on. I loved all of these and started taking them apart to see how they worked. Some I even returned to working condition. But eventually, prime movers and engines of all sorts started to take precedence and it peaked when our next-door neighbor on the left, at whose engineering company I later worked on Saturdays, took me and his daughter, Mary, to the Model Engineering Exhibition in London. I don't think Mary had any interest what so ever but I was in seventh heaven, looking at all the model steam locomotives, engines and everything mechanical - and they all worked, they weren't just pretty static models, they were actually miniature pieces of engineering and not long after this I started to subscribe to the magazine “Model Engineer” which I would read avidly from cover to cover, even the ads.This quite naturally led into yet another type of book and ended with my favorite author of all time - Neville Shute.

Mr Shute was a qualified engineer who was involved in the disastrous R-100 & R-101 airship designs between the wars at the same time as the Hindenburg was flying between Germany and New York. Airships turned out to be dead-end technology and the only thing remaining of it in England are the two massive hangers which used to house them. When I joined the RAF I visited this station and at that time they were the biggest single-storey buildings I had ever seen. Mr Shute continued in the aeronautics field by starting his own aircraft manufacturing company - Airspeed, which produced one twin-engined aircraft - The Oxford. This was a conventional passenger aircraft and was quite successful, but it wasn't what he was looking for really and he started to write fiction. His early works did not involve engineering, but I guess that the old saw - write what you know, finally enabled him to write winners, with four of his books having been made into winning films, all of which I have seen. In one period he flew his own aircraft to Australia, which became special to him with some of his best stories taking place there. But in my opinion, his best by far was his final story, completed and published not long before he died. It was serialized in the national press and a few months later the book appeared on the street, it was "Trustee from the Toolroom." This book had everything for me. It centered around a humble little guy, Keith, living in a suburb of London, whose mission in life was designing and building engineering miniatures and describing the building process in a model engineering magazine.His sister had married well to a wealthy naval officer and they had a little girl.

Just after the war, England was still rationed until about 1954 and the whole economy was geared towards earning dollars to pay off the huge dept owed to America for all the munitions and food they had sold to England when our backs were to the wall. One of the strictures placed on Brits who fancied traveling abroad at that time was that you couldn't take more than $500 out of the country. This naval officer and his wife wanted to emigrate to Canada in their yacht, leaving their little girl with Keith and his wife to be sent for when they arrived.They had a problem in they had converted his wife's jewelry into negotiable diamonds and wanted his brother in law to help him hide the diamonds in the yacht, which he did. Making this a bit shorter, the yacht foundered off an island in the Pacific and Keith considered it his job to get out there to try and recover the diamonds for the little girl. Not having the money, through contacts he had made writing for the magazine, he was able to scrounge a trip by air to Honolulu, from an airfield just along the road from where Jean & I lived. From Honolulu he picked up a lift from a weird guy who had sailed from the USA in a boat he had built himself. There is a lot more to this story, but after locating the diamonds he ends up landing in Seattle and driving down to Portland where he helps a timber tycoon with a problem he was having building a clock that Keith had designed. The whole story was extremely satisfying for me, touching so many points with which I was familiar and I must have read it at least a half dozen times. The films that were made from his books were:- "A town like Alice", "No Highway" (starred Jimmy Stewart and Marlene Dietrich), "On the beach" (Gregory Peck and Ava Gardner) and "The Pied Piper" (Monty Wooley). "On the beach" was a rather grim story about the aftermath of Global Nuclear War, which was a distinct possibility at that time. I have almost all of the books he wrote with the exception of a couple from very early days - still searching for those. Yet another writer of future aftermath stories was John Wyndham who wrote The Day of the Triffids, The Kraken wakes and Chrysalids - all cracking good yarns which I happen to have as a book containing all three stories. This is another that I have read multiple times; I also have Kindle, a present from my son, which I have used occasionally, but it is not the same as holding a physical book in my hands. Books are - special and I like the fact that I can go to one whenever I feel like it and take down an old friend and feel instantly at home. All you need is a comfortable chair and enough light to read by and you are satisfied. I also like the fact that there is no battery to go down! Your fearless leader, trying to maintain some sort of contact with you all. Stay safe and hopeful - it WILL all come right one day! Gordon

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imagine-fight-write · 4 years ago

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RANDOM - BANANA FISH DISCUSSION - I’M SO VAGUE

Hello, Everyone!

No excuse for this being late, it just is.

Note: This is just me rambling about a certain subject in relation to Banana Fish which is totally vague (but that’s probably all in my head.)

If you’re enjoying my Banana Fish Review series, Vol. 1: Part 3 will be up either later today or Saturday!

Unless Time sabotages me again. They might.

* I like to think of Time as having a female persona. What do you think?

Anyway . . .

This one is more in-depth musings about a certain subject & character, rather than analysis of a scene. It’s deeply vague & confusing (probably because I’m thinking too deep about it. But I don’t care. It’s fun to theorize.) If you want to continue reading delightful gushing about scenes & characters in Banana Fish in chronological order (mostly), please check out Part 3 of my Banana Fish review.

Determining Ash’s sexuality is marvelously tricky. *Also Eiji’s, now I think of it.

So far as I know, Eiji hasn’t have any / very little romantic or sexual experience (or is he simply shy? Who knows?). Thus, he can’t know who he likes & neither can the reader (for certain.) His attraction to Ash is vague enough that valid arguments can be made for anything from friends to soul mates to lovers. Isn’t it wonderfully maddening?

Otaku, She Wrote has a great article about this, here:

https://otakushewrote.wordpress.com/2018/06/22/more-than-friends-more-than-lovers-exploring-ash-and-eijis-love/

I think readers tend to gravitate towards lovers because there’s this nasty, prevalent idea that romantic relationships are somehow more & deeper & better & closer than friendship (which I hate & I will fight people over.) To be clear: If you like the idea of Ash & Eiji being a couple, that’s valid.

It makes sense.

If you like to go with the easy route of saying Ash clearly likes Eiji, therefore he’s gay, I salute you for your acceptance of obvious things.

(This is so cute. I love animal motifs!)

I personally can’t view it that simply, due to both Ash’s extremely traumatic past & the world he grows up in.

However, if you take that (saying Ash is gay) & dismiss or look down on those who like to think as Ash & Eiji as soul mates or friends,

I will fight you.

And if you take Ash & Eiji as friends & dismiss those who like them being a couple, I will also fight you.

Because this is a story about fictional characters, people have multiple different experiences which color their perspective of it, so in a very real sense no one is wrong . . . Unless they have no concrete proof from the text to back them up. Or author.

I mean, you could argue Ash is secretly a ware-lynx, & that’s why he’s so strong & clever, but why would you? There’s no evidence in the story. Anyway.

Before I begin: An Important Note.

I was attempting to look up Ash’s step-mother’s name (& couldn’t find it, I’ll have to check my manga) & I found 2 fascinating reddit threads, who’s subjects I will add to later:

https://www.reddit.com/r/BananaFish/comments/9efv87/while_watching_banana_fish_with_my_father_he/

(2nd 1 contains minor spoilers, if you don’t know who Blanca is, don’t read)

https://www.reddit.com/r/BananaFish/comments/a2s0cj/yoshida_interview_on_why_she_decided_not_to_have/

The important part about the 2nd article is that the author states something which I agree with, which is

“Editor: "Certainly, Ash isn't active when it comes to sex."

Yoshida: "I think that's because Ash's character is sick of sex. He's been hurt over and over by sex... he's sick of it and he doesn't feel the need to have it. He's devoted his life to it, and he's had enough of it.”

Which appears to validate my idea that Ash is willfully asexual. He could easily be aromantic and / or have romantic or sexual desire for Eiji, sure (or other people. 1 person in the above link supposes Ash might be bi, which isn’t something I considered, but is certainly possible.)

Regardless, it’s clear that, whatever relationship or desire Ash might have for someone, Ash certainly dislikes / wouldn’t have sex with them.

I personally see them as friends/soul mates. To be specific, Ash firmly keeps himself asexual (key word, keeps) to such a degree it’s impossible to know if he’d actually be asexual or not if he’d had a normal life. It is simply impossible to know, and it’s tragic. Note, I’m not saying Ash is asexual, but that he actively tries to be. Yes, he flirts & acts sexy & kisses people. Except these are all acts a person can do & yet not feel any real desire or want to do them. I realize that sounds confusing, but it’s true. Some femme fatales do this all the time.

And as Otaku, She Wrote said, Ash is a combination of Femme Fatale & Rambo.

The manga also makes it clear, more than once, that Ash uses such moves as weapons or tools to get people to either drop their guard or convey a message as part of a plan.

He can do this & yet not feel any actual sexual desire. Also, I do want to stress, the idea that trauma will make a person asexual is wrong. Wrong. Yes, trauma can make people hesitant to start or continue a sexual relationship, or any close relationship at all, with other people. But. It won’t change if they feel sexual desire for someone else or not. So is Ash asexual? Who knows. I’ll explore this & my reasons more a little later.

First, I want to point out Eiji is probably asexual, given that he’s almost 20 & never had a romantic relationship (that I know of, up to vol. 10 of the manga.) However, he could be the type to slowly develop feelings for someone overtime. Eiji strikes me as rather shy & lonely - he hasn’t talked about anyone specific in Japan except his sister, so far as I’ve read. Or they could both be “once in a lifetime” types, which could be true for both being best friends / soul mates or a couple. As I said, from what I’ve read so far, it’s all vague enough you could argue in a lot of different ways about their relationship. (I love it.)

Now, my logic for why Ash is asexual. Ach, this section is grim & terrible & sad.

First, due to his past, it’s highly unlikely Ash can view any gay man in a positive light (or any man at all, really, his relationship with Max & Ibe is SO important & in many ways, a complete miracle).

(Ash teasing Max never gets old.)

Considering it’s also the 1980’s, there’s also a definite air of “gay men are bad” which Ash would pick up on (and has, I think.)(Even if he were gay.) Note, Dino Golzine is clearly a pedophile. Whether he considers himself gay is up for debate (so far as I know.) And unless he considers himself gay, or it’s otherwise stated, he’s not gay, but a pedophile.

To explain: I have yet to know of any evidence that he sleeps with any men in a consensual relationship (which would mean he’s gay.) Only young men & boys, all considerably younger than him, and for various reasons, clearly not with him by choice.

* IN FACT, I have yet to know of Dino Golzine sleeping with ANYONE consensually (Have I mentioned I hate this man? Because I do.) Brrr. I told you this is all painful. Here is an adorable kitten.

Anyway, also related to Ash’s trauma, it’s unlikely Ash can easily accept any sexual or romantic relationships as good or enjoyable. He clearly views close contact as dangerous.

As I said, the manga makes it clear on more than 1 occasion that Ash clearly uses his sex appeal & romantic gestures, such as kissing, as tools in his arsenal of weapons, divorced from his emotions, wants, or desires (mostly.) This isn’t to say he couldn’t be aromantic.

I mean, Ash did have a crush on a girl when he was 14. That’s got to count for something, surely, given the environment he was living in.

*I mention this because someone reminded this of me in that 2nd reddit link I put above, & they immeaditly dismissed it!

Um, hello? Crushes are sexual desire 101.

Of course, regardless of if he’s asexual or not, he could still care about his friends as deeply as he does. Remember, asexuality is about sexual desire, not emotions in general. You can love someone & not have sexual desire for them. People do this all the time with family & friends.

All of Ash’s tender scenes with Eiji? (that I’ve seen up to Vol. 10) I’ve had a bunch of similar heart to hearts with close friends over the years, & I’m super protective about my friends. But I still don’t have sexual desire for any of them. They’re my friends.

Friendship is so hard to define, isn’t it?

(I looked up friendship gifs & found this. Precious.)

On a related note, I have no doubt Ash has had a bunch of self loathing & hatred over his good looks (can you really blame him? Because a lot of people like to blame his good looks as the reason why they attack him. Which is so gross I have no words.) (Victim Blaming 101) And clearly Ash would take any tender or protective emotions he might have for another boy (or anyone) as something twisted, wrong, & dangerous.

(Again, given his past, can you really blame him?) Because I can’t think of any gay men, or anyone really, who’s been a good role model & decent human being, who is a grown man, except maybe the cops, but there’s a whole level of complexity there with Ash being a gang leader & linked to Dino Golzine that I don’t feel like getting into

(unless you want me to in another post!)

And yet Ash does care, deeply. I’m so glad he has friends in his various gang members & Shorter. They’re so important. He even has great moments with Max

(which is such a miracle, I’m going to cry if I think about it too hard. After being raised by a man like Dino & their twisted relationship, it’s astonishing Ash can trust any grown-up man, ever.)

Anyway, moving to a slightly different topic, consider that Banana Fish is clearly a world of men, and boys. Women and girls are few & far between (the main ones are great, but still few.)

(I can’t wait until we get to the part of Ash is disguised as a nurse, because I still don’t know what that’s about & I love it already.)

Anyway. Moving on.

Theory: Ash doesn’t view women as sexual cos that’s not the world he grew up in.

(Pictured Above: Not a lady)

Correction: Ash does mock the obi-gyn’s secretary with some pretty crude language. (which I will not forget & he needs to apologize for & never do again.)

Clearly he’s picked up on the disgusting idea of women as being 2nd class to men & also their value tied to their sexuality.

(Gee, I wonder who knows how that feels.)

However, far as we know, Ash has never slept with a woman (or girl.) Ash has never been sexually assaulted by a woman or girl.

Well, apart from those nurses. but that’s a long ways away in my reviews.

I will not forget!

Also, considering all his sexual encounters have been with men, and I must stress, grown-up men (again, so far as we know), it makes sense to me that Ash wouldn’t have any interest in women the way most men do.

I’m not saying he wouldn’t find them attractive or react to a nude photo - of course he would (unless he’s actually gay or asexual & has no sexual desire for women, or anyone at all.) However, even if he’s straight, I still don’t think he’d automatically think of women as being sexual / desire them in the way most men /boys would. Most women exist in a world apart from his. The most Ash does is talk to the secretary. He barely interacts with Jessica (that I remember, just wait til we get to that part) or his step-mom. I don’t think he even interacts with Shorter’s sister.

Yes, Dino Golzine asks if Ash has a girlfriend, but it’s done in almost jest, and Ash’s reaction makes it clear he has no interest in one. Again, because he has no personal experience of women as sexual beings (that we know of) it’s doubtful he’d easily think of them as such, despite his words to the secretary. He only knows men have sex with women because men talk about it, & there’s pictures & magazines. Again, this is difficult because there’s so few women in Banana Fish it’s hard to tell. So this is just a theory.

To sum, personally I think Ash might be asexual. Most likely, aromantic.

But again, given the complexity of Ash’s life, it’s really hard to tell. Yes, he kisses a boy at some point. But it was a cold blooded kiss, meant to pass along a secret message. It was part of a plan.

Ash never mentions this kiss again (far as I know, up to vol. 10 of the manga) and he freaks out ( is afraid & embarrassed) at a joke about wanting to view his public hair.

Again, is that due to his past of being abused, or is he simply asexual? Who knows. (The author knows, I’m sure.)

#random #banana fish #discussion #asexuality #think about it #fictional character #manga #ash lynx #eiji

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xb-squaredx · 5 years ago

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Gaming in 2019: A Look Back

2018 was a quieter year for gaming. With new consoles on the horizon, Sony and Microsoft were in a transitional period, and while Nintendo hit the ground running with the Switch in 2017, aside from Super Smash Bros. Ultimate at the end of the year, they seemed to stumble a bit. By stark contrast, 2019 has been absolutely bonkers, with tons of quality titles and bigger announcements littered throughout. With 2019 now at its end and the end of a whole decade upon us, let’s take a look back at the world of gaming over the past year, and take in the highs and lows.

BACK TO BACK HITS

In going over all the releases this year, I was surprised at the sheer number of quality titles spread across 2019. New games release all the time, but 2019 in particular seemed hell-bent on keeping customer wallets empty with release after release. January kicked things off with a bang; Capcom graced us with the remake of Resident Evil 2, a gorgeous, terrifying reimaging of the survival-horror classic and it seems 2020 will follow suit with a remake of Resident Evil 3. Speaking of threes, Kingdom Hearts III released and…while many fans seemed happy with it, the hype surrounding it was nowhere near as high as I had always imagined it would be. Of course, the fact that this is the twelfth installment might have something to do with that. But hey, it finally happened and that counts for something. I suppose the same could also be said for the long-awaited and shadily-funded Shenmue III. It doesn’t seem like it made a huge splash; the general consensus is that while the gaming industry grew in-between the releases of Shenmue II and III the Shenmue series itself largely ignored those advancements. A game that, much like Duke Nukem Forever, would have likely fared better had it released in a timelier manner. All this talk of threes and somehow Half-Life 3 remains in development hell…but at least we’re getting a VR game, right? R-Right?

As the year went on, we saw a lot of high-quality action games like Devil May Cry 5, Astral Chain and Sekiro: Shadows Die Twice, and for some reason racing games made a bit of a comeback with Team Sonic Racing and a remake of the Crash Bandicoot racers all in one package. Fighting games in particular had a lot of titles throwing their hats into the ring. From the bloody Mortal Kombat 11 to the titillating Dead or Alive 6¸SNK also introduced a new generation to the Samurai Shodown series with a new installment, and Smash Ultimate slowly unveiled a stellar lineup of new characters as DLC throughout the year. Remakes seemed particularly in-vogue this year, from the previously-mentioned Resident Evil 2, to Final Fantasy VIII, Medievil, and Link’s Awakening. I feel that “games as a service” are starting to decline in popularity, however. With Anthem, Bioware’s last hope, bombing, EA had a bright spot in Apex Legends showing up out of nowhere and momentarily drawing players away from the likes of Fortnite, though Epic’s smash hit remains to be truly toppled. With the monetization of these games still under fire, I think the public is starting to wise up about the often-predatory practices put in place that come at the detriments of the games they’re attached to. While these titles continue to be popular, we’re well past the saturation point, and players have a limit to how many of these games they can fit into their lives. They’re called “forever games” but nothing lasts forever…

There was a steady flow of releases throughout the year, but for whatever reason, September was the month where it seemed everything was coming out, with a few notable titles in late October or November. No real droughts to speak of, really. While Hideo Kojima’s crazy new game, Norman Reedus and his Radical Fetus er…I mean Death Stranding caught a lot of people’s eye, and the Pokémon franchise continued to make bank, some smaller indie titles managed to stand out from the pack. Really unique titles like Hypnospace Outlaw, GRIS and Untitled Goose Game come to mind, as was the unexpected collaboration of Crypt of the Necrodancer and the Legend of Zelda franchise with Cadence of Hyrule. Not to mention a certain slipper-wearing skeleton got into Smash Ultimate as a costume. At this point, indie developers can stand shoulder to shoulder with the bigger dogs in a lot of ways. I mean, when indie-darling Disco Elysium can walk away from The Game Awards with four wins (including beating out Reedus’ Fetus), that shows how far we’ve come as an industry in many ways. Every time I stop to remember some of the more interesting games that came out this year, a lot of them come from smaller developers. Seeing how the bigger companies have embraced indie developers, when they were once shunned, is also pretty great, even if relations aren’t always perfect.

THE BIG THREE (and google)

Focusing on the larger companies for a bit, we’ll start with Microsoft…who were a mixed bag this year. On the one hand, Gears 5 seemed to be alright, and on the other hand, Crackdown 3 came and went without so much as a whimper. Then came the long-awaited reveal of their new console at The Game Awards, of all places. Introduced as the “Xbox Series X,” Microsoft seems set on trying to confuse as many people as possible when it comes to discussing their different consoles. Or maybe they’re rebooting the brand to just be Xbox. Whatever helps them sleep at night.

(Expect confused parents at launch!)

Sony largely got through this year without too many issues. They continue to underwhelm with their “State of Play” direct announcements, but in general they have several upcoming exclusive games to look forward to. Buying Insomniac and securing them as first-party is also a pretty big move on the whole, and they ended the year with Death Stranding finally seeing release. Nintendo, meanwhile, provided a bunch of unique game experiences throughout the year. A unique action game in Astral Chain, ghost-hunting fun in Luigi’s Mansion 3 and they even found a way to make exercise fun with Ring Fit Adventure! With fairly solid Directs throughout the year, they’re a lot more consistent in quality and general hype this year in comparison to last, when it seems like all hopes were riding on Smash, which has gone on to be the best-selling fighting game ever, by the way…

I suppose I should pay lip service to Google’s own attempts to break into the gaming scene with their release of the Stadia, a streaming platform that they swear is the future of gaming. It’s billed as a “work-in-progress,” and initial reaction to it seems mixed. Some find delay so bad that games can be unplayable, and there’s been several shenanigans at launch, but maybe by this time next year all the kinks will be worked out and it’ll be hunky dory! Or maybe Google will abandon it like so many other products. I’d be surprised if it’s still relevant by this time next year.

DELAYS, DOWNERS AND DEXIT

2019 had its highs, but a fair share of lows too. Delays seemed to also be common this year. Right as 2019 was starting, Nintendo had a fairly transparent announcement that the long-awaited Metroid Prime 4 was restarting development from scratch. Animal Crossing: New Horizons and DOOM: Eternal also ended up delayed into March of next year, though interestingly enough fans seem to take such announcements much better than in years past. Reactions to delays are often one of disappointment, but understanding, especially if it’s all for the game’s benefit. It’s perhaps for this reason that the DLC roadmap for Mortal Kombat 11 saw a massive delay in character release from the usual schedule, following reports of crunch at Netherrealm Studios. After 2018 shone a light on the often hazardous work environments of game development, it does seem that delays are being used as a way to take some pressure off of developers. It’s too early to say that things are genuinely improving across the board, but it’s a start at least. Not all stories have happy endings though, and the continued fate of Telltale Games remains in a strange limbo. With Telltale Games bought by LCG Entertainment, it appears at least SOME of the former employees have a new home and even a few of their games can live on, however at present it’s not quite known if things are going to be any better for the employees there, so let’s cross out fingers. As 2019 neared its end, it’s also unfortunate that Alpha Dream closed its doors, after years of producing some well-regard RPGS starring everyone’s favorite plumber. The industry can be pretty volatile, even when you often work with the bigger dogs.

For me personally though, the biggest downer this year was the fallout surrounding the Pokémon fandom. Following an announcement that the newest games in the series, Sword and Shield, wouldn’t be compatible with all of the veteran Pokémon, the fandom seemed to split in half, one side overly critical of the games and their apparent declining quality, while the other side seemed overly defensive, casting aside legitimate concerns. It got really ugly, and even though I enjoyed Sword and Shield for what they were, the discourse left a sour taste in my mouth. 2018 made a big show of how rough some game development studios have it, facing tons of pressure for sticking to deadlines and facing crunch periods that leave people battered and broken. With Game Freak having to kowtow to the demands of higher-ups at Nintendo and The Pokémon Company to hit that release window, delays weren’t an option for them, and they even cited various game development problems in interviews before the game launched. But people want their product and they don’t seem to care how they get it. If there’s something I hope the Pokémon fanbase can learn following all this, is that there’s a big difference between voicing concerns over something you love, and harassing people that are trying to make the best of a bad situation. Looking at the bigger picture, Sword and Shield’s “Dexit” debacle isn’t the biggest gaming controversy of the year, but it was the one that affected me the most and it kind of puts a damper on ending the year strong.

TO THE FUTURE!

I’d rather NOT end on a downer though, so looking towards the future, if 2019 is any indication, there’s a lot to be excited for in 2020. For starters, we already know of a lot of hotly anticipated games set to hit next year, most of which seem to be targeting March…g-great! From the long-awaited Final Fantasy VII remake (or…part of it anyway), to Cyberpunk 2077, we also have what are set to be the swansongs of the PS4, The Last of Us Part 2 and Ghost of Tsushima. At year’s end, the PS5 and uh…Xbox…will hit store shelves and while there’s still a LOT we don’t know about either machine, be it specs, features or launch lineup, a new console launch is always cause for celebration. New possibilities! Classics in the making! A clean slate! 2020 will likely be a year to remember just on that alone.

The world of gaming is one I’m always invested in; there’s a lot of grimy stuff I’m not partial to, but plenty of good sprinkled throughout. Every passing year I see many new, innovative games come out of small, passionate developers who want to keep pushing the medium forward. Certain larger companies have also started on a “redemption arc” of sorts, with Capcom leading the charge. The “Big Three” routinely have new and exciting things to show, and we’re at a point where the video game industry is fully ingrained into popular culture. eSports continue to grow and expand, we’re getting rare video game films that don’t suck like the Detective Pikachu movie, and looking back on the last decade, things have come a long way. The greater focus on online continues to allow us to connect and play with others, and the last few years have had more conversations surrounding Cross-Play between the major competitors. If Microsoft and Nintendo can work together, who knows what can be accomplished! We’ve seen the medium mature, or at least attempt to mature, and variety has become more important than ever. After years of dull, grey shooters littering the market, games are allowed to be colorful again! We see studios pushing for diversity, for games with greater focus on mature themes, and while we still have a long way to go in a lot of areas, progress is being made. If Kratos, the God of War, can learn to chill out and become a (moderately) better person, then there’s hope for the medium yet, and with a new console generation and new decade waiting for us, 2019 lets us end on a relatively high note.

Here’s to a great 2020.

-B

#xb-squaredx #blog #2019 #gaming #ps4 #xbox one #nintendo switch #sekiro #devil may cry 5 #smash ultimate #crackdown 3 #anthem #indies #video games #google stad

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