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#mona lisa del giocondo
soldmoondoggie · 11 months
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A Hat in Time (PC 2017)
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aureatchi · 3 months
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ᝰ𓂃⊹ ִֶָ SHE PAINTED THE HIGH RENAISSANCE ONTO HER BLANK CANVAS. . .ft. fyodor dostoevsky & dazai osamu
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৻ꪆ RIASSUNTO. fata viam invenient...you attend a ball, fated to stumble upon two demons in disguise. you don't know whether it is for better or worse that you somehow already know them, all masqueraded as angels, regardless of how laughably far off that would be.
◞ OR ROME WAS TRULY THE PROMISED LAND, and you sought the art of chaos, rivalry, and seduction.
SERIES MASTERLIST. → ii. | PLAYLIST ♫. | wc. 9.6k+
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৻ꪆ a/n. it’s FINALLY HERE !! get ready because there’s A LOT. i’ve poured sm heart into this so i hope you enjoy it as much as i do :) THANK YOU TO EVERYONE who was patient + reached out telling me how excited they are for this. this series is also my entry for @kentopedia’s love through the ages historical!au collab. thank u sm for putting this together <3
৻ꪆ info. fem!reader. renaissance!au. drama & romance. cursing. some suggestive parts. love triangle. arranged engagement. slowburn. lowk touch-starved. a lot of story buildup/complex character. suicide attempt from dazai. historical inaccuracies. bad poetry. religious imagery/symbolism.
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— THE MONA LISA WASN’T REAL. And Vincenzo Peruggia was not, in fact, the person who stole the piece, contributing to the boom of its fame to the general public, but was planned in a way to frame him so that the origins of the painting would be a secret gossip only a group of the most successful artists knew about. 
The gendarmes were close. They were correct in assuming that another artist could’ve stolen the painting during the investigation. But they never suspected it could be the person the portrait was painted of herself—no, obviously not Francesco del Giocondo’s wife—but the original face who remained under the cover-up. 
An artist’s face, who later went under the alias of “Raphael” to conceal her contentious image and entanglements from the public eye—you. 
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The crashing of ice-cold water on your skin amidst the summer air. The weight of your aspirations on your shoulders, and an unknown heart who vowed to drown you…
“My, miss, you’re already stirring up tons of drama, and you’ve only been here three days!” 
The past couple of months had felt like a dream. It almost seemed like yesterday when you packed your things into suitcases and moved to one of the most famous centers of the art world, Florence. 
Yet now, you entered through the gates of the ‘eternal city’ itself—Rome, a great privilege granted to you by the Pope himself. You almost cried when you received his invitation, commissioning you to paint the frescos in his private library. Of course, there were some strings pulled, like the person who recommended you…
“It’s all thanks to you, Ranpo,” you giggled mischievously. As the lead architect of the Vatican (but before that, your friend), he had told the Pope, “...she might as well become the best painter in all history. She may not be well known here in Rome, but say her name in Florence, and you’ll awaken the whole city. You’ll realize you’ve found a diamond among all the rubble. Trust me on this one; I’m never wrong.” 
“It was nothing,” Ranpo replied with a smug smile. “His Holiness, Fukuzawa never doubts my word.” He tapped his head with his forefinger and winked. “Not only does he recognize my talent in the arts, he also acknowledges my outstanding intellect! I’d be a detective in another life.” 
You chuckled before he continued. “The rest is all on you, princess. Again, you’re progressing quickly-” he pulled out a letter to summarize out loud. 
“-His Holiness was so impressed that he’s giving you the rest of the rooms to paint,” Ranpo said while you stared at him with widened eyes. “He…fired everyone else who was working on them. On top of that, he invites you to a ball happening in a couple of days to make an announcement on new projects. Other than you, he’s invited only the most influential artisans to attend alongside the aristocrats.” 
“No way!” You grabbed Ranpo’s hands in excitement. 
“Yes, way.” He let you spin him around on the pavement in eagerness, your long dress following along. “Though, I feel like you’re going to have to explain to him how you painted the library’s frescos so quickly.” 
Your turbulence of elation calmed. “Hm, you’re right. 
“I hope the question slips his mind.”
You hadn’t actually told Ranpo, but it always seemed like he would figure out everything about you anyway. There was one reason why you had become so famous in Florence. You created masterpieces in what felt like seconds—it was almost like you were granted the touch of creation itself. No one had ever seen you paint, so the mystery of how you were able to produce your portraits in mere weeks—sometimes days remained a mystery to the entire world, no matter how fast science progressed. 
You called it an ability. To be able to visualize—a mental image in your head you wanted to come to life in the form of a still painting on a canvas was what you did. You conjured the concept yourself, freezing daydream into textile. 
You weren’t sure why you possessed something supernatural, or perhaps there were other artists you didn’t know who could also do the same thing, but firstly, you kept it a secret—it seemed almost inhuman to hold such a power. Yet secondly, it was even more the reason to follow in your father’s footsteps. 
He, too, was a painter in the courts of Urbino and would’ve liked to become a famous artist as well. Now, that dream lived on through you—you had studied and trained under his teachers and other artists until you mastered their techniques from the foundations to geometry. Your father was no longer alive, but you were sure he’d be proud of you for getting this far. 
“Oh, one more thing,” Ranpo said.
“The two angels of art are going to be there.” The brunette closed his eyes and rested his arms behind his head as if he already knew the shocked expression awaiting your face. “Your inspirations. Osamu Dazai of Milan and your fiancé, Fyodor Dostoevsky of Florence.” 
“Pardon me, Fyodor?” 
A long time ago, your uncle—your now legal guardian—arranged your marriage to Fyodor Dostoevsky. However, the same would’ve happened even if your father had been in charge due to his family’s good societal position. 
It was just meant to be, you guessed. 
Coincidentally, Fyodor had also taken an interest in art the few times you two saw each other when you were younger, and you eventually saw him go on to become the most talented sculptor in Florence. 
However, your path of similarities ran cold after that. You hadn’t seen him in years, and you weren’t even close. You were obligated to write to each other once a month, but each message almost seemed like business transactions rather than love letters. Fyodor was too aloof a person despite being well-educated and polite—though he checked off every other box (and you were sure any other woman would want him), you realized you would never be able to connect with him. He was just not interested. 
You couldn’t do anything to change the engagement, but as long as there was no set wedding date to look (dread) forward to, you were content with life for now. 
You didn’t necessarily like Fyodor, nor did you go to Rome to finally pursue him, but you admired him from a different standpoint. 
He and Osamu Dazai were truly angels of art; even gods, if the Church was not one’s forte. Everyone across the country knew their names—patrons and civilians alike worshipped them at the feet. Even the powerful Medici family, sought by every artist to be commissioned, held close ties with both. 
Clientages saved their money to have the two paint for them, upcoming artists aspired and envied their success, ladies came with their names rolling off their tongues to the horror of their husbands’ faces—they were rumored to be devilishly handsome, too. Self-portraits of the prodigies were yet to be made, but you didn’t doubt it one bit. If Dazai was anything like Fyodor, he had to be fanciable too. 
They had the world and heavens as masterpieces in their hands; one could say their names traveled as far as the badlands. You arrived in Florence right after they departed for Rome, and you studied the creations left behind to figure out how they made crowds swoon and create such huge impressions on people.
And you found their pieces were indeed the pinnacle of the renascene summer. You silently made them your mentors, incorporating what was successful for them into your own works. 
“And you’ll be there, right, Ranpo?” 
“Of course, so don’t you worry your pretty head about a thing,” he tapped his head with a smile. “Though, I have some work to finish first, so I’ll leave thee to explore Rome.” 
“Don’t take the wrong wagon this time,” you giggled. Ranpo was late to meet you on your first day because he kept taking the wrong passenger coach to get to you. For some reason, he was knowledgeable at everything but navigating transportation. 
“I’m taking a horse this time,” Ranpo replied. 
“Even worse! You better not fall off!” 
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There was a tailor you had been recommended to by your aunt before you departed. You decided to head to his shop first to find a dress to wear for the evening. 
“Good day, my lady,” the couturier said with a kind smile. “I have multiple options of gowns for you tonight. Please do take your time selecting.”
“Gramercy,” you replied with a smile in turn. Your measurements had been sent to him a few weeks ago, so that you wouldn’t have to wait for your garments to be made. 
He brought out at least four cioppas. You didn’t even care to figure out how many in total because among all the regal reds, greens, and royal blues stood out a silk, off-white dress with gold accents. Your eyes were immediately drawn in, though you couldn’t put your finger on why. It wasn’t the most showy in the bunch, but that didn’t matter to you. It was like a rare gem among common stones—though you would need a good eye to really appreciate its uniqueness. 
You ran your fingertips across the fabric, closely observing its craftsmanship. You became fascinated with the opulent designs on the flowy skirt and the long sleeves. You guessed that if you didn’t take it, you’d instead dream of it for the rest of your days in regret and freeze it in one of your paintings for eternity.
“I think I’ll try this one first.” 
Your first choice proved worthwhile when you tried on the gown in the separate dressing room. You exchanged the simple front-laced bodice and plain cotton attire for the new, elegant piece sewn just for you. The fabric hugged and complimented your curves in all the right places, creating the most flattering look as you turned in front of the mirror. 
You imagined yourself with your hair styled and matching jewelry to accompany it—you felt like a princess. Perhaps this confidence was the only thing that would help you get through the ball this evening and perhaps your entire time here. You hadn’t been around so much aristocracy in years—though you grew up privileged, you preferred to live humbly and simply focus on your hobby (and you spared your change on those in need). You were lovely yourself, no doubt, and maybe that’s why you charmed many people of different social classes as you grew more popular. 
You studied yourself through the mirror again, and it was like the polarity of your dresses reflected the fate of this new chapter of life set against the one you left behind.
The weight of your aspirations on your shoulders and an unknown heart that vowed to drown you…you suddenly felt cold. You rushed to get out of the room. 
“It’s perfect on you,” the tailor said, unable to disguise his awe when you asked him for his opinion and to ensure all the sizing was correct. You nodded in curiosity when he asked, “Now, would you like to know the inspiration behind the dress?” You always looked forward to seeing how your tailors incorporated your personality and family style into their design. 
“It’s a play on a singular topic,” he said. 
“Angels. A dual purpose signifying both the type of art you create and how you give off an entrancing allure—they will be curious about your enigmatic yet enchanting importance. That will be your statement tonight among the darker colors.” 
The earlier thought of comparing your two inspirations to angels came to mind. You decided right then—you found no need to try on any of the others. 
“I’ll have this one sent for me tonight,” you said. “Thank you again.”
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Rome was alive and busy with action at every corner you turned. You strolled down the streets with no set destination, admiring the liveliness of the city. There were markets and shops everywhere and merchants with all sorts of foreign goods. 
You discovered a ruella at the corner of one street, and the door was widely opened. You peered in to see a group of women inside, probably discussing various intellectual topics. 
You decided to go inside and socialize, having nothing better to do. As you stepped into the salon, they all turned to greet you. 
“Good day, miss,” a few of them said. 
“Oh, aren’t you the Florentine artist?” one of them asked. She moved to the side so you’d have a spot to sit.
I got recognized, you thought, and you couldn’t hide your smile. 
“My husband was there awhile back,” she continued as you sat beside her. “He couldn’t stop talking about how enamored he was with your style and was sure you’d make it here next. Looks like he was correct!” 
“I’m very flattered,” you responded, a warm tint in your cheeks. 
“Did you recently arrive?” she asked. “I hope your journey here went smoothly.” 
“Yes, it went alright!” you said. “The weather wasn’t too bad, and I enjoyed the views on the way. I even passed by some lakes…” 
You felt it again. A shiver ran down your spine. The crashing of ice-cold water on your skin that stood perpendicular to summer’s balmy weather. The intense feeling to stay alive—to save yourself and the soul you did not know…
Your journey had gone smoothly up until you passed by one of the lakes near Rome. It had been a peaceful day, and your coach driver suggested that you look outside. You lifted the curtain and were received with one of nature’s blessings—verdant grass and plants that thrived around clear blue waters. 
You could’ve painted it if you remembered the sight. You truly could have if the memory of the scene wasn’t tainted by what you saw seconds after. 
“Hey, is that a person?” you asked your driver, squinting your eyes—unblemished, untouched picture shattering in your head. The land on one side of the lake was vastly elevated, creating a cliff on that end, and a figure stood in the distance.
A moment passed. 
“…Yes, my lady.” 
Your eyes weren’t betraying you—there was a man dangerously close to the cliff’s ledge, and you weren’t born yesterday to not know what he was thinking of doing. 
“Stop the wagon,” you said, a slip of panic in your tone. Your driver looked back at you hesitantly, but you ordered once again. 
“Please stop the wagon. Don’t come after me. And don’t tell anyone about this.” 
The horses carrying you came to a halt, and you rushed out of the chaise. You weren’t sure what had gotten into you at that moment—there was a random person you happened to catch making more than a terrible decision, why get involved—but you couldn’t stop now as it was like your legs were carrying you themselves. You immediately took off east towards the cliff. It would take you a few minutes until you got to the man. 
What would you even tell him? Would you try to talk him out of it? Gaslight him into stepping away from the edge? Offer to paint him a custom piece for free?—“Oh, I’m actually a famous artist in the country, I can paint you whatever you wish. But I can’t really do that if you kill yourself.” You dashed past grass and rocks as you hurried up the hill.
You would definitely have to change once you got back—the bottom of your dress was already soiled, and you were sweating.
Splash!
Your face was struck in complete horror at the loud sound. You peered over the edge to see huge ripples cascading across the surface of the lake. 
Oh shit! 
You ran back down and then towards the shore. You thanked God that you weren’t using any heavy layers under your dress that day and prayed you weren’t going to end up killing yourself as well. You knew how to swim, but the man was far from the bank. 
Am I really going to do this? 
This might’ve been the most spontaneous thing I’ve done. And the worst.
You liked to think that if you saved him, you would be rewarded in some other way. A good Samaritan—you thought. It had to be worth it. You couldn’t die before your new life even began. 
You submerged yourself into what felt like frozen water, your clothing suddenly feeling uncomfortable around you. Still, you wasted no time swimming toward the man who jumped in. 
He was already sinking—of course, this lake has to be deep. You immediately grabbed onto his waist when you got to him, but not before you took a good look at his face. He was probably of the working class because he only wore a simple white shirt. You also noticed he was covered by an absurd amount of bandages. Soft waves of brunette hair framed the man’s profile, and he looked far more content and at peace than he should’ve been. In any other situation, you would’ve thought he was taking a pleasant nap by the way his eyes were closed, and his lips were slightly parted. 
You’d never seen anyone so pretty underwater. If you hadn’t seen him as a human above land, you would’ve thought he was a mermaid or some other foreign creature. 
Your thoughts and observations were interrupted when you realized you couldn’t hold your breath any longer. Trying not to panic anymore, you first tried to drag the two of you up above the water, but you weren’t strong enough to battle the weight of it against the two of you. 
You would have to swim to shore and didn’t know if you had enough air to return. 
Well, I need to make it work anyway, you thought. You wouldn’t let this mysterious guy you didn’t know cut off everything you wanted to pursue. 
You took ahold of one of the man’s loose arms and, with determination, tried to propel yourself the way you came from, kicking your legs through the water. You were more than correct in assuming it would be complicated—the energy in your body drained quickly. 
You were only halfway from where you started when you accidentally choked. But that caused you to completely seize up—water poured into your lungs like open floodgates, and you were unable to breathe. You tried to push yourself up to get air, but you were already too weak to carry even yourself.
The weight of your aspirations on your shoulders and trying to save an unknown heart that had led to you drown—you wondered if he was still alive. He would have to be resuscitated at this point, and you realized, you too. If anyone came in time to save you, that was. You shouldn’t have had ordered your driver to not follow after you. Or rushed into the lake unprepared. 
Or involve yourself with this man. It was his decision to jump off the cliff…and now you had tied his own weight onto your life. Maybe it was all too heavy to carr—
“I’m happy to hear,” the woman replied, oblivious to and interrupting the encounter you were replaying in your head. “I wish you the most success here.” 
“Thank you,” you replied. “You are very kind.” 
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“I am a bit nervous,” you whispered. “I’ll be meeting His Holiness for the first time and other artists. Do I even compare to them?” 
It was evening now. You had spent the last couple of hours preparing for the ball after exploring town—you had on the classy cream-colored dress you selected earlier from the tailor, accompanied by a couple of necklaces. Your hair was put up in a complex style and fastened by a few pieces of jewelry. 
Your mind utterly conflicted with your appearance, though. Your thoughts were in chaotic peril—you tried to hide the fact that you had been pacing around your room in anxiousness right up until Ranpo picked you up. 
“Thou art second to none, miss,” Ranpo replied with a wink and a tight squeeze of your hand. It had only half the same effect as his bear hugs the viridescent-eyed would give you when you weren’t in public, but it was enough. “There’s no reason to be nervous. You fascinated him long ago—you might’ve even been his favorite if I wasn’t here!” 
“Maybe so.” You giggled at his lighthearted smugness. “Well then, let’s get going.”
Ranpo nodded and led you through the large doors of the ballroom. Immediately, you were greeted with the celestial light from the chandeliers contrasting the dark evening sky outside. 
Your eyes drifted in awe among the artigiani and aristocratici of Rome. It was almost chimerical—you hardly remembered you were still holding Ranpo’s hand. The scene looked like it came straight out of a painting. 
“Appealing so far?” Ranpo asked, guiding you down the stairwell. “Can it stand against the Florentine carnivals?” 
You slowly nodded, still focused on the liveliness surrounding you. “It feels divine.” It was more prestigious than any event you’d been to so far—most likely because this was held in one of the Pope’s courts itself. 
“You haven’t even experienced it yet,” Ranpo laughed before leading you into the waltzing crowd. “Shall we dance?”
You and Ranpo followed the movements of the other couples. When you were sure of the pattern of the steps, your eyes wandered again to admire the setting. Everyone was dressed to the nines—although, as your tailor said, they all wore darker colors. You pretended to not notice the looks you received from strangers—however, they were not insulting. They were out of captivation and marvel.
Multiple pieces of artwork were hung around the hall, too, and you wondered if the chosen artists who created them were here now. You considered if they knew of your name too, just as you recognized theirs. 
However, your heart almost stopped when you were reminded of a completely different topic. Ranpo noticed a moment of shock flash through your eyes but did not proceed to question you. (Thankfully, he knew when you would prefer him not to be nosy.) 
You saw the back of a man’s head dressed in pure white—his brunette hair in slightly messy, soft waves. 
There is no way. 
However, you could not confirm your suspicions because he approached a lady in a beautiful, deep red gown to ask for a dance. His face and figure became completely hidden as he waltzed with her at the opposite side of the room. 
“See someone you know?” you heard Ranpo ask. 
Of course he didn’t need to be nosy, because he figured out everything about you anyway. 
“That’s what I’m trying to figure out,” you responded quietly, still trying to get a glimpse of him, but before you could say anything more, a guard standing next to the entrance silenced the entire crowd. 
“Enter, His Holiness, Fukuzawa!” 
You immediately turned around, and once more was someone dressed in white—the Pope, Yukichi Fukuzawa. You glanced at Ranpo, who gave you a nod of reassurance before politely applauding with everyone else. 
“Thank you for attending this event today,” Fukuzawa started. “Our city has made much progress due to the collaboration and contribution of our artists, so I would like to take tonight to celebrate all of them. Ultimately, I want to reveal the next upcoming project.” 
After a few more words, everyone applauded again, and the party resumed activity. You and Ranpo moved away from the dance, him deciding it was finally time to do the thing you were dreading. 
“Look over there.” Ranpo urged his head towards two men in conversation standing a few feet away. 
If the ballroom really represented the heavens, surely these two were the angels. Even without Ranpo telling you, you knew them to be Osamu Dazai and Fyodor Dostoevsky, standing side by side, white suits further proving their empyreal position.
But your eyes widened, and if you hadn’t been careful, your jaw would’ve dropped, too. Obviously, you recognized Fyodor—tall, jet-black hair—handsome and intimidating as ever, but you didn’t dwell on him for too long. Your eyes quickly scanned the room in search of a woman from earlier with dark curls, dressed in deep red, and when you found her, she was no longer dancing with the brunette dressed in white. 
You looked back at the man beside Fyodor.
It’s him. 
And as if hell—fate, whatever wanted to taunt you further, Osamu Dazai noticed you and Ranpo first, pausing his share of thoughts with the ravenette. You locked eyes with him, and you immediately became embarrassed. 
What the hell? First, one of them is my fiancé, whom I don’t even say a word to, and then the second is…him? 
Perhaps we shall meet again, were the brunette’s words to you by that lake. You truly didn’t believe him then, but it wasn’t the first time you choked on your assumptions. 
In a split second, you pulled Ranpo out of sight. “Ranpo,” you pleaded. “I can’t meet them now!” Your fingers hastily ran through your hair, making sure everything was in place. “I’m not even sure what to say-”
“You’ll have to rip off the bandage sooner or later,” he said, tugging on you. “And I say the sooner, the better! I’ll introduce you to them!” You felt even more displaced at the fact that he offered to introduce you to your own fiancé. However, before you could even object (or say, “Ranpo, somehow I already fucking know both of them!”), he dragged you back—toward the two painters. 
“Good evening, my lords,” Ranpo said as you approached them. 
You didn’t miss how Dazai’s face lit up in a curt smile. Meanwhile, Fyodor had on a neutral expression—probably the only appearance you ever saw him wear. 
“Good evening, Edogawa, the darling of His Holiness,” Fyodor said, the slightest spite in his tone. He did not glance at you at all. 
“Still as cold-hearted as ever, Il Divino-Painter,” Ranpo replied with a chuckle, but it was apparent that he did not like the man.
“I am a sculptor,” Fyodor corrected, a bogus smile still plastered on his face. 
“Don’t mind him,” Dazai said, patting your friend’s shoulder. “He’s just jealous you’re in charge of planning out the entire Vatican palace. And also at the fact His Holiness had to force him into a suit!” When Fyodor gave him a look, Dazai turned to you. 
He had eyes of the sunset, paving the way of something between hell and earth—though in a perfect world, it should’ve been the other way around because he looked as if he had just come down from heaven. You felt your cheeks warm and an uncertain feeling in your stomach. 
“Good evening, my lady,” Dazai said, knocking you out of your reverie. You blushed again as he knelt to take your hand and kiss it, bowing before you—the single minute felt longer than nox itself.
Was this the same man you met at the lake a few days ago? 
He was the artist you admired all along? 
“Apologies for not greeting you first,” he continued as he stood up. “I did see you earlier. How could anyone not notice the angel of Florence who creates masterpieces in days, especially when she looks like one tonight?” You became even more flustered by his sweet words. 
He was familiar with my name all along.
“Ah, so you already recognize her?” Ranpo asked. 
“Of course I do!” You suddenly tensed—half expecting him to reveal your previous encounter with him that you did not want anyone else to know. (If Ranpo knew, you hoped he would keep his mouth shut for your sake.) It would cause too much trouble if someone decided to spread it, and even worse if your uncle found out. He was very strict on image.
But to your relief, he did not. 
“I am very fond of your style, my lady,” Dazai said, resting his hand under his chin. “Madonna del Granduca,” one of your paintings. “You capture human sentiment and emotion so well, even in the most simplistic pieces.” 
Finally, you were able to respond to one of his compliments without becoming a mess. “Thank you.” 
“...And sfumato, your technique,” Fyodor added. “Perhaps you like her style so much because she takes it from you.” 
It was only now Fyodor finally acknowledged you. 
He may just be the son of Nyx. His intentions were tucked away behind amethyst eyes, slumbering in the peaceful twilight he allowed mercy to while all else was caught up in chaotic darkness. Maybe no one else noticed that—if anyone did, Fyodor would not be as beloved as he was now—but you did. You saw through the three strands of malice that laced his following words. 
“Good evening,” he said softly. He kneeled in front of you with your hand, tormenting you with eye contact.
“It’s an honor to see you again, miss. Though I must ask, was Florence not enough? 
“Is grasping originality so tough?
“Are you here to copy more artistic concepts to boost your own depictions of seraph?” 
He delivered a deadly kiss to your hand before you could respond, and before he could see the puzzlement on your face. 
“Excuse me?” 
But you did not falter before him as he stood back up. He did not intimidate you. 
“I’m flattered.” 
For once, the slightest sign of curiosity seeped onto Fyodor’s face.
You gave him a poisonous smile of your own. 
“Sfumato—the blending of colors to create smooth transitions between them,” you explained, giving a nod toward Dazai. “I’m honored that you immersed yourself so much with my painting that you could observe such a detail.”
Ranpo pretended to look around the hall as if he wasn’t paying attention to what was happening, while Dazai couldn’t keep a snort from escaping his throat. 
You kept your eyes fixed on your fiancé’s violet gaze, trying to figure out whether or not you’d be dead after the night was over. Actually—he seemed like the type that could seduce someone into death. Stygian black hair framed against his pallid complexion—ethereal, no doubt, yet you would not be surprised if he turned out to be the Grim Reaper’s right-hand man. (And you were supposed to marry him!)
“I’m here because His Holiness summoned me to paint the frescos in his house. I feel that if he sensed plagiarism in my work, he would’ve not trusted me with this project. 
“What about you, my lord?” 
There was a pause; he was thinking. 
“I am simply searching for something important,” he replied. “An inspiration, if you want to call it. I need it to complete a piece I have been working on.”
“And you’re sure you can find it here?” 
“You can find anything in the promised land, solnyshka.”
The foreign word rolled off of his tongue like honey. He dressed his voice to sound like a lullaby, and you remembered why you thought of him as an angel before he decided to insult you. 
What a juxtaposition. 
“What did you say?” 
“Did you not hear me?” 
He wasn’t going to tell you what he said, nor what he meant in entirety. “Nevermind. I did. Good luck trying to find it.” 
“May I have this next dance, my lady?” 
The charming brunette extended his left hand out to you. You had become irritated with Fyodor after his apparent distaste for you—So this is how you treat me after years of not seeing each other? You thought you could at least try becoming acquainted with him to make your inevitable fate a bit easier for both of you, but it seemed like that wasn’t happening anytime soon. You left the conversation at the nearest opportunity and moved to the other side of the room, unaware that your other dilemma was following you. 
“Lord Dazai?” 
You noticed something new about him as he stood in front of you. Those sunset orbs also harbored a concept as far as the sun. There was something distant in them that felt like half of his mind was immersed somewhere else. You wondered where. 
“I don’t like Dostoevsky at all either,” Dazai chuckled. “Even though tonight’s given me another rival on my list, I like you way more.” 
“Don’t speak so soon,” you scoffed. “You’re going to hate me when I take all your customers.” 
“I don’t think I could ever hate you, bella.” You frowned at his attempt to flirt. “And besides, many of them are very loyal to me.” 
You hesitantly took Dazai’s hand as he led you to the floor, joining the circle of couples who had already lined up to dance the almaine. 
“I’m still annoyed with you,” you said quietly as the two of you lightly skipped across the floor on your toes, never breaking eye contact with his tawny eyes. That same look was there—it was like he was thinking of everything and nothing all at once. “I’m only agreeing to this so I could boost my status. You just caught me off guard back there. That’s why I acted nice.”
He dramatically pretended he was offended. 
“Why, tesora?” Dazai took both of your hands. You circled around each other gracefully before reversing to step in the other direction. “I saved you! If it weren’t for me, you wouldn’t be dancing here tonight and finally knowing the name of the poor soul who jumped into the lake!” 
“If it weren’t for you, I also wouldn’t have nearly drowned, idiota,” you glared. 
“Keyword: nearly!” 
You continued sulking at him while the dance went on, ignoring the rest of his defensive sentences and the friendly endearments he added to the end of them. 
“Ow!” 
Dazai had stepped on your foot during another turn. 
“What was that for?” you asked, silently observing how he made sure he did not catch your dress along too, so it would not ruin. 
“Hm? What do you mean?” Dazai spun you again; this time, he stepped on your other foot. 
“Lor- Dazai!” You disliked how much fun he was having with this. Now, he wore a mischievous gleam in his eyes that coupled an unmistakable, playful grin. 
He spun you one last time, and this time, you purposely stepped on his foot. 
“Hey—why did you do that!?” he pouted. 
“Thou did it first,” you replied dryly. “You’re a bad dancer, my lord. You can’t even keep up with the slow ballroom almain.” 
He smirked as the number concluded, and then he brought you to the center of the floor. 
You looked around to see at least half of the couples moving off, either to watch or go elsewhere. 
“Let’s see if you can keep up with this one,” he chuckled lowly. 
“What dance is this?” you asked.
“A galliard. The La Volta.” 
Your lips slightly parted to say something, but you didn’t know what. 
It made sense now why so many chose not to participate in this one. The La Volta was a bit obscene—first, the women were lifted up in springs and jumps, even though that was usually improper. It was also very fast—it would require skill to do it comfortably, especially with the long, heavy gowns you wore. 
Finally, it required close contact between the couples, which was…scandalous. Like a forbidden fruit. 
You had never danced it before. Nor had you planned to. You were engaged, after all.
I bet noone in this room, but Fyodor himself and Ranpo even know we’re to marry, though, you thought to yourself, even though you shouldn’t even be considering excuses. …And he probably couldn’t even care less.
“You don’t have to if you don’t want to,” Dazai said, a bit more seriously, leaving it up to your decision, but his eyes alleged something else. Like he was pleading to let you indulge. 
The forbidden fruit and its serpent. Why was this man always tempting you to things that could sabotage your name? It was as if his heart vowed to drown you to doom…
“No, I’ll do it,” you decided. 
…yet you had let him, again and again. The descendants of Eve never learned. 
“They call you the Renaissance Man, my lord? I’ll steal your title when I show everyone I can do more than paint…and outdo you in dance.” 
“Dance is a form of art, too, y’know,” Dazai smiled before he parted from you. “How about instead, you think of it like we’re creating our own special piece together.” 
“Competition,” you disagreed in one word, curtsying before him as the drums cued.
“Collaboration,” he bowed. 
You two rose, and a new tension was ignited in the room. Your eyes locked with his again, but this time more determined—more passionate, as you gracefully swept to the left while the brunette the opposite way. You continued that movement while also gravitating closer. 
Closer, until he was finally able to lay hands on your waist. 
“Look up, miss,” Dazai softly reminded you. “Too flustered that you’ve forgotten etiquette?” 
You didn’t even realize your eyes chased down to where he was holding you—no man had touched anywhere near your corset before. You felt nervous; it was supposed to be so wrong, so why did his hold feel so right? As if his fingers were always supposed to be wrapped around you, the final touches to a masterpiece of intimacy. 
You were falling for it—the serpent’s art of seduction. This wasn’t supposed to be a collaboration. 
“What happened to your confidence?” Dazai teased, whispering in your ear; you felt his breath tickling your skin.
Your eyes drifted back to his in embarrassment, but you couldn’t give your rival the entertainment of winning against you in something you proposed. Fighting against your nerves, you wrapped one of your arms around Dazai’s broad shoulder.
“Shut up.”
He lifted you by the hips to aid as you lept and turned around him, his left thigh pushing you upward, and that same nervous excitement returned to your stomach. It was as if pools conjoining both everything and oblivion at once lay physically on you. His gaze resembled hands—he caressed your shoulders; he traced your face like he wanted to paint every angle of you. 
He was gentle with his actual hold on you, too; Dazai carried you as delicately as the brush strokes he made on canvas. He carefully set you down with ease after every jump while still treating you like a porcelain doll, and there you made the mistake of wandering your eyes down to his lips, lightly parted—you realized this was the second closest time this man had come near enough to kiss you. 
His body was so warm, he could pull you flush against him if he wanted to. His breath was minty, the coolness of his mouth addicting, and if Eden smelled heavenly too, he had truly just slithered down, carrying the sweet, earthly scent along with him. All your senses were overloaded by the man standing before you like alcohol; you wondered if you’d even end up home by the end of the night. 
“You’re enjoying this way more than to simply boost thy status.” 
In that moment, you snapped out of your haze of dopamine, and the music faded into a new routine. You also realized that an entire audience had been watching you. That was not ideal. 
You scooted back right after Dazai released his hold on you, looking down in coyness. “Maybe I’m just a good actor.” 
“You’re a terrible one,” he chuckled, following you out of the crowd. “You can’t even look at me to sell your lie!” 
You glared at the brunette once more. “I don’t have to look at you to tell you the truth.” 
“So cold-hearted,” he sighed. “Even after a dance to loosen you up. Guess I need to work harder to ask you out.”
“For what, a double suicide?” You once again recalled some other things he had said during your weird, fated meet at the lake. 
“Exactly! You remember!” 
“Well, sorry, that’s not happening,” you responded. “Go find some other lady to ask. I’m sure you do this all the time anyway.”
Because how did he touch you so perfectly? How did he dim out every other person in the room to make it seem like it was just you two?
He paused. “No, I don’t. You’re the first person I danced this galliard with. You realize we were even in skill, right?” 
“Didn’t seem like it. And I don’t understand why you chose me.”
“You fascinate me, angel of Florence,” Dazai said. “You did save me in a way. Sure, we’re rivals. But one day, I’ll paint you myself. 
“You’re too beautiful to not.” 
“I hope you all have had a lovely night,” Fukuzawa spoke over the room. “To conclude the gathering, I would like to announce what the Vatican’s next project will be.” 
Artists all around you waited in anticipation, for good reason. You and Dazai looked at each other too. You’d already experienced it for yourself—a commission from the Pope himself guaranteed immediate, enormous success (and money; your job from him was your biggest pay so far). Whatever he proposed required another artist, and it could be anyone in the room. 
“The Sistine Chapel,” Fukuzawa said. “The large crack that has formed along the ceiling is to be repaired in the upcoming year.” 
There were a few chatters after that. The chapel was insanely impressive—the interior of the large building was covered in stunning frescos by some of the great artists who had come before you. Even though the Pope hadn’t even said what the job was to be, anyone working on things concerning it would have to be just as good as its predecessors. 
“Along with reparations, its panels shall be painted.” 
There were a few gasps from the patrons. Was that even possible? How could someone even paint the ceiling without it being taken off of the roof? And it was so large, too, like a mega-sized canvas. 
It was unheard of. 
“I have already selected the person I would like to work on this,” Fukuzawa continued. There was silence again. 
“It’s probably Dostoevsky,” Dazai said to you. 
Fyodor? “Why do you think so?” you asked. 
“He completely stole the spotlight with that statue of David he finished this year,” he dryly chuckled. “Well deserved, I’m afraid. You saw it too when you were in Florence, did you?” 
“Yeah,” you replied. You had to acknowledge how impressive it was for yourself. It was like the man turned hard stone into pliable clay. 
“But that’s sculpting, not painting.” 
“Oh? Do you think you’d be a better candidate?” 
He was smiling again. “No, I never said that,” you scoffed. “I was going to say maybe you’d have a chance-”
“Fyodor Dostoevsky,” Fukuzawa said.
Oh.
You paused, scanning the room to see where he was. 
He was on the other side, intently making his way to the Pope. 
“I request you to paint the ceiling of the Sistine Chapel.” 
Fyodor stood in front of him and then bowed. 
“...I offer my sincerest gramercy for this opportunity, Your Holiness,” the artist said.
There was a pause.
“…I would like to discuss the rest of what this entails in private.” 
Your brows furrowed. That was almost a bit…rude. Sure, he hadn’t declined the offer, but for whatever reason, he also didn’t accept it. 
“Very well,��� Fukuzawa replied without a change in his tone. “I adjourn this party. Bonam noctem.”
There was a final applause for him and the city’s next project, and then everyone began filing out. 
However, you and Dazai stayed in place until Ranpo suddenly tugged on your arm. 
“There you are! Let’s go!” 
“W-Where?” you asked as he started to drag you away. 
“Goodnight!” you heard Dazai say before disappearing into the crowd. His small smile remained in your memory, and a part of you wished you could give him a proper goodbye.
“To eavesdrop, duh,” Ranpo replied as he sifted you through everyone moving the opposite way. “Don’t you also want to hear what Fyodor has to say?” 
“I don’t understand why he didn’t just accept the proposal,” you said. “Anyone else would do it in a heartbeat!” You were sort of jealous; that job was given to someone so ungrateful! If you were the one who recieved it, you would’ve put your entire effort into transforming the ceilings right away. 
“I don’t know how he’s so beloved,” Ranpo continued. “Not even His Holiness likes him that much; he just doesn’t show bias when choosing people to paint his architecture. Did you know Fyodor was supposed to produce his tomb?” 
“What happened with that? I thought it was being worked on by a few other artists.” 
“He kept clashing with His Holiness about it,” he said. “Until the plans got so messed up, Fyodor called it a ‘tragedy’ and left Rome for a while. Quite literally abandoned it.” 
What an asshole! Especially in front of His Holiness!
“I don’t like him at all,” Ranpo squeezed your arm. It had become quite apparent to you that Ranpo admired Fukuzawa—not just because he was his so-called favorite or because he was the Pope, but something else. You had seen them together during the party earlier, and you were reminded of father and son. “He has a nasty ego, and I can’t figure out his intentions. I feel off every time I meet with him.” 
“Intentions? For what?” 
“Don’t be stupid, miss,” Ranpo said. “He told you himself, he’s here for something. It’s just so annoying! He hides it all behind those stupid, purple eyes…” 
You approached the entrance to a hallway at the very back of the room, and you heard two familiar voices outside. 
“...I carve marble, not paint.” 
“You discredit your skill with a brush too much.”
“Your Holiness, we had very different views during the last commission you gave me,” you overheard Fyodor say. “I simply don’t want to cause another commotion with this.” 
You only peeked through the large doorway to hear more clearly, but Ranpo continued walking right in as if they wouldn’t notice. 
“R-Ranpo!” you whispered harshly.
Immediately, Fukuzawa and Fyodor looked at you both, and you scrambled behind Ranpo. 
“I’m so sorry, Your Holiness,” you replied, accidentally locking eyes with Fyodor, who looked at you unfazed as if he had already noticed you two a mile away. You couldn’t even think of an excuse to explain what you were doing there, but then Fukuzawa resumed the conversation without a care. 
“I see then,” he replied and then gave it some thought. “I felt you were the only one who was fit for the matter, but perhaps I could just hand it to-” 
Fukuzawa looked at you, and Fyodor looked at him before looking at you. 
“Ah, what I said was just a concern,” Fyodor interrupted to your dismay. “I’ll accept your commission on one condition.” 
The three of you waited. 
“On the contract, it shall be stated that noone shall view the inside of the Chapel until it is completed,” Fyodor stated. “Including yourself, Your Highness.” 
He thought for another moment. 
“Very well, Fyodor. It will be arranged.” 
What a rat!
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It had been a few weeks since that eventful ball. You had started work on painting the rooms in the Pope’s chambers—there were sketches of concepts scattered all over your desk. Coupled with your thoughts—thoughts reliving all the situations you were thrown into that night. 
You hadn’t seen the two angels since then. Well…would you even call them that anymore?
Knock, knock, knock!
“Hey! Let me in!” You heard Ranpo’s voice from outside your house. You were still half-asleep, trying to make breakfast, but you immediately rushed to open the door. 
“Ranpo!” You were startled. “What are you doing here so early?” 
“Stop complaining. You’re going to love this.” 
He stuck his hand into his pocket and then revealed a set of shiny keys. 
“Sitting in my palm are the keys to the Sistine Chapel.”
“No way.” It was like the sight fully awakened you, like caffeine. “Ranpo…how?!” 
“Hmph!” He shook his head. “You underestimate me so much when you quite literally depend on me!” When you laughed, he continued. “Lord Fyodor’s on a business trip until next week. Do with that info as you wish.” 
“You’re a genius,” you replied with a mischievous grin as he threw you the keys. 
“Of course I am! I despise him, but I’m too lazy to mess with him right now, so I’ll just leave it up to you. After all, he didn’t want to do it initially because he thought you set it up.” 
“By me?” you asked, shocked. “He hates painting so much that he thought I had a hand in it? Imagine giving away the Sistine Chapel.”
He was really something else. Was dead set on declining the offer right until His Holiness debated giving it to me…
Ranpo sat at the dining table eating the remaining tarts left over while you finished washing the dishes in the kitchen after your meal. Your move had gone smoothly, and you were pleased with the home you created for yourself—the windows in front of the sink were opened, letting air and the sounds of nature in as you looked outside. 
“His Holiness instructed me to paint over the previous works in the Palace when I first walked inside because he deemed what I could produce more important than what was already up there,” you told him with your own dash of pride. You couldn’t contain the bright smile that flashed on your face. 
“Just as I suspected,” he replied, pleased. 
“...But social-wise, I think I dug a hole for myself.” 
“Definitely!” Ranpo said with no hesitation, popping another dessert into his mouth. He already knew what you were going to talk about. You gave him a look before sighing, realizing that he probably was right.
“A few days ago, I overheard people in the salons saying that…I have a special thing going on with Lord Dazai. It’s not true! I don’t know why he was being so friendly with me!” 
You hadn’t even seen him after that night. Maybe you were a little disappointed, but you should’ve seen that coming anyway. He was known as a charmer, but he hadn’t committed to anyone. And regardless, you were to marry Fyodor one day. 
Ugh, Fyodor.
“And you were friendly to him in return,” Ranpo replied. “You could’ve shrugged him off like normal rivals do. But it looked like you were completely enraptured with him.” 
Enraptured?! He was completely enraptured with me! However, you couldn’t describe to Ranpo how exactly he was—how the brunette’s eyes pleaded with yours to follow him into the eventide, how he made you feel like the only person that existed in the large crowd of people…maybe Ranpo would have his point proven.
“Well, other than that, I’ve got thee settled in Rome well enough. I’ll be here for the rest of the unwise decisions you’re going to make, but from here on out is on you, princess.” 
“Thanks, Ranpo,” you sarcastically replied. “Seriously? Unwise decisions? Rome is just different from everywhere I’ve been to before. I’m learning.” 
“Exactly, there are arts of everything,” he said. “Thou better grasp them quick or fall behind.” 
Dance. 
Deceit.
Dreams. 
Only a few you had discovered so far. 
“You fascinate me, angel of Florence. You did save me in a way.”
You couldn’t even grasp,
Dazai.
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You didn’t know how long you were out. All sense of time was lost when you gained consciousness again, and you realized you had been washed up on land. 
Did God stay true to your pleas? Did an angel really come down to rescue you?
That was certainly what it seemed like in the first few seconds because you were blinded by light when you opened your eyes. You heard insects buzzing off in the distance and maybe even a bird chirping as you lay on lush grass. Perhaps you were in heaven instead, and this was your first taste of peaceful paradise. 
But all was ruined when your eyes finally focused, and a face obstructed your view. (Why was he always ruining your flawless moments?) He hovered on top of you, and the first thing you became aware of was that his mouth was dangerously close to yours. 
You immediately coughed—out of both shock and the need to. Lake water gushed out of your mouth, causing you to sit up without warning. The brunette was flung off of you, landing harshly on his bottom.
“Ow!”
You paid no mind to him as you coughed again. And again. 
When all the water was finally out of your lungs, you looked at him in utter confusion.
“Why the puzzled look?” he asked as if he wasn’t the one who was drowning and you weren’t the one saving him (and less importantly, it hadn’t looked like he was about to kiss you).
Now he sat beside you, almost perfectly fine if it weren’t for his clothes that were soaked. 
“But…you—we were drowning?” You turned to see if anyone else was in the distance because who was it that saved both of you? 
“Yeah, I was drowning,” the man replied, and you now noticed the honey color of his eyes that had been shielded behind closed eyelids and pretty eyelashes earlier. “And this time, it almost worked! Until you decided to rescue me!” 
“Um, what?” You asked sharply, even more bewildered at the way he tried to make your efforts sound negative. 
“At first, I thought maybe thou were a lovely lady who wanted to commit double suicide with me! But I realized that wasn’t the case when you started fighting to get some air…” 
“Are you crazy?” you asked, not caring whether you were speaking impolitely or not. “Double suicide? Why else would I dive into a cold lake to join a stranger? And you were aware of what was happening all along?” 
“Maybe! Women have done a lot to try to get close to me.” You didn’t believe him. “And, well, yeah! Obviously, I couldn’t continue because of two things. The first was you because I couldn’t let an innocent involved be harmed along with me! I had to save you, of course.” 
You became even more irritated. “You wouldn’t have had to if you didn’t pretend you were drowning! I had to use all my strength to rescue you, y’know! I could’ve died as well!” 
“But you didn’t!” the brunette replied. “There was no way I was going to let someone so beautiful drown.”
You scowled at him before you stood up. “You’re ridiculous. What’s your second reason?” 
“Drowning in a lake ended up becoming uncomfortable.” You wanted to punch him in the face—uncomfortable was an obvious understatement. “I didn’t like the feeling of suffocation that set in, so I just decided to give up.” 
“It didn’t even look like you had any air left in you,” you muttered, facing your back towards him, remembering his placid expression earlier. “How were you conscious if you weren’t even holding your breath?” 
“Party trick,” he responded, and when you dared to glance back, he wore a smug grin. 
“Oh…are you leaving me then?” he asked as you started walking away, saying no more. 
“Why wouldn’t I?” you scoffed, not stopping. “I’m completely soaked, and I don’t know about you, but I have important things to get to.” 
You heard a chuckle from him. “Is that so?” he asked. His voice was getting farther, meaning he was no longer following you. “Where are you headed?” 
“Rome.” 
“I live there. Perhaps we shall meet again. And then, I could ask you—properly—if you would like to commit a double suicide with me.” 
“I doubt it,” you replied, assured you were never going to see this man whose face looked kissed by Aphrodite herself again. Perhaps you would’ve found him handsome if he was in a less disheveled state. 
As if you did not already. 
“Why do you seem so sure? Anything can happen.” He chuckled once again. 
Well, I am a painter, and you don’t look like someone who would even have an eye for art, is what you wanted to say. But you didn’t want to open more doors to curiosity and stay there even longer. 
“Maybe you’re right,” you stopped. “Okay, then.
“If you think you’re going to see me again, can you promise to not kill yourself until then? Until I agree to you?” 
You figured you would just give him some hope so that your efforts to save him would not be in vain. If he would actually keep your word, anyway. 
When you turned around, the brunette was still standing on the shore, and he had a smile on his face. 
He really did carry the setting sun in his gaze. It was still midday, but the man’s soul seemed to prefer the softer shades of light that appeared just before the cool shades of night. 
And you felt his eyes tenderly cupping your face, even though you were feet away from each other. You weren’t sure if you were so lost that you were imagining things—but he looked at you as if he’d known you a hundred lifetimes, longing to touch your soul once again. 
“I pinkie promise,” he said. 
You thought that finally ended the conversation, but he asked one more thing. 
“Your name?” he asked. 
“Do you really need it?” It was unlikely, but you didn’t know if he would recognize your name. You didn’t want to risk anyone knowing about this encounter. 
“I saved you,” he said. “I almost thought you were done for. You still weren’t breathing when I performed chest compressions, so I had to—” 
“Okay, stop right there!” you interrupted, becoming flustered. You didn’t need to hear the rest. You imagined the stranger’s mouth on yours—trying to give you oxygen, of course, but his mouth on yours regardless. 
You told him your name. “Don’t bother with yours. I’ll figure it out if we run into each other again.” 
His grin was smug. “Fare thee well, mia belladonna.
“Until we meet again.” 
“You can find anything in the promised land, solnyshka.”
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ur man of choice (or both if u’d like) dances with u during the ball if u rb; reblogs are incredibly cherished; they are what support me the most. <3
WE DID ITT !! i hope this was decent, tbh i’m rly nervous HAHA ᡣ𐭩 dazai rly got most of the love here, but i promise there’s waay more to come.
+ check THIS FOR EXTRA INFO/LORE, it’s cool ;) comment on the masterlist to be added to the tagslist !! & ilu if you made it this far, thank you so so much for reading ᰔ
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TERMS & DEFINITIONS:
CIOPPA - outermost layer of a dress
RUELLA - salons/social gatherings
ALMAINE - slow court dance; GALLIARD - fast court dance (in the renaissance)
TRANSLATIONS: (not all bcz they wanna be mysterious)
gramercy - “thank you”
artigiani; aristocratici - artisans; aristocrats (italian)
bonam noctem - “good night” (latin)
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© AUREATCHI 2024. no reposts or translations. do not steal. support banner + animated line divider by cafekitsune. header + series dividers mine; DO NOT SAVE.
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deepdreamnights · 3 months
Text
Fair MisUse: Mona Lisa
or... Ever heard a JPG sing itself to you?
I have been playing around with Suno a bit, something I will be inflicting upon you all more in the coming weeks, and I found something interesting.
Suno lets you prompt music with symbols.
In the Lyrics box, if you put together strings of symbols and punctuation, the system interprets that into the structure of the music. Not quite sure how, or what symbols link to what notes because I'm absolutely a monkey with a flamethrower when it comes to music, but if I build a faux waveform with punctuation marks and extended ASCII, I get repeatable motifs.
Example from an early test: -_---…--.--
And since that worked, I prompted with this:
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I loaded the JPG file into notepad, copied the results, and used them as a lyrics prompt (first 3000 characters at least). I've since found that if I can crunch an image to around 2k I can load the whole image's data into the lyrics block.
For the style prompt, I used a truncated version of the Wikipedia info block on the painting:
Mona Lisa Italian: Gioconda, Monna Lisa da Vinci c. 1503-1517 Oil on poplar panel Lisa del Giocondo 77cm×53cm
(I had to omit the word "Leonardo" from the prompt because there's apparently a musician called that.)
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(the same prompt (more or less, had to change some symbols MJ uses for code) run through Midjourney, as a bonus).
Mona Lisa (the Song) and the above image are very obviously in the public domain. Not really sure about the Machine Ghouls' Hunt since technically I did compose it.. but if you wanna use it, go nuts.
Check out the whole DeepDreamNights Robot Band Oeuvre here.
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mimisempai · 1 year
Text
You were always on my mind
Summary
An innocent question from Muriel about Crowley's sketch of the Mona Lisa leads to an unexpected reaction from Aziraphale, and allows the angel and demon to talk about a past they do not share.
Notes
The characters of Leonardo and Salaï are based on their characterization in Assassin's Creed: Brotherhood.
On Ao3
Rating G -  1494 words
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"Crowley?"
The demon, who was watering his plants, turned to Muriel and saw that they were standing in front of his precious sketch of Leonardo da Vinci's Mona Lisa.
As he approached, Muriel turned to him and, pointing to the painting where the inscription read, "Al mio amico Antonio dal tuo amico Leo da V." they asked, "Were you really friends with Leonardo Da Vinci?"
Neither of them saw Aziraphale, who had stopped to put away a book in order to listen to Crowley's answer, for he himself knew nothing of the origin of this friendship.
He had seen the inscription "To my friend Anthony". But he had chosen to ignore it, or rather to ignore the odd feeling it aroused in him.  
Leonardo and Crowley sat across from each other over a drink, both quite intoxicated, but still lucid enough to talk.
Crowley looked around at all the sketches of the same woman, then pointed to one hanging on the wall and said, "That one, that's the best, even better than the finished painting. 
He pointed to the canvas on the easel.
Leonardo rested his head on his hand and replied, "I got her bloody smile right in the cartoons, but it went all over the place when I painted it. Her husband had a few things to say about it when he was in yesterday, but, like I told him, Signor del Giocondo, apart from you, who's ever going to see it?"
Crowley chuckled, "Well said! Leo, if it's all right with you, I'd like to buy this from you." 
The demon pointed to the sketch pinned to the wall and added, "I'll give you eleven florins for it."
Leonardo shook his head and said, "Antonio, canaglia! I want twenty!"
"Fifteen!"
Leonardo held out his hand and replied, " Deal. Now, explain this helicopter thingie again, win you?"
Crowley shook his hand and explained.
"Wow. And what was he like?"
Crowley replied with a gentle smile, "An interesting guy, much more open-minded than people of his generation, and way ahead of his time even before I told him a few secrets. The kind of person you don't forget."
Aziraphale briskly closed the book, causing Muriel and Crowley to turn at the noise. Then, pretending not to see them, he put the book down and returned to his desk, feigning concentration on a manuscript while seething inside.
He hadn't liked the look on Crowley's face when he had spoken of his "friend." He hadn't liked it at all.
Crowley and Muriel had continued to chat in front of the painting, but Aziraphale tried not to pay attention, and soon, lost in his thoughts, he didn't notice that Muriel had come out.
"Angel?"
Aziraphale tried not to show his distress as he turned to Crowley.
The demon continued, "Maggie asked me to give you this."
He showed him a plate with a slice of apple pie and continued, "She said she made it for you to thank you for your little arrangement. How about a little break with a cup of tea?"
Crowley was so thoughtful that Aziraphale felt even worse for being consumed by jealousy. He nodded and followed Crowley to the round table, avoiding looking at the painting as he passed.
He sat down at the table where Crowley had placed the plate and a steaming cup of tea. The demon sat down not far from him, a mug of coffee in his hands.
Aziraphale avoided his gaze and took a spoonful of cake. The cake was delicious, but given his state of mind, Aziraphale had to force himself to show his appreciation.
Crowley, not fooled, frowned and asked, "Angel, is something wrong?"
Aziraphale said hesitantly, "You never told me about your friendship with Leonardo Da Vinci."
"Oh, that? Well, you see, Angel, sometimes so much time passed between our meetings in the past that, amidst all we had to say and do, there wasn't room to cover it all. I had come to Florence for some temptations, but, as usual, the ingenuity of human beings in matters of sin surpassed me, and I found myself here with nothing to do. One evening, in a tavern, I made the acquaintance of his assistant, Salaï, who told me that I had the type of figure his master liked to draw, and dragged me to Leonardo's studio. And after that evening, when I bought the sketch of the Mona Lisa, we met again several times to drink and talk, he was much more enlightened than his contemporaries, clever and an excellent artist as well as a good drinking companion".
Aziraphale, growing increasingly annoyed, replied, "And besides, he knew your name was Anthony, or should I say Antonio."
He couldn't hide the bitterness in his voice and Crowley noticed and asked him bluntly, "Are you by any chance jealous, Angel?"
Aziraphale didn't answer and looked away.
"Angel?" insisted Crowley, who had moved closer.
He grabbed the Angel's chin, forcing him to turn his head toward him, and said softly, "Because if you are, you should know that you have no reason to be jealous. Leo was already involved with someone."
Azirapahel replied in a sulky voice, "But you liked his company."
Crowley replied in an amused tone, "For the reasons I told you. I even told him about you."
"Don't make fun of me, Crowley!"
The demon protested, "I'm not laughing at you. Just listen. The love of his life was his assistant, Salaï, which is ironically short for the Italian word "saladino," meaning "little devil." Which he was, by the way. He really had Leo wrapped around his little finger.”
"Leonardo, I'm going to have a few drinks with my friends, don't wait up for me tonight!"
Salaï blew him a kiss before closing the door behind him to the sound of the artist's light laughter.
Crowley turned to him and asked, "Is there a... special bond between you and this brat?"
Leonardo shook his head, "He's just my assistant."
Crowley raised an eyebrow and replied, "If he were just an assistant, you wouldn't have to specify, mio amico."
Leonardo took a sip of wine before replying quietly, "My past has taught me to keep those aspects of my life, private."
Crowley replied gently, "You need say no more."
Leonardo smiled and replied in a cheeky tone, "You know my biggest secret, tell me something about yourself, Antonio."
Crowley waited a few seconds before answering, also smiling, "There's this person, he's annoying at times, we're very different and don't often agree, but he's the only person I feel close to and have absolute trust in. We're a bit like two sides of the same coin, and it's only on the edge that we can meet."
"Then what are you doing here?"
"Huh?"
"Antonio, mio amico, what are you doing here with me? 
Crowley didn't answer and Leonardo continued, "La vita senza amore, non è affatto vita. A life without love is no life at all. It doesn't matter what kind of love it is, maybe you don't know, but if it's the only person you feel close to, that's who you should be with."
"You see, Angel, you have no reason to be jealous, he even sent me to you. He probably saw the nature of my feelings for you long before I did." 
Still holding the angel's chin between his fingers, he leaned over him and pressed a tender kiss to his lips. Then, pulling back a little, he continued, "You know, even when we haven't seen each other in centuries, you've always been in my thoughts. Especially since Job, there has been this other someone who went with his side as far as he could. Like me. Alone together, but aware of each other, so not quite so alone."
Aziraphale smiled and, placing his hand on the demon's cheek, said softly, "I'm sorry for my irrational jealousy. 
Crowley shook his head and, leaning into the angel's hand, replied gently, "There is nothing to forgive. If anything, it's rather flattering. But more seriously, it shows us that there is so much we don't know about each other."
"You're right, and after hearing what you just told me about him, I'm glad you had a friend like that."
This time it was Aziraphale who leaned in to give Crowley a gentle kiss, and when he pulled away, he had a cheeky grin on his face as he said, "And thanks to that, I can boast that I'm the owner of the only bookshop to have an authentic Da Vinci hanging on one of its walls."
They both laughed, then the angel picked up his spoon and resumed enjoying his slice of apple pie while the demon took a long sip of coffee.
Their unoccupied hands sought each other across the table, intertwining their fingers. 
They looked at each other, smiling knowingly, aware that they had cleared another small hurdle.
Just talking and listening.
Learning together.
_________
Still not beta'd
Still not my native language
Still hoping you'll enjoy this story  🥰
Still thanking you for bearing with me 😝
Ineffable Growing Love series : here (After season 2)
Ineffable Husbands masterlist : here (Before season 2)
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jartita-me-teneis · 3 days
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La obra de arte más decepcionante del mundo.
De hecho, muchos visitantes del Louvre se sienten decepcionados cuando se encuentran en mi presencia.
Cada día vienen a verme unas 30.000 personas, casi 10 millones en un año. Hacen largas colas sólo para una foto o un selfie. Tienen expectativas muy altas: después de todo, lo sabemos, ¡son el cuadro más famoso del mundo! Luego, cuando se encuentran frente a mí, tan pequeños, abrumados por toda esta multitud de fans, se van diciendo que yo no era tanto después de todo...
Los entiendo, pobrecitos.
Simplemente son ignorantes, en el sentido de que ignoran mi historia.
En primer lugar no son un cuadro, sino una TABLETA. Una tablilla de álamo de tan solo 77X53 cm. Quizás quién sabe lo que esperabas. Mi padre, Ser Leonardo Da Vinci, comenzó a pintarme en Florencia en 1503, borrando otro cuadro que estaba debajo de mí.
Represento el retrato de Lisa Gherardini.
De hecho también me llaman la MONNA LISA.
Monna es el diminutivo de "Madonna", la palabra latina "Mea domina", mi señora. Lisa era la esposa de Francesco del Giocondo. Por eso mi nombre es Gioconda, porque fui su esposa, no porque sonría feliz.
Pero Leonardo nunca me vendió.
De hecho siempre me llevaba con él, me adoraba, yo era su cuadro favorito. Me retocaba constantemente. De hecho, como dice Vasari, soy "IMPERFECTO", nunca he estado terminado, ¿lo sabías?
Estaba en el dormitorio con él en Amboise, Francia, cuando Leonardo murió en 1519. ¡NUNCA fui robado por los franceses! Pero comprada regularmente por el rey de Francia Francisco I, que era un gran admirador mío. Así que cada vez que vosotros, los italianos, decís a los franceses: ¡Devuélvenos la Mona Lisa!
¡Mi casa está aquí, en París!
Con el tiempo me robaron, me desfiguraron, tiraron mi pintura. Duchamp me puso bigote, Andy Warhol me hizo pop, Botero gordito, Banksy un muyahidín con lanzacohetes. Soy un ícono moderno, una estrella o más bien una verdadera súper estrella.
Y hay muchos secretos que se esconden en mí.
A partir de mi misteriosa sonrisa.
Algunos dicen que sonrío porque Leonardo, mientras me pintaba, llamó a músicos y payasos para entretenerme. Otros, como Dan Brown en su Código Da Vinci, afirman que soy la versión femenina del propio Leonardo. Freud dijo que yo era un querido recuerdo de infancia de Leonardo, tal vez su madre.
¡Todas tonterías!
Sonrío, porque cuando os veo llegar a todos sin aliento delante de mí, en este turismo de masas apresurado e ignorante, sin contemplación, veo vuestras caras decepcionadas y comprendo que no habéis entendido NADA de mí. ¡Por eso sigo y seré para siempre la imagen más bella del mundo!
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coldinpantsreboot · 8 months
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Lisa Snart is very fond of the Mona Lisa. Firstly because she is also Lisa, secondly, Mona Lisa was painted by Leonardo Da Vinci and Lisa was raised as a parent by Leonard. It's not the same, but it's close! She came up with it as a kid to feel special and cool, but even as an adult she found it an interesting idea. And then she starts dating Cisco. And when Leonard found out about it, he chuckled. Because according to one version, the painting depicts Lisa Gherardini, the wife of the Forenti silk merchant Francesco del Giocondo. And Francesco is not the same as Francisco, but almost!
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artsandculture · 2 months
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Mona Lisa (1503-1517) 🎨 Leonardo da Vinci 🏛️ The Louvre 📍 Paris, France
One of the most iconic and recognizable paintings in the world is the Mona Lisa (ca. 1503-1519) painted by Leonardo da Vinci. The unique appeal of the portrait lies in its enigmatic nature, Mona Lisa’s smile radiates mystery, sensuality and contentment. This was achieved through sfumato, Leonardo’s painting technique that softened the transition between colors. This depth and complexity of expression is the reason the Mona Lisa is regarded as the pinnacle of portraiture. The interest in the portrait was further amplified by its mysterious history: the identity of the sitter, who commissioned the painting, how long Leonardo worked on the portrait and how it entered the French royal collection are all topics of scholarly debate.
It is thought that the sitter was Lisa del Giocondo, the wife of a wealthy Florentine merchant Francesco del Giocondo. For this reason, the painting is sometimes called La Gioconda. The earliest identification of the painting was provided by the Renaissance art historian Giorgio Vasari. In Vasari’s 1550 biography of Leonardo, he wrote about the magnificent portrait of Lisa del Giocondo, which Leonardo worked on between 1503 and 1506. Many were skeptical of Vasari’s account; however, a 2005 discovery at the University of Heidelberg provided compelling new evidence that confirms Vasari’s assertion. In a volume written by the ancient philosopher Cicero from 1477, there was a handwritten marginal by Leonardo’s contemporary, the secretary and assistant to Niccolò Machiavelli, Agostino Vespucci. In the note dated October 1503, Vespucci praises Leonardo’s skill by comparing him to the Greek and painter Apelles, and states that Leonardo is working on a portrait of Lisa del Giacondo.
The Mona Lisa was the earliest example in Italian portraiture that portrayed the sitter in a half-length format. Leonardo presented a new artistic formula: the figure is shown at half-length sitting in armchair in front of a loggia - a gallery or room with one or more open sides. The incorporation of the loggia allowed Leonardo to present an imaginary landscape as the backdrop of the portrait. This significant innovation influenced Leonardo contemporaries: Raphael adopted the composition and pose in his portrait Young Woman with Unicorn (ca. 1506). Still it is important to note that Leonardo was indebted to Flemish portraiture of the second half of the 15th century, particularly the portraits of Hans Memling such as Portrait of Barbara van Vlaendenbergh (ca. 1470-1472) and Man with a Roman coin (ca. 1480).
Leonardo spent his final years in France, where his patron the King of France, Francis I, purchased Mona Lisa for the royal French collection. From 1797, the portrait is on permanent display at the Louvre and is the crown jewel of the museum collection. On the morning of August 22 1911, Louvre employees were shocked to discover that the painting was stolen the previous night. Two years later, Louvre employee Vincenzo Peruggia was identified as the thief. Peruggia claimed his motives were patriotic: he believed Leonardo’s masterpiece belonged in Italy and was caught trying to sell the painting in Florence. After its discovery, the Mona Lisa was exhibited throughout Italy before its celebratory return to the Louvre in 1914.
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secretlykim · 2 months
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Everyone remembers the Doctor discovering six Mona Lisas bricked up in the cellar of a chateau in Paris. The Doctor knew instantly that while these may have the brush stroke of Leonardo that they could not be the original. You see, the Doctor was there in 1503 and so was I. My name is Kimberly Jane, which is interesting because he had just left behind someone called Sarah Jane. Anyway, I traveled with the Doctor for a while, and I loved it when we met famous artists such as DaVinci. Most people don't know about my time with Doctor, but I hope to set the record straight with a few stories. This first one begins in 1503. Most people believe that Lisa del Giocondo, that dreadful woman with no eyebrows, was the inspiration for the Mona Lisa, but she came later. I was the original inspiration for the painting called the Mona Lisa. Below you can see Leonardo's original sketch and first draft of the famous artwork.
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Leonardo's artwork was exquisite, but as I traveled with the Doctor, I found myself in Paris in 1881. There I fell in love with the work of Vincent Van Gogh. I asked him if he would update Leonardo's work in his own style, which to my delight, he did. This is the result.
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Looking at the background, I like to think that I may have inspired his Starry Night. Soaking in the art scene in Paris, I was hungry to meet more greats, so we slipped forward to 1900 where the Doctor introduced me to Claude Monet. He had just completed Water Lilies and was looking for a new project, so I convinced him to put his spin on my Mona Lisa. It was nice but something about it was rather familiar.
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The Doctor mentioned that they had art back on Gallifrey, but that it was done by computers. I was curious to see how a computer could capture the intricacy and beauty of human art, so I begged him to take me to Gallifrey. But, the Doctor refused to go. He had no interest in returning home; however, he said that the TARDIS has the technology needed and could produce a work of art from Leonardo's original. Still dubious, I allowed him to put the TARDIS to work. This is what she produced.
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It's light, it's fun, it's pretty, but I found the computer art a bit flat. It lacked soul. I worried that I might have offended the Doctor with my comments, but he was actually pleased with my assessment of the superiority of human art over AI. The Doctor then looked over at me and said, "Now, how do you feel about poetry?"
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jenbtravellog · 2 months
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LEONARDO DA VINCI
Whew! Venturing into the city to unearth some cool discoveries, I stumbled upon two absolute gems by the legendary Da Vinci - "The Mona Lisa" and "The Last Supper". Da Vinci, the brainiac son of ser Piero da Vinci, (Giorgio Vasari: "Life of Leonardo da Vinci)” had a knack for everything from arithmetic to art. He was so sharp with numbers that he even left his teacher scratching their head at times. Although music briefly caught his attention, his heart always belonged to his drawings. Leonardo's talent didn't go unnoticed, and with a little nudge from Andrea, his dad finally signed him up for art classes. Fast forward to the iconic Mona Lisa - Da Vinci captured the essence of Francesco del Giocondo's wife in this masterpiece. The enigmatic smile and the captivating gaze of the Mona Lisa have intrigued art lovers and scholars for centuries. The painting's sneaky use of sfumato, a fancy technique that blurs colors like a soft rainbow, shows off Da Vinci's mad skills and eye for detail. And then, there's "The Last Supper," one of Leonardo da Vinci's most iconic masterpieces, captures a moment of profound significance and emotional intensity. The painting, located in the Convent of Santa Maria delle Grazie in Milan, depicts Jesus and his twelve disciples during the pivotal moment when Jesus announces that one of them will betray him. Each figure in the scene is rendered with meticulous detail, their expressions and gestures conveying a range of emotions from shock to sorrow. The use of perspective draws the viewer's eye to the central figure of Jesus, whose calm demeanor contrasts with the turmoil around him. This work not only showcases da Vinci's extraordinary skill as an artist but also invites viewers to reflect on themes of loyalty, betrayal, and the human condition. But hold onto your hats - Leonardo wasn't just a painting wizard; he dabbled in anatomy, engineering, and even dreamt of soaring through the skies. His journals, packed with doodles and discoveries, reveal a mind that never took a nap, always on the hunt for answers and new tricks. Strolling around town, bumping into these creations up close felt like catching a live show of a genius whose ideas still rock the world today.
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modernwizard · 2 years
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Why I love the Spymaster #101: He's the Mona Lisa!
Find my full series under the HELP I WUVS HIM tag.
#101: He's the Mona Lisa!
This is it, folks: my 100th entry in the list of reasons I love the Spymaster! [It's coming as #101 because I listed his hair as two separate reasons accidentally. Whoops!]
I talk about the Spymaster's use of classic paintings of modern Western art elsewhere in my list. #61: Playing even more with gender! notes that he substitutes himself in three paintings into the position of women. #79: The Scream! 💔 points out that his use of the painting illustrates his struggles with mental health. #100: His art collection! examines why he turns to famous paintings that are considered classics.
This mini essay looks specifically at why he puts himself in the place of the Mona Lisa by Leonardo da Vinci.
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I can think of a few reasons:
The subject is considered to be a great beauty. We know that the Spymaster cares about his looks, being a confirmed fashionista [#68]. He also wishes for a constant audience to reassure him that he's fascinating and wonderful. By sticking himself in the place of a woman who has received compliments and attention for her beauty for centuries, he assumes those compliments and attention for himself.
The subject is mysterious. Recently it has been definitively identified as Lisa Gherardini, wife of Frederick del Giocondo, but, before then, speculation ran rampant about who the mystery woman was. The subject's expression, which gives rise to the term "Mona Lisa smile," meaning an unreadable smile, has also been a subject of debate. With his penchant for enigmas and disguises, the Spymaster probably likes taking the place of the subject and becoming an enduring conundrum too.
The subject is beloved, as is the painting. Presumably de Giocondo commissioned da Vinci to paint Gherardini as a way to demonstrate the esteem and affection he had for his wife. Furthermore, the painting itself is beloved, being arguably the most visited, most popular most parodied, and most well-known artwork worldwide. The Spymaster wishes he were that popular. Plus he wants to be beloved too [by the Doctor].
The painting endures. It has lasted for hundreds of years, despite wars and other political upheaval, theft, restoration, and attempted vandalism. You know -- kind of like the Spymaster.
The painting has been used as a canvas for gender-bending. [H/T @sclfmastery the art historian for bringing this to my attention!] In 1919 Dadaist Marcel Duchamp drew a mustache on a postcard of the painting and called the work L.H.O.O.Q., or She Has a Hot Ass in English. [If you read the letters aloud in French, it sounds the same as Elle a chaud au cul.] In 1954 Surrealist artist Salvador Dali painted Self Portrait as the Mona Lisa, blending his features -- particularly the prominent eyes, fanciful facial hair, and hands -- with those of the subject. [See black and white picture below.] By putting himself as Ra-Ra-Rasputin in the painting, the Spymaster joins a long tradition of shocking, absurdist stunts designed to command the public's the Doctor's attention.
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@sclfmastery @natalunasans @whovianuncle @timeladyjamie @rowanthestrange
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saintmonay · 1 year
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My BIO 😊
➡️ Christian ✝️
Jesus is The Messiah. Jesus is the way, the truth and the life.
The Holy Trinity is God Almighty.
KJV only
Saved by grace thru faith, no works.
Once saved, always saved.
➡️ Asian American
Filipino Chinese to be more specific.
Going on 50s and happy to age gracefully.
Dog lover: pets are family too.
Favorite painting: The Mona Lisa
by Leonardo Da Vinci.
Subject: Lisa del Giocondo.
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➡️ Record and expose
Hate bullies, abusers, racist criminals, psychos, pedos and their flying monkeys.
Exposing your cowardly trolling nature is therapeutic for me.
I don't make skits or satire.
All videos I have shared online regarding my personal life is real. My sad and pathetic reality.
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Social media is my venting tool. No mercy. I aim to be litigious. If you sue me, I will countersue back.
Free Speech: Use it or lose it.
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Please understand, most of my posts will be for laughs. Some will be serious issues.
I found these stuff on the internet.scams.
Thank you 😊 to any tiktok I share here or X app. All credits goes to them. I am not affiliated with them either. This us why I don't remove their account names on their videos.
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Feel free to block me if I hurt your feelings.
We are friendly strangers.
Let's keep it that way.
Not looking for love
If you need a "friend" go outside and get fresh air.
Love & friendships happens offline.
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Not interested in making donations or go funds me.
If you see one in my name, it's fake. Please flag it and report it to the proper authority like the FBI.
Remember, scammers are scums.
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Mood: IDK & IDC
⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️
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NO DMs. NO REPLIES. NO PORN.
NO TIPS. NO ASKS, NO ADVICE. NO CREDITS. NO SOLICITATIONS. NO CONVERSATIONS. NO ENDORSEMENT. NO FOLLOWERS. NO FIGHTS.
NO BOTS. NO LIES.
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drfernandoortiz · 1 year
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Mona Lisa também conhecida como A Gioconda ou ainda Mona Lisa del Giocondo é a mais notável e conhecida obra de Leonardo da Vinci, um dos mais eminentes homens do Renascimento italiano. Sua pintura foi iniciada em 1503 e é nesta obra que o artista melhor concebeu a técnica do sfumato.
Encontra-se no Museu do Louvre (desde 1797)
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mightyflamethrower · 1 year
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Leonardo da Vinci - Isleworth's Mona Lisa 1505
The Isleworth Mona Lisa is an early sixteenth-century oil on canvas painting depicting the same subject as Leonardo da Vinci's Mona Lisa, though with the subject (Lisa del Giocondo) depicted as being a younger age.
The painting is thought to have been brought from Italy to England in the 1780s, and came into public view in 1913 when the English connoisseur Hugh Blaker acquired it from a manor house in Somerset, where it was thought to have been hanging for over a century. The painting would eventually adopt its unofficial name of Isleworth Mona Lisa from Blaker's studio being in Isleworth, West London. Since the 1910s, experts in various fields, as well as the collectors who have acquired ownership of the painting, have asserted that the major elements of the painting are the work of Leonardo himself, as an earlier version of the Mona Lisa.
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benzbarabwc · 1 year
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Serial Jacques Rancière (2)
"Logika Genre dan Modernitas"
Perlu kita ingat, bahwa Leonardo da Vinci merupakan pelukis yang lahir di sebuah pulau besar sekaligus "state-union" yang kini kita sebut Uni-Eropa.
Maka, berbekalkan ingatan sederhana ini, kita jadi tahu, bahwa apa-apa yang akan kita diskusikan tentang Leonardo da Vinci, termasuk khususnya lukisan yang enigmatik dan kontroversi (juga mahal), "Mona Lisa", perlu selalu kita kembalikan pada sebuah dan sebentuk konteks bernama "Tradisi Barat".
Dalam tradisi Barat, tentu kalian sudah tidak asing lagi sama yang namanya "demokrasi", ya, kan?
Jacques Rancière punya sebuah pendapat tentang demokrasi. Dia bilang, demokrasi adalah sebuah paradoks. Artinya, kita tidak bisa memahami demokrasi sesederhana bebas berpendapat, voting, pemilihan presiden, dan seterusnya.
Demokrasi merupakan sebuah operasi logika yang rumit. Rumitnya bagaimana, nih? Rumitnya adalah ia bukan sesuatu yang tunggal dapat didefinisikan sebagai sebuah kata yang bisa dimaknai dengan praktik-praktik yang tadi saya sebut di paragraf sebelum ini, tapi ia juga merupakan kejadian-kejadian sosial yang tidak ada rumus Matematika-nya, alias random banget, atau fuzzy banget.
Demokrasi merupakan produk tradisi Barat, khususnya Yunani kuno. Jacques Rancière memang banyak mengambil pemikirannya dari ide-ide filsuf Yunani kuno seperti Plato dan Aristoteles.
Pernah dengar tentang kategori lukisan sebagai "fine art" dan "liberal art"? Atau "commercial art"? "Fine art" adalah karya seni yang dianggap sebagai karya seni murni, atau sebuah karya seni yang penciptaannya tidak lain dan tidak bukan hanya untuk keindahan semata, tidak untuk memenuhi pesanan pasar, atau diciptakan dengan paradigma modern atau berfokus pada hal-hal yang berbau pasar: jumlah, harga, tawar-menawar, komoditi, dsb. "Liberal art" adalah karya seni yang dianggap sebagai karya seni yang melakukan revolusi, atau perlawanan kepada otoritas yang berwenang.
Nah, masuk ke kategori yang mana kah lukisan Leonardo da Vinci, "Mona Lisa"?
Jelasnya, ia masuk ke kategori "commercial art", sih, karena Leonardo da Vinci tidak menginisiasi sendiri lukisan "Mona Lisa", seorang suami dari perempuan bangsawan Italia bernama Lisa del Giocondo. Memang benar pada akhirnya Leonardo da Vinci tidak menyerahkan hasil akhir lukisan tersebut kepada si pemesan, dan di sini kita tentu kesulitan menyebutnya sebuah "commercial art" karena tidak ada informasi mengenai pertukaran "currency" atau mata uang dengan lukisan tersebut (singkatnya, Leonardo da Vinci tidak dibayar, tidak menerima bayaran, tidak terjadi kegiatan berupa sebuah pembayaran, baik itu berupa sebuah uang muka maupun dan terlebih-lebih lagi pelunasan).
Di sini lah teori-teori Rancière tentang "logika genre" menjadi jawaban atas kompleksitas ini.
Ingat soal "mimesis"? Teori estetika-politik Rancière yang mengatakan bahwa sebuah karya seni merupakan kerja sama antara "poiesis" dan "aisthesis" (Kalau lupa, baca ulang di sini ya: )?
Tindakan Leonardo da Vinci yang tidak menyerahkan hasil akhir lukisan "Mona Lisa" kepada yang memberi komisi, maksudnya yang melakukan "commission" atau yang memesan, merupakan sebuah tindakan politis, meskipun bisa jadi da Vinci tidak bermaksud demikian.
Ini merupakan apa yang disebut Rancière sebagai "Redefinisi politisitas (politicity) Aristotelian".
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blairstales · 2 years
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Historical and Modern Use of Tracing and Reference For Art
There is an ideal image that people think of when they are asked what an artist does. To many, the artist simply grabs a pencil, pen, or other medium, and creates masterpieces with just their tool of choice and their imagination. This is what causes people to say that artists are “cheating” if the artist is spotted using references.
Well, what many people (both artists and not) don’t know is that art has a long history of so called “cheating.” Today I am going to be talking about both using references and tracing in a historical sense, and a modern one.
References:
Artist often collect many images when something in it inspires them. It could be the folds in clothing, a color pallet, a pose, an expression, or many other things, but the artist takes those reference images, and combines them into the work of art they are picturing. This saves time in trying to get everything just right, but it can also add fine detail that might be missed otherwise.
When artists like Leonardo Da Vinci started taking part in human dissections, yes, learning how the body worked was some of the goal, but the other part of the goal was so that he would have his own drawings and notes of body structures to reference while creating. He still got some anatomy aspects wrong, but his research and reference material gave us some of his realist looking artworks.
When an artist uses “direct reference,” that means they are creating something while using a single reference source, such as an image or a model. For example, the Mona Lisa was painted with a model (Lisa Gherardini del Giocondo) sitting posing for it, and animation giants, such as Disney, used live-models while animating.
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Note to Artists: If you like to use direct (one image) reference, do not use another artists (including photographers) work. If you directly copy from another artist, it feels like theft. Instead, use free reference image websites, or take your own photos.
Many artists think that any photo on the internet (specifically google) are free to use, but that is not true, and can lead you into legal trouble. In fact, there are companies that purposely spread their photos online so that they can sue people who use them.
It might sound hard to get caught, but if you are accurate enough in your copy, then it could show up in a reverse image search.
Tracing
Tracing has to be the most frowned upon method of creating, but even it is used by professionals and has a long history for famous artists. Yes, tracing another artists work is wrong if your goal is a direct copy, but there are other ways to trace as well.
Some artists trace photography poses to create basic figures (almost stick figures) to use. Why? Well, it saves time in trying to get a pose just right.
Other artists, especially comic book artists, will trace their own work. Let’s say you are creating a comic book and you need a side profile of your character, and have drawn one in the past of that same character. Well, instead of starting from scratch again, you can trace your own past image, and add in the other aspects of the scene on top of it. This is something even Disney has done historically.
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One of the most well known ways for painters to “trace” was once the Camera Obscura. Put simply, it is a creation that projects images onto a wall (more on how it works here) and it was used for many famous paintings.
For example, it is suspected that Johannes Vermeer used the camera obscura to help make his works so life-like, that some could be mistaken for photography.
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Today, many artists also trace, especially webcomic artists. To save time, they create or download 3D models, pose them as needed for the scene, then trace the models. Webcomics often update on a weekly bases, so it is very important that they are able to produce panels quickly. Tracing helps those artists focus on keeping up with those timelines, instead of spending many hours on designing a car that readers might not even notice.
Other comic artists regularly snap pictures of features in their city that can later be used in a panel.
A Note To Artists:
You can trace your own photography or your own artwork, but tracing the artwork(including photos) of others can lead you into legal trouble.
For example, the artist(Shepard Fairey) of the now well-known poster of Obama, was sued for copying from a photograph. The artist was found guilty.
To play it safe, use 3d models (either online or physical ones, like body-chan), free stock images (read the copyright info and use agreements), or take your own photos.
If you do end up tracing the work of another artist(which is a common learning method) don’t post it online or sell it.
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