#modernist gardens

[germanpostwarmodern]

Hermann Mattern (1902-71), without exaggeration, was Germany’s most important 20th century garden designer whose organic gardens were created alongside significant projects by e.g. Hans Scharoun. Mattern first worked for quite some time in nurseries (for plants) and later studied at the horticultural college of the Botanical Garden in Berlin-Dahlem. After graduating in 1927 he became head of the design department at Karl Foerster’s office in Potsdam-Bornim and quickly became known for taking up current developments in the field of garden design. Here he also met his later wife Herta Hammerbacher, herself a significant garden designer, and established the informal „Bornim Circle“, an important forum for the discussion of developments in garden design, plant breeding and also politics. Although Mattern wasn’t a particularly political person he sympathized with communism, just like his wife.

After the National Socialists came to power in 1933 these political leanings repeatedly caused him trouble: firstly because the regime classified him as „politically unsound“ and secondly because adversaries in the profession occasionally denounced him. But despite these repeated accusations Mattern fared well under the reign of the Nazis as he received significant commissions. Among these were the green areas alongside the Reichsautobahnen commissioned by the Organisation Todt, the private gardens of Albert Speer and Robert Ley and also his chief work, the 1939 Reichsgartenschau at the Killesberg in Stuttgart. In 1939 Mattern also became member of the NSDAP.

At this point Lars Hopstock’s new biography „Hermann Mattern - Idyll and Ideology“, recently published by Jovis Verlag, clarifies earlier and biased accounts provided by his widow Beate zur Nedden and his former student Vroni Heinrich: Mattern wasn’t an active opposition member but came to terms with the regime and advanced his career as the impressive list of works from the war years alone shows.

With this facts and source-based rebuttal of earlier accounts Hopstock doesn’t discount Mattern’s contribution to modern garden design but shows the ambiguity necessary to survive professionally in a totalitarian regime. At the same time he documents how Mattern advanced his idea of an organic modernism in garden architecture, even at the ideologically tainted Reichsgartenschau. Accordingly „Idyll and Ideology“ is a great achievement that based on the in-depth study of sources provides new insights into the life and work of an eminent garden designer. Wholeheartedly recommended!

[charlietheepicwriter7]

"Mr. Bubbles, Mr. Bubbles-"

A little boy's voice--the first little boy that Tim had discovered in the labyrinth city below Gotham--echoed through the cavernous halls. Tim crept over the rubble of a broken stalagmite that had fallen through the ceiling, destroying the white and gold decor and dripping water inside. The room up ahead was lit only from glowing green tubes of liquid that lined every wall of Amity, the ectoplasm that powered the entire city.

"Are you there? Are you there?"

He peeked out from behind a crumbled wall. On his own, the little boy was crouched over corpse, fresh enough that it's blood was still wet on the floor. The boy's giant needle, the go-to weapon of all the Little Sisters that Tim had seen so far, was jabbed into the corpse's stomach and, slowly, ectoplasm and blood filled the glass jar on the end.

"Bring me a lolli-"

There was no sign of a Big Daddy, but Tim knew there was one nearby. These children were never without their protectors after all.

"Bring me a toffee-"

And at this point, Tim had killed enough of them to know for certain that one was around.

His left arm, marked all over with the needle marks of constant Plasm and ecto-dejecto injections, tingled, like there were ants under his skin. Or more accurate, he mused grimly, electricity-

Don't Think About It.

"Teddy bear, teddy bear."

He kicked his bare feet excitedly as he finished harvesting ectoplasm. Screwing off the jar, the child lifted it up to his lips like a cup and drank the viscus liquid down in huge, chest-heaving gulps like his life depended on it. Unlike Little Sisters who wore gore-covered dresses, the Little Brother was dressed in a white medical gown, relatively clean considering his filthy surroundings. His arms and face were free from dirt or blood, and even his hair looked suspiciously washed and combed.

Tim tightened his grip on his gun.

The Little Brother sighed, wiping his mouth on his sleeve. Brushing off his skirt, he yanked the needle out of the corpse. Then, like he could sense him, the boy looked straight at Tim. He froze.

Blank eyes covered in a green flim stared at him... and the Little Brother smiled at him, his teeth stained brown from the muck. "Mr. Helper! There you are, I've been waiting soooo long! Big Sister thought you'd never catch up!"

[marejadilla]

Gustav Klimt (1862 - 1918), "The Sunflowers", 1907. Austrian symbolist painter, and one of the most prestigious representatives of the modernist movement of the Viennese Secession.

[cemeteryreviews]

Cemetery Reviews #4 - Gardens of Apogee

A beautiful site from every angle, covered in grass with the cemetery extending in every direction. Once inside, you can't see the end; you only know you're nearing the edges when you hear the traffic from the streets.

There are graves adorned with many flowers, some neatly arranged and others with windmills spinning endlessly. There are also several statues, including a giant one of the Virgin Mary, perhaps about 5 meters tall. I saw a tomb from 1968, but most of the deaths here are not older than the 1970s. There's also quite a bit of unused land where more graves could be placed. The vegetation is beautiful, with many paths to wander, and there's a small hill next to a TransMilenio bus depot.

There are a few graves where the tombstone is nearly hidden among the grass, almost completing its life cycle and allowing the earth to reclaim the person inside. It can be slippery or muddy at times (it had just rained), but considering its size and the number of people here, I found it very well-maintained. Its beauty brings a profound sense of peace. What a beautiful cemetery.

10/10

[cyhsal]

Frame study: No Two the Same - Churchill Gardens 🐝💐

Instagram // Twitter // VK // ArtStation // Mastodon

[jue1concrete07]

Is your flower pot square, cylindrical, or hexagonal? Small flower pots are more suitable for urban life, adding a touch to the indoors, Unleash your talents and mix freely, DIY yourself You will find that life needs more green, Say goodbye to the gray and white world.

[sheltiechicago]

Sfera n.2, 1963 - J Wharrington Jr

Arnaldo Pomodoro: Perfect Spheres with Chaos Inside

Grande Disco in Milan, 1972 - Natalia Aggiato

Sfera Grande, also known as “the Tomato,” in the province of Pesaro and Urbino, Italy -Andrea Tiraboschi

Sfera n2 in De Young Museum in San Francisco - J Wharrington J

“Sfera con Sfera” made out of fiberglass is on display in the Modernist Garden at the New Orangery in Warsaw - magda_ma_nosa

[bloodtohold]

An example of a large modern front yard garden path with decking. Design ideas for a large modern drought-tolerant front yard stone garden path.

[demyxix]

Pathway - Modern Landscape Design ideas for a mid-sized modern partial sun backyard stone landscaping.

[arc-hus]

Blue House, Guarujá, Brazil - Studio MK27

[rheya28]

Red Mirage Nightclub ♥ The Sims 4: Speed Build // CC

Welcome to Mirage, the hottest nightclub in Oasis Springs! As you step inside, you're greeted by a sultry sea of crimson lights that pulse to the rhythm of the music. Red Mirage features a dance floor that is alive with energy and seductive scarlet glow as well as plush lounge areas that offer a retreat for intimate conversations.

➽ Speed Build Video

➽ Rheya's Notes:

●Ok so I meant to do a different theme for this lot but ended up creating a club similar to club tropics since I thought it would fit oasis spring vibes lol I guess you can call this club tropics 2.0. ●This club includes karaoke rooms so you can set this to a karaoke bar if you'd like

➽ Important Notes:

●Please make sure to turn bb.moveobjects on! ● Please DO NOT reupload or claim as your own. ● Feel free to tag me if you are using it, I love seeing my build in other peoples save file ● Feel free to edit/tweak my builds, but please make sure to credit me as the original creator! ● Thank you to all CC Creators ● Please let me know if there's any problem with the build

➽ Lot Details

Lot Name: Red Mirage Nightclub Lot type: Nightclub Lot size: 30 x 20 Location: Oasis Spring

➽ MODS

● Tool Mod by Twisted Mexi

➽ CC List

Note: I reuse a lot of the same cc in all my builds, specifically cc's from felixandre, HeyHarrie, Tuds, and Pierisim so if you're interested in downloading past, present, future build from me i suggest getting all their cc sets to make downloading a little easier! other creators include Sooky, Charlypancakes, Sixam, Thecluttercat, Myshunosun, awingedllama, Peacemaker, kiwisim4. This will also ensure that the lots are complete and are not missing any items upon downloading ! House of Harlix ● Bafroom ● Harluxe CharlyPancakes ● Slouch Felixandre ● Chateau pt [2] ● Colonial pt [3] ● Grove pt [4] ● Kyoto pt [2] ● Paris pt [3] ● Florence pt [4] ● Soho TheClutterCat ● Baby Boo (Donut Table) ● Sunny Sundae Harrie ● Brutalist ● Kleen pt [2][3] ● Kwatei pt [1][2] ● Octave pt [2] ● Shop the look pt [1][2] ● Jardane ● Livin Rum ● Orjanic Mycupofcc ● The Modernist Helen May ● Modern Set Joyceisfox ● Forever Autum pt [1] Kiwisim4 ● Block house Dining Little Dica ● Countryside Cabin ● Rise and Grind Myshunosun ● Tranquil bedroom [office chair] Peacemaker ● Hudson Bathroom ● Terra Tiles Vertical ● Vera Office [Desktop pc] Pierisim ● David Apartment pt [1] ● Domain du clos pt [1] ● MCM pt [3] ● Oak house pt [3] ● Unfold ● Winter Garden pt [1] [2] Max 20 ● Poolside Lounge pack * Ravasheen ● Shake and Simmy Dance Floor ● Uplifting Elevator Rusticsim ● Simple kind of modular life Sixam ● Hotel Bedroom ● Teen Room Syboulette ● Flavie Bar ● Karaoke Taurus Design ● Lilith Chilling Area Tuds ● Crib ● Wave ● Zalz

● DOWNLOAD Tray File and CC list: Patreon Page ● Origin ID: anrheya [previous name: applez] ● Twitter: Rheya28__ ● Tiktok: Rheya28__ ● Youtube: Rheya28__

[kekeyw]

oasis home | cc build

hi everyone, the long awaited build is ready for download!

this home features 5 bedrooms, 6 bathrooms, a butlers pantry, a large pool and outdoor entertainment area perfect for a getaway and lots of parties!

gallery id: kekeyw

packs used: horse ranch, highschool years, snowy escape, discover university, island living, cats and dogs, city living, get together, get to work, jungle adventures, home chef hustle (most are for live edit objects)

watch youtube video here

download tray files here

cc list below the cut

harrie - brownstone (all), brutalist bathroom, coastal (all), country (all), kwate (all), octave (all), shop the look (all), spoons pt3, stockholm

house of harlix - bafroom, baysic bathroom, baysic, harluxe, jardane, livin' rum, orjanic (all), kichen, tiny traveller

felixandre- chateau pt2, 4, colonial pt2, 3, paris pt3, soho pt1, fayun pt1, pt2, florence (all), grove (all), kyoto (all), shop the look (all)

charlypancakes - chalk, diaper days, the lighthouse, dinna, miscellanea, smol, precious promises

peacemaker - adirondacklove - modernondack, arcadia, bowed living, creta kitchen, futura, hudson bathroom, kitayama dining

pierisim - auntie vera, david (all), domaine du clos (all), mcm (all), oak house (all), teeny weeny, the office, unfold, woodland (all)

the clutter cat - busybee, cozycocina, dandydiary bathroom, dandydiary (all), hellohorses, mellowmini, sunnysundae pt1, 2

greenllamas - the woodwind collection (coffee table)

cowbuild - scandinavian sleepover, blooming garden cafe (hanging wisteria)

bbygyal123 - abstract prints

heybrine - nova bathroom

simplistic - RHrugsII

little dica - delicato, eco kitchen, rise&grind

mrolkan - cool pools

max20 - poolside lounge

my cup of cc - the modernist dining

myshunosun - daria bedroom, freja, lottie bedroom, simmify, lullaby, sona dining

ravasheen - bidet as it may shower tub glass combo, flood saucer light

s-imagination - nota living, japandi tableware

sforzinda - bg curtains

sixamcc - tiny playrooms, boho bathroom

syboulette - bathroom set, candy, caroline, helios, little dino

sundays - amed (runner rug), gaios (throw blanket)

tuds - bble, beam kitchen, brazilian kitchem, caipi, nctr, shkr

emerasims - sanoma collection

awingedllama - apartment therapy inspired stuff v2, blooming plants

mechtasims - kitchen set (ceiling light only)

thank you to all the cc creators: @harrie-cc @felixandresims @charlypancakes @greenllamas @cowbuild @bbygyal123 @heybrine @simplistic-sims4 @littledica @mrolkanyt @maxsus @myshunosun @peacemaker-ic @ravasheencc @pierisim @s-imagination @sixamcc @syboubou @sundays-sims @thecluttercat @tudtuds @awingedllama @mechtasims

[archatlas]

Kengo Kuma’s Swooping Canopy Reorients Centro de Arte Moderna Gulbenkian in Lisbon

The extension to Lisbon’s Centro de Arte Moderna Gulbenkian (CAM), designed by Kengo Kuma & Associates, orients a much-adored park and cultural complex in a different direction. This singular foundation—established by the will of oil magnate Calouste Gulbenkian and today one of the world’s largest in its endowment—first acquired a swath of the city’s Santa Gertrudes Park in 1957 to build a museum for the display of its patron’s highly curated collection of pre-modern art.

The design, by a trio of Portuguese architects—Ruy Jervis d’Athouguia, Pedro Cid, and Alberto Pessoa—brought art and nature into immediate proximity within a Modernist pavilion, which contained two internal gardens, and windows that frame the plantings like artworks. Lisboans flocked to this cool refuge set amid laurels, eucalyptus, and poplar.

[naesarchive]

The Sixth Pantheon of the Chacarita Cemetery, located in west Buenos Aires, was built during 1950-1958 and designed by one of the first female Argentine architects, Itala Fulvia Villa, a key figure in Argentina’s modernist architectural legacy and a member of the Grupo Austral.

For years the work was solely credited to Clorindo Testa, despite his more minor collaborative role in the project designing the concrete temple and the Torii-gate-style monuments scattered above ground.

The Pantheon is the first modernist work of its kind applied to the design of a cemetery on this scale, created to house 40,000 niches. A labyrinthine network of subterranean galleries and vaults is interconnected by a series of walkways, punctuated by open courtyards and patios characterised by hanging wall planters and vegetation. The result is an oasis of calm split over two levels below ground accessible by generous stairwells, all hidden from view from the landscaped garden above. 

[ahomeformyself]

When i was a teen at the late 90s, I met a friend group of my same town for the first time. We all were kind of freaks. They invited me to take a snack at Carla`s home. I always wanted to se the interioris of her house. Was a large building of two floors that crossed the block, with two facades, one on each parallel street, one of them with a little front garden. The outside wall was maroon, and full of plants and flowers, with strange stone decorations. The other acces, was one of the older libraries of my homwtown. The type of store where you buy books, school and craft supplies, plushies.... Everytime I walk into the store, I imagine how it woul be that home. And when my new frind group invited me, wasn't dissapointing at all.

The floors had colorfull hydraulic tile mosaics, different in every room. The distribution was strange, seems like the people who lived there were more concerned about being happy than being normal. They had a precious kitchen, with pure wood cabinets, and a giant table in the middle. All the windows had color glass and curved wood frames. My country is famous for being full of modernist arquitecture from the beggining of the 19th century, and that home was an example of that influence. in ffront of the kitchen, there was a large hall that ended in a conservatory, with the garden in the background. That room was full of rugs and instruments. Any kind of instruments. Carla's dad was a musician, like herself and her brother, and their grandma was a piano player. Next to the conservatory, it was a little room, with two puffs, a tv, and the walls were fully covered with videotapes, almost all of them were 80's scifi films. Next to that room, were the stairs for to second floor. I don't remember how the bedrooms looked like, because I only entered into the bathroom. A giant bathroom. The floor, the walls, and the roof was covered in craked color tiles, making filigrees and figures. The sink and the bathub were cosntructed. and covered with the same motifs with craked tiles. The craked tile style is typical from here, and every town has a home like that, normally made by the same owners of the house. The bathroom also had big plants. It was like a movie set.

Visiting that home, made me decide I was going to live like them. At my own, with my own rules, with my own desires, with my own ideas. I was 14yo, and before walking into that house, my thughts about adulthood never suggered any type of love for nothing. I saw ''the growing thing'' as a dead of the soul and a productivity obsession. That home teached me I was worng. That home teached me you need to surround yourself with the correct souls.

That day I learned a little bit of how real magic works.

[sam1kath]

Raven Hair and Emerald Eyes

(book! Miss Peregrine x Fem! Reader)

I hope you'll enjoy it!! :D

You have been in the loop for many years now, yet you could still vividly remember the day you saw it for the first time. Stepping your foot on the island was no accident. You were a long time in search of a home, and when finally one day an ymbryne offered you a place as a sort of assistant, you couldn’t contain your excitement and hit the road as soon as you packed your only bag. However, there was one issue. You had a terrible sense of orientation, and the brief set of instructions about its location scared you. You trailed the island far and wide, getting lost on multiple occasions, yet you still couldn’t find the entrance.

One day, however, when you were once again unsuccessfully returning to the shore to catch the last ferry off the island, a tall blond girl about 17 stopped you with a smile.

“Hello, Miss Y/L/N. Miss Peregrine has been expecting you. Come with me.”

From that day on you became a new inhabitant of the 1940 Cairnholm loop. The children warmed up to you instantly, and even Enoch—who you later learnt didn’t usually extend this courtesy to just anyone—was delighted by your presence.

The headmistress and ymbryne of the loop, a woman of disting Victorian appearance and raven hair, greeted you with open arms, if not as familiarly, keeping the kind of professional distance you’d have with a new co-worker. Even after months of living there, it was always ‘Miss Y/L/N here’ and ‘Miss Y/L/N there’.

It was your 14th month in the loop that she finally proposed a first-name basis kind of relationship and this offer didn’t extend to situations in front of the children up until a few months ago.

The peregrine was a peculiar woman in many ways—she intrigued you—and you realised all too late that you were slowly falling for her. It was the way she smiled when she thought that no one was watching, how her eyes lit up when she taught the children, the way she would gently pull on the sleeves of her dresses when she was nervous, or the passion with which she fiercely protected her children whenever a policeman knocked on their door with a complaint.

With each day, you fell deeper and deeper into the tangled depths of affection, and that scared you.

One evening, you got into a passionate discussion about the passage of time and age, and she casually mentioned she was born in the late 1870s. At that time, you believed this knowledge was of no special meaning to you since you were used to the birthdates of people around you going as far back as the 1500s. But as your admiration grew, you realised that this information might just signify a problem.

You didn’t know a lot about history, but the topic of acceptance of homosexual people and relationships was something you were quite familiar with. The late 19th century certainly wasn’t a time when you could openly confess your love for another woman, and you feared that growing up in such a time, Alma might share the same convictions. If you weren’t hesitant about sharing your feelings before, you were surely not going to find it easy now, so you decided to test the waters first.

Finally, the perfect day arrived. The children were playing in the garden; the sun was just in the right spot in the sky, and you summoned the courage to bring the topic up to Alma.

“I read this book recently,” you began, “And it’s quite good. I don't know if you know it. It’s Mrs Dalloway by Virginia Woolf.” Alma replied with a raised eyebrow.

“You do realise that you're asking me if I’ve read one of the greatest works of modernist literature,” she said smugly, and you couldn’t help but blush a little at your clumsy way of approaching the subject.

“Of course, sorry. Well, then I suppose you do remember Clarissa mentioning falling in love with her best friend.” Alma visibly froze at that.

“Yes.”

You felt a lump growing in your throat. “How do you feel about that sort of thing, if I may ask?”

She scanned your face for a moment, her emerald eyes boring deep into yours as if searching for something. The living room felt suddenly too small for the two of you.

“Is there any specific reason you're asking?”

“N-No.” You mentally cursed at the slight stutter in your answer.

Alma finally tore her eyes away, leaving you breathless; however, still awaiting her answer.

“I'm no monster. Why should one’s life be less valid than someone else’s just because they love outside the constraints of our rigid society’s expectations? We are all people, aren’t we? And humanity’s greatest strength is the love we have for one another. Love makes life worth living. If each of us loved just a little more, the world would be a better place.”

As you felt your eyes water, you discovered you were never going to be able to reach the bottom of the ocean of love you felt for this woman, and you weren’t sure you wanted to.

She must have mistaken your silence for unease, so she asked. “Do you hold a different view?”

“No! Birds no. You- You just phrased it beautifully.” You smiled at her, and when you saw her face bloom like a flower, you couldn't help but blush once again.

But as you also learnt the first week in this house, peace never lasts, so before you could reach out and pull a mischievous strand of hair out of her face, little Claire ran into the room.

This conversation warmed your heart for weeks, lighting a spark of hope inside you. Maybe there was some hope for you. But still, you didn’t feel ready to confess your love for her, so you were trying to come up with ways to show her how much she meant to you without saying as much. You would remember any little thing that she told you because what she found interesting you held dear to your heart. You would recommend her books that reminded you of her, collect her favourite flowers to display in vases around the house or shower her with compliments whenever you got the chance.

You were flirting, and she was oblivious to it. Maybe she didn’t realise it or she was just letting you down slowly; you couldn’t tell. Her cheeks would redden each time and she’d go on to say something like, such affections needn’t be shown to her as she looks the same as she does every day, and being a good ymbryne doesn’t have to earn her compliments. To that, you’d respond that she doesn’t get appreciated enough and that would win a bright smile from her.

“And ‘good’ is an understatement.”

In between your duties as an assistant, you would also often spend little bits of free time on the mainland in the city library, scavenging the shelves for books you could read together. Going to the counter with another stack of books, you’d meet the gaze of the new librarian, a man in his early thirties with short blond hair and kind brown eyes. You never talked much besides the pleasantries.

Once you’d get home with the loot, Alma would meet you at the door to help you bring the book into the study.

This has been going on for about six months. You and Alma grew closer each day, but at some point, you’ve come to the sad realisation that she saw you as only a friend. For a time, you lied to yourself, saying it was more than enough for you. However, as the days went by, the beautiful feeling of falling deeper in love with her became a cruel, dragging force that slowly suffocated you.

You needed to escape and that was the time the guy behind the counter first spoke to you beyond politeness. His name was Jonathan, and the two of you quickly bonded over your shared love for astronomy. You would sometimes wait for him at the end of his shift, and you’d have lunch together in the nearby park. He would tell you about his life and family—of how unaccepting his father was when he told him he was bisexual. In turn, you told him how your parents freaked out when they found out you liked women, leaving out the fact that it was in the 1960s. And the more you got to know him, the more you were using him as a way to avoid Alma.

As you were one day in the park again, he turned to you with this strange look in his eyes. He told you he liked you and that even though he knew about your feelings for someone else, he would very much like to go on a date with you even if your heart wasn’t entirely in it—as friends, he said. Then he continued to make a speech about how you shouldn’t stay unhappy forever just because one person doesn’t see how amazing you are. You got teary-eyed and knowing you had no chance with Alma you finally decided to take a step to move on.

“Alma?” You were just in the living room, enjoying your siesta. Alma was seated, or rather, strangely bird-like nestled, in an armchair by the window, reading a book. She tilted her head, her eyes staying on the text to the very last moment before she met your gaze. She was sometimes so much like a bird, and you found every bit endearing.

“Yes?”

“I was wondering if I could spend the evening on the mainland,” you said nervously, feeling strangely guilty, like a child lying to their parents about who broke the living room window. She smiled in confusion.

“You know you don’t have to ask. You’re no prisoner, Y/N.” She chuckled lightly. “You know I trust you to make your own decision and keep yourself safe in the process. Just make sure you catch the last ferry back to the island so the children and I don’t have to worry all night,” and with that, her eyes returned to her book.

“Aren’t you curious what I’ll be doing?” Was your absence really that indifferent to her? Alma closed her book with a clap.

“Polite persons aren’t nosy, but if you’re so excited to tell me, then be my guest,” she smiled.

You took a deep breath. “I’ve met someone.”

If her face had betrayed anything you hadn’t noticed—not a single identifiable emotion—yet, as if a dark veil had been drawn over it.

“Oh,” was all she said before returning to her book. You had secretly hoped she’d say more than that.

“It’s a date,” you added in a desperate attempt to get a reaction from her.

“I figured,” she stated simply. Your heart ached at the lack of care, and you made your way to the door.

“Y/N?” You stopped in your tracks. “Enjoy your rendezvous.”

The door slammed behind you.

You met Jonathan in the small city square, and from there you went to ‘the best restaurant in town’ as he called it regardless of the bizarre reality that there was only one.

The date passed in a blur. You sat at a table in the corner of the establishment and ordered wine. Jonathan talked and talked, and you felt terrible that you didn’t pay any attention as, in the gloom of the room his light hair turned dark, and after a few glasses, his eyes turned green, and all you could see was her in her dark Victorian dress, smiling across the table.

When the clock struck nine you finally separated, for a quarter to ten was when the last ferry to the island departed. He insisted on escorting you to the harbor but you rejected his offer as you felt you needed to be alone.

The shipman was a little annoyed that he had to sail to the island with just one passenger, but when you gave him triple the amount needed for one ticket, he stopped fussing.

Your hair moved in the wind as you watched the dark sea, occasionally noticing the dark shadow of one of the many wrecks on the bottom, quietly awaiting saviour. You slightly stretched over the railing, and gazing upon your reflection in the dark waters, you realised you too felt like a wreck. Cold, and alone, and lifeless. Shivers ran down your spine, and you pulled your coat closer around you.

On the island, you stumbled back to the old tomb, grateful you walked the dangerous path so many times that now you knew it well enough to navigate it in the dark. Carefully laying one foot in front of the other, you made your way into the loop entrance.

You found Alma in the living room by the table, leaning over a glass of orange liquid. Her raven hair was cascading like a waterfall over her shoulders, its ends getting lost in the sea of green velvet of her tea gown. She twirled the liquid in her glass before she tilted her head back and emptied it into her throat. Appearing to be greatly troubled, she vigorously rubbed her temples.

Without a second thought, you moved forward in a desperate attempt to comfort her and accidentally bumped your toe into a coffee table. Pain shot through your body, and you swore under your breath.

“You’re back; how wonderful. How was it with that lover of yours?” said Alma with a fake smile plastered on her face.

You slowly walked over to the table, and sank down in a chair across from Alma.

“I presume it didn’t go well?”

“I suppose you could say that, yes.” You met her eyes, and what you saw in them broke you. You couldn’t have seen it from the door, but up close you were certain she had been crying.

“What happened to you?”

“Oh, this. Nothing. It doesn’t matter.” Rubbing her eyes she muttered, ”Would you like some?” and changed the subject by gesturing to her glass.

You decided that you were too overwhelmed with your own turmoil to help hers so you decided to let it slide.

“Might as well.”

She reached for the bottle and filled her glass. Then she slowly slid it towards you. Without a word spoken, you lifted the glass to your lips. The alcohol was already room temperature, but you didn’t mind and let the comfortable burn consume you.

“You never drink whisky.”

“I do now. But that’s not important,” she said, taking the bottle in her hand to look at the label. “I think I hate it,” she added so nonchalantly that you chuckled. Your eyes met.

“I need to tell you something,” both of you blurted out suddenly.

“Please, you go first.”

“I don’t think that’s-”

“Please.”

“Alright,” she replied hesitantly. Straightening her posture and clearing her throat, she reached over the table and caught your hands in hers. Even though it was fairly dark, you still clearly saw that her cheeks were crimson. And as she looked at you and you looked at her, you were sure she wasn’t alone.

“You- You might think me a delusional old woman, but…just yesterday, I would have sworn you fancied me.”

You froze, chills running down your back instantly.

“I know it’s silly. I suppose I saw what I-” she paused, looking at your joined hands.

“Go on. Please,” you squeezed them. Her nervous eyes darted back to yours.

“People see what they want to see,” she began hesitantly. “And I so desperately wanted you to feel the same.”

“W-what do you mean?” She closed her eyes, her eyebrows furrowed.

“Don’t make me say it just so you can reject me.” If you weren’t red before, now you most definitely were. Without giving you a single glance she let go of you and hid her face in her hands.

“You mean you-”

“Yes,” she muttered sharply, flustration lacing her words. The distance between you suddenly felt unbearable.

“You fancy me?” you asked once more in joyous disbelief. Alma slowly sank in her seat lower and lower, her face still hidden in her palms.

“Stop asking,” she whispered.

Your chair screeched as you sharply pushed it from the table, jumping to your feet, and now you stood over Alma.

Finally, she doubtfully looked up, her emerald eyes filled with fear, hope, admiration.

Not waiting for another second, you leaned down, putting one hand on the backrest of her chair for support. As you were now inches away from each other you witnessed Alma’s expression rapidly change. Her face grew redder and her eyes darkened.

“W-what are you doing?” she stammered as you hesitantly stroked her cheek.

“Can I kiss you?” you asked, not being able to contain your smile any longer.

For a moment her eyes darted between yours, checking for any sign of mockery.

And then you felt two hands pulling you down by the collar, and before you realised what was happening, your lips were pressed against hers in a tender kiss.

The wheels of time stopped and it was just you and her. You felt her hands in your hair, the warmth of her body against yours, her hair against your cheek. It felt perfect and real, and it made you feel warm and cared for.

The amount of love with which Alma gazed at you when you pulled away would fill even the deepest ocean—it would reach the furthest star in the galaxy. And you were certain her expression mirrored yours because, right there, you felt the happiest you’ve ever been.