#modern one piece films
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levelzeo · 2 years ago
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So last night I got to watch One Piece Film Red for the first time. It was good, it was fun, but it has me thinking about the canon status of the modern One Piece movies. Obviously there are characters who are canon, like Shiki. But the actual events of the films are a little more shaky, mostly due to them not really having a good point in the timeline for them to exist.
Strong World is the exception to this. It’s pre-time skip and Brook is there, which means it needs to be between Thriller Bark and Sabaody, and would you look at that! There’s a perfect little section of time between those arcs where they’re just sailing and not doing anything. Beautiful. Perfect.
Film Z, Film Gold, and Stampede are the problem children due to being post-time skip. The New World story has been structured in such a way to make all of these movies impossible to place in the timeline. There’s no Jinbei in any of them, which means they’re all before Wano. And obviously none of the films could happen in the middle of any of the arcs, since there’s no way the crew would leave any of these islands in the middle of their adventure. With that established, there is not a single point between the Straw Hats reuniting and getting to Wano that works for the films.
The moment the crew is back together, they’re off to fish man island. Once they leave and pop out into the new world, they immediately get a distress call and go to punk hazard. So unless they decided to ignore the distress call for a week and go fight Zed before actually going to Punk Hazard, that’s not happening.
After punk hazard there is a surprisingly good contender for a slot of time a movie could work in. The straw hats are all together, and there’s a stretch of sailing before they get to dressrosa. The only problem is that they have 3 extra people on board. And last I checked, Kin’emon, Momonosuke, and Law weren’t hanging out on the Sunny in these films.
Then, of course, from dressrosa to wano the crew is separated in one way or another. They arrive at zou separately, when they get to zou sanji is gone, only half of them go to whole cake, you get the picture. Z, Gold, and Stampede just don’t have a good spot they can slot into.
And then we have Film Red. Film Red has Jinbei in it. And would you look at that, there is a chunk of time between wano and egghead where the crew is just sailing, a perfect moment to have a movie. Sure, nobody brings up Luffy’s emperor status in the movie, but that’s minor, it doesn’t break anything. So that’s it, right? Film Red can be canon.
Hahahaha

NO!
Film Red was close. So very very close. But they just had to put a whole mess of characters into the movie. Specifically, they decided to include some of the Big Mom pirates. Why does that matter? Well, they included a cameo from Big Mom herself at one point, sitting and watching the concert. Which is fine and dandy, except for the fact that we established Film Red needs to be after wano because of Jinbei. And where is Big Mom after the events of wano?
SHES STUCK IN A MAGMA PIT WITH KAIDO
So yeah. Film Red, you were close to being allowed to be canon, but you flew too close to the sun and decided to have too many cameos and unnecessary characters. Be better.
If you decided to read my weird rant on one piece movies and timelines, thank you. Baron Omatsuri and the Secret Island is the best One Piece film. Good night, and good One Piece.
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where-does-the-heart-lie · 2 years ago
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Ive been listening to the film red soundtrack and thinking about Uta again, thinking about her weird purple eyes
Luffy is 12 and uta is 14 in this btw :) i wanted to do a young them moment
Alternatives under keep reading:
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dragongirldg · 7 months ago
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For a fic
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iclarye · 2 years ago
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my favorite sanji’s headcanon is that hes the type of person who would spend 15 minutes in a fight just because someone called remy (that rat of ratatouille) of ratatouille
like he would be like: HIS NAME IS REMY, RATATOUILLE IS THE FOOD
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welcometogrouchland · 1 year ago
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FINALLY watched Ready Or Not (2019) with the fam and FUCCCCKKKKKK FUCK!!!!!!!!!!!! I LOVE IT WHEN WOMEN ARE COVERED IN BLOOD AND FIGHTING FOR THEIR LIVES TOOTH AND NAIL!!!!!!!!!!!!! HELL FUCKING YES!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
#ramblings of a lunatic#it is. dare i say underrated? like I genuinely think it's so good but i feel like it's left out of discussions on modern slashers#yeah it's not THE MOST depthful piece it's not a jordan peele movie but it's still got it's moments (''FUCKING RICH PEOPLE!'')#idk maybe it's just bc it doesn't have one particular killer and that's what most slasher fandom revolves around far as i can tell#i can't say anything I'm boring I'm a big final girl stan#I've only seen one scream and went into it only knowing that my friends really liked the killers in that movie#and i was like yeah they're neat but mostly i came away screaming SIDNEY!!!!! FUCKING SIDNEY PRESCOTT LET'S GOOOOO!!!#(note i have only seen 1 scream movie. also i know there's a lot of complicated scholarly discussions to be had abt scream-#-and it's depictions of two close male killers as like. a deviant homosexuality thing and how that eclipses-#-the parts of scream that are arguably feminist. that's a whole other can of worms. i did really love Sydney tho)#i love grace too a-tier final girl. Samara Weaving is a scream queen in my heart she's so good in the role#my only complaint is i would've put a sort of. Up (2009) married life esque scene w/ Grace and Alex getting to know each other#but i get that that's a hard sell to put off and also in the context of the film grace and alex haven't known each other that long#which works directly against the biggest strength of the married life sequence#so honestly I'm not fussed#anyway yeah. fun time! even my mom enjoyed it despite the fact she normally doesn't like gore
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asgardiandino · 2 years ago
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Modern Au Character Sheets
No I didn’t do Uta before Sanji
 you know. The main character (one of them) Workibg on Zoro next <3 You can read the fic on my ao3 Asgardian_Dino :3
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h0lyquarantine · 14 days ago
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my dream is for the mark and the void to go viral on tumblr because i firmly believe that it is a book that So many users would be obsessed with . like it is basically made in a lab to make a certain type of tumblr user go completely insane .
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dgknightblue · 2 months ago
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I wonder what everyone’s favorite OP fic of mine that I wrote? My AO3 account is BlueKnightDG :3
Link to my AO3 account:
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deadrocks · 4 months ago
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I have three episodes left of "Tokyo Love Story (1991)" (free on archive.org with English subtitles), and I really should finish it. I started it almost entirely to get visuals on Tokyo in 1991, especially in terms of fashion, but overall the story and personal drama has been enough to keep me engaged. And I'm so close to the end! But I don't think I can handle any more of whatever it is Rika has going on. There's being bad at communication. There's being bad at communication because romantic dramas live and die in the space between what people say, what they think they're saying, and what they do. And then there's whatever the fuck Rika has going on.
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o4o41 · 7 months ago
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By the looks only (bangs and this focused green eyes), the pic, she reminds me of my teen crush Ryoga Hibiki. Honest, emotional, sensitive, and like his internet biography said that he is gentle to women (I don't say he is infantalises them or anything, it means, in general, he had manners)
btw that guy was transhuman, involuntarily. He met lots of struggles in a piglet form and didn't exactly control when he changes.
I knew about this series when i found its manga in 2010, my sibling brought it as a gag. I didn't understand the context. and read it from the mid part. Then went to youtube videos I didn't fully understand the spoken English and subtitles weren't on youtube and no russian versions at all. I went to the online mangas to read the speech. And write the sentences' meaning online.
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this pic is intense maybe he is in pain.
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so-i-did-this-thing · 6 months ago
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The wardrobe source post
Have had several Asks about where I get my clothes, so here we go.
My general style:
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My build: I am 5'10", around 155-160lbs. I am a trans man, so that means some fit challenges. 36R tops, 32x32 bottoms, 8ish shoe.
My preferences: I adore 1930s/40s outdoor "country gentleman" and work wear -- I am building a wardrobe here. I love texture and mixing patterns. I try to stick to natural fibers. I am spending more money on pieces that last longer and shrinking my closet to a modern capsule and a vintage capsule. (Though I will sometimes mix eras.) Brown is my favorite color.
Online thrifting:
Unclaimed baggage. Really great for giving higher end brands a shot at huge discounts.
Gem App. Fantastic for searching multiple sites like ebay, poshmark, etc.
Modern clothing:
Taylor Stitch. Standouts are sweaters and wool trousers. Sizing runs trim - I size up to a 38 here instead of my usual 36. This means it's a great source for smaller trans mascs.
Yiume. Shirts a bit thin, but fun prints and frequent sales.
Imperfects. Small range, but fun, higher waisted fishtail trousers.
Taft Boots. Comfy right out of the box. Great at making small feet look elegant. Men's sizes start at a 6.
Schott. Fantastic pea coats. Recommended by Derek Menswear.
Vermont Flannel. Super thick plaid, flannel shirts. Very warm.
Sterkowski hats. Range includes flat caps and captains/fisherman.
Spier & MacKay. Great winter coats, run a bit trim. Their trousers look hideous and despite a bit of a vintage look, everything else in the catalog is too low waisted and skinny.
LLBean. Great for sweaters. I love my grey commando style one.
Banana Republic. I like a lot of their older stuff, so a brand to watch on Poshmark.
New Vintage:
Cathcart London. Sweaters and jeans are great. Hit or miss fit on the rest. Frequent sales, small runs.
Darcy Clothing. Great all across the board. They are a film supplier, so restocks are regular. Their suspenders are hard to find, fyi, so search under "braces".
Revival Vintage. Dipping into poly blends, but a great selection of fairisle sweater vests.
JoBear boots. Great prices and styles, requires breaking in.
Focusers. Vintage glasses. They will replace lenses. Love the Peabody gold wire frames.
Old Glasses Shop. Frames you won't find at Focusers. You can try on frames before committing to an Rx, but have to pay for the return. Love their round tortoise shells.
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ophelialoveshandsomemen · 1 year ago
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Say what you will about Van Helsing 2004; hate it, love it, be indifferent, But the All-Hallow's masquerade ball went sooooo hard and it had zero right to do so! It's a fun, campy, monster mash movie with wonderfully dated ( and expensive) cgi and non-stop action meant to be a popcorn flick one takes out to watch around spooky season. And it has this* chef's kiss* GORGEOUS 6 minute sequence plopped arbitrarily in the second act, which unexpectedly surpasses nearly every other ball in the last 30+ years of film( notable exception being the Cinderella 2015 ball) for literally no reason other than to be dramatic af.
Like feast your eyes on this Gothic masterpiece!!! Who doesn't want to immediately live in this picture?!??
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They used those candles with oil in them so that they would have real candles, real string orchestra( I believe), probably around 100 real life extras( something which is tragically absent in modern film), said extras are all in beautiful fully decked-out costumes( which are in luxuriously dark colours, but nearly no fully black, another thing you cannot say for much modern cinema), REAL CIRQUE DU SOLEIL PERFORMERS for all the acrobatics!!!! Hell, instead of filming in a sound stage, where they could control the reverb and the acoustics and the size of the set and the bloody lighting ( they apparently had a heck of a time emulating the firelight for this sequence) and the temperature( it's very cold in stone churches!) better, they filmed in a Baroque church in Prague! As I said, peak dramatic splendour, jfc...
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Think about that a second...They filmed a vampire masquerade in a Baroque Catholic Church( St. Nicholas' in Lesser Town, if you were curious) with amazing over-the-top acoustics and marble statues and real, tiled floors and marble pillars and a choir loft which they very much utilized, covered the pipe organ and the altar with a grand brocade curtain so it wouldn't be so obviously a, you know, a church! And there's a gold gilt elevated and canopied pulpit into which they put two vampire kiddies for, again, the sake of being dramatic.
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And the costumes! They remind me of the 25th anniversary Phantom of the Opera Masquerade costumes. Same quality, like they're old, well-cared-for costumes pulled out of a warehouse, instead of fast industry churn-outs. With lots of trim and colour and masks and lace and feathers and..just...ugh.. they are all perfect! Just look at all the head pieces on the ladies and the hats on all the gentleman ( save Dracula of course) and the powdered wigs on the musicians. ANNNNDD! The dresses are historically correct!!!!!! It's the 80's bustle era! Nobody does the 80's bustle era in film anymore and it's a bummer. Oh and one other thing! Anna's ( and other women's) hair, at least here in the ball, is also historically accurate because it's all pinned up! None of those fucken modern beachwaves at a ball! Everybody's got updo's!
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Gah, I swear, Dracula in his gold cloak really does things to me in this scene!
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By the way, the acrobatics are bonkers in here for just background stuff!! Especially the random guys on unicycles and the dude playing the violin whilst standing on a ball...Like....WHAT?
Anyways, all this to say, that this masquerade ball feels sooo real and tangible and because of that it blows every other film out of the water, and no, I will not change my mind!!!!!
Here's a few more gifs, bcuz, why the hell not, this scene is sexy as fuu*ck?
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Alright I need to go to bed now.
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roz-ani · 2 years ago
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I hereby declare the 1995 "Pride and Prejudice" TV series to be the superior adaptation. Thank you. You are dismissed. Have a nice day ❀
(rambling in the tags)
#yeah I'm writing this on impulse so buckle up#it goes without saying that tv series have the advantage when it comes the amount of plot covered and character exploration in general#but I don't understand the argument that the BBC pxp is emotionless? like... what happened to subtlety?#just because the characters don't yell at each other?#I would actually say that I didn’t feel that much engagement from the movie characters lol but tbh it's been a while since I saw the movie#not that the acting was poor although I remember not liking the movie Lizzy that much#OK THAT'S A DIFFERENT TOPIC#to be fair I like the lines like 'Most ardently' or 'You have bewitched me' because COME ON I'M JUST A ROMANTIC LOSER#and watching Bingley actually say 'hey I acted dumb I love you please forgive me' felt great#but I think the 1995 version is overall better at portraying the social behaviour and rules of that time#the 2005 movie was visibly made for the modern audience and I suppose the american one as well#is that a bad thing? absolutely not#I find the last scene from the movie quite sweet but it did feel (for the lack of a better phrase at the moment) out of place#because we so suddenly jumped to this great expression of emotions and I was like 'cute I guess? good for them!'#I've watched the movie before the series (finished it yesterday) so it had a bit more emotional value since I didn’t know the story#but I still believe the 1995 holds up really well and I would have no problem rewatching it#I have a thing where I believe a filmed piece is well done when you're able to rewatch it (which I don't do often in the first place)#would I rewatch the 2005 version? I suppose but I don't think I would enjoy it as much#I still have to read the book as well#I've only read som excerpts so far#it's worse for me cuz I feel like I have to read it in both English and Polish for better understanding XD#already ordered the English one AND MAY I JUST SAY THAT FINDING ONE WITH A NICE COVER WHICH ALSO WON'T COST MY ENTIRE SAVINGS IS IMPOSSIBLE#god dammit why are aesthetics a thing#gotta look for the translation now#anyway I think that's it#if anyone ever reads it XDDD#thank you for coming to my ted talk#pride and prejudice#mine
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lupismaris · 25 days ago
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So-
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see SINNERS gahtdamnit
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Let's fuckin goooooo ✹
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jyoongim · 1 year ago
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Hear me out. I can't be the only one that wants to fuck Al's demon form. Like not just the black eyed tentacle gig, I'm talking full form like the size and all 😭 I can take it I swear, Al (narrator: she could not)
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Title: A Reminder To All

Themes: its giving monster fuc but like oof, demon!form Alastor, tentacles, established relationship, rough sex, growling, blood, possessive behavior, antlers, animalistic behaviors.
It was a rather quiet afternoon at the Hazbin Hotel.
You were up in the radio tower straightening a few things while Alastor was out doing gods know what 
You decided that since you had cleaned up most of the place that you would take a stroll through town as some down time.
You hummed a tune as you passed many sinners out and about. Your stroll led pass the digital shop. You slowed as you noticed a crowd gathered outside a Voxtech store.
There were multiple tvs playing things in the windows and what caught your attention was the deals they had going on.
You bit your lip. Oh it couldnt hurt to window shop right?
You entered and was immediately overwhelmed by all the fancy tech.
why did hell need modern tech you had no idea.
A shiny pink camera caught your attention.
And it was cheap.
You did need a new camera. It would help with advertisement and to show the progress of the hotel you thought as you happily paid for it and went about your way.
what you didn’t know was that Vox had been tracking you the moment you left the hotel.
that camera of yours was now his gateway into seeing what Alastor was up to.
Once back at the hotel you pulled out your shiny new purchase.
you turned it on and walked around filming a bit.
You checking the footage to check out the quality when you heard a record scratch
”what is that my dear?” 
You jumped at the sound of Alastor’s voice and spun around holding the camera
His eyes narrowed on it and quirked his brow at you, airing for an explanation.
”Well Al I-I just thought that the hotel could use a camera to help with promoting. We can record our progress. Now you don’t have to do all the work.” You said with a nervous smile, hoping he wouldn’t toss it.
He walked closer to you, mainly keeping his eyes on the tech.
”and where did you get such a frivolous thing?” 
you gulped “At the v-voxtech store”
His ever-present smile tightened before he shrugged “fine if you think it’ll help”
you breathed a sigh of relief and happily went about your way testing it out.
Unaware of the growing shadows emitting from him.
after spending a few hours getting the hang of your new device, you decided to call it a night and put your camera on your nightstand as you got ready for bed.
You shivered slightly under your cover, grumbling you furrowed further to seek some warmth.
why the hell was it so cold?
you shifted again in bed to feel a heavy weight on top of you.
your eyes flew open and you were met with a very frightening sight.
Alastor.
In his demon form.
Your breath got caught in your throat “A-Al?”
He tilted his head, smile wide and sharp “Sleeping well my dear?” His voice was staticky and distorted.
you were so confused.
you hardly EVER saw Alastor upset, especially to the point were he was in his demon form.
“Why is that in your room dear?” He hissed out, jutting his chin to your camera.
You tilted your head confused at his question.
he was angry about a damn camera?
A clawed hand was at your throat.
”I allow many things dear, but this unattractive piece of scrap in your room? That is where I draw the line”
You let out a squeak as your clothes suddenly disappeared and covers ripped away.
”A-Al?!”
Your hands were quickly restrained by his shadows and your legs were spreaded to welcome him closer.
when the hell did he undress?
You felt the faint ghost touch of a tentacle slide against your cunt, teasing your clit. You let out a soft moan.
”Already soaking dearest?” He hummed amused.
You felt the weight of his dick slap against your cunt.
your eyes widened he wasn’t going to

”Alastor w-wait! I c-can’t!”
A long tongue sweated the side of your face
”But you will darling” and with that he slammed into you.
Your body seized at the sudden intrusion. You let out a cry that was silenced by a tentacle wrapping around your mouth.
Alastor rutted into you, growling and snarling.
Your eyes faintly drifted to the camera by your bed.
A blinking red dot turned on and off.
Alastor gave you a rather harsh thrust.
”eyes on me dear”
you whined loudly, trying to shift your body to accommodate to his harsh thrusting. Your eyes drifted to the top of his head.
Antlers.
you felt your fingers itch with the need to find purchase on them.
you gave a tug at the shadows and huffed, making little grabbing motions hoping he would get the hint.
he granted you grace and your hands immediately flew to his antlers.
He let outa low growl and sunk his teeth into your shoulder.
With his dick hitting that delious spot inside you, you could feel him bottoming out.
You were flipped onto your stomach, facing the camera.
the shadow around your mouth disappeared and a claw hand found your tongue.
”put on a show Mon cher” You felt him flush against you.
Moans and whines filled the room as he  pounded your cunt.
A high pitch whine left your throat as you felt your cunt clench around him.
you were gonna cum soon.
”A-Al-la-stor Ah!” Your eyes crossed as your body tensed and twitched from your orgasm. He let out a deep growl and quickened his pace.
Did he get bigger?
you were suddenly face to face with him.
Your noses brushing against each other as he sought after his own release.
Your arms wrapped around his elongated neck and a hand found one of his ears.
you tugged.
Static ran through your body as he slapped his lips on yours and slammed his hips into you, purring as he filled you with his cum.
you whimpered as your legs were finally released and dropped.
Alastor was breathing heavy as he reached over to the camera
”hope you enjoyed the show old pal” he laughed before destroying the camera.
you were drifting to sleep as you watched him transform back to normal.
”sleep well my dear” was the last thing you heard as he tucked you into his side, humming a soft tune with a wide smile.
He gave a reminder.
Dont fuck with the Radio Demon.
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zstartrixxx · 7 days ago
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𝐋𝐄𝐓 𝐌𝐄 𝐓𝐀𝐊𝐄 𝐂𝐀𝐑𝐄 '𝐁𝐎𝐔𝐓 𝐔, 𝐃𝐀𝐑𝐋𝐈𝐍'.
Êłá”‰á”á”á¶Šá¶œá” ËŁ ᔛᔃᔐᔖꜝʷᶊᶠᔉ Êłá”‰á”ƒá”ˆá”‰Êł
𝐑𝐄𝐐𝐔𝐄𝐒𝐓: 𝐘𝐄𝐒 | 𝐍𝐎
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𝐒𝐔𝐌𝐀𝐑𝐘: If being loved by a vampire means carrying eternity within you, what you have with Remmick is incarnate: his poison lives in your flesh, you are blood of his blood, a creature of his making. And because you are a part of him—a fragment that broke free and passed into you, sometimes even a sliver of his ancient soul trapped inside that dead body—everything you feel, he feels, and vice versa. Fleeing the imminent extinction of these lands, you and Remmick seek refuge in each other once more, bound together. Eternally, for he would never let you sever this tie—unless he were dead. Past and future memories knot inside you. Here, now—all blood and teeth—you fuse with your maker, your sacrament, your eternal groom. 𝐀𝐔𝐓𝐇𝐎𝐑'𝐒 𝐍𝐎𝐓𝐄𝐒: this particular piece was a deeply interesting and special writing experience for me: not only did i get to explore the hivemind concept, but i also played more freely with language and the essence of remmick as a character. so let me make one thing clear: it’s never my intention to distort the film’s canonical portrayal, but rather—through poetic license combined with the possibilities of fanfiction’s universe, PLUS the way i’ve absorbed and interpreted the character—my version of remmick (at least in my fics) might not be as literal as the original script. that said: here we have this scenario with a wife, which i initially imagine takes place before the film’s events, but the specifics of when, how, and where she was transformed are entirely up to your interpretation (before his arrival in the us in 1911? somewhere between the early or late middle ages? the modern era? europe, asia, or africa... let your imagination run wild ;) i’ve also paraphrased/incorporated certain very specific lines and moments from the film. 𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒: +16 CONTENT. i think there's a lot of angst here and reader melancholy, so keep that in mind. use of some words in gaelic, i had to resort to good old google, if there is something wrong please tell me. remmik here it's (super) protective, almost toxic; hivemind concept explored, lots of internal dialogue, some gore (explicit description of blood and bruises), vampirism (blood consummation), and a slight sexual innuendo thrown in. 𝐖𝐂: 6k for whoever is going to read it, a great read! <3 likes, reblogs and comments are greatly appreciated :)
đ–±đ–€đ–Źđ–Źđ–šđ–ąđ–Ș đ–Żđ–«đ– đ–žđ–«đ–šđ–Č𝖳
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"turn to me, and love me like you lacerate; just hold me down like i don’t need air." (air, shedfromthebody)
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Your skin burned like Hell itself, which was kind of funny to think about: back when you were human, you loved spending your days under the hot sun, lying on the grass in the late afternoon and gazing up at the cloudless sky, where strange shapes would form just for you. You wasted away the days at the lake, naked, floating between water and sunlight, between cold and heat, simply existing.
Now, all you could feel was the searing pain ripping through your skin, sizzling in your ears like meat in a frying pan. Weak, you tried to run, but your legs wouldn’t obey, and your feet tangled with every step across the dry land, scattered with dead corn leaves. The rustle of the leaves irritated you, but what truly drove you mad were the screams echoing from behind, drowning out any coherent thought, merging with the heavy air that entered your lungs that no longer breathed. And that felt like a death sentence: not only the sun was paralyzing you, but also the distorted sounds that confused you, like a wounded animal, utterly disoriented.
You stopped in the middle of the cornfield, glancing around, trying to stay grounded, trying to reconnect the thread of thought between the two of you, searching through the suffocating haze for Remmick’s voice, calling him with panic and urgency, desperate for him to come save you. You looked at your shoulders: raw, scorched, smelling the acrid scent of burnt flesh rising from your own body. You shut your eyes, trying to find him, your voice lethargic: “Remmick
 Remmick.”
Your vision began to darken, your body no longer felt like your own—it felt like it was floating, detaching, as if your soul—or what was left of it—was slipping out of you. Just like you’d felt a piece of yourself dying the last time you glimpsed sunlight through your human eyes, maybe ceasing to exist in that land would feel the same. All you had to do was slowly close your eyes, embrace the darkness once again, surrender to the searing fire that would extinguish you—and that would be it. You opened your eyes slowly, staring at the mighty sun before you: scorching, like your mother’s hugs, your grandmother’s kisses. Like Remmick’s grip when you were still human. Your entire body burned, tiny flames piercing through you, tears of blood trickling from your eyes. How long had it been since you felt even remotely human? All you had to do was give in, speak the one name that echoed in your mind, etched into your blood.
Remmick.
In poison and blood, within you. He was you and you were him. Remmick.
‘—Remmick, if you can hear me one last time, know that I—’
“Got you!” his voice came, rough and wounded, behind you. Firm hands grabbed you by the waist, your body partially covered by another, pressed against Remmick’s rigid frame. He whispered against your ear: “You’re safe, mo chroí (mu khree / my heart). Come with me.” He pulled you even tighter against his scorched body, shielding you like a protective shell, guiding you with quick steps into the heart of the cornfield. In the distance, the furious screams of some villagers echoed behind you. But despite the world turning into hell around you and everything seeming like the end, you felt safe in his arms.
Remmick looked back, staggering, using his sharp senses to search for any possible escape for the two of you. His left eye was swollen from the punch he took, combined with the sun’s deadly effect, and even with limited vision, he managed to find a way out from the horde chasing you.
You couldn’t stay upright. The sun’s weakness made it feel like your bones were nothing but dust beneath your scorched flesh. Tears of blood stung your eyes and soul, or whatever was trapped inside that immortal body, sharing a collective mind with Remmick and so many others before you. It longed desperately to escape this life and finally rest. But Remmick wouldn’t let that happen—oh no, let the pagan gods or the Christian God himself punish him with the harshest tortures if he did. You could feel that wrathful pain mixed with ancient rage flowing from him, harshly projected in flames and poisonous blood from him to you, as he nearly threw himself on top of you like a (scorched) leather jacket just to protect you. Madness. The voices grew longer, more indistinct, the hateful chorus fading, as Remmick, with his one good eye, searched for shelter.
Then, as if by magic, fate, or just the luck of some devil who still wanted to see you both wander through God's vast lands, there it was—a house beyond the edge of the cornfield. The perfect shelter. ‘Living food, darkness... —Remmick, don’t get your hopes up.—’ you thought back, replying to your creator’s voice with a sarcasm that didn’t quite match the moment. As always, he laughed—loudly, though the laugh came with dry, desperate gasps. He laughed. Even all fucked up, more than you, sizzling in pain and crying in despair to stay alive, he still found humor in his own misery.
“You’re getting real cheeky, huh, my little thing?”
“You’re the one who taught me to be like this, Remmy,” you managed to say, despite the bitter taste of blood rising in your throat—extremely unpleasant when it was your own blood boiling inside you. Remmick glanced over his shoulder, noticing for now that you were safe. He looked forward again, at what seemed like a mirage of a desolate wooden shack, dark, with the door and windows shut. It looked uninhabited to you. ‘—Love, don’t be so hopeless. Of course, there’ll be someone in there to be dinner. Or rather, lunch, given the time.—’ his voice cut through again, tugging you sideways, his hot and battered hand grabbing your forearm, where deep layers of your dermis were starting to show, making you let out a faint whimper. Remmick gave you an almost hurt look, immediately releasing his grip.
“Sorry, I didn’t mean to hurt you.”
“It’s fine. What’s a squeeze compared to almost melting under the sun, right?”
“You’re something else...” he muttered in disbelief, though his voice was laced with distress and anguish—a soft hint of the pain he was enduring. —If he died, you’d go with him by extension, in the worst possible way.— That was what was running through his disturbed mind, making you wonder whether you’d ever have a happy ending under those conditions. Remmick quickened his pace, and you followed beside him, feeling like the path to the house was more of a road to Hell than a material refuge. You were starting to believe it was a mirage and the Devil was waiting on the other side to welcome you both into his lap. ‘—Pathetic, darling. Pathetic.—’ ‘—Just like you, sweetheart.—’
Remmick ignored your retort, dragging himself up the steps, changing his expression as he began to shout for help. A wounded animal, fatally injured, a hoarse rasp clawing out of his throat, begging for help, pounding on the door with force. The sun’s haze was poisoning him—and therefore you—draining what little strength was left, forcing your bodies to absorb the foul smell of rotting flesh; even if your lungs didn’t breathe, they still had the cursed privilege of smelling. And even as supernatural beings, defying all human logic, you were still condemned to be inside those fragile bodies, exhaling the scent of flesh, blood, bone, thick saliva, venom, and a unique perfume your walking corpses carried. Not decay, but something more
 floral? And that specific scent, like night-blooming jasmine in a graveyard or a dried rose in your garden, grew stronger as the mortal flesh imprisoning your immortal soul deteriorated.
Remmick kept pounding on the door and maybe—just maybe—with a little more effort, he’d become the first vampire to break the universal law by forcing his way in without being invited. He looked at you, distressed, his expression one of real pain. You pulled away from him, walking to a window layered in thick dust, wiping it with your palm. The cold, gritty surface scratched your sensitive skin even more. You peered inside and confirmed: ‘—There’s no one. It’s empty.—’ Remmick looked at you, almost dumbfounded, hearing your inner voice. He turned to the door, where simply twisting the doorknob opened it. The air inside was cold and stagnant, dust and mold, old wood and moth-eaten fabric, with an unwelcoming scent—but still, it carried that unmistakable smell of an uninhabited place. No human warmth or familiar energy.
Remmick was so relieved he dropped to his knees, like a devout soul who, tired of resisting sin, finally accepts divine punishment in good faith—arms open, body surrendering as he let himself fall into the house. You stood beside him, watching with a mixture of mercy for the poor wretch who was suffering, and with that sharp pain—hating, in a way, to share with him the memory and the collective sense of it all, because his pain was also yours.
Remmick crawled inside. You followed him, on your feet—weak, but standing. You looked one last time outside, toward the distance beyond the cornfield, where, by some divine mercy, those who had hunted you seemed to have gone. Just above, the burning afternoon sun pulsed like a condemning god, seated upon his sky-blue throne, mercilessly casting down his punishments upon you, poor wicked creatures.
You shut the door with a long groan, echoing the moan of the vampire now lying delicately at your feet—a strange sound between a whimper and the whine of a frightened dog. His hands were stretched above his head, face pressed to the floor, writhing from side to side, somewhere between fragile and furious at being forced into such a wretched state.
Through your mind, you could feel him tearing:
‘—These monsters will pay. As soon as the sun sets, I’ll hunt them one by one, haunt them in their homes, show them my wrath and my cruelty. Blood, blood
 blood.—’
Your mind was now lapsing into a time far older than you, to a moment when Remmick’s humanity had been broken by the vampire’s curse—when the strangers came and took his land, his name, his faith. His prayers were converted, and all he saw before him were silver crosses and plaster Jesuses while he was taught the Lord’s Prayer. All of it disturbed you deeply. He clung so tightly to his roots that it made you feel everything: the fire of the scorched land, the spilled blood, the faithful ones he later killed one by one, the lands devastated by plague and by gold.
You closed your eyes, trying to impose your memories over his—to interrupt the bond that was bigger than either of you. You tried to think of blooming gardens bathed in sunlight, lazy afternoons of picnics and reading under trees, nights of endless dancing and joy.
Remmick stopped thrashing. His shoulders stilled, and his whimpers faded as he was slowly filled with his own memories, gradually regaining his strength and sobriety. He propped himself up on his arms—once feeble and lethargic, with bones eroded and flesh still scorched by burns—then raised himself and looked at you, a crooked smile forming on his lips:
“You’re always taking care of me, a aingeal.” (ah ang-yal | my angel).
“I was just trying to make you stop with those nightmares disguised as memories. I’m aching all over.” Your voice was somewhat harsh, despite your weakness, as you leaned your body against the wall, between the door and the window, where dust managed to dimly filter the sunlight. You were safe from the condemnation of the light.
Remmick rested his head. A look of sadness, lit by the darkness in his pupils, stirred something in your heart that no longer beat.
“I can’t let go of who I once was
 even after all these years, there are pains that scar between our flesh and our soul, binding us to them forever
”
“I know. I know—” you smiled, somewhere between honesty and levity, trying to stay upright, feeling your body pulse and bleed, crying for healing. Remmick was in considerably better shape than you, even in his sorry state—his cotton shirt filthy with mud and dust, torn and bloodied from burned flesh; his pants tattered, shoes worn through, one bruised eye set into cadaverous skin with a polished hunger. He was enduring. The dark gifts made him far stronger than you. “—I’m just not in the best condition to relive those pains with you, not when mine are a little too real right now.”
Remmick nodded, drinking in your words, staring at you with glowing, coppery-red eyes—dim yet luminous—finally seeing your pain. His face twisted with worry and a flicker of anger as he staggered closer:
“Mo ghrá geal” (muh grah gyahl | my bright love), “they really hurt you, didn’t they
”
Then, Remmick recalled the grim scene when one of the townsfolk had found your hiding place—a house just as old and decrepit as the one you now sheltered in. The two of you were lying there together, side by side, entwined like tragic lovers, waiting for death—and maybe that had been part of the attraction, for just a few more seconds in that eternal rest, and you would have had a truly tragic end. Remmick remembered the moment the light from a blocked-out window was smashed through and the burn that followed. He opened his eyes instantly. You were still locked in your unshakable sleep when they grabbed you by the arms. He had fought men wielding torches and harvest tools. Then you saw it through his eyes: your body being pulled away—a blur. And you felt his fear and desolation as he fought off the frantic villagers to try and save you.
Then the man’s voice rang out again, clear and strong, a wounded hand touching your face with surprising gentleness:
“We almost didn’t make it out of there
 If it had been closer to sunset, not a single one of those bastards would’ve made it—”
“Remmick.” His name traced your lips and tongue, thorny like the man himself. “They’re not to blame for acting the way they do—just like we, flawed murderous animals, once acted. They too have the right to want to destroy us. Wasn’t it you who taught me that human truth? That’s how we lived before we perished. That’s how we’ll go on existing, as long as we do.”
“Existing.” He clicked his tongue, and a sudden shadow passed through his eyes. For a second, his mind grew too clouded for you to read, to hear—but the visceral rage boiling in his venomous blood, oh, that you felt, bitter as it burned your dry throat. Dryness began to crack your lips. It weakened your warm body even more and made you feel the dark delusions start to crawl through the corners of your mind; that’s what happened when you weren’t fed—no matter how exceptional your self-control was, and even if you could resist without the human liquor for days, when you were in that state of true death, your body nearly collapsed.
Remmick dragged his pitiful, suffering gaze across your face. Around your minds, words in ancient Gaelic spun like ancestral chants—he was thinking about something beyond you.
His hand slid up to your face, grabbing your hair from behind, gripping it as he gently pulled it back, exposing the soft, burned, but still velvety skin of your neck. The cradle of your sacred blood—from where he had once drawn your human warmth into himself and given you, in return, the venom that turned you into him. And even though your heart no longer beat as before, when he first heard it, and your blood wasn’t warm enough to quench his thirst anymore, it was the vampire’s opium.
Remmick always thought of that comparison when he grazed his fangs lightly against your skin before penetrating it to anesthetize himself in your ecstasy:
‘—Your blood was sweet and warm when your heart throbbed between your ribs. But now, with my lymph and the poison of my being, it tastes better—bittersweet, undead. Our blood.—’
It made you moan and whimper.
Your hands pressed against his chest, palms open, trying to push him away from you:
“Remmy, are you sure about this?” you looked at him uncertainly, trying to find in him the assurance for the act.
Remmick didn’t answer you with words—not the kind spoken aloud:
“As weak as we are, there’s no one here, my love. Either we drink from each other, or we die like strays in this godforsaken place. Feed on my blood before you cease to exist
”
It wasn’t a request anymore by the time he was already pulling you closer to expose your neck, pressing his rough lips and sharp teeth against you, piercing the skin like needles.
Remmick held onto this belief that he didn’t need to ask much of you, because as you were one mind, everything he wanted was what you desired too.
Your eyes closed as you felt your flesh torn by his fangs—hard against your skin, like a stiff piece of leather being pierced by a sharp knife—until it reached where the blood, crawling weakly through your body, began to emerge in thick sobs, filling his mouth with your syrupy, bloody liquor. You were consumed by the burning and the sensation of ecstasy the act gave you, your body floating in the hands of the man who groaned with primal pleasure at being nourished by your life source.
Remmick also held the belief that since you carried his seed—that divine-profane gift of eternal life within your blood—through the consummation of acts and the laws of an ancient soul, you were part of a whole that pulsed with life. His life, yours, and those who would come after you both, all connected through that cursed and blood-stained lineage.
You squirmed restlessly in his hands. His claws were already out, tangled in your hair, scratching your waist as he held you as close as possible, bound to his pleading kiss.
Remmick whispered to you in thought:
“Mine, mine, mo mhianta (muh vee-an-tah / my desire), my life, my blood
”
—like a prayer, a rosary he recited bead by bead, his body burning as he inevitably felt his venom enter you. 
“Remmick—” your voice was pure wine of death, your nose the iron scent of flesh, your mind a stupor of souls that preceded you, strange voices you had learned empirically, faintly recalling the vampire Remmick who crushed you between teeth and acid; “—I think that’s enough, my love.”
Remmick let out an exasperated groan that vibrated against your mark, sucked a final portion of blood vigorously, licked the flesh slowly, then rose, revealing his face intact and free of wounds, his chin smeared with your crimson iron honey, eyes shimmering like copper pearls between iron and bloodlust. He smiled at you—there was heavy panting from paused lungs, a fresh breath, an almost spiritual renewal of his being.
“You are so delicious, blood of my blood, that it’s impossible not to want to drain your last blessed drop.”
He laughed—cursed and amused—raising his wrist to his own lips, biting it as if biting a pomegranate that exploded between his teeth, flesh and juice dripping at the corners of his mouth already stained with your blood; he extended his open wrist to you like bread to the dying, an offering to his god, waiting with generous eyes burning in the insane passion of his soul for yours.
His mouth salivated with the yearning to take it for himself, to drink from that wine that intoxicated you once and every time you drank it—in nights of lust where you feasted on the delights of the flesh, it intoxicated you.
There were sparks in your chest that burned from Remmick’s venom in your body, making you remember when he took you for himself, forever; Remmick appeared like a chorus behind you, chasing you through the darkness of forests and ancient buildings, ruins of nights wandering without meaning, inviting you to let him enter you repeatedly, giving him what he wanted, feeding the beast with your youthful joy, the beating heart—that which he had lost centuries ago, perhaps millennia. Life.
And once, proving that his love for blood and pain was greater than all lust or pleasure given to you, he offered you his ultimate love: he penetrated you with teeth and curses, buried memories imposed on you, suffocating you, watching you die before him, rot like a flower once beautiful and vibrant, now dry and hardened. Watching you rise with bright eyes and his bestial thirst, laughing and dancing with him, celebrating your new self. Or was it a piece of him, while you were trapped between so many layers of the one who created you?
And yet there you were, looking at him with veneration and anguish, taking his wrist with your misshapen fingers, claws that extended in excessive knots, placing your mouth against the torn hole that poured that offering of his flesh.
Oh, Remmick had your flavor too.
Sweet death he exhaled, primal sex and poisoned wine.
Feeding you slowly, bringing through that damned mortal sap your salvation.
You felt yourself revive, whining softly against his wrist, looking with complicity as Remmick watched you with the pleasure of pleasures on his face: parted lips, arched brows, eyes sparkling with desire and ardor. You smiled back, returning that passion, a hiss escaping from his mouth, pleasure bending between the memories shared through blood. His mouth detached from the bite’s embrace, a dull snap of flesh pulling away, the vampire’s blood dripping in sticky, thick drops like a whip on the wooden floor, a small pool of that iron blood separating you both.
He tilted his head back, satisfied, with a jubilation of pearl-ruby teeth, saying full of himself:
“Now we’re better!” He laughed between his teeth, while you felt his blood slide through you, healing the stigmata on your skin, slowly and pleasurably renewing you—him crawling between your bones and flesh, burrowing deeper into you as he pierced you with those eyes.
Remmick drew closer, your hands returned to normal, fingers caressing your now-soft skin, leaning down to kiss your lips with the sweetness of his honey staining them crimson, whispering through your mind:
‘—All we need now is rest, and once night falls, we can celebrate this moment together.—’
Eternal promises. As always, typical of him.
You welcomed him with open lips, tongue caressing his, you and he merging—blood and saliva, venom and the growls from the depths of your thirsty throats, your hands tangling into each other, desperate grips of bodies that loved each other through finite eternity.


In your dreams — or in that cathartic state of complete darkness of rest — all you had in your mind were the outlines of dreams of humans who had wandered through the eternities beside Remmick. You were a peasant in Irish lands, an English priest with golden teeth, a mathematician in Arabia, a physician from Prussian soil, a single mother prostituting herself in the streets of Whitechapel; everything and everyone. You were a pagan elder turned faithful parish priest. A hopeful young woman turned the vilest of executioners. Everything and everyone — and him.
Him.
Emerging in red, blue, purple, and black, from the shadows, blood dripping from his chin, stealing souls and stories like a devoted collector, a historian digging through pages and pages for what might fill his own gaps. Remmick pulled you by the hand like a savior — or a beast. That blurred in the shadows and forms, as he brought you into the light.
The light of consciousness, of being awake, of knowing night had finally fallen and you could once again wander among humans.
You opened your eyes with a sharp blink, seeing through a timid penumbra lit by a single candle — who knows where the hell Remmick had found it — exhaling, while he gently caressed your face, the tip of his finger tapping lightly against your nose, a serenity on his face that, under the warm golden light, almost seemed human. You smiled, rubbed your eyes, and let out a vocal exhale — a human habit you’d kept not to feel so detached from your nature — wetted your lips, surprised by the nudity of the man sitting at your side on that old bed, hard mattress, rickety frame that had served perfectly for your rest.
At the window, beyond the drawn curtain, a few wooden planks nailed to keep sunlight out were now opened, allowing the pale-silver glow of a Full Moon to shine on you. Between the bluish-gray mingling with the candle’s yellow-red, his slender and muscular body — shaped by the years when he was just a man of the land, using his bare strength — stood naturally before you.
His face, smiling at you tenderly, was damp, drops of water clinging to his nose, ears, and chin. A scent of dried flowers and soap wafted from his pale skin. His voice was soft:
“Come with me, a aingeal,” (ah ang-yal | my angel), “let’s take a bath to wash off this infernal day.”
Laughter spilled from both your mouths — irony mixed with ease — as his hand gently pulled you up, guiding you barefoot across the wooden floor, echoing down a narrow hallway toward what must have been the bathroom. Remmick nodded toward the wooden bathtub. Beside it, atop a chair, several candles were stuck upright with their own melted wax, casting a flickering light beside the moonlight that poured silver through the window.
“I cleaned it a bit before using, fetched some water from the well, and luckily found some flowers and a dried-up bar of soap lying around. Seems like the people who lived here left in a hurry — there’s still canned food and clothes in some closets. Let me help you!”
He placed the candle on the chair and undressed you, slipping off your dress and tossing it aside, smiling at your nudity, placing his hands at your waist as if admiring a statue sculpted by his own hands — a creation of his creation.
“Sit down. I’ll bathe you...” he said in a velvet tone, guiding your body into the cold water, which wrapped around your skin as he began to rub it with water, fragrant flower petals, and diluted soap.
And there you sat, still, watching him care for you — though you knew well what he was thinking.
‘—The hunt, the revenge against those who inflicted pain on us and—’
“Remmy
”
Your hand found his, pulling him from the depths of his thoughts, gripping the hand that tended to you, “...stop, at least for now. Just think of something else.”
“What else could I possibly think about?”
“In other things, I don’t know, think about music, about dance, about me...”
“I don’t need to think about those things because they’re already in me, darling. It’s almost a pleonasm, as that old professor we ate once said, remember?”
“The one we ate? What an absurd thing to say!”
“Sweetheart, seriously?” Remmick tilted his head to the side, a mischievous little smile playing on his lips. He stopped rubbing the dried blood off his neck to look at you with cynicism. “You, of all people, who loves sinking your teeth into those juicy necks that show up for us!? You, blood of my blood, my own creation, poison of my poison who...” he paused, narrowing his eyes, his voice coming out in a thin whisper, “loves sinking those pretty little teeth of yours into the most unusual places!?”
A daring finger touched your lips, slipping between them, lightly scraping your canine with its nail. You stared at him calmly, studying him in that unashamed nakedness, amused by you. Rolling your eyes, you pushed his hand away from your mouth.
“Pathetic. That’s what you are sometimes.”
“I love you too, my darlin’.” He chuckled through his teeth, returning to wiping the bloodstain from his skin, focusing on the act. Even in that silence made of voices loudly spoken, your minds were speaking through images, memories flowing back and forth in a stream of consciousness, undulating like the water that surrounded your body, tracing that eternal conversation you both had. Deep down you knew he wanted to go out hunting, to get drunk on fresh human blood, and then return to this shelter, take you in his arms and possess you in the most animalistic way possible. But on your end, you still felt his venom lingering through your body, the blood that had served as both nourishment and healing still casting a haze over your senses. Ancient blood from someone who had lived so long it carried stigmas. Strong, dense, defiled, concentrated.
Remmick finished scrubbing you, stood up from your side, and left the room, staying outside for a few minutes, leaving you immersed in the water and the moonlight. Thinking. For a moment, your mind seemed to detach from his, floating through the corridors of your own being—you saw yourself among humans, walking barefoot, feeling that burning thirst in your throat, the bile of anger tormenting you even as your melancholy made you ethereal; sucking foreign blood, capturing life stories for yourself. Remmick reached out a hand to you—a claw—with the ghastly smile of all the dead, always whispering to you: “Mo mhianta” (muh vee-an-tah / my desire), in your mother tongue. Remmick
 Remmick. The one who created you and now was you too, part of your desires, part of your life, part of your soul. Would you ever be able to break away from that guiding thread? From the one who offered you both death and life? Would you be able to disconnect and be just
 you?
Remmick emerged from the darkness of the house, carrying a bundle of clothes in his hands, wearing a pair of soft-fabric pants, his torso still bare. He smiled with those secrets he could hide from you between his lips:
“No, I believe that if one day you no longer belong to me, I’ll probably be dead.”
“Reading my thoughts again?”
The question was practically rhetorical, laced with a certain bitterness you couldn’t hold back. Standing before you, the vampire handed you the clothes.
“I am them. Even when you try to escape through the corners of your thoughts, I’m there.” Remmick smiled, sharp teeth glinting, a suggestion shining in his eyes like a beast ready to kill.
“Come on, love, the night is a child crying to be fed.”
“Smartass,” you hissed through your teeth, rolling your eyes. When you rose from the bathtub, your eyes suddenly caught sight of two figures approaching in the distance. Remmick didn’t even need to be warned—he was already spying from the corner of the window, his thoughts starting to hiss like a rabid wolf growling, thirsty for blood and slaughter. He turned his face toward you, a sharp smile while his eyes tiled the blood of the defeated. His tongue was a blade between needle-sharp teeth:
“We shall have a special feast, my love!”


The house was dark.
Its scent was of dust and stagnant wood, dry and moldy. In the background, you could catch the smell of melted wax. No noise. When that couple stepped into the house, shotguns in hand, eyes wide with fear, all they wanted was to play heroes for the little town—hunt the monsters that had been parasitizing the area and receive applause for their brave deeds. Fueled by fear and pride, they wanted to hold in their hands the heads of those two who had earlier been hunted and, for some reason, had disappeared; and there they were, in that shack abandoned for weeks—maybe months—eyeing each other with unease.
The woman said, glancing around the first room, a lantern serving as a flashlight:
“I don’t think it was a good idea to come here at night
”
“Nonsense, woman—we’ll catch those monsters before they go messing around with anyone else,” the man shrugged, walking toward the hallway, the woman right behind him—until she heard a little noise beside her, at the open door.
The man kept walking, oblivious to his wife, heading toward the back of the house, finding a side room with its door ajar—he pushed it open the rest of the way with the barrel of the shotgun, the wooden door creaking slowly, revealing a bed.
And a woman lying on it, back turned. Naked.
A shiver ran down his spine, his breath grew heavy, heart pounding against his ribs, and beyond all that, a wicked voice called him to approach her—that nest of lust and desire. Ignoring his partner, he let curiosity and depravity take over. He lowered his weapon, step by step, now close to the woman’s body, his hand trembling as it reached toward her, while the other held the lantern swaying noisily at his side, its yellow light flickering across the sleeping body.
“Have mercy on me!”
A high-pitched scream came from deeper in the house. The man startled and turned, dropping the lantern to the floor, where it shattered and sparked into flames. He raised his weapon again, spinning around—only to find a man behind him.
Eyes glowing with an inhuman red glint.
A macabre grin stained with blood painted his chin, his neck, his bare chest.
A rustle behind him made his knees weaken with fear; a cold gust of air fed the fire now licking at the wooden floor. He looked over his shoulder and saw you awake—eyes just as luminous as the monster in front of him, thick saliva dripping from your chin.
As he tried to scream, a hand clamped over his mouth—metallic blood flooded his tongue.
A tear welled up in his eye.
The vampire’s voice in front of him rasped out, bestial and raw:
“Shhhh
 Shhhh
 Don’t cry now. Didn’t your mother teach you it’s wrong to mess with someone else’s woman?”
And he laughed—demonic—gripping the man’s throat, nearly choking him, as you remained behind, salivating for the living blood pulsing through his arteries. Remmick looked at you from the side, tilting his head, his voice undulating between the three of you like a serpent shaking its venom:
“Darling, your wife was delicious! I hope you taste just as good for my wife!”
The man screamed with all the air in his lungs, while Remmick offered him up like an animal for ritual slaughter—offering him to you. And you took him from behind, draining him with the ease of mortality—no pity, no hesitation.
Remmick watched you with affection and admiration, something growing inside him with the euphoric pleasure of a successful hunt. When you finished draining the man, his corpse now at your feet, he held out his hand to you.
You took it, letting him lead you out of that room to the front of the house, where the open door allowed the silvery light to touch your naked body, your face covered in scarlet—just like his. Remmick cupped your face in his hands, looking at you with his soul reflected in your eyes:
“My girl, how do you feel?”
“Perfect. Just a little
 overwhelmed. I think it’s the thrill of the hunt.”
“Good—” he murmured, leaning in to capture your lips in a wet, filthy kiss—saliva and blood, soft tongue brushing pearly teeth. When he pulled away, a string of bloody spit still connected your mouths.
“—'Cause now, you’ll let me take care of you, darlin’. The way you deserve.”
You felt him penetrate you through the soul, his hands pulling you close into the kiss of the dead upon your lips, speaking to you through your minds:
‘—Let me take care of you, darling, let me take care of you, let me show you how good I can be for you
—’
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𝐅𝐎𝐎𝐓𝐄𝐑 𝐂𝐎𝐌𝐄𝐍𝐓𝐒: maybe it deviated a little from the initial concept of the request (idk), but this one was by far one of the fanfics with Remmy that i enjoyed writing the most, it's side-by-side with my fanfic involving priests, religion, Christian guilt, vampirism, remmick and other little things

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