#modern cinderella+

[h00tzz]

Hiiiii Ghosts fanssss

(🦗🦗🦗)

[adventures-in-mangaland]

Dead Boy Detectives Fic Recs Part 6

Part 1 | Part 2 | Part 3 | Part 4 | Part 5

Sorry its been a while, last month was crazy! Not too crazy for my emotional support fandom, though! You guys are giving me life. So please have another fic rec list. :)

We two boys together clinging by Aliquis

Charles and Edwin explore their romantic and sexual hangups and also help Crystal search for Niko. This fic has everything: excellent writing, developing relationship, rituals, first time, Beltane, a hot priest. This is already a fandom classic and now I've finally read it, I can confirm it's very good! Read the rest of the series too!

The stranger the better by ghostinthelibrary

Everyone's alive and basically the supernatural version of the Men in Black. I love the whole series, but this installment has the boys' first meeting, Edwin insisting he doesn't need a new partner, office gossip and an intriguing case. The prequel also has palasaki and background catwin! Anyway, I'm obsessed with this AU.

Partridge in a Pear Tree by Vamillepudding

Cinderella AU! Charles is basically a Disney Princess and Edwin is Secretly The Prince, it's wonderful. I also loved the worldbuilding and nods to old school Cinderella lore, like the gift-giving tree. So charming, highly recommended.

Wunderkammer by dear_monday, two_ravens

Edwin and Charles (and later Crystal) are functionally immortal and running a magical museum. This fic has a fantastic sense of place (the Athenaeum is a character in its own right) and an intriguingly gothic horror vibe with its sentient exhibits, doors into other planes and unnerving nonchalance about disappearing staff and guests. I would probably die, but I would absolutely go there.

pinch me (I don't want this to be a dream) by shadowquill17

The pince-nez fic! Charles finds a pair of glasses that show him a person's desires. Then he looks at Edwin. It goes about as well as you'd expect. It was inspired by this wonderful comic by technically-human so check that out too!

Let Me Follow by LikeMmmCookies

Time loop fic! The boys get trapped in Crystal's mind, replaying the day of Charles' death. Only Edwin is the New Boy in school and he's alive... Fantastic concept, so intriguing. Plus Crystal being a badass, The Sandman crossovers and Niko!

Oaths of the Forsworn by e_va

Vampire AU! The boys meet while Charles is dying so Vampire!Edwin agrees to turn him. The story is ongoing, but so far it's been focusing on Charles coping with being a fledgling vampire. Compelling.

lasciate ogne speranza, voi ch'intrate by KiaraSayre

Edwin is in Hell. Or is he? Fabulous writing, Hell worldbuilding and gut-wrenching detail. Cw for body horror and torture.

'Cause You Cut Through All the Noise by DontOffendTheBees

Edwin doms Charles in a therapeutic and non-sexual way. That's it and it's great. I loved this for its exploration of intimacy, trust and kink.

Instructions on Being by thewritingotter

Everyone is Alive Modern AU based on an AITA post featuring Charles convincing himself he's homophobic when he realizes he hates Edwin dating other men. It sounds like a funny premise, but really brings the angst and poignancy.

in an alternate timeline's light by plentyghost

Charles finds comics!Edwin hiding in the office. Sweet.

Become So Numb by snowkatze

AU where the Night Nurse doesn't help Charles and Edwin spends another 50 years in Hell. Loved Edwin's mechanism for escape, kind-of-dark Charles and the angsty reunion.

unidentified affectionate object by lyres

Edwin is struck by a curse that manifests his feelings as random objects. Good thing Charles isn't also effected... Very cute with mild angst and a happy ending.

between you and me, suddenly something is on my mind by lolotr

Beach episode! A proper one. Just fun, friendship and emotional support. Plus Edwin in an Edwardian swimming costume, complete with a handy visual aid.

Other Types of Intimacy by Asidian

After a tough case, Edwin takes care of Orb!Charles. (Chorb? Is this chorbwin?) I guess I have a thing for non-sexual intimacy. Seriously, though, what could be more beautiful than someone cuddling your soul?

(black is the colour) of my true love's hair by ObsessedWithFandom

Charles has long hair: the fic. Interesting ghost lore with Charles' hair kind of working like his mood-ring polo and growing when he's happy. And this is an established relationship payneland fic, so lately he's been very happy. 😜 Honestly, as a child of the 80s, Charles deserves to have long hair. I need more fanart!

@ghostinthelibrarywrites @shadowquill17 @tumblerislovetumblerislife @lolotr @technically-human @dont-offend-the-bees @neurodivergent-fangirling @fishy-lava @many-gay-magpies @cordelia-noir @whatthehorsedoicallthisblog @shazziez @extremely-eager-reader @atariakana @tragedy-machine @guardianspirits13 @colourmornings @herebehunters @dearheartdont @avoiceofnerat @littlepocketuniverse @overlord-of-chaos @fairandfatalasfair @handwrittenhello @every-moment-a-different-sound

I've added some tags for people who left fun tags/comments on previous lists. Let me know if you'd like me to add you on the next one. :)

[bressynonym]

ghoap as... the jimas

[fairytale-poll]

BEST MODERN FAIRYTALE ADAPTATION! ROUND 1D, MATCH 2 OUT OF 4!

Princess Tutu (2002 - 2003) is based off the Ugly Duckling and Swan Lake; Mermaid Melody Pichi Pichi Pitch (2003 - 2004) is based off the Little Mermaid; A New Magical Tale! Mofuderella is the Star!? (An episode of Mahou Tsukai Pretty Cure) is based off Cinderella.

Propaganda Under the Cut:

Princess Tutu (2002 - 2003):

This show is PHENOMENAL. Starts as a fairy tale show, slowly starts to discuss fate vs free will and the archetypes that fairy tale characters have to play and what would happen if they could fight the narrative. Also has one of the most perfect endings to Duck's arc that any protagonist could ever have.

Mermaid Melody Pichi Pichi Pitch (2003 - 2004):

I love my magical girls

A New Magical Tale! Mofuderella is the Star!?:

I love that transgender teddy bear so much

[demigodofhoolemere]

I’ve been seeing this float around on Facebook lately and it’s bugging the crud out of me:

What is with everyone’s obsession with insisting it’s bad to need to be rescued? For as long as the human race has been on the planet, people have had problems that they needed other people’s help to resolve. Needing help is not a failing nor should it be the takeaway from these princesses’ stories as if it’s a bad thing that makes them weak. Yes, they do need help. Your point?

Snow White and Aurora were both under a curse that rendered each of them effectively dead. Were they supposed to magically wake themselves up? I’d want to be rescued if I were them. Plus, breaking it down to “she needed a prince” belittles the efforts of the Seven Dwarfs and the Three Good Fairies, who did most of the legwork in the resolution of their respective movie plots out of deep platonic love for the girls under their care. Then there’s Cinderella, who lived in an abusive household. It’s not a weakness that she wasn’t able to get out of that situation on her own, and once again, giving all the credit to the prince (and credit where credit is due, he did search far and wide for her and was able to take her away from that life in the end) detracts from the aid provided by the Fairy Godmother who enabled her to get out in the first place. All of these ladies had more helpers than just their princes, and it is because of the combined love and efforts of all of these people that our heroines were able to have their happy endings. There are plenty of great stories where the heroine is able to fight for herself, but these particular stories aren’t about that because these ladies are each in terrible circumstances where they simply don’t have the ability to do so. They do what they can, but in the end they can’t save themselves alone and there’s nothing wrong with that. These are beautiful stories about having people in your life that value you enough to fight for you when you can’t fight for yourself. Wouldn’t we all want someone to come to our rescue when there’s nothing we can do about our situation? Is it not a good and comforting moral to show that there are people in your corner who will show up for you no matter what the circumstances?

The other thing that’s bugging me about this:

Leia has to be rescued. By a man, and at that, one who could technically be seen as a prince. No one bats an eye at this, because it’s understood that she’s being held prisoner on the Death Star and couldn’t possibly be expected to get out of that on her own. It’s not seen as a weakness that someone had to come for her and take her away from there. Leia is awesome and is rightfully acknowledged as a great heroine, but she also needs help sometimes, because everybody does.

So WHY do people get so hung up on these princesses who also shouldn’t be expected to get out of their own prison cells of eternal sleep or abusive family by themselves? Why the strong negative reaction to girls needing outside help in such serious scenarios? For all that people say these stories teach girls to sit and wait for a man to save them, the stories themselves absolutely never try to say that, and frankly, with the opposite trend in recent years of fictional women who have to do everything on their own and can’t be shown to need help because they have to be the Strong Female Character, I’d be far more concerned about the impact that would have on girls. Far better to say you might need help at some point in your life than to instill the idea that you’re not a strong girl or not good enough if you can’t do everything by yourself.

Anyway. Justice for the classic Disney princesses.

[elegantwoes]

Contrary to what some might believe the fanon interpretation of Cinderella isn’t the slight they think it is to her. I mean take a look at her situation. If we go by aesthetics of the Disney movie the story takes places in 1800s England, Cinderella’s family estate has been taken over by her stepmother, she’s forced to do unpaid labor the whole day, and though it hasn’t been said out loud it’s likely her education had been put to stop the moment her father died. Meaning Cinderella has no title, no estate, no money, and no formal education. If she tried to run away there would be no resources to help her.

Cinderella is quite literally stuck between a rock and a hard place. The only realistic way that Cinderella could get out of her situation is by marrying and marrying well. So while marrying a prince might not have been Cinderella’s goal when she went to the ball, I think that there’s nothing wrong if that was her intention. In this scenario she does the opposite of what she is accused off (i.e needing to be rescued).

In fact in canon Cinderella saves herself too. The only reason why the fairy godmother comes to her to fulfill her wishes is because she never stopped believing, she literally says that to Cinderella. And the reason why the mice, the birds, and the dog go so hard for her is because she saved them and showed kindness to them first.

So whether in fanon or in canon Cinderella doesn’t need any saving.

[barnlarn]

A delivery girl and a prince meet on the road to the palace.

Maybe she works in the little hamlet nearby at a shop her stepmother owns that sells coffee and hand-made goods while her lazy stepsisters mooch off the shop's profits. She probably delivers soap and such to the palace for the servants on her bike since her stepsisters hog the only car.

[citylighten]

BEGINNING // PREVIOUS // NEXT

@damseljamsel @edyavtostopom @simmiekenz @sunwolff @yavannah @bougiesimmer @ophernelia @omgkayplays @stevihj @linnyuy @spnmoosejerk @rainymoodlet @quesims @waitingforspoons @keesimziaa @swiftviolets @joannebernice @ardeney-sims @crimewriter @havenroyals @straightouttasimulation @percosim @sweetnovember77 @carterscowplants @smok3inm1rrors @literalite @kennishevsims @lynzishell @really-cool-art-13 @emperorofthedark @bitzsims @lushnightjelly @nightlifeseries

[magentacravat]

An art trade with @greenhairedfae :3 Something is steaming in the coffee shop.... and I am not talking about coffee.....

[artist-ellen]

Modern Cinderella

For Cinderella's modern look I initially wanted to move in the direction of her 'maid' outfit. Most of her in-movie fashion is very 50s inspired and not that "out of fashion". So I decided on blue jeans and a rolled sleeve shirt that is more in the direction of a 'work' outfit (why all these "? I don't know they just keep happening) but then the color palette and headband are accidentally closer to her ballgown so.... either way she hopefully looks like Cinderella?

I am the artist!!! Don’t repost without permission & credit! Thank you! Come visit me over on: instagram.com/ellenartistic or tiktok: @ellenartistic

[ringringkittycat]

[conformi]

Clyde Geronimi, Hamilton Luske, Wilfred Jackson, Cinderella, 1950 VS Charlotte Perriand, Savoie, 1930

[artthatgivesmefeelings]

Louise Jopling (British, 1843-1933) A modern Cinderella, 1875

[fairytale-poll]

BEST MODERN FAIRYTALE ADAPTATION! ROUND 2C, MATCH 2 OUT OF 2!

Fire & Hemlock by Diana Wynne Jones is based off Tam Lin and Thomas the Rhymer; Carrie (1976) is based off Cinderella.

Propaganda Under the Cut:

Fire & Hemlock by Diana Wynne Jones:

One of my favorite books. "As she clears out her old bedroom, Polly discovers that below her memories, in which she led an entirely normal and unremarkable life, there is a second set of memories, which are rather unusual." It's about memory and taking control of your life. Also books. It's one of those books that get better the more you re-read it.

Carrie (1976):

Ohhh Carrie is so special to me. Cinderella who takes revenge by arson, we love to see it. A fairy godmother who used to bully Cinderella and uses her good deeds as a way to apologize, we love to see it! The movie is pretty rad because it really leans into the religious/gothic aesthetic you might expect from a Grimm fairy tale and ramps it up all the way, it's such a gorgeous movie!

[doverstar]

So question: The disney sequels have a mostly-deserved reputation for being unnesscary cookie-cutter cash grabs. Are the any that you think were actually enjoyable?

Hi, you mean the live-action remakes, right? Actually, yes! Read below.

Yeah, I enjoyed:

Alice in Wonderland (2010) Cinderella (2015) Beauty and the Beast (2017) Christopher Robin (2018) That's it. 1. I love Alice in Wonderland (the book, and the story in general). It's special to me. Burton's Alice is an actual, genuine sequel film supposed to take place years after the events in Alice's in Wonderland. It borrows elements from the novels Disney didn't fit in in the animated version, and it brought together creative minds who were perfect for bringing Lewis Carroll's Wonderland to life in fresh ways. I like Alice in it in particular; Alice is the only female character I will tolerate people calling a 'feminism icon' or any variant of that, and in this movie, my reasons why are on full display. I could elaborate, but that would take too long, so I won't. I love Alice in Burton's movie; she's book-accurate to a T, right down to the wild mane of hair from the original illustrations, and having her champion Wonderland and rekindle her 'muchness' was a perfect character arc for an older Alice. Again, could elaborate, again, not going to. 2. Cinderella (2015) is a national treasure and there's nothing wrong with it. Nothing. It's exactly as colorful, magical, and moral as it ought to be. The writing is exquisite, the simplicity of the theme "have courage and be kind" is so well-done, and again, perfectly cast. If you're going to remake an animated classic, this is how it's done. Take the best points of the original story and expand on it; try to make it even brighter. A++. 3. Let me be clear. Let me explain about Beauty and the Beast (2017). I would rather watch the original, animated BatB every single time. I only included this film on my list because I like snow, and I like the new songs, and I like the costumes (except Belle Watson's dress, put that zipper AWAY-) and I like Ewan McGregor, and I like Emma Thompson, and I like Dan Stevens. It's a feast for the eyeballs and the ear holes, sort of like the original (but nothing even close to the original). I won't duck my head and act like I didn't have fun with this film when it first came out, or like I wouldn't turn it on late at night if it was snowing outside and I had a fire going. In the right mood, I would. Visually appealing. Musically delightful. Everything else about it is garbage, and a waste of time. I spit upon it all. Emma Watson played a plank of wood in a dress whining about women, the Beast's character arc deserved more, Gaston should have been worse, Lefou was a joke, no. No. Ew, ew, ew.

4. Christopher Robin (2018) was an actual sequel, like Alice, and everyone should watch it. Everyone should make their favorite warm drink and go get a blanket and watch it. Again, nothing wrong with it. Absolutely wonderful from start to finish. Pooh is himself, Piglet is himself, they're all themselves. All of them. And Ewan McGregor was stellar. The theme, the execution, the pacing, genuinely a flawless love letter to everything about Winnie the Pooh, and Disney's version of Pooh, and the whole Hundred Acre Wood, including the ones we all had when we were children. Exactly what it should have been. No notes. A++. Yes! I enjoyed those. Had fun with those. None of the others.

[kperea12]

Learning the Alphabet With Musicals

All images and video are not mine and belong to the original owners.