#modern age France

[giacuamood]

French Communist Party Headquarter

Architect Oscar Niemeyer

[transformers-synergize]

What year does synergized take place?

There is no set year, but it takes place sort of in the mid-2000s, at least technology-wise for humans. Aesthetically, it's somewhat a mix of multiple decades.

I set the technology at the mid-2000s for two main reasons. One a lot of my inspirations for this project are shows/comics from around that time, and two, the major reason I don't want to write smart phones or modern type social media. I don't find it fun to write (mostly modern social media integration), and what is considered modern changes so fast. No matter how up-to-date I try to keep it, the nature of a long-term project like this, it will fall behind anyway, so why not set it slightly in the past where I already know we're human technology is at and will go...

I kinda got a light alt-history thing going on where no real-world brands, cities, or countries are name-dropped. It feels pretty close to our world, but occasionally, a character will mention something like "at least Earth only had one world War" or how theirs a town that and all the people living in it mysteriously all turned into solid metal like 300 years ago, also it just a tourist attraction you can just visit now or religions/holidays being lil different from the real-world ones, the vibes are definitely east coast America, and it is sorta set there but it is definitely not a 1 to 1 with the real world (sorta how Steven universe handled things)

[scavengedluxury]

Centre of New Industries and Technologies, La Défense, 1974. From the Budapest Municipal Photography Company archive.

[ltwilliammowett]

Wrecked in Le Magouër, Bretagne, France von Emmanuel Lemée Über Flickr: www.facebook.com/EmmanuelLemeePhotographie

[timmurleyart]

Sailboat in the sea. ⛵️💦⚓️

[empirearchives]

An allegorical print shows George III championing peace, from The Rise of Modern Warfare: From the Age of Mercenaries through Napoleon

British propaganda game strong 🤌

[schlock-luster-video]

On June 8, 1968, Here We Go Round the Mullberry Bush debuted in France.

[circuloearth]

Did a google image translate of the bottom part and this is what I got! It’s about the Second French Intervention in Mexico when Napoleon III installed Austrian archduke Maximillian I (a member of the Habsburg family) to Mexico as emperor. Basically Frances’ attempt at installing an empire in Latin America while the U.S.A couldn’t enforce the Monroe Doctrine because it was busy with a civil war between the Union and the Confederacy.

I think the reason this historical event was talked about here is because the American Civil War was caused via a domino effect after the Annexation of Texas and the Mexican-American War during the 1840s, where the U.S. gained so much new land, causing dispute on whether the new states should be permitted to practice slavery or not which lead up to the civil war in the 1860s.

And you know looking at the bigger picture, all of this westward expansion from the U.S. from “sea to shinning sea” made it so that it became a global super power in part because of it’s strategic and advantageous geography.

* Note* - Mexico is a North American country, often mistaken as being a South American country probably because of people interchangeably misusing the term Latin America with South America. And I’m pointing this out because it might have been a mistake in the scanned booklet above.

American Civil War In Hetalia Canon

※1 At that time, black slavery was allowed in some states and wasn’t allowed in other states, and although Lincoln allowed the slavery in the Southern states, he was in opposition of its expansion in newly added territories of the USA. The reason why he declared the abolishment of the slavery was to get the support of England, as [England] have already abolished the slavery.

*Translator note: Untranslated section is about France aiding Mexico, not about the Civil War*

I was kinda shocked to learn about canon material about the American Civil War. I think even these 2 pages gives interesting information about America during the Civil War. I believe this pretty much confirms America was not split into two during Civil War.

I would really love to translate this whole book but I have no time for now TvT Hopefully when I have time at summer though would love to do it! Also yeah, that’s why the scanlation and editing looks terrible because I did it in a rush and not used photoshop.

I hope you enjoy it regardless!

[mikurulucky]

So this reddit comment has some interesting info about squires in the middle ages and what role they played. Apparently, they weren't ALWAYS knights' servants and the role kinda varied depending on the time period and country.

Certainly explains why Jean de Carrouges and Jacques de Gris were squires for much longer than what's popularly thought regarding when squires could be knighted. I believe they were both in their 30s when they met and were still considered squires for a while?

[sincerelybubbles]

could you write something where the reader is listening to reid going off on his tangents and when he gets insecure, just straight up saying. "no, go on. i like the sound of your voice." ? ty! 🤍

Don't shut up // no warnings as far as i can tell? lmk if not <3 pure fluff!! ty for the request <333

"They usually called her the Limping Lady but there's really no way to tell how many pseudonyms she used," Spencer is saying, dragging his hand through your hair where you lay on his lap, His other hand is busy grasping at the air while he talks.

"Because of the prosthetic leg?" You ask, urging him to continue talking. You're nearly asleep, eyes heavy and chest loose with the comfort of his proximity.

"Yeah. She actually nicknamed it 'Cuthbert' when she got the wooden prosthetic. It's actually pretty interesting - people have been using prosthetics for a really long time. We don't know exactly when people started using them in modern medicine, but the first evidence we can find of them dates all the way back to ancient Egypt where they found a prosthetic toe."

The documentary Spencer put on over an hour ago about World War II has long since been paused, Netflix's blinking "Are you still watching?" hovering uselessly on his laptop screen. He paused it ages ago to discuss the inaccuracies about Hitler's past, then Italy's involvement in France and the parallels between the almost French famine and the Irish famine, leading him to Virginia Hall.

All in all, you're in heaven. He's been stroking your hair, blunt nails scratching every so often, voice rumbling through his chest and stomach where your ear presses against. He's talking calmly, even, if not slightly rushed, like he can't wait for even a breath to keep telling you about everything he knows.

"I just want you to know all of the things I know, too, you know?" He told you once when you urged him to slow down. He's learned to take his time with you, eventually, realizing that you're not waiting for your opportunity to jump in. You don't spend your time with Spencer figuring out when it'll be your turn to talk next; instead, you lull in the comfortable space of listening while knowing he'll return the favor the moment you have something to say.

"Sorry, are you trying to sleep? I can shut up and turn the movie back on," Spencer says suddenly, hand stilling in your hair.

You open your eyes slightly to find him looking down at you, lip caught between his teeth, a hesitant look in his eyes.

Spencer doesn't often get insecure like this around you - you've spent plenty of time convincing him that there's no need - but moments like this still happen. You suppose it's a natural product of constant teasing and bullying through childhood.

"I don't mean to ramble," he mutters when he catches your eye.

"No," you say, interrupting him and reaching up to brush your fingers across his cheekbone and up to his eyebrows. "No, Spence, I literally love the sound of your voice. Please, keep going."

You watch him melt, afraid for a moment that his liquid brown eyes will start to water. You make a concerned noise, about to sit up and comfort him further, when his hand moves to press down on your collarbones. He holds you in place as he looks at you for a second, heated gaze causing you to feel warm. Slowly, he bends to press a kiss on each of your eyelids, right below your eyebrows. He rests his lips on the bones there for a few moments before moving to the next.

"I love you," he murmurs, the truth of the statement oozing out too sincerely to ignore.

He doesn't give you a moment to breathe before diving right back into his explanation of how ancient prosthetics were integrated into modern medicine, hand resuming its path in your hair and voice slowly bringing you to a calm half-nap.

[leafyisgreennotblue]

With Legends Z-A, I gave him the unavoidable design. I had written so much background and trying to get it on Insta was a hassle, but luckily I’ll be able to fully put it here with no issues,,:

It was hard to steer from the typical older Emmet look but I tried my hardest to make it seem like it would’ve been. I tried looking up France fashion from 1600-1900 but it was either some ridiculous outfits or suits, and since it mentioned the redevelopment of Lumiose City, it was either working up from something like Jubilife village or was upgrading from what it already is. I’ve heard a lot of theories that Legends Z-A will be taking place in the future or bounce back from future to past, but since it’s hard to incorporate futuristic outfits without knowing “how futuristic” it’ll be, I stuck to something from a layer time period in France. I drew him more of a square shape in his eyes instead of triangular, both to signify age and his lost connection with Ingo. Maybe not a permanent design but I think it adds a lot to his demeanor. He kept Basic stuff like he still has his coat, hat, etc. because Ingo got to keep all his old stuff too, but since the trailer looked more modern and Pokémon were with people, I don’t think it would be all destroyed like Ingos just cause it seems like a more civilized nation alongside pokemon and if it really did get destroyed in some way, I have a feeling he would be able to get it repaired without it getting ruined again. Also in terms of the suit I think the darker color is a good parallel to Ingos pearl clan outfits lighter colors. A lot of the design choices were meant to parallel him anyways. Since Ingo had lost his gloves in his Hisui design, giving Emmet new ones felt appropriate for some reason. In terms of the cane I gave him, not only is he an old man, I think it’s kinda needed. Ingo had that little wristband to signify he was a warden, while I think the cane could be useful for a mega stone wink wink nudge nudge. Cute little accessories for them I’m so nice 💀 he could definitely have a slower lifestyle in comparison to Ingo, and I definitely could see him working at Lumiose Station (if it exists in this game) and even though he would most likely have his memory wiped too, Ingo still said the same train themed quotes even with his memory gone, and even then he still had SOME memory, it was just very faint. Emmet definitely could feel some “connection” to the station and say stuff like “Some late nights I think I see a man who looks like me, but upon second glance it’s just my imagination. Even if I can’t seem to shake it from my mind, it seems I still wish to see him again…” anywho for the drawing, I made a few references. The main one just being a reference of design, but the one in the top right corner was a small reference to Alabaster Icelands. I’ve seen a lot of people use the snow to give Ingo flashbacks to Emmet, and while I think my station one is more closely related to Ingos darker color scheme, I think having him in the snow was a good nod to that. The bottom right corner was a reference to a drawing (that probably most people already know what I’m referencing) that had Pokémon that I thought resembled them, and one of the ones I had included for Ingo was Klefki. So just a little salt to the wound (it wasn’t even that bad.) Anywho, I know the design isn’t very refreshing, but I tried to keep it as canonical as possible.

[noneorother]

The puns are never ending : Aziraphale's miraculous "visable" bullet.

Aside from this closeup diagram of how to perform the bullet catch being objectively hilarious, it's also got a pretty fascinating *spelling mistake*.

If you look closely at the part of the pamphlet in red, you'll see that the bullet should be hidden in the mouth where it won't be visable. Not "not visible". Not visable. Seems innocuous enough right? But of course, the layers are never ending.

"Visable" is actually a Middle English word, *not* a modern English one. The last time it was used was before the printing press was invented, so pretty old. Here's a little background :

What's really fascinating though, is that just like the expression "dark horse", the word has two meanings : one is "Capable of good judgement, prudent" the other is "Tractable and docile".

There are also only two examples of the word in context that I can find, and they really should be sending you into orbit :

The first one is actually from Henry Lovelich's translation of the French epic poem "The Romance of Merlin" also known as the first English treatment of the Arthurian legends. It's modernized as "He was a worthy knight, valiant and visable in every fight." Which uses the "good judgment" meaning and sounds... a lot like Aziraphale in his role of guardian and protector.

Why do we care? They are standing literally in front of Excalibur, Arthur's sword.

The other one is from "Ipomadon", another middle English epic poem about a hidden identity romance between a beautiful but proud heiress, and her dark knight in disguise. "She was... visable and virtuous, meak and mild, and marvellous." Which clearly uses the "tractable and docile" meaning, but also... kinda sounds like Aziraphale in his damsel in his distress mode, which:

Ahahahah fuck off. But wait, there's more!

I originally twigged to this error because if you, like me, also happen to speak the language of la plume de ma tante, you know there's a reason why the uses happen in epic poems that originated in France: it's a loan word from old French, and still exists today in modern French, but it doesn't mean tractable and docile...

For the non-french speaking among you, it's a derivation of the verb "viser" :

Verb 1 To aim 1.To aim, to carefully direct one's gaze or a weapon towards a goal to throw something at it.

And so, if you happen to be, oh I don't know, a demon and have been alive for thousands of years and can definitely speak all the languages on earth and happen to have participated in the Arthurian age in England, when you read that pamphlet really carefully because someone is making you do a crazy stunt and there's a miracle blocker on, you could *conceivably* have read the instructions as:

"IN THE NAME OF ALL THAT YOU LOVE, DO NOT SHOOT AZIRAPHALE IN THE FACE." ________________________________________________________ Thanks to @thebluestgreen and @embracing-the-ineffable as always.

[ltwilliammowett]

Sailors Superstition - Brittany

Many of the superstitions that the seafarers had coincided in many ways with those of many countries in Europe and America. But there are also some country-specific ones, and here today are the Bretons.

For example, our Breton friends believed that if they saw a donkey when they went out, it was a good omen. Because the animal was thought to be stupid but brave.

In other navies, such as the Royal Navy, the Norwegians or the Danes, rabbits were taboo on board, as they were considered to bring absolute bad luck. So with the Bretons, it was enough to see a rabbit to bless the voyage with bad luck, and fishermen could then pack up and go ashore again, because they could no longer expect a good catch.

Black cats were equally unpopular with fishermen. Unlike in the Navy, where they were considered lucky. But the fishermen also believed that seeing a black cat before setting sail was enough to postpone or even cancel the trip. It was also once believed that black cats possessed the power to ruin the day's catch if they merely crossed the path of the fishermen here. Although they were considered unlucky, they could not simply be killed, because that would bring bad weather.

The bird kingdom was also affected by superstition. So the fishermen didn't want to encounter a Comoran, because it would make for a small catch and if it screamed, a storm would soon come. The same applied to the cry of seagulls, when at the same time the waves rolled onto the beach.

A similar belief prevailed in the bay of Saint-Malo in the east, where the sight of seagulls on the Phare du Jardin lighthouse announced that a ship from Saint-Malo had been lost; the number of resting seagulls corresponded to the number of expected fatalities.

Black-headed seagulls, however, were considered a good omen for good weather.

Women were also a contentious issue, because normally women were not allowed on board ships because they would bring bad luck. They were also not allowed to comb their hair on the beach after dark, because that would cause a storm. But to get a good fishing season, the captain's wife was allowed to choose a man from the crew to spend the night with. To calm the sea, the woman lifted her skirts in the early morning and showed her unclothed underbelly to the sea.

The fishermen were also afraid of rainbows. They were considered a bridge between the living and the dead and could bring the sailor to the land of the dead if he sailed under it. That's why he had to spit on it, which would disrupt the sphere and the bridge and then he could safely pass under it.

[needle-thread-thimble-spear]

I find the cultural phenomena of the maid as opposed to its direct descendant (the generalized domestic laborer) to be really interesting, particularly in the transfeminine sphere. This post is gonna be kinda rambly and not have much a point and involve discussion of kink topics, abusive relationships, transmisogyny, colonial violence and its consequences, etc so heads up for that but anyway.

Starting with the regency/early victorian era Europe, there's this gradual development of a complex household structure among the upper classes, which caps out in the late victorian/edwardian era. This environment forges the "prototypical" idea we have of the maid, whom you'll see in period pieces and historical fiction. She might have worn a (modest!) black and white outfit, she might not have. If her employer is relatively poor she may supply her own clothes. Regardless though, she's a servant for someone wealthy enough to keep her on. Her employer might have inherited their wealth, or found success in a relatively new and burgeoning capitalism, but they were definitely a member of one of the upper classes. She might come from a working class family, or depending on her role, from the petty bourgeois/lesser nobility (it wasn't uncommon for a young lady to have a "companion", often poorer relative with no prospects of her own). It's interesting (though in hindsight not particularly surprising) how the space from where some women might become maids, wasn't very far away from the space where a family might keep on 1-3 people on staff (if you'd like to read more on this, Emily Post's original etiquette, written in 1922 is available for free on Project Gutenberg. Its a really interesting text, here's a summary of the maid section I wrote).

Anyway. Its around the height of this period that the "french maid" is codified. Apparently (my research on this isn't the most extensive I'll freely admit) it wasn't uncommon then for the english upper classes to hire maids from France. Wealthy men became quickly fascinated with them, and before long the french maid is a staple in the erotic material of the age. My understanding is that this is how the black-and-white stereotypical maid dress entered the public consciousness, since that was common at the time (indeed, other time periods and places had different standards for uniforms!) and is what the french maid in life would have worn.

After the world wars, the social landscape of wealthy people changed, the concept of the "middle class" crystalized, and a number of household appliances changed the nature of housework quite drastically. Most of the families that would have been considered middle class a few generations earlier stopped keeping on a "maid of all things". Very wealthy households would hire fewer members of staff, or simply stop hiring a permanent staff altogether. From then on, it would be the role of the housewife to do the domestic labor, or otherwise one keeps on a cleaner or a cleaning service who comes around every once a while. Eventually we enter the modern understanding of domestic labor, where live-in servants are rare and when they do exist they are often supplemented by cleaning services with no allegiance to any one household.

Meanwhile, the french maid continues along as a stock character, not just in explicitly erotic material but comedies and even historical/speculative fiction (and thus quite removed from her possibly more apt "prototypical" counterpart, see most anime/manga maids and "butlers"). At this point she may or may not bother with being french, and she may or may not bother with any domestic labor. The maid outfit (later costume) ends up as a stereotypical, almost trite set of clothing for sexual roleplay. It's in this environment that some early culture of "sissy" or "forcefem" kink latched onto the french maid. Since that avenue of kink focuses on feminization as humiliation, the positioning of the sub as a domestic servant for the (petty) nobility (which to be frank, is a pretty humiliating role all on its own, speaking from experience) dovetails into the whole shtick quite neatly.

Others more clever (and more concise...) than I am have written about how what makes forcefem hot is the transmisogyny. The transfemme is set up to hate herself, to self destruct, to feel shame and self-disgust, to feel terrified of herself, for what she is. I'm not gonna bother spelling out the connection here. A lot of transfemmes (even if they are terrified of it and try to avoid it like I did) find their way into that space pretransition. Or if they don't, they certainly become aware of it after they begin! And then we get all this response within our own culture. We reclaim "forcefem" as a term, maids become a common motif in the form of dolls in empty spaces type literature, but that undercurrent of internalized misogyny and shame still sits there I think. Don't mistake me, this isn't some sort of sex negative tirade against maidkink (that'd be a hypocrisy anyhow!) Rather I'd like to make the argument that we're frequently reclaiming something traumatic through it, even if we don't quite realize it. As transfemmes we often self efface when it comes to (trans)misogyny I think. It's easy for us to say we had an easy ride or that it wasn't so bad. But even so, ask yourself, would you be interested in maids so much if you weren't really badly hurt?

I want to end this going back to domestic labor. It has hardly been my career to this point. In fact, I've only spent a few months of my life as a housecleaner, several years ago before I transitioned. Those also happened to be some of the most grueling and torturous months of my life. A lot went wrong that summer. The work was physically demanding and the hours were long. It was one of my first experiences really working and I felt very loyal to my boss, whom I had a tangential personal relationship toward. I was alright at the work but I did it slowly, putting me behind my quotas. But the worst of it was the cementing of the unhealthy relationship I had with my ex into an abusive one. I won't bore you with the details, and beside they're torturous to relive. I'm afraid you'll have to take my word for it, I don't think I've felt so much shame and fear so intensely and for so long a duration since then. A screening of Silence of the Lambs was involved. What we've been through, what we've been subjected to, frequently leaves us pliable doormats, eager to please and easily abused. Many are eager to use us for that, and few things can feel so good as kind words from an abuser. If you're like me, maids are a lot about those feelings. The (trans)misogyny we undergo is a real phenomena. Maids for me is an acknowledgement of that.

Post Script: I think it's important to acknowledge how the history of domestic labor has been shaped by racial violence as well as (trans)misogynistic violence. In the United States, the prototypical maid could be white or black to suite the tastes of the employer. In northern culture, the maid was generally whiter than snow, because she was presumed to be better than her counterparts, thought to be less likely to steal and better mannered. That's what made the northern lady comfortable. In the south, the maid (who was often, maybe almost always black I'll have to do more research) was either enslaved or had ancestors who had been recently. Domestic staff being black was part of the mechanism of settler colonialism in the south. The southern lady was more comfortable seeing black women explicitly beneath her, so they were maids. I say was, but these attitudes persist, in one form or another, across the US today and influence who works where. In the modern domestic labor field, a lot of the workers are immigrants. When I did work cleaning houses, I met a lot of people from the Caribbean or Latin America. Remember when I said before that live in maids are rare, and often supported by outside cleaners? One of the women I met doing that job was a live in maid from the Caribbean (I wish I remember where but I'm afraid I don't. I was going through a lot at the time my memory of it all is difficult to access in good circumstances) who was responsible for cooking and laundry. We came in to do wetwork and dusting/vacuuming. That family had more money than grains of sand, and they weren't even so rich tbqh. At my agency, we'd usually get a temp staff from Eastern Europe to do the work but they were unavailable at the time due to the pandemic, so Americans were hired instead. It should be little surprise that a settler colonial state will oft assign the women of its (oft imported) underclasses to do any sort of difficult manual labor (particularly the kind that happens behind the scenes!). The institutions of sex, which disadvantage women (and trans women still further), are but one avenue of hierarchical social violence and these intersect with one another tightly.

Hope you enjoyed reading this ramble, and that you found it illuminating!

EDIT: removed a poorly constructed sentence that doesn't read well and utilizes figurative language in a place that should be more clear

[hotvintagepoll]

Propaganda

Hedy Lamarr (Samson and Delilah, Ziegfeld Girl)—Look. I'm sure someone has already submitted Hedy Lamarr because she was spectacularly beautiful, and a very strong lady too: she fled both an abusive marriage AND nazi persecution at a very young age and rebuilt a life for herself pursuing her love for acting all on her own!! Her career as an actress was stellar; while she began acting outside of Hollywood (her very first movie, Ecstasy, won a prize at the Venice Film Festival), she conquered American hearts very quickly with her first movie in the US, Algiers, and then just kept getting better and better. If all this isn't enough, she was also an inventor: her invention of the frequency-hopping spread spectrum radio transmission technique forms the base of bluetooth and has a lot of applications in all kinds of communication technologies. I think that deserves a prize, don't you?

Gina Lollobrigida (Solomon and Sheba, The Hunchback of Notre Dame)— One of the highest profile movie stars in Europe across the 50s and 60s. International sex symbol. Starring in European and American movies. She appeared in movies alongside Hollywood stars such as Humphrey Bogart and Rock Hudson. Was in 54 movies by 1970. A MOVIE STAR in every essence. Has a star on the Hollywood Walk of Fame. Won three David di Donatello, a Golden Globe two Nastro d'Argento, and six Bambi awards. And nominated for more.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Hedy Lamarr:

The only person you can find both on the Hollywood Walk of Fame and in the Inventor's Hall of Fame--her radio-frequency-hopping technology forms the basis for cordless phones, wi-fi, and a dozen other aspects of modern life. She was also passionate in her efforts to aid the Allies in WWII (unsurprising for a Jewish-Austrian Emigree to America), and her name served as the backbone for one of the best running jokes in what is possibly Mel Brooks' best movie. Look, Louis B. Mayer apparently believed he could plausibly promote her as "The world's most beautiful woman". Is an entire website full of people going to be less audacious than one Louis B. Mayer? I didn't think so!

Described as "Hedy has the most incredible personal sophistication. She knows the peculiarly European art of being womanly; she knows what men want in a beautiful woman, what attracts them, and she forces herself to be these things. She has magnetism with warmth, something that neither Dietrich nor Garbo has managed to achieve" by Howard Sharpe, she managed to escape her controlling husband (and Nazi Germany) by a) Disguising as her maid and fleeing to Paris or b) Convincing the husband to let her wear all of her jewelry to a dinner, only to disappear afterwards. Also she was particularly clever and helped develop Frequency-Hopping Spread Spectrum (I can't really explain it but anyway...)

Her depiction of Delilah and Samson and Delilah just lives rent free in my head. The woman was gorgeous.

One of the most beautiful women ever in film, spoken by many critics and fans. Beautiful shapely figure, deeper seductive voice, and often played femme fatale roles. She was also brilliant and an inventor. Mainly self-taught, she invested her spare time, including on set between takes, in designing and drafting inventions, which included an improved traffic stoplight and a tablet that would dissolve in water to create a flavored carbonated drink, and much more.

Gorgeous and brilliant pioneer of modern technology and the middle part.

Gina Lollobrigida:

She was an international sex symbol once dubbed as The Most Beautiful Woman In The World. She acted in films in both Italy and France before starring in Beat The Devil with Humphrey Bogart. When portraying soprano Lina Cavalieri, she sang all of the songs in her own voice. This role won her the very first David di Donatello Award for Best Actress, Italy's academy awards.

She was one of the highest-profile European actresses of the 1950s and 1960s, a period in which she was an international sex symbol. Humphrey Bogart once said of her: "She makes Marilyn Monroe look like Shirley Temple."

Literally starred in a movie called "The Most Beautiful Woman in the World". I rest my case.

[schlock-luster-video]

On December 1, 1982, E.T. the Extra Terrestrial debuted in France.

Here's some new fan art!