#mirabel saves the day

[i-am-not-your-little-princess]

Toilet Humor

This is set in the same universe as my previous Christmas post.

Mirabel unknowingly gets Agustín out of a speeding ticket on their way home. Three year olds are hilarious😂

Agustín, pulling over to the side of the road: Crap, crap, crap! Dios mío, Julieta is going to kill me!

Officer: Hello, sir. My name is officer Santiago. Do you know how fast you were going?

Agustín: Ahh, sí, I'm sorry, I apologize, we were just on our way home and I-

Mirabel: PAPÍ, I HAVE TO POOP!!

It seems Agustín is just as shocked as officer Santiago at his little daughter's very bold and very unannounced statement.

Officer Santiago, peering into the backseat: And who is this little one?

Agustín: That's Mirabel. She doesn't like to poop in public places. We're...we're working on it.

Officer Santiago: Ahh...

Mirabel: Hi! I'm Mirabel!

Officer Santiago: Mirabel? What a pretty name! And how old are you, Mirabel?

Mirabel: One...two...three...Three!!

Officer Santiago: Oh, wow, you're a big girl!

Agustín: Yeah...this one was a pretty big...surprise for us all. She still is, apparently.

Officer Santiago: Yeah, three year olds will do that for ya!

Mirabel: Papí, I really have to poop!

Officer Santiago: Okay, so I'm going to let you go, just please drive safe, and slow down.

Agustín: Of course, won't happen again! Have a good day!

Officer Santiago: You as well! Bye Mirabel!

Mirabel: Bye-bye!

Agustín turns in his seat before pulling the car away.

Agustín: Miraboo?

Mirabel: Sí, papí?

Agustín: Did you really have to go poop?

Mirabel: Well, I didn't have to THEN, but NOW I really, really do!

[starlitmeadows]

family sketches

[oediex]

Day 19 of posting a kitten every day until I can foster again

is it even legal to be this cute

[siffrin-enthusiast]

can you imagine being mirabelle isat. can you imagine barely escaping the king's takeover by the skin of your teeth and its only because of the sacrifice of everyone else. can you imagine going to vaugarde's defenders, the people specifically designated to help you in situations like this, and all but one refuse. you tell them everyone will be frozen in time, that you almost were, that they will be frozen and they refuse. can you imagine seeing more and more of your home frozen in perpetual decay. can you imagine your only companions, the only people left, being strangers you've known for barely a few months. can you imagine having to bring a child in your quest to save the world because there is nobody left to take them. can you imagine fighting remnants of grief of people you know, and they can rip out an eye in one attack. can you imagine spending what might be your last days trying to sort through dating profiles and trying to force yourself to fit the mold of your religion. can you imagine praying and waiting for your god, the god you're fighting to honor, and only being able to hope they show up for once. can you imagine being home again but its the furthest place from home

[mari-lair]

Heyo! just have a little questionroni.

What would replace the event that caused basically all of act 5 & 6 since you've mentioned the Sif friendquest can't be entirely messed up like it was in the original canon?

would it have some connection to memory of promise perhaps?

There is no one on one equivalent of act 5 and 6, i know is a wild move on my part but the family has each other, they can support each other in their times of need or just... relate to the experience of being in a time loop, even when they are at their most stressed they are never fully isolated, which is important since each family member have a different breaking point and there is always at least one person who can go "hey, don't give up, let's try something new. let's visit loop. let's take a break this one loop. let's test x, y, z theories. We ARE doing progress." and even if that result in comflict, at least they are getting angry, at least they are talking.

There is a creeping despair as the loops keep piling and sometimes bad things happen but the equivalent of Siffrin's "The king needs to be defeated by ME for the loop to break," frantic goal/desperate need for hope wouldn't happen, not to that extreme to every family member, during the same loop, which was what made Siffrin spiral into a "can't waste time can't waste time need efficiency can't waste time, just say your lines faster i need you to be strong!!" and pushed him to be a dick.

So what I do have is not a 'shit shit shit shit!!' arc like act 5, but different breaking points/characters arcs sprinkled all over the au. spoiler for said arcs below (or at least the base of them)

Mirabelle is constantly repeating the day were everyone expect her to save Vaugard, which is not that bad when she believes the loops will stop once they beat the king but it is a nightmare after they win and STILL loop back. And her mother/caretaker figure who was the had put all that trust on her has grown into a shadow of herself. She snaps, she have no patience for siffrin's "are you scared for tomorrow? is okay mira, the change god themselves blessed you, we will beat the king" again when she already beat the stupid king and the change god seem to have cursed her.

Bonnie doesn't understand what is happening, not fully, just that they are never getting closer to saving Nille, nothing is changing, and there is a palpable distance between them and Siffrin whenever a loop reset, they hate it, and they snap at Siffrin a lot cause "Frin won't even crabbing remember anyway!s" on their peak of hopelessness (they do still admire Frin so much so that's why they target him a lot, and Bonnie is hurt but they are also kind. They do eventually forgive Siffrin for not remembering, focusing instead of helping him )

Odile grows colder when she realizes Siffrin is somewhat involved. She will do unspeakable things to protect her friends, but Siffrin is one of her friends too so she needs to get a little desensitized to pushing Shiffrin for answers even when they aren't comfortable being pushed. It isn't good for them either to be in a time loop after all, and they won't remember anyway.

Isabeau doesn't have a 'drastic snap' arc, he is too emotionally controlled/mature and cowardly to have that when the team is already stressed. He is a tough cookie to crack, everyone leaves the loop before it happens, but don't be fooled, it does absolutely take a tool on him.

None of these little arcs happen simultaneously.

Act six is just a few loose ideas bouncing in my head as of now tho.

[jacarandaaaas]

I feel like it’s not talked about enough how terrifying this experience was for them:

especially antonio! almost crushed by his own door a day after his birthday!? thank god felix was there to save him. people talk a lot about how traumatizing this was for mirabel and rightly so but i feel the rest of the family’s trauma from casita falling is glossed over. Isabela and camilo could have died if casita wasn’t there and even so they still got hurt! julieta and agustín had to watch two of their daughters disregard their own safety in favor of the candle. alma had to watch as her biggest fears came to life! bruno almost died as the walls were caving in and nobody would have known except for mirabel!? I just feel that personally we need to acknowledge this event was traumatizing for everyone in the family and not just one person and that it should be treated with respect.

[the-bitter-ocean]

(ACT 3 SPOILERS) Hi everyone! I Wanted to post writing I did for @tealgoat In tales of time au!! For context it’s set around act 3, where Odile reached the end for the first time with a family run. The art I used in this post is made by teal and you can find the links to those drawings individually over here and here! Writing is under the cut:

< You’re here again. >

< But something feels different. >

< You managed to beat the king like always… but this time..>

< This time you had the courage to call your companions your family. >

< You got to understand all of them a little better and in turn that made you all grow closer. >

< Is that what you needed? Is that the solution to the problem? >

< You didn’t think that helping them would amount to anything much, but the story’s outcome changed a little didn’t it? >

< Even if it was small.. you know how important it is. >

< Your father used to tell you that rereading a story allows you to see details you may have not noticed on a first pass. >

< That it can your change your entire perception of the story itself, even. >

< Is this what you needed all along? >

<Your heart feels warm. >

< He used to read you stories like that all the time. >

< Fairytales about love and friendship saving the world. >

< It gave you comfort then.. and it seems it’s giving you comfort now. >

< You’ve talked to everyone.. they all said different lines then the ones you’re used to.>

< With that logic in mind.. then it should be obvious that the Head Housemaiden should say something different. >

=> < Talk to her. >

=> < Don’t talk to her yet.>

=> < Talk to her.>

< You’ve said everything you needed to say to your companions. >

< It’s time for the moment of truth. >

< You approach the Head Housemaiden and greet her. >

< “Hello!” >

< The head Housemaiden smiles at you and waves. >

((“Hello traveling one! Are you done talking to your companions? Yes, wonderful wonderful-“))

< ….?>

((“ I’d like to thank you for accompanying young Mirabelle on the journey. You have my gratitude.”))

((“ Odile, yes? If there’s anything I can do to thank you, please don’t hesitate to let me know!”))

<….?!>

((“I know you will go back on your travels soon but I do hope-”))

<…>

<…… Ah. >

< Of course. >

((“ Just know that no matter what that Dormont will always be open to you! Please come back any…time….”))

((“…!!!! Oh… oh no no no.. oh nonono-“))

< Ahahaha…!>

< You should’ve expected this. >

< Why would whatever happened before change the story’s ending now? >

< Just because you felt loved and safe? Stupid stupid stupid- you should’ve known better! Why did you decide to rely on how you felt instead of looking at the reality of the situation you’re in? >

< You try to breathe. >

((“ Oh Odile! I’m so sorry..!”))

< It’s fine. It’s just the end again. It’s the same. >

((“ I’m so sorry..there’s no way we can stop it now!” ))

< You’ll just be..>

((“- going back! Back when everything started!”))

< You know her lines by heart, now. >

< If you know what happens next…then you can always know how to react and never be disappointed.>

< You’re fine. >

< You’re…>

<| “…? Odile?” |>

<| “Is everything okay?”|>

< You turn your head and look in Siffrin’s direction. >

< He’s staring right at you. >

< You can’t shift your expression fast enough. >

<| “ Odile what’s wrong- “|>

{“ Head Housemaiden, is something the matter?” }

((“ I cant fix it on my own, not before it all ends… if only I noticed it all sooner!”))

[“Huh? What’s happening? ]

(“ Dile?”)

< You can’t move. >

< You’re frozen. >

{ “Madame, what’s-Urgh!”}

[“ Is something happening? The air around us.. it feels like.. AGH!” ]

(“ My head hurts!!!”)

((“ It’s my fault you have to suffer like this…”))

<| “ODILE!!!”|>

[“ M’DAME!!!”]

< They’re all running, reaching towards you..>

(“ Dile come back! Somethings wrong!!!”)

< You have to move. >

{“ MADAME ODILE!!!!”}

< Maybe you can catch Isabeau’s hand if you reach out to him. >

((“I just hope that one day..”))

< You slowly hold your hand out for him to hold. >

< You take a step forward. >

((“ You could learn to forgive-“))

< And you- >

__________________________________________________________

<You open your eyes, your hand reaching out to nothing. >

< You’re back in the store once more. >

< You grip unto the shelf and take a deep breath. >

< Foolish. >

< You press your fingers against the bridge of your nose and adjust your glasses. >

< You laugh quietly as you can. >

< You truly believed this could work, didn’t you?>

< You really thought helping them all would be the key to your escape! >

< That if you helped them, if you were loved, then surely it had to free you, right? >

< Hahahahaha! >

< That was awfully childish of you! >

< They loved you but it’s not enough to save you! >

< And why would it? When has anything ever been that simple for you? >

< You should know better. >

< Everything was reset back to the beginning. >

< Any character development reversed and undone. As if it never happened at all. >

< Mirabelle is back to feeling out of place because of her identity. >

< Isabeau is still hiding everything about himself, pretending to be something he’s not. >

< Boniface is back to feeling like they’re useless and that they don’t contribute enough to the rest of you. >

< Siffrin won't remember the times you spent together.. back to being scared of you..! >

< And you're back here.. again.. and again .. and again! >

< That's what you get for hoping! That's what you deserve, for being so blinding incompetent and - >

< You slowly look up and glance at the clock. >

< Siffrin will enter the shop soon, won't he? >

<…>

< You need to cut this spiral of yours short then. That’s fine, it’s not like crying ever did you any favors.>

< Focus on the present. >

<The power of friendship didn't work. That’s fine. >

< All you can do is try something else now.>

< You owe it to everyone to keep going. >

< The story isn’t over for you yet. >

| You got a MEMORY OF FAMILY! |

< You'll always remember this. >

| When equipped, Memory of Family doubles everyone's EXP gained in battle, except for yours. |

[sillylittlecharacters]

Honestly, from the little that we know about Petronille's character, an initial rivalry between her and Mirabelle makes so much sense. If you play your cards right, you can craft a dynamic tailor made to play on their insecurities!

For example, Mirabelle has shown a lot of insecurity around her ability to complete basic tasks, like needing to be taught how to cut vegetables with a nursery rhyme presumably in her teens. How might she feel being faced with someone her age able to raise a child alone? And in the case of massive, important, life defining tasks - tasks as large as saving an entire country? Mira might think that someone like Nille probably could've saved Vaugarde alone, without dragging several other people down along with her to aid her in a doomed quest…

And in Nille's case, well, if one was going to have any type of grudge against a group of heroes for taking your younger sibling directly into royalty related danger, it would make sense that most of your ire would be focused on the capital H Hero herself. The Chosen One, handpicked by the crabbing Change God, beloved by all of Vaugarde and most importantly, the perfect replacement for Nille in Bonnie's life. After all, it was Mirabelle who was there for Bonnie when they needed an older sister the most - Nille might be worried that one day Bonnie will weigh their options and decide that Mirabelle is the better choice.

Now, obviously, this is all within the realm of speculation, but I think it's interesting. I know that Mira is sober for religious reasons, but their dynamic has the potential to be a perfect cocktail of insecurities, jealousy and imposter syndrome.

And buddy? I need a drink.

[vulpixisananimal]

It would be so cool if like, years downt he line, there was another ISAT game but it was just a straight up normal RPG of Mirabelle's quest to save vaugarde. It follows meeting Isa, Bonnie, Odile, and Siffrin. And we'll, being a normal RPG (although with the humor we love.)

It makes no mention to ISAT, makes little to no mention of wish craft or island or anything like that. And then on the final day, it's, well, ACT 5 of ISAT happens and the whole game gets turned around in an instant.

I think that would be very funny. Bonus points if ppl didn't know ISAT existed before plaing this theoretical game

[biblicallyaccuratecrow]

in stars and time "method actor" au braindump

the people have spoken! welcome to the method actor au! in which i took the theatre themes of isat and stretched them to their absolute limit!

the premise is that instead of saving vaugarde, the party + major side characters (the king and euphrasie) are an acting troop! and they're telling the story of the saviors through a play. Siffrin is playing The Traveller, and over time in rehearsals has really grown to like his castmates (even the one playing the king- he's actually quite sweet!).

it's the opening night! they're more than prepared for the show!

... until they aren't.

All it takes is a faulty prop from the fly tower, and suddenly siffrin is right back where they started the day before, waking up from a nap in the greenroom before the last rehearsal.

they're back at the beginning. they get a second chance.

after all, you only get one opening night, and siffrin is determined to make it perfect.

...all they need to do is make sure the show goes smoothly!

no stage hazards,

no missed lines,

no injuries,

no deaths,

no mistakes.

and if they have to play the hero to do it?

if the lines between them and their character have to blur so that their parts are perfect?

so be it.

the show must go on.

[notes below the cut!]

[spoilers for isat below!]

so yeah, siffrin takes the term "method acting" way too seriously. out of necessity, though. this is a performance, after all! they have to keep it together for the show, and the best way to do that for them is to embrace their role.

setting

still takes place in vaugarde! except yknow. the king isn't actually happening (yet), so instead of a group of saviors we have the acting group playing the saviors! a bit meta, but it works.

craft and the island still are a thing, and play a major part in the overarching story! this is still a time loop, after all!

all of this is taking place on a stage within dormont's house of change! Euphrasie sponsors, and was more than happy to be included for her very short role! The theatre there has been out of use for decades, but Euphrasie sees it fit to resurrect it just for this show!

The party:

Mirabelle is the playwright, having dreamed up a story like the books she loves to read but for the longest time being too afraid to put it down. Euphrasie encouraged her to go through with it, and they've been building the show ever since! she thinks she isn't a good actor, but she's actually very empathetic as the heroine, since she (secretly) based it off herself.

Isabeau was actually the first to audition- and the only one, at least in the first round. He came in last-minute, and after delivering a solid monologue (with a few puns slipped in), Mirabelle was eager to cast him! He actually loves costume design, but he doesn't dare to reveal this to the party, even if he occasionally spends hours in the House's storage room looking through pieces from older performances.

Odile was a surprising addition to the cast. She was interested in Vaugardian tradition, and figured the best way to learn was through the epicenter of vaugardian culture, at a house. She reccomended some plays to mirabelle from her travels, and after giving some pointers on mirabelle's early scripts decided to join in for the hell of it. She likes horror productions in particular, and contributed a lot to the concept of the king's time craft.

Siffrin was visiting the house, and came to see one of the plays... but got the time wrong and came in during a live-reading of the scripts early draft. he stood and watched for a bit before mirabelle noticed, and after a LOT of fumbling and apologies admitted that he loves theatre. Mirabelle practically dragged him in after that. Given that he didn't have anything else to do, he agreed. Despite claiming he's not much of an actor, much preferring to work on the set design, he's actually uncannily good...

The King is... just a guy, actually! very quiet, very reclusive, but after seeing one of mirabelle's casting calls came in and absolutely smashed the audition. he's been with the group ever since! he's pretty busy outside of the production, but he puts his all into his work! He and siffrin have a kind of kinship, given their shared elusive background and... white hair, i guess.

Bonnie is the younger sister of Nille, who worked on trade classes at dormonts house after the two left Bambouche together. Mirabelle needed someone to help make the sets, and Nille volunteered early on in the production, so long as she could bring Bonnie along. Initially Bonnie wasn't all that interested, but after hanging around the cast a bit grew curious. Siffrin caught them reading through one of the scripts and acting out the various parts on their own. After that, Mirabelle made the time to write in The Kid for Bonnie to have a role thats easiest for them! Fun fact- a lot of The Kid's lines are actually ad libs from Bonnie throughout the production. Mirabelle kept writing them into the script as a sort of inside joke.

Euphrasie is mostly the same! As the head housemaiden, she's had a bit of experience with public speaking and acting, and after seeing Mirabelle having such fun she allowed herself to be roped into a small role as The Head Housemaiden in the production.

the story...

Siffrin's first death is actually to a prop rock falling on top of them. When they wake up, they're back in the green room, waking up from a nap. Isa is out by the favor tree as usual, odile is buying food for the cast party, mira is pouring over her dating profiles disguised as her script, and bonnie is hanging out in the auditorium.

Of course, at the favor tree after the first death is loop. They immediately cast siffrin as the "new director", and from there basically acts much the same as in canon, though a lot of the "memories" are slight improvements to siffrin's acting or the set props.

so, despite all their preparation, the performance keeps getting interrupted in increasingly more and more bizarre ways. A strange array of stage accidents, usually resulting in siffrin's death. They initially suspect that the show is cursed (theyre not that far off), and start to dig into how that could happen. this is where the idea of wishcraft gets introduced. The King seems the most likely to be highjacking the show, but siffrin doesn't want to believe it.

As siffrin performs show after show, things start to get... weirder, somehow. Like the performance is becoming more real with each passing loop. This doesn't just extend to the set, but also to siffrin themself. The line between them and the traveller blurs. As they learn more about wishcraft and the forgotten island, they project this into the story and their performances, and even off set will take mannerisms from the traveller role and use them to brush off the party's concerns.

in later acts, the rest of the cast begins to blur with their own respective characters, to the point that siffrin starts to become irrationally aggressive towards the king, somehow believing him to be responsible. Loop does their best to keep siffrin's handle on reality in tact, but by act 4 they're essentially living out the play. there is no distinction between reality and mirabelle's script- it's all one thing. And the wish makes that true during the performances as well, in ways that even the party can notice- ghosts on the stage, reality warping because of props, even randomly improved sets and staging. The further siffrin descends, the stronger the wish's influence over the performance and their reality grows. by act 5, the wishcraft has transformed the house to reflect that of the play, and everyone to be their characters- or be frozen, as a captive audience. the rest happens similarly to how it does in canon.

the real crux of the issue, like in canon, is that siffrin made a wish. They love their cast, and they love their performance. They want it to stay like that. They want to stay with them. And so they wish at Dormont's favor tree. And it comes true, in the best way the universe can manage- by making it so that the performance never ends. The actual hazards of the set are real- Dormont's theatre is borderline decrepit- but once the wish craft begins to influence things, they become more serious.

i initially had the idea that maybe during the first loop the story becomes real, like what we see in canon, and siffrin is reacting to the actual characters as a literal actor, but i like the idea of the party playing their SASASA counterparts as more base/easily digestible protagonist versions of themselves more. plus like, the idea of it all being literally on a stage is too fun for me

the hilarious thing is, in my mind... the audience wouldn't know that wasnt the intention for the play. in their pov they saw this shit being acted out and not the absolute wacked out acid trip the party saw while on stage. it's an instant success, though the entire party agrees to never put on the show again.

thats about all i got so far? dunno if i'll actually write anything for this, and if i do it'll probably be a one shot or two. but if youre interested in more info abt the au, or just wanna chat about it, feel free!

until next time!

[thebirthofvenusfly]

okay but i like thinking about the events of ISAT/siffrin's struggles not as them going from a party of normal people with normal struggles to "everyone essentially now has to help Sif heal from That," but as, "everyone in the party has had their own immense, long-term struggles, and this happens to be Siffrin's." like, siffrin is not just a, "problem child," or the standalone outlier in terms of angst

here me out

[major ISAT spoilers, especially for acts 3-5 btw]

siffrin doesn't know all these things in act 1, but:

Odile has had a life-long struggle with identity. Her mother abandoned her family at a young age, her father (presumably heartbroken and betrayed) has never kept any mementos or photos or stories of her and likely avoided speaking of her at any and all opportunities. For the most part, Odile loves her culture but admits she was an outlier in Ka Bue and always stood out from the texture of her hair and eyebrows. She's tried to settle before for the peace of just letting it be, but after meeting that travelling merchant, she realizes how badly she does want to bridge that gap in her identity and has now spent years travelling--all only to find that it didn't quite fix her problem and she hasn't been able to find herself entirely in Vaugarde either. She doesn't dwell too much on her mother, but I feel there is a part of her that could never forgive the hole her mother left behind.

Mirabelle has similarly struggled, though in terms of religion and sexuality. She holds herself to a very high standard of Changing and being a, "good," Housemaiden, and has gone to great lengths to learn as much as she can in efforts to reinvent herself and Change, as she feels she, "should," do, because that's what Housemaidens and diligent followers of the House of Change, "should," do. She is so adamant about this that even prior to the game, even prior to the King's reign--which was several months-a full year before ISAT begins--she is forcing herself to look into relationships to potentially date, bond, and even have children with someone and she doesn't want to do any of that it. She is distraught because she doesn't want to change that aspect. She doesn't want to become what she's not, or try to force herself to feel things she doesn't and can't feel, but she isn't being a good Housemaiden or a good member of her society if she stagnates.

Bonnie's plight primarily comes in with the King's reign, which again, has been for a few months now. They live with their older sister who loves them and cares for them tirelessly, but she is taken by the King's Curse and frozen in time--an event which presumably happens in front of Bonnie, who is encouraged by their sister's last words to just run from the village as far as they can to safety. If that isn't terrifying enough, this leads to them wandering the wilderness for days, exhausted, dehydrated, presumably starved/ill-fed, and lonely, and likely scared out of their mind. Their only saving grace is Siffrin, who happens to find them and save them. The comfort they feel with Sif is called into question when they have to watch Siffrin take a permanent, debilitating injury to the eye to protect them. While the incident seems to roll off Siffrin's worries pretty seamlessly, this is a lot for Bonnie, who by now, has recognized a pattern of the people they love being permanently hurt or altered in some way all just to protect them. They're convinced they're a recurring problem, and after the death ritual talk in the House, has to prepare themselves for the haunting reality that they might really lose everyone they love (and, again, this is a lot. Especially for a child).

Isabeau has tried Changing before, and while it did help him make leaps and bounds, he is still in a constant struggle to love himself fully. Let's be honest here: Isabeau is easily the most emotionally put-together party member, and most equipped to handle the stresses of the party in terms of feelings. This does not make him immune, however, to his own negative feelings. He even cites as wanting to become someone that Siffrin wouldn't be, "ashamed," to know. He also mentions that he is remorseful of the new image he's given himself, as an air-headed, jock type of person, which often leads people into genuinely believing he's stupid and thus treating him that way. Not to mention, as the emotional mediator of the party, I'm sure he occasionally gets stretched thin between helping everyone else manage their problems and altercations.

all this is to say: everyone in the party has their problems, and a good sum of these are not all instantly solved by the end of the story. all of them, siffrin included, are left in a space where they have plenty of healing to do but can confidently and comfortably still rely on one another.

ISAT is just siffrin's chapter of major emotional plight, and everyone else's is presumed prior to the narrative (i can also acknowledge that siffrin definitely got the worst of it though LMAO)

[eldritch-araneae]

In Stars and Time: Axis Masterpost

Axis is a post-game au for the game "In Stars and Time" where I explore ideas and themes from the game and the impact from it's events ~ Beware, spoilers of the whole game!

ORBITAL (Act 3 Comic) - Nothing seem out of ordinary that day: the party takes a break from their long journey to save Vanguarde from the King like usually, but then Bonnie runs into a strong Sadness.

SOLAR WIND - A week passed since Siffrin broke out of loops, but the wounds on his heart are bleeding still and about to get worse for everyone involved.

GRAVITATIONAL WAVES - Siffrin and Isabeau are trying to figure out their feelings, but it not an easy task when the defender is reeling after seeing what loops did to Siffrin.

REDSHIFT - The Party takes the train to the next city to get to Bambouche. Siffrin and Odile have a talk about heritage, but it seems this gonna be less peaceful as Sadnesses still roaming around after King's defeat.

CEPHEIDS - Mirabelle and Siffrin spend time together as "Feeling Buddies".

ROCHE LIMIT - The Party finally reaches Bambouche and Bonnie retunited with their beloved sister. But things went rough as Nille finds out details about what happened when Siffrin was trapped in the timeloop.

ACCRETION DISK - The Party visits Dormont before traveling all over the world, Siffrin is coping well enough, but there is hidden danger lurks in the House of Dormont once again.

[aroace-poly-show]

hello friends we are starting this kind of early cause i have. a lot of mutuals. so. taking in requests now for the

marlo mutual christmas/winter gift doodles

putting this above the read more so people see it: ‼️‼️you do not need to celebrate christmas for this!! if you’re one of my mutuals that doesn’t celebrate christmas but you still want one you are still included ‼️‼️and if you really don’t want one then just like the post without commenting please ‼️‼️ otherwise i might assume you just haven’t seen the post and dm you to be sure aifbksnfnd (or let me know directly. comment or dm or ask or whatever you want. i just need to know that you’ve seen it and don’t want one)

i did this last year. really simple concept. you give me a few characters you like and i will draw a silly little doodle for you and send you an ask (or dm or tag you in a post with if i can’t send it in an ask for whatever reason) on christmas day!! i will have this post queued to go up multiple times a day so hopefully people don’t miss it sorry if it gets annoying fast LMAO

some answers to potential questions and clarifications here:

-you are not required to give me a doodle in return, you can if you want but you do not have to!! there is no pressure to!!! if you do want to make a return gift though then characters i like i’ll list them at the bottom

-begging you. if we’re mutuals and you want one pleaseeeee respond in the comments. it keeps things all in one place for me, and if i am not sure whether you want one or not i will just ask you directly and i get Anxious so if you want to save yourself the trouble of me bothering you in dms for it pleaseeee don’t feel like you’re not included in this, and just comment on the post

-id appreciate like. a handful of characters you’d be happy to receive a doodle of and not just One, since i might have trouble drawing some and i don’t wanna send you a really shitty doodle or stress myself out trying to get it right in time fjnskdnsk

-they do not have to be characters i know about!! literally any you like!!

-i’m doing this really early so i can give myself enough time for it but if you change your mind on the characters before just let me know!!

ummm. if i need to add more i will. but i think that’s it for now!! praying i’ll actually be able to go through with this i am so sorry if i end up having to give stuff out late 💔💔

anyway if you really do want to give me one in return. i think i’m pretty obvious about who i like and you’re free to do others i didn’t mention here that you know i like too, but here’s a few jic anyone wants a list: anyone from wonderlands x showtime, mafuyu asahina, basil from omori, vflower, siffrin, loop, mirabelle

[ben-talks-art]

Lin Beifong has no wins in Legend Of Korra

Something that always bothered me in regards to the way this series treated the character of Lin was the fact that it never felt like any of Lin's victories actually gave the feeling of being victories.

Maybe it's because it's been years since I watched this show, and I'm being selective in what I choose to remember, and I'm just unintentioanlly choosing to remember the bad over the good... but it feels like this series just felt a lot more comfortable dunking on Lin than actually trying to raise her up... And that kinda annoys me a little.

Lin is part of this character achetype that I like to call "The Antisocials", people who, because of personal events in their past, prefer to avoid or have trouble dealing with others. She's basically meant to be the "Zuko" of the team.

I really like this trope, and I really like to see the earth element getting some love, so I was really excited to see Lin getting her moments to shine and kick some ass in the series... Which... for some reason doesn't feel all that prevalent.

Now, don't get me wrong, when Lin needs to fight, she WILL fight, and she looks cool while doing it... But when it comes to her more memorable moments, her getting defeated sadly feels more frequent than her getting some victories.

Like... Let's take a moment to count her Ls:

She got dumped by Tenzin after another woman seduced him

A terrorist started to attack her city and kept getting away from her

She was unable to stop her men from getting captured and losing their powers

Eventually she herelf got captured and lost her bending

She's constantly getting mocked and looked down upon by other characters

Her own sister left a scar on her face while committing a crime and faced basically no consequences, only to years later have a life filled with success while Lin is all alone

Her own mother acts like she couldn't care less about her struggles

Neither of the two ever gave Lin a proper apology and instead just tried to pull an Mirabel from "Encanto" and tell her to get over it

She basically played no role in all of season 2

And when she tired to face her family about her problems she was simply treated as the one in the wrong

Now let's count her "wins:"

She allowed Tenzin's family to get away from Amon in season 1... At the cost of her getting captured... Only for the family itself to get caught later anyway

She saved Korra from falling, which allowed Amon to get away with her men

In season 3 she gets clobbered by the combustion woman so her sister can land the finishing blow

and In season 4 she tries to rescue her family, only to nearly fail and needing to be saved by her mother, who proceeds to give her the most bare-bones of moments of reconciliation, because God forbid we let our fan-favorite character from the first series show a little humility for her own daughter in her moment of weakness

It just felt like the show was afraid of ever letting Lin be a badass and giving her a real win moment.

It doesn't even need to be a battle win. She could have had a moment with Korra where she teaches her some life lesson, or teach her how to metal bend and listen to the earth, or she could have had some scenes where her actions save the day, like, how come she never gets to save her sister and mother but both of them end up saving her? Or even some character moments like her bonding with Mako, or Tenzin's kids or something... I don't think she even really interacts with anyone in a meaningfull way.

If you were to ask me who her best friend in the series was, I would have no idea what to say.

Her biggest "win" in the series was getting to wake up all happy after "solving" her personal demons, an act she achieved by... fighting her sister and venting out all her anger, I guess.

I don't know if it's just me but Lin's victories on the show all feel so shallow, as if they were telling us she was achieving things instead of actually feeling like she was. At times, she felt like the show's punching bag. Insted of being the Zuko of the story, she came more as the Squidward.

Someone who's there just to lose to the villains and make them look strong and making other characters look cool while they save her with her big lesson being that she needs to learn to be less grumpy.

Lin should be so easy to make cool! Like, you see her design, her powers and abilities, her personality, her verstility for several different types of action scenes and versatility for also different interactions with the rest of the cast...

But instead it felt like they were throwing darts at a wall trying to pick a different way to dunk on her every time, as if they were afraid of makiing her too cool.

I don't know, maybe I'm just being salty and petty because I wish more had been done with her and that's causing me to only focus on the negatives, making them look and sound a lot worse than they actually were, while also ignoring all the big positives about her time on the screen...

But sometimes it felt to me like the show was more interested in hyping up everyone else and giving them a moment to shine over Lin.

Like, again, her own sister got to take down one of the big members of the Red Lotus, and she basically becomes one of the main characters in season 4, while Toph gets to train and help heal Korra.

These two got to look so much cooler in just two seasons than Lin got to look in all 4, and I can't even fully enjoy them being cool because all I keep thinking when I look at them is "You two did Lin dirty."

If they had had an actual honest earned moment of reconciliation, I feel like I would be in heaven watching both of them kicking ass, cause again, I love the earth element, but instead I would just be "God, I wish this was Lin doing all this cool stuff instead."

I'm not exactly sure what the mindset was behind the way they wanted to handle her, not sure if there was studio interference, or mismanagement, or if Nickelodeon's meddling affected things, or what...

I'm just trying to say, I feel like Lin deserved better. I still like her character a lot but I can't help but feel even more could have been done with her.

[yellowcry]

So if I'm on it... I feel the fandom has (or had in early days when there were many people, it's only a handful who still in) a huge problem with Luisa's hyper-feminisation.

Yes, I'm talking about the poytrayal of Luisa as somebody obsessed with pink, delicate things. At the same time being unable to hurt a fly.

Don't get me wrong, there is nothing wrong with the idea that Luisa would love lace, cotton and everything what is associated with (traditional) feminity. She can do it all she wants, that's womderful. The problem is that sometimes people act like this is the only way Luisa can express her gentle and feminine side by acting ONLY the way stereotypical feminization wants. And turn it to the most extreme point. Because, essentially it actually makes her look more masculine. As it often does look like a over-compensation for her more masculine-associated traits physical, which she CANNOT control (deep voice, very tall height and muscles). Why does Luisa have to be pushed into the whole girly girl thing so much conpared to the rest? It just looks like ppl try to make it up for what in her is not typical for women. So if she can't look small and delicate in stature and strenght she has to be the most feminine personality and interests-wise not to be concidered a man in a dress. Which is VERY messed up.

Because, surprize, Luisa is not more masculine by default to have and compensate for it. Why is the idea of Luisa wearing pants seems to frustate more people compared to the other girls? Why is she the one who would be jealous of pre-wecid Isabela's style? When Dolores and Mirabel would probably have far more reasons to do so just because of trauma. Luisa can enjoy masculine things amd femiline things. She doesn't have to go all over with feminization to be put in line with the rest of the girls.

And what is even worse is that by extension in a lot of the stereotypical potrayals of Luisa her positive masculine-associated traits are being swapped onto the opposite ones, which are aften viewed as negative and stereotypically being labeled on women. Such as always needing protection/somebody who speak up to her and saved her (while we clearly see Luisa as extremely protective over Mirabel during Surface Pressure). Or exaggerate her emotionality and vulnerability to the point she breaks into tears for the smallest things. Which honestly has very misogynistic implications. As it gets an idea that women (and feminine people as whole) are always weaker and unable to defend themselves. Or that their emotions are always very strong and irrational. And this is definitely not good thing to imply. As I did say, it turns into a godamn misogyny at this point where for Luisa being girly associated with the literal opposite of her character.

Again, there's nothing wrong with imagining that Luisa would love feminine, girly things. But there's also nothing wrong with Luisa preffering practical and simple style. And pushing her out of character just to make her more conventionally feminine isn't a good thing to do. She's a woman regardless of what she looks like and pushing the idea that she MUST look sertain way to be one is really bad. I can understand that most people never think that they make it all look like attepmt to compensate for non-typical look and actually have good intentions. Wanting to show that the way your body looks doesn't have to match your personality/interestsm. And that women like Luisa can still be very feminine. But in the end the entire thing gets very dimolished by the fact that Luisa is being basically forced into hyperbolisation where she can't express anything even remotely related to masculinity.

[yanqing-aus-daily]

[25]

Day 3: Fandom Crossover

isat x hsr save me.... save me isat x hsr..... i'm so gonna draw more of this au

Siffrin->Yanqing (Lengfeng)

Isabeau->Luka

Odile->Feixiao

Mirabelle->March

Bonnie->Hook