#mino rambles

[mintmintsblog]

the futurama episode about fry's dog is followed by an episode with a bender mpreg storyline. i am enjoying this odd show

[mistbow]

Zestiria and Shinto

I think it’s very understated that Zestiria takes a lot after Shinto (compared to say, how people keep bringing up its Arthurian inspirations, despite those inspirations being superficial relatively), especially when it’s the essence of the game itself, but I suppose it’s easy for it to go over people’s heads if they don’t truly understand Shinto itself, which to be fair is a concept that is not equivalent at all to the religions widely known in the modern West.

As a preface, if I have to be quite honest, I’m not too fond of the localization of the terms in Zestiria. In isolation, “Shepherd” is a fine translation of “導師”, they both more or less mean a person who guides, though I’m not sure how much of that idea the word manages to get across. However, coupled with “天族” being localized as “seraphim”, the game lore becomes connotated with Biblical implications, which is unnecessary and not at all what is intended, though I’d have been hard pressed myself if I were tasked to localize these terms in a way that could convey the original intent in English, but that’s not the point. The point is, I believe this loss in translation contributes to the misunderstanding, and besides, despite what you might think, the seraphim are not angelic beings, especially of the Christian kind.

With that out of the way, I would also like to clear up something else: religions and religiosity, as defined in the Western culture, do not readily apply to Shinto. It has no single founder, no canonical scriptures that are authoritative like the Bible, it has flexible moral code (or rather, it lacks a rigid moral code) due to its nature, and it is not at all a monolithic system; it’s not a unified system where the people who adhere to the faith proclaim themselves as Shintoists, because it doesn’t work that way. It is literally the “way of the kami” (神道) in that the term is used to reference the practice of worship of kami. It is not at all odd for modern Japanese people to practice this kami-worship and the rituals associated with it while also practicing Buddhism or even Christianity, for example.

The two essential, “sacred” texts of Shinto, Kojiki (古事記, literally “Records of Ancient Matters”) and Nihon Shoki (日本書紀, literally “Chronicles of Japan”), are basically history books (and they were commissioned to be compiled by the government), but they do not encompass everything there is to know about Shinto itself, since there are other books chronicling other kami as well, especially local ones. Even between the two books, mostly because of the differences in intended audience and purpose, there are naturally differences in details and interpretation of the ancient Japanese mythology, some even are contradictory (there are even differences in variants of Shoki accounts of the myth, so let alone Kojiki and Shoki). Also, I say history books (and they for the most part are history books indeed), but it is more apt to say that they are written chronicles of Japanese myths, legends, oral traditions, folklores, and such, but I would say Nihon Shoki is the more “objective” of the two. I think this part inspires Celestial Record as well as Lxi himgnowlot uz Yniitruh (or “The description of Glenwood” in English), the travel notes included as one of the special items in the LalaBit Collector’s Edition of the Japanese version of the game.

Already you can see how the historiography of Glenwood is influenced by Japanese historiography, because of the belief that has been there all along since the prehistoric times. The subjective interpretations of the situations or even origins that are not immediately knowable, especially, since both of these books are clearly written by humans (that fact isn’t hidden at all), make them feel more like they act as notes of the world, just like Kojiki and Nihon Shoki, and because of this subjective interpretation method, differences are bound to happen, even before getting to the differences of interpretations in individual readers. (By the way, the Japanese name for Celestial Record, 天遺見聞録, clearly implies this too, if translated a bit more literally, it means “the records of what is seen and heard as left behind in the Celestial.”)

Now, we get to the core of this, namely kami (神). Kami is often translated as simply “gods”, but this is, again, very misleading and not at all a good explanation of their nature. Kami, unlike the god(s) in other religions, do not come before or after the cosmos, they are the phenomena themselves and they are ubiquitous. A popular descriptor for them is “spirits or forces of nature” but even this is a simplification of what they really are. Kami describes the mind (心), an underlying principle (基本的原理), the divine to be worshipped (祭る), to be believed in (信じる), to be respected (崇める), to pray to (祈る), to be served (仕える), to be devoted (捧げる), to be given gratitude (感謝する), but most of all, kami possesses an eminent quality that is out of ordinary, that inspires the feeling of awe (畏怖) inside us all. To be in harmony with these awe-inspiring aspects of nature is to be conscious of the way of kami, and all phenomena are candidates for this designation, e.g., the sun, moon, mountains, or even great persons, heroes or leaders. However, to experience the kami presence of any one of these aspects of nature requires a pure and bright heart (清き明き心), which is an emotional, mental, and volitional condition that is not easily attained.

Here, I want to sidetrack to one of the above descriptors, that is, kami are to be worshipped (祭る). If you notice, it is the basic verb form of the word “festival” in Japanese, “祭り”. This is because one of the most crucial deeds toward kami in Japanese view is 祭る. The Japanese tend to be more religious when it comes to ceremonies than to the daily life. Worshipping kami in Japanese sense is different from other religions; whereas for some faith, the worshipping rite seems solemn and preoccupied, on the contrary, many Japanese worshipping ceremonies are very energetic and festive. Though the sacrament can be broken down into two parts: solemn ceremonial ritual and exuberant celebration, only the second part allows many people to participate more. In Zestiria, one of the biggest examples of this is the Sacred Blade Festival (聖剣祭).

But back to kami as beings. They are noble beings to be venerated, and there is a concept of Yaoyorozu no Kami (八百万の神, literally Eight-Million Kami) because there is an infinite number (eight million represents uncountable, just like how 8 as a number is often used to describe “infinity” in many cultures) and it is impossible to know them all (and it’s not like that uncountable number is static either... since humans can turn into kami and kami can inhabit any kind of object, that number naturally expands). Of course, with that many number, kami can vary from one another—they’ve been described as jinkakushin (人格神), or divine beings that have human-like qualities in that they have personalities and emotions of their own. This means that there are both benevolent kami and evil kami, so to speak. They can both bring blessings or harm to humans, and this duality means that kami are both revered and feared. Again, awe-inspiring aspects of nature. Which means Shinto as a religion isn’t exactly concerned with the afterlife like many religions, but with the nature itself, with the current life, as it is our world that is sacred. This is also true for the seraphim and the world in Zestiria.

Another term that is borrowed from Shinto is kegare (穢れ), which I usually translate to “taint” but in the context of localized Zestiria, it is known as malevolence. This, I feel, is another case of the localization causing even more misunderstanding than necessary; the kegare in Zestiria might not map 1:1 to the same concept in Shinto, but they are both fundamentally not a form of moral judgement, and whether the kegare itself is caused by a deliberate act, as for example in the case of a crime, or by an external event, such as illness or death, is secondary. As such, it is wrong to equate it to, say, Christian idea of sin, which malevolence, as a word that inherently suggests evil, kind of conveys to people. Kegare in Shinto is impermanent, as they can be remedied through purification. The concept of purity in Zestiria upholds the same quality being uphold by Shinto, namely, “真” which can be translated as “sincerity” but more literally, it means “truth.” Being true to yourself. This idea is reflected in the aforementioned “pure and bright heart” (“清き明き心”) since “pure and bright” in this case implies something that is transparent, that which is clean and clear, from the kanji themselves (to easily explain this more: 清 means “clear” and the Japanese word for transparent, for example, is 透明, which contains 明).

The Armatus (神依, kamui), as the highest power a Shepherd could have and described as the divine might (神威, which can also be read as kamui), is then, alikened to kamioroshi (神降ろし) in Shinto. Like the name implies (it literally means “descent of kami”), kamioroshi is a divine invocation held in that deity’s honor, to take possession of the one who invokes them. Since seraphim, who are based on kami, are forces of nature beyond mortal understanding, the Armatus again incites both reverence and fear of its powers.

Speaking of the seraphim being said to be beyond what humans could possibly understand, I believe this is partly why the true nature of them isn’t fully revealed. Details like how they’re born (or reborn), how they grow, what they actually are... these are meant to be mythical. We will never know, we can never know for sure. Humans tend to try to make sense of their surroundings, but there are just some things out there that will remain as mysteries to us no matter how much we try to uncover it.

(This applies as well to humans not knowing their own true nature... for example, the true nature of malevolence, said to be an irony of the contradictions of humans.)

――天族について詳しく教えてください。 山本　人から転生したという天族がいたり、いくつかの方則側はあきらかになっていますが、明確にこういう種族だよ、ということはできません。どちらかというと、神霊のような存在となっています。だから、天族たちは自分はこうなんですとか転生したんですと言っていますけど、実は何をどうしたらそうなるかという部分は非常にあいまいだったり、ケースバイケースだったりします。そういう、ルールで割り切れない部分を持った種族ですね。

――Please tell us about the seraphim. YAMAMOTO: There are some seraphim who were reincarnated from humans, and some rules about it have been revealed, but it is not possible to say clearly what kind of race they are. If anything, they are more like divine spirits. That’s why, the seraphim are saying that they are like this or that they are reincarnated, but the truth is, the part about what to do to become like that can be very ambiguous or in a case-by-case basis. They are the kind of race that cannot be comprehended by mere rules.

――天族の成長は自身の思いにかかわってくるのですか？ 山本　自分の力の強い時期まで成長するんじゃないかという推測はありますが、ここも実は法則性はないんです。

――Is the growth of seraphim related to their own thoughts? YAMAMOTO: There is a conjecture that they will grow until they reach the peak of their own strength, but again, there are really no strict rules here.

And I understand how and why this would leave some people dissatisfied because they want to fully understand the inner workings of a fictional world to make sense of it, however at the same time, I think it’s not necessary for us to try pin down every detail to understand something holistically. Sometimes it’s fine to just feel it, to leave some things to our imagination even if it might seem hard to make sense of, but part of being humans is to appreciate beauty in these contradictions as well. Not everything has to have [human-knowable] rhyme or reason to it.

(While we’re at this, I would like to express a very subjective, very personal, and admittedly very biased opinion of mine: This is why I wish people would’ve been more appreciative of Zestiria as a standalone separate from Berseria, and not rely on Berseria to fill in the blanks of Zestiria. Berseria, to me, has a very distinct feel from Zestiria in the context of this, as the malakhim of Berseria don’t inspire the awe in me like how the seraphim are depicted in Zestiria. Everything in Zestiria that is supposed to evoke that sense of wonder, like the seraphim, Armatus, etc. is gone in Berseria, which tries to explain everything in a really mechanical, almost scientific way, and that beats the purpose of Zestiria with all its fantastical spirituality and vagueness that a lot of people hate but I personally really adore. And sometimes they can’t even do that right, as a lot of Berseria explanations directly contradict what is shown in Zestiria. This is also why I think intricate, overexplained worldbuilding is overrated; some details are better left hidden, imo. Even hidden is plain sight is better than directly explaining it to us.)

Of course, I can’t adequately explain everything that is inspired by Shinto in Zestiria, and this barely scratches the surface (and that’s not counting inspirations from other myths, religions, and philosophies like Arthurian Legend, Buddhism, Daoism, etc. that are also in the game), but I hope this can give you the rough idea! Zestiria, I feel, is a game that puts a great emphasis on the wonders of its world—it’s not that everything that we know is all there is to the world, and this world has lived for a long time, unimaginably so by humans, so there’s bound to be some things that we just don’t know, we just can’t know, but have been there all along, and you can feel them even if most of the times you can’t put it into definite words. If you think about how vast the world is, and that it keeps evolving in its vast history, some unrecorded... we become more aware and appreciative of how beautiful the world really is. And in the case of Zestiria, this is reflected in the curiosity of Sorey, the protagonist, of the world, along with its history, that opens up before him. The legends have and will always live, and someday they will become “hope.”

[plague-karm]

I subjected the group chat to a rant about the prime souls because I actually had energy that day. Also I kept going on so if I got anything wrong that’s on me but I am NOT rewriting all of this 😭

[definitelynotorion]

I hate the ultrakill fandom I’m ACTUALLY GONNA FUCKING LOSE ITTTTTTTTTTTTT!!!!!!!!!!!!! WHY do people water down his personality to nothing but violence. Also HE HAS NEVERRRRR BEEN SHOWN TO BE ANGRY. EVER!!!!!!!!! WHAT!!!!!!!!!! Excuse me I’m kind of going insane this will turn into a fandom rant for a sec. Literally both characters had equally nuanced stories and personalities yet for some reason sisyphus gets the short end of the stick. Whag. This is the exact reason I’m scared of my ocs developing a fandom

I SAW THIS STUPID MEME AND I HAD TO COME AND COMPLAIN ABOUT IT BECAUSE FUCK

me pretending to not gaf about misinterpretations of my favorite characters so I won’t kill myself

[inc0gnit0-m0de]

thinking about this vid I caught last night with a gif I sent a friend

[lady-belleslettres]

Sadly, I don't have any Pride Ultrakill art (for now). But I thought I would share my LGBTQ+ headcannons for the major Ultrakill characters for fun.

[onefey]

the minotaur myth is in the same vein as frankenstein for me btw where my takeaway from it is "if i had a weird son i would simply love him"

[themachine]

Sorry if you don't have the spoilers tag filtered

[aliciavance4228]

Headcanon: The main reason why Theseus wasn't freed from the Underworld earlier and had to wait for Heracles to free him was because Minos was angry on him too, due to what he has done to his daughter:

Persephone: That one guy did nothing wrong. Why does he has to be tortured by the Erinyes as well?

Hades: He followed his stupid friend. That's enough of a crime.

Persephone: He made an oath. He had no choice but to follow him.

Hades: He also kidnapped Helen of Sparta.

Persephone: You kidnapped me too.

Hades: I did that legally.

Minos: Do you know Ariadne?

Persephone: Of course I do.

Minos: He abandoned her on the Naxos Island.

Persephone: ...

Persephone: I'll ask Tisiphone to pull out his teeth next time.

[pain-is-too-tired]

One thing that I find messed up about Minos is that he never gets punished.

Like what??? Like you're telling me that Minos was out there driven kids so crazy to their death, AND MANLPULATING NICO, and Hades did nothing about it.

Not just that, he WORKED WITH KRONOS FOR A BIT. YOU'RE TELLING ME NICO DIDN'T TELL HIM, "Hey dad, that guy that's literally a judge for you was completely okay with helping Kronos and killing gods knows how many kids. Don't you think you should maybe,I don't know, do something about it???"

Like did he have a contract or something, I see no reason why that man is still in such a position. I'm sorry???

I can't remember why he was placed as a judge, but wtf???

You're literally known for making sure no one escapes punishment, but Minos is fine and dandy.

And we know he has to be somewhat aware because instead of giving Deadelus a severe punishment he gave him a job that he probably knew the guy would enjoy.

HUN KICK MINO'S ASS OUT.

Like I don't think we get how bad what he did to those in the Labyrinth was. The insanity didn't kill them just because they had harder time getting out of the Labyrinth. No.

Chris Rodriguez literally was so bad after a whole year that he just gave up.

Rick give me a Chris book right now wtf, you're telling me this guy was so bad that he was about dead but still managed to pull himself together in a year???? I don't want to hear y'all bashing my boy, he been THROUGH it.

Anyway. Fuck Minos. Why we let people who messed up others so bad get away with it even in the afterlife??? Hades, what???

[unnamedtune]

Hey guys. Turns out if you search up clothing on Picsart most of them can fit Minos. Do with that what you will.

[mintmintsblog]

if spotify forces their extra shuffle feature on me randomly one more time i am going to bite and tear and scream and

[mistbow]

Sorey, Mikleo, and Growth

Mostly from the manga. It’s known that Shiramine, the author of the manga, consulted both Hase Yuuta (Zestiria game director) and Yamamoto Naoki (Zestiria game head writer), but from her tweets, we know she put her own spin as to tell another side to the story that the game couldn’t tell, that when put together (with the game as well as the novel), we could glean the message of Zestiria as a whole. (As such, I would also like to bring to your attention what the director of Zestiria attempted to achieve with the game.)

Since every panel is drawn with that thought above, I think there’s more to this too. (Using original Japanese version because the official English localization seems to translate things rather liberally, even though every word, every sentence was carefully thought up according to the author.)

SOREY: This is where I became the Shepherd... feels like it was long time ago. MIKLEO: Really? We were running all over the place that it all happened so fast to me. SOREY: I wonder if we really can pass on the wishes of the previous Shepherd, Gramps, Muse, and the others... MIKLEO: I don’t know, but all Gramps told us back then was to be free to live our lives the way we wanted to. SOREY: Yeah, I became the Shepherd and came all the way this far because of my own will. MIKLEO: Still though, it's thanks to Gramps and the others that we've come this far, and that you've grown up from such a small boy to such a fine man.

SOREY: You’re still growing too. MIKLEO: I’m not talking about our heights!

In Zestiria, it is said that seraphim can control their own growth, it is different from humans in that external things affect their growth. Unlike seraphim, the way of being of humans change with time and experience (人間は天族と違い、時間・経験と共にその在り方を変えていく). Whereas seraphim can be seen as static figures that don’t change—since they’re manifestation of human’s feelings, the very bare “hearts of humans” themselves (天族とは誰かの想い、誰かの祈りから生まれた露わな＜人の心＞そのもの). This is why they can’t lie to themselves, nor can they taint themselves (yes, they can’t produce malevolence).

Speaking of time, it is a concept that I feel is important in Zestiria with the way it keeps being brought up again and again, and if you notice, in Japanese (in the game, in the novel, in the manga... it’s consistent), it is often written in the archaic form 刻 rather than 時, even though both are read the same way as とき. There’s a bit of nuance lost in translation here, as 刻 means “cut” in that “time” used to be represented to be cut up in old Japanese. This kind of explains what they mean by “time flowing differently for seraphim and humans” i.e the passages of time for seraphim and humans are different, measured in different units of time, so to speak.

SOREY: ...I never... want to forget this pain... SOREY: It’s exactly because I felt pain that I was able to continue this journey. SOREY: We're grieving, suffering because of the reality across this world... and that's why we are able to rise up for hope. ROSE: ! SOREY: Many feelings even beyond that I had never known before were shining through! That being case, we— MIKLEO: (Humans accept [receive] something, and with that, they change their way of being.)

SOREY: We’re not afraid to go down this road!! MIKLEO: (With time, you grow taller. With your calling, you don the mantle. If you, with all that, are willing to accept the pain that tries to dye you...) MIKLEO: (Then I, the seraph that resides within you, as the thought that you are who you are, will draw the bow together with you.)

Emphasis mine. And sorry for the awkward translation, but this part is especially lost in the English translation for some reason. Here the manga focuses on the very difference of humans and seraphim—humans grow (affected by time, accepting that it changes them) while seraphim are the feelings of those humans taking form.

It’s definitely deliberate that the panel where Mikleo thinks about how Sorey has grown taller and with the Shepherd’s burden, donned the mantle, is Sorey’s back, seemingly distant, with his Shepherd’s cloak too. Ohsaka (Mikleo’s JP VA) has commented before that when Sorey pulled out the Sacred Blade and became the Shepherd, perhaps Mikleo thought that Sorey became so far out of reach for him, that at that time he probably wondered where the Sorey he knew (the childhood friend he knew) went. There’s the fact that they used to be around the same height too, until Sorey grew much taller than Mikleo was. And it was not spelled out exactly why Sorey was adamant about not making Mikleo a Sub Lord, but Mikleo in the manga understood it as Sorey not wanting the last piece of their peaceful childhood, where even the thought of becoming the Shepherd and Sub Lord didn’t cross their mind, gone.

Also, love the wording for “don the mantle”... it’s both figurative and literal, of course, meaning that with that Shepherd’s cloak he took upon the burden and responsibility himself. What’s more in JP though, 羽織る (“to put on [cloak]”) when translated very literally is “to weave feathers”, and from his feather motif (which the Taizen book has described as symbolizing Sorey being a bird who doesn’t know of malevolence taking flight off to the world) and the Elysalark skit really early in the game, it can become a very nice double meaning. I don’t even need to go to the whole “blank canvas being dyed over” imagery here that’s also in the game and even in the theme song, White Light.

Then we go to Mikleo declaring himself being the thought of Sorey being who Sorey is. Again, seraphim being the manifestation of feelings, thoughts, and prayers of humans themselves.

MIKLEO: I've been wondering about this true name that I had felt in my heart long before I even learned words. Its meaning has always felt mysterious to me... MIKLEO: But now that I've seen that memory, I understand. A sorrowful wish in despair gave birth to me; it is the name of that wish. MIKLEO: It might be a curse, or fate, but we know of [comprehend in its entirety, sense, viscerally feel] the hope that resides within this vessel called life. SOREY: ...Yeah, we can’t let everyone’s, our wishes to be tainted. SOREY: Reach it out, Mikleo! SOREY: Luzrov Rulay [Mikleo the Enforcer]!

So seraphim are the very hearts of humans themselves, but especially those who bear the name “Enforcer” are incarnations born as the purest form of those hearts, carrying out the will of those humans (執行者の名を持つ天族は、その心の最も純粋な形として生まれた化身), hence the name. Shiramine said that in the case of Mikleo, he was born out of Michael’s despair, which paradoxically was also his hope. Then he decided to act as Sorey’s purest will.

By the way, it’s not just manga that has Mikleo snapping Sorey out and becoming the first to offer himself as the first bullet to sever the bond between Heldalf and Maotelus. In the novel, he also offered to go first.

「この旅の終わり、僕が嚆矢となる」 “At this journey’s end, I will become the whistling arrow.”

Whistling arrows, in the Heian era, are fired before the battle not just to alert the enemy, but also friendly kami (the beings seraphim in Zestiria are based on) so that they would lend their support. Befitting of a seraph whose armatization uses a bow.

Also, take note on the Japanese quote of Aqua Limit Ultima (which kinda is horribly translated) (and also, it’s called Aqua Limit: Reunion in JP btw):

スレイ「ヘルダルフ…！蒼華たる霊霧の執行！」 ミクリオ「僕が決める！」 二人「「アクアリムス！！」」

SOREY: Heldalf...! The enforcement of the azure spiritual mist! MIKLEO: I will end it! BOTH: Aqua Limit!!

And that’s the will that they finally carried out. It is because they are human and seraph, that they are two people of different kinds (exactly because they’re different, not the same), each aware of their own way of being, that they can grow this far.

水魚の交わり 側に居て当たり前。互いがどんな存在か考えるまでもない。そんな関係。

Like Water and Fish It’s only natural to be by each other’s side. They don’t even need to think what they are to each other. It’s such a relationship.

異体同心 種族は違うが、同じ想いを抱いて育った。人と天族の可能性を示す。

One Heart in Different Bodies They are of different kinds, but they grew up embracing the same feelings. Showing the possibilities of humans and seraphim.

唯一無二の 互いに誰よりも負けたくない相手。だから成長できる。今までも、これからも。

The One and Only They do not want to lose to each other more than anyone else. That's why they can grow. Until now, and from now on.

応えしもの もう言葉はいらない。友の決意を心で受け止めた親友に捧げる称号。

One who Answers No more words needed. A title granted to the best friend who has taken his friend’s decision to heart.

Truly the embodiment of what a human and a seraph can be. That’s the kind of bond that is, and the way they grow together also illustrates that.

[starheirxero]

SLAMS HANDS DOWN ON TABLE. ADDITIONALLY!!!

I think that everyone in the tsams crew has their technical names (like Sun being called like DCA-01-SOL or Lunar being called DCA-0X-ALT-1221) but most have edited their systems names to be sillier. So like, if one if them ever got an airdrop sort of thing, they'd get a pop-up like "baby kicker 1000 wants to send you a file!" (which means its from Moon)

I also think tho!! that a network for several robots can look like many many many things but they're mostly used as a group chat of sorts! Thus, Lunar likely is the one to set up a family network and they haven't figured out how to do a sort of "nickname" feature yet, so sometimes someone will change their name for a bit and then later be reminded "OH RIGHT SORRY I NAMED MYSELF 'CYANIDE CRITIC' TO MAKE FUN OF ONE OF MY BROTHERS IGNORE THAT"

I ALSO THINK!!!!! That Eclipse would try so hard to have an actual icon/name in the network but Lunar will sometimes change his icon to a candid, unflattering image they took at one point. Eclipse is annoyed with it until he starts doing it back to Lunar and now they have a rivalry of seeing who can take the silliest picture without the other knowing

I!! ALSO!! THINK!!!! That Bloodmoon mostly sends incoherent messages in the network because they don't know how to navigate the "typing with your mind" feature, so both halves end up talking over themselves and their messages just turn out as keysmashes. whenever they synchronize, tho, everyone loses their shit

[gabv1rielislyfe]

Funniest thing about ultrakill dudebros latching onto fucking Minos as their chad sigma male idol guy is. You do realize that is the most bisexual old man in the universe right. His whole damn story is how he was sheltering the citizens of the lust layer because he was so fucking pissed at god for condemning lust (iirc he didn’t like the idea of a hell at all?) that he FOUND A WAY TO SHIELD THE ENTIRE LAYER FROM THE CONSCIOUS AND ANGRY HELL he would not be an incel. He just would not okay.

[honey-snap]

GRRRRAAAAAAHHHHHH I DONT USUALLY TAG MY TEXT POSTS BUT FUUUUCK I MUST SHARE MY FUCKING FFURDGCFDGJGVJHVCGFCVGJHYUCAQQQQVAAAA

listen. idk if theres any dickrider bigger than me in regards to divorce OK? i am NUMBER 👏 ONE👏 MINOSGAB 👏DICKRIDER! i never draw it like ever because these two ffUCKERS MAKE ME SO sad. they make me sad

im loCKING THE FUCK IN

Gabriel, this devout follower of the laws of a being above him, whom has explicitly created this angel to be nothing more than this perfect vessel to do His bidding. Angels aren't supposed to have free will. They are to work without question. And yet to find himself falling into the temptation of free will. An immovable object swayed by the likes of another whom he never thought would. The first time since his creation that he's felt love for another. And feels loved by.

Minos, a simple yet kind king who simply wishes the best for everyone, a peaceful man who seeks to find reason even in what seems to be unchangable. Even if it seems that change is impossible, he never gives up the chance to try. And to have Gabriel be moved by him brings him hope that hopefully, the rest will be like him. That they, too, will hear his side. Love should not be a crime. And so he loves freely, and he gives that love to the thing he once thought was immovable.

Only for him to fall back into his servitude. To push back any care in the name of his [absent] God, regardless of how much he didn't really want to. At the end of the day, this devotion wins. A betrayal. A killer of trust. Of hope. Perhaps they'll always go back to their roots.

This hypothetical pre-existing relationship drives me insane. I WSNT TO RIP MY HAIR OUT GRRR id be mad as hell if someone did this to me too on god. YOU LOCK ME IN A PRISON AFTER KILLING ME AFTER WE KISSED oh imma be seething the whole time, no wonder gaBRIEL'S ON THE TOP OF THE HITLIST FOR HIM