#minimal klaus
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phonographica · 6 days ago
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Klaus Schulze - Timewind (1975)
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arthuntblog · 11 months ago
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Klaus Staudt [Germany] (b 1932) - ‘Tempo’, 2019. Wood, acrylic paint, plexiglass (70 x 70 x 6,7 cm).
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fashionlandscapeblog · 9 months ago
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Klaus Uredat for Betón Brut
Corbi Trio Sofa, 1969
Source: Open Magazine
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comradecowplant · 3 months ago
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Huh. So that's the end of the Umbrella Academy I guess.
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diegohargreeves1989 · 2 years ago
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I just realized that there is a good chance that season 4 will start with a time skip which would explain why five looks older and show us how the characters have been adapting to the new universe
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morningwalksposts · 3 months ago
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08.08.2024
thursday ~ 08.08.2024
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klaus schulze - mindphaser
györgy ligeti - lux aeterna
etran de l'aïr - imouha
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cryptidcave-dweller · 2 years ago
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Oh shoot your right! This is his DLC unlocked skin:
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Five really only had 5 changes of clothing since he broke his contract huh
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anaargent · 3 months ago
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ANOTHER FIVE?
FIVE HARGREEVESxREADER
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*After watching season 4, we became orphans and widows. But the idea of a coffee shop with a bunch of fives is not bad at all.* (this is my first attempt)
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-Stay here with Allison, I'll be back soon - Five said with a soft look as he lightly squeezed her hand, before letting go and turning around. You watched apprehensively as he walked to Lila and they disappeared together in a space jump.
-Well, maybe we should go after Klaus then - you said, looking at Allison, with no idea of ​​when Five would return and give some satisfaction.
It shouldn't bother you so much anymore, the sudden disappearances, the lack of explanations, it had been six years, maybe you should expect more than a sincere relationship with Five. But you still waited, you still clung to any minimal show of affection you managed to get from him, even if it was a simple handshake.
You didn't know Five before his chaotic return in 2019, old hargreeves adopted you years after his early disappearance, for some reason you were younger than your 'brothers', but he never explained to you why. He called you 'the void', claiming that one day you would be very useful to the team, that day never came.
dinner at Diego and Lila's house
Something was different, you knew it the moment Five and Lila returned in the middle of Christmas dinner, faces closed and thoughtful. You didn't dare ask, but you could deduce from the looks the two shared. Then Diego noticed, then the whole family noticed. You were silent, what should you say? that she felt betrayed by the revelation that Five could show affection so freely after 7 hours with Lila, and not with you despite everything they had together?
It's over anyway, you let out a bitter laugh, finally gaining Five's attention, the attention you had been chasing so hard to gain - I guess we're settled then.
You really wanted to come out on top of all this shit, with grace and maturity after being dumped. But then Diego attacked Five, the same Diego who took care of you after your entire family dissolved and you had no one, the same Diego who took you to live in his not-so-safe apartment while he became a sort of vigilante at night.
-we're not done when we don't even have something solid- five says with his superior tone ,maybe it wasn't on purpose, maybe you had underestimated Five's talent and sensitivity for human relations up until that point.
Who could blame you, right? - You son of a bitch - when you realized, your hands were connected to Five's perfectly aligned hair, pulling with all your strength. Then everything became a mass of people, Klaus and Allison in the distance shouting "pull harder S/N!", Diego and Luther grabbing me in an attempt to get me off Five, who was trying not to lose all his hair, and Lila trying to pull Five back.
-What the hell is going on here? - A deep voice rang out above all the noise, everyone froze and looked towards the door, where a Five, looking more adult and rumpled than the Five I was attacking, stood in the doorway.
Everyone shared a lost look, watching the new five jump especially in the middle of the crowd and separate you and your five - I looked for you in so many timelines, darling - the adult five smiled sweetly, caressing your cheek, it would be a lie to say that this didn't shock you. - And you - he turned to the disheveled five - we need to talk
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lookingforhappy · 3 months ago
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I feel like sometimes we put too much blame on the other siblings for neglecting our favourites:
Luther has repeatedly gone off on his own (investigating Reginald's moon research, getting high in the club, going to the coffee shop, locking Viktor up, entirety of his time in the 60s pre-Five's arrival, refusing Five's plea for help, refusing to stay and talk to Viktor, etc etc) without telling anyone or wanting anyone to follow him. Him being gone for 1 day and no one noticing isn't really a red flag.
Diego's obssession with JFK was extreme and a red flag for his mental health, but he has been a walking mental health red flag since he was a toddler (so have they all). He was also ignoring all of Five's warnings about him saving JFK potentially causing an apocalypse that would make his actions worthless as he'd actually kill billions. He then ignored all of Luther's warnings about meeting their father, which Luther was right about (mostly). Five leaving him in the asylum wasn't unwarranted, no one knew that the Swedes were going after Diego at all.
(allison is honestly valid in her blame of the others not looking out for her as she is consistently expected to be the one to reach out, not the other way around)
Klaus’ addiction, homelessness and PTSD are ignored by his family largely because he has refused help and advice so often that they’ve learnt not to give it. He is ignored when giving plot relevant information because he has described a thousand absurd things to them that are ultimately meaningless. In essence, he is the boy who cried Wolf.
Five is incredibly rude to his whole family, barring Viktor, and is consistently minimizing their traumas and experiences to get them to do what he wants (even if he does want to save their lives, he's going about it the wrong way). He is also very cryptic and withholds a lot of crucial information about things like the apocalypse.
(ben is difficult because most of the time he can only talk to klaus who is having difficulties of his own, and who tells everyone that ben isn't around which is a dick move honestly but not one done out of malice and ben is well aware of that)
Viktor has almost always put his own trauma and recovery before anyone else's. He has physically fought and hurt every one of his siblings and his foster (?) son, and arguably done so consciously. He has also bared his sibling's private home life/childhood to the entire world without their knowledge or consent.
the situation is usually a lot more complicated than "everyone needs to apologise and do better to character A" because character A isn't innocent in this either
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clementineofmine · 3 months ago
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I'm sitting here rewatching Tua S3 for reasons, and one interesting thing I picked up is that the entire season is really just each of the Umbrellas struggling to define and searching for family in their own way. Here's me laying down some thoughts for y'all:
Luther - For him, family has always been about the team. That's part of the reason he's so drawn to the Sparrows, bc at first they seem to have the cohesiveness that the Umbrellas lacked. Remember, Luther was the last one left at the Academy, then Reginald sent him to the moon alone. So of course seeing a "functional" team is going to be compelling for him, and he desperately wants to be part of it. And then he and Sloane quickly fall in love and for the first time in his entire life, someone wants him for him. It's intoxicating and utterly consuming NRE that is more powerful than anything he's ever felt.
Diego and Lila - For these two, it's about figuring out how to be a family. Both together, but also a little bit with the other Umbrellas. Diego looking out for Allison and Klaus and Lila and Five coming to a truce are part of this - more about Lila and Five in a sec.
Allison - In her mind, her family is Claire and Ray. This one is obvious, but I also think that the writers did us a disservice by not letting us into Allison's perspective. If you think about it, it's completely normal for a parent to put their child above all. While I don't defend her actions, her motivation could have been more compelling and it would have strengthened her character. But sadly she's the character on the show that is most "othered" (which is bad for many reasons)
Klaus - he really dug deep into individual relationships w family, starting with Five (e2 and 5 Five and Klaus bonding are still some of the best bits of the season imo), Diego, Reginald, Sparrow Ben, and then Luther in the afterlife.
Five - Five remains a pragmatist. His bar for family is very low - success for him means the Umbrellas being alive, no matter what the personal cost or sacrifice to him or to some extent others. It is somewhat depressingly delightful to see how he makes his peace with the end of the world as the season progresses. Before that, however, I'd like to meander back to e3 and 4 where Lila convinces him to electrocute himself and then they go on the Commission mission. Both of the actors do a fine job here bouncing back and forth between witty banter and genuine emotion and I love it. It's a quick and subtle piece of dialogue when Five explains how he saved Lila from the Handler. The undertone is that they were both abused by that woman in a similar way - ultimately, she developed and kept them both as pawns in her own game. And I think Five, starting in S2E10 and fleshed out through S3, develops genuine empathy for and eventually acceptance of Lila as family, as one of them, because of this shared experience.
Viktor - Like Viktor in all seasons, he continues to feel out of place with the Umbrellas and compensates by over-prioritizing his relationships with others. Don't get me wrong, I do empathize with him that he lost real love with Sissy and Halan, but I also think Allison was 100% valid to call him out on his lying in E6, and it was on point to verbalize how the constant focus on Viktors pain minimizes her (and everyone else's) experience. (Edit to add: Viktor finally seems to get the message on this, after being called out by Allison, then subsequently both Sparrow Ben and Five, and spends the last few episodes trying to make amends. Real character development here and I like to see it)
Reginald - Well, his overarching motivation since S1 has always been bringing back his dead wife, so I won't belabor that, but also it's interesting to see how he interacted with Klaus particularly - esp in E7 when he sobers up it seems he is experimenting with remembering his role as a father. Now we don't get a ton about his internal motivation here, but you can tell there is some mild curiosity, if not affection, for Klaus, despite the fact that he ultimately is cool with sacrificing him.
Some of these are more obvious than others, but when you tie them all together, the idea that they are all desperately looking for family and the blind spots that that creates for them, some of the messiness of S3 starts to make a bit more sense.
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rebelumbrella46 · 3 months ago
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Things I Will NEVER Forgive the Writers of The Umbrella Academy For
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Klaus Comic's powers: Klaus’s powers have so much untapped potential that it's frustrating to see them remain stagnant throughout the series. From communing with the dead to briefly mastering telekinesis, Klaus’s abilities are unique and powerful, yet the writers never fully explored or expanded on them. Despite his growth as a character, his powers largely stayed the same, it’s especially disappointing considering how pivotal his powers could be to the group’s success.
The Sparrows’ Minimal Impact: The introduction of the Sparrow Academy was highly anticipated, but many fans were disappointed with how little they ultimately contributed to the story. Their potential as compelling antagonists or allies felt underdeveloped.
Ben’s Underuse and Departure
Allison’s Character Arc in Season 3
The Handling of Luther and Allison’s Relationship
Not bringing Sloane back for season 4.
The Lack of Villains Worthy of the Heroes' Stories, such as those from the comics like The Murder Magician, Doctor Terminal, or The Perseus Corporation
Hargreeves' Advanced Inventions: Sir Reginald Hargreeves is a brilliant inventor and scientist. He develops a range of advanced technologies, including weapons, gadgets, and enhancements that the Academy members use. His inventions often have a retro-futuristic design, blending old-school aesthetics with advanced capabilities.
No Pogo and Grace in S4
The Unmemorable New Characters in S4: These characters added little to the overall story and failed to make a lasting impact. Their inclusion felt unnecessary and detracted from the focus on the main cast.
The Whole Jennifer Storyline: The extensive focus on Jennifer in the last season felt like a waste of time. Her character wasn't compelling enough to justify the attention she received, and so much narrative energy was spent on her when more critical storylines could have been explored.
Abigail was actually interesting, but we didn't get so enough of her.
Lila and Five... just... WTF was that?
No Delores...
No Sparrows...
No Umbrella Ben! (THIS IS UNFORGIVABLE)
No Little Girl On The Bike in S4.
No Ray...
No Dave...
No Stan...
Diego and Lila...
Everyone Forgiving Allison Way Too Quickly Without Accountability
No Gerard Way cameos.
No Ben and Klaus this last season...
Only six episodes in S4.
Merging The Hotel Oblivion and The Sparrow Academy storylines into one season.
No commission?
No explanation for the subway station?
No dance sequence?
No White Violin?
The ending...
Feel free to add more things...
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klausysworld · 1 year ago
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Hi I was wondering if you could make a Klaus Mikaelson Love one shot where the reader is Carolines twin sister and also Klauses mate but Klaus don't want her to get hurt by his enemies so he spends his time on Caroline and the reader is a vampire so she can feel the mate bond and doesn't understand why he hates her so much to ignore their mate bond so she goes into depression and doesn't eat or drink blood she doesn't leave her room and she is in pain all she wants is Klaus but she thinks that Klaus doesn't want her and Caroline starts worrying about her so she gets Bonnie to do a spell to see what's wrong with herand they figure its because of Klaus rejecting her.
ends in smut only if you want to it doesn't have to!!!
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Resisting the truth
The concept of soulmates wasn’t something Klaus believed in. A ridiculous theory really.
And when people claimed to have had them he took pleasure in killing one just to watch the other crumble at the sight.
Even when Rebekah insisted that Marcel was hers, he wouldn’t let them be together. It was a stupid idea and he wouldn’t condone it.
He didn’t believe it in any respect.
So when he felt that odd pull, well he didn’t know how to respond.
Looking at her, he didn’t understand. She wad his type yes but from what he could tell she was only a vampire, she couldn’t have been a witch. So he didn’t know where the pull was coming from.
Even in Alarics body he could feel it. At first he thought the teachers body was attached to her but then he bumped into her in his own form and the attraction was even stronger.
Klaus didn’t like new things and didn’t like feeling things but he also knew if he killed her now then the bloody Salvatores would retaliate and most likely would grab their precious doppelgänger and run. So he left her be but kept a close eye on her.
Following her when he got the chance and learning things about her while trying to find out what kind of trick she was playing on him. She was meant to have been used for the sacrifice, first Caroline replaced her and then Jenna.
And then once he left Mystic Falls with his good friend Stefan, for whatever reason, all he could thing about was her.
Countless dreams haunted him and the urge to draw her face was driving him close to insanity. To begin with he thought perhaps killing her was the best option and then Stefan had to go find Klaus’ stash of sketches of his dear friend Y/n’s face and decided to tell Klaus all about her.
And somehow, hearing about her made him feel less crazy. He found himself asking pointless questions and listening to stories from Stefan. Until of course one of them realised that they were talking about her a little too much and they both awkwardly avoided the topic.
Having her walk straight into him yet again at senior prank night only made his thoughts worse. He loathed how his body reacted so quickly to her, just one inhale of her freshly washed hair and his dick was pressing up against his jeans. His hand grabbed both her arm and the doppelgänger’s before dragging them both back to the main hall. He proceeded with his plan as normal with minimal glances to the girl although he could feel her eyes on him the entire time.
He was entirely unaware she could feel the bond just as well. But she was less cautious about it, she was a teenager and experiencing new feelings. Ones she didn’t understand but she wasn’t a paranoid control freak so she leaned toward the feeling rather than away.
In fact she even followed him occasionally. When she had nothing better to do and wasn’t needed by the group, she tried to dig into his persona. But he was a difficult man to pick apart and she often just went back home when she got bored.
Sometimes she tried to talk to him, or just smile at him but he wasn’t the easiest to communicate with unless he was running the conversation. And she often felt like she was just annoying him so she tried to leave him alone but something just kept leading her back to him and she found it easier to go with it than resist it.
He found her a bit of a nuisance but at least she was a pretty one. And the more she was around him the more he warmed to her. The more beautiful he found her and the dirtier his dreams got.
Eventually he couldn’t handle the amount of time he was spending fucking his own hand and made his way to a witch formation. Only to be faced with the impossible truth.
And then he saw her in a different light. She had both a target on her own back and his back. So he did the one thing he knew how to do really well, push her away.
And god did he push hard. Ignored everything she did or said, avoided her like the plague.
He assumed she had a silly little crush on him and nothing more but he didn’t know she was taking the rejection of the bond so harshly.
Being a vampire it was massively increased and quite frankly it was soul destroying.
He didn’t see the way her skin was greying;the emptying of her eyes. He wasn’t there to see how her mother had to cradle her in bed like she were a small child again. The look in Caroline’s eyes as she tried to get her sister to be excited for their birthday.
What was even more cruel was Klaus coming over to her house to heal Caroline without even checking on her. Giving her twin sister a birthday present but not her? He never spoke to Caroline before, how could they possibly have formed a better friendship than them?
Had she entirely misread everything? Had he not smiled at her with that same look in his eye? Had he not initiated flirtatious interactions and inched closer to her?
She didn’t feel the hunger she used to feel for blood, almost as though it weren’t appetising at all any more. Repulsive even.
Caroline worried beyond relief as she witnessed her sister fading right before her. Stefan and Damon couldn’t get her to eat, Elena and Bonnie couldn’t entertain enough to get her out of bed, nothing was working.
Not until Bonnie offered to do a spell, with Liz’s reluctant permission she performed it to find what was wrong. And the answer both shocked the group and sort of made sense. They had all noticed at some point the strange need they had for each other. But through Damons research in the past when he believed Katherine was his soulmate, he knew what the ultimate result of a rejected mate could be. And as much as he hated Klaus, y/n was like a little sister to him and if she needed him for a little bit then he would push back his revenge for a moment. Plus it would put him in Elena’s good books and Liz’s.
So he let Caroline go and beg Klaus to save her sister.
Klaus wasn’t sure how to respond when Caroline came in with a white oak stake held to his chest while she yelled every offensive word she could at him. He had her by the throat quickly, throwing her off and to a wall but she was straight back at him. Screaming at him asking how he could have done this.
And after a very long back and forth argument, he realised what he was doing to the Forbes girl. But he wasn’t exactly sure how to react.
He knew he was no good for her, he would only be the cause of her death but apparently he would be that anyway. Which he found to be ridiculous but whatever.
But the second Elena let it slip to Rebekah that her brother had a soulmate, she had him by the hair dragging him to the Forbes residence and forcing him inside. Caroline and Liz left the house and Locke them in, despite Klaus being able to break it down.
While in there he couldn’t help but feel the forceful tug towards her room. Her heartbeat was so weak and her scent was fading. He tried to resist the pull like he had forced himself to for so long but hearing her pain filled whimpers as she shifted onto her side had his leg bouncing. Her dry coughs and groans had his teeth biting at the skin around his fingers and finally when she gave a cry out for her sister he got up to go and see her.
His heart hurt seeing her halfway desiccated and he reluctantly came to sit at the edge of the bed. Her eyes were heavy as she peeked up at him, her brows furrowing before a sadness filled her
“Are you here to kill me now?” She rasped and he frowned
“No my dear, no I won’t be killing you” he whispered, he felt bad now that hr had considered doing so in the past but better knowing that he no longer desired to.
“Why not?” She asked confused “you don’t want a soulmate…” she trailed but neither of them said anything because they both knew she was right, he never had wanted a soulmate.
She nodded weakly, sighed softly and relaxed back against the bed. He hesitantly shifted further into the bed, gently pulling her a little closer so her head lay on his lap.
Slowly he brought his fingers to her hair, just gently stroking her as he silently went over his options, wondering what was truly best for each of them in this scenario.
Would she really be better of with him as a soulmate?
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arthuntblog · 11 months ago
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Klaus Staudt [Germany] (b 1932) - ‘Concealed Yellow’, 1994. Wood and acrylic glass in box frame (49.6 x 49.6 x 5 cm).
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andreal831 · 2 months ago
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What do you think of Kol/Davina?
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Y'all already know you aren't going to like this one.
But Kolvina is probably my least favorite of the Mikaelson canon ships. And yes some of that is due to the fact that Kol is my least favorite Mikaelson. But a lot of it is just based on how young Davina is and how young the show continues to remind us she is. Also, how little effort was put into this ship.
In season 1, Davina is 16 years old, only a year younger than Elena was in season 1 of TVD. Davina, I believe is the same age as Jeremy. However, with everything being aged up in TO (the characters, the love interests, the maturity/violence), Davina comes across as even younger. And this is done purposefully. Davina in season 1 is put into these white, babydoll dresses for most of the season, despite it being unnecessary as she's living in an attic. Her hair is typically very simple and her makeup minimal to give her a youthful look. The show is trying to remind us how young she truly is.
This is not only done with her clothes, makeup, hair, etc. But also with how the characters talk about her. I made an edit one time of how differently Rebekah treated Elena and her friends versus Davina. She treats Davina like a child, like a daughter, when Davina is only a year or two younger than the teenagers Rebekah and her siblings had just spent a couple of years harassing/killing. You also have Vincent, Cami, and Marcel treating her like a child (cause she is one) and worrying about the responsibility that has been put on her. Even her relationship with Josh keeps reminding us of how young and even naïve she is when she isn't aware of things he talks about because she's been so sheltered and is a literal teenager.
The show is reminding us how young and innocent she is so she appears much younger than the characters in the show we just watched (TVD). This is because we need to be angry at the ancestors and the witches for what they've done to her. But mostly because we need to separate it from Klaus sacrificing a 17 year old just a couple of seasons before. Elena was made to seem older so that we could set aside the fact that these 100+ year old men were not only sleeping with her, but continually putting her life in danger. But the opposite is true for Davina.
So then when, in season 2, Kol is brought back as a witch sent to charm Davina, she is still a child to the audience. Yes, she's gained more agency, but you can't just erase all of the footwork the show did to make her appear so much younger than everyone else. And yes, I know the argument that Kol was turned at 17 so they are basically the same age. But I've already discussed how that argument doesn't hold weight with me here.
I'll move on from the age thing though. Another one of my issues with the ship is the bait-and-switch Kol essentially does to Davina. Davina was the biggest Mikaelson-anti. Some of it I think was exaggerated to create conflict in season 1, but no matter what the reason was, she wanted them dead. Kol enters, lying to her about who he is and she is swept away by his charm. Kol spends the better part of a month manipulating a teenager who feels abandoned by everyone. Only to learn the truth and feel betrayed by him. He winds up winning her over because he wants her help to take down Klaus. Only to then betray her once again as soon as Klaus gives him any attention. Where is the Davina we know and love from season 1 who had Marcel, Elijah, and Klaus literally on their knees for lying and betraying her??
I've talked about Kol's development falling flat to me before, so I won't go into too much depth here. But Kol was the stereotypical younger brother. He pretends he is too good for his family, but as soon as Klaus gives Kol any type of attention, even negative, Kol is buddy-buddy with him again. The scene where Davina is watching Kol hug Klaus after Klaus nearly attacked her will always stand out to me. The look of betrayal in her face.
We never really see Kol work to gain Davina's trust or love. He just has it. It doesn't help that a lot of their relationship happens off screen, but what we do see just makes me sad for Davina. Also just the fact that Kol is Marcel's least favorite of the Mikaelsons since, you know, he actively tried to kill Marcel as a child, would make it even harder for Davina. She is constantly being pulled in different directions and at no point do we see Kol trying to make it easier on her. He doesn't work to rebuild his relationship with Marcel or the witches or even Josh. He just pops in and out (yes, I know it was partly due to them both dying constantly) of her life and her feelings are just expected to be there.
This idea that Davina sees Kol as "the best of the Mikaelsons" also just highlights how little she actually knows about him. At least with Cami and Klaus, Klaus has told Cami nearly every awful thing he's done. She is going in with eyes wide open. Even Elijah and Hayley, Hayley knows who he is and even goes into his mind and sees it first hand. Whether they would have ever gotten back together after that is up for debate (they would have, there's no debate), but again, she is making an informed decision. Davina sees Kol in isolated instances where their goals align. And when they don't Davina is just expected to put hers aside and go along with Kol, which the audience is okay with since it's supporting the fan fav family.
The version of Kol we get in season 4 and 5, the small glimpses we see, are don't have anything in common with the Kol we knew throughout TVDU. Like I said in my post about Kol's development, he essentially becomes whatever character the show wants him to be. There is zero reason given for his development other than him falling for Davina. I'm sorry, but men do not just change who they fundamentally are because they fall in love and that is a dangerous message to put out there.
To me Kol and Davina were a plot device to make Davina more hesitant to go after the Mikaelsons and to also cause conflict within the family. They have some cute moments, but I never truly believed their love for each other was anything more than infatuation.
Thanks for the ask! Sorry if it wasn't what you wanted
<3
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*Marcel when he finds out Kol is the witch Davina's been seeing*
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zooophagous · 2 months ago
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Klaus got to sit in the big crate so the other animals could see and smell him a little better and everyone did really well. Very minimal posturing from any party. I think in the next couple days we can build up to a real meeting.
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air--so--sweet · 9 months ago
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So there was recently a TUA prop action (that I feel gutted to have missed despite being a broke student who couldn't gave afforded even the cheapest lots) and one the items was Klaus' rehab 'accessories' which includes a form stating the things he was carrying on admission and I find it so funny.
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1 toothpick
1 granola bar
1 tarot card - the moon
1 crystal
1 candle - used
They really were going gor the stereotypical hippie/spiritual person vibe, eh?
Wondering if there's a scene where we were meant to see the bag of belongings Klaus grabs from reception opened, two separate tarot card designs suggest yes.
My tarot knowledge is minimal at best so looked up the meaning of the moon and read a few descriptions, all had things you could maybe see as applying to the season but in quite vague ways and then I read a description that contained this paragraph.
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I mean...I don't think I need to elaborate on who I think this applies to. 😂
The card design is interesting. It has elements of the usual moon design but is missing some. The tightrope walker between the towers is an interesting addition, there normally isn't anything connecting the towers.
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