#mines: writing advice

[incandescent-creativity]

I don’t post writing tips myself very much anymore, but a very easy manuscript polishing tip is to do a search for the -ness suffix, and then replace the word with a more appropriate noun.

Quickness? Switch it to “speed.”

Tenseness? Try “tension.”

Easiness? I think you mean “ease.”

Even words like sadness can sometimes be traded for something more precise. Like what kind of sadness? Would disappointment be better? Melancholy? Even just “emotion,” and then add in another detail that helps the reader understand they’re sad?

[the---hermit]

how I take notes on non fiction books

I recently made a post on my study method, and decided to make a whole separate post on my note taking method. The structure of the notes I write doesn't vary too much from my lecture notes to things I might have to read. A couple of useful informations you might want to know before I start actually talking about note writing is that I am mainly focused on studying history (tho I have had other humanities exams in my degrees), and that I study for oral exams in which the material is mainly composed of non fiction books, but sometimes include articles as well as lecture notes. Somehow I have also failed to mention that I am speaking about HANDWRITTEN NOTES. I only do handwritten notes, I don't work well digitally, so keep that in mind. And with this being said brace yourselves for a very long post. The bullet points I will be making are not really in a specific order and I will be including a few pictures too.

The first step when I am working on the materials for an exam is to figure out in which order I will be reading (and writing notes) the books. This hasn't really much to do with the notes themselves, but it's important to know which of your materials is more general and what other things go more in depth, so that you don't struggle too much while studying. Another plan related thing I always do is to write down each chapter of the book I have to study on my bullet journal and how many pages it is so I can plan my studying more comfortably. If the chapters are very long, and divided in subchapters I sometimes also write those down.

The goal of the notes I write is to fully take the place of the book, so they tend to be very detailed and long. I do this because the very act of writing is part of my study method, and working on things I have written down in my own words is just much better for the type of learner I am. So basically I read the book only once, then it goes back on the shelf and I work exclusively on the notes. This means my notes need to be detailed and well organized.

My method is to read a chapter, underlining important stuff as I am reading, and then right after I am done reading I work on the notes for that chapter before moving onto the next. I do this because it makes the note writing more effortless, I am fresh with informations I just read and I basically just need to skim over what I have underlined.

On underlining, since it is so important. I underline everything I will be including in my notes, it might seem much as sometimes it consists of full paragraphs, instead of key words. But this is okay because my notes I don't just copy and paste.

To create useful notes you need to be re-elaborating the informations. You need to read, understand what you read, and be able to write it down using your own words. That way the notes will be easier to review, they will often be composed of shorter sentences, and by doing so you are also actively making writing part of your studying and not just a mindless activity.

Personally I don't work well with full pages summaries, I need the text to be visually broken into sentences/small paragraphs, and I use a lot of symbols as well as abbreviations.

Symbols and abbreviations are in a way part of your very own language when you are writing notes, you tend to develop these with time, but they are so useful. I personally use different types of arrows, all caps words, position of the text in the page, different methods of highlighting and abbreviations (usually for words that come up often like country names, for example Italy becomes ita, France becomes fr, etc.).

Your notes need to be useful for you, they don't have to necessarily be comprehensible for another person (which means you can and will fuck up sentence structure because sometimes skipping a couple of words makes the notes shorter and still understandable), and they do not have to be pretty. They should be as tidy as possible, but again that might change from person to person, I have some very messy looking notes that make total sense to me. With time you'll learn what works best for you.

I have a visual memory so as I mentioned titles, highlighters, all caps, the placement on the page and other similar things are very important in my notes. I cannot fully exapain some of these things because some definitely only make sense to me in the moment (like the words I choose to write in all caps, or the way I highlight things).

I like to have a clear chapter and subchapter break (so that in case I need to refer back to the book it's super effortless). I like to write those with a red pen, usually the chapter title is in all caps and the subchapter in coursive, but it really depends.

I use only two highlighters in each set of notes yellow for dates, and the colour I associate with the book/the subject of the book (I have synesthesia I don't make the rules when it comes to colours). This of course might change depending your preferences and on the element of your notes you want to focus on. I like to have spacific colour for dates and time periods, because of course while studying history that is a fundamental element. If you are focusing on other subjects you might want to have a specific colour for names, or other elements.

I like to leave a big side margin to add either key words (especially in lecture notes since they might be messier and jump around informations more often), or additional information in a second time (sometimes it happens, after you read another book, or attended a particular lecture you have to add a couple of sentences and I rather have a blank space that never gets used rather than no space at all for emergencies).

I honestly mentioned everything that came to mind right away, but since note writing is now basically a mindless skill I have been practicing for years I surely forgot about something. I might end up adding to this post in the future or write another one. My note-writing method has also changed a lot thought the years from high school to university, it's a skill I have been perfecting for the past decade. This to say that depending on what you are working on things might change, and by experimenting with different things you might find out things that work very well for you. If you have any questions on specific things I didn't mention or that wen't clear my inbox is always open and I am more than happy to help.

Since this post is already very very long I am adding the pictures below the cut

Example of a page of notes before and after highlighting

Example of symbols and structure of the notes and the way I highlight things (in which you'll hopefully be able to understand my handwriting, and in which there might be some spelling errors but alas that often happens in my real notes as well so if there are any it's for the sake of accuracy lmao). If I end up adding informations on the margins I always use a pen of a different color so I can tell which informations I got from what source (ex. main notes from lecture, colorful notes from additional article).

Example of messier notes in which the main text in black are the notes I took during lectures and the additional colorful text was added while writing the materials (I rarely do this, it usually happens when the lectures follow a book precisely, which happens when we have to study books or summaries written by the professor). As you can see I often use post it notes to add more writing space, and sometime I even use them to create visually separated sections. If I end up adding some drawings I also usually like to have them on post it notes so they stand out more (and if you are wondering why the hell would an history student need drawings it's usually either because I need a map or a region/state to mark things out, or when studying for archaeology exams I often needed visual references, for example to identify different types of vases or decorations).

[haleyincarnate]

I will no longer exist for you on a plane of existence that does not serve me.

Inspired by @malavika.natesh on Instagram ✨

[s-soulwriter]

Writing ideas

Some writing ideas if you don´t know what to write about.

1. "Time-Traveler's Journal": Explore a story where a journal enables time travel, and its pages reveal secrets of the past and future to those who possess it.

2. "Virtual Reality Realities": Delve into a world where virtual reality simulations become a part of daily life, exploring the consequences and the blurred lines between real and virtual.

3. "The Library of Lost Stories": Imagine a magical library that collects forgotten stories, and follow a group of characters as they uncover tales that should never have been lost.

4. "Quantum Love Letters": Dive into a romance where love letters transcend time and space, connecting two souls across multiple dimensions.

5. "The Sentient City": Uncover a city with a mind of its own, where buildings communicate and influence events, and the urban landscape becomes a living, breathing entity.

6. "The Memory Exchange": In a society where memories can be traded, follow a protagonist on a journey to recover their stolen past and the secrets hidden within.

7. "The Elemental Heir": Explore a world where people are born with the power to control one of the elements and join a young heir in discovering their elemental abilities.

8. "The Clockwork Companions": Step into a steampunk realm where clockwork creatures serve as loyal companions, raising questions about the nature of artificial intelligence and friendship.

9. "The Echo Chamber": In a near-future setting, a mysterious technology creates an echo chamber where truths and lies blend, forcing the characters to question their reality.

10. "The Seer's Sketchbook": Follow a seer who can predict the future through their artwork, uncovering the unfolding destiny of the world one sketch at a time.

[howtofightwrite]

I know DnD is not about realism but how accurate is having, say, your heavy armor wearing paladin have 10 dex or even negative dex? Where medieval knights built like The Rock or like The mountain? I’ve seen youtubers saying that you needed a lot of strength to be able to fight like a knight so women and smaller people couldn’t do it.

I think I know which YouTuber you're talking about, and you can pretty safely ignore them. Their personal misogyny takes priority over their (alleged) expertise when they're forming their arguments.

There's two logistical problems with the idea that you need someone like Hafþór Júlíus Björnsson to make up the bulk of your elite forces. The first problem is that they need to consume a frightening amount of food. This isn't as much of a problem in the modern era, when we have the capacity for truly staggering amounts of agricultural production. But, in a medieval society, with serfs responsible for most of the agriculture, the prospect of feeding each of your elite troops 10,000 calories a day would economically destroy most kingdoms. (And, yes, that is what Björnsson reports to consume on a daily basis. Other estimates place his dietary intake somewhere between 3600 and 8000.) And, to be clear, that is an absolutely absurd amount of food. But, if you want to build that kind of mass, you need a lot of energy, which means, a lot of food.

The second logistical problem is, there's only one of him. Okay, that's not literally true, The Mountain was portrayed by three separate actors, Conan Stevens, a professional wrestler, and Ian Whyte, a stunt actor who had previous appeared as a White Walker in the first season. But, Hafthor Bjornsson took over the role in the fourth season, and is probably who you're thinking of when you name drop the character.

Bjornsson is a member of the 2000 pound club, which include power lifters who can lift over 2000lbs combined between bench press, dead lift, and squats. Not many people ever get that far, and Bjornsson is one of the few individuals who can get into the 1000 pound club from a single lift.

Here's a fun name to know, Becca Swanson is also in the 2000 pound club. She credibly claims that she is the first woman to have achieved that, and I'm not sure if there are any other women in the 2000lb club, but it is achievable.

Now, here's the fun thing about all of this, because you're asking about D&D, and D&D players need to know exactly how much their character can lift. The calculation is (STR*30)lbs. (In the Player's handbook p174.) This also means if you have a real person, and you know how much they can lift in the real world, you can reverse engineer what their strength score would be in D&D.

It's 37.

If you wanted to convert Hafthor Bjornsson into D&D, his strength score would be 37.

Dude can fucking arm wrestle the Terrasque and easily win.

Putting that in perspective, it's a little ludicrous to say that if you want a viable martial character (fighters, paladins, barbarians, etc.), they need a Strength score of 37, when it's not normally possible for player characters to exceed 20 base strength. (If you're wondering, Becca would work out to have ~29 Strength. So, on par with most ancient dragons, and a few gods.)

So, there you have a man and woman who are both superhumanly strong according to D&D.

D&D and math have always had issues like this, and it pops up in a few different places here.

The basic concept that your ability to hit, and the amount of damage you deal is based on strength comes from a very, “schoolyard,” understanding of violence. It's okay to step back and abstract it out, where “strength,” is some amalgam of melee combat aptitude in addition to actual strength, but the idea that being stronger means you can hit harder with a sword or dagger doesn't make a lot of sense. It doesn't even make much sense with axes and maces (the force applied has more to do with the mass and velocity of the weapon, rather than the strength of its wielder.)

A paladin with negative DEX is dead. I don't mean that figuratively, and I do understand what you meant to say, but this rule is a little obscure in 5e. If any of a character's physical attributes (STR, DEX, CON) are reduced to zero, the character immediately dies. Ability draining effects used to be far more common, so the rule existed by itself, though, now it mostly shows up when you're looking at a monster with a physical ability draining attack.

What you probably meant was a negative DEX modifier, meaning your paladin is unusually clumsy. Outside the context of D&D, that would be an incredibly bad thing for a front line combatant. In the specific context of D&D, if they're in heavy armor, it doesn't really matter, if they're in medium, then it reverts to being “a bad thing. Specifically, the rules is that light and medium armor add your DEX modifier to your armor class. Medium armor caps this at +2, but it can go negative with either armor type. However, heavy armor in 5e ignores your DEX modifier entirely.

Now, here's the thing about D&D, its concept of armor is spectacularly weird. Unlike RPGs where armor reduces damage taken, either by subtracting a fixed amount from incoming damage or by reducing damage via a percentage, D&D's system is that your armor class grants you a chance to avoid being hit at all. (5% chance per point of AC, if you're wondering.) Narratively, this is often framed as taking a hit, but your armor turned the blade or something similar. This is because sometimes the enemy attack straight up misses, and that's (usually) determined by your dexterity. This is important, because the game is trying to balance two different power fantasies against each other.

On one side you have the players who want to roll in heavy plate armor, and soak all the hits, and on the other you have players who want to go with light armor, and dodge around enemy attacks. Realistically, that's not an option, but D&D permits it, and again, that's fine. The fantasy of lightly armored fighters makes a lot of sense. I'd even go so far as to say that the barbarian's unarmed defense bonus (where they add CON modifier to their DEX modifier while unarmored) is a really good change in 5e even if it does make no sense objectively. It contributes to the fantasy of this brutal fighter who runs around without armor slapping people silly with their weapons, and shrugging off damage because they're too stubborn to die. In (nearly all cases) the ability to deliver the player fantasy of a class is more important than a strict adherence to reality, and that's fine, that's the point, but the realism of D&D doesn't translate off the page in any meaningful way.

If you wanted a more, “realistic,” (and, yeah, that's incredibly loaded in this context), approach to armor for D&D, I'd say gate access based on your Constitution (or Constitution modifier). Sort of like how your equip load in Dark Souls is based on your Endurance attribute. Give armor and weapons a burden value, and if the combined burden on a character exceeds their CON, the character risks taking levels of Fatigue when they're fighting in heavier gear than they're conditioned to deal with. Maybe add a Conditioning feat or skill if you want to add some other attribute modifiers to the mix should you end up with your heavy armor fighters being underequipped. (Then again, I am one of those psychopaths who really liked the D20 Star Wars' vitality system.) So, ultimately, tinker with the balance until you find something you, and the people at your table, are happy with. Roleplayers who have more meaningful build choices tend to be happier, so long as they don't feel like they're being punished for having a character fantasy.

One of the more amusing descriptions I've read of medieval knights is that they were built like methheads. I can't fully vouch for that, because I'm not an expert on the physical appearance of medieval knights, but it's certainly credible. These guys were eating pretty well for the era, and engaged in a lot of physical activity. Depending on what they were doing, that could easily result in some fairly bulky guys, but it could also result in some wiry looking guys who hide their muscles. Just, knowing what I do about the human body, the answer was probably both, depending on their metabolism and diet. But the image of Sir Methhead, Knight of the Realm, and his implausibly clean teeth, still amuses me.

It's worth remembering that a lot of the times I've seen someone say, “they were built like athletes,” they'll drop an image of a bodybuilder. No. That's not what you would get. Bodybuilding is designed to create its own physique, one that doesn't occur unless you're abusing your body in some very specific (and unhealthy) ways. It's probably better to think of someone like a high-school football player. Bulky, but without the carved physiques of a Boris Vallejo painting. (If you don't know who that is, look up his art. It is a bit dated, but it's gorgeous.)

Alternately, if you do want your characters to look like those paintings, it is your fantasy, have fun.

-Starke

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[interroblog]

I started free writing last week and it tripled my daily word counts so I feel the need to evangelize 👀

I’m in the “figuring out what happens in this story” stage of plotting which is what it’s been really great for, but I can see it helping any time you need to solve problems or get ideas. Here’s the rules I use for myself, hopefully someone else will find it helpful

Write every thought. All of my free writing sessions start with a ramble about how I’m going to start free writing, then I write all the things I could explore until I latch onto one and go.

No thought is too undeveloped. Even if it’s a poorly written sentence fragment or idea about an idea… it might lead to something else, so it goes in.

Chase your ideas! If I’m writing about one idea and I suddenly get another, I’ll just immediately swap to writing about that. I can always finish that other idea later, but I know I’d forget about the new one. It’s easier to remember a half-written idea than a fully unwritten one.

Writing something doesn’t mean I’m going with it. I’ve written down ideas then immediately after added “But I don’t like that because (reason)”. It almost always leads me to writing about another idea that I like a lot more

Basically, it’s not about what you write. It’s about the ideas it leads you to. It’s so helpful for making me get out of my head and solidify thoughts so I can build on them. I’ll put three excerpts from my free writing doc under the cut to show off the different levels of “quality”

“there’s only one bridge into this area, it’s closed for flooding after snow melt. So that’s why they’re stuck in this area. Amp brings them back to his cabin? Doesn’t want to let a bunch of kids sleep outside. There’s two layers to his interactions, the truth that he would die for these fuckers because they are his family- and the lie he’s telling them. It’s the latter I’m trying to figure out.

they first meet him at the gas station, then later [note: here I skipped to the next line to follow a new thought I had, then never went back to finish this one because it connected back anyway]

They’re camping in the woods when they see something tall and inhuman. The moonlight reaches it and they see amp with a torch and a bag (torch??? Who am i) of food, fire starter, and a blanket (given to Saint, who then forces tab to share it with him because he feels awkward. Cuties)

He says he saw their car on the road, it’s march and he didn’t want anyone freezing to death. (There’s the hint that he didn’t just see their car but he knew to be looking for them. He didn’t just happen to have all that stuff on him, after all.)”

“time to free write 500 words real fast cause i wanna get to 2k. What are we working with. I think I’ve got some good stuff right now, it all just needs to fall into place. Let’s see how it goes, listing arcs.

There’s Saint’s arc which i still need to define more, it’s been changing a lot as the story develops which is good!! The goal!! I don’t want to solidify it too much, but it goes”

“let’s see… i really want it to build on itself, and the surgery stuff feels too out of place or like a regression, even though it’s literally the point of the story. Maybe it’s the fact they go home? I could try having the surgery take place in the underground with saint only thinking he’s back at a hospital- but that undermines a lot of the stuff with the parents if it isn’t real”

[pluminosity]

╰(*´︶`*)╯♡

[bhaal-battle-beer-bard]

Astarion x Tav

📜🪶📜🪶💙🎻🫧🌹🌸🌹🫧🎻💙🪶📜🪶📜

request: for @aristenfromwarsaw

Fangtastic days of our lives

➹summary: a comforting day/evening in the life of Astarion and his love Aristen after post-game settling down, takes an unexpected turn as Astarion while enjoying his new found life and love, sees something of interest…

➹pairing: Spawn Astarion x F!Tav (Aristen by @aristenfromwarsaw)

➹content/tags: fluff, comfort, romance, smuty flirting, fun, slice of life, little tiny bit of angst and guilt

➹word count: 5,036 ➹ao3

➹cameos: @evander-jane Devana Lysander @alpydk Ragnar @goromimii @pinkberrytea (by order)

➹a/n: another belated birthday present for @aristenfromwarsaw  Thank you very much for all the great photoshoots you always did for me, just like that. Such things really fill my heart with joy. I hope you like it. Thank you for trusting me with your Tav Aristen. I take writing other OCs really serious, because an OC is very personal thing and it is way harder to get them in character. I used the infos/backstory you gave me once about Aristen for the best I could.

📜🪶📜🪶💙🎻🫧🌹🌸🌹🫧🎻💙🪶📜🪶📜

Fangtastic days of our lives

Teak, mahogany, oakwood, dried tobacco with the hidden essence of vanilla. From somewhere the sweetness of honey and roasted nutmeg.

These were impressions of antique wood, boiling kettles, clanging beer mugs and laughing voices that filled the Elfsong tavern.

It was like a honey-colored, subterranean, starless sea.

A sea of ​​people, scents, voices and music.

A sea of ​​life that would envelop the coming evening when the sun would have completely disappeared, making way for the aurora again after the starry night.

Astarion was acutely aware of his surroundings. Perception meant survival.

But not today…not anymore.

He could simply explore and enjoy his surroundings while he waited for his beloved:

Aristen the storm sorceress and former daughter of Bhaal. She was able to walk in the sun and as a vampire spawn he had to wait until the sun had made the rays that were fatal to him disappear.

That didn't matter to Astarion. He was used to the night.

But he never wanted to go back to that cold, lonely life.

The Sorceress, along with the other companions, had freed him from slavery once and for all. But it was she alone who had given him back the vision of his eyes, of his entire senses. Astarion could sit in the tavern and just be, taking in the surroundings of life.

No more looking for victims. No more fear. Never again.

The Elfsong Tavern was full of life and he was part of it.

So after hundreds of years, Astarion could finally taste life again. See it. Hearing it with his pointy ears and feeling and smelling it warmly with the scent of pumpkin, butterscotch and spicy beer.

A quite pretty bard with white freckly tattoos on her face and braided crimson hair beneath her Tiefling horns played the lyre on the Elfsong stage. Astarion noticed dagger-shaped earrings on her pointed ears. The Avernus fire of her origins blazed in her blue eyes as she sang:

“Empty kisses, shallow words,

Fiery passion only hurts

When the sorrow takes an oblivion hint

Will you cure and begone with the wind…”

Astarion continued to look around while the sadly whispering voice reached his elf ears.

“I hope someone sings a song like that for me too. Such expressions of love really manage to make me weak,” sighed a tall black-haired woman, whose face bore at least as many tales of adventure as freckles.

"Me too. But I really hope that the ballad has a happy ending,” replied a long-haired beauty at her table. The human woman's wavy, light hair framed a gentle face with captivating blue eyes.

“Oh you heard that? Oh no! ", the adventuress, ashamed, put her hands on her head with her side-braided hair and covered cringing with embarrassment one of the green eyes. "I should stop talking loudly to myself."

The other woman laughed a little and her wavy hair swayed on the shoulders of the long, light dress with floral embroidery: “It’s all good. I won’t tell anyone else.”

She winked briefly.

“But tell me…” she took her hands away from her face with the little different eyes, “…you’re not from Baldur’s Gate either, right? You also speak with a different accent than me.”

"Correct. I come from the East..."

“What did she say? Sêlune guide me?”

Astarion was distracted by an almost desperate voice that sounded at least as concentrated and angry as it was beer-soaked.

He saw a barbarian sitting at the next table, holding his beer mug almost too tightly.

The raised dark blonde hair did not distract from the piercings and black war paint, which Lae'zel would certainly have approved of.

“Okay, can I memorize this Sêlune prayer or not?” he muttered to himself and downed the beer in one gulp.

Astarion had seen him before and that evening he had stared at Shadowheart the whole time. Was the barbarian building up – or drinking up - the courage to speak to Shadowheart next time?

The vampire was distracted from the barbarian when a pale woman walked past his table accompanied by a brown-haired man. He noticed them because they both had scars on their faces. But no, that wasn't it at all. Something else drew his attention to them...they smelled somehow, almost reeked of...swamp? No magic.

That same hidden scent of feymagic that came from the black haired adventuress with the freckles.

The woman's pale face was friendly, almost cheerful. She enjoyed the music and the sad ballad. Did she know the feelings and sad love that the Tiefling woman sang about?

Astarion was all the more struck by the face of the dark-clothed man with the scarred hands who accompanied her: he was rigid and joyless and his eyes had an almost malicious shimmer. He didn't seem to suit her. He walked rigidly like an aristocrat or a trained soldier, or was he rigid because of the blade - that was clearly visible to the Rogue - that he wore under his clothes?

The man's gaze fell on the bard's dagger earrings. But not only the brown-haired human looked at the earrings, but also a white-skinned, tall elf who walked behind him. Astarion didn't know what was more noticeable: his large deadly sword, the long white hair, the black tattoos on his face, or...or the earrings in the shape of a dagger that hung from his ears.

He nodded almost imperceptibly to the bard and she returned his nod briefly.

Frowning, Astarion averted his gaze and looked around the taproom.

Many of the guests listened attentively to the ballad. Couples in love held each other tightly and some wiped a tear from their face.

“…in the dark of the night I see your tears

Rubies glisten full of pain

Rage and misery

Don’t get lost in brandy, bergamot and rosemary”

The ballad finished gently and the bard stood up.

"Thanks! And now for the bard duet!”

With a wave of her hand, she invited her partner onto the stage.

Wild white hair adorned the scarred drow face. It looked like survival for Astarion.

She could be young and old at the same time, that's how it was always with the elves. Young pretty faces and centuries behind them. Sorrow, suffering, joy. Everything was possible.

The narrow waist with the subsequent curved hips and thighs with short pants was adorned with a weapon belt with a sword and a flute.

The skilled hand whirled out a shiny silver flute and the duo began to play:

„Two bards do the trick, because bards do it better

Drow or Tiefling, it doesn’t matter

Shiny white hair, or wagging tail

Their persuasion will never fail“

They quickly changed the melancholic mood and the silver flute had a captivating sound, as if it were a homage to a goddess.

“One plays the flute, the other smashes lutes

Buy us a drink and we’ll tell you who is who“

A Tiefling whose rosé colored hair matched her white pink frilly clothing cheered enthusiastically to the tavern song.

Astarion heard her applaud with a giggling laugh. Cute little laughs with a sweet smile upon her light face.

It was that kind of sweet laugh that told the vampire how innocent, unspoiled, kind and naive the person was.

Yes, the delicate Tiefling woman was a sweet, innocent thing, Astarion could tell that with just a sideways glance of his red eyes. The sweet and naive kind of girl that immediately fell for him. Who he easily ensnared and seduced for Cazador. Or was she one of the people he would have avoided because they were so naive...innocent, undeserving of it? He would probably have avoided her if possible because such a sweet, lovely person didn't deserve to fall victim to the vampires.

Astarion closed his eyes briefly and grimaced at the emerging memories that he immediately wanted to repress.

Thanks to his beloved Aristen, he no longer had to do this.

He was free.

Cazador dead.

All of Baldur's Gate saved, saved from the Empire of the Netherbrain and the Mind Flayers.

Yes, thanks to the blonde adventuress whose fate was forever intertwined with his and all her other companions, he had escaped his fate as a slave. Their courage and their determination, with the help of the other fighters, allowed him to defeat Cazador.

But not only that, the storm sorceress had also given him love and patience. And the confidence to be better than Cazador. He didn't need blood-soaked, soul-eating power to be safe, to be worth anything.

Astarion would never have to hurt innocent people against his will again.

All thanks to her.

And yet Aristen did not consider herself to be good, nor to be lovable.

She loathed herself for her actions as a born Bhaalspawn, which she only dimly remembered. No one could hate her more than she hates herself.

And perhaps it was even worse for her, imagining every day what atrocities she had committed in the name of the God of Murder instead of knowing for sure.

She didn't see herself as a lovable hero, a savior. Astarion wished so much that she could see herself through his eyes just once. Then she would finally forgive herself.

The problem was that the sarcastic vampire had never said that to her and perhaps never would. There would always be something gnawing inside him, at his battered heart, that would prevent him from casually revealing his innermost, deepest feelings. What if he did lose her to someone else one day?  If it would not be an arrow or observer to steal her from him? How could he then pretend that his vain heart had not been destroyed for all eternity?

Darkness crossed Astarion's face at all the thoughts and he shook his head with his white curls to drive them away.

Once again he let his gaze wander over the audience, while his pointy elven ears only casually listened to the singing of the bards. It was only thanks to his beloved Aristen that he was able to recognize the diversity of the guests gathered. To be recognized again.

It had once been a faceless mass. At some point, after all the years of slavery under Cazador, the people in the taverns had become nothing more than a uniform mush to him. Victims, cattle like sheep, to his master. Criminals who hurt him and whom he hurt in return and they became victims of the vampire lord.

Dark, blank faces.

Without eyes, without soul. Just like Astarion himself had felt.

But after Aristen came into his life - with the craziest tentacle adventure of his life - everything had gradually changed.

First he recognized her blue eyes, then her face. The smile of her lips plagued by guilt and bloody ghosts of the past. The same smile as his own.

Then he saw all the faces, the people, their stories and lives again.

He saw the colors. The differences and the similarities. He heard the voices, the laughter, the music. He noticed the scents and smells again. Astarion saw joy and life again.

A scent that stood out from the rest of the tavern's smells suddenly tickled Astarion's nose.

Orchid drifted discreetly from the front door.

A slightly tickling shiver ran over the tips of his elf ears, while Astarion was already peering towards the door with large, round eyes.

Like the true epiphany she was, a blonde woman made her way through the elven song. Her appearance truly stood out from the rest of the tavern's audience:

Her delicately pinned hair and a ladylike, sweeping blue dress made her truly look like a lady of name and rank.

Astarion smiled as he looked at Aristen's appearance.

She always made an effort to look chic and beautiful, no matter what the circumstances. Like a true lady who belonged in a ballroom and not a tavern.

A ballroom, not a bhaalroom.

But Aristen loved all facets of life and also sat in the meadow under a tree in the forest with her fancy dress on.

If Astarion had his way, then very soon she would be pressed into the grass beneath him with the dress rumpled.

He chuckled dirtyly to himself as he couldn't help but think of that thought. And before he even thought about the first visit to his grave together, he shook his head and pushed it all away from his white curls.

"Darling..." Astarion stood up after Aristen made her way to him, having spotted him with a smile beaming with joy, "...you give me all sorts of ideas as always."

“What do you mean?” the high elf asked in surprise and blinked in confusion because she couldn’t follow him.

“Nevermind little love,” Astarion grinned mischievously and briefly kissed her delicate hand in greeting. He gently stroked Aristen's hand again as he slowly lowered it.

“The sun has already set enough for you to go out, Astarion,” his lover informed him. She would pick him up when it was safe for him outside.

"I've already run errands from a few merchants," Aristen spoke as the two left the tavern.

"Nice. Then we can now buy the rest together. Have you got everything so far?” asked Astarion.

The blonde nodded as they stepped outside.

Astarion sucked the air outside the elfsong into his lungs. Had breathing changed since he became a vampire? After all, he was undead.

Astarion didn't know. He couldn't remember, it had been too long.

In addition, the past no longer counted - smiling, he glanced furtively at Aristen who was carrying the basket with the purchases - only the present and the future counted.

“Yes, I did the grocery shopping that wasn’t of interest to you,” the blonde laughed and winked knowingly. “There was wonderful blossom honey, I couldn't resist,” enthused the sorceress, rolling her eyes heavenly at the thought of it and licking her lips in anticipation of the taste of the honey.

“Then I can taste it from your lips and tongue,” Astarion whispered seductively.

"What?"

“Oh, nothing…” the pale elf just grinned again.

His pointed ears were suddenly tickled by the brush of her lips as she leaned in very close to him.

“I heard you very well, my dear,” she whispered to him, her blue eyes sparkling meaningfully at him after she leaned back and gave him a knowing smile.

The vampire laughed. It was a serious laugh. It went from its sonorous, seductive, dirty murmur to a deep rumble before dying out in a high-pitched spike.

“I saw such a beautiful pair of earrings in the window at the Glitter Gala,” sighed Aristen languidly after she continued the story.

“So why didn’t you buy it, darling?”

Aristen shook her head: “Because it’s not necessary. I prefer to save our money for important things. After all, magical artifacts are expensive and the most important thing is that we find something that makes you immune to the sun.”

Yes, that was the ambition and current mission of Aristen and Astarion: to find a way for the vampire spawn to walk in the sun again.

Their friends also kept their ears and eyes open.

Gale read every book that might contain useful information.

Shadowheart, as well as Lae'zel on her travels through the astral planes, always sent them messages when they heard about mysterious artifacts.

And Halsin and Jaheira also reached out to all their acquaintances from near and far.

"If you hadn't used so much of our gold to rebuild the city and help its people, then you could afford any jewelry you wanted," Astarion nudged her with his shoulder and winked knowingly. The slightly accusatory tone was just an act.

“You know I wanted to try to somehow make amends for my actions when I was under Bhaal's control. This will never work, I know that. I can't bring back the people I killed. But I can at least try to help those left behind. It's too little. It’s no consolation…but at least it’s something.”

There was sadness in the blonde's voice. The look in her blue eyes was sincere before they slid slightly to the ground.

Astarion didn't like that, so he decided to cover up the whole thing: "I don't know what you're doing with this penance and compensation anyway."

He casually folded his arms behind his head and sounded as indifferent as he could.

“But…” he grinned playfully at the blonde Sorceress, “we could visit The Counting House again with Minsc. Then we have enough money to play benefactors and buy jewelry and beautiful clothes.”

Aristen raised an eyebrow with an amused grin: "You want to volunteer to do something with Minsc, really?"

“Now that you mention it…argh…better not. You may find him amusing, but he's always bursting in to chatter about his hamster at the most inopportune times. The guard almost caught me picking the lock of the Tabernacle when he suddenly stood loudly behind me, screaming my name and his hug almost broke every bone in my body.”

“What did you want at the Stormshore Tabernacle outside of opening hours?” Aristen asked with a raised eyebrow.

“Oh, nothing!” Astarion quickly dismissed the topic. Too fast.

“What’s next on the list for today?”

“We really have to go to the Devil's Fee. It has finally opened since the devastating battle against the Netherbrain and the reprocessing. If there are special artifacts or information about them anywhere, it’s there!”

Astarion nodded eagerly and the two elves walked quickly through the streets of Baldur's Gate.

"Oh no! No no no!” Helsik shouted from afar as her eyes saw Aristen.

The Sorceress blinked in confusion at the violent reaction and she looked around to see if anyone else was behind her, as the shopkeeper thought she might be.

“Not you!”

"I? But…"

“Nothing but!” Helsik cut her off. “After last time, I already told you that it was too hot to be seen with you and that the store was off limits for now. After the fuss you caused with your little friend and the black-haired fuzzy head.”

Astarion grinned briefly. He knew exactly who the saleswoman was talking about. After all, they had learned of Bhaal's daughter's past and how she had been involved in the Grand Design.

“I have new business partners, so I don’t need loud attention, after all, hell operates quietly.”

“We don’t want to cause any problems, I swear!”

The vampire let his eyes wander over the lavish and devilishly mysterious display while Aristen soothed Helsik.

“We just want to buy an artifact or information. Nothing improper, nothing complicated, nothing dangerous. Just good old Mammon.”

“Child, you will never have as much gold as I want from you so that I can burn my fingers again because of you.”

"Are you sure? I'll pay any price...whether it's gold or otherwise. We're just looking for a way to break the vampire curse of being vulnerable to the sun. Please."

Helsik laughed briefly, compassionately, not maliciously: “Deary, at the Devil’s Fee we don’t break curses, it’s more about the other way. That should be clear to you from the name.”

“My Love…” Astarion slowly tore his eyes away from the display cases and stood next to Aristen again, “…let me talk to her. I think I can convince them better with less…emotional involvement based on old stories.”

“Are you sure?” Aristen asked, unconvinced.

“Of course, baby…” he was already pushed the Sorceress toward the exit, “…you go do the other errands in the meantime and leave this to me.”

Aristen left the devilish business and made her way to the large square of the lower city wall. She visited the arms dealers and her thoughts continued to dwell on the fact that if even devils couldn't find a way to free Astarion from his curse, who would?

She would never give up hope. Anyway, Helsik was probably right: if it was about help, then hell wouldn't be a good negotiating partner.

Maybe they should trust in nature, magic and clerics. The gods may not have heard Astarion then, but perhaps they could now request divine intervention?

The vampire could walk in the light of the Moon Maiden, perhaps Dame Aylin and Shadowheart could ask even more of Sêlune. Maybe she could expand her moonlight.

Perhaps…

“STOP IMMEDIATELY!”

Aristen was snapped out of her thoughts and the blacksmith who was stationed across from Sorcerous Sundries just handed her back Astarion's freshly sharpened dagger.

“COME BACK IMMEDIATELY!”

From the direction of the Devil's fee came rumbling, loud voices and, above all, lightning and sparks.

“Stop the criminal scum!” shouted a city guard. “Subject, let him stand still!”

“Where for?”

“That way!”

“Or rather there?”

“I thought I saw something in that direction…”

“Then I here, you there,” the steel armored guards rumbled.

The clatter of steel armor slowly faded from the blonde Sorceress's ears, but a perfume that differed from her own scent of orchid and rose reached her nose.

Aristen smelled cherries, musk, palmarosa, black pepper and…

“Does this belong to you, little mouse?”

…sulfur.

Raphael's slightly tanned complexion stood before her. His brown hair was done to perfection with meticulous work, as were his clothes. Large, sparkling brown eyes regarded her, both sublime and mischievous.

The devil in human disguise had the white-haired vampire in tow, holding him by the collar like a naughty schoolboy.

"Raphael..."

“So you still know my name. Ah…very good. Tell the wizard of yours that too. Hopefully he’s still looking for my crown?”

Aristen nodded: “We defeat the brain. The crown will then be at your disposal. That’s how it was settled.”

“Excuse me…” the vampire groused

The devil released Astarion, who grumbled and moved his shoulders.

“Stealing from a shop that has connections straight to hell, very very naughty.”

As was his style, Raphael moved his hands theatrically while his voice whispered mellifluously. The reprimand was more than just played as amusing.

“Anyway, you were there in vain. There is nothing to buy there that could solve the vampire's little “problem”. Otherwise they would all be walking around here freely in the sunlight. Or not?”

The devil made a sweeping gesture and looked around ostentatiously before laughing.

“I'll talk to Helsik and smooth things over, after all you don't sleep well in unmade beds like in clover. But tell your wizard that it is my crown. When he finds it, he has agreed to hand it over to me immediately. Not to Mystra and he certainly shouldn’t get the foolish idea of ​​using it himself.”

“He is not my wizard,” Aristen clarified briefly, “Gale belongs to no one but himself. Mystra also has nothing to command him.”

“Does he see it that way too? Or does he like to be walked on a leash? He always just does what others tell him. After all, his own decisions are the stupidest I've ever seen...and I've literally seen it all."

“You mean as stupid as wanting to rule the crown of Karsus?”

“Haha…careful, little mouse,” laughed Raphael. “Just make sure I get the crown as quickly as possible.”

“When Gale finds it, you get the crown. That was the deal. We stick to that. But you'll have to be patient. It wasn't intended that the crown and the stones would be lost again, but it was hard to prevent it when the Netherbrain fell into the sea during the fight."

“I'm surprised you're so relaxed about this. You can't put me on a leash as easily as you can put the vampire spawn on a leash. Or was it rather the other way around and you Astarion put the former Bhaalspawn on a docile short leash?”

Mischief sparkled in the brown eyes of the human-shaped Cambion. There was a subtle, biting, malicious provocation in his words, which he spoke with a sonorous purr, as always.

Astarion's face contorted a little and the vampire barely suppressed a roll of his ruby-colored eyes. For a moment he seemed like a disgruntled cat.

"I think I liked you better when you just rhymed all the time," Astarion replied sassy.

Raphael laughed briefly, unimpressed: “Whatever. Less dawdling and making long fingers, but more diving for the crown,” reprimanded the devil with a raised eyebrow.

The devil wrinkled his nose slightly at the vampire spawn before turning back to Aristen and giving her his full attention.

“By the way, greetings from your fiery friend Karlach and her rapier-wielding colleague Wyll Ravengard.”

“Why are you ordering greetings from Karlach and Wyll? Have you met them?”

“Well, those two made themselves quite a name all around Avernus,” Raphael smiled in his smug way, “furthermore, I greatly welcome their actions against Zariel’s forces.”

He made one of his swinging hand movements with his manicured fingers: “I would like to invite you all to my House of Hope to linger, relax and chat. So you can catch up. You know, the Crown of Karsus is the key that grants you access. And until that happens…fare thee well, little mouse. I hope I will see you soon, knocking on the door of my house.”

As was his style, Raphael bowed expansively and his scent of leather, cedar, lily, rose, oud, vanilla and sandalwood disappeared into a swirl of sparks and sulphur.

“He hasn’t forgotten his flair for great performances. I don't know whether I should admire it or whether he's starting to get on my nerves with it," Astarion sighed briefly before straightening his shoulders and straightening his doublet with a quick tug.

"Anyways..." the vampire turned to another topic, "...I think it would be a good idea if we get out of the immediate area while the city guards are wandering around here."

The elf touched Aristen's elbow to encourage her to leave.

“What did you want to take from the store anyway, in the first place?” Aristen wanted to know from Astarion, curious and skeptical.

“Well…” he started to press and scratched the back of his white curls, “…I saw something…”

"And what was so terribly interesting that you would risk to be arrested by the Flaming Fist?"

“Well...it reminded me of you...and...I thought you should have it. But Helsik is really a cutthroat bitch with exorbitant prices.”

Aristen smiled good-naturedly: “Oh Astarion…”

“However…here…”

The vampire held out a white silk scarf to the storm sorceress.

Aristen's eyes widened. You could see from the shimmer and the way the fabric fell that it wasn't just silk that was woven there. It was definitely the weave itself and more that was at work there. Depending on how it fell and how you moved it, a golden blue shimmered.

“The scarf reminded me of the one you told me about. You know, the scarf with your name on it that you were found wearing as a baby in the Bhaal Temple. It’s one of the few memories you have left.”

The vampire took out a borealis blue thread from his pocket and began to embroider “Aristen” into the scarf.

“I wanted you to have something that you could never lose, that could never be destroyed, that had your name on it. Because if something ever happened again that made you forget...that made you forget yourself, at least you would always have your name with you. Then you know that you are Aristen. Not the daughter of the murder god. Not the chosen one of Bhaal. No Bhaalspawn. Just you. You are Aristen.”

The vampire began to embroider an “&” sign into the scarf.

“And well…” Astarion began to shuffle uncomfortably again and focused entirely on his work so that he didn’t have to look his lover in the eyes, “…if you ever forget something again, then you’ll know that we belong together. I don't want you to ever forget me. And so you also always carry my name with you.”

The vampire finished his work and the white scarf now embroidered with new memories read: "Aristen & Astarion"

“There is nothing in the world that would ever make me forget you, Astarion,” the high elf spoke softly.

She closed the distance between the two of them and kissed Astarion. The elf slowly closed his eyes as their lips met. His cool, hers warm. He felt her breathing life into him as they kissed.

"Thank you so much," the blonde said after they pulled away from each other, "you can't imagine how much this means to me. I love you, Astarion."

Aristen held the silky, white and blue scarf in her hands, stroked the pale elf's blue embroidery and smiled. "I think this used to be the color of your eyes too."

She smiled softly, as soft as the silky fabric of the scarf felt on her soft hands. Hands too soft for the crimes they had probably committed earlier in the name of Bhaal. In a previous life.

Aristen raised her eyes, which were also blue, and caught Astarion by surprise. Speechless.

That rarely happened.

Very rarely did the vampire find himself without words.

“Ah, I…” he took a breath to say something, but he lacked a suitable response, so he could only hold his breath, taken aback.

The gentle look in his lover's eyes and her words had triggered something in Astarion that he still couldn't handle: affection, sincere love.

Towards him and in his own heart.

The white-haired vampire exhaled and smiled just as gently at his beloved Aristen.

He reached out his cool hand to her and placed it against her rosy cheek. The blonde nestled herself a little in the vampire's hand and her gaze lingered lovingly in Astarion's now ruby-colored eyes.

“You never stop surprising me,” his whispering voice sounded sincere and just as genuine was the smile he continued to give her.

It was a smile that acknowledged how happy he was, partly surprised, partly just realizing that he wasn't really surprised anymore. And perhaps that was what surprised Astarion the most.

It was a day like any other.

A day like any other.

One day in the rest of their life.

Their life together.

And it was beautiful.

And he would never want it any other way.

📜🪶📜🪶💙🎻🫧🌹🌸🌹🫧🎻💙🪶📜🪶📜

➹a/n: i just gave my own Tav Saulus a little cameo guest appearance  😉 in the style of AU I also inserted aristenfromwarsaws other OC Devana, like a little, what are all the other tavs doing when not being the main character

the great Tavs of my lovely mutuals also did a tiny cameo:

Nala Hartwick of @evander-jane

Thomas Rosewood and Nana of @alpydk

Lovely Vierith of @goromimii jamming with my Saulus, best bardic duo

Mavka of @pinkberrytea

I hope I did the slice of life good justice and you all could taste, feel, smell, hear the life through all the description of scents, etc.

[ipessimist1]

Haiku

Sometimes the best way to love is to understand your partner's silence

6:29 PM 10/10/24

[apolline-lucy]

Any tips for writing sapphic romance

I don’t think writing sapphic romance is much different from writing any kind of romance. Feelings are feelings, and human beings are human beings. We all experience love in very different ways, and yet it renders us crazy and desperate all the exact same.

I don’t write romance, but romantic fantasy; the nuance is that rather than having the plot gravitate around a relationship, the relationship supports my plot (usually a magical adventure of sorts). And whether i write wlw, mlm, or else, I don’t change my formula. I make every character unique and imperfect, regardless of their gender or sexual orientation.

What I like is putting them in uncomfortable situations (aka hell) and then watching them suffer, really. I put together people that originally don’t belong together + forced proximity + having them face their fears + having them help & rely on one another + slow burn + making them actually get to know one another + making them doubt and cry and get real with their emotions and feelings + having their beliefs being ripped apart, twice, because betrayals + pain pain pain

Too often, I read romances that start with a physical attraction and never elaborate much deeper. Attraction is great for just dating, it’s great for erotica, but if you want a much stronger story and a relationship to seem believable, they have to go through rough patches, they have to test their limits and see the worst of each other. No one’s perfect. That’s cliche, but that’s true. Your characters can’t (and shouldn’t) be perfect either—that’s boring and no reader will identify with them. Us readers are like our characters, we want someone who will keep on loving us when we’re bleeding and screaming and hurting and making mistakes (deadly or else).

That being said, writing sapphic literature, and not necessarily romance, allows me to get more chances to explore some topics that are important to me: feminism, feminine rage, women’s sexuality, inclusiveness, friendships between women, trans women, women of colour, women being women, women supporting women, etc.

These can all be written into non-sapphic stories, of course, but the more you make space for women into your pages, the more characters are women, the more voices you give them. And us women have so many things to say.

When people ask me why I choose to write sapphic stories, here’s my answer: I simply love writing about women because women can be anyone and everything, and that’s enough for me.

Hope this helps🖤✨

[the---hermit]

My Study Method

I have quickly mentioned my study method in several posts through the years but I don't think I have ever written a proper post about it, so here it is.

I have to say that overall my study method is quite time consuming, but in years of experience it's what works best for the type of learner I am, the materials I have to study and the type of exams I have. I believe these three elements are the fundamental things you should figure out when creating your own study method. Let's go over these things quickly. Firstly I am an history student, tho not all my exams are history based (I have taken some language, philosophy, anthropology and litterature classes) so my method is proofed for most humanities. I am a learner with terrible memory, if you give me a list of things to learn by heart expect me to fail because my brain simply cannot do that. So I have to train myself to learn things when studying for an exam. As for the type of matherials I have to work with when studying for an exam, they are mostly full non fiction books, sometimes I have to work on articles as well, and depending on the class I have lectures to attend.

The fundamental element of my study method are the notes I write. That's why in my daily posts I am constatly mentioning them. The lectures I attend are turned into notes, the books and articles I have to read are turned into notes, everything you leave me with for too long will be turned into notes. The very act of writing is what truly helps me get into the topic, understand it, and memorize it. I might write an indepth post on how I write notes in the future, but for now what you must know is that the goal of my notes is to be the only material I actually study in the end. As I mentioned the very act of writing is itself a huge part of my study process. When I am listening to a lecture I try to write down notes as tidy as possible, and then try to fix them at home if needed. So there's not much to say there, as for the materials I have to read here's how I do it. When I get a book I have to study I usually read a chapter and underline all the important bits that I will be transferring to my notes as I am reading. When I am done with the chapter and have the topic still fresh in mind I write down by hand all my notes. The goal is to write everything I need to know, in a direct and easy way using my own words. By re-elaborating the original text I am making sure I am not blindly copying things, and actually understanding stuff. Once the entire book has gone through this process, the book goes back on the shelf and as I said I only work on my notes from then one.

Once I have all my notes ready a long time has probably passed, but in reading and writing I have already started to memorize things in general. I try to highlight my notes as I am writing, but in case I don't I go back once I am done writing, doing a quick reread and highlighting important stuff. I usually use two different colours: yellow for the important dates and another colour for the other informations. At this point there's two more steps left. Repeating and writing key words.

If writing notes can be counted as half of my studying, repeating outloud is the second half. Since I have oral exams I have to make sure I am comfortable with exaplaining things, showing I have understood things and I am not just midlessly reciting a list, and using the right terms. I am a very lucky person because my dad is both retired and quite interested in the topics that I study, which means that I get a lot of help from him in this phase of studying, because basically what I do is following him around the house for a few days exaplaining my notes to him. If you do not have someone to annoy with your study, talking to yourself works too but you have to speak outloud and honestly pretend you are giving a lecture. If you just go over your notes and read them it is not the same thing, it's way less effective. I usually do two rounds of repeating. The first one looks a lot more like reading and saying things outloud in my own words. By the second one I am usually much more comfortable with informations so I have my notes there only to guide me through topics making sure I don't miss anything. Having someone who actively listents to you is definitely a bonus because if they ask you questions they challenge you in the exact same way an oral exam does, and you make sure your exaplainations are as clear as possible.

The very last step is going through my notes one last time with the goal of writing a long list of key words. This is a tool I specifically use to review things quickly the day of the exam. Usually during my commute I reread the list of words in my head and I mentally make sure I remember about everything.

As mentioned this is a longer study method but it truly locks things in your brain, and paying that much attention to note writing also makes them a tool that lasts in time. If I am interested in the informations of any of the books I read during my degree I can pick the notebook in which I wrote those notes and find the information right away without even having to open the actual book. I usually dedicate a whole notebook to each book, in order to archive and find them easily. I will be writing a specific post on the way I write notes, maybe including a few pictures, but in the meantime I hope this was somewhat helpful.

[kuebiko-writing]

Toss the fear of "is my writing style too unique/niche/different"

There's nothing better than reading a story and admiring the writing style and choice of words and details the writer chooses to linger on. The stories that stick with me are the ones that are unusual in one way or another. And who knows, you might start a new thing.

[thatrandomblogsays]

I learned that there are people who sell bookbindings of fanfiction and so many things about this piss me off:

1. You can’t do that. It’s illegal. You’re asking to be sued, you may get the actual author of the fanfiction sued

2. Fanfiction was/is hotly contested for a long time & gotten take down A LOT! the big reason we have ao3 is because it’s FREE! & you’re trying to fuck that up for us??

3. It’s not even their own writing! - it’d still be a bad idea - but the audacity to steal someone else’s writing that they published for free, & then feel entitled to make a profit off of it???

4. People commissioning bookbindings… you’re paying someone to bind a book for you, but not giving money to the original author or fanfiction author doesn’t seem slimy to you?

[eternal-learner]

Female Reader x Captain Martens (The Expanse)

Summary: This is the scene where Bobby beats Martens' ass but basically you take Bobby's place in this story and you use a more NSFW method to extract information.

Warnings/Tags: non-con, handjob, overstimulation, squirting

Author's Note: I haven't actually watched The Expanse, I just watched his scenes and even then the only one I watched recently was this one so no doubt there's inaccuracies.

His room blurred as he slammed into the ground and rolled. He couldn't stifle a whimper when he dragged himself onto all-fours, feeling a searing pain in his collarbone where he knew it had likely been snapped by your palm.

“Your whole generation has forgotten what it means to sacrifice for the dream of Mars,” he spat. The metallic taste of blood coated his tongue.

He cried out as you plucked him from the floor and bent him over the arm of his couch. He really couldn't put up a fight. With him being a chaplain, he never went through the training that had hardened you and the other Martian marines. He was pathetic. Even in your fury, seeing him like this stirred up desires that were getting more and more difficult to suppress with each whimper and whine that passed his wobbling lips. A thought crossed your mind. You shook it away. That kind of punishment would be… cruel and unusual.

Martens squirmed. His black spacesuit stretched snugly over a paunch that heaved as he gasped for air. He was soft, his build speaking to a life spent comfortably in the safety fought for by soldiers like you. You were sure he would talk with a little more coercion. A few hits to the face should loosen his jaw. But the other method… well, there was the added humiliation. The more you thought about it, the more the gentle throbbing between your legs became impossible to ignore.

You tightened your grip on the lapel of his spacesuit, ensuring he wouldn’t be able to worm away. Your other hand reached towards his throat. His Adam’s apple bobbed at the brush of your fingers. He winced and threw his head, expecting you to choke him.

The huff of his breath was joined by the low, rolling sound of his zipper’s teeth parting one by one. The bewilderment on his face made you smirk. All at once he seemed to understand what was happening and he wiggled in a fruitless attempt to prevent his exposure. To prevent this humiliation.

The stretchy, black material peeled open, unveiling a patch of wiry chest hair. You paused to undo his belt and then trailed the zipper over his soft belly, over the dark button at its crest, down, down, hushing his feeble whines of protest until it reached the end of its path, just below a bush of grey curls.

Martens swallowed thickly. The air gently pricked his bare skin, cool but not cool enough to extinguish the heat of embarrassment. He had been beaten by a subordinate and now this. There was a tightness in his chest, different from the pain radiating from the injury you had inflicted. This wound was to his pride.

You raked your fingers through his chest hair. The darkness clouding his face lightened just slightly. He was very aware of how close you were to his injury. How easy it would be for you to thrust your hand and send an explosion of pain through his body. But soon you explored lower and he exhaled shakily.  

You rubbed his soft stomach.

“I’ll ask again. What happened to my team?”

Martens eyed you and scoffed.

“You’ll get a firing squad for-“

Martens squealed. The sudden grip on his balls made his thighs quake and a churning nausea took hold of his gut. As he panted, you removed your hand from inside his suit. His small, soft cock flopped out and you rested his sack over his zipper.

“Oh God,” he moaned. “What are you doing?”

You hushed his whines of protest and fondled him. Even with fear chilling his blood, it didn’t take long until he was swelling in your palm. You spat in your hand until his pink length was glossy and slick.

Martens refused to meet your gaze. He was both utterly confused and humiliated at your method of interrogation. He expected that at any moment you would hurt him. Maybe squeeze too hard or target his vulnerable, twitching sack. But as his slippery cock squelched and smacked in your pumping fist, he felt his guard descending ever lower.  

He sighed and his front teeth peeked out from beneath his top lip. Martens caught himself staring at where your breasts pushed against your uniform.

“What happened to my team?”

His eyes flicked up to yours. They were so blue. He had teared up when you threw him into his TV and a few drops were caught in his long, dark eyelashes. They caught the light just right and shimmered. But he gave no answer besides a moan and that wasn’t by choice. He was a touch-starved chaplain and his orgasm was building quickly.

Suddenly the realization of what he was about to do in front of you hit, and wanting to deny you the satisfaction of seeing him that way and himself the embarrassment of losing control, he thrashed in an attempt to loosen your hold. It was fruitless. You only sped up the pace.

His breath quickened. His flushed face twisted and a guttural grunt tore from his throat. Ribbons of white shot onto his soft belly.

You kept going. The last drop oozed out and you kept going still. The pleasure of his orgasm gave way to discomfort. He was too sensitive for this. Martens squirmed and tried to grab your hand but a quick smack to his collarbone sent a shockwave of pain through his shoulder and made him abandon his efforts.

“Tell me and I’ll stop. What happened to my team?”

Martens eyes widened. Oh, now he understood. His thighs twitched and his body jerked.  There was no way he could outlast this. Still, he needed to try.

His poor, overstimulated cock bobbed in your unrelenting fist. You ignored his cries, staring down at him smugly.

“Please… please! Fuck, I can’t take it.”

Martens began to sob. He white-knuckled the couch and used every ounce of his waning strength to resist giving up any information. Again he felt the build-up, too soon, of another orgasm. His sweat-slicked body curled. White hot pain and pleasure wracked him as his cock was forced to spit out another string of cum.

Something was happening to him. Something that had never happened before and his mouth gaped in surprise as he started to squirt. It sprayed onto his chest and belly and you couldn’t help but smirk at the way he shuddered violently against you.

He couldn’t catch his breath. The edges of his vision blurred.

“The tablet! There,” he pointed frantically to the device on his coffee table. Your fist stilled. Finally, to Martens’ utmost relief you released your grip and reached for the tablet.

He didn’t need to be prompted. He breathlessly uttered the project name and that fateful field test was projected before your eyes.

[just-looking-for-stars]

a bit of advice:

order dessert before dinner whenever you can. get the really rich option, the oreo cheesecake or chocolate mouse. lick warm, melty whipped cream off the backside of your spoon, scoop the chocolate clean off the plate, sit back and sigh and lament that you might have not saved enough room for dinner, without an ounce of regret, and then go on to finish the bread and oil and your entire bowl of pasta too. look utterly confused anytime anyone brings up their new diet, or how they need to work out before dinner, or that they are just soooo bloated, or how they just need to lose that last 5 pounds. act as if it is the most absurd thing you have heard that someone would even consider cutting calories or passing on warm cookies fresh out of the oven or ignoring the pleasure of eating a whole bag of pink starbursts in one sitting. picture yourself at age three, often. think about a time before dance classes or diet culture or tiny runway models or tumblr of 2012 got it’s hands on you. remember the way your belly rolls looked extra cute in your purple butterfly swimsuit with watermelon juice covering your sticky salt water fingers, braids wildly unkempt from summertime play (and then remember that nothing has changed with age except that now you have a blue butterfly swimsuit instead of purple). and when you can’t show up for yourself to feed this adult body that has to face the world, feed yourself at three years old, giggly and chubby, sweet talking in hopes for a second popsicle. let them know that they can have three popsicles if they want, and that tonight, we will even order our dessert before dinner.

[fandomsfordays21]

Fun fact for any writers/character creators out there.

There is a difference between a "Strong Female Character" ™ and a strong character who is female.