#miles davis moody

[brotep]

Not Miles Davis Moody following me on Twitter 🥰

[jazzdailyblog]

"Let My Children Hear Music:" Charles Mingus' Masterpiece of Orchestral Jazz

Introduction: Charles Mingus, one of the most innovative and influential composers in jazz history, produced an immense body of work over his career that spanned bebop, hard bop, and avant-garde styles. Yet, of all his creations, “Let My Children Hear Music,” released in 1972, stands out as a monumental testament to his genius. Described by Mingus himself as “the best album I have ever made,”…

[itsmebytch001]

If I could give the suggestion of Aaron gaining full custody of Y/n in court with everyone happy and all while Diana is throwing a whole ass fit?💀 thx💙

(Love it! Fuck Diana and Phil)

After the 'hair incident' Aaron felt confident to move for full custody of you, he was sick of having to hand you over to her every weekend only for you to come back home moody, mute or mutilated and now that you were missing half your hair he had real evidence to push forward, and he had been planning to do so for months now and looking back wished he hadn't settled for majority and instead demanded full.

But today was his day in court, Diana had barley shown up the last few weeks but there she was standing across the room with an officer between them, as was Aarons request since you were still, untreatably quite afraid of her that Diana threw a whole tantrum about, cussing out the judge and being found guilty of contempt of court. The family had been basically coaching you to go on the stand and explain what had happened that night, how she held you down the carpet, how she screamed and cried as she cut off half your hair and how you ran out the house in the deep snow only to be by some miracle found by your Uncle Jeff while Diana stared you down from across the room along with Phil, causing you to simply stop speaking several times during the trial. Once Aaron noticed that Diana and Phil were staring you out he and the family (Rio Jeff and Miles) would simply stare back at them, the poor judge was so confused by this intense stare off from across the court he called a recess.

Closing statements was an emotional experience, everyone except Miles had a say...

Aaron: "Your honour, over the years Diana Nefratari has tried to tear my child apart only for her own pathological need to destroy. The affect she has on my daughter has only ever manifested in self destructive behaviours, Y/n is nine and has actively been hurting herself since she was 7, ripping out her hair with her bare hands and hitting her head against wall's and tables so hard I, and other family members have had to hold her in order to stop her, I believe fully that these are learned behaviours from Diana as I have seen her on so many occasions do the same things to herself, and I am afraid of how this will manifest as she grows older. She is both blatantly abusive and neglectful, from the December incident to not feeding her well over weekends to ripping out her hair with a brush only to later cut it off, and allowing Phil a grown man who I, nor the family know to hit her for simple childish mistakes, destroying my daughters things that make her happy, such as doll's, drawing's she done for her in front of her, to later love bombing her with expensive clothing and Bratz doll's that I believe she only buys to keep her silent about the previous weekend, there have been occasions where I have had to drag Y/n to the Deli down 11th street to be picked up by Diana she is so afraid of her own mother she would rather lock herself in her room than go be with her...

My daughter's childhood has been tainted by this woman who never cared about being a part of her life, she never even cared enough to learn how do her hair, or to take her to a salon, she never wanted her, and I am so sick of having to prove to this court and to CPS and who ever else that I'm a good father, and that I'm competent. I'm always picking up after this woman I am constantly trying to keep her in check so that when I hand Y/n back over to her I don't get another call saying that she was found on the side of the street bare foot and missing a coat. I am so tired and all I want is to able to raise my daughter without Mr's Nefratari influence, I am afraid of what her influence dose to her"

Once his statement was over he sat down next to you and took your small hand in his and held tight while Rio stood to the podium.

Rio: "Athem..Uh My name is Rio Morales, I am Y/n Davis auntie and...I have been present Y/n's whole life while Diana has only been present for the last 7 years, I had to teach Aaron how to lay her, feed and burp her. And it was me who tried to encourage Diana to seek help, for years I made excuses for her hoping she would get the help she needed...but at some point the way she was treating people, especially Y/n was no longer due to her illness but pure spite. I think truly under Diana's illness is a angry and...quite evil woman. After the December Incident when my husband brought her back home freezing I put her in a hot bath and saw how uncaring she took it that her own mother had done this to her,

she sat silently in the bath while I poured hot water down her back, she didn't cry she didn't scream she just sat and starred. I don't dare to think what might have happened if my some miracle my Husband wasn't there to find her, I too have seen the self harm mentioned earlier, a child slamming their head onto a marble table until they are stopped and being held down until she exhausted herself is never a normal thing, and I also believe that this is a learned behaviour. It is true that Myself and Diana got in a physical fight after she refused to sign the contract, and it is true that I hit her first, but I am exhausted, I have raised this baby and watched Diana undo all of it and then I made excuses for her for years, and she has sunken this family all because she is spiteful and petty, In my mind I have done all the work of raising her from a motherly point while Diana simply creates more problems for us...Thank you for your time"

She down next to Miles and nervously tabbed her foot while Jeff placed a hand on her shoulder and also took the stand.

Jeff: "Your Honour, My name is Jefferson Davis and I am, as you know a police officer, over each weekend I spend instead of being with my family patrolling the area of Grave Send listening out for domestic disturbance call's, and when ever I get one my mind immediately goes to Mrs Nefratari. There have been times where I park my car across her street and wait for a reason to go in there, a scream a smash a suspicious shadow anything. And it is only because of tracking that I found Y/n during the November incident, If I hadn't found I don't carte to think who would, I think Diana is both willingly incompetent and passively abusive, and I think it would be a grave mistake, and also underserving to continue to award her weekend custody"

He too sat down next to Rio and placed a hand on her tapping leg, the Judge looked over to the left side of the room where Diana and Phil sat.

Judge: "Dose the defence have a closing statement?"

Diana: "No, Your honour"

Judge: "Alright then, I will retire to deliberate" She bangs her gavel onto the stand as you and the family clear out the court and shuffle down the isle, Diana goes to exit too but is stopped by the dividing officer, she can't leave until you have exited the room, once your out the court house and it on the marble staircase outside looking out onto the street with passing cars and shuffling people Aaron see's how desperately you don't want to be there with your vacant expression looking out into nothingness. Aaron puts a hand on your shoulder and lightly pulls you into his chest and puts his head un top of yours.

Aaron: "Your doing great baby"

Y/n: "When can we leave?"

Aaron: "Soon,soon"

While Rio, Jeff and Miles all sit next to you Rio looks over to Aaron and gives him a sympathetic look not long after they are called back into the court, again you saw Diana with Phil standing down the hallway with the officer while she waved at you smiling sweetly, once Aaron see's this he turns your head away from her back to facing the door and marches you on.

Once back in the court room when your family all sits in a row you next to Miles kicking your feet Diana and Phil both shuffle back into the room. "All rise" Said the officer, Rio had to prompt Miles to stand as this was his first time in court as the Judge entered the room and sat back in her throne like chair.

Judge: "Will the defendant and the Plaintiff please rise"

Aaron and Diana stand while Aaron is till holding your small hand, he knows the odds are in his favour but he is still nervous.

Judge: "I Judge Branton, award Aaron Davis full custody of Y/n Nefratari Davis from today onwards with the power destoned on me from the state of New York City following evidence of Diana Nefratari's negligence and abuse. Diana Nefratari will still be owed supervised visits when ever the primary carer, Aaron Davis agrees. And due to the December 17th incident I hear by dissolve all of Diana's Nefrataris parental righ-"

Diana: "Excuse me?!"

Judge: "Mrs Nefratari please hold your words until I'm done"

Diana: "I don't understand she RAN out the house why Am I being punished because SHE wanted to be dramatic?!"

Judge: "Mrs Nefratari, please stop talking or I will have you removed from the court and we will continue with out you"

Diana: "That Is illegal! I have to be present or-"

Judge: "Mrs Nefratari please stop talking, this is your last warning"

Diana sat back down in a huff as the Judge continued.

Judge: "I am striking all of Diana Nefratari's parental rights, and imposing a temporary restraining order to carry through till the end of this month" He wacked his gavel on the stand again.

Judge: "Court is adjourned"

It was over. It was finally over and he had won, he would never have to see her again and neither would you, he could move on finally spend weekends with you, have the Friday dinners with the Morales he had always wanted it was over and he had won, and now Aaron would never admit this, especially to you but Aaron also wanted one over Diana for all she had put him through, and there was nothing that would upset her more than losing her parental rights, he looked over the room to see her crying her crocodile tears to Phil who stroked her back as she screamed over to the judge to change his mind, he scooped you up and held you to his chest.

Aaron: "We won baby! We won! You did so well" He kissed the top of your head as he felt himself tear up just a tad.

And while Aaron was ecstatic you were more solon, you had a apathetic look on your face and didn't return your Dad's hug, once he put you back on the ground you looked back over to your Mom hysterically crying and made eye contact with Phil who seemed to be angry with you.

Aaron: "Come on now baby let's go" He took your hand and shuffled out the court with The Morales's and once you were in the great hall you heard a scream you all turned around to see Diana had fully lunged past her guard and was speeding towards you.

Diana: "MY BABY HE'S TAKING MY BABY!" On lookers overserved confused.

Rio: "Oh my God, is she serious?"

Aaron covered your eyes with one hand and pressed your back to turn away from her and keep walking while you resisted, even though you were afraid, you wanted to see her.

Aaron: "Come on keep walking"

Y/n: "But she's upset"

Aaron: "I know but we gotta go like now" He pulled you further down the hall.

Diana: "AARON! YOU BRING HER BACK SHE'S MINE!" You again turned back to look at her only to see Rio and Jeff had formed a human wall to block you vision of her, but you could still hear her scream for you.

Diana: "Y/N! MOMMY LOVES YOU!"

Jesus Christ when will she stop? Aaron thought to himself hurrying you faster out the great hall while Diana was tackled down by security.

While the five you shuffled out the building and made it out the onto the side walk Aaron could not help but grin to himself as his brother congratulated him for finally winning full custody.

Jeff: "I can't believe you did it Man, Full custody and only supervised visits that's basically un heard of for men"

Rio: "I'm just disappointed it took so long"

While the adults chatted away Miles noticed you simply looking sadly at the floor still loosly holding Aarons hand.

Miles: "Ay, you okay?"

...

Miles: "Hello? Earth to Y/n" He waved his hand in front of you.

Y/n: "I'm okay"

Miles: "You don't look okay"

Y/n: "I'm fine Miles"

Miles: ""I saw your Mom back there she looked pretty upset"

Y/n: "I know"

Miles: "Do you think she's okay?"

Y/n: "I don't wanna talk about it"

Miles: "..okay"

Rio: "How about we get something to eat?"

Jeff: "yeah that sounds great, where should we go?"

Aaron lightly pulled on your hand.

Aaron: "Where you wanna go baby?"

...

Y/n: "I want to go home"

[palmviolet]

weird that people would think rust doesn't listen to music when he's an artist and literally n would not survive without art. He listens to tina turner, johnny lee hooker, skip james, miles davis--anything moody and contemplative

no you are sooo correct. like the ascetic life he's living when we meet him in '95 isn't one without creative thought (he literally spends his evenings in contemplation of the crucifixion and other such philosophical meanderings) and that's what music is! the opportunity for creative thought! also let this sad man have a soundtrack jesus CHRIST he hasn't got anything else

anyway to prove these people wrong i spent the last hour making the Rust Cohle Mixtape. he listens to this while arguing with himself about nietzsche and sticking evidence photos in pretty collages on the wall <3

[bawnjourno]

without further ado... Sparks Austin recap

I won’t elaborate but the two days of travel to get here were very exhausting and trying. I rolled up to the venue, prepared to maybe sit during some songs and nurse a Diet Coke. 

I had never been to Austin before and boy, is it a music oriented city. Not just the venues but the people, the culture. There were multiple fans in Hippo tour shirts, a fully cosplayed Cate Blanchett, and lots of women in beautiful dresses. The Moody Center’s hallway had snapshots of all the cool people that had played there. I love venues with history!

I was worried that the venue set up would be annoying or awkward but I got to my front row seat and I was 4 feet from the stage, just off to the left of Ron’s piano - the perfect view.

The show started... a lot of U.S. venues had audiences who mostly sat and then got up during MTCYDT but the two thirty something hipster dudes behind me stood the whole time so I got to stand and dance :) And a good chunk of the crowd on the left stayed standing too! I was drenched with sweat maybe 4 songs in and it was amazing. All my tiredness and stress melted away as I was loudly singing and dancing.

This crowd was electric, so loud and responsive and to the Latte cuts too! Not just the hits! People were going crazy for TGICIHL in a way that Milwaukee was more subdued about. Russell smiled at me really big early in the show, probably because I knew the words and was loud and enthusiastic. I got a cute SMWS Russell tummy jump video which I will post later.

During  Nothing Is As Good As They Say It Is, I obviously knew the way Russell sashayed and waved his arm back and forth during the chorus from other shows and was mimicking him. He locked eyes with me and we did the hand punctuating thing at each other during that TWICE.

I am a “woo”er I will freely admit that and so I am constantly obnoxiously screaming and clapping and just being super loud. So I obviously was screaming my head off when Ron got up for Shopping Mall Of Love. During the second chorus he looked DIRECTLY at me and went “yeah ✊” I will post video later but I was shakinggggggg.

There were lots of loud applause breaks and late-ish in the show (can’t remember when), Ron looked directly at me again and mouthed “thank you”. Like no thank YOUUUUUUUU KING!

I know Russell bounces around a lot on stage, HOWEVER, the way this stage was set up, it was probably a bit harder to get to our side of the stage, but he came over a lot anyway and I have to think it was partially because of me because he seemed to almost be finding excuses to come dance with us even when he was about to have to start singing again 🤗

Eli dancing and feeling the music was so slay I love that short king jfdgkjrfkjg

I’m not sure how or why Russell would ever EVER feel self conscious about his tummy.... I was lucky to get it captured during SMWS... during MTYCTD though he danced over and it was too fast for me to get filmed but I basically was 4 feet from the man and watched his tummy bounce out from under his t-shirt for a good 5-7 seconds... mesmerized is the most polite way to put how I felt in that moment but oh my fucking god 😵‍💫😵‍💫😵‍💫 [redacted] [censored] [an oncoming train whistle obscures what i’m about to say] but suffice it to say [meme voice] I think I hauve covid...

And the open collar and sweat obviously..... yeah.

As I divulged to a few of you and was encouraged by @jefffreybeaumont, the plan was to make a sign that says “YOU’RE MUCH HOTTER THAN THE GALLAGHER BROTHERS” because in interviews they’re always being asked how they don’t fight like the Gallaghers or the Davies. The secret spice was typing it out in Barbie font. I somehow managed to not get it wrinkled in my over 1000 mile 2 day voyage and held it up during the shuffle. I don’t think Russell could read it because he was farther away but during the shuffle I held it up. It was hard to tell Ron’s reaction because I was multitasking but I watched later and sent it to @rhythmthlef and she says his face showed “bemused self effacement” fdkjgkldjsfkg. 

Something I’d stupidly personally worried about for ages was that Ron and Russell didn’t care about the U.S. as much - the U.K. has always embraced them and I’d worried that they didn’t think of these shows as special or meaningful because radio stations here don’t give them the time of day and they don’t always sell out. Since Chicago, I don’t worry about that anymore. Their faces shine with excitement, pride, and pure joy at EVERY SHOW. They’ve gotten more fans since TSB and opportunities that they wouldn’t have gotten ten years ago, even in the U.S. I mean, NPR Tiny Desk! Wow. Russell was emphasizing that the feelings of the shows “don’t go away when we go to the next city” and I could tell that he really meant it. 

Eli came out for the encore in the bucket hat and a red Southern style bandana - very cute. The man who took the photo handed Russell his cowboy hat beforehand and Russell says, “Oh yeah, my hat.” He then proceeds to put it on, smirk confidently at the audience, and say, “What’s up, yall? You from these parts?”WHAT IS WRONG W HIMMMMMMMM GFHJDKJGFKLDSJFKDS CALIFORNIA DOOFUS!!! And I fought for my life squeezing into the pic but I’m in there! Right behind the keyboard!

The pic is taken and I know my chance is now. I start screaming for Ron (who was a bit closer to me) but he doesn’t hear me. I then start screaming at the top of my lungs “RUSSELL!!! I HAVE A LETTER!! RUSSELL!!” and after about 7 times he hears and sees me and meanders over and takes the letter and 2 rainbow Sparks logo acrylic pins (the ones I sold to some of yall a couple months ago)! I’m not sure if they’ll wear the pins but I had to try. I do hope they read the letter - they really do mean everything to me. I was unsure that I’d get their attention at all, so I didn’t get the moment I handed it on film, but I do have a video of Russell holding and then glancing down at the letter. They were leaving the stage and Russell stopped to hold hands with multiple people on his way offstage.

I stood there for a minute, very emotional, then made my way out. As I left, a security guard off to the side went “Hey, you sang all night man, that was great.” and I just replied “They’re my favorite band, you’ve gotta be passionate, y’know, thanks!” Even non fans know I’m a real one kgcjkgjfdkjgfd.

My Lyft driver was super sweet and chatty and I rode back to my hotel feeling like I was floating on a cloud.

Random sidenotes: A) They cut “Toughest Girl In Town” which I didn’t realize til later - I’m sure they’re getting tired near the end of the tour B) Eli is truly such a talented guitarist? He slayed the Bon Voyage solo. He was right in front of me so I really got to see him shine (in my brief moments not zeroed in on Ron and Russell) but obviously the whole band is amazing C) I sent Alissa snaps of me during Beaver O’Lindy and they said “You’re almost singing louder than Russell is” kdgfjkdjkg D) This was the one time I didn’t cry during It Doesn’t Have To Be That Way because I was sweating so much that [Lucille Bluth voice] I couldn’t spare the moisture E) I will share a few videos but I swear my singing is horrendous and embarrassing so just the key moments jfdgjfi F) I used almost 10GB of memory on photos and videos...

The plan is to get a Sparks tattoo within the year. I’ve gotta do it. They are so special to me. I’ve been into bands before and I don’t regret any of it but this feels different and special. This truly feels like where I belong as a fan and a person and as someone who has always felt strange and awkward and out of place. But there’s one place and one song and that’s Sparks.

SparksTour forever ✨

[kwebtv]

Burke’s Law -  List of Guest Stars

The Special Guest Stars of “Burke’s Law” read like a Who’s Who list of Hollywood of the era.  Many of the appearances, however, were no more than one scene cameos.  This is as complete a list ever compiled of all those who even made the briefest of appearances on the series.  

Beverly Adams, Nick Adams, Stanley Adams, Eddie Albert, Mabel Albertson, Lola Albright, Elizabeth Allen, June Allyson, Don Ameche, Michael Ansara, Army Archerd, Phil Arnold, Mary Astor, Frankie Avalon, Hy Averback, Jim Backus, Betty Barry, Susan Bay, Ed Begley, William Bendix, Joan Bennett, Edgar Bergen, Shelley Berman, Herschel Bernardi, Ken Berry, Lyle Bettger, Robert Bice, Theodore Bikel, Janet Blair, Madge Blake, Joan Blondell, Ann Blyth, Carl Boehm, Peter Bourne, Rosemarie Bowe, Eddie Bracken, Steve Brodie, Jan Brooks, Dorian Brown, Bobby Buntrock, Edd Byrnes, Corinne Calvet, Rory Calhoun, Pepe Callahan, Rod Cameron, Macdonald Carey, Hoagy Carmichael, Richard Carlson, Jack Carter, Steve Carruthers, Marianna Case, Seymour Cassel, John Cassavetes, Tom Cassidy, Joan Caulfield, Barrie Chase, Eduardo Ciannelli, Dane Clark, Dick Clark, Steve Cochran, Hans Conried, Jackie Coogan, Gladys Cooper, Henry Corden, Wendell Corey, Hazel Court, Wally Cox, Jeanne Crain, Susanne Cramer, Les Crane, Broderick Crawford, Suzanne Cupito, Arlene Dahl, Vic Dana, Jane Darwell, Sammy Davis Jr., Linda Darnell, Dennis Day, Laraine Day, Yvonne DeCarlo, Gloria De Haven, William Demarest, Andy Devine, Richard Devon, Billy De Wolfe, Don Diamond, Diana Dors, Joanne Dru, Paul Dubov, Howard Duff, Dan Duryea, Robert Easton, Barbara Eden, John Ericson, Leif Erickson, Tom Ewell, Nanette Fabray, Felicia Farr, Sharon Farrell, Herbie Faye, Fritz Feld, Susan Flannery, James Flavin, Rhonda Fleming, Nina Foch, Steve Forrest, Linda Foster, Byron Foulger, Eddie Foy Jr., Anne Francis, David Fresco, Annette Funicello, Eva Gabor, Zsa Zsa Gabor, Reginald Gardiner, Nancy Gates, Lisa Gaye, Sandra Giles, Mark Goddard, Thomas Gomez, Pedro Gonzalez Gonzalez, Sandra Gould, Wilton Graff, Gloria Grahame, Shelby Grant, Jane Greer, Virginia Grey, Tammy Grimes, Richard Hale, Jack Haley, George Hamilton, Ann Harding, Joy Harmon, Phil Harris, Stacy Harris, Dee Hartford, June Havoc, Jill Haworth, Richard Haydn, Louis Hayward, Hugh Hefner, Anne Helm, Percy Helton, Irene Hervey, Joe Higgins, Marianna Hill, Bern Hoffman, Jonathan Hole, Celeste Holm, Charlene Holt, Oscar Homolka, Barbara Horne, Edward Everett Horton, Breena Howard, Rodolfo Hoyos Jr., Arthur Hunnicutt, Tab Hunter, Joan Huntington, Josephine Hutchinson, Betty Hutton, Gunilla Hutton, Martha Hyer, Diana Hyland, Marty Ingels, John Ireland, Mako Iwamatsu, Joyce Jameson, Glynis Johns, I. Stanford Jolley, Carolyn Jones, Dean Jones, Spike Jones, Victor Jory, Jackie Joseph, Stubby Kaye, Monica Keating, Buster Keaton, Cecil Kellaway, Claire Kelly, Patsy Kelly, Kathy Kersh, Eartha Kitt, Nancy Kovack, Fred Krone, Lou Krugman, Frankie Laine, Fernando Lamas, Dorothy Lamour, Elsa Lanchester, Abbe Lane, Charles Lane, Lauren Lane, Harry Lauter, Norman Leavitt, Gypsy Rose Lee, Ruta Lee, Teri Lee, Peter Leeds, Margaret Leighton, Sheldon Leonard, Art Lewis, Buddy Lewis, Dave Loring, Joanne Ludden,  Ida Lupino, Tina Louise, Paul Lynde, Diana Lynn, James MacArthur, Gisele MacKenzie, Diane McBain, Kevin McCarthy, Bill McClean, Stephen McNally, Elizabeth MacRae, Jayne Mansfield, Hal March, Shary Marshall, Dewey Martin, Marlyn Mason, Hedley Mattingly, Marilyn Maxwell, Virginia Mayo, Patricia Medina, Troy Melton, Burgess Meredith, Una Merkel, Dina Merrill, Torben Meyer, Barbara Michaels, Robert Middleton, Vera Miles, Sal Mineo, Mary Ann Mobley, Alan Mowbray, Ricardo Montalbán, Elizabeth Montgomery, Ralph Moody, Alvy Moore, Terry Moore, Agnes Moorehead, Anne Morell, Rita Moreno, Byron Morrow, Jan Murray, Ken Murray, George Nader, J. Carrol Naish, Bek Nelson, Gene Nelson, David Niven, Chris Noel, Kathleen Nolan, Sheree North, Louis Nye, Arthur O'Connell, Quinn O'Hara, Susan Oliver, Debra Paget, Janis Paige, Nestor Paiva, Luciana Paluzzi, Julie Parrish, Fess Parker, Suzy Parker, Bert Parks, Harvey Parry, Hank Patterson, Joan Patrick, Nehemiah Persoff, Walter Pidgeon, Zasu Pitts, Edward Platt, Juliet Prowse, Eddie Quillan, Louis Quinn, Basil Rathbone, Aldo Ray, Martha Raye, Gene Raymond, Peggy Rea, Philip Reed, Carl Reiner, Stafford Repp, Paul Rhone, Paul Richards, Don Rickles, Will Rogers Jr., Ruth Roman, Cesar Romero, Mickey Rooney, Gena Rowlands, Charlie Ruggles, Janice Rule, Soupy Sales, Hugh Sanders, Tura Satana, Telly Savalas, John Saxon, Lizabeth Scott, Lisa Seagram, Pilar Seurat, William Shatner, Karen Sharpe, James Shigeta, Nina Shipman, Susan Silo, Johnny Silver, Nancy Sinatra, The Smothers Brothers, Joanie Sommers, Joan Staley, Jan Sterling, Elaine Stewart, Jill St. John, Dean Stockwell, Gale Storm, Susan Strasberg, Inger Stratton, Amzie Strickland, Gil Stuart, Grady Sutton, Kay Sutton, Gloria Swanson, Russ Tamblyn. Don Taylor, Dub Taylor, Vaughn Taylor, Irene Tedrow, Terry-Thomas, Ginny Tiu, Dan Tobin, Forrest Tucker, Tom Tully, Jim Turley, Lurene Tuttle, Ann Tyrrell, Miyoshi Umeki, Mamie van Doren, Deborah Walley, Sandra Warner, David Wayne, Ray Weaver, Lennie Weinrib, Dawn Wells, Delores Wells, Rebecca Welles, Jack Weston, David White, James Whitmore, Michael Wilding, Annazette Williams, Dave Willock, Chill Wills, Marie Wilson, Nancy Wilson, Sandra Wirth, Ed Wynn, Keenan Wynn, Dana Wynter, Celeste Yarnall, Francine York.

[bamboomusiclist]

10/29 おはようございます。Mel Torme / That's All cs9118等更新しました。

Mel Torme / That's All cs9118 Bobbi Rogers / Tommy Wolf Can Really Hang You up the Most Fs337 Miles Davis / Miles Smiles cl2601 Tom Prin Trio / Don't Wait 'Till Tomorrow s80-829-3749s Stan Getz / Live at Montmartre scs1073/74 Oscar Peterson / Plays The Richard Rodgers Songbook MGVS-62057 Kenny Dorham / 1959 Prt7754 Miles Davis / Early Miles PRLP7168 Roy Ayers / I'm The One C40423 Pollution / Pollution sd6051 Nico Gomez And His Orchestra / Aquarela - Baila Chibiquiban 2C006-93433 Inner Circle / Rock the Boat trls93 Bob Marley And The Wailers / Could You Be Loved 12wip6610 Sebadoh / 4 Song CD RUG17T Moody Blues / the Magnificent Moodies lk4711

~bamboo music~

info@bamboo-music.net  

530-0028 大阪市北区万歳町3-41 シロノビル104号

06-6363-2700

[projazznet]

Lenny White – Venusian Summer

“An in-demand drummer of jazz’s sixth wave, Lenny White cut his teeth with Jackie McLean before hooking up with Miles Davis in 1970 and inventing the future of the genre. Credits on Davis’s Bitches Brew, Santana’s Caravanserai, and Chick Corea’s Where Have I Known You Before led to a deal with Nemporer Records in 1975, where White cut two monuments of progressive jazz: Venutian Summer and Big City.

Issued in 1975, Venusian Summer deceives as a spaced-out funk LP for the first eight minutes, replete with slap bass, wandering clavinet, ARP solos, freaked out guitar noodling, and chunky drum breaks. In the center is the two part “Venusian Summer Suite,” a moody drone that cuts open a hidden vein of street classical, with an endless Hubert Laws flute solo to boot. From another planet, for sure.” – Bandcamp.

“This is a must-have fusion recording.” – Robert Taylor/AllMusic.

[ultra-francesca-mercury]

august 26

1970

The five-day Isle of Wight festival kicks off in England, boasting a very impressive lineup, including Bob Dylan, Joan Baez, Joni Mitchell, Donovan, Jethro Tull, Miles Davis, Emerson, Lake And Palmer, The Doors, The Who, Spirit, The Moody Blues, Chicago, Procol Harum, Sly and the Family Stone, Free, and in his last concert appearance in England, Jimi Hendrix.

[olafsings]

Music History Today: August 26, 2024

August 26, 1970: The third Isle of Wight Festival kicked off. The British festival also marked Hendrix's final UK appearance, featuring Joni Mitchell, The Doors, The Who, Miles Davis, and The Moody Blues. An estimated 600,000-700,000 people attended the weekend

[jpbjazz]

LÉGENDES DU JAZZ

JAMES MOODY, UN SAXOPHONISTE MÉCONNU “I’ve always wanted to be around people who know more than me, because that way I keep learning.”

- James Moody

Né le 26 mars 1925 à Savannah, en Georgie, James Moody était le fils de James Moody et Ruby Hann Watters. James, qui avait aussi un frère, Louis, a été élevé par sa mère. Moody a grandi à Newark, au New Jersey.

Issu d’une famille de musiciens, Moody avait commencé à s’intéresser au jazz après avoir entendu son père jouer de la trompette avec le groupe de Tiny Bradshaw. L’intérêt de Moody pour la musique ne datait pas d’hier. Il expliquait: "When I was a kid [my mother] had a washing machine outside of the house that would go 'arookata-arookata.' She said I used to stand by and dance to the washing machine."

À l’âge de seize ans, l’oncle de Moody lui avait fait cadeau d’un saxophone alto en argent.

Moody avait adopté le saxophone ténor après avoir assisté à un concert de l’orchestre de Count Basie à l’Adams Theater de Newark, auquel avaient participé des saxophonistes comme ‘’Buddy’’ George Holmes Tate et Don Byas. Les saxophonistes Lester Young et Coleman Hawkins avaient également eu une grande influence sur son jeu.

Moody, qui jouait aussi de la flûte et du saxophone soprano à l’occasion, a étudié la composition avec Dizzy Gillespie, la composition et la théorie musicale avec Tom McIntosh, et la théorie musicale avec Michael Longo. DÉBUTS DE CARRIÈRE En 1943, Moody était entré dans l’armée de l’Air et avait joué avec le groupe de couleur (‘’negro band’’) du Greenboro Training Center. Après sa démobilisation en 1946, Moody avait joué du bebop avec Dizzy Gillespie durant deux ans. Lorsque Moody s’était joint au groupe de Gillespie, il se produisait avec un groupe non autorisé appelé le ‘’Negro Air Force Band’’, qui était dirigé par le trompettiste Dave Burns, qui avait plus tard avec le big band de Gillespie, puis avec le groupe de Moody au milieu des années 1950. Moody et Burns avaient été éblouis lorsqu’ils avaient entendu Gillespie donner un concert sur la base militaire de Greensboro, en Caroline du Nord. Lors d’un entretien avec Gillespie, les deux hommes avaient informé le trompettiste qu’ils seraient bientôt démobilisés. Dizzy avait alors invité Moody et Burns à venir passer une audition à New York. Après avoir raté une première audition, Moody s’était joint au big band tout-étoile de Gillespie en 1946.

En faisant partie du groupe de Dizzy, Moody avait une chance en or d’obtenir une visibilité internationale et de s’établir comme un improvisateur majeur. Moody se trouvait en bonne compagnie, puisqu’il partageait la vedette avec le vibraphoniste Milt Jackson,  le pianiste Thelonious Monk, et le trompettiste Miles Davis, le contrebassiste Ray Brown et le batteur Kenny Clarke. Lors de son premier enregistrement avec l’orchestre, Moody s’était d’ailleurs établi comme soliste en interprétant une magnifique version de la pièce ‘’Emanon.’’ Comme le mentionnait le saxophoniste Jimmy Heath, "Moody's 'Emanon' solo was very exciting to all the saxophone players around Philadelphia. It was very different than any blues solo that you had heard. He had the bebop sound." La carrière de Moody était lancée. Un an plus tard, il avait enregistré avec Milt Jackson.

En 1948, Moody avait dirigeé la première session d’enregistrement de sa carrière pour les disques Blue Note. Lors de cette session, Moody avait joué à la fois du saxophone et de la flûte. Parmi les musiciens qui avaient accompagné Moody lors de l’enregistrement, on remarquait plusieurs des collaborateurs du big band de Gillespie. L’album avait été sous le titre éloquent de ‘’James Moody and His Bebop Men.’’ UN SUCCÈS INESPÉRÉ L’année suivante, découragé par le racisme qui prévalait aux États-Unis, Moody avait décidé de s’installer en Europe, plus particulièrement à Paris, où il était demeuré durant trois ans. À Paris, Moody vivait avec son oncle, qui l’avait aidé à se débarrasser de sa dépendance envers l’alcool.

Lors son séjour en Europe, Moody avait souvent joué avec des musiciens américains de passage, comme Tadd Dameron et Miles Davis. Il avait également fait des tournées en France, en Scandinavie et en Suisse, où il avait enregistré avec Miles Davis et Kenny Clarke.

C’est son séjour en Europe qui avait convaincu Moody d’ajouter le saxophone alto à son arsenal. Moody était en Suède lorsqu’il avait enregistré en octobre 1949 sa célèbre improvisation intitulée ‘’I’m in the Mood for Love’’, sur laquelle il jouait du saxophone alto plutôt que du ténor. C’était d’ailleurs la première fois de sa carrière que Moody jouait du saxophone alto professionnellement. La pianiste Gosta Theselius, qui avait écrit les arrangements, avait conçu les harmonies de la pièce lorsqu’elle se trouvait dans la salle de bain !

La pièce ‘’I’m in the Mood for Love’’ avait changé la vie de Moody et avait préparé son retour aux États-Unis. En 1954, la pièce avait connu un regain de popularité lorsque le chanteur King Pleasure en avait enregistré une version chantée sur des paroles écrites par Eddie Jefferson. La chanson était vite devenue un classique et avait été reprise par plusieurs chanteurs et chanteuses: Aretha Franklin, George Benson, Van Morrison et même Amy Winehouse.

De fait, la chanson avait obtenu un tel succès que pendant le reste de la carrière de Moody, la version chantée de la pièce, connue sous le titre de ‘’Moody’s Mood for Love’’, était devenue plus populaire que l’original. Toujours aussi courtois et avenant, Moody se faisait un plaisir d’accéder à la demande des amateurs en interprétant lui-même la chanson en concert.

Le séjour de Moody sur le continent l’avait établi comme artiste à part entière. Il avait même contribué au développement du jazz européen lors de son séjour. En 1952, Moody avait finalement décidé de retourner aux États-Unis afin de jouer et d’enregistrer avec des groupes comprenant des musiciens comme Pee Wee Moore entre autres. Il avait aussi collaboré avec d’autres saxophonistes, comme Gene Ammons et Sonny Stitt, avec lesquels il avait formé un groupe composé de trois saxophonistes ténor. À la même époque, Moody avait également accompagné le chanteur Brook Benton et la chanteuse Dinah Washington.

Peu après son arrivée aux États-Unis, Moody avait formé un septet qui fusionnait le jazz et le R & B. Eddie Jefferson était le chanteur du groupe. En 1956, le septet de Moody avait enregistré l’album ‘’Flute ‘n the Blues’’ sur étiquette Argo Records. Il s’agissait du premier enregistrement de Moody comme flûtiste. Moody précisait: "I never really studied the flute, although I had help from many beautiful people. So I just got a flute and started 'spittin' into it not knowing what I was doing. The fingerings, some of them, seemed similar to saxophone, and I just blew like that and that's how I started."

C’était aussi la première fois de la carrière de Moody qu’il utilisait trois instruments sur un album: le saxophone alto, le saxophone ténor et la flûte. L’album comprenait le succès ‘’Boo’s Tune’’ qui fut plus tard repris par Ray Charles.

Le 24 juillet 1955, Moody avait participé avec son orchestre à la 11e édition de la Cavalcade du Jazz qui avait lieu au stade Wrigley Field de Los Angeles. Le concert, qui était produit par Leon Hefflin Sr., mettait également en vedette Big Jay McNeely, l’orchestre de Lionel Hampton, The Medallions et The Penguins.

Même s’il avait enregistré plusieurs albums remarquables pour les disques Argo, Moody supportait plutôt difficilement les longues tournées et les pressions constantes de la vie de musicien itinérant. Finalement, Moody était de nouveau retombé dans l’alcool après qu’un incendie survenu à Philadelphie ait emporté tous les instruments, les costumes et les arrangements du groupe. Déterminé à ne pas laisser l’alcool détruire sa carrière, Moody s’était fait admettre volontairement à l’Overbrook Hospital de Cedar Grove au New Jersey, une institution spécialisée dans le traitement des maladies mentales. Moody avait passé six mois à Overbrook. Une fois libéré, Moody s’était installé à Chicago où il avait enregistré un album largement influencé par le blues et intitulé ‘’Last Train from Overbrook’’ dans lequel il démontrait ses progrès et sa virtuosité comme flûtiste.

Des décennies après la création du bebop, le style musical de Moody avait continué d’évoluer. Il avait même fait une incursion dans le free jazz. Le saxophoniste Jimmy Heath expliquait: "Over the years, Moody has become so free-- not in a random fashion, but a scientific freedom-- that he can do anything he wants with the saxophone.... He has true knowledge. He is in complete control," En 1963, Moody était retourné à ses anciennes amours et avait pris la relève de Leo Wright comme saxophoniste et flûtiste du groupe de Dizzy Gillespie avec lequel il était demeuré jusqu’en 1971. Moody avait travaillé plus tard avec Mike Longo. C’est lors de son séjour avec le groupe de Gillespie, dont il était un des plus fervents admirateurs, que Moody avait rencontré ses futurs collaborateurs Kenny Barron et Lee Spann.

En 1975, Moody, avec une femme et une fille à sa charge, avait décidé de laisser tomber l’existence instable de musicien de cabaret et de partir à la recherche de revenus plus réguliers. Moody s’était donc installé à Las Vegas où il avait joué durant sept ans avec le Las Vegas Hilton Orchestra, accompagnant des vedettes comme Elvis Presley, Ann-Margaret, les Osmonds, Lou Rawls, Bill Cosby et Liberace. Dans une entrevue accordée au Saxophone Journal en 1998, Moody avait expliqué pourquoi il avait choisi de d’établir à Las Vegas:

“The reason I went to Las Vegas was because I was married and had a daughter and I wanted to grow up with my kid. I was married before and I didn’t grow up with the kids. So I said, ‘I’m going to really be a father.’ I did much better with this one because at least I stayed until my daughter was 12 years old. And that’s why I worked Vegas, because I could stay in one spot.” De retour à New York en 1979, Moody avait formé son propre quintet. La carrière de Moody avait connu un nouveau souffle lorsqu’il avait remporté en 1985 un prix Grammy pour sa participation à l’album ‘’Vocalese’’ du groupe Manhattan Transfer dans la catégorie de la meilleure performance instrumentale en jazz. L’obtention de ce prix Grammy avait relancé la carrière d’enregistrement de Moody qui avait fait ses débuts l’année suivante sur étiquette RCA avec la parution de l’album ‘’Something Special.’’ Cet album avait été suivi de ‘’Moving Forward’’, dans lequel Moody avait démontré ses talents de chanteur sur la pièce ‘’What Do You Do’’ et de flûtiste sur le classique ‘’Giant Steps’’ de John Coltrane. Son album de 1989, intitulé ‘’Sweet and Lovely’’, était dédicacé à son épouse Linda, qu’il avait épousé en avril de la même année. C’est d’ailleurs Dizzy Gillespie lui-même qui avait joué de la trompette lors de la cérémonie.

En 1989, Moody s’était installé à San Diego, où il avait travaillé comme soliste et membre de groupes tout-étoile. Au cours des années 1990, Moody avait de nouveau fait équipe avec Gillespie (cette fois comme membre de l’United Nations Orchestra) dans le cadre d’une tournée de l’Europe et des États-Unis. Durant ce laps de temps, Moody avait continué d’expérimenter et de s’adapter aux derniers développements du jazz. Il avait même fait des enregistrements avec des cordes et des synthétiseurs. Grand pédagogue, Moody donnait également des cours et des ateliers dans les collèges et les universités.

En 1995, les disques Telarc avaient publié ‘’Moody’s Party’’, un album live enregistré à l’occasion du 70e anniversaire de naissance du saxophoniste. En avril 1996, Moody avait enregistré son premier album sur étiquette Warner Bros intitulé ‘’Young at Heart’’, sur lequel il avait repris des chansons traditionnellement associées à Frank Sinatra. En 1997, Moody avait aussi rendu hommage au compositeur Henry Mancini sur son album ‘’Moody Plays Mancini.’’ DERNIÈRES ANNÉES ET DÉCÈS En 1997, Moody avait fait une brève incursion au cinéma en interprétant le rôle de William Glover dans le film de Clint Eastwood ‘’Midnight in the Garden of Good and Evil’’, une adaptation d’un roman de John Berendt.

Dans un entrevue accordée en 1998 à Bob Bernotas, Moody avait déclaré qu’il croyait que le jazz avait une résonance spirituelle.

Moody avait passé les dernières années de sa carrière à jouer avec un quartet formé de la pianiste Renee Rosnes, du contrebassiste Todd Coolman et du batteur Adam Nussbaum. Il jouait aussi régulièrement avec les Dizzy Gillespie Alumni All-Stars et le Dizzy Gillespie Gillespie All-Star Big Band, en plus de collaborer fréquemment avec le trompettiste, compositeur et chef d’orchestre Jon Faddis. En 2007, Moody et Faddis avaient tous les deux travaillé avec le WDR Big Band à Cologne en Allemagne sous la direction de Michael Abene. Toujours avec Faddis, Moody était parti en tournée avec le Philip Morris Superband qui comprenait comme artistes invités des musiciens comme Jimmy Smith, Kenny Burrell, Gradu Tate et Barbara Morrison. Faisaient également partie de la formation le contrebassiste Niels-Henning Orsted Pedersen, le saxophoniste Jimmy Heath, le batteur Kenny Washington, le joueur de trombone Slide Hampton et le pianiste Monty Alexander. La tournée d’une durée d’un mois comprenait dix-huit concerts et avait débuté le 3 septembre 1986 à Perth en Australie. Le Canada, le Japon et les Philippines faisaient également partie de l’itinéraire. Le Philip Morris Superband avait été fondé en 1985.

James Moody s’est marié à trois reprises. Les deux premiers s’étaient terminés par un divorce. En 1989, Moody avait épousé en troisièmes noces Linda Petersen McGowan. Moody avait une fille, Michelle Moody Bagdanove, et trois beau-fils (via son mariage avec Linda), Regan, Danny et Patrick McGowan. Moody résidait avec sa femme à San Diego.

Sur le plan religieux, Moody était un adepte de la Baha’i Faith, une religion de type humaniste qui intégrait les concepts de base des principales religions mondiales. En 2005, Moody et son épouse avaient établi le Moody Scholarship Fund, une bourse d’études qui est décernée annuellement aux étudiants les plus méritants du conservatoire de musique du Purchase College-State University of New York. Moody avait d’ailleurs souvent participé à des programmes éducatifs, notamment pour le compte de l’International Association for Jazz Education (IAJE).

Le 2 novembre 2010, l’épouse de Moody, Linda Petersen, avait déclaré en son nom qu’il était atteint d’un cancer au pancréas et qu’il avait décidé de partir en douceur, sans avoir recours à la chimiothérapie ou à d’autres traitements agressifs du même genre. Après avoir reçu les soins paliatifs, Moody est mort à San Diego le 9 décembre 2010, à la suite de complications consécutives à son cancer. Il était âgé de quatre-vingt-cinq ans.

Ont survécu à Moody son épouse Linda, sa fille Michelle Moody Bagdanove, ses trois trois beaux-fils Patrick, Regan et Danny McGowan, son frère Louis, quatre petits-enfants et un arrière-petit-fils.

James Moody avait remporté plusieurs prix et récompenses au cours de sa longue carrière. Deux mois après sa mort, on lui avait décerné un prix Grammy dans la catégorie du meilleur album instrumental de jazz pour son disque ‘’Moody 4B.’’ En 1998, le National Endowment of the Arts lui avait décerné un Jazz Masters Fellowship Award, le plus important honneur pouvant être décerné à un musicien de jazz aux États-Unis.

Le New Jersey Performing Arts Center a fondé un festival en l’honneur du saxophoniste, le James Moody Democraty of Jazz Festival. Moody était laussi lauréat de deux doctorats honorifiques du Florida Memorial College et du Berklee College of Music. En 2010, la carrière de Moody avait été couronnée par la remise du Jazz Journsalists Award for Litetime Achievement in Jazz.

Homme charmant et plein d’esprit, Moody avait toujours été très apprécié du public. Au cours de sa longue carrière, James Moody avait participé à plus de quatre-vingt-dix enregistrements.

La curiosité toujours en éveil, James Moody avait toujours vu son éducation musicale comme un ‘’work in progress.’’ Il expliquait: “I’ve always wanted to be around people who know more than me, because that way I keep learning.”

Le critique du New York Times, Peter Watrous, avait un jour écrit au sujet de Moody: “As a musical explorer, performer, collaborator and composer he has made an indelible contribution to the rise of American music as the dominant musical force of the twentieth century.” ©-2023-2024, tous droits réservés, Les Productions de l’Imaginaire historique SOURCES: ‘’James Moody.’’ Wikipedia, 2022. ‘’James Moody.’’ National Endowment of the Arts, 2023. KEEPNEWS, Peter. ‘’James Moody, Jazz Saxophonist, Dies at 85.’’ New York Times, 10 décembre 2010.

[ardn631-isobelchilberto-2024]

Week 4 - 36 Photos (Ruby)

Alongside my friend Zoe, I also took photos of my friend Ruby for my week 4 photos. I wanted to play around with the greenery in Albert Park during golden hour. To play with shadows, highlights and patterns. I also decided to play around with the texture of the trees to create interesting patterns. I really enjoyed the overall vibes of these shots because they were chilled but slightly moody, full of contrast and vibrant green. I struggled at first with the amount of available light but was able to adjust my settings to allow for good exposure and a dynamic range. I chose Albert Park as it is a place Ruby and I spend a lot of time in, and I knew she would feel comfortable in this setting. I also felt the setting contrasted well with her outfit and hair colour.

The first photo feels out of a resort advertisement, from the overhead lighting and palm-like tree in the back. Alongside this, it has a cool effect, with the hand over one eye leaving a shadow. I do feel this photo doesn't have the best focus or dynamic range, but I really like the overall effect, so I thought I would include it in my favourites. The second is fun, expressive with the hands and a fun use of framing via the elbows and grass.

These photos were inspired by the photo by Anton Corbijn of Miles Davis. The way the photo is intimate and moody due to the direct eye contact. The hands and shadows are also used as a frame. The way shadows accentuate the moodiness of the photo and create contrast. And an interesting dynamic range.

I found a spot in the park that created a dappled effect, which I thought would be a fun way to play with the light. Since it was a golden hour when the light got there, it was direct and concentrated. I love the colours produced in this photo and the texture/patterns. In the second photo, I also played with using her hands to express emotion and frame the photo. It created a moody, editorial effect. It works well with the direction of the light, almost like the light is blinding her.

I like the final image as well; it is intimate, up close, personal, and kind of weird. I like the direct eye contact and the flow of her neck to her head, which is accentuated by the subject filling the frame well. For these shots, I drew inspiration from the photo I found of Caroline Mackintosh. I played with the dappling effect through plants and direct sunlight onto the face.

I like how soft the light is in this photo, which works well with her expression and body language. I like the way the light hits the back of her head. I feel as though the framing could be slightly better, as there is a lot of space at the top.

Contact Sheet:

[jazzdailyblog]

Johnny Coles: The Unsung Hero of Jazz Trumpet

Introduction: In the annals of jazz history, certain names resonate with an almost mythical aura. Miles Davis, Dizzy Gillespie, and Louis Armstrong are among those whose contributions are celebrated widely. Yet, the world of jazz is also rich with artists who, while perhaps not achieving the same level of fame, have nonetheless left an indelible mark on the genre. One such artist is Johnny…

[jacksonjb]

Side-Project: Making a Magazine Cover

For part of my artist's social media page, I wanted to make a couple of references to Massive Attack and trip-hop artists and promotional material within the content of my posts. After doing a bit of research into some older Massive Attack promotional and commercial content, I found a few magazine covers of theirs that I thought might be a fun project to embark on.

I found the above cover and thought, given that I didn't feel I had terribly proficient photoshop skills, it would be a relatively straightforward and simple process in order to create it.

I also had a few ideas already in terms of titles, billings and general features of the cover. I wanted to call it Nimbus magazine, and include a few small references to my friends and interests. I also wanted to replicate the sub title of the cover I used for inspiration, which references jazz trumpeter Miles Davis' album Kind of Blue. I decided I was going to use the title 'giant steps' on mine, referencing both John Coltrane's jazz album, as well as my star's rising to fame and 'giant steps' in the musical industry.

The first thing I did was research a few fonts online, and pulled a few that I wanted to use. The main title uses the font 'Akira Expanded', while the title of my artist uses the 'Anarchy' font. It was a fun process to go through, but after I had made the cover, the next thing to do was to complete a photoshoot with my artist.

I had a very quick and simple photoshoot using my phone, and with my artist against a blank wall took a few photos. I wanted my artist to appear to be the image of an educated rulebreaker, conforming to trip-hop conventions of grunge and moodiness, but adding a distinctly unique look to my artist. As opposed to other artists on the fringe of rock and hip-hop who may be a little bit more boisterous and anarchistic, I wanted to sculpt my artist as a figure who, despite his undeniably intimidating music video and image, appears calm, intelligent and even a bit enigmatic, all things of which I feel accentuate the nuance of the artist's image I was creating.

I then put them into photoshop and began to alter the photo itself a bit. I put a black and white filter on the photo, and changed the colour of the text so it would better assimilate with the pic and I was done! I posted it on my social media and got back to work on the rest of the page.

To Conclude

Overall, I had a lot of fun with this project. I was able to develop my photoshop skills further, something which will surely be of help in the future, and created a nice looking post for my artists' social media page that not only bears relation to and references my chosen genre, but also serves as a fitting and seamless addition to the image of the artist I want to create.

[newcountryradio]

New Country 27e jaargang  #T1213 (S772) (C16)van 22 januari 2024  (wk 04) uitzending op Smelne fm & Crossroads Country Radio

Album van de week:   Balsam Range - Kinetic Tone  

Classic album :  SSgt Barry Sadler – Ballads Of The Green Berets   

Hits of the Year : 1976

Maandfavoriet : Callum Kerr & Chris Andreucci – Tamed by Tennessee  

Maandartiest : Suzy Bogguss

Suzy Bogguss -  Outbound Plane *maandartiest

Jo Dee Messina – Stand Beside Me  #1 25 jaar

Jordan Davis - What My World Spins Around  # 1 2023 

Conner Smith - Meanwhile In Carolina

Scotty McCreery - Can’t Pass The Bar

Evan Honer - Nowhere Fast

Brit Taylor - Saint Anthony.

Zach Top - Sounds Like the Radio  

Nate Smith - World on Fire     #1.

Balsam Range - Echo Canyon   Album vd week

Balsam Range   - God Knows   album

Lady Antebellum – Need You Now single of the year        2010

Red Sovine – Teddy Bear   1976

John Michael Montgomery - Life’s a Dance  20/1  1965

Merle Haggard – Sing Me Back Home       

Callum Kerr & Chris Andreucci – Tamed by Tennessee   favoriet 

Ricky Skaggs - Make God First       *sofi  

Ssgt Barry Sadler - The A Team / -I’m A Lucky One

Ssgt Barry Sadler The Ballad Of The Green Barets

The Secret Sisters - Same Water

The Howdies -  Buddie.

Vince Gill - Oklahoma Borderline (3 in 1)

Vince Gill – Look at Us

Vince Gill - The Key To Life.

Balsam Range - What the Years do    Album van de week

Morgan Wallen – Man Made A Bar     #1 album.

Carly Pearce - We Don't Fight Anymore.

Chris Janson - All I Need Is You

Riley Green - Different 'Round Here

The Mavericks - Tonight Is the Night

Dierks Bentley - Every Mile A Memory Trucksong

Suzy Bogguss – Aces  maandartiest

Lori McKenna  - The Tunnel   juweeltje 

Gabe Lee – The Wild   Album vorige week

Balsam Range  - We’ll All Drink Money   Album vd week .

Mark Blomsteel - Everything You Do (Does It For Me)   Dutch corner

West Virgini Railroad - Deep In The Country  .Dutch corner.

Early Bird - Mother Played The Dobro Dutch corner

Willie Nelson –My Way

Waylon & Willie - Good Hearted Woman #5  A Year in music . 1976

Elvis Presley - Moody Blue. #4

Engelbert Humperdinck – After The Lovin . #3 

Eagles - New Kid In Town -  #2

Mary McGregor - Torn Between Two Lovers   #1

Cody Johnson – Til You Can’t

i

[jefferyryanlong]

Infinite Pau Hana - November 1, 2023

"reflections"

Hour 1

Prester John - Animal Collective The Way I Deux - Little Wings Autumn Leaves - James Moody So Far Away - Carole King California - Joni Mitchell I'll Follow the Sun - The Beatles Monsters - Band of Horses Yesterday's Dreams - Freddie Hubbard In a Japanese Garden - Oliver Nelson Sunday Morning (live) - The Velvet Underground Coney Island Baby - Lou Reed

Hour 2

Ride into the Sun (Demo) - The Velvet Underground Old Friends - Simon and Garfunkel Bookends Theme - Simon and Garfunkel I Drew My Ship - Shirley Collins Time - Tom Waits Moon Dreams - Miles Davis In the Wee Small Hours of the Morning - Frank Sinatra It Was a Very Good Year - Gabor Szabo Nap Song - Kikagaku Moyo I Know It's Over - The Smiths Jack the Ripper - Colin Meloy In My Room - The Langley Schools Music Project Songs from Friday Afternoons, Op. 7: "Cuckoo!" - Choir of Sownside School, Purley Tangled Up in Blue - Bob Dylan

Hour 3

Idiot Wind - Bob Dylan Diamonds and Rust - Joan Baez Catch the Wind - Donovan There's a Small Hotel - Dorothy Ashby Baby Daughter - Jeff Majors I Dream a Highway - Gillian Welch First of the Gang - Zee Avi Love in Vain - The Rolling Stones

KTUH FM - 90.1 FM Honolulu, 91.1 FM North Shore. ktuh.org