#mike was so real

[bravevolunteer]

i’m just like movie mike fr (eepy when i’m supposed to be working)

[chloesimaginationthings]

The FNAF Vanessas meet their younger selves..

[scapegods]

Yeehaw Byler 🪑

my piece for @bylerbigbang w/ @willelworld

[butdaddyilovehimmm]

SUITS 1.10

THE HAND GESTURE TO SIT HELLOOOOO

[artashipatrick]

thinking of josh’s “i think they should all find a way of living together” today. he would love post challengers domestic throuple fanfiction

[bylerain]

i need a "i can't tell what's real anymore" Will Byers moment in season 5 SO BAD.

Since he's constantly being plagued by visions, targetted by Henry, imagine he can't tell the difference anymore, and is always cautious when Mike enters the room, because he doesn't know if it's the real Mike or if it's vision Mike.

Just imagine Mike noticing Will is constantly on edge around him and confronting him about it, and they have a heart to heart

[radagasttt]

okay like

literally love triangle between twins with daddy issues and connection to the force and sassy hero boy who cant say i love you. i think ive seen this film before......

[scroofy-was-here]

"when there's a will there's a-"

"way?"

"no, there's a Mike"

[deadunderorbit]

wow

[oliverhangout]

cat dads 🐈‍⬛

[lonelyoleander]

CHOOSE YOUR CHAMPION

[wheneverfeasible]

When Steve’s parents announced their divorce, Steve told Eddie he loved him. They weren’t dating at the time, though Steve thought that the feeling was mutual to at least some extent since Eddie always flirted back with him, but he hadn’t been certain.

He had known his parents stopped loving each other years ago. Hell, he didn’t know if they had ever truly loved each other, but in any case, Steve knew.

His parents decided to sell the house, to move away from Hawkins with its cursed misfortune and small town gossip, and there was no talk of either of them taking Steve with them. Which, sure, he was grown, he hadn’t been part of the conversation at all.

Steve was left at a crossroads on what to do. So, distraught at his change in circumstances, he’d gone straight to Eddie’s and confessed his feelings because he had to know if it was at all possible for anyone to want him the way he wanted them.

Luckily enough for Steve, Eddie did!

The Munsons still had a decent amount left over from the government hush money after everything, so Eddie took his share (Wayne tried to get him to take more since all Wayne had lost was physical possessions and the trailer while Eddie almost lost his life, but Eddie would only agree to a 50/50 split) and together he and Steve threw caution to the wind and found a small place to rent together in one of the new complexes being built as part of the town’s rejuvenation project.

Things were going great. They still visited Wayne, who could now stop working such long hours at the plant and who had moved to a small fixer upper on the outskirts of town. He even moved up the ladder at the plant after some of the higher ups were lost in the “earthquakes” (R.I.P.), which offered better pay and benefits.

Wayne even started dating again, which Eddie informed Steve of in such a scandalized tone, but Steve could tell that Eddie was happy for his uncle, ribbing the older man when they had stopped by one morning and the man hadn’t even been home, stumbling back an hour later with lipstick stains on his shirt’s collar.

(Wayne had told him that he was going to call the cops on them for breaking and entering while he was gone, but there was no heat in it as they set chocolate chip pancakes, eggs, and a steaming cup of coffee before him, having made use of the kitchen while he was out.)

Wayne never introduced any of the women he dated to Eddie and Steve, saying that it wasn’t proper to introduce anyone to the kids yet until he was certain that things were serious, never mind that the “kids” were well into their 20s now.

(Steve also felt a warmth at being included as a “kid” of Wayne’s, however, filling a hole in his heart that his parents had left behind, though his mother had recently reached out to him to rekindle their relationship. His father remained radio silent.)

Eventually, however, there was someone Wayne kept seeing repeatedly, someone he’d met while outside of town when he was at some convention for work and her car had broken down outside of his motel room. She hadn’t left the motel room until the next morning, and Wayne was certain it was just a single night of passion, but…

They had really hit it off, it seemed, and though Wayne hadn’t thought such an amazing and sensual—(“Uncle Wayne! For the love of everything holy, unholy, and whatever’s in-between, please don’t say sensual!)—woman would be interested in him, they exchanged numbers. And then, the day after he’d told her he should be home again from the trip, she called him.

Things only progressed from there, and soon enough there were talks of something committed, of something truly serious, and after a while, Wayne broke the news.

“Boys, my partner is going to be moving back to Hawkins and, while we know it’s a giant leap, we decided to move in together.”

As it turns out, apparently the woman is actually from Hawkins too but had left after the earthquakes tore the town apart, so she is someone that they actually knew. Wayne still won’t tell them who it is, however. He seems a little embarrassed by that, actually, but he also tells them that he is the happiest he’s ever been and he was willing to fight to be with her, so what else can they do but accept that?

They are thus excited for him, excited to finally meet her (again?), and the plan is set that they would have a family dinner together once she was in town. Steve and Eddie are, of course, moderately worried given the whole being queer thing, but Wayne assures them that they will be safe. That Wayne had made damned certain that both his boys would be safe.

(Steve again feels that warmth of belonging to someone, of being loved and cared for and supported in a way he’d never known before.)

And then the day arrives. Steve and Eddie show up early, looking pretty damn spiffy they believe, and help Wayne get the dinner ready, though it’s more like a late lunch really. Eventually, they hear the sounds of tires outside of Wayne’s house.

Wayne, smiling and looking absolutely besotted, moves toward the front door to let his girlfriend in without missing a second. Steve and Eddie hear the door open and close from the kitchen, hear quietly murmured words and what disgustingly sounds like kissing, and then there’s footsteps and—

Steve turns around to greet this mysterious woman, a smile on his face, before dropping the bowl of salad in his hands as shock and something very much like horror make itself known to him.

“MOM???!”

~

Hostage Hotties: @derythcorvinus @katyawriteswhump @honeii-puff

[chloesimaginationthings]

I can’t wait to see mangle in the FNAF 2 movie,,

[royalarchivist]

Mine: Refer to me however you want!

Mike: Yeah, for me too. I think I use all pronouns too.

[They high-five and fist-bump each other]

Mine:

[via @barbmine]

[butdaddyilovehimmm]

Their ability to communicate with just a nod of the head or eye movement is actually crazy.

[conflictofthemind]

Thoughts on "Escape from Camazotz"

Oppressive Suburbia, Conformity, and Season 5 Themes

I've long thought that a major focus of Season 5 will be the contrast between the families of The Wheelers and The Byers, and exploring how non-traditional family environments can be freeing vs the oppressive structure of the nuclear family.

In a Wrinkle In Time, Camazotz is a planet controlled by the big bad of the book, the "IT", who forces the citizens into a conformity that resembles American suburbia. All of the houses the same, the citizens the same, doing the same things at the same time without individual identity. Without anything different. Different means a lot of things, but with Stranger Things dropping different in reference to Will's identity and the presumable themes of this season, it will heavily codify as queerness and how it threatens the cisheterosexual family model.

Henry was raised in the 1950s, a decade still revered by conservatives for it's traditional family dynamics that supposedly were the peak of culture and happiness for all. That was all a lie, of course, and Henry knew so as he shows to Nancy and Eleven during his monologue. The second most conservative decade aside from the 1950s in American society is widely considered to be the 1980s.

The Creels will serve in parallel to The Wheelers; the worst example of what they could become and the damage that this type of family could do to a child that is different in any way. Notice how Vecna selectively shows Nancy visions of The Wheelers dying, but not anyone else she may consider family or friends (like Jonathan).

That is; unless they change their ways and come together as a healthy functioning family facing their traumas, The Wheelers will be toast.

Karen has been moved up to a main character role this season. Ted's actor says the father starts to show up more for Holly (hold that) and realizes he wants to act differently. Holly has been recast. Finn has said Mike goes on a much more personal journey this season, and steps up as a leader.

Oh, also: the catalyst for all of this is that Holly goes missing. The contrast will help show how the Byers (including El and Hopper here) were able to pull together and help solve Will's disappearance, versus how the Wheelers as a closed off nuclear family grapple with Holly's vanishing.

Each of the Byers is in some kind of a non-1950s conformist relationship, but particularly Will (not in one now but we all know he will be). I think El might represent, after she breaks up with Mike, the fear of the unmarried woman being satisfied without a husband. The above shot really emphasizes my point.

I predict that Will will end up coming out to his family rather early on, and we will see all of them immediately accept him with little surprise or push-back. Will is a visible gay man who comes from an open minded non traditional family (divorced, non-married, adoptive) that is willing to have honest conversations.

But this theme will place the most focus on the Wheelers. Mike is the main character of said family and this will particularly focus on his arc, and his acceptance of his queerness in the midst of suburban conformity.

He is not visible, he comes from a Reagan-supporting family who don't communicate with each other. He is not particularly close with his family like Will is. He pushes his feelings down and tries his damn hardest to be normal despite it all. His trauma hasn't really been addressed at all. He is falling back into his usual habits - the one thing he dared to do different (grow his hair long) has gone back to how it was.

It's not all doom and gloom though. This season above all will be a redemption arc of the American nuclear family, how they choose to escape their conformity and learn to be there for each other, thus overpowering Vecna. Not that the Wheelers are going to end this personally.

"Great, more hysteria. Just what we need". "It's the news, now indistinguishable from the tabloids".