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jt1674 · 6 months ago
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jazzfunkdid · 6 years ago
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Henry Franklin ‎– Theme For Jojo
Henry Franklin ‎– The Skipper. Drums – Mike Carvin. Electric Piano – Bill Henderson. Guitar – Kenny Climax. Bass – Henry Franklin. Percussion – Fred Lido, Tip Jones. Saxophone Tenor & Soprano – Charles Owens. Trumpet, Flugelhorn – Oscar Brasheer.
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mmguitarbar · 7 years ago
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#Carvin #vintagebass #shortscale #imeanridiculouslyshortscale #noseriously25in #1966 (at Mike & Mike's Guitar Bar)
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nwbeerguide · 5 years ago
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American Homebrewers Association awards 102 medals at this year's AHA National Homebrew Competition
Press Release
Providence, R.I. • June 29, 2019—The American Homebrewers Association (AHA) awarded 102 medals to amateur brewers and homebrew clubs worldwide at the 2019 AHA National Homebrew Competition (NHC). In a ceremony Saturday at the Rhode Island Convention Center, medals were presented for the most outstanding homemade beer, mead, and cider in 34 categories. Over its 41-year history, 152,429 brews have been evaluated since the inaugural AHA National Homebrew Competition in 1979 in Boulder, Colo. This year’s competition judged 9,189 entries from 3,492 homebrewers located in 50 states, Washington, D.C., and 17 countries. The most-entered category was Specialty IPA, with 475 entries. MOST-ENTERED STYLE CATEGORIES The winners of the top five most-entered categories were: Cat 17: Specialty IPA (475 entries) GOLD: Tom Beach, Rocky River, OH, Society of Northeast Ohio Brewers SILVER: Josh Clark, Littleton, MA, Boston Wort Processors BRONZE: Matt Cowper and Aaron Vieira, Costa Mesa, CA, Orange County Mash Ups Cat 25: Spiced Beer (430 entries) GOLD: Tom Lawrence and Zach Dixon, San Diego, CA SILVER: Scott Sykes, Plymouth, MN, Mötley Brüe - Twin Cities Home Brew Club BRONZE: Keith Linn, Rogers, AR, Fayetteville Lovers of Pure Suds FLOPS Cat 2: Pale European Beer (394 entries) GOLD: Gregory Irving and Mike Yingling, North Royalton, OH, Society of Northeast Ohio Brewers SILVER: Metts Potter, Browns Summit, NC, Battleground Brewers Guild BRONZE: Russell Berger, Portland, OR, Portland Brewers Collective Cat 22: Strong Belgian Ale (389 entries) GOLD: Michael Maugel and Jarrod Hanson, Denver, CO SILVER: Wesley Carmichael and Mandy Naglich, New York, NY BRONZE: Jonas Geiss and Luiz Carlos Gaspar, Guarulhos, Sao Paulo, Brazil, AcervA Paulista Cat 13: British & Irish Stout (369 entries) GOLD: Josh Baas and Jeff Rorison, Elk Grove, CA SILVER: Gregory Irving, North Royalton, OH, Society of Northeast Ohio Brewers BRONZE: Maggie and Tom Seitz, Fort Meyers, FL, Hangar 41 Brew Club MAJOR AWARDS In addition to category style awards, six major awards recognizing overall brewing excellence were presented. • Samuel Adams Ninkasi Award: Awarded to the entrant accumulating the most points in the Final Round of competition. • Mark Peterson, Queen Creek, AZ • Homebrewer of the Year Award • Mark Peterson, Queen Creek, AZ • Cidermaker of the Year Award • Michael Wilcox, Wichita, KS • Meadmaker of the Year Award • Michael Wilcox with Scot Schaar and Carvin Wilson, Wichita, KS NHC • Homebrew Club Award: Awarded to the club accumulating the most total points in all categories of beer, mead, and cider in the Final Round of competition. • Arizona Society of Homebrewers • Gambrinus Club Award: Awarded to the club garnering the most Final Round points per total club entries. • Battleground Brewers Guild, Greensboro, NC
HOMEBREW CON™ The competition’s final round judging and award ceremony were held in conjunction with AHA’s annual conference, Homebrew Con. The three-day conference and expo, the largest of its kind for amateur brewers, mead and cidermakers, hosted nearly 3,000 attendees and offered more than 70 educational seminars on beer styles, the brewing process, ingredients, recipe formulation, sensory analysis, and yeast & fermentation. “Over the years, we’ve seen homebrewers push the envelope for what beer can be, leading the way with style awareness and ingenuity,” said Gary Glass, director American Homebrewers Association. “Congratulations to this year’s winners of the National Homebrew Competition for their achievement and their commitment to the greatest hobby there is – homebrewing.” A complete list of winners of the 2019 National Homebrew Competition can be found here. … The 2019 AHA National Homebrew Competition was made possible in part by the generous support of its sponsors. …
About the American Homebrewers Association The American Homebrewers Association® (AHA) has worked on behalf of the homebrewing community since 1978 and celebrates a membership of more than 46,000 homebrewers. The American Homebrewers Association organizes events including Homebrew Con™ and the National Homebrew Competition. The AHA also publishes Zymurgy® magazine for homebrewers and beer lovers, and offers money-saving deals and recipes via the Brew Guru®  mobile app. The AHA is part of the Brewers Association℠ (BA), whose independent craft brewer seal is a widely adopted symbol that differentiates beers by small and independent craft brewers. The BA’s Brewers Publications® division is the leading publisher of contemporary and relevant brewing literature for today’s craft brewers and homebrewers. Beer lovers and anyone interested in making their own beer are invited to learn more at HomebrewersAssociation.org. Follow the AHA on Twitter, and join us on Facebook and Instagram. The Brewers Association is an equal opportunity employer and does not discriminate on the basis of race, color, national origin, gender, religion, age, disability, political beliefs, sexual orientation, or marital/familial status. The BA complies with provisions of Executive Order 11246 and the rules, regulations, and relevant orders of the Secretary of Labor.
from News - The Northwest Beer Guide http://bit.ly/2xp4BTI
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mixteroliver · 6 years ago
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Man, Fuck™ canned wine. That shit is so Good. Especially Ros-fucking-sé. F u c K I n g premium . ThanK You Costco and Mom <3.
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newjazzunited · 5 years ago
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Hampton Hawes Trio in France 1974 (Complete Concert)
Hampton Hawes Trio in France 1974 (Complete Concert)
TV concert in France recorded in 1974.
Hampton Hawes – piano Henry Franklin – bass Mike Carvin – drums
WHEN I lived in New York during the early 1960s, John F. Kennedy was a hero among the downtown art crowd — not because of any legislative or foreign policy achievement, but because he pardoned the jazz pianist Hampton Hawes.
Hawes was a bebop pianist with a right-hand technique so brilliant…
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maxwellyjordan · 5 years ago
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Event announcement: Supreme Court review with Heritage
On July 11, the Heritage Foundation will host two panels for its annual Supreme Court review. Panelists from 11 a.m. to 12 p.m. will include Mike Carvin, Andy Pincus and Kannon Shanmugam; John Malcolm will serve as moderator. Panelists from 12 p.m. to 1 p.m. will include Jess Bravin, Adam Liptak and Richard Wolf; Elizabeth Slattery will serve as moderator. More information about these panels, which will also be available by live stream, is available at this link.
The post Event announcement: Supreme Court review with Heritage appeared first on SCOTUSblog.
from Law https://www.scotusblog.com/2019/07/event-announcement-supreme-court-review-with-heritage/ via http://www.rssmix.com/
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jazztidbits · 6 years ago
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Gerry Mulligan - The Shadow Of Your Smile
Baritone Saxophone – Gerry Mulligan Bass – Harry Franklin* Drums – Mike Carvin* Piano – Hampton Hawes Recorded live in Frankfurt, 1965.
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budaallmusic · 7 years ago
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Henry Franklin ‎– The Skipper #BlackJazzRecords ‎1972 US Artwork [Cover] – Bud Doty Design Concept [Cover] – Dorothy Tanous Drums – Mike Carvin (Tabo)* Electric Piano – Bill Henderson (Umoya Kemang Sunduza)* Guitar, Other [Electric Tub] – #KennyClimax Leader, Electric Bass [Fender], Electric Upright Bass – #HenryFranklin (Nyimbo) Percussion – #FredLido, #TipJones Photography By [Cover] – #BruceWilson Producer, Engineer [Recording] – Gene Russell Tenor Saxophone, Soprano Saxophone – #CharlesOwens Trumpet, Flugelhorn – #OscarBrashear (Che-Chi)
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jazzfunkdid · 7 years ago
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Henry Franklin ‎– Theme For JoJo
Black Jazz Records ‎– BJQD/7 – Originally released in 1972. Henry Franklin ‎– The Skipper. Drums – Mike Carvin. Electric Piano – Bill Henderson. Guitar – Kenny Climax. Bass – Henry Franklin. Percussion – Fred Lido, Tip Jones. Saxophone Tenor, Saxophone Soprano – Charles Owens. Trumpet, Flugelhorn – Oscar Brasheer.
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car-body-kits · 7 years ago
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UT Vols spring football: Offensive line will be a position to monitor
Tennessee’s Jarrett Guarantano and Trey Smith talk the future of Volunteer football Mike Wilson/News Sentinel
(Photo: Calvin Mattheis, Knoxville News Sentinel)
This is Part I of a series examining the outlook for Tennessee at each position in advance of spring practice, which begins March 20. Today, we preview the offensive line.
Tennessee’s offense had a lot of warts in 2017.
You could argue offensive line was the biggest.
More: Why Tennessee Vols’ improvement under Jeremy Pruitt could begin with offensive line
Things started poorly when projected starter Chance Hall was lost for the season to a preseason knee injury. Injuries became a theme. Freshman Trey Smith was the only lineman to start every game. He became a bright spot in a rocky year for the line.
Returning starters
Drew Richmond, Trey Smith
Other returners
Devante Brooks, K’Rojhn Calbert, Chance Hall, Ryan Johnson, Riley Locklear, Nathan Niehaus, Marcus Tatum
Newcomers
Tanner Antonutti, Jerome Carvin, Jahmir Johnson, Ollie Lane
Tennessee offensive lineman Drew Richmond (51) is one of two returning starters on the line. Outlook
Smith is a bona fide star and a future early round NFL draft pick. He was a second-team All-SEC selection and a Freshman All-America honoree.
That’s the good news.
The bad news is the Vols have no other proven commodities.
Hall made 13 starts in 2015-16, but will he return from injury, and if so, in what form? Richmond struggled in his seven starts at left tackle. Tatum, Brooks and others remain largely unproven. Johnson provided some needed stability after some linemen went down with injury, and he’s a good bet to grab a starting spot on the interior.
Depth remains a concern, but coach Jeremy Pruitt did well to corral four linemen in this signing class.
On a team full of question marks, offensive line is perhaps the biggest after Tennessee ranked 13th in the SEC in rushing offense in 2017 and surrendered a whopping 2.9 sacks per game.
One prediction
Smith makes tackle his permanent home after starting nine games at guard and three at left tackle last season.
One to watch
Pruitt scored a big win on the first day of the December signing period when he snagged Carvin, a four-star lineman from Cordova who was coveted by Mississippi State and Florida. A 6-foot-4, 330-pound early enrollee, Carvin seems like a freshman who could skip the redshirt and make an impact in 2018.
Biggest question
Do they have someone to snap the ball?
Jashon Robertson and Coleman Thomas combined for 11 of the 12 starts at center last year. They’re gone. Johnson had the other start. But what happens if Johnson gets hurt? The Vols seem dangerously thin on depth at center.
UT VOLS FOOTBALL OFFSEASON 2017-18
Source Article
The post UT Vols spring football: Offensive line will be a position to monitor appeared first on How To Plan A Romantic Weekend Getaway In Tennessee.
Learn More: http://www.car-body-kits.org/ut-vols-spring-football-offensive-line-will-be-a-position-to-monitor/
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junker-town · 7 years ago
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Iowa State vs. Memphis 2017 live stream: Liberty Bowl start time, TV schedule, and how to watch online
The Cyclones and Tigers try to cap off great seasons with another signature win.
Coach Matt Campbell’s second season in Ames couldn’t have gone any better with the Iowa State Cyclones (7-5) pulling off their first winning season since 2009. To close out the season, they have a tough challenge against the No. 20 Memphis Tigers (10-2) at the Liberty Bowl in Memphis, effectively a home game for the Tigers. The game is scheduled for 12:30 p.m. ET Saturday on ABC (live stream at WatchESPN).
The Cyclones made rapid improvement after going 3-9 in Campbell’s first year. They knocked off Oklahoma and TCU, both ranked in the top five at the time for two of the biggest upsets in school history. Iowa State climbed as high as No. 14 in the AP Poll with a 6-2 start but faded down the stretch, losing three of its last four games to finish fifth in the Big 12.
Still, there’s a lot for the Cyclones to be proud of, and Campbell got rewarded with a new contract extension after several major programs tried to pry him away. The offense is led by sophomore running back David Montgomery, who was named to the All-Big 12 team after putting up 1,095 yards and 11 touchdowns. Montgomery has an ankle injury, but he is expected to suit up for the bowl game.
The Cyclones will need Montgomery at full strength to keep up with Memphis’ high-flying offense, the third-best in the nation by S&P+. Senior quarterback Riley Ferguson led the American conference with 36 touchdown passes, leading a potent attack that averaged 52 points per game.
The Tigers steamrolled nearly everybody on their schedule, with the exception of UCF. The Knights knocked off Memphis twice, including a 62-55 thriller in the American conference title game that sent UCF to the New Year’s Six.
Mike Norvell is another head coach who drew interest from bigger programs but is staying in Memphis for now. With UCF’s Scott Frost heading off to Nebraska, Norvell’s Tigers will be looking to finish the season strong and head into 2018 as the team to beat in the American.
Time, TV channel, and streaming info
Time: 12:30 p.m. ET
Location: Liberty Bowl Memorial Stadium, Memphis, Tenn.
TV: ABC
Streaming: WatchESPN
Odds: Memphis is favored by 4 points
Iowa State vs. Memphis news
Norvell and Memphis were busy in the early signing period.
It was a light day for the Memphis Tigers on the recruiting trail, but that doesn’t necessarily mean it’s a bad thing. Mike Norvell signed 12 recruits on the first day of the Early Signing Period, but they key is that there is still plenty of time to add to that class.
It’s also not like Norvell wasn’t in position to get some great recruits to sign. He had Cordova offensive tackle Jerome Carvin and running back Jeremy Banks considering Memphis before flipping to Tennessee. Despite having their former coach Anthony Jones Jr. added to the staff, the Tigers couldn’t come through. But that doesn’t mean Memphis is down and out. Norvell can get the attention of recruits away from Power 5 schools, so expect him to continue the hunt to improve this class.
Memphis wide receiver Tony Pollard is one of the potential darkhorse Heisman candidates for next season.
With the exit of Anthony Miller and Phil Mayhue, someone will need to take a more prominent role in the offense. Pollard’s dynamic abilities should put him in position to do that. Pollard was used to run and catch the ball on offense, and that will be a vital asset with a new quarterback and offensive coordinator next year (222 yards rushing, two touchdowns; 501 yards receiving, four touchdowns). What makes him a Heisman candidate at receiver is his return skills. Pollard was the best kick returner in college football this year, which gives him a dynamic that most receivers don’t have.
Iowa State ended the regular season with a tough loss to Kansas State, which didn’t sit well on Wide Right Natty Lite.
What we saw on Saturday was a victory being snatched away from one team by an officiating crew that threw flags on four critical plays, only to have all four picked up. All four of those penalties would have been on Kansas State, with the final pick-up negating a blatant, textbook pass interference call that would have sealed the game for the Cyclones.
It’s easy to lob conspiracy theories of a “fix” by the Big 12 to prevent ISU’s success, ensure a win in Bill Snyder’s last game, etc., but that seems to be incredibly unlikely. Improbably, it seems as though the officals from Saturday’s game may actually be THAT incompetent. How do I know? If there really was a fix, it would have been far less obvious.
Iowa State vs. Memphis prediction
The Cyclones’ best shot is to slow down the tempo and use their running game to keep Ferguson off the field, but they’ll be in trouble if Memphis turns this into a track meet. With the partisan home crowd behind them, the Tigers pull away late and win rather comfortably.
Be sure to check out all our bowl predictions here.
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jazzworldquest-blog · 8 years ago
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USA: A Musical Celebration of Bobby Hutcherson Sat., Jan 28th 1 to 4:30PM @ Saint Peter's Church
A MUSICAL CELEBRATION OF BOBBY HUTCHERSON (January 27, 1941 – August 15, 2016)   SATURDAY, JANUARY 28th, 2017 1:00pm - 4:30pm at ST. PETERS CHURCH “Eric Dolphy said music is like the wind. You don’t know where it came from and you don’t know where it went. You can’t control it. All you can do is get inside the sphere of it and be swept away.”
featuring MCCOY TYNER : GEORGE CABLES : STANLEY COWELL : KENNY BARRON : MIKE LEDONNE STEVE NELSON : BILL WARE : WARREN WOLF : JOE LOCKE : TODD COCHRAN JOE LOVANO : STEVE DAVIS : EDDIE HENDERSON : GEORGE COLEMAN RAY DRUMMOND : CECIL MCBEE : BUSTER WILLIAMS : JOHN LEFTWICH VICTOR LEWIS : AL FOSTER : JOE CHAMBERS : MICHAEL CARVIN :​  BILLY DRUMMOND + many others will join a multi-generational celebration of the music & life of the great Bobby Hutcherson Produced by Todd Barkan & Michael Cuscuna PLEASE JOIN US!
Jazz giant Bobby Hutcherson dies at 75 By Jesse Hamlin Tuesday, August 16, 2016 ·         Vibraphonist Bobby Hutcherson, one of jazz’s greatest improvisers and a deep, sweet-souled musician who played with enormous feeling, fire and grace, died Monday, Aug. 15, at his home in Montara on the San Mateo County coast. He was 75 and had battled emphysema for many years. Over his prolific 55-year career, Mr. Hutcherson, a 2010 National Endowment for the Arts Jazz Master, performed and recorded with many of the greatest jazz artists of his time, including tenor saxophonist Sonny Rollins, pianists Herbie Hancock, McCoy Tyner and Cedar Walton, and drummer Billy Higgins. Mr. Hutcherson produced a singularly beautiful sound on the vibraphone, a resonating metal-and-wood percussion instrument used mostly for novelty effect until jazz musicians like Lionel Hampton made it swing in the 1930s. The lyrical bebopper Milt Jackson made it sing with a richness, warmth and grit that inspired a kid from Pasadena to take up the vibraphone and expand its expressive range. Mr. Hutcherson came of age in the tumultuous 1960s, playing vital, original music with Hancock and Tyner — with both of whom he continued to make memorable music over the decades — trumpeter Freddie Hubbard, the avant-garde reed man Eric Dolphy and other brilliant young players and composers associated with Blue Note records. A master of harmony who could accompany like a pianist with a pair of red-tipped mallets in each hand and fly high as a soloist, Mr. Hutcherson struck those metal bars in a way that made them ring with uncommon intensity and tenderness — earthy and celestial. He unleashed joyously unbounded solos shaped on the fly with long ribbons of melody, bluesy ostinatos and the declamatory single tones he hammered out with a slicing body English that made them shimmer and swell. He could also play ballads sublimely, the way he does with “I Loves You Porgy” on his 1994 duet recording with Tyner, “Manhattan Moods,” by sounding the melody with little or no embellishment. “I’ve always loved playing with Bobby,” Rollins said in a 2012 Chronicle article. “He’s a consummate musician and extremely gifted in jazz improvisation. It’s always been fun, enlightening and intellectually challenging playing with Bobby, and always emotional as well.” Known for his sly wit and lack of guile, Mr. Hutcherson was “a very honest person,” Rollins went on, “like (Thelonious) Monk was. Bobby couldn’t play the way he did without that honesty.” Mr. Hutcherson was born in Pasadena and grew up in its vibrant African American community. His father, Eli, was a master mason — he crafted the big fireplace in the cozy Montara home Mr. Hutcherson built with royalties from his funky 1970 hit “Ummh” — and his mother, Esther, a hairdresser. His sister Peggy was a singer who did a stint as a Ray Charles Raylette. His older brother Teddy was a bricklaying jazz fan who listened to records with his buddy Dexter Gordon, the virile saxophonist with whom Bobby would later record, and with whom he acted in Bernard Tavernier’s 1986 film “’Round Midnight” (Mr. Hutcherson first appeared onscreen in 1969 as the bandleader in “They Shoot Horses, Don’t They?”). Mr. Hutcherson, who’d played some piano and absorbed the music at the First African Methodist Episcopal Church, found his calling one summer day in 1955 as he strolled down Pasadena’s Lincoln Avenue and heard the sound of Milt Jackson’s grooving vibes wafting from a record shop. He bought the album, “Miles Davis All Stars, Vol. 2,” and wore it out. “The way Milt played made me feel like I had money in my pocket,” Mr. Hutcherson recalled in 2012. “It was so satisfying. The sound was warm and round. I’d heard Lionel Hampton and Red Norvo before, but Milt really spoke to me. He played those long lines, and it was very soulful, very talking-to-you. I thought I could duplicate that. It took me a long time to realize that those are Milt’s cookies, leave ’em alone.” Mr. Hutcherson, who in high school jammed with smart young L.A. musicians like Dolphy and saxophonist Charles Lloyd, baked his own cookies after moving to New York in the early ’60s. He drove a cab to support himself, his first wife, Beth Buford — their interracial romance had stirred some friction in Pasadena — and their infant son, Barry, for whom Mr. Hutcherson wrote the classic jazz waltz “Little B’s Poem.” He connected with other creative musicians who were expanding the language of jazz, performing as a sideman and leader on a batch of classic Blue Note recordings, including Dolphy’s wild “Out to Lunch,” Grant Green’s bluesy “Idle Moments” and Hutcherson keepers like 1966’s “Happenings,” which includes spellbinding performances of Hancock’s “Maiden Voyage” and Mr. Hutcherson’s “Bouquet” (Hancock, who’s on piano, joined Mr. Hutcherson and bassist Ron Carter in 1985 to reprise “Bouquet” in a splendid live performance available on YouTube). After a pot bust, Mr. Hutcherson, who quit dope and drinking two decades ago, lost his New York cabaret card and taxi license. He moved back to Los Angeles, forming a band with saxophonistHarold Land and later settling in San Francisco, where a friend had opened the Both/And club. He fell in love with the woman taking tickets, Rosemary Zuniga, who became his second wife. An international star and pride of the Bay Area jazz world, Mr. Hutcherson found respite from the road in Montara, where he grew dahlias and tulips and hung out with family and friends such as the late, great San Francisco drummer Eddie Marshall. He could be counted on to perform at benefits for musicians in need, playing with the same passion whatever the occasion. “Bobby can play one note and generate 10 times more energy than someone who would play 50 notes in that space,” Stefon Harris, one of many vibraphonists inspired by Mr. Hutcherson and the one who followed him in the SFJazz Collective, said in 2012. “He took this pile of metal and wood and really turned it into a vehicle to express his individuality. He transcended the instrument.” The celebrated saxophonist Joshua Redman played with Mr. Hutcherson in the Collective’s first incarnation in 2004. “We talk a lot about how music expresses universal values, experiences and feelings. But you don’t often witness that so clearly and so profoundly as you do with Bobby,” Redman said in 2012. “His music expresses the joy of living. He connects to the source of what music is about.” Sitting in his sun-dappled yard one afternoon, Mr. Hutcherson put it this way: “Eric Dolphy said music is like the wind. You don’t know where it came from and you don’t know where it went. You can’t control it. All you can do is get inside the sphere of it and be swept away.” Besides his wife, Mr. Hutcherson is survived by sons Teddy of Montara and Barry of Half Moon Bay, and two grandchildren. Memorial services are pending. Jesse Hamlin is a Bay Area journalist and former San Francisco Chronicle staff writer. Special Thanks to the Jazz Foundation of America who are always there to help, please DONATE
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