#might make a more rendered one later

[televisionbug]

my take on an alternative fluttershy ^^

[pasta-pardner]

sixguns & innuendo

[woahrarepairsagemare]

And intimacy is when you kill your visitor with a machete .

[noxchievous]

Lemmy and some other citrines before they joined the war :)

[chuluoyi]

Baby gojo and daddy gojo not wanting to share mama gojo😭✋i-

࿐ ࿔ 🕰️ 「 06:20 P.M 」

aww this is so cute of course this is the first i worked on after getting back from my weekend break <3 and actually i have this one similar ask too so i combined yours with theirs! here's some cute blinking gojo in phantom parade and okay now let us have some crack and make gojo suffer

a part of gojo's love entries

general masterlist

“bwah!” a nudge.

“myah!” a shove.

and then—

“waaa!” a… slap (?) on the cheek.

“huh?” satoru winced, touching where the baby’s palm just connected with his face, blinking rapidly. so he wasn’t imagining things. this really was happening in front of his eyes.

and it was the baby—his baby.

your giggles filled the air in response.

“hey, you,” satoru took on a very stern look and an exaggerated frown, glaring at his own son. the baby merely babbled at him innocently, blinking his wide crystal blue eyes that mirrored his. “bad, bad minion. this is a very serious issue. you shouldn’t do that, you hear?”

the serious issue being each time he tried to lean closer to steal a kiss from you, your son always found a way to repel him away with his tiny hands.

you snorted at his righteous tone. “he’s just protecting me. even your kid knows you’re a danger.”

a gasp left your husband’s shiny lips, mockingly in disbelief. “me? a danger? i make your life a heaven on earth!”

“heav—pfft—”

“i give you love, food, my body—” he emphasized, pointing at himself for a dramatic effect, and you threw your head back, dissolving into a fit of laughter even more, “—heck, i even give you this naughty baby!”

“wha—no! that’s team effort!”

“still! and now he is staging an uprising against me?” satoru cheekily eyed his child, who was now clutching the fabric of your blouse, tiny fingers playing with the shiny diamonds of your necklace—a gift from satoru too, actually.

“look at him go,” he grumbled, his eyes following each little movement his son made, then dramatically yelped when the boy pawed at your breasts. “hey! no touching! those are mine!”

“please.” you almost choked on your laugh. your silly husband always had a way to make things sound funnier than they actually were, and that was what made you fall in love with him more each day, really. “the milk is his!”

“he can have the cow’s! and more importantly, it’s thanks to me that you’re so milky—”

“satoru! you’re so uncouth i can’t—!”

“see? you’re laughing so much! this proves enough that i make you happy every day!”

later that night, after you put your baby to sleep in his crib, satoru gently poked his cheek, his expression tender despite his pursed lips. “he is out like a light…”

satoru might whine a lot, but ultimately, you couldn’t miss the look of adoration and fondness that made him the father of your child. even without saying it out loud, you knew that he would willingly put everything aside and sacrifice anything—first of all, himself—if it was meant for his dearest, most precious treasure.

knowing he'd do the same for you only served to melt your heart even more. and you felt full—so full, in fact, with warmth and love and anything that was soft.

you really do love him, don’t you?

“look at him, he’s like a shrimp,” your husband pointed out, still gazing at his baby in wonder as he kept poking and prodding at the chonky rolls of his little arms, and you thought, nothing could have been more precious than this.

“satoru.”

“yeah?” he turned instantly at the sound of his name, but before he could react further—

you stood on your tiptoes and planted a swift smooch on his cheek, putting the overflowing love you held for him in it. “mwah!”

“…?!”

for the next three seconds, satoru malfunctioned. the brush of your sweet lips on his cheek was so innocent that he was rendered speechless. heat steadily gathered on his face, turning him pink despite himself.

“you…” he groaned, collecting himself, a dopey smile was quickly plastered on his face to cover up his setback as you burst into hearty laughter. “now you’ve started it…” and then he latched on you with a glint of a joker, launching a full-blown tickle attack.

“a—ah! why?! satoru! ahahahaha!”

. . .

safe to say, your wheezes effectively awoke your son from his slumber, and as a bit of payback, you left satoru in the dust to deal with the crying baby, both of them whimpering in unison since he had absolutely no clue how to comfort the little one.

[lovelyghst]

would i be crazy for saying ghost enjoys (mostly) clothed sex more than anything. well, more for him than you.

like, just being able to get you down to your cute bra and panties, propping you up on his desk so he can thumb at the swollen, little bud beneath the cotton you wear. humming when the fabric starts to get wet and sticky, playing with the puffy thing as he pleases.

you contradict him in every way; pretty, pink lingerie hugging your frame a stark contrast to the black, heavy-duty cargos that hang off his hips and an equally dark, though certainly not loose, t-shirt to show off his broad shoulders. soft skin up against his rough exterior, gentle lips pressed to his scratchy beard. your clothes intricately detailed, light and lovingly cared for, while his are embedded with smoke and gunpowder and an overwhelming need to devour you whole. you’re far too sweet for him, he thinks.

he drinks in your sounds, the soft little hums that spill from your throat when your jaw falls lax shooting straight to his dick. his lips even twitch into a smile when your hands fist at his shirt, your hips nudging forward a bit when his knuckles graze your nerves teasingly.

he snickers at your giggles when he has you unbuckle his belt for him, just ‘cause he finds it amusing when your fingers struggle a bit with the leather in your dazed state. a tender grip on your wrist guiding your hand into his boxers rather shamelessly, having you knead him to a full erection before you’re finally allowed to take it out.

he usually hands you whatever you’d like and on a silver platter, without the need to even ask, but sometimes he makes you earn it. he promises it’s for your own good, sweetheart. you can’t complain.

he carefully urges one of your legs up and onto the desk, knee bent with your foot planted right on the edge for better leverage, a more depraved sight. rubs the pretty tip of his cock up against your wet spot, the only intimate bit of him exposed as his fingers are curled tightly around his shaft, guiding his movements.

and he fucks you just like that; your panties pulled to the side, further ruining the perfect pair as he gradually pushes into your sweet cunt.

he’s benign at first—slow and careful as he gives you time to adjust to the stretch, hardly moving much at all as he lays kiss after kiss to your forehead as a means of grounding you—but it isn’t long before you’re crumbling into that world where you’re dizzy, dumb on his cock, and the only noises coming from you are sharp huffs punched straight from your lungs. he isn’t too fast with you, but he’s fucking deep, and big in every sense of the word.

he holds you delicately compared to it all, with his hands at your waist and hips, giving you a faint squeeze in allotted intervals that seem to match up with his groans. similar to that of a cat preparing its sleeping place.

you know that’s what he plans for later, anyways. your pussy always knocks him out.

and sure, he’ll let you hike the hem of his t-shirt up just enough to stare down at his pretty abs, to rake your nails across his navel as he renders you speechless on his cock. he might even have you take it off for him completely if he’s going for multiple rounds with you.

but otherwise, that’s the best you’ll get from him on most days.

perhaps it’s the power dynamic, or maybe he simply feels more comfortable like that; either way, you know it’s fucking hot.

[cherrychilli]

18+ Eddie Munson x f! reader, best friend! Eddie, friends to lovers, mentions of bodily injury, mentions of masturbation (m), oral sex(m)

Summary: Eddie hurts his dick and as his best friend, you decide to help him ease his pain.

WC: 3K

A/N: I am so tickled by the idea of Eddie wrecking his cock and balls on accident so I had to write about it and wedge in some spice as well. Enjoy!

When Eddie had told you he wasn't feeling well enough to hangout tonight he should have realized that someone like you, caring and loyal almost to a fault, would take it upon themselves to help in any way they could, showing up at his trailer a few hours later with dinner and a zipper pouch full of medicine he might need.

"Ding dong, I'm here to take care of you, Munson", you'd gleamed at him playfully.

It was no secret that he didn't take the best care of himself whenever he was under the weather. Eddie was known for skipping his meds and spending most of the day swathed in a cocoon made of blankets, emerging hours later to pad into the kitchenette where he'd nibble at cold, leftover takeout before weakly traipsing back to bed.

So, when you showed up at his front door with your arms wound around a thermos full of homemade chicken soup and a Tupperware container warm with baked salmon, he should have felt happy. He should have felt grateful for the trouble you'd gone through just to make sure that he ate well and was looked after while he was on his own but instead, all he felt was the sharp, piercing sting of guilt.

The thing was, Eddie wasn't really sick.

He wasn't running a fever like he'd claimed over the phone. He'd purposely hidden the real reason why he couldn't come over to your place and watch a movie like the two of you had planned because well, he was embarrassed.

The truth was, Eddie couldn't come hangout because his dick and balls were killing him.

It had happened last night.

He'd been spread out on the couch while Wayne was away, dressed only in a pair of boxers snug around his hips with a movie playing on TV to keep him entertained throughout the night.

As usual, a blunt was held between his plush lips for most of the evening too, a bottle of jack by his feet which he'd pick up and gulp from time to time.

The combination of alcohol and the weed served a particular purpose that night – helping to make the tooth achingly bad acting in Zombie Lake more tolerable, a movie he'd picked solely for the gratuitous nudity.

Forty minutes of naked, unsuspecting women wading in zombie infested waters later and he was more than a little strung out at that point, rendered blissfully languid while he lay slumped against the couch.

Eddie had picked that moment to reach for the whiskey with his bloodshot, half lidded eyes still plastered on the TV screen, missing twice before he managed to pick it up with light fingers.

Bringing the three quarters full bottle up to his lips for another swig, that was when the booze slipped out of his loose grip, too high to react quickly enough and catch it before it was too late.

With his thighs spread far apart, the full weight of the bottle landed directly on his crotch, the pain shooting from between his legs like daggers, enough to make him feel like the air had been kicked right out of his lungs.

The carpet and couch soaked up most of the spilled whiskey, the nearly empty bottle lying on its side on the floor while Eddie couldn't do much but cup both hands over his junk and curl into himself, trying to grunt, groan and hiss through the pain as tears brewed in his eyes.

Now, it's almost been a full 24 hours since the incident happened but his dick's still super sore from the impact. And to make matters worse his balls are blue in more ways than one.

See, Eddie's got the kind of sex drive that had him jacking off at least twice a day to keep himself sane but now thanks to his injury, he's already feeling pent up, unable to tug his swollen cock and give himself that much needed release.

So, though your outfit isn't provocative, it's still you, his best friend whom he's harbored less than platonic feelings for so of course your denim shorts and your tank top are making him want to act up, the swirling desire at the base of his stomach burning even hotter with the way you're taking care of him, showing him a level of concern no one else has before.

It isn't fair, he thinks, having to sit across from you on the couch while he tries to fight off the growing ache in his cock, tries to will his sore member soft for the sake of your friendship as well as curbing his own pain.

You're yet to notice his dilemma though, rummaging through your bag while Eddie tries not to let the scent of your body wash trigger flashes of you sitting in your bath tub with your bare tits above water, all wet and soapy with your nipples all hard and the bubbles trailing between your cleavage and–

"Shit", he hisses when a twinge of pain flares as his dick starts to twitch in his sweats.

"Everything okay, Eds?", you look up from your bag when you hear it but he's quick to wipe the grimace from his face, faking his best smile at you.

"All good. So, what are we doing next?"

He's relieved when he watches your soft smile slowly return to your face, the kind that reaches your eyes and curves your lips in that way that makes him want to reach out and cup your cheek, running his thumb over your soft skin before he tells you how pretty he thinks you are.

"How about casual sex?", you ask, all chipper.

"…what?"

In an instant Eddie's whole body alternates between flashes of frigid cold and scorching hot. Had he heard you right? were you…offering? fuck, his dick is throbbing so bad in his sweats right now.

You dive your hand back into your bag, pulling out a VHS tape and holding it out for Eddie to see.

"Figured a comedy would be for the best", you waved the tape in his gawking face, his stomach somersaulting when he reads the title. Of all the movies you could have picked, you just had to go pick the one called Casual Sex? didn't you?

"Plus, I know how much you like Lea Thompson so I figured this would be a good pick", you smiled sweetly at him, tapping a finger over the actress pictured on the cover.

Another sharp prick of guilt and another dull ache radiates in Eddie's crotch because his mind's being especially cruel to him right now, dredging up unwanted memories of the time he wore out a copy of Howard the Duck by beating his meat to Lea Thompson's scenes all day and night.

"Uh, got anything else?", he croaks, clearing his throat when you narrow your eyes at him a little suspiciously.

After a little back and forth, the two of you end up watching The Thing to Eddie's relief. Nothing there that might trigger a boner except the couple of times you squealed adorably when Kurt Russell popped up on screen, kicking your feet and hugging your knees to your chest, inadvertently making your cleavage more noticeable over the neckline of your tank top.

Eddie's able to ignore it for the most part, that was until you offered to help clean up a little once the movie was over, bending over in your denim shorts to gather the empty soda cans sitting on the table in front of the couch.

Despite the alarm bells echoing in his head, he can't seem to help it, eyes trailing up the back of your smooth, bare thighs, settling on your ass and the way he can just about make out a peek of your cheeks now that your shorts have ridden up high.

Oh shit.

Up until now you'd been pretty pert all night but when you turn around, you're instantly startled by the look on Eddie's face, all twisted up and pinched as he presses a cushion into his lap and begins to wince.

"Eddie, what's wrong?", you set the cans aside, dropping back down on to the couch beside him.

Yet another flash of pain courses through him when he catches sight of the way your breasts bounce in your tank top when you take a seat. Jesus, this wasn't going to be easy, was it?

Eddie tries to mask it but you can read the pain there easily, especially when you're so close to him now, close enough that your shoulder brushes against his bicep.

"Eddie please, you can tell me. What's wrong?"

If there was a way out of this without having to admit the truth, without having to tell you how he'd given a whole new meaning to the term whiskey dick, he couldn't seem to find it, feeling helpless as he crumbles under the weight of your concerned, round-eyed stare.

"I lied, okay? I'm not sick, I just…"

Insides twisting, he has to squeeze his eyes shut the moment he sees the confusion register on your face, the way your eyebrows draw together and your eyes narrow. It's too much for him to handle and it all comes flooding out at once.

"I dropped a bottle of whiskey on my dick last night and now the damn thing's killing me because you look so– uh. Fuck. You look so…like, this and it's just– it's a lot"

Daring to open his eyes again, he finds that your own eyes have gone understandably wide, your lips slightly parted too and he hates himself for thinking how badly he'd like to slip his fingers between them and watch you suck.

"Oh. So like, is it– are you hurt badly?", you break the silence after a few seconds of processing his word vomit, blinking up at Eddie like you're fascinated to learn more about his injured cock.

"I mean, I don't think it's anything I need to go to hospital over but yeah. Hurts a lot", he replies a little sheepishly, a side of Eddie you don't see very often because he's far and away from the shy type that's for sure.

"Like when you get hard?", you tilt your head to the side curiously.

Eddie blinks back at you when you say it, clearly taken aback by how casually you're treating this whole situation after how hard he'd tried to hide it but he manages to answer you with a slow nod.

He shivers next when suddenly you drop your gaze to the cushion he's got pressed over his aching boner. "Hm… it’s probably not going to go away anytime soon either, huh? we should do something about that", you suggest thoughtfully.

In that moment, all he can do is look at you in disbelief, sweat beading at his temple and his fingers trembling on top of the cushion. This couldn't really be happening, could it? His best friend since, forever, offering to get him off?

Eyes drifting up to his once more, you lean a little closer, voice dropping down to a whisper. "I could help you", you offer, tentatively placing your hand on Eddie's knee. "Only if you want me to."

Adams apple bobbing, it hurts Eddie when he swallows, finding his throat's turned dry and tight in the last few seconds.

"Seriously? you'd actually do that? um, are you sure?"

You bite back a laugh because the look on his face is nothing short of adorable, all wide eyed and eager like a puppy awaiting a treat.

"Well, you could sit here with your bruised dick and keep whimpering like a baby or you could let me make you feel better. What's it going to be, Eds?", you quirk up an eyebrow at him at the same time the corner of your mouth picks up into a playful smirk.

"The second one please", he answers quickly, his cheeks flooding with so much color you kind of want to pinch them and tease him about how cute he looks right now.

"Thought so."

Smiling, you pick yourself up off the couch, carefully lowering yourself to kneel between Eddie's legs when you place your hands on his knees and gently encourage him to spread them apart.

He's quick to help you when you reach for the waistband of his sweatpants next, carefully pulling both it and his boxers down to finally free his cock.

For both of you, it's surreal being in this position – Eddie with his cock out, all hard and throbbing for you and you wedged perfectly between his legs like a puzzle piece he'd been searching for all his life.

You have to take a few seconds to admire it; the way the length of him blushes red and curves up towards his belly, the way the many veins wrap around his thickness and the dark, wiry thatch of hair at his base, untrimmed and full. Just how you'd always imagined based on how wild Eddie kept the hair on his head.

Eyes trailing lower, you have to resist the urge to palm his balls to keep from possible hurting him. You want to feel the weight of them in your hand though because you can't help but think they look so full and that makes you feel sorry for Eddie and how he'd had to deal with that discomfort all day.

The thought has you pushing your lips out into a sympathetic little pout, hand reaching out to finally touch him. Gently, you use your fingers to pull back his soft foreskin, leaning forward and parting your lips to delicately kitten lick at his red, leaking tip, keeping your eyes fixed on his face for any signs of discomfort.

You're pleased to find none, chest blooming with pride as you watch complete bliss wash over Eddie's face, swirling your tongue gently and collecting beads of precum when you hear him sigh and moan with relief.

"Oh my god, that's – that's really fucking good. Please keep going", he whines unabashedly because that persistent ache that's been troubling him since last night is being soothed so fucking well by your eager tongue. At this point he doesn't even care what kind of sounds you might pull out of him, desperate to feel more of your touch.

"Don't think I'm gonna last long", he gulps when you blink up at him with your pretty lips wrapped around his tip. "Your mouth feels too good."

His words make your confidence rise like steadily billowing smoke. "You don't need to", you tell him truthfully. "I just want to make you feel better", pressing a sweet kiss to the top of his smooth head, loving the way his breath stutters when you do it and the feeling of his sticky precum coating your lips in a shiny film. Like he's marking you..

As you continue, you refrain from using your hands while you pleasure him, keeping them pressed flat against his inner thighs, using only your mouth to kiss and lick up and down his rigid shaft as your nose nudges against it softly, returning to suckle at his tip from time to time.

It's easy to tell how badly Eddie must have needed this because he's unravelling so quickly under your touch as he throws his head back against the couch, his hands balled into fists by his sides while he whimpers about how well you're doing.

He's so pretty like this with his neck bared to you but you miss his gaze, removing your swelling lips from his cock to coax him back. "Don't hold back with me, Teddie. Tell me what you need and I'll give it to you", you coo earnestly.

Lifting his cloudy head to look down at you, it's Eddie's turn to surprise you when he brings one hand up to brush back a few strands of hair that'd gotten stuck to your damp cheek, a brief moment of tenderness that makes the butterflies resting in the depths of your stomach wake and beat their wings.

"Could you go a little lower?", he asks you, chest heaving and lips slightly pink from biting.

"Want me to lick your balls?", you try to clarify.

That makes him chuckle, a sweet, airy sound that makes you feel like there's sunlight spilling through the spaces between your ribs, filling up your whole chest with pleasant warmth.

"When d'you start talking like this, huh? Y' got such a dirty mouth on you, sweetheart", he teases you lightly, pulling his hand back so you can get back to working him.

You simply smile against his shaft in reply, feigning coy and innocence while trailing kisses lower and lower until you reach the seam of his balls. Placing your warm tongue flat against it, you draw it up slowly, wetting his heated skin before pressing more kisses against his sack, giggling when the hair there starts to tickle your lips.

"Think you can handle it if I take you in my throat? I'll go slow, I promise", you speak up from between his legs.

Given how often he's pumped his cock to the very thought of you throating him, Eddie nearly trips over himself trying to find the words to answer.

"Holy shit, yes please", he manages to let out with a strained groan.

That's all you needed to hear before you're taking him into your mouth again, bobbing up and down a few times slowly, careful not to let your teeth scrape his sensitive skin before you bob deeper and let him reach the back of your throat, triggering your gag reflex and making your throat close around him nice and tight.

"Baby– baby, fuck I'm going to cum", he gasps, hips jerking, eyes squeezing shut.

And that's all the warning he can manage to give you before he's spilling down your throat, thick, creamy ropes of it which you swallow down eagerly and as best as you can.

Most of it slides down the warm, wet contracting walls of your throat but you realize just how pent-up Eddie must have been when your cheeks puff out a little with a generous amount of his cum that you couldn't manage to gulp down fast enough, pulling off of Eddie's softening cock with a mouthful of spend sitting warm on your tongue, coating the insides of your cheeks.

Sitting there on your knees while Eddie pants and recuperates, a deeply curious part of you has you swishing his cum in your mouth, savoring the distinct, tangy taste of him before you part your lips and let him look inside.

Exhausted but entirely amazed, he gawks at you and the viscous mess of spit and semen in your mouth, tempted to stick his own tongue in there and taste himself on you before you press your swollen lips back together and promptly swallow, a beaming smile breaking out on your face.

"See? told you I'd take care of you."

[choochooboss]

Submas Sketchdump Vol. 4 July 2022 Part 2!!

I knew that particular month beat my all time record for productivity multifold but I had forgotten SO MANY PIECES from the original collection!! I think I finally got them all?? More stuff under the cut!!

BREAKMAS!! WIP of the first piece I posted of them, here's the link to the final version! I tried coloring this first but the black & white had ultimately more impact so I went with that!

TRAINS!! I like this base color version too! Link to the final version!

The top sketch is a direct reference to Cluedo! A spinoff game, "Missingo", starring certain familiar characters trying to figure out what happened to Ingo/trying to prove their innocence in the case! Also WIP sketches for these two Breakmas comic pages!

As you may know I adore butlermas! For the classy and stylish look which appeals to me in general, and coincidentally I had played PLA & got hit by submas train only one week before butler Ingo's banner rolled out! The pure bliss of finally meeting both twins in a game I felt was incomparable!! This moment in the Curious Tea Party event was really entertaining to me! We got to see submas get serious and stand up against this selfish collector thief! Two towering train twinks with commanding voices looming over the unfortunate guy was enough to make him change his mind ahah! They truly are the protectors

1-hour submas challenge prompt "Descend"! This is the actual one hour result before I continued rendering this!

Mmmmm not my first attempt at drawing them hug and definitely not my best OR last. I want to make that moment something very special when I finally go all out on it!!

Comic cover vibing~

The scrapped last page for this silly comic! Sorry the dialogue is all over the place on the first piece, might be hard to read! I wasn't happy with how I presented Elesa, I wasn't familiar enough with her character back then so I thought of her carrying a toy taser to threat her friend even as a joke was too much and I couldn't come up with anything else for it. This held me back from posting the other three pages for another 5 months! In the last panel

I prefer to not mess up the twins too much but my brain is still very curious and conjures some peculiar stuff like this sometimes.. I think I may have broken his arms there looking at the anatomy, ooops! I hope you don't mind the photo quality or the two weird guys in the corner, they escaped containment!

Idea of warden Ingo, being projected to modern era by his Alakazam, walking through crowd on a train platform & Emmet standing inside a passing train. Their eyes meet for just a few seconds...

Pokemas Ingo practise!

Another WIP of a piece I posted! I started this piece like this but then later I decided to flip the whole thing.

YET another WIP of something I already posted! No idea why I went and mixed up his suits but I like this sketch! They rarely end up looking this clean haha

Sketch version of the self-defense practise piece! I love getting creative with action stuff! I barely ever think of how difficult they are to draw, I just get so excited and fixated on visualising the scenes in my mind I just keep at it, pull out refs and pose in front of mirrors until it looks good to me! I want to draw more action scenes but besides being challenging to draw my brain comes up with more silly and cute ideas than cool ones unfortunately ahah

One more WIP, here's the link to the final results!! I really like how genuine their expressions look here even if the faces are a little off. I recall spending a long time figuring out this perspective. I thought it would be fun to you to see how all these pieces started and... looking at the sketch above and the stuff before that, you can compare some range of my style!

RANDOM SUBMAS MISSILES GO

OHHH looks like some nasty passengers got the best of them!! If I recall correctly there was no fight because they managed to paralyse the two before they could act. Fully awake yet completely helpless... how convenient unfortunate. Thank you so much for checking these out!! Not every sketch is that exciting but I'm always happy to hear your thoughts on these!

Previous posts: Sketch dump Vol. 1: April-June 2022 Sketch dump Vol. 2: July 2022 Sketch dump Vol. 3: August 2022

[moyazaika]

indulgence.

m! yandere x gn! reader / nsfw; shadows, phantom limbs, tongues, a degree of infantilisation. stalking && obsessive thoughts. ( mdni. )

beware; for here there be monsters, and this one is hungry.

“oh, there you are, sweetheart,” he drawls, and you feel something wet and slithering against the hollow of your throat, over the drool on your slack jaw and right up to your swollen lips, which part for him in silent submission. “you taste delicious. far sweeter than any cloying nectar.”

“i think i might just…” your back arches against the soft tablecloth he has you laid over, flushed skin slotting up right against an abyss; shivering against the yawning chasm of his own body (could you call it that?) which threatens to devour you whole. through the darkness, you can make out the shape of a man barely-there. pathetic glimpses of the features of your generous host.

“yes…” two more tongues, you miraculously manage to count through the daze of your poor, confused mind—squirming helplessly under the wet muscle as it licks the tears that well up in your eyes, whilst simultaneously lingering at your belly button, moving lower and lower—a hum, “i think i might just eat you from the inside out.”

“ah!” your hips buckle. it’s something cold, and slimy. invasive in its nature, as it slips over and under your slick skin, pulsing with need. “please, please, please.” the string of pathetic pleas leaves your bruised lips like a chant. “please, please!”

and your host, who had let you in so graciously when you showed up at the door of his crumbling manor, lost and in need of shelter, has always been nothing but generous. phantom lips brush against the shell of your ear, as he promises to take such good care of a sweet, lovely, needy human like you—

“sing for me, songbird.”

—and, you do.

the loveliest little sounds just for him, for the cold, wispy touch that digs into the plush of your thighs, holds down your arms so you’re rendered completely helpless to him (it, you remind yourself. this is no mere man) as he paws at your heaving chest, kneading and pulling and pinching. a sort of detached awe. fascination for how humans can be so soft and pliable.

“how utterly adorable.” unblinking eyes look down at you, truly a feast the way you’re laid down on his expansive dining table like one. an unwavering gaze through long, dark lashes, against impossibly cold skin. “you’re so helpless, spread out like this on my table. you should know you’re also incredibly lucky, sweetness.”

“oh, so very lucky,” he grins, flickering before your eyes, shadows lurking beneath the stolen skin that’s wrapped over weary, ancient bones. those lips of his, curling into a crooked grin. “that i only want to take good care of my little human guest. lucky—” you gasp when his nails, sharper than they were only a second ago, scrape and claw and dig into the most sensitive parts of your quivering body. “—that i’m not some big. bad. monster.”

the simulacrum of a man—his facade falls apart at the seams as he has you coming on fingers and tongues with no solid state; shadows that leave you gasping through the wisps that tickle your sensitive skin, against a hand, the lithe shadowy digits willing (eager, even) to pull you past the brink you’ve been teetering on for the past hour; an act of mercy, that has you twitching in all the right places—and coming, with a long, petulant whine, incredibly and completely undone over the palms of his cold, cold hands.

“yes; you’re quite lucky,” he hums pleasantly, when the cold shadows curl against your ankles only mere minutes later, to pull them over his broad shoulders; now solid, like the sharp, greedy teeth that sink into the swell of your chest. his eyes flicker to meet yours, as he bites down. “that i love you.”

†

hours later, when you make to leave, thanking him profusely for his generosity, for allowing you a safe place to stay and… taking such good care of you; a lost traveller, in more ways than one; you fail to notice something important.

it comes as no surprise to your host, of course. you’re too soft to be left to your own devices. too sweet and darling.

it doesn’t dawn on you that your shadow is missing.

even as the sun sets, casting you in its dying glow, there is no trace of the shape of your constant silhouette that should be projected onto the forest floor. no mark of your existence, against the marvellous red sunset.

instead, your shadow is entirely separate. no longer attached to you, it follows behind instead, curling around the thick trunks of trees and slinking across the mossy forest floor; following close behind you, stepping right into every step you take, but never quite passing by; and when you find yourself lost, inevitably, it will return back to the crumbling manor you were in only hours before.

it will phase right through the main grand doors and the walls with their old, cracked paint; right besides the being who ordered it to follow you in the first place. a pleased smile on familiar lips, when he’s told the news, rejoicing in the act of ignorance; like he didn’t already know your exact whereabouts in his own domain, “oh, is my little human lost again?”

“very well,” he’ll make a show of sighing, though there is no attempt to mask the glee in his gleaming eyes. “i suppose i’ll have to find them, again. hm, it looks like i shouldn’t have let my pretty songbird fly away so soon.”

rest assured, he doesn’t intend to make the same mistake twice.

he’ll pull on a coat, then. not because he needs it, but because he’ll drape it over your shaking shoulders when he stumbles upon you, once again, ‘completely by chance.’ sweet, helpless thing like you, clinging to him in the darkness of the forest.

he descends the steps of his crumbling manor, shadows parting with every step he takes, a darkness swirling restlessly underneath cold, taut skin. he whistles a merry tune, itching to get all of his hands and tongues all over you again; driven by an insatiable hunger.

and this time, when he finds you (and he will; for there is no way you can outrun your own shadow) he intends to have his fill.

he will gorge himself, like a man long starved, on the feast that you are. oh, you’ll be dribbling down his chin and smeared all over his jaw as he works to drink you dry, and he’ll lick up every last drop. this time, the abyss doesn’t intend to let you go. you will stare into the yawning darkness and lose yourself, just as he has lost himself in you.

humans are often told not to play with their food, he recalls—

—it is a lovely thing, then, he supposes, that he was never human.

[fairyhaos]

how seventeen comfort their s/o after a nightmare

requested by anon !

masterlist

seungcheol

one moment, all the terror is consuming you and you feel like you're trapped in all of your worst fears and the next, you're being jolted awake and you find yourself sobbing into a warm chest, seungcheol having grabbed you and hugged you so suddenly that it literally woke you out of your nightmare. knows you better than you know yourself. holds you in his arms even after you drift off once more

jeonghan

“what's wrong, baby? shh, don't worry, it was just a nightmare, it didn't actually happen, i'm here.” very good at verbally reasoning with you through your hazy panic, even as he's stroking your hair and hugging you tight. helps your tears go away in a matter of minutes, and holds you and talks to you about everything and nothing to help you fall asleep again

joshua

instantly comforts you by constantly reassuring you of his presence. is all “i'm right here sweetheart, don't worry, i'm not going anywhere, i'm here for you” and just holds you, rocking you from side to side as you cry and tremble in his arms before the aftershocks die down and the warmth of his comforting presence helps you finally relax

junhui

makes the most distressed sounds in response to your distress. might very well end up crying with you, but he gives rlly good hugs so you help each other calm down too. you eat ice cream out of the tub together after, talking about nonsensical things bc you don't want to think about the contents of your nightmare. but that's okay, bc junhui will be there by your side always

hoshi

“you're crying? are you crying? oh, baby, why are you crying, don't cry, it's okay.” he's all big, genuine comfort, wiping at your eyes with his hands even though you scared him by waking him up whilst sobbing your eyes out. he jumps into helping you instantly, holding you until the trembling subsides and you feel like yourself again

wonwoo

scoops you up into his arms without a second thought. he's so worried for you, because you've been rendered incoherent by the nightmare, but he'll hold you without a question until your heart stops beating so fast that he can feel it vibrating in your chest, keeping you protected in his arms. 

woozi

like some sort of sixth sense, he always wakes up whilst you're contemplating whether it's silly to wake him up after you've had a nightmare. doesn't even have to say anything, just looks at you, takes your hand and drags you out of bed to make a snack in the middle of the night, taking ur mind off the nightmare and staying by your side until you feel better. 

minghao

“you're okay, you're okay, shhh it's okay, you're okay. i'm here with you, everything's okay.” biggest focus is reassuring you that you're safe, that you're with him and nothing can hurt you here. he might address why exactly you had that particular nightmare later, but right now, his biggest priority is keeping you safe. 

mingyu

wakes up to the sound of you crying and does not even think before sitting upright in an instant, making his head feel all achy but that doesn't matter because he needs to help you, right now, needs to make whatever is hitting you go away in an instant. it's almost instinctive, the urge to protect you. makes you instant ramen afterwards to get rid of the post-nightmare shivers

dokyeom

he's a light sleeper, so the moment he hears any sound of distress from you he's blinking awake, blindly reaching for you and trying to pull you closer into his chest, even if you haven't woken up yet. makes soothing noises to you until you relax. if you didn't wake, then he'll just hold you til he falls asleep again, but if you did, then he'll tell you he loves you again and again until you believe it

seungkwan

when he wakes up to you tapping his shoulder hesitantly, breathing still a little shaky, he knows that you've had a nightmare. can tell instantly whether you wanna talk about it or not, and when you don't, he simply shifts a little so you can hug him in bed, listening to the sound of his heartbeat until you fall asleep again, safe. 

vernon

shakes you out of your nightmare with the most concerned tone in his voice, and he's all groggy with sleep but he cares so much and the relief that you feel from seeing his bleary face in the darkness makes you cry out of love, overwhelmed. he doesn't question it, just lets you cry into his shirt until you feel better

chan

he is, unfortunately, a rather heavy sleeper, so you wake yourself up by crying before he's able to wake up to comfort you. it's okay tho, because even if he's a heavy sleeper, he's also, like, a telepath, so the moment you're awake he's also blinking his eyes open too, reaching for you before he's even woken up fully, doing everything within his power to make your hurt and your pain go away. 

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[booksandchainmail]

I've started reading Anne Lister's (early 1800s lesbian) journals, some highlights:

where they start off, she's accompaning her ex-its-complicated (Mariana) who just got married on her honeymoon. Anne responds to this heartbreak by fucking Mariana's sister (also along on the honeymoon)

she is also an absolute dirtbag towards this sister (confusingly also named Anne aka Nantz), "she would gladly have gotten into bed or done anything of the loving kind I asked her", "I said she excited my feelings in a way that was very unjustifiable unless she meant to gratify them"

part of how she explains she's gay to Nantz is saying how pretty hr sister Eliza is. Notably this is not the sister that Anne has been dating.

then she immediately drops Nantz and makes a snide note that "superior charms might not be so easily come-at-able on such easy terms"

Later she meets back up with Mariana and then proceeds to spend so much time hanging out with yet another sister (Lou) that Mariana gets jealous, which Anne glosses over in a way that might read more heartfelt if she had not previously a) noted that one of Mariana's sisters was very pretty or b) slept with another one

On the one hand she is such a snob towards her neighbors, but on the other its clear she's acutely aware that they are all aware she is Different and are gossiping about her, so I find it hard to hold the classism against her

her idea of flirting with a local middleclass girl she meets is to send her a poem about having a temporary fling with a social inferior. Luckily she does not go through with this idea, but big Darcy energy

at one point she buys a pistol and shoots out of her window and the recoil knocks it out of her hand so dramatically that the pistol smashes the glass

so much of these journals are about finances, which I'm sure the historians adore, Anne keeps noting down how much everything cost

There's some interesting gendered bits going on in her: Anne mentions at one point sitting in just her underwear and men's suspenders, and mentions "the abuse I had received for [...] manners like those of a gentleman". She's also very focused on getting a full (masculine) education: classics, math and science, etc, and there are multiple places where she notes particularly when a(n unfamiliar) man treats her intellect as an equal.

there's one long bit that really gets me where she goes on for a while about the various expenses of traveling by coach and ends it with "Any gentleman might travel on these terms, if he chose to go into the traveling room & was sure of being well received so long as he did not give himself airs, but behaved like a gentleman. Indeed, he said, many gentlemen did travel in this way..."

gods I wish she lived in a time where she could be butch

Anne Lister kept parts of her journals encrypted, mostly the lines to do with her sexuality, and there's a strange poetry in the way this collection renders the encrypted text in italics, queerness once unreadable but still written plainly alongside the deniable straightness, "Had a hot supper & did not get back until 3. I slept with M---"

[kneelingshadowsalome]

Just Friends (König x F!Reader)

How to Escape the Friendzone 2/4 (Word count 5.3 k)

Summary: König is a horny, creepy killing machine obsessed with a shy, kind reader who has a raging knife kink.

Tags/warnings: 🔞 Eventual smut, eventual violence, angst, dark romance, canon divergence. Crack treated seriously. Yandere undertones, implied stalking, panty stealing, major character death, size kink, voyeurism, possessive sex, twisted, fluffy feelings. Loner boy/gentle girl dynamic. Protective!Obsessive!Top!König. Reader works as a cleaner at the base. She is described to have hair and prefers to wear dresses off work. Not safe or sane but mostly consensual.

. . . . . . . . . . . . . . . . . . . . .

Massive arms go about her as she's pulled against a lean chest. It's an awkward, tense hug. He smells of open air and coppice, with a whiff of acrid sweat on top as she lays her head somewhere between the bumps of muscle of a warm chest.

Not even the body heat makes him appear more human: his heart is not pounding as fast as she thought it would after making it clear he would score some tonight.

She fears she's dealing with a sociopath. Might even be a psychopath.

"Are you still afraid?"

"I don't know." Her breaths are everything but steady as she inhales the intoxicating scent of a madman.

"Don't be scared. I will only hurt those who wish to hurt you."

His pledge renders her weak; it makes her legs shake. She gets far more than she bargained for when pulling him in to give her a little late-night comfort.

Friends with benefits is a situation bad enough, but this is not okay. The guy's fixation seems boundless, and if she tries to wriggle out of this… relationship and starts seeing someone else, it might end up in König scrubbing the potential future love interest's guts off his shoes.

And something in the idea isn't even wholly appalling.

Good God…

"I don't want you to hurt anyone," she whispers like it isn't his day-to-day job – to hurt and kill people. She is on the verge of collapsing to the floor and stays upright only because he holds her in authoritarian embrace.

"Little angel, it's what I do." He releases her only enough to bow his head and look into her eyes. His stare betrays slight distaste. Those eyes are calm mirrors of how can someone be so naive.

"You come to me if someone is mean to you," he orders in a stern voice that makes her feel faint.

"Alright," she breathes a fluent little lie. He's satisfied with her answer, however, and presses her head back against him with effortless control.

She imagines him knifing someone with a listless stare from sparing a glance her way; she fantasizes him strangling some chauvinistic moron in the darkness after they have been "mean" to her. Quickening breaths betray her sick thoughts to him because he pulls her even closer. She can feel the enormous cock pressing against her body with a promise of violence.

"Angel… I wish you would stop teasing me."

"Yeah?" Her laugh is restrained, and her heart is racing inside her chest – like it's some kind of a good idea to have a heart attack while a murderous psycho turning into a boyfriend is in the same room with her. "Where's the fun in that…?"

"Do you always tease men like this?"

"No," she swallows a mouthful of woodland and musk. "Just you."

"Hm."

"König… Can I see your face?"

The man finally seems to find his reserve again. He detaches from her, and she can hear the audible gulp inside the hood.

"Maybe later."

He shifts his weight from one foot to the other like he usually does when he's a bit nervous. Probably to ease the discomfort from still being forced into those pants with such an astoundingly large, swelling erection, too.

She can't come up with anything that might explain why the man is so uncomfortable with showing his face. From the small glimpse she saw in the showers, everything looked completely normal. There is some other reason why he wants to wear the mask, most likely some mental block, and she would simply have to wait until he's ready and willing to take it off.

"How about a kiss?"

He doesn't shake his head or escape her as she hesitantly steps toward him and raises a hand to the hem of his hood.

"If I just…"

He does nothing as she starts to raise the mask. The look in his eyes is somewhat haunted, though.

She lifts it just enough to reveal a clean-shaven chin and a pair of thin, tightly shut lips. She briefly notices that there's a scar on his jaw before his mouth opens to call her in. They're polar opposites of each other: she feels breathless and limp when their lips meet while he's a statue of rigid power. Even his mouth is tense as she catches his bottom lip between hers and tries to soften that immortal stiffness. Distant notes of hops catch her tongue just before he pulls her back into a crushing hug.

The guy is not the most perfect kisser. He's very avid, though. In fact, his eagerness is what makes it a scary experience, what makes the kiss clumsy. He smashes his lips on hers with force, then opens his mouth so wide she fears he will devour half her face.

The ungloved hands slide down her back and cup her ass. He's gentle, but she still feels like she's levitating, half an inch above the ground from his groping. He moans like they are already having sex, but before she can disconnect herself from the violent kiss, he does it for her.

"I want to fuck you," he pants across her lips, eyes half-lidded and drunk. "Can I fuck you?"

The man has no conception of how to dance these dances. He simply declares his wish to shove his junk inside her and kill those who might do her harm. She feels dizzy in his arms, like dew that will evaporate under too much heat.

"Yeah, yes," she tries to sound sane, although there's nothing sane about this.

So much for being just friends or being nothing at all…

Her heart is beating faster and faster; it wants to rend itself out of her chest. She feels ample sweat between her thighs, then realizes it's only her own wetness that has broken through the cotton of her underwear. The dress is so tight in the middle that she can't simply try and throw it over her head, and the buttons at the front seem to have suddenly become too big to slip through the holes.

He doesn't take any of his clothes off while watching her undress. The instant she opens her whimsical veil of blooms, he moves close and shoves the fabric down her shoulders so that it drops sadly on the floor. Then he flicks a knife out.

Shit… Shit what the fuck–

"No–Don't–!"

The blade is forced with a flat surface under the middle of her bra. He pulls the fabric away, turns the blade - it's a miracle she's not bleeding by the time he cuts through the center front like it's butter. Her breasts fall free, and the destroyed lingerie hangs cheaply on the side before it gets dragged away too. She looks at his work, her exposed tits and the crude, fat knife he swiftly returns to its sheath.

"That was my favorite br–ah…"

The man is terrifying, even when he sinks to his knees. He dives for her breasts, licks the undersides and sucks her nipples like he's famished. Her head rolls back, and she feels fainter still as he gropes her like she's his toy, chews a nipple until she shudders and cries in pain. Then he goes down, down, panting hot breaths on her skin as he goes, the hood grazing and tickling her skin.

His hands shake slightly as he tears down the last piece of covering fabric from between her legs. She can't even step out of the briefs before a blazing tongue is pushed to her clit, all but delicately.

Perhaps he's not a virgin, but he's not a veteran, either – still, it draws a filthy moan out of her.

She has to take support from his head to prevent herself from falling when the tongue simply forces its way between her legs. It curls to meet her folds, slick with her wet. She knows she's practically leaking at this point, and hears how he licks his lips.

"Of course the angel tastes like heaven too," he rasps in her mound, sounding rather… bitter. Almost annoyed.

She thinks it's only the beginning, but he suddenly rises like a Kraken from the sea, like a Godzilla about to destroy an entire city.

"Get on the bed. All fours."

She chokes the whimper that tries to escape her, then turns and crawls onto the bed as if they are running out of time. His urgency is hers now, and she presents herself to him, waiting for the man to thrust in without remorse, but it's his mouth she feels first.

"Uh–Oh my god…"

He licks her with a flat tongue, torturously slow while she's on display. They're long, profound sweeps, as if he wants to sample her rather than give her pleasure. Although he does give her an immense amount of it.

She falls on her elbows, face down on the bed, exposing more of herself to him in the process. Her pussy has been neglected for so long that the feel of his hot tongue on her is absolutely breathtaking, thigh-shaking. She pushes herself back a little, lets him taste his own medicine for once.

And of course it only makes him more unhinged.

"You're wet like a…" he laughs a short, dry laugh straight into her folds, and she finally whimpers at the sound. "You want it so bad?"

"Yes…?"

It's a sad little confession but more than enough for him. He freezes behind her, and something in the way the air shifts tells her he has risen and is now standing high above her as she's in this crudely vulnerable position.

"I've made you wet this whole time?"

She snivels, opens her eyes, closes them…

"Yes," she sobs in the bed, nearly topples, but he grabs her ass and keeps her in place.

"Ach du lieber Himmel…"

She pants and cries in the sheets, but the sobering silence lasts only for so long.

The sound of a belt being opened shoots her skin full of goosebumps. Only a few seconds later, the fat tip of his cock is swept across her folds: it probes for a second, then slides in.

"A-ah–"

"Scheiße… So tight…"

He hisses and goes all the way in – the journey is long and torturous as he stretches her wide. The thickness only grows at the base, his balls are already tight as they arrive to press against her.

And mercy is not at the top of his list as he realizes she has denied her need and therefore, his. He starts to sail inside her, back and forth, in and out, like it's his job, too. It's total torture. She might just pass out before this is over.

"You little tease…" He seizes control of her hips while using her as his own personal fleshlight. The noise of wet, slick fucking is deafening. The pace is upped soon, and he has to use strength to hold her in place while ramming her from standing while she tries to hold on for her dear life and hold onto the sheets.

"Not so fast, König," she whimpers into her pillow, but he won't listen. The pace is frantic, and his thrusts are deep; he fucks her with despair, with anguish-driven, starved thrusts born from greed.

Nothing has ever felt so good, nothing.

"Just friends, eh?"

She has a hard time deciphering whether he is happy or mad. His voice is pitchy, and she knows, she just knows that he sounds equally as unglued on his missions. Perhaps that's why people rarely talk to him.

"Don't–don't be angry…"

"No? Say that you want me," he commands somewhere behind her, desperation coating the air with pungent sweat and musky arousal. "Say it–say it–"

"I want you," she finally cries, and it feels like an absolution. An amnesty. Remission of sin.

There's panting and frantic sound of slaps of flesh against flesh behind her. The air all around is pure electricity. It makes her quiver and throb and squeeze: him, the sheets, anything and everything.

"I will bring you flowers every morning and fuck you every night. Ja?"

His length is the only thing she can focus on; all else dissolves into a hazy mist. The cock glides in her like he's oiling a gun part, and he could ask her to kill someone and she would only say–

"Yes, yes."

He slides in and out with less and less control, moans and grunts with every thrust now. She's already past the point of no return, even though the orgasm keeps hovering right beyond her reach. She only needs a few more minutes. Or maybe just one...

"König… Not...so–fast…"

He answers something in German, an annoyed string of words she has no clue what they mean. He's probably just swearing profoundly.

"Get...what you deserve..."

That's the only thing she can flesh out from the English that follows. He finally finds some mercy with a choked groan and tries to slow down a little. It's even worse when he does that. He pulls almost completely out, then sinks back in, agonizingly lazy, and that does it: the full length of his giant cock slipping inside her without effort makes her walls clench.

"Oh God…" Her back is arching, her toes are curling, a tight cry disappears somewhere in the pillow, and he won't stop with the – "Oh–fuck–!"

"Yeah," he cheers her on as she screams, cries in the sheets while his cock swims in her. His hands dig into her hips, and she barely has brains left to think it might leave bruises. The orgasm comes in waves, shakes, and he won't let go even when she's only a heap of throbbing, soaking flesh and rapture.

And it's not the end; quite the contrary. He continues to fuck her with abandon: balls slap against her with every jab; they must be covered in her juice at this point, making the sound of sloppy thrusts utterly obscene. She's able to stay in a face-down, ass-up position only because he's holding her there for his cock.

The grunts turn into a wide, thick groan as he approaches the edge as well. The pace slows down almost to a halt before he comes.

"Jetzt…kommt–" he groans through gritted teeth, voice all taut while he grinds through his release. It's a multitude of deep, oddly paced thrusts, a sad attempt to get everything he can, and she's still like a wet gulf sucking him in.

The last throes are sluggish, the madness starts to pass, and she feels like every bone has left her body. There is nothing solid left when the man slowly relents and settles somewhere deep inside her. She can hear how he pants with his mouth open, and it sounds painful, wet, almost drooly. Then he swallows with a breathless gulp, slips out, and lets her go.

She immediately falls forward - topples, crashes, crawls on the bed, tries to rearrange what's left.

Just friends...

Yep.

He crashes somewhere beside her, spent and out of breath. The front of his shirt is covered in sweat; the air is filled with the stale scent of musk and saline sweat and pure, mad sex. She can barely catch a glimpse of the slick, glistening length of him. It feels like a miracle that this thing has been inside her. It’s not that it’s monstrously thick: it’s simply long, curving a little to the side, lean and aggressive even when growing soft.

"You play with fire, Engel. Why did you make me wait so long?"

The masked killer beside her is panting but satisfied for now, and turns his head to look at her. She has to muster all her courage to look back.

"I'm…a bit shy."

"You're perfect," he declares while watching her in her sex daze and ruin. So, at least he's not angry. He finally looks… normal, even with that absurd hood still on, with that intoxicated, admiring stare in his eyes. The ice in his blues has turned into melting snow.

"I noticed you the minute I arrived here."

She can't prevent a hand from reaching out at that, from splaying fingers over his chest.

"I noticed you too," she whispers back before moving closer to snuggle him. His heart is finally thumping in his chest, right under her cheek – from the late exercise or their closeness, she can't tell. A heavy arm goes around her, pressing her further into the nook of his armpit.

"You remind me of one of my knives," he says while holding her close.

Oh good God…

"You are a butterfly knife girl."

"Oh?"

"Ja. Small and cute and a lot of fun. And I can't get enough of you."

So much for getting rid of the man after getting some d. God, what was wrong with her? Any other woman would have put up some boundaries, perhaps gotten a restraining order by now.

"Is it… a good knife?" Her voice comes out as an annoying squeal, and he pulls her closer, ever closer.

"I mainly use it for playing."

She wets her lips in an attempt to calm herself, to comfort herself. She’s just another plaything for a murderer whose hunger seems endless, even if he’s more civil now. Still, she fears this man is only after sex and violence. Her little dresses and petite lingerie won't stand a chance against such brutality.

"What knife are you…?"

"Classic Glock field knife. Tall and ugly."

Behind the thin veil of indifference, there's pride. It borders on arrogance. She catches a dash of bitterness, too: field knives don't pair well with butterflies, perhaps.

"König, you're not ugly," she breaks their odd cuddle to look at him. "This sounds like a trustworthy knife to me."

He looks back at her with an even warmer tinge to the glacier of his eyes.

"It is. You cannot hope for a more loyal blade."

Her gaze drops somewhere in the darkness of his shirt. He's pledging himself for the second time to her, and it causes another storm inside her head. There's warmth on her cheeks, too.

"You are cute when you blush," he observes with pleased tranquility.

Perhaps... Perhaps he doesn't want to hurt things he finds cute.

Perhaps he will take care of them, like he takes care of his knives.

It still takes some getting used to that he allows his hood to be lifted just enough to push his tongue inside her mouth or pussy but taking it off to show his face is too much. She is lying there with him in an odd post-coital dream, thoroughly naked while he's still fully dressed. But she doesn't feel cold, not when pressed against his blazing form like this.

"Did you nick my underwear?" She asks out of the blue, and the hand stroking her waist stops in the middle of an idle caress.

"I might have," he admits without a single ounce of remorse in his voice.

"König… That's not cool," she says, knowing he can hear the lack of scolding in her voice.

"You want them back?"

"I… Gosh. Yes, that would be nice."

What a pervert.

"Or... Nevermind. Keep them," she sighs, trying to brush off the fact that the underwear in question wasn't even clean. "Do you steal women's underwear often?"

"No. Just yours."

A laugh meant to convey her shock is far too laced with joy to make it clear that she finds his deeds preposterous. She simply fails at every turn in trying to express that she's a decent woman. He knows it now, probably saw it long ago; that she's the perfect cheval glass to his perversions.

The hand on her hips moves to caress her thigh, and the drowsy stare observes her with growing mischief.

"Ready to go again?"

"Whuh–Again…?"

He takes her hand and moves it right over his cock. It's lean and demanding, and pulses under her palm.

Tall and ugly, she thinks while her walls dare to throb with hunger.

"You make me hard," he says, almost as a whisper, "all the time."

Jesus… There was definitely no rulebook when it came to this guy.

She gets to watch from the bed how he gives her a show as the man finally decides it's time to take his clothes off. The shirt is the first one to go: it flies somewhere on the floor while he holds on to his hood. The sculpted muscle looks even bigger up close, and the plates are covered with thin hair. It runs thicker below the navel, and his thighs are pure power: they surround the sleek length of his cock like trunks of strength when he finally gets himself out of those pants.

The v-shape of his upper body is something she will never get over. Broad shoulders shrink and curve into narrow hips which in turn swell into powerful thighs, and while perhaps this guy wouldn't win the gold medal at a fitness competition – judged by the way he's lean and athletic but not low fat ripped – he certainly is the most beautiful man she has ever had the pleasure to lay eyes on. He's a demigod with his herculean strength, a titan who's too big for the world of mortals. A tormented Samson who will never be tamed with treachery or tricks.

The bed sags as he crawls back to her like the gentlest predator. Her legs open wide to receive him – a classic missionary feels like the most intimate choice after the faceless pounding she received earlier. He gathers her legs as he proceeds: forces them up, up, almost next to her arms until he's hovering over her exposed pussy.

She should've known that some boring missionary wouldn't satisfy this man at all.

Her eyes drop to her legs and what's between them: she's in no position to do much of anything, but as the tip of his cock – smooth, pristine velvet – slides across her wet folds once more, she rather helplessly tries to drive her hips up to meet him.

It's like she's drunk or in a dream. The scene is wild and filthy: she's plump and spread open, ready for the taking, thighs almost in her ears as he draws his hips back and finds her opening.

"Please be gentle," she begs with a whisper. He halts for a while to lock gazes with her rabbit stare.

"You are pretty when you beg, little one. But I would never hurt you."

She swallows, and her lips part – his gaze instantly falls on her mouth, then raises back to her eyes, gentle and painstakingly ardent. He's close, so terribly close – and not just physically. Her thighs quiver with anticipation as the thick velvet slides in.

Holy fuck–

She savors the spread, and he's gentle, like he promised. The groan that erupts from inside the hood above makes her walls ache. He's so merciful this time, and she wishes to lift the black veil that still keeps them apart, to see his face as he takes her, to see that scar on his jaw and how his mouth hangs open with hunger, just like hers…

His cock comes out all wet – she can hear it – before plunging right back in, and it makes her mewl.

"Oh God…" Her eyes shut tight from the sensation of being so filled. She's even more starved than she thought. It's scary, far scarier than the mass murderer above and inside her.

"You like that?"

He's breathing heavy, and she knows he's looking at her, the distorting face of pleasure, the way she's biting her lip. Tears try to force themselves out from the passionate, featherbrained proximity, from being so tightly knitted together, like a bunch of happy, overstimulated nerves.

"Look at me," he orders, and she opens her eyes like they're under his command and not hers.

"You like it like this?"

She nods with tears in her eyes, and he won't stop looking at her like she's his most prized possession.

"Gut. I will make you scream again."

The man's dreamy stare follows every twitch of a lip, every bat of an eyelash. She looks down briefly to escape that love – the sight of the long thickness disappearing in her while she is so crudely open for him makes her feel dizzy, even when she's lying down.

Some pillow princess…

"Sehr schön," he comments while watching her face which must look like that of a dumb, anesthetized doll. His cock has that effect, and now that he's hovering over her, staring into her soul while filling her, it makes everything even more painful because it's sweet. She's under lazy waves, and decent men seem the most boring thing on earth right now.

"You like my knives?"

"Ah–what…?"

"You stared when I played with my knife."

She knows he has caught her staring more than once and bites her lip again not to blurt out how she had stared when he had played with... other things as well.

"Mh, yeah… It was beautiful."

"You're beautiful."

The sudden waves of intimacy leave her fragile and weak. His stare is nothing short of a caress. She is open and helpless for him to pound to his heart's content, but he's gentle, bordering on loving...

"I can teach you how to play with them."

Jesus Christ, this dude is just crazy.

"Uh-huh," she agrees to it with her mouth hanging open from the overload of sensation. The lewd sound of his cum pushing out of her with every thrust is an obscene background music for this – or any – conversation.

"I have a collection."

Why the hell would he be talking about his knife collection in the middle of–

"I own at least fifty knives. I can show you all of them if you come to my room."

His gaze is at least as piercing as his cock, and she realizes how serious this is: knives are his life. He finds them beautiful too, he collects them and cares for them. They're a profession, but they're also the most important thing in his world.

Knives are his essence.

And he had likened her to a butterfly knife...

"S-sure."

The sound from where they are joined rises to a sluggish crescendo: drowsy, filthy claps of flesh on soaked flesh. He makes her sick and well at the same time: he drags her to hell and raises her to heaven. He's the remedy and the curse. He plays with her like he plays with his knives: ravenous, entranced, obsessed.

She tries to concentrate on too many things at once: that intoxicating voice, the memory of him playing with death, the cock plunging inside her over and over again, making warmth pool below. She imagines him killing people with his collection, picking his tool for the day. He's not the only lunatic here because even the very thought makes her tight around him.

"You are close?"

"König… Just–" she whispers on the cusp of a deeper, soul-rending orgasm.

"You like it when I talk about knives?"

She breathes laboriously and tries to hang onto the last bits of her sanity, but he knows her, knows her already. He weighs down on her until her thighs come to rest right next to her breasts. He's plowing her in a crude angle, indecent and deep. It's vulgar, and she loves it; loves the way he stares at her, all helpless under him.

"Please, I'm gonna–"

"I can show you my guns too."

Ohmygod–

"I'm gonn–ah–!"

She shatters, her walls clench; her pussy sucks him like he's hard candy.

“Sieh dir das an… You were made for me.”

"Nh– Please…"

Her head tosses on the pillow as if in a dream. She's fathomless, and going to pass out, the cock inside her makes her eyes roll back in her head until she sees white, the color of saints.

"Shy girl… Beg for it."

The voice that answers his command is not that of a shy girl; it's not hers at all. She hears it from underwater, and her reality consists solely of the man filling her, spreading her, transforming her from an angel into something deliciously wicked.

Please, just–

It's not her voice, and yet it does sound everything like her. It begs, mewls a plea after the other in a string of helpless little whimpers.

Don't stop, please pleaseplease…

"Besser als jedes Messer…" he rasps, more darkly now. "You drive me crazy, Engel."

A chant arises in her head: she has sinned and there's no turning back. He feels far better than any promise of heaven. She could never have guessed that being cast out would feel so good.

His release comes with a tight rip, he goes taut like in that shower, only ten times more desperate. The hiss under the hood turns into a pained, strained roar of a grunt. The first time was foreplay, a quick one: this is true release. She almost hopes she would faint as the whole body of the Austrian titan goes hard as a rock. She couldn't be more spent and used, and still, her pussy answers his godly essence by clenching around him, pulling him in like he's the best man there is.

The man of her dreams, the man from her worst nightmares...

His eyes are liquid, the waterline twitches. She sees behind the walls, a millisecond's worth of fragility before his head drops, and the muscles are released from the violent trance. Broad shoulders cage her in like she's suddenly deep inside a mountain pass. Spent and dead and gone, there's no hurry any longer: he is buried deep inside and throbs whatever leftovers he has to give her.

She's filled to the brim, crushed under his weight, banished: and it's only delicious, the feeling of her body disappearing somewhere in the depths of the bed he has plowed her into. She waits dutifully as the man gathers himself, even gets brave enough to touch him. The masked face is buried somewhere in her neck, and his stomach ripples with a few shivers as her hand runs down his spine.

"I want to do this every day," he declares softly while panting through the thick fabric of his self-made shield. She feels pure horror and thrill in her chest.

To do this every day… She will eventually break, like a toy that has been used too much. She's not made of steel like those butterfly knives used mainly for playing.

"König, this is crazy… We're crazy," she tries to put into words the unholy mess raging inside her. He snorts before releasing her from the absurd position. The weight of him leaves her empty as he pulls out, then drags his way beside her to gather her back into his arms.

"Don't be ashamed, little one," he coos through the mask. "You don't have to pretend with me."

Two rounds of intense sex have liberated him, the manic terror has turned into a strange compassion. The look in his eyes is magnanimous and tender, almost droopy. She feels weightless and timid, an angel once more.

"We belong together, you and I," he states with conviction that sends sweet dread inside her heart. "Don't worry. You will never be lonely again."

Her fate is sealed, and she fears a big, fat knife will cut her heartstrings too if she tries to escape his protection. Her jaw trembles at the prospect of him returning to her every day to fuck her bare after an adrenaline high on the field. She sees a future of tears and sweat and cum, a beast lulled into sleep amidst a withering sea of flowers and torn lace.

She tries to find the right words, hopes he will be swift and merciful in his execution.

König, please…

It's not the hood, it's–

"Everyone fears me," he sighs beside her. "I'm glad you don't."

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[kisseobie]

240711 jongseob ❤︎ ིུ͠*:·.

pairings: jongseob x reader

warnings: nsfw (mdni)

tags: dom!seob, sub!reader, jongseob is cocky, reader is going insane over his compression shirt and baggy jeans (i am reader), nipple play, blowjob, face fucking, hair pulling, no prep, unprotected sex lol wrap it before you tap it guys, reader is nasty and grinds against his shoes, pussy slapping, rough sex, touchy in a taxi (kind of?) in the first bit, light body worship, reader is an actual whore for her boyfriend .. i think that’s it

a/n: yeah so i had to start writing this as soon as the pictures dropped sorry (i’m not) and a special dt to @lijeons because we both feel insane over him rn

“you listening?” are the only words that leave your boyfriend’s lips that you can successfully say you’ve comprehended in the painfully slow 10 minutes you’ve occupied this drive with him, and yet you are still too dazed to answer with a proper reply, merely nodding along to the question. sitting in this close proximity with jongseob, and nearly falling onto his lap at times due to the taxi driver’s reckless driving, is not an occurrence that you’d ever expect to dread, but today is different. today, jongseob decided to wordlessly proclaim “i hate my girlfriend!”, you suppose, and he might as well lower the backseat windows, stick his head out, and bellow that very phrase out to the streets, because he clearly is unaware of how embarrassingly wet you’ve been rendered in the mere minutes you’ve been in his presence.

you’re being ridiculous, the reason for your sudden dramatics being jongseob’s outfit, if you could even consider it as one rather than a feature from a slutty mens fashion magazine from the 90’s. your boyfriend, although fashionable, isn’t typically the type to pair his usual baggy pants with the tightest compression shirt you’ve ever seen, but once again, apparently today had to be different. you’re choosing to blame it on the boy spending too much time shopping with intak, making a mental note to send an unfriendly text to his hyung later. your boyfriend, bless his heart, is clueless to your internal panic, and is currently flicking through recent photos he took on his digicam whilst explaining his thought process behind each shot to you. you’re trying, you really are, to focus and bask in his excitement, but how can you be expected to pay attention when each click on his camera causes his boyish arms to shift ever so slightly, especially when the shape of his upper body is accentuated with the tight white longsleeve top that adorns his frame? are you just supposed to go on with your day and pretend that his newly found love for thin compression shirts doesn’t send heat flooding to your core?

“..and this one! i took this one in thailand because the colors reminded me of the dress you wore on our date last month.” jongseob relays to you with a toothy grin, looking at you expectedly for your reaction to his cute confession. you smile at him genuinely, temporarily tossing your arousal to the back of your mind and leaning over to place a peck on his cheek, which only makes his smile grow. “i missed you a lot seob.”

“yeah?” he asks, with an annoyingly cocky smirk already making its way on his lips.

“mhm”

he doesn’t waste any more time, grabbing at your waist to pull you into a long overdue kiss, ignoring the fact that you both are in the company of a very annoyed taxi man. you kiss back with just as much, if not more, fervor, pawing at his recently dyed two-toned shag. your hands drop to stroke and knead at his toned arms, freshly manicured nails slowly descending and scratching down jongseob’s clothed chest. he shifts his kisses to the nape of your neck, biting at your skin and pulling you in impossibly closer. you both are interrupted and awkwardly squirm away from each other as the driver’s grunt of frustration reaches your ears, and you look up to lock eyes with the man, glaring at the pair of you from the rearview mirror. you’re giggle nervously, but halt your amusement at the situation when realizing that the impromptu makeout session with your boyfriend has only made your panties even stickier than before, and you curse yourself for being so easily affected by a few of his kisses.

unbeknownst to you, your boyfriend is not as oblivious to your current fixation on his attire as you may think. jongseob resists the urge to coo out loud at how you pivot your thighs against each other to feel some friction, and at how your eyes shamelessly find purchase on his upper body every few minutes. he shimmies closer to you after a while of silence, laying his head atop your shoulder as you try to ignore how good he smells when he’s so up close, how the mixed scent of rich cologne, wood, tangerines, and boyhood makes you dizzier by the second.

he’s lifting his head now, so his lips hover dangerously close to your left ear, smiling knowingly and whispering “i take it you like my outfit?”, and jongseob doesn’t even give you a moment to react, retreating back to his side of the backseat, but not before shooting you a shit-eating grin that makes you want to sock him, albeit lovingly, in the face.

𓂃ᡴꪫ ⋆ ੈ ࣪   𓏲ּ ❤︎

the familiar rigidness of jongseob’s wooden floors poke and prod at your jelly knees, and you can already feel the soreness starting to seep into the muscle. regardless, you’d never dare to get up, not when your boyfriend has his pretty, leaking cock out, with his pants bunched up at his feet. he clicks his tongue as you wrap a manicured palm against the heavy girth, silently signaling to you to “get on with it”. you can’t even blame him for smirking and at your pathetic quickness to lap your pink tongue against his tip, not when you look like a stray cat being fed milk for the first time in weeks.

you’re maneuvering your tongue to lick long, tantalizing stripes against the prominent vein running along his length, hand still wrapped around the base that you know you won’t be able to reach with your mouth. his hisses and groans only push you further, taking his cock all the way down your mouth and suctioning your lips just how you know jongseob likes it. apparently your slow speed is not your boyfriend’s forte, evident in the way he forcefully grabs at your hair and pushes you inwards to take even more of his dick in your mouth. tears are already streaming down your face, but you love when he uses you like this, love the feeling of being suffocated by him so carelessly. you make the mistake of looking up to jongseob’s face, met with the view of the boy who’s brows are furrowed in ecstasy. he peers down at you, maintaining eye contact as he pushes your mouth off of him, giving you a brief chance to breathe.

jongseob looks heavenly, bangs dampened with his own sweat, body still clad in the white compression shirt that clings to every ripple and divot on his lean body. you can’t take your eyes off of him, almost like a moth drifting towards a flickering porch light. you beam up your boyfriend with the prettiest smile you can muster, batting your eyelashes while your fingers creep back up to find home on his thighs. he’s giggling at your sly actions in disbelief, but does nothing to stop you from licking at his fat cockhead once more. “you’re having lots of fun with this, aren’t you?” comes out of jongseob’s mouth, followed by a shaky sigh. when you don’t respond, he’s babbling again. “wan’ you to answer me y/n. couldn’t even get inside my apartment, fuck, without you jumping my bones. bet that cunt is dripping all over my floor.”

to prove his theory, jongseob lifts his shoe to push upwards against your cloth panties, your decision on wearing a mini dress today making the access easier. jongseob groans out loud when he spots the giant wet patch soaking through your underwear. despite your boyfriend examining your clothed cunt with a scoff, you aren’t embarrassed in the slightest, and can already feel yourself getting delirious from pleasure despite remaining untouched. you love when he gets like this, so cocky and dominant that it makes your cunt clench on air, weeping for some stimulation. jongseob is about to pull his shoe away from your core, but you beat him to doing so by shamelessly rocking your panty-clad cunny back and forth over the hard material. you’ve rendered the boy absolutely speechless, gyrating your hips against his shoe like a whore as your juices seep through your panties and on top of the leather material. your eyes are on his the entire time, finding amusement in his disbelief of your desperateness. you make sure to increase in volume with every rock of your hips, letting out pornographic moans as you fuck yourself on your boyfriend’s shoes.

“get up.”

it takes everything in you to not ignore his command, putting a brief pause on your pleasure as you hold onto his thighs for leverage, pushing your wobbly body up with some effort. jongseob doesn’t give you a moment to collect yourself before grabbing at your face for the nth time tonight, kissing you with teeth and tongue before pushing you onto his bedsheets behind you. he doesn’t say a word to you as he begins to lift your dress up and over your head, his silence somehow making the situation hotter. your tits are on full display, nipples hardening as they hit the cool air of jongseob’s ac unit. your boyfriend scoffs, once again, at your lack of a bra but remains silent, taking his time with kneading your boobs and kissing at the surrounding skin. he can sense your impatience, and ever the sweet boyfriend, begins to lift the hem of his own top, but is stopped by your shaky hands as you plead, “nononono, keep it on please.”

he complies to your pathetic request with a snort, refocusing to fully pull off his dirtied shoes, pants, and boxers, now only left in that damn compression shirt, accompanied with a dangly silver chain around his neck. jongseob smiles at your wandering eyes, catching you off guard by hooking his hands under your knees and pulling you towards the edge of the bed. you begin to anticipate the feeling of his slender fingers discarding your sodden panties, but it never comes. instead, jongseob circles your covered clit with his thumb, clearly enjoying teasing you. fat tears start to cascade down your cheeks once more, and you can’t stop yourself from whimpering out in both ecstasy and frustration. you know you would look ridiculous to an outsider, but right now it’s just you and jongseob, so you don’t feel embarrassed in the slightest. your begs come out rushed and wanton, the words scratching the depths of your throat.

“please seobie, touch me already! stop teasing!”

he smirks at your impatience, getting off at your very obvious desperation as he slows the pace of his thumb prodding at your puffy clit, the thin material of your underwear still clinging to your cunt.

“i am touching you.”

just as you begin to sob, jongseob wraps his delicate fingers around the straps of your panties, pulling them down in one swift motion. he leans his face in to nudge the tip of his nose against your button, inhaling deeply as to memorize your scent. you were relieved to finally be bare in front of him, but the lack of touch has you squirming against his sheets in annoyance. you know you’re acting ungrateful, with jongseob treating you so delicately, but you can’t help but want more.

a sudden smack! pulls you out of your head, the combined pain and pleasure of your boyfriend spanking your bare cunt causing you to gasp at the sudden change of demeanor. he hits your cunny again, laughing at the way you subtly push your hips forward to meet the power of his slaps. he repeats the motion a few more times, until your wetness leaves a glimmering sheen on his palm, and your pussy is an angry shade of red.

he gives you another brief moment to breathe, watching how your cunt rises and falls like a second heartbeat. he’s fisting his neglected cock to the sight of you, hair splayed out messily on his sheets, flushed cheeks with tear steaks running across them, nipples hard and vulnerable to his touch. without warning, which seems to be a running theme with jongseob tonight, he begins to slide his mushroom cockhead between your folds, hissings and cursing at the wet feeling.

“you ready?”

you nod, biting down on your bottom lip as you prop your weight onto your elbows, mentally preparing yourself for the stretch of jongseob’s cock. he leans down from where he stands to place a peck on each of your pink cheeks, drinking in your salty tears before capturing your lips into a deep kiss. when your boyfriend pulls back, he rests your smooth legs on top of his shoulders, placing a soft kiss on your left ankle, and the intimacy of it all has you falling deeper and deeper in love with him.

after what feels like eons, jongseob starts to push his girth into your tight hole, letting out a hushed “fuck” in the process. god you missed the feeling of him filling you up to the brim, missed how perfectly the pair of you fit together, creating your own sinful symphony of sloshes and grunts. once you’ve taken him in all the way, he tests the waters by thrusting slowly, making you both moan out at the familiar feeling that will never quite dull despite the countless of times you’ve felt it before. you’re staring at your boyfriend, who’s currently preoccupied with pounding into you like it’s the last thing he’ll ever do, the view making you throw your head back with a whine. your greedy pussy wraps around him so well, obscenely suctioning his cock every time the boy pulls outwards.

you watch how jongseob’s shirt continues to flex and cling onto his muscles with every motion, can feel the sweat peeking through the material as your legs stay glued to his damp shoulders. he’s breathing heavily now, little whines and whimpers giving away how much he’s missed having you like this; splayed out like a princess on his bed as he works you towards your climax. one particular thrust of his hips hits home so well that you’re seeing stars, fingers fisting his silk sheets as your cunny clenches down on him. jongseob notices the shift, and hits that particular spot over and over, quickening his pace with every thrust of his hips.

“mmm yeah, right there! right there!” comes out of your mouth so loud you’re almost afraid his neighbors will write a complaint. he only speeds up at your loud request, fucking into your gummy walls so heavenly, whispering praises and “i got you” ’s into the air. at a certain point, he’s leaned so close to your body that he lies right on top of you, the weight of his clothed chest meeting your bare one, making both of you dizzy. your perky tits press up against the smooth material of his shirt, creating a type of friction that has you toppling over, cumming around his cock with a loud cry.

jongseob isn’t holding up any better, thrusts becoming messy and irregular as your orgasm spurs him on to chase his own, and with a few more shifts of his hips he’s shooting his release into your walls, filling you up to the brim with his milky seed. he lazily strokes into you one, two, three more times before pulling out. the loss of contact, paired with the feeling of his cum leaking out of your hole, makes you whine in displeasure, already missing how nice he feels inside of you. jongseob carefully flips his body over to lay next to you, panting heavily as you extend an arm out to play with his hair.

𓂃ᡴꪫ ⋆ ੈ ࣪   𓏲ּ ❤︎

the scent of him suffocates you senses in the most heavenly way, and you tuck your face deeper into his now bare chest, shirt tossed aside somewhere on his floors. you inhale the notes of tangerine coming from the boy that you’ve become so accustomed to. sleepy and dazed, you almost miss jongseob’s husky “who knew that me wearing a tight shirt would lead to the best sex of my life?”

you make a noise of discontent and lightly shove him by the shoulder, rolling your eyes at his teasing and he just giggles like it’s the funniest thing in the world. jongseob pulls you back into him despite your whines, wrapping his arms around your naked frame and placing light pecks into your hair.

“i bought it in 3 different colors, by the way.”

you groan into his chest, causing your boyfriend to laugh out loud at your cuteness. you choose to let sleep take over instead of imagining your very hot boyfriend wear another one of those damn compression shirts in whatever fucking shades he bought them in, telling yourself that you’ll rip him a new one in the morning. or jump his bones. whichever comes first.

𓂃ᡴꪫ ⋆ ੈ ࣪   𓏲ּ ❤︎

new chat

you

[12:58 pm] hey! consider killing yourself. 😊

intak 😒

[1:03pm] ??? tf i do?? ☹️

— you disliked a message

taglist: @woozixo @hearts4chanhee @kyokopi @astro-doll-the-star @soobiary @kyaaramello @angelcbf @idontknow-1s-world @vivienne-sim @elissasimp @imjustayapper @ihatewreckingballmains @sosaverse @seobing @www90kitsch @khfviq @barbiekh86t @bbyjjunie @taeyangi @fullsunstrawberry @jihnyah @intheemptymirror @watamotee33 @dreamer1299 @jixnnsie @wonootnoot @yukx-x047 @sundancearchives @chuuswifereal @seisyiss @fishsquishh @sunnyyangie @asianpenguin04

© kisseobie, please do not repost my writing!

❤︎ ིུ͠*:·.

[otterloreart]

Steps of creating a 3D model replica from scratch

trace photos of character from available and cleanest angles. attempt to get a 90 degree*, front and back, side profile and straight on of the face. save additional reference photos such as bottom of body, back, and various extra angles without tracing which may help reference later on.

*more on angles later, but trying to get a 90 degree from each side is the most realistic and practical option if you dont actually have the character you're copying

2. block out the body and head

and by block i mean, yeah, its made out of elaborate rectangles

4 aha, you thought I would hand sculpt those? no. no. I used the curve tool to add these swirls. And yes i exactly traced them over the drawings to match the original as best as possible. The end of the curve tool is flat by default so I added a few spheres to make the ends nice and round. (there is absolutely a way to make the ends of curves rounded but I did not feel like looking it up or messing with the settings)

this wasn't mirrored to the other side- I traced both sides of the body and the front from photos and sculpted the swirls for each side. I couldn't get a single photo of the swirls at the butt area so I just winged it.

6 I am struggling to not make Cha Cha look angry.

I feel like the eyes are basically traced off the original and yet she looks so much grumpier. maybe it just needs to be smoothed out?

I added a little definition to the area around the eyes and I do think it looks a little better. The more definition I add in this stage the better, because I prefer this to sculpting. However, if you're more adept at sculpting you would probably not make this as detailed.

7 Here she is after smoothing everything out in sculpt after remeshing, in both Eevee (left) and Cycles (middle/right). still trying to figure out how best to render things. For some reason her nose ended up lighter in cycles but i cant be bothered to fix that rn

On the previous step I made the elements of her face + ears mirrored but once I start sculpting I'm not using the mirror tool. In fact nothing ends up mirrored, even the back right foot is slightly shifted in position.

this is probably not even the final version, I think i might redo the smooth/sculpt part and fiddle with the underlying shapes (basically go back a step)

Cha Cha's face. is one of the most difficult things to sculpt. It is extremely difficult to understand the shape of the underlying sculpt because there aren't any photos of her with the eye paint removed. There are so few of her out there I don't think anyone would willingly remove the paint to make a custom or anything unless it was in truly awful condition, and I dont think that has ever happened.

I have saved dozens of references from a number of different sites- these pics here are from etsy, the above was from the wiki. Her eyes are different from every single other pony and pony and friends- they're so bulging, so round, the eyelashes are longer. It's wild.

I can only see all the things that are wrong with it.

It's basically impossible to get something like this 100% perfect unless you have like, a set of turnaround photos all from the same angle that you can match up to the camera. You can basically overlap references with the camera view but you will never know the exact angle so if you make edits from multiple angles like this you'll inevitably not match each angle and then have to go back and adjust the angles and then you're fiddling with it infinitely. That's why I usually go for the "trace 4 angles and make the rest up as you go along" method.

I don't want to spend _too_ long on every model I make- the Takara pony which took 6 months really shows how far down the rabbit hole I will go with something like this, and it's just not practical. But I think with a slight amount of fiddling I can match the reference a little better.

[t34-mt]

western region kyhuines remake for myself because i thought they looked bad, tho they finally look good to me now. the only guys with blue-ish gular sack and skin around the face

they originated from western savannah biome but like every other ethnic group they've spread out. for short they'll be called western kyhuine because that's where they're concentrated the most

you can view the old one from 2023 under the cut

may 17th 2023 version ^ , it makes me feel violent

i also tried to redo them in later 2023, though i didn't like it at all either. they're also from a failed ethnicity chart that im not satisfied with anymore, oopsie

females were based on male wood ducks, and males were based on male mandarin ducks. I don't know what was up with me, ducks are the least kyhuine thing ever yet i did it anyway. the current designs used sandgrouse for reference, pin-tailed sandgrouse to be precise, check them out!

kyhuine has heavy pigeon inspiration in them, mainly because we have pigeons lol. sand Grouse and quails are very much "kyhuine coded" in my brain too. but also, prairie chicken! they have the same feather structure on the head, although angled differently, kyhuine "ears" are just feathers if you pluck them off they'll have a smooth head, the ear hole is near the eye.

might delete the post and repost it if i ever make more of those so it can act as an "ethnicity chart post" (you will never see me make a clean ethnicity chart it will only be doodles like this stuck together. when i start making one i lose my mind because a week later i think the proportions look wrong now im babbling

you can have a sneak peak on me doing a southern male render cause the only refs i have of them is from 2023 again, when they were just 2 simple colors, you can see the older version on the right. even tahofahs were so tiny it makes me giggle. trying to have western faces be shorter with salt flat and southern valley (the guy right here) have the typical pointy longer face. and then easterns get the round funny head

ok byebye