#mif post

[distructodicks]

writing smut and it has taken an unexpected turn

[tripleseptet]

[luck-of-the-drawings]

OH MY DAYS i cant believe i never posted this one here (originally posted to twitter, JAN20 2023) (hes stabbing his little bathtub bed. is that obvious? i hope its obvious) OLD ART at this point but i still like the way i did expression and movement. also WEEE THE NIGHTMARE ARC WAS SO FUNNNN WASNT IT FUNNN?? WEEEE!!

[hungharrington]

ok this is filth adjacent but would u ever write a lil blurb or fic about Steve with a gf whose super insecure about her stretch marks and body? And May be she doesn't want to disappoint Steve bc his exes seem prettier

would i ever! i love these type of requests i love ppl getting a little bit of respite and comfort through fic esp in smut! i hope this makes u feel even a little bit hotter babe <3 1.6k, afab!reader, and just filth adjacent sry! MDNI this entire blog is 18+

Steve's mouth is on your neck, his tongue hot where it teases against your skin, and his hands are searching your body with a lustful fervor.

Your head tips back. It's so easy to let him in, let him slide his body closer to yours, to get more of whatever he's giving. The hot press of his mouth on your neck feels damn good enough to make your blood sing—and heat travel between your thighs, wetness beginning to pool.

You want to rub your thighs together, if only for a little relief. Steve's toned thigh between them prevents it. You scrunch his polo between your hands instead, trying to wrestle the courage to slip your hands beneath it.

You're lying back on his bed, propped up lightly by the pile of pillows the two of you had stacked when the evening had begun. The television at the end of the bed runs a film idly in the background, completely unnoticed by this point.

"How we doin'?" Steve's voice rumbles out, barely parting his lips from your skin before he's swooping back in to nip at it again. The bastard.

Your hands flex again, finally mustering the nerve to dive beneath the fabric of his shirt. Steve's warm. You feel the muscles of his tummy shudder as you skim your fingers across it, a pleasurable shiver running down your spine at the trail of hair you can feel leading into his pants. Steve's breath hitches, close to your ear.

He nudges your jaw with his nose lovingly, planting another row of sloppy, wet kisses down the expanse of your neck.

"Hmm," He hums, questioningly. "Still doing good?"

You realise you hadn't exactly answered him and something glows in your chest at his insistent checks. Extremely reluctantly, you manage to drag your hands away from his torso, shifting them up to subtly nudge his face out the curve of your neck.

Steve's eyes dart up to your face as he pulls himself back, his expression turning dopey the moment your hands cup his jaw. His cheeks are flushed ruby and his hair has been mussed in all his steamy motions. He looks fucking delicious.

You kiss him — surging up to connect your mouths, warmth exploding in your chest and trickling down, down when Steve responds with a revere hunger. His plush lips scrape against yours filthily, his tongue always so perfectly teasing. You're gasping for air when you pull away.

"So good," You say breathily, finally answering the question.

Steve takes a moment longer to register what you've said—but that dopey look crosses his face the moment he does.

He plants his hands on the bed and shifts his weight back, sitting back on his heels. His thigh is still situated right between yours and you have to shove down the lustful urge to grind against it, lazy pleasure still pooling low in your gut. Though you're pretty sure Steve wouldn't oppose the idea.

Chest heaving lightly, you watch as Steve reaches for the edges of his polo and tugs upwards. It comes off in one smooth motion and you're rewarded with a fine sight. You're pretty sure your mouth actually waters in response. Tan chest, scattered moles, the smattering of hair. Oh god, you want to lick him.

Something in your face must give away your train of thought because Steve laughs. He leans back down, one hand moving to your waist, and nuzzles his nose against yours. He steals a kiss from your lips.

"See somethin' you like?" He says, the smirk evident in his tone. You feel like you might vibrate out of your skin.

"Shut up," You aim for fiesty and fall far, far short. You sound on the verge of a whine when you say, "You know I do."

Steve grins wider. His hand on your waist tucks under your shirt seamlessly, his thumb drawing maddening circles into the skin. Your breath catches, even as your arousal hikes.

"What about you?" He whispers the question between his kisses as he mouths along your jaw again, finding that same damn spot on your neck again. It'll be violet coloured by the morning. "Do I get to see something I'll like?"

He's asking permission. It takes a long moment to realise that—too distracted between the touch of his fingertips skating across your skin and the addicting feel of his lips against your pulse.

You nod without thinking.

Steve pulls your shirt up no more than a few inches before your brain catches back up. Your hand moves abruptly, grabbing his hand and yanking it and your shirt back down in a split second.

Steve's halting in an instant, pulling back from working lovebites on your neck to see what he's done wrong. There's a string of spit connecting his lips to your neck.

Steve frowns in concern, shifting his hand up wipe his mouth with the back of his hand, as he makes an effort to put a little distance between you.

"You okay?" He asks. You're still holding his wrist, which is still holding the edge of your shirt. "What happened?"

Your mouth opens uselessly and closes. You know precisely why you had stopped him and now you're facing up with the fact you have to tell him, lest Steve believe you're actually having second thoughts over being with him.

It's just... you've probably spent far too many hours in the mirror. You've seen it from every angle. Seen it in every lighting. You can't quite ever seem to make your body look good.

You don't look like any of the girls Steve's been with in the past.

Comparison is killer, you're aware of this, but infuriatingly you just can't seem to stop. You think of what Steve will see the moment he gets your shirt off, what he'll realise, and your hand tightens around his wrist subconsciously. Your throat tightens up too.

Steve's face melts into a softer expression, eyes big. "Hey, hey, it's totally fine if you said one thing and- and you realise that you didn't mean it, it's okay."

Words continue to evade you and humiliatingly, it feels more likely that tears will escape you before any explanation will. He's being so nice.

"But..." Steve continues, his tone wary as if aware he's treading on uneven ground. "You seemed like you were into it. Like, comfortable, I mean. Then it was like a flip switched and you froze."

"I-" You finally find your voice. You clear your throat as you try to find the right words, breaking Steve's intense gaze to study the ceiling.

This is worse. This has got to be worse that just Steve taking your shirt off and being disappointed because— because you're goddamn building up to it. Your eyes screw shut and you decide it's better to rip the band-aid off.

"I'm just," You can't quite keep the quiver out of your voice. "I'm not like- like girls you've dated before."

Steve makes a noise of confusion and it's enough to force your eyes open. You glance down, taking in Steve's adorably furrowed brow.

"Okay...?" He says, clearly still a bit confused.

"I mean, Steve," You say, voice a little steadier. Your hand around his wrist finally remembers to relax.

You release the hold on him and tuck your hand under your shirt discretely, covering the skin of your stomach you know is warped with stretch marks. "I don't look like the girls you've dated before. My- my body is different."

The wrinkle between Steve's brow shifts, moving from confused to something a little harsher.

"So?"

You blink. Of all the possibilities that you had run, not one of them had ended with Steve saying that.

"So?" You echo meekly. "So... so you might be like, I don't know, disappointed or think—mfh"

The words get smushed beneath Steve's fervent kiss, stealing one kiss off your lips and all your words with it. You blink up at him again, all your endless arguments of why Steve would be so disappointed suddenly silenced.

Steve grins, evidently pleased with his reaction.

Tentatively, moving slowly so you could intervene if you wished, he drags his hand along the sheets and onto your hip again. This time, however, he pushes the fabric of your shirt up and doesn't pause til it's bunched up, most of your torso on show.

Your nerves gather, gnawing at the edges of your chest. You can't bring yourself to move the hand that's trying to hide part of you, even if a dozen other stretch marks are visible now.

Then Steve leans down and he kisses your skin, right in the middle of your tummy.

"I think," He says, lips dragging across your skin and setting it aflame. He's looking up at your through his lashes, your gazes locked, his eyes dark. Another kiss, this time longer, with just a flash of tongue. "You're hot shit."

Instinct makes you want to scoff. But Steve says it so seriously that you almost believe him off the bat. Believe that he believes that.

He lowers himself onto his elbows, letting both of his large hands settle onto your waist, fingers pressing into the skin lightly. You shiver at the feeling and start to consider the possibility that he actually does think that.

"And I will gladly," He punctuates the word with another kiss, this one evolving into a soft, sensual lick up towards your breasts which peak lustfully in response. Your breath hitches. "Spend all the time needed if you need some convincing of that."

His hands move, sliding down til he's gently knocking yours aside, big warms hands spread across your hips. His thumbs are moving, drawing soft motions down, you realise, towards your waistband. Your pulse jumps between your legs, the heat in your body uncaring about the brief interruption.

Steve kisses your tummy again, further down this time. You acutely realise you've got Steve Harrington between your thighs, looking up at you with darkened eyes and promising filthy things with his fingers. Or mouth. Both if you're lucky.

"So," Steve murmurs, voice raspy and low. His thumbs slip beneath your waistband, just an inch. "You gonna let me convince you?"

You're feeling pretty damn lucky.

[kit-screams-into-the-future]

yeehaw

transcript:

JENNIFER: Don't get me wrong, this dress is nice and all, but- JENNIFER: ...it'll be real hard running around and stuff in it, don't you think? JENNIFER: Especially with. Whatever this is. (ass cage??) MARTY: I, uh... MARTY: Yeah, huh. MARTY: How- JENNIFER: (noticing the pants Marty's holding) Bingo. JENNIFER: Sorry, Marty, gonna hafta borrow this- MARTY: Wha- Hey!

everyone was making such good jennifer in 1885 posts so i nicked a couple for the gist of this one

[hiekka]

i missed his birthdayyyyy is it 13th anywhere in the world anymore??? regardless hbd toshiro 🎉

the flowers look vague but are balloon flowers signifying obedience and asters for patience, and the one dandelion in his hair is for freedom

[gay-david-tennant]

i think the phrase 'to take the public transport' should be erased from all dictionaries on earth on the grounds of it imparting an utterly and devastatingly distorted image of reality to young, impressionable minds. you dont take public transport, public transport takes you. you are literally at the mercy of whatever ramshackle, untrustworthy vehicle you dared to set foot in. public transport decides when, where, how and if you end up where you want to go.

in other words odysseus's adventures are nothing against what would have happened if he brought a train ticket to Ithaka

[pinacoladamatata]

another from the archives🥲 She's a menace <3

[hunkydorkling]

And Mommy loves you so much.

(gif version under the cut)

[fallinglikemagic]

Okay, now that everybody's had some time to process and gotten some of the doomposting out, here's my thoughts on the whole situation.

First of all, I'm not really worried about whether or not RWBY will continue in some capacity. It's uncertain, sure, but no more than it was already. In February we got the update that they were talking to potential partners about getting volume 10 made, so clearly they weren't just relying on Rooster Teeth and Warner Brothers for it - maybe one of those companies will pick it up, maybe a different company will, either way I'm sure it *will* be picked up by somebody and unless they get real unlucky, the show won't be much worse off than it was before - if anything it might be better off, considering that WB have been shitty about animation for quite a while now (if you're not already familiar and you're up for some extra research, I recommend looking into the Coyote vs ACME situation that's been going on recently for a great example of WB's bullshit). And while it's unclear exactly how much involvement the original crew will have in the show's future, I'm pretty optimistic about it. I doubt the writers are going to let go of creative control without a fight, if for nothing else then for Monty - I don't like focusing too much on the whole Monty's Legacy stuff in general, but I do think that the crew are going to want to keep their friend's work alive and authentic and as accurate to what he wanted it to be as possible. None of this is a certainty of course, but I think RWBY is gonna be fine, things will just be kinda rocky for a bit.

With all that being said, while this may end up ultimately being a blessing in disguise for RWBY as a franchise, it sure ain't one for everybody who worked at Rooster Teeth. This entire situation is still horrible - so many people being fired on the spot, effective immediately, with no warning and with several of them only finding out by seeing articles about it being posted on Twitter, it's fucked. I know Rooster Teeth wasn't exactly lacking in controversy and problematic behaviour, to put it lightly, but there were still plenty of amazing people there who are now in a really shitty situation. On top of that, while again this isn't exactly anything new, especially for WB, it is the latest instance of a huge problem in the animation and entertainment industries. So no matter how things pan out for RWBY, we should still be really fucking mad about this.

And we definitely shouldn't be celebrating. I've seen some posts saying "good riddance" and celebrating RT's downfall, not just from people who hate RWBY (I mean don't get me wrong I'm sure the hatedom is out in full force but that's not the kind of thing I'm referring to right now), but people who like/used to like the show and just hated the company. And don't get me wrong, I didn't like a lot of things about the company either, I've actually been wanting RWBY to separate itself from RT for a pretty long time (be careful what you wish for I guess 💀), but there's a time and a place and this certainly ain't it. Plenty of people who have worked there have said that they loved their jobs, plenty of others said it was horrible and toxic and nightmarish, but either way a job is a job and in this industry work isn't always easy to find, especially in recent years. Celebrate in private if you want, but now is not the damn time to be bringing out the cake and confetti.

TLDR; I'm cautiously optimistic about RWBY's future, I'm pretty sure it'll be fine and they'll be able to keep the core crew to at least some extent, but this is still a really bad situation for everybody who just lost their jobs, don't be a dick.

[tarraxahum]

This was gonna be a reply to a reply but I thought maybe I should just make my own post. Yes this is about Vi again.

It's no secret that "Vi should've fought for Zaun" and the expectation of her being Vander's prodigy and feeling like the plot dropped the ball on her in that regard and the betrayal at the fact that she's living comfortably in Piltover now are. Frequent sentiments in the fandom. Which I get, but also I feel that this line of expectations is. Diverging from who Vi actually is by the end and what she was realistically capable of.

Vi in season 2 is basically running on fumes and because she has no other options. It is a well known thing in irl activist spaces that to participate in any kind of fight for justice you need to take care of yourself, otherwise you won't have the energy to be any kind of useful to your community. Ekko also says this - "It's not enough to give people what they need to survive, you have to give them what they need to live". Vi has been surviving and not living in any shape or form for years, she's exhausted and broken in places. That's no mental state to fight for Zaun or make any kinda change. I think it's extremely realistic and human and hardly a flaw of writing or the character if by the end the only thing she was able to do was collapse into the safety and peace she was offered for the first time in forever (aka Caitlyn). It's clear that in her last scene she's still recovering mentally - Cait seems to be excited to have any sign of life (singing) from her at all, and the "Are you still in this fight?" question is very loaded. (But it's indicated that Vi is very much still in the fight, so? It's really anyone's guess what she'll do once she's healed and remembers how to live. And don't bring up LoL's Vi brutality thing, it's clear they're different characters).

I think in wanting to see Vi stand up for Zaun or be Vander's prodigy we often deny her the flaw of being a breakable human and forget just how much she's held together by duct tape. Just because she was full of this 'fuck Piltover' fire as a kid doesn't mean she is still capable of matching that energy. Sometimes after lots of trauma humans grow up into tired adults who just want to sit down and feel safe regardless of where it happens and how questionable it might look (re: living in Piltover). Not to mention, that even as a child Vi's main reason for fuming at the Topside was wanting safety for her family and herself. Well, now she's all out of family, she's estranged from the community of Zaun thanks to being in prison for 7 years and Silco changing the place so much, and the only person who's offering her safety and not more fighting (which she's exhausted and thoroughly burnt out from!) is Caitlyn, so. How is where she ended up any kind of surprising or a failure of her writing/character?

Yes, a lot of people wanted a revolutionary, no, Vi isn't one. Dare I say, never really was one. At her lowest, when she's got no one left to protect, she's not trying to fill in that void by taking on protecting Zaun and becoming a vigilante or something, no, she spirals. That is not something on her radar, that's not something she's visibly cut out to do, she cares so so much but on a smaller scale. Even the whole shimmer factory debacle was less about Zaun and more about her desire to hurt Silco personally for what he'd done to her family. If Jinx agreed to run away with her back at the tea party Vi would ditch the entirety of Zaun (potentially leaving it to Silco forever since he's still alive at that point) in a heartbeat to keep her sister and save Cait in one move. She puts on an enforcer uniform BECAUSE she cares for Jinx (through convincing herself that at the very least she should take her out of her misery herself rather than leaving it to people who don't care, yes) and Cait both.

Perhaps a hot take, but not becoming a leader despite being good at taking hits to the head and caring about people in general and being a daughter of one does not make Vi a badly written character or a bad person. It just makes her a person. And a character whose arc culminated in choosing herself. And choosing yourself sometimes means leaving the fight to others (perhaps temporarily, considering the final dialogue). And that's okay.

Arcane is tragedy about flawed people, not a feel-good story about a successful revolution and rich people paying for their crap, and it was never going to be. Ergo one of our main character isn't an upcoming hero in shining armor who was allegedly robbed of her potential. She's just a broken young woman who barely knows how to keep her own little life together and her biggest victory by the end is allowing herself to take a breath and live for once. Yes, while her home down there is still in shambles. Yes, that sounds selfish. For some people a bit of selfishness is the greatest thing they can ever learn for themselves.

[distructodicks]

Marron and Goten are golden retrievers always no matter the ship they r in sorry

but Trunks is 100% feral cat bf idk how else to describe it he hates attention but craves it all the time and golden retriever will just shower them in love and he secretly loves ir

[biracy]

Have I ever mentioned on here that when I first redownloaded Portals 1+2 like two-ish years ago I would play them like Right before I went to bed. And as I got further and further into the game I would quit in the middle of a hard level I'd spent like half an hour failing to solve and go to bed right after that. So I'd be thinking about the level as I fell asleep and on more than one occasion I woke up having dreamt an actual solution to the level. Glados toxoplasmosis I'm serious

[sanchoyoscribbles]

maybe link should consider that I filled my inventory with salted milky smoothies right before the fight and spent all that time leveling up the sword and energy gauges tho ...🥲

[the-wayward-prince]

The idea that Snape's actions in the first wizarding war are completely out of selfishness blatantly ignores everything about his characterization and his circumstances up until that point (both things that fans cling to to defend the actions of almost any character who isn't their convenient villain, Severus Snape)

Severus Snape was a boy who came from some of the most severe poverty that is showcased in the HP series; even before his time at Hogwarts, he was looked down upon and ostracized for his ratty clothes, family, and lack of social skills due to a dysfunctional and abusive family.

Upon entering Hogwarts, Snape was sorted into Slytherin and thrown into a proverbial viper's den of people who would look down upon for not being pureblood. These people would eventually become the only people to show any sort of kindness to him after Snape (unrightfully calling her a mudblood) lashed out at Lily for siding with his tormentors.

Snape was bullied relentlessly from the moment he stepped into the halls of Hogwarts for existing. James Potter and Sirius Black antagonized the boy far before he ever showcased tendencies for dark spells or Death Eater behavior.

Of course, while all of this is true - Snape is still responsible for his actions - and this is part of why he is a morally grey character. All of these things can coexist with the fact that Snape is sometimes selfish, but to boil his character down to that is a disservice.

This is all to say, it is understandable (though not completely defensible) for a boy who was essentially belittled his entire life, often by people who stood to represent the "good" side, would side with the people who at least pretended to view him as an actual human being, if not at least recognizing his talents and viewing him as a useful tool. Especially when Severus was socially isolated from most people other than his fellow Slytherins and basically groomed, like many of the young were, into joining Lord Voldemort. And in the end, Snape eventually fought for Dumbledore and did more to win the second wizarding war than anyone other than perhaps Dumbledore or Harry Potter himself.

[coquelicoq]

i just don't understand what milady has done that was so bad. sure she killed and she kidnapped, but who hasn't? sure she's a terrifying demon of vengeance, but she deserves it? good for her??? all these men treat her so reprehensibly and she's smart and talented and she should kill them all if she wants to. i support her.