#mia i understand you

[sailor-tri]

He's serving, your honor

[juanitasupreme]

[hotasfahrenheit]

pouty baby -> actual literal shining angel on earth

[navree]

"rhaenys could have ended the war by dracarysing all the greens right there" yes because a distant relation to the throne deciding to barbecue an anointed and publicly positively hailed king and his entire family who is well loved within the city and in multiple other parts of the country for the sake of the succession of a far-away princess no one was ever on board with who hasn't been seen by the populace in literal years, her psycho husband, her three obvious bastards, and two toddlers from the psycho husband would go over super well with westeros and especially in king's landing where scores of the still-cheering population were killed for no reason by that same dragon who would do the barbecuing, because when targaryens act unilaterally without thinking of how the people would react there's never any problem, which is why the storming of the dragonpit and robert's rebellion were actually just collective delusions dreamed up by readers who hate rhaenyra and not key parts of the story and house targaryen's history that directly contributed to their demise and are intrinsic to the plot

truly team black stans are made up of only the most genius and media literate amongst us

[nyx-xp]

ok look no matter what, i think ill always be obsessed with dl-6. i know, its kinda overused at this point, but the whole thing is so amazing

like,, miles obviously didn’t know he was innocent, but gregory didnt either. when they channeled him he said it was the bailiff (forgot his name srry) even though there was no proof, because he wanted to protect his son. and the result of a child convinced he is guilty for the death of his dad, who even after death tried to find a way to reassure him he was innocent??? just- the concept of this relationship is fascinating, and honestly has so much potential.

and then you add von karma, and the fact he was not only the murderer of the father but the adopter of the son??? just makes everything gets better (worse)

dl-6 will forever live in my head and in my heart bcs the overwhelming guilt at least two of the three must have felt!! (depends on your headcannons about manfred ofc, maybe he was slightly guilty or smth) the psychological impact and the aftermath of it? amazing. maybe its not perfectly written, nothing is, but its fascinating and makes me want to dissect all three’s brains to see the effects this would have caused.

[nailyourcoffins]

Ok ok okok So. I managed to finish watching an Enigma do Medo demo playthrough (because shitty computer couldn't handle it, sadly) and something is stuck to my brain ever since. Spoilers ahead

This is the first time us, as the players, get to see Mia listen to her own father's voice after who knows how long.

And it's a tape that was registered on top of Abraham's recordings of the abuse he made his family go through and his obsession over some type of "purpose".

The??? Clear juxtaposition of both a father that was loved to the point of his daughter risking her life to search for him, and a father that was feared by its own family, his abuse culminating to his death...

Idk, Ordem Paranormal and its daddy issues, man

[elbiotipo]

Perhaps it's the pacifist in me but even if I had to kill someone in 100% justified and ambiguous self-defense there was no other choice, I would be haunted forever by it. I would not desire to kill another person in almost any circumstances. Much less about a fucking TV. Yes, I would most probably grab a stick and kick someone's ass if they tried to harm me or steal from me. I wouldn't even CONCIEVE of killing them.

[doctorsiren]

AAA SORRIE!!!I DIDNT THINK YOU’D REPLY IMMEDIATELY SO THIS IS RUSHED🥲🥲

SO I MADE,,i made a miego as the conjuring au, still working on it but the idea’s there!!! Here’s a lil doodle of them tuu :3

HSHSHSH I WAS KINDA HOPING YOU’D KNOW SO IT WOULD BE MORE INTRIGUING BUT YEAH,, i was also really really inspired by you in a way because your aus are always so fun and jus,AA I CANT EXPLAIN IT IM SORRIE!!! but it’s because of you that I decided to let myself be more creative even if it’s a long stretch of an idea

so thank yu for that, nick 🫶🌷

YEAHHH I DON’T UNDERSTAND THIS BUT I LOVE IT ANYWAYS YIPPEEE!!! Oh i love them,,,,

[in-tua-deep]

The queer experience is genuinely debating learning to roller skate and taking up roller derby bc u saw the prettiest trans roller derby skater you’ve ever seen in your life at a local event

[jonathanarcher]

“You are like a plague, John Crichton”: the director’s cut

[fireworkss-exe]

blonde mia goth and blonde mike faist. what a year for the bisexuals

[residentfurry]

aunt zoe uses her new newspaper job to cause conflict at the baby shower

[cup1dsarch3r]

someone please write a mamma mia au x redacted fic im begging you

[carefulfears]

okay the hank & mia ask i've been struggling with: i genuinely have no real thoughts about this show, just intense feelings. like i truly love it, all the characters and relationships, but especially these two. and i just wonder at all the ways they're similar. i always go back to the scene on the balcony

i have intense feelings about this show too and a hard time articulating so many of them, this topic included. it's funny because this is something that i've talked about absolutely non-stop for coming close to a year and have broken down from seemingly every angle and i still don't know how to pull it all together or what to say, where to start. most people who would care have heard me run the talking points through a thousand times over.

they asked duchovny this question too ("is mia at all similar to hank?") on the season 2 DVD and i literally hopped out of my seat when i heard that in my longest "i've been saying" ever, because it's something that i find very interesting and emotional but that i was a little surprised to find was as intentional as it is in the text. one of the first times that i talked about it was this tweet: "they're very similar people and it drives me crazy...when you have a dead mom, an absent dad, and you act out by putting yourself in dangerous disrespectful sexual situations."

and i used the word "disrespectful" because there's a quote of duchovny's that always reminds me of mia: "hank's lack of respect is really for himself, not for anybody else." which i think is an insightful observation about mr. moody and his relationship to women and culture and himself, but that also relates a lot to this idea of "acting out" and of sexual encounters as infringing on something personal. which is an experience familiar to that of a young woman trying to develop those relationships and sense of self, during a very spongy time where it's easy to infringe upon.

and so yeah what i'm saying is basically that hank moody has the constitution and coping mechanisms and vulnerabilities of a teenage girl (or as i put it in this tweet: "he has abandoned 16-year-old girl swag")

or how duchovny answered when they asked, is mia at all similar to hank, on the DVD: "you kinda know that there's...that her behavior is being driven by some problems, you know, and you wanna reach out and try to help that. and i think hank has a little of that too. you know, obviously they've got a history that makes everything complicated. but i think that he feels paternal towards her more than anything."

or how madeline zima put it: "mia is a wealthy girl who has had every luxury and is now probably really bored. she's been touched by hank's writing- it may be the only time she's been affected or stimulated in that way. so she's looking for something new, something exciting, and she finds that. and i don't think hank has found many people who are on his wavelength."

mia is the only character on the show that can really go toe-to-toe with hank and match him and never waver to him, which is why she's so diabolical to a certain demographic. they even call it out in the show: "did you see how completely unfazed she was by hank? i mean, no offense, he's a cool guy, but it was kind of pathetic, right?" (dani to charlie after the book meeting)

the only times that hank ever really surprises her or throws her for a loop or catches her off guard is when he's genuinely investing in her. (like when she's struggling in her writing class and he tells her that he'll help her if she just writes something and lets him read it, her eyes go SO WIDE when she has the "really? you'd do that for me?" line.)

and for the most part, outside of the obvious, mia doesn't surprise hank either. he is the only person in the world who really knows her and what she's doing and what her life is like.

we were talking in the group-chat the other night about the scene in season 2 when karen says that mia asked her opinion ("it was like she was kind of asking my approval") on dating an "older man," a scene that's one of my favorites of the series and such a delicious example of dramatic irony.

hank is instantly on offense ("i hope you shut that shit down immediately." / "why would you say something like that?" / "that's foul." / "this gross 'older man' thing.")

while karen is so much more relaxed and talking about her own times in college and how it can be a "valid life experience" with "the right guy."

and what i love about this scene is that they aren't having the same conversation, they aren't talking about the same thing, but so much of that difference is what we said: karen thinks that mia is her, hank knows that she's him.

the kind of dynamic that karen imagines when she hears her 17-year-old stepdaughter who is about to graduate and travel the country say “older man” is a world away from the reality that mia actually inhabits, and that hank knows about. as jaden pointed out when we discussed it, when karen finds out that mia is having sex with lew ashby, she freaks the fuck out!! she goes and throws shit at him and yells and cusses at him and rants at him about how she’s a child. (and hank has the nerve to go “you’re the one who condoned it” during their “parental units” phone call L.M.F.A.O.)

karen tries to look after mia and be there for her (“we are meant to be taking care of her”), but they have such a strained relationship always. and she really isn’t equipped, especially as kept in the dark as she is. it’s honestly really sad the way that you can tell mia regrets pushing karen away.

but hank knows her. he says it himself in mia culpa: “i know you. you’re a mischievous little fuck, but you’re not malicious.” (in the same scene where he tells her that she can do better than her exploitative boyfriend, that karen loves her, that becca looks up to her. holds her hand when she tears up)

and they’re able to say anything around each other. it’s this twisted thing where no one else knows their secrets. i was thinking about the other day, how duchovny always says that his favorite thing about hank moody is that he always tells the truth, and his favorite thing about mia lewis is that it’s the one time he doesn’t. it’s this pervasive exception to a rule that bonds them. the most devastating thing about it all, to me, is that there comes a time when you realize that there is no one else looking out for this girl. there is no one else who looks at her teacher and knows there’s danger. there is no one else that she feels she can call to come get her when she’s in trouble. there is no one else to read her writing or ask where she’s going when she leaves the house. (“my own father has never so much as helped with my homework” / “my dad’s always out of town, i don’t think he cares about my whereabouts”)

but they can tell each other and joke with each other and ask each other (loser shit for grown ass mr. moody but still). one of my favorite moments is when the print review of “mia’s book” comes out and she hops on his bed to wake him up so they can read it together: “it’s our review in the times!” (so much talk and discourse over her stealing his manuscript, it’s their story, it’s their book.)

in more ways than one, considering that both books (hank’s “modern day answer to lolita” and mia’s “nabokov meets judy blume”) are responses to their big secret that they intend for the person closest to them to read. hank is heartbroken when karen won’t read his new book, and we know from charlie that all it takes is “the first page” to figure out the truth. mia wants her dad to read hers, and when he calls it a “fantasy” about hank, she nearly blows the whole thing when she gets upset and snaps “who said it was fantasy?”

these are ultimately two people who want to be seen, who want to be understood, who want to be taken seriously- and they both put that pervasive truth on paper then immediately in the hands of the person that they each should fear ever finding out. it’s the defining moment of their lives, and they both try, and they both are still left with just each other. (what a trap it can be when the person you relate to the most is the most regrettable thing that ever happened to you)

it's these circumstances that lead to the scene on the balcony, my favorite of the series. they haven't seen each other since the arrest. she's back in town for the trial. and everything is so awful. each character is so much darker and weighed down. and every single time that we see mia in season 4 she's drunk or drugged or crying or all of the above.

it always makes me sad to think of her at 16 or 17 or even 19, joking around and being her "mad as a hatter" self, and then to see her on that ledge. hollywood's latest victim.

in a couple of weeks she'll be shaking in a court room, looking over at him from the witness stand, but for today she's on the balcony. remarking how easy it would be to just let go, just fall off. and still, no less tragically, there's only one person to come get her, and know what to say.

"you know what we need to do, mia?"

"what's that?"

"we need to forgive our fucking selves. you understand?"

[lifeonmvrs]

preparing for valentine’s day >:3 i present to you ace attorney + bad puns valentine’s day cards!!

[Image Description: a half-body digital drawing of mia fey from ace attorney. she’s crossing her arms and smiling with her head slightly tilted to the left and two little hearts by her side. her hair is wavier than canon. on the left, there’s some text reading “You’re drop-dead gorgeous! From: [colon] To: [colon]” in comic sans. the background is a solid turquoise.

the second picture is of a postcard and greeting card of the drawing as redbubble products. they are showed in a frame that resembles the structure of an instagram post with the user lifeonmvrs. it has a title reading “already available :3 [cat face emoticon]” and in smaller text one that reads “link in bio [heart emoticon]”. the third picture is the same but the products this time are a pin and a sticker. /end ID]

[love-too]

As an aroace person I'm not really afraid of one day realizing that I'm not. The issue doesn't lay in the fear of misusing this identity. They say that if you don't mess up while you're young, you'll end up doing it later. My fear is there, in having lost time and lost the occasion of fucking things up with minimal consequences