#mew x gulf

[waitmyturtles]

Turtles Catches Up With Old GMMTV: TharnType and Gray Areas Edition

[What’s going on here? After joining Tumblr and discovering Thai BLs through KinnPorsche in 2022, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the more recent works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about Thai BL's history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs produced by GMMTV and many other BL studios. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. Today, I’ll cover the very controversial TharnType, Asian stereotypes towards queerness, and the very difficult gray areas on how this show has been interpreted by various populations over the last few years.]

TW: homophobic and derogatory ideas and language against the queer community. Critical commentary on TharnType and MAME. This review is NOT for you if you are a TharnType or MAME Big Fan.

(I want to give very special thanks to @so-much-yet-to-learn and @lurkingshan for reviewing previous versions of this post and offering the most insightful feedback I could ask for. Thank you both so much.)

Alright. Deep breaths.

TharnType was a necessary addition to the Old GMMTV watchlist. It was. I had to watch it, for:

- the tremendous IMPACT this show has had on BL culture, along with MAME’s continued influence on the genre;  - how this show affected shipper culture, and the rippling effects it’s had since then vis à vis MewGulf; - how this show continued to define “high heat” and “chemistry” in BL, and -- at least for me, possibly the most interesting point to needle on -- - what fans, ESPECIALLY the majority cishet fandom, are willing to compromise and/or equivocate on in regards to our values towards the queer community regarding what we consume in media, and how safe or unsafe it is for our queer family that this content exists in the first place.

I gotta say some stuff first before I get into this review. This is the worst show I’ve ever watched, in my own opinion. I offer this flag for MAME and TharnType fans in advance, as I get quite critical down below.

I am angry at this show, at MAME, at the BL industry for allowing this show to exist, and I unfortunately hold anger against Tee Bundit, who I know has since made shows, like Lovely Writer, that deeply criticized the BL industry (and I am enjoying his work now in Step By Step, even while I don’t hesitate to criticize it). ANYONE INVOLVED in the making of TharnType needs to hold personal and professional accountability for this show even existing. And I also think that fans need to hold THEMSELVES accountable if they defend it WITHOUT thinking about the long-term social implications of the existence of this show.

I want to also say that I need to check myself, OFTEN, as I write this, because I don’t want to be some fucking loudmouth, self-righteous ally-savior. I don’t. [My AMAZING drama friends, @lurkingshan​ and @bengiyo​, have held me down during this watch. (Friends. Thank you. Good LORD.)]

I want this review to be as fair as possible to the nostalgia of the moment that this show aired; to note that this show gave high heat, which fans clearly demanded, and IS a worthy component of some dramas if it works with the rest of what the show has to offer by way of writing; and to note that many fans saw a chemistry in MewGulf that they hadn’t seen previously. I especially note that there may be survivors of sexual assault who related to certain pieces of this show, particularly through Type’s lens and his own anger.

With that very long introduction, I will note that I’m not going to talk too much about the show details itself. I don’t need to unwind on plot. For me -- FOR ME -- the show’s plot was problematic. 

2019: earlier that year, before TT aired, you had He’s Coming To Me, which was BURIED by GMMTV, and was a TOUR DE FORCE of intricate storytelling and queer revelation. According to this amazing reblog by @so-much-yet-to-learn​ (another longtime BL observer who UTTERLY held me down during my TT watch, friend, I CANNOT THANK YOU ENOUGH FOR THE HOURS you spent me with talking about TT and other issues), shipper fans angry at Ohm and Singto went so far as to SHOW UP TO THE GMMTV BUILDING IN BANGKOK and PROTEST against the split of the KristSingto ship. This is why, in this TT review, I talk about fans needing to take responsibility and accountability for the media we consume. I believe TT exists in part because fans have allowed it to continue to exist in the universe of BL, and many even celebrate TT’s existence -- all while, in my own opinion -- much more compelling art existed before TT (Make It Right, He’s Coming To Me) and certainly after its airing.

In discussion with @absolutebl (yet another drama expert who held me down during my TT watch, THANK YOU, SENSEI), ABL Sensei brings up that, besides a natural tendency to criticize and blame MAME for our needing to have conversations about safety towards queer family, that TT does deserve to be criticized as a standalone piece of content.

I honestly don’t know, Sensei, if I’m mature enough to make that separation, but I will try. MAME herself doesn’t exist in a vacuum: she has an industry, from producers, to showrunners, to actors, to editors, to networks -- that join her in the making of her work. I’ll do my best to separate everything, but.

I noted in my review of Love By Chance that MAME traffics in common Asian stereotypes against the queer community. At the same time, I know that often, we talk about the yaoi origins of BL in Thailand. I think, over time, the explanation of the yaoi origination has been used as a means of explaining WHY certain tropes exist, such as abuse of a partner, bullying, etc. I want to note that while I acknowledge those origins, I also strongly note (as I did in the comments of my LBC review) that yaoi origins are themselves problematic, as created by a majority cishet female artist base, and thus I question the accurate representation of queer themes both in yaoi and in early and/or questionable Thai BL that lean into common stereotypes held by Asian nations. (That being said, I do DEEPLY ACKNOWLEDGE @so-much-yet-to-learn‘s point to me that many in the queer community still consumed this media, as the West was producing next-to-nothing by way of queer love and/or queer perspectives.)

Much of what I saw in LBC and TT -- gang rape, cheating, revenge, derogatory language, hurtful stereotypes of top/bottom and husband/wife -- are repeat, word-for-word stereotypes that I heard from my Asian family growing up. Examples of what I saw by way of problematic stereotypes in TharnType include:

- Tharn repeatedly and casually calling Type “his bitch,” - The use of the F word, repeatedly, by Type, - Type attacking his out classmates, and indirectly attacking his friend, Tum, - The assumption that because Tharn and Tar are gay, that they are promiscuous (even Techno assumes this while leaving Type alone with Tharn early in the series), - Techno himself not calling out Type for his homophobia throughout the series, - The use of gang rape as a means of revenge by Lhong to Tar,

and many more. I will also note that I was incredibly uncomfortable by Lhong’s redemption at the end, as if the story demanded that Lhong’s own actions that drove him to order grievous sexual violence against another man needed to be forgiven. That was a paradigm that seemed apologetic to his actions and did not sit well with me.

As I noted to @bengiyo: us international fans may be lulled to think that Thailand is majority progressive and accepting of the queer community based off of the BLs that we watch. It IS a much more progressive culture in SE Asia in supporting the queer community, and I would assume that gay culture is able to flourish in city centers, as opposed to rural areas. 

But Thailand has NOT legalized same-sex marriage. And I posit that we in the West don’t actually realize that harmful stereotypes against the queer community absolutely still exist and flourish in Thailand, Taiwan, and elsewhere in Asia -- countries that certainly leverage BL as soft power, but nations in which familial or cultural expectations may STILL make ACTUAL coming out and public existence a dangerous or risky proposition. THIS SHIT IS GRAY. BL is fiction -- it is not reality. It is still dangerous -- YES, INCLUDING HERE IN THE STATES -- to be out in very many towns, cities, and communities around the world.

Now. When I went into TT, I understood, AS ASSUMED FACT, that MAME was a sexual assault survivor, who used this style of writing about queerness and queer love to process her own SA experiences. That equivocation gave me the serious jibbles, which I’ll talk about in a second, but I understood it to be the line that most BL observers have made about her work, and/or justification or explanation for her work existing.

I’ve since learned that this is not necessarily fact: that it is not known if MAME is an SA survivor, and that she is notoriously private and has not revealed much, if anything, about her own past.

So, from there, how do I process this? How do I process that it’s FANON -- NOT FACT -- that MAME may or may not write from a survivor’s perspective?

I also note here, thanks to the wonderful @so-much-yet-to-learn​, that many fans who are SA survivors have written in the past about how they related to Type’s anger and/or homophobia after his own assault experience. I also understand that SA survivors have, in the past, had difficulty with strong rejections of TharnType, like the one I have composed here, in reaction to the fear that they cannot tell their own stories of internal anger against their perpetrators and the communities from which their attackers come from.

Thus, I want to note a VERY DIFFICULT PROPOSITION TO WORK THROUGH. What we’re facing here is that there may be people, SA survivors in particular, who related to Type’s homophobia. This is Type’s fictional homophobia -- as written by a very real, assumed-to-be female author. At the same time, I myself very much acknowledge that I still see stereotypes against the queer community, in a very Asian voice that I am familiar with, in MAME’s shows.

Let me tell you why this gives me, personally, the jibbles. Let’s assume that MAME is an SA survivor. As someone trained in the social services, I am not sure that I would advise a potential client to create very public content that is potentially harmful towards a minority community, as a means of their own personal processing. MAME is FAMOUS. Her work is POPULAR. Can we justify the dangers that her work poses -- the stereotypes and assumptions she traffics in against our queer family -- for her own psychological processing?

If I am her therapist, I am guiding her to instead journey map, to meditate, to advise her of HUNDREDS of other therapeutic psychological modalities to process her pain -- all modalities that do not set up a minority community to be stereotyped through very publicly consumed content. 

I posit here -- MY OPINION, FAM -- that MAME has leveraged her own personal bigotry against the queer community in her shows for clout with Asian and international audiences that would not quibble about the harmfulness of the stereotypes that the show portrayed. And she’s gotten away with it for the utter control she has over her own content. AND SHE KNOWS THERE’S AN AUDIENCE FOR IT, so she keeps making what I call bigoted content.

I thought TT was a DANGEROUS show for perpetuating harmful stereotypes about queer family. And I am distraught at the BL industry for seeing dollar signs against that clout and investing in it. 

The equivocating in support of TharnType certainly exists. There are people who view this show with nostalgia, as there still wasn’t the volume of BL content, with heat, in 2019 as we have today. There are people out there who may very well openly relate to Type’s homophobia as a character, and MAME’s homophobia as an author and as a human. Hell, Foei Patara, who we see in everything these days, shared a very anti-LGBTQ+ video on his Instagram just recently.

I DO have to give a nod to nostalgia. I have to try to be fair here. This is the ENTIRE POINT of the OGMMTVC. BL fans in 2019 wanted a thing. High heat, high chemistry. I know that there are fans that are AWARE of these high-level issues of MAME’s work. And yet, there are many that still look back on TharnType with fondness, because it brought something new to the field. 

What I’m suffering from here is the equivocation of MAME’s work by way of analysis against a presumed opinion -- NOT fact -- that MAME is an SA survivor. That seems to open some sort of door to allow us to watch her work, despite the dangers of the stereotypes contained within her work.

The ethics of this. I’m not a strong enough person to go near that equivocation. Because I am not a survivor. I’m an Asian. In MAME’s voice, I hear the stereotypes against the queer community that I grew up with. And that’s where I’m writing this review. I’m hurt and appalled by her proliferating what I term to be dangerous viewpoints against my queer sisters and brothers -- assumptions that I heard growing up in my Indian community.

Fuck. Am I ever glad that I DIDN’T watch this show in 2019. I’m protected by a fortress of past and present works that I can rely on that proves that there are other arenas in which BL is being leveraged for good, for progressive art, for the introduction of ideas that support our queer family, AND that might also offer critical commentary on issues that affect other minority or vulnerable corners of society, à la Moonlight Chicken. 

I haven’t even gotten to the MewArt scandal and the problematic nature of the MewGulf ship. All of those are also very important issues, but I can’t bring myself to get deep about them, because just talking about the show itself is a lot. But Mew Suppasit’s past alleged behavior is certainly problematic, and is worth considering if folks were to think about watching this show.

In any case: I’m never watching another MAME show again, ever. And as a side note, MewGulf didn’t do it for me. At this point in 2019, I feel like we’d seen ships with much better chemistry and even heat, like PerthSaint (a MAME ship, actually), OhmToey, MaxTul, and even OhmSingto and their utterly brilliant acting. @he-is-lightning-in-a-bottle noted in the comments of one of my TT late-night posts that they didn’t see the MewGulf chemistry, and frankly, I didn’t either -- I didn’t see that these guys, as the acted characters of Tharn and Type, bodily and ferally WANTED AND VISCERALLY LOVED each other in fiction, the way that actor pairs like EarthMix, OhmNanon, FirstKhao, and others have since perfected in their work as their respective characters.

This post is about the responsibility that so-called “artists” bear when taking up the mantle of created content about a minority community, as well as the responsibility that we bear, as fans, as the majority cishet female fanbase, to consume this content. MAME and the slices of the BL industry that support her MUST understand that perpetuating stereotypes about a minority community WILL HAVE VISCERAL SOCIAL IMPACTS in REINFORCING THOSE STEREOTYPES, among a majority cishet fanbase and across society, to the danger of the existence of our queer family. 

THIS IS WHY WE NEED MORE QUEER CONTENT BY QUEER FILMMAKERS.

That is the way in which this paradigm will be broken over time. And us in the cishet fanbase MUST STAND READY to support art -- in the words of dear friend @wen-kexing-apologist -- by queer family, for queer family, about queer family. We in the cishet majority bear a responsibility to break the paradigm of dangerous stereotypes, perpetrated by who create content through their own bigotry, either consciously or unconsciously -- or both.

[I finished TharnType in record time. I needed to get it out of my system. And now I’m fully invested in OffGun and having a DELIGHTFUL time with Theory of Love: I AM OBSESSED WITH THIS SUBVERSIVE, MINDBENDING SHOW. Ooooooooooooooooooh. Right up my alley! Hopefully I can muster my usual Monday review for ToL -- let’s see. I still feel somewhat broken by TT, but ToL and OffGun have been SUCH a salve.

Here’s the list as it stands currently. We have two changes! First, thanks to a suggestion by @wen-kexing-apologist and @lurkingshan, I’m adding a non-BL (!!!!) to the list in 3 Will Be Free. I have a number of separate Jojo Tichakorn priorities to achieve before Only Friends airs, and this is a big one; as this is a show from 2019, I want to see where GMMTV was willing to go in pushing queer content in non-BLs, and this is the perfect time to watch it. I’ll still include a review in this space! 

And, per @absolutebl Sensei’s suggestion, I’ve added YYY (2020) to this, to enjoy Cheewin unhinged in what seems to be a disaster of a show -- but an important one for real queer representation (THANK YOU, SENSEI!). I’m excited for chaos. I’m watching it out of chronology with ITSAY and planning it as a mental break. As always, I’ll take any feedback on the list as it stands!

1) Love Sick and Love Sick 2 (2014 and 2015) (review here) 2) Make It Right (2016) (review here) 3) SOTUS (2016-2017) (review here) 4) Make It Right 2 (2017) (review here) 5) Together With Me (2017) (review here) 6) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 7) Love By Chance (2018) (review here) 8) Kiss Me Again: PeteKao cuts (2018) (no review) 9) He’s Coming To Me (2019) (review here) 10) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018) (review here) 11) TharnType (2019)  12) Senior Secret Love: Puppy Honey (BL cuts) (2016 and 2017) (I’m watching this out of order just to get familiar with OffGun before Theory of Love -- will likely not review)  13) Theory of Love (2019) (watching) 14) 3 Will Be Free (2019) (not a BL or an official part of the OGMMTVC watchlist, but an important harbinger of things to come in 2019 and beyond re: Jojo Tichakorn including queer content in non-BLs) 15) Dew the Movie (2019) (not an official part of the OGMMTVC watchlist, but I want to watch this in chronological order with everything else) 16) Until We Meet Again (2019-2020) 17) 2gether (2020) 18) Still 2gether (2020) 19) I Told Sunset About You (2020) 20) YYY (2020, out of chronology) 21) Manner of Death (2020-2021) (not a true BL, but a MaxTul queer/gay romance set within a genre-based show that likely influenced Not Me and KinnPorsche) 22) A Tale of Thousand Stars (2021) (review here) 23) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS 24) Lovely Writer (2021) 25) I Promised You the Moon (2021) 26) Not Me (2021-2022) 27) Bad Buddy (2021-2022) (thesis here) 28) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch 29) Secret Crush On You (2022) [watching for Cheewin’s trajectory of studying queer joy from Make It Right (high school), to SCOY (college), to Bed Friend (working adults)] 30) KinnPorsche (2022) (tag here) 31) The Eclipse (2022) (tag here) 32) GAP the Series (2022-2023) (Thailand’s first GL) 33) My School President (2022-2023) and Our Skyy 2 x My School President (2023) 34) Moonlight Chicken (2023) (tag here) 35) Bed Friend (2023) (tag here) (Cheewin’s latest show, depicting a queer joy journey among working adults)]

[kinnporsche-is-life]

I came from really hating Type to really love his stupid cute little ass in a span of like, half an episode.

(I’m so heterosexual u can’t be more heterosexual than that I want to have sex with you JUST because you bought me some rice and give me some ibuprofen I don’t want to be in your debt for this HUGE favours- go get me tiger)

I'm only on the fourth episode, I assume I'll be able to hate him at least for three more times or so.

[itsmelb]

Some thoughts about:

TayGun kissed. And X exploded like "how could they" "how can they when they're paired with New and Off" " they're betraying Babi and Polca"...and then Tay said (see Tweet) and some of the Gmm boys responded (Tweet/Tread).

And I think it's weird. How ppl take the liberty of saying disgusting things about them and STILL WHATCH BL SERIES OR SHIP male couples. How?? I read a Tweet which said sth like: ppl like gay guys in TV till they're doing gay things in real life. And that's that. When u attack the boys they shut themselves of, don't share stuff anymore or they separate because they can't anymore. Or they'll get depressed. And we all know what can happen after that. Bc it happend.

I just don't get it. Let ppl be themselves pls. Take what u get. Ship them to a normal amount. Don't be invasive or mean. I mean they all hang out often. They kiss eo, they hug, they have to do this intimate stuff on TV, there are emotions involved. The business is so hard. Some are forced to do Fan service others come naturally (we all know the stories of Mew Gulf right- and others are there too I am just not so well informed about this - bc it's all relatively new to me sorry).

So what I mean is: let people be. Enjoy what u get. Scream, cry, laugh about them. Ship them. But don't harm them with words, actions or violence.

(Just my thoughts because I had to let them out somehow. Now let the boys kiss eo freely pls)

[sakurajjam]

bom dia rinnn! já almoçou? estava pensando aqui em um personagem e minha cabecinha só pensava em fc óbvios e famosinhos. O que me fez pensar em querer mudar um pouco. Você pode por favor me helpa com fc male asiático (de toda Ásia) que seja poooouco bem pouco visto pela tag? Pode ser qualquer artista ou até se for instagrammer. Por favorzinho?

boa tarde, pompurin! almocei tem um tempo e você? posso te ajudar sim, não sou muito de sugerir instagrammers porque não tem como saber se a pessoa permite o uso da imagem ou não, mas farei aquele apanhado de fcs, estarei separando por país. a maioria não tem uma grande quantidade de resources, mas dá para usar.

COREANOS

kim soohyun, ator, 1988.

lee junho, integrante do 2pm, 1990.

lee minhyuk (huta), integrante do btob, 1991.

kim youngkyun (young k), integrante do day6, 1993.

lee daeyeol, integrante do golden child, 1993.

yoo kihyun, integrante do monsta x, 1993.

kim wonpil, integrante do day6, 1994.

han seungwoo, integrante do victon, 1994.

kang seungsik, integrante do victon, 1995.

kim younghoon, integrante do the boyz, 1997.

kwak dongyeon, ator, 1997.

lee jaehyun (hyunjae), integrante do the boyz, 1997.

moon bin, integrante do astro, 1998.

park serim, integrante do cravity, 1999.

yoo yongha, integrante do wei, 1999.

choi bomin, integrante do golden child, 2000.

choi taeyang (theo), integrante do p1harmony, 2001.

kim junseo, integrante do wei, 2001.

cha junho, integrante do drippin, 2002.

huening kai, integrante do txt, 2002.

kang minhee, integrante do cravity, 2002.

JAPONESES

sakurada dori, ator, 1990.

yamada yuki, ator, 1990.

fukushi sota, ator, 1993.

masaki suda, ator, 1993.

yamazaki kento, ator, 1994.

nakamoto yuta, membro do nct, 1995.

murakami nijiro, ator, 1997.

adachi yuto, integrante do pentagon, 1998.

kanemoto yoshinori, integrante do treasure, 2000.

osaki shotaro, integrante do nct, 2000.

hamada asahi, integrante do treasure, 2001.

takata mashiho, ex integrante do treasure, 2001.

CHINESES

jing boran, ator, 1989.

yang yang, ator, 1991.

xiao zhan, ator, 1991.

zhang yixing (lay), integrante do exo, 1991.

jackson wang, integrante do got7, 1994.

xu kai, ator, 1995.

caesar wu, ator, 1996.

qian kun, integrante do nct, 1996.

wang ziyi, ex integrante do nine percent e ator, 1996.

wen junhui (jun), integrante do seventeen, 1996.

zhu zhenting, integrante do next, 1996.

dong sicheng, integrante do nct, 1997.

wang ruichang, ator, 1997.

xu minghao (the8), integrante do seventeen, 1997.

cai xukun, ex integrante do nine percent e solo, 1998.

dylan wang, ator, 1998.

li hongyi, ator, 1998.

zhai xiaowen, integrante do r1se e ator, 1999.

fan chengcheng, integrante do next, 2000.

huang renjun, integrante do nct, 2000.

zong chenle, integrante do nct, 2001.

justin huang, integrante do next, 2002.

TAILANDÊS

mew suppasit jongcheveevat, ator, 1991.

mile phakphum romsaithong, ator, 1992.

zee pruk panich, ator, 1992.

apo nattawin wattanagitiphat, ator, 1994.

perth nakhun screaigh, ator, 1994.

jeff satur, ator e solo, 1995.

lay talay sanguandikul, ator, 1995.

boun noppanut guntachai, ator, 1995.

ten chittapon leechaiyapornkul, integrante do nct, 1996.

bright vachirawit chivaaree, ator, 1997.

nani hirunkit changkham, ator, 1997.

gulf kanawat traipipattanapong, ator, 1997.

bambam kunpimook bhuwakul, integrante do got7, 1997.

bible wichapas sumettikul, ator, 1997.

prem warut chawalitrujiwong, ator, 1998.

win metawin opas-iamkajorn, ator, 1999.

dew jirawat sutivanichsak, ator, 2000.

nanon korapat kirdpan, ator, 2000.

mark siwat jumlongkul, ator, 2000.

tutor koraphat lamnoi, ator, 2000.

yim pharinyakorn khansawa, ator, 2000.

nunew chawarin perdpiriyawong, ator, 2001.

nat natasitt uareksik, ator, 2002.

[improvised-chaos]

the number of times i've watched this clip is unhealthy.

[honestlymylifesfuckedup]

Type : Tharn, can you turn the lights on?

Tharn : I don't need to, you're the only light I need in my life

Type : I-

Techno : FUCKING TURN IT ON I CAN'T SEE SHIT

[myglwt]

MEWGULF: TharnType Wedding Day Special

[elegantsoulgiantfish]

[itsizzyypeachyy]

Mood : 🙂 ➡️ 😊 ➡️ 😄

🥰

[kinnporsche-is-life]

I would like to quickly summarize Tharn and Type's relationship. You're welcome.

Someone may maliciously claim that I skipped several stages. So I'm filling out the whole story now:

[kaoearthohmfluke]

If you like these GIFs, please, like this post or reblog it♡

[redflavor-web]

／l、 ୶ 𑄥︩︑ ˬ ꮺ᪶ ︧➣ 🍚̌それいな ℻ ▒˲ ᦅ◞ （ﾟ_ ｡ ７ ֦ ᩔᩢ︨ ៸ ©ˬ 𓂅ᰮ 𖽦 α. ❪ @hanzo ❫︧ 𖦆 ᯱ

⊂、 ~ヽ ╭─────── ─────

しf_, )～ ︠︠ ᯫ ▒ ࠣ𝒜. ꒱ ˬᥗ. ➤͎ ◜l𝟏k𝟑 or r𝟑-bl𝟎g

𝟏f y𝟎u s𝟒v𝟑 ᣞ ᩣ 🌾̼︐ ꒻ ⥄

╰────── ────╮

[luanapawatt]

MewGulf Lockscreens

(free to use)

[improvised-chaos]

THARNTYPE OUT OF CONTEXT

type: tharn, will you get me a glass of water?

tharn: i will if you get off my lap.

type: what's your point?

[potatomarble]

The character development that we deserve!

So proud of you, Type!

♥️ ♥️ ♥️ ♥️

[myglwt]

👤: 𝙬𝙝𝙮 𝙖𝙧𝙚 𝙮𝙤𝙪 𝙨𝙤 𝙘𝙪𝙩𝙚? 

🌻: 𝙄 𝙙𝙤𝙣'𝙩 𝙠𝙣𝙤𝙬 𝙠𝙪𝙗