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#metaphorically. I think
evilwickedme · 1 year
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I need someone to scream about Fitz and the Fool with. Tf you mean they pull a who did this to you. Wtf do you mean
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aesethewitch · 5 months
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When I was a kid, we moved into a house that had a huge lilac tree out front. It was mostly rotten, and it needed to be taken down before it fell. It took a while, but eventually, it was gone.
Mostly. A couple years later, little lilac babies popped out of the ground in its place. My mom was determined to get rid of them, because she'd planted a beautiful flower garden there, and the lilac trees would overshadow and kill the whole garden. I insisted on saving at least a few saplings. She said fine, but I had to dig them out and put them in pots myself.
So, I did. I spent days digging little lilac bushes out of the ground and putting them into pots. Some couldn't be saved, but some could. When all was said and done, I had five brand-new lilac saplings. Seven or eight years old, and it was my absolute pride and joy.
Three died due to sun scorching, severe drought that no amount of watering could save, and perhaps just being moved from their place in the ground. But two survived, and I was awfully proud of them! I'd go out and talk to them every single day. I watered them by hand and made sure they were fertilized properly. I learned all about their favored environments, and I was determined to make sure they lived.
One of my mom's friends saw what I was doing with the lilacs. She asked if she could have one to put in her backyard, and I agreed on the condition that she take very, very good care of it.
It's now fucking enormous. I'm talking ten feet tall and bursting with beautiful purple flowers every spring. My mom still gets updates each year as they start to bloom, which she forwards to me. And all I can think is, "That's my friend! Thriving some twenty years on, there it is."
The other tree nearly died, too. It lived in a pot for far, far too long. I wanted to plant it somewhere in my parents' yard, but my mom was reluctant. Eventually, we agreed to put it in the far back garden. It grew okay for many years, despite the shade, but in all these years, it's never bloomed.
Last year, the massive tree casting massive shadows over the lilac and the garden cracked in half and fell. It tumbled into the garden, crushing part of the nearby shed and destroying a few plants beneath it.
It missed my lilac by inches.
The clean-up is long done. The rest of the tree has been cut down, and my lilac has full sunlight for the first time in fifteen years. It won't bloom this year, I know. But it's got new shoots up. It's taller than ever. I spent half an hour a few weeks ago praising it for surviving all this time, dreaming about its future and telling it how I believe it'll become the tall beauty it's always been meant to be.
I think next year, I'll see flowers.
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tanjir0se · 4 months
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Disclaimer these are just a small sampling of some possible writer traits I’ve noticed either in myself or in fics I read. Also consider a rb for sample size !
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mynnthia · 4 months
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was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.
to sum up kabru's situation via a self-contained modernized metaphor:
kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him
#dungeon meshi#delicious in dungeon#kabru#kabru already added laios as a discord friend. everyone else in the server can see laios excitedly asking kabru to go with him#what would You even Do in this situation. how would YOU feel?#basically: kabru isnt a laios-hater! hes just in shock bc Thats His Trauma. the key part is kabru still says yes#bc he wants to get to know laios. to understand why laios would be so fascinated by something horrific to him#and ALSO bc even while in shock kabru can still tell laios has unique expertise + knowledge that Could be used for Good#even if kabru doesnt fully trust laios yet (bc kabru just started talking to the guy 2 hours ago. they barely know each other)#kabru also understands that getting to know ppl (esp laios) means having to get to know their passions. even if it triggers his trauma here#but thats too much to fit in this metaphor/analogy. this is NOT an AU! its not supposed to cover everything abt kabru or laios' character!#its a self-contained metaphor written Specifically to be more easily relatable+thus easy to understand for general ppl online#(ie. assumed discord users. hence why i said (a non-specific) 'discord server' and not something specific like 'car repair subreddit')#its for ppl who mightve not fully grasped kabru's character+intentions and think hes being mean/'chaotic'/murderous.#to place ppl in kabru's shoes in an emotionally similar situation thats more possible/grounded in irl experiences and contexts.#and also for the movie punchline#mynn.txt#dm text#crossposting my tweets onto here since my friends suggested so
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srfiv · 2 months
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this is never getting finished
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egophiliac · 7 months
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don't think I'm not still deep in the episode 7 brainrot. because OH BOY AM I
(also one more extremely, obnoxiously self-referential thing, I'm -- I'm so sorry)
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medicalunprofessional · 5 months
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sorry guys they finally showed me peak fiction . Its called “phantom of the paradise”
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divorceblogger · 1 year
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this show rules sorry
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aeide-thea · 2 years
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on principle opposed to describing art i dislike as 'masturbatory' because even though it's an alluringly contemptuous word to sneer it's impossible to reconcile with my pro-masturbation stance
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kayshasiemens · 2 months
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Rising from the dead to share this painting and then disappear again
I have spent over 90 hours of my life on this thing because I have had the brain rot for the last 2 years of my life (almost 20 if you count when I first read the comics) and it had to express itself somehow
Hope this dramatic bitch feels appreciated
(A Dream of Morpheus, handmade egg tempera on panel, 12x18 inches...if by any chance you'll be at SDCC or Gen Con, I'll be at booth 934/936 at the first one and Art Show #13 at the second one - come see the original, maybe get a print, or just yell/cry about Sandman with me?)
And here, have some more details - I had fun combining some favorite elements from both the comic and the show ♡
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triona-tribblescore · 11 months
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He's a little silly but we support him all the same <3
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blainke-omens · 6 months
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Crowley Does Pottery HC anyone ? Because … it has a grip on me. I couldn’t hold back posting this wip any longer — I am so desperate for anyone else to share my vision in this.
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inkskinned · 2 years
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something bad happened to you, and you died, and you came back wrong.
not wrong all the way. the little ways. you forget important dates, stopped going out with friends. it's harder to make you smile. you're apathetic towards things you used to love, afraid of places you used to go to cheer up. quieter. flinching. different.
you came back for love. you're still here for love. what pulled you back was a brightness so loud that even death couldn't outshout it. death heard the call and smiled at you and said okay. go home. somebody is waiting for you.
but you came back different. like lot's wife; you've turned into salt. you used to chirp through life in hops and skips; but now you lose skin just standing up. you have to move slower, skimming across this world without-touching-it. most things feel dull - until they're suddenly all-too-much. life, and being alive just rushes up and over you and you get hopelessly crushed.
you try to explain it to them: it is ugly, but this is what you are, now. the huge golden hoop of your halo now a little bronze ring. you are still watering your plants and wearing the same clothes. after all, you worked hard to come home. this life; so odd and off-color, now that you are wrong.
but they waited for you - it's just that they wanted the "you" that happened before this. the "you" that could sing in the show and hug people tight and look at a blade without breaking down to cry. the you with a smile in pictures. god, holyshit, it's like looking at a completely different person, isn't it. that other-you; the one they actually wanted.
you are the consolation prize. you are the body that forgot the ghost. you are the memory of the bad thing, and the death after; like you are wearing that memory as a banner. you are a fragment, an assembly. simulacrum. you don't make eye contact in mirrors, afraid the light will glance off and your true nature will flash back at you.
you hear them talk about it in their hushed, desperate whispers. sometimes they even admit it to your face; harsh and violent, acid thrown at christmas dinner. god, can you just fucking be normal again. you do not remember what normal is. you had to climb so far to get back here; you are far too exhausted. you want to open the glass door of your heart and show all the gears. can you help resolve whatever got messed up?
you try so, so hard. you came back for them. because you believed they would love you, even when you were so horribly broken. because you believed they would be patient. because you believed unconditional meant "without exception." you cannot do things the same way. you just get tired too quickly these days.
you want to put them on a couch and pour them the tea with hands that shake more than they remember. you want to line them up and draw them a map of where you have had to wander. you want to show every bruise in a backsplash; the little helpless ant of your soul carrying all that weight, over and over. you want to say: yes! it is different! but i did it for love!
you want to say: "i'm not the same, but i'm yours and i'm here. can that be enough?"
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metanarrates · 1 year
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nothing is more sexy to me in fiction than a time loop being thematically linked to the experience of grief and/or trauma. a constant reliving of loss and pain that becomes literal, an inability to move on, a cycle that always finds new ways to hurt... literally where would we be without it
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anteomnia · 10 months
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just endlessly thinking about blue eye samurai.
thinking about how akemi, taigen, and mizu are if a coin had three sides or maybe just the two and mizu is the bridge of metal between them.
akemi being the ideal image for women, for the life they endure. she was simultaneously a princess, a prostitute, and a prisoner. her entire life was men making decisions for her, even the ones that had good intentions, and she believed her deepest desire was freedom. it still is, but she has been revealed to this heinous predicament of her gender, and she’s realized that to reach true freedom as a woman is to be the bird in the cage, to play nice and to earn the love of a man until he buys her a bigger cage and a bigger cage until he trusts her not to fly away. and it'll never be true freedom, but it will come with power. it'll come with the freedom of only one master rather than many.
taigen being the ideal image of a man. not all powerful, but not weak. he had a taste of what it'd be to succeed, and when it was taken from him, that easy success, he mistook it for his honor. he hunted mizu down to kill him, and instead he saved him. he saved him and saved him and he came closer to killing mizu when they were on the cliff's edge, and just when he gets to the point where he may actually fight mizu, he's tortured for information on him. he is tortured. Literally tortured within an inch of his life, enduring such a heinous violence, and he refuses to break. this man was a fight, was the torturer, and the victim of his torturing could've been his salvation from pain but he refused. mizu gave back taigen's honor but not by fighting him.
akemi wanted freedom and learned she would need power to have it.
taigen wanted power and learned that the violence that came with it was infinite and dishonorable.
and then there's mizu. mizu who wants revenge, wants acceptance. arguably the same things as them both. mizu wants acceptance, the freedom of living and the freedom to love and be loved. mizu wants revenge, which follows after violence and power, to get said acceptance. she thinks she must do both, have both, to live peacefully, and she's blatant about how she will not live without either.
she's given acceptance with the blacksmith, her "mother," her husband, but she sees the flecks of avoidance in it.
the blacksmith will not hear of her true gender. her "mother" will not acknowledge the crime of her birth. her husband can't find tolerance for the violence within her, the man of her.
and so she has to balance the woman and man of her, the ronin and the bride. taigen and akemi. and it's meeting mizu that they start to unravel their own identities.
mizu, who is both, and akemi and taigen who thought themselves one but turned out to be neither.
god.
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