#metal stitching technique

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[noroi-amaraciune]

I'm making mall jorts I am healing

The pockets and the straps are gonna be a massive pain to sew in the right place but this is a battle I'm willing to pick

[clanwarrior-tumbly]

F***ing FINALLY!!! I've been looking for stuff with a Reader saving Dogday since he's been introduced and I've only got like, three so far-

And I want this Reader to be resourceful, using anything to patch Dogday up(including scraps of Miss Delight's dress)

I hear your calls <3

...............

"You're wasting precious time, angel. Poppy needs you. I'm only gonna slow you down. Just leave me here, and tell her I'm-"

"You'll get to tell her that yourself, Dogday. Because I'm not going anywhere. I'm gonna help you whether you like it or not."

With a huff, you used the grabpack to wheel in a cart filled with an assortment of items you picked up around the Playcare area: doll parts, plush felt, metal bars, and even Dogday's other missing leg, which you have miraculously found in the playhouse.

You did your best to stitch them back onto his body, although the real challenge was fixing them up first--considering how badly they got mangled by the smaller Smiling Critters. Through sheer luck, you were still able to recognize them as his legs.

And conveniently, you've retained some of your craftsmanship skills from your days working with Playtime Co.

You were given some praise for being able to speedily patch up broken and torn-up toys, but you've never touched upon any of the "Bigger Bodies" despite seeing similar injuries on them. They simply never gave you that clearance, and dealing with blood and organs (and possible death) was something way above your paygrade.

But with Dogday, you were able to apply similar techniques you used in doll repair. You made patches out of Miss Delight's polka-dot dress to cover up any tears, and you created small mechanisms to put inside his legs that would (hopefully) enable him to walk again.

It was like you were performing a surgical operation..

Except, well..that's exactly what was going on.

Despite your unwavering determination--and the fact that you succeeded in reattaching one leg to him so far--he insisted that you were only putting yourself at risk trying to help him.

Hell, you nearly got torn apart by those little Smiling Critters who chased you both down, being scared off by the flares you shot at them. He didn't think you'd have enough..but by the grace of god, you did. And you escaped and found a safe place where Kissy Missy and Poppy were also hiding out.

Not only did you finally get a breather, but also a chance to help one of the few toys left here who somehow didn't lose their humanity.

Even so, Dogday still feared for your safety.

"You know..this will only enrage Catnap, right?" He rasped, choking out a wet cough. "He'll know that I'm missing. And he'll know you have something to do with it.."

"Wait.." Pausing in your work, you glanced up at him with furrowed eyebrows. "Why would he care about where you are? Or better yet..why would he keep you alive at all?"

"...because I was his favorite."

"Huh..?"

"Before the Prototype became his sole focus, we did everything together." He explained somberly. "We helped the others fall asleep, stayed out of trouble. Catnap and I..we were like day and night. Two peas in a pod. He brands me a heretic now, but...somehow, I don't believe he likes doing so. Maybe..he hasn't forgotten our friendship, after all."

'Well, stringing someone up by belts and ripping off half their body doesn't sound like something a good friend would do..' You thought to yourself, although you understood where he was coming from.

Yet it didn't change the fact you still wanted to kill that stupid purple cat. Especially after he gave you that hellish nightmare of Huggy crawling out of a television.

"I know you wanna believe there's still good in him, but..he's long gone." You shook your head. "Those critters..they tried crawling inside your body, and he was just gonna allow it all because you didn't wanna follow the Prototype's will."

"........"

Silence was your only reply, but you decided to shift your focus back on repairing the other leg. Dogday allowed you to work, no longer protesting as he instead looked at the stitches on his arms, feeling grateful yet unworthy at the same time.

Him and the others...they were all monsters. He never killed a single human in his existence (or at least none that he could recall), but he felt like he was just as terrible as those who did.

Eventually, you finished, and his ears perked up at your sigh of relief as you set down your tools and pushed the cart away. "There we go. Try to stand up, but take it slow. Okay?"

He nodded, feeling quite nervous as he looked at his legs, before he slowly pushed himself off the ground. For a few moments, he was able to stand, but he wobbled a little and had to hold onto the nearest wall so he didn't lose balance.

'When was the last time I had my legs? It's been so long...'

Then he felt your grabpack's hands gently steady him, and soon enough he could stand on his own without their support.

You smiled and retracted them. "How do you feel?"

"Much better...thank you, angel." Dogday looked down at you, the corners of his wide smile turning further upwards. "You truly are something divine. You've come to heal us, mend all of our broken pieces, even when we do not deserve such kindness. How could I ever repay you?"

Right as you were about to respond, you heard sounds of plush feet moving and turned around, seeing Kissy and Poppy entering the room.

You didn't really he'd nearly be as tall as Huggy's spouse.

"You fixed him! What can't you do?" The redhaired doll gasped in awe, hopping onto Kissy's hand before she was carefully transferred over to Dogday's paws, stepping into them.

He held her gently, smiling. "Poppy."

"It's so good to see you, my friend." She smiled, although it was quick to disappear. "I thought all of you were gone."

"It's just me now, and...I'm....I-I'm...." He began to sniffle, his voice breaking as the weight of everything that's happened came crashing down. "I'm so sorry...I tried so hard, but...I-I failed! I couldn't protect them!"

Thin streams of tears seeped from the corners of his eyes, darkening the fur along his cheeks. "Kickin'...B-Bobby..they all died because of me! I was supposed to be their leader, but all I did was lead them to their demise! I-I should have joined them in-"

"There, there..it's going to be alright." Poppy softly hushed him, patting his arm in comfort. "You did your best to protect them given the circumstances. I promise we'll have our chance to avenge them. But you must live, for their sake..and for [y/n]'s sake, too. They went through a lot to fix you up."

"I know but..I-I'm so scared. I don't wanna face him alone-"

"You won't be alone, because I'm gonna take care of him."

With another sniffle, Dogday looked down at you, feeling you gently petting his ear as another comforting gesture. Your eyes held nothing but sympathy and heartache for this poor creature. "I'm sorry, but we have to put him down. It's the only way we can move forward."

"Are you sure?" He mumbled. "He's gotten more powerful, and hungry-"

"So were Huggy and Mommy, but I saw how [y/n] dealt with them..and they're more than capable." Poppy remarked. "But now that Catnap's onto them, they'll need all the protection they can get."

"Then..I'll do my best to help." He finally declared, smiling at you.

You blinked, surprised that he was willing to stand up against the one who tortured him. But you simply nodded and smiled back, watching as he returned Poppy to Kissy, before he turned back to you and crouched down.

He enveloped you in a warm hug, the vanilla scent still seeping from his suit and helping you feel more at ease.

"Thank you, Dogday." You chuckled, hugging him back.

"No..thank you, my guardian angel. I will follow you to the ends of the earth."

[vincentbriggs]

Do you need a sewing machine to start making shirts and vests? Is hand sewing an option worth considering, or should I invest in a machine, in your opinion?

That's really a matter of personal preference!

Do you need a machine? Absolutely not! Every garment ever made before the 1840's was sewn by hand, and a lot of them after that too. I've sewn many garments completely by hand, including the early 18th century tiddy-out-violinist shirt, these bright orange breeches, and this green waistcoat.

Is it nice to have a machine? I think so, but again, individual opinions vary!

One of the costumers I follow sews everything 100% by hand because she finds it meditative and isn't interested in using a machine at all. Some people hate hand sewing and prefer to do everything by machine, with maybe a bit of hand finishing if they absolutely can't avoid it.

I do about a 50/50 split overall, maybe skewing a bit more towards hand sewing. I like to do pants, shirts, and nightgowns mostly by machine with some hand finishing, but for jackets and waistcoats I usually do considerably more hand sewing than machine, because I like 18th century tailoring techniques and think they give a nicer looking result. I do most of my buttonholes by hand, or I do them by machine first and then cover them in hand stitching.

Most people who sew do at least some of it by machine, but again, I don't know which way you prefer to work, so I'd suggest trying out both to see how you feel abut them.

For hand sewing, I suspect a lot of people hate it because they're using shitty needles and/or shitty thread, and perhaps haven't found good resources for hand sewing techniques.

Here's a post of hand sewing advice that I found quite helpful a decade ago. Use good needles because the eyes of the cheap ones have jagged edges and will ruin your thread! Use nice thread because the wrong kind will be twisty and tangly and will fray more!

Thimbles are good and useful, and typically they go on the middle finger of your dominant hand, and you use them to push the needle. I prefer metal thimbles and dislike using leather ones, but some people prefer the leather ones, or rubber ones.

The metal ones come in sizes, and I don't know how to find out your size aside from trying them on in person, but I know I'm a size 11.

One very important thing is that if you're hand sewing a garment, look for hand sewing specific instructions on how to do the construction techniques you're going for. A lot of the time when someone nowadays is trying to figure out how to hand sew a thing they'll just try and copy the machine sewn version, and a lot of the time that's inefficient and more difficult and the result looks worse, because machines and hands work very differently!

This is something I'm going to briefly discuss in the outro to the very long shirt video I'm working on, because it's so very common, and I've done it too! On several of my earlier hand sewn shirts I didn't know to turn the edge in on the front slit and do a little narrow hem, so I instead sewed on a facing for the front slit and cut and turned it, just like I'd seen on machine sewn shirts. This made it about 3x more time consuming, and the result was much bulkier and looked worse.

I've got so many more things to say about sewing but it's almost bedtime and I don't want to make this post too long.

For machine sewing, again there's a lot of personal choice. Some people like newer machines, some people like vintage or antique ones. I'm one of the ones who prefers solid metal vintage machines. I grew up using an old cast iron Singer, and the newer domestic machines just feel so plasticy and insubstantial to me. I'm used to ones that just do straight stitch and can also go backwards, but some people are perfectly happy with ones that can't even backstitch.

I do think that for a beginner the vintage machines are a better deal, because if you're patient and look around for a while you can snag one for really cheap at a thrift store, yard sale, facebook marketplace, etc. Also they're mostly metal and therefore harder to break.

I recently got a Pfaff (from I think the 1960's?) at an estate sale for 25 bucks. The zig zag mechanism is stuck and needs fixing, but I cleaned & oiled it up and it works just fine for regular straight stitching.

There are SO MANY online resources for how to clean, oil, and fix vintage sewing machines, especially the more popular brands, and a lot of the time cleaning & oiling is all they need. Read the manual and get an oil bottle with a nice long pointy thing so you can reach all the parts, and get some compressed air to whoosh out the fuzz. If it's old and hasn't been used in years, turn the hand wheel and observe every single place where metal rubs against metal, and Make It Greasy There.

(If you don't have the manual, you can often find those online too. I even found the service manual for my new-old Pfaff! I have the original users manual, but this one's for the people doing repairs.)

Oh this post is getting much too long! If you don't know yet if you like machine sewing, try seeing if you can use one without owning it, perhaps at a sewing class or in a makerspace. I know some libraries can loan out machines. A sewing class would probably be a good idea actually, if there are any available where you live!

Much like how you'll have a bad time hand sewing if you've got shitty supplies and no proper instructions on good techniques, you'll have a bad time machine sewing if it's not oiled well and if the tension is uneven.

There are so so very many things to learn about sewing and I hope I'm not making it sound too overwhelming, because I promise it's not if you take it one step at a time!

Also, when someone who's been sewing for a long time says "You may think you can ignore (piece of sewing advice), but actually that's bad and you will regret it", they're usually right. Oh, how I regret not learning to use a thimble years earlier than I did...

Sorry this post is so long, I hope it's helpful!

Basically, there's no one best way to sew anything, and you should try different stuff and see what works best for you, because everyone has different preferences.

[foggyfrogss]

« MOIRA › fate; destiny

Gojo x Reader | Warnings: Pure Angst | Discord 18+ | One Shot List

Synopsis— You are reminded of the horrors of Jujutsu, witnessing the last moments of Satoru Gojo and Yuta Okkotsu.

Wake up.

Wake up.

Your mind repeats the phrase, over and over.

“Wake up…”

It had just been you left in the room.

No other signs of life. No other signs of life.

On the metal he lay, motionless and coated in red. It’s all red.

There was no way he could be dead.

“Wake up!” It’s a selfish act, pleading a dead man to wake up.

Oh how you only wanted to see those eyes just one more time. Just one more time.

His face is still, holding an expression you’d never seen him make.

Satoru Gojo was at peace.

Though severed in more places than one, cut in half and bleeding out; he was at peace. A peace he couldn’t find living, even if he searched far and wide. It was an unreachable peace for a man who was as burdened as he was. He was free.

Tangled in your soul, he stays, making it difficult to breathe.

The short time you had alone with him had not been enough, you wished for more— but Shoko had been insistent on preparing his corpse.

Satoru was good at many things, one thing being that he always kept you out of the loop of his plans. “You’re what?” The words fall from your lips in a shocked tone, devoid of anger but filled with horror.

You couldn’t be angry at Shoko for something out of her control. She wanted the same as you; you could see it on her face and in the amount of finished cigarettes on the floor.

“If we hit rock bottom— meaning we have no other choice, if Yuta can’t do it,” Shoko begins to explain as she rids Gojo’s face of the dried blood, “we are to swap Yuta’s consciousness into his body.”

“He was okay with this?” You ask, motioning towards Gojo. Shoko nods, but only once. Her tired eyes jump from his corpse to meet your eyes. “He was sure he’d win, but then expressed that he did not care what happened to his body… if he were to die.”

In silence, though standing back far enough to give Shoko room, you watch her prepare his body. The squeaking wheels of a cart could be heard as she brings over a tray of medical tools.

She cleans off the dried blood after removing the scraps of his torn shirt. In silence, Shoko stitches the man’s body back together. Almost like a puzzle.

She cleans the remaining blood, and then pauses; she’s looking up at you, brown eyes peaking up. Though her face is masked, she’s showing her concern.

“The next part may be hard to watch,” she says steadily, holding up what looks to be a type of scalpel.

One part you had completely missed was how the consciousness would be swapped.

“Wait,” you’re saying, “what are you about to do?”

It’s silent for a beat, and you don’t miss the way her fingers slightly tremble. “The curse that was inside Geto’s body- Yuta will be copying that technique to use Gojo’s technique.”

It was clear as day now, and your eyes widen.

“You’re using-“ you are cut off with a loud popping sound. Ui-Ui appears out of thin air, holding— to the best of his abilities, Yuta Okkotsu.

Once again, all you see is red. It’s spilling onto the floor, a lot faster than Gojo’s had been. Yet, as you watch in pure horror, you see the way Yuta is still alive. He’s still moving, but slowly. Yuta’s energy flickers as it clings to life.

Shoko had dropped everything in her hands to push another metal table over, helping Ui-Ui place his severed body onto it. Piece by piece, careful not to hurt him more than he already was.

Just like Gojo, Yuta matches his sensei’s fatal wounds.

Seconds after Yuta’s arrival, the double-doors to the morgue/medical area are busted open. A kid, who you faintly recall as Amai, and Nitta flood in. Both of them rush to Yuta’s side, doing what they can to help him.

With a few minutes passing, you feel the tension in the air rise. It thickens uncomfortably, making you more anxious than you already were. “It’s no use,” you hear Nitta express. “All my RCT is doing is pausing it— it’s not getting better or worse.”

“Rika is how I’m still conscious, b-but that’s at its limit too…” you hear Yuta’s strained voice choke out. It’s absolutely gut-wrenching, hearing a kid— Satoru’s student, you grew to know so well suffer in such a way. “Ieiri, we’re doing it,” he says, “we have to do it. There’s no other choice.”

For a second, it’s deathly silent. All that could be heard is the strained breathing of Yuta Okkotsu.

“I have finished the stitching on Gojo’s corpse. As soon as you have moved in, push your reverse cursed technique to its maximum and get the body ready,” Shoko is turning slightly to lock eyes with Amai. “Amai, you will help me support him.”

“You have the option to stay and watch or save yourself the grief.”

You are already grieving, what more could make it worse? You stay silent, practically unable to speak.

Her words make you glance up at her, tearing your eyes away from Yuta as you watch Amai move towards his extended right hand.

“Come with me,” you feel Nitta take hold of your hand, pulling you towards the exit.

As if you’re on auto-pilot, your legs take you with her. Your head stays turned as you leave, watching as Shoko begins cutting into Gojo’s head.

The sight is gruesome, making you sick, but the double-doors shut before you can watch any further.

Unable to move any further, you’re falling to your knees, releasing a pained sound as you feel the grief finally take hold of the wheel. It’s painful.

“No…” you gasp out, shutting your eyes tightly together. The last thing you wanted to do was cry, but the tears find their way out, falling down your cheeks in heavy streams. “This isn’t real,” you say, clenching your teeth. “Satoru couldn’t have just died like that.”

Nitta is silent.

When you no longer feel Yuta’s cursed energy, you know.

After peeling yourself off the ground, you’d found a seat in a row chairs just outside the morgue. You assumed they were for grieving people such as yourself. People who needed to say goodbye one final time.

It’s quiet. A quiet that leaves you bare and lonely, alone with your thoughts. All you can think about is how you’ll never see him again.

As you sit in the depths of your mind, wading through heavy thoughts and feelings, a sharp feeling strikes you. It hits you hard, making you jolt.

It was him. It was his energy.

“Satoru…” you’re saying to yourself, in disbelief, picking yourself up from the seat. Nitta notices you immediately, quickly reaching for you, but you slip away.

Your anguish had blinded you. All you wanted was him and currently all you could feel around you was him.

In a haze, you’re opening the doors to the medical area, wincing from the bright lights. Your body reaches for him, grasping at the air. It’s like a magnetic pull, unable to resist the force, you’re scanning the room for him.

Your heart thumps, sending a wave of tingles through you as you finally spot him.

Lost due to the overwhelming events, you weren’t sure what to expect. It had completely slipped your mind as to what Shoko genuinely meant when she’d explained… though you understood, nothing could prepare you for what you found.

Shoko is eyeing you worriedly.

The man turns, locking eyes with you.

Oh how you only wanted to see those eyes just one more time. Just one more time. Yet, when that wish is granted, when you lock eyes with this man— it’s not the same. At all.

They are distant, lacking the vibrancy of life Satoru Gojo once held when he looked at you. Blue, striking and bright, they’re now cold. Cold like the body that lay on that table moments ago.

The peace was gone, as was Satoru Gojo.

Dead man walking, he moves awkwardly, like a reanimated corpse trying to learn how to walk again.

Disheveled hair, you can see the fresh stitching across his forehead; Geto’s face pops into your mind.

Next to Gojo’s body, Shoko moves away, going to the other side of the room. The air around her has completely shifted, and you understand immediately.

In the background, you can hear Shoko clean the tools she’s used for surgery.

“Yuta,” you say, directing it towards Gojo’s body. When his mouth opens to speak, you feel as if your heart is ripped from your chest.

Gojo was not free. Though death has lifted the burden of his status off his soul, he is unable to rest. He is not free— a weapon, taken advantage of and used selfishly by your fellow sorcerers for their gain. For Japan’s gain. Call it selfish, but you understood why the plan had been kept from you now.

Hell would freeze over before you agreed to such a thing, even if Gojo was okay with it.

To have a body; to just exist, is to suffer— it was what you learned from him in the handful of years you had known Satoru Gojo.

He was not a man to speak up, especially about himself; you could see it in his eyes rather than being told in words. The second his blindfold was removed in the comfort of your home, his entire story would be told, expressed only to you in private.

He was a man, a human, just like any other sorcerer... just as Geto was.

To be used in the same way as his late best-friend, but this time for good; it was more than tragic... disturbing and unforgivable.

“Hello,” he says your name after, following the greeting.

It is his voice. It is his voice.

Under a white sheet, Yuta’s body— now corpse, lays still. His brain, and complete consciousness, residing in the corpse of your late lover.

“I’m sorry,” is all he says before disappearing from the room. His voice is pained, as if he had been in your shoes himself. As if he had been the one to witness his lover's body being used as a tool.

Silence follows his departure, filling the cold room.

You hadn't known warmth since he turned cold.

[xensilverquill]

Amigurumi/Crochet Toy 101 + Resources

Noticed a couple folks in my tags mentioning that they wanted to learn or wished they knew how to crochet amigurumi. So here's a quick and dirty little how-to guide with resources I threw together? Hope it helps!

Tools + Materials

Crochet is one of those hobbies that is actually relatively cheap to get into. Here is a basic list of what you'll need to get started. You can find most of these at any craft store or even Walmart.

(1) Yarn (Required)

Yarns come in a variety of weights (sizes) and fibers. I recommend a soft, worsted weight acrylic yarn (indicated by a number "4" and "medium" on the yarn label) for your first few projects.  

Image

(2) Crochet Hook (Required)

These come in a lot of sizes and styles, and what size you'll use will depend on your yarn weight and how tight you want your stitches to be. I'd recommend buying just one hook to start with rather than a larger set. Metal hooks with ergonomic rubber handles are easiest for beginners (and on your wrists longterm, lol). A 5.0 MM/Size H or a 4.50 MM/Size G works best for making amigurumi with worsted weight yarn.

(3) Polyfil/Stuffing (Required)

For stuffing your project.

(4) Yarn Needle (Required)

Most crochet projects require sewing to one degree or another. Yarn needles are distinguished from regular sewing needles by their larger size, larger eye, and blunter tip. Yarn needles may be straight, or they may be angled at the tip (i.e. a darning yarn needle).

(5) Scissors (Required)

Any sharp, medium-sized pair of scissors will do for cutting your yarn.

(6) Sewing Pins (Recommended)

For holding parts in place as you sew them on.

(7) Stitch Marker (Recommended)

Many amigurumi projects are worked in rows of continuous rounds, and stitch markers can be used to mark the beginning or end of these rounds. They can also be used to mark areas of interest in your project or to secure your project to keep it from becoming accidentally unraveled. I strongly reccomend getting split ring ones. Scrap pieces of yarn also work in a pinch as stitch markers.

(8) Counter (Recommended)

For keeping track of your rows as you work a pattern.

(9) Safety Eyes (Recommended)

Most amigurumi will require eyes of some sort. Safety eyes (you can find these in various sizes in the doll section of any craft store) will give your project a polished look, but you can also use buttons, felt, or even embroider the eye details on your amigurumi.

(10) Stuffing Stick (Recommended)

For getting your stuffing into hard-to-reach spots. A chopstick or wooden skewer works very well for this.

Basic Crochet Stitches + Amigurumi Techniques

Most crochet patterns are built from a few basic stitches. Before attempting any larger project, I recommend getting comfortable with these stitches by making a few small, flat pot holders out of each basic stitch. A lot of crochet is pure muscle memory and practice, and this is a great way to start.

There are also a few techniques specific to making amirugumi that will be helpful for you to know. You can find any number of free videos/tutorials online. Below are links to a few videos that I found helpful when I was learning to crochet.

Image

How to Make a Slip Knot

Single Crochet (+ Starting Chain and How to Count Stitches)

Half Double Crochet

Double Crochet

Triple Crochet

How to Keep Starting Chain from Twisting

Magic Ring

Ultimate Finish

Invisible Finish

Invisible Decrease

Beginner Amigurumi Patterns

These were the first three patterns I learned in the process of teaching myself how to make amigurumi. I recommend working them in the order they are listed. The first two links have step-by-step instructional videos and will help ease you into learning to read amigurumi patterns. All of these patterns are free, and there are many more free patterns out there as well. Have fun!

Amigurumi Ball

Amigurumi Whale

Amigurumi Stegosaurus

[flying-ham]

since I just finished my big sansa embroidery project, I wanted to talk about the process of creating it and my inspiration

I was inspired by this piece that I stumbled across totally by accident. I was actually researching ptolemaic era egyptian weaving but found this 20th century embroidery and immediately thought of sansa. I created a sketch of sansa and lady in october of 2022 and then traced it on white cotton using a tracing pencil against my window.

I then began outlining my stitches with a chain stitch using a single strand of embroidery thread. I found that this was really nice for outlining while still blending my colors. For the cream colored thread on sansa’s dress I didn’t outline, which achieved a less blended and more distinct layered effect.

For the majority of the work, I used a technique called needle painting, where the artist uses a series of long and short stitches involving various shades of single strand embroidery thread. This technique was used for the entirety of sansa and lady’s figures.

The weirwood tree was a tricky piece for me to work on. Initially I used a technique of horizontal satin stitches to fill in the tree, but ultimately restarted and chose to do vertical chain stitches to imitate real tree bark. I used three shades of tan and cream, using a single strand of the darkest shade, two strands of the medium shade, and three strands of the darkest shade. This created an effect also similar to real tree bark, which I tried to capture in the second picture.

The final touch was adding sansa’s hairnet. I used a metallic silver thread and clear beads, basing it on the amethyst hairnet used to murder joffrey. While the amethysts in the book are black, I used clear beads to match her home of winterfell, where her jewels would match the snowflakes in the godswood.

and that's sansa and lady! It may have taken over a year and a half on and off, but I'm super proud and excited about everything new that I learned and improved with embroidery throughout the process. If you have any questions or comments, my asks and messages are always open, I absolutely love talking about embroidery!!

[cravesunconditionallove]

On your recent post for Vivisections

Do you have any more advice or maybe a quick scene lay out on how you'd accurately describe and show it? I've not seen many people explain this before I'd love to know more!

Permission to infodump?? awesome :D

Because it's on topic here, there are a few blogs I think need a mention because they have AMAZING medical/torture writing advice (@scripttorture and @justkidneying )

You didn't ask whether the character lives or dies, I don't know which you want so here's info on both scenarios:

Dying:

First off, without anesthesia, the pain alone would likely lead to a thing called Neurogenic Shock, which will in turn cause a BP drop and organ failure among other things. Your character will likely be breathing quickly, appear pale, have a rapid pulse, and be confused if they are still conscious. And yelling in pain of course.

For death due to blood loss: it's hard *not* to hit a major blood vessel if you're flaying someone open neck to groin, and that will also lead to quick death without immediate treatment. Cautery (using electricity to burn an area, stopping bleeding) will work on smaller bleeding but major blood vessels not so much. Symptoms are similar to shock: clammy/pale skin, thready/weak/rapid pulse, loss of consciousness.

Other: you can also risk damaging organs (someone being vivisected probably isn't going to be staying very still, even restrained, and one slip of a scalpel and oops, that's the aorta...) A punctured lung could lead to pneumo/hemothorax (air/blood in the chest cavity (pleural space), where it shouldn't be) causing respiratory distress—and then shock, and without treatment—death. If the heart is damaged, death would be near instant. Other organs like the liver, kidneys, bowels, spleen etc are pretty big bleeders, so see my Blood Loss section.

Sepsis: If they don't die immediately, sepsis is a big risk, as even in sterile environments you can't completely prevent it. Sepsis is when an infection reaches the bloodstream and is very serious. I imagine whoever is vivisecting the character probably wouldn't care too much about using sterile technique, so you can bet on an infection happening. This can set in within hours or days. Symptoms include high fever, pain, confusion/delirium, sweaty/clammy skin, low blood pressure.

Now, if you want them to live?

Surviving:

If the vivisectionist wants their patient/victim to survive, they'd need a lot of materials. Like any major surgery you'd need blood products, fluids, antibiotics, ligatures, and a way to keep the pain (somewhat) under control. Alcohol has been used in the past for similar procedures, but you could also just opt for a dose of opioids.

Antibiotics are necessary, opening someone up like that is a MAJOR risk (see "Sepsis").

I imagine they'd also somewhat monitor the character's vitals. They'd also probably have a few assistants to help with similar smaller tasks like that—stopping bleeding or handing tools, etc.

Closing the wound: Stitching someone up from such an event would be a lot of work, as you have to close many skin layers (muscle, fat, and the surface skin) and bandage it.

If you don't want to stitch them up immediately, a wound vac (negative pressure wound therapy) would be a good option. Doctors use these in cases of things like compartment syndrome. It is used when you cannot close someone back up right away.

Bandages and proper wound care are also important, you'd need to change the bandages every few hours for the first few days as deep wounds tend to produce a lot of fluids (called "exudate.") Sometimes doctors place drains to help drain away this fluid faster.

All in all, Healing from this would take months, not to mention the psychological trauma from all of this.

The scene:

Writing these scenes is honestly so variable so here's a few thoughts of mine:

You could describe the environment: (cliche, but cold metal table? Harsh lighting? Straps? A table with sharp scary-looking objects on it? How about the scent of disinfectant (or its absence).

The initial sensation would be the biggest to focus on: does the vivisectionist take their time? (pressure before pain?) shock as nerves fire as they are severed (lightning sensation shooting upwards), and the body’s instinctive flinch or freeze. Initially screaming, swearing? Sweating, rapid breathing, muscle spasms, or even vomiting as the body tries to cope?

Smells: Metallic tang of a large amount of blood (I personally HATE this smell, it's like having a penny in your mouth, or if you've ever used a metal scrubber to clean a pan, it smells kind of like that.), burning flesh (if they use cauterization) etc

If the character is partially sedated for it, keep in mind they will still react to pain, albeit sluggishly.

I hope this helps!

[jewellery-box]

Dress. Scotland, Glasgow (place of manufacture), circa 1863. Wool, cotton.

Glasgow Museum Collections

Woman’s dress in light purple wool embroidered with in purple and white thread in tambour-work in an abstract pattern. High round neckline trimmed with lace, bodice loosely pleated from shoulders to wide v-shape at straight waistline with two narrow vertical pieces of gauze with tambour-work centre front with fastening behind of nine metal hooks and thread eyes attached to lining. Full-length sleeves with short pointed frill at shoulder edged with tambour-work, applied narrow piece of gauze around lower arm to suggest folded back cuff, hem edged with white lace. Skirt, full-length, pleated into waistband with tambour-work border around lower half, opening at front fastened by two metal hooks and thread eyes with small watch pocket in waistband. Bodice and sleeves lined with glazed cotton, skirt lined with cotton.

This beautiful dress is made from light purple wool. The silhouette follows the fashions of the early 1860s with a softly draped bodice and wide, full-length skirt that would have been held out by a steel-framed cage-crinoline.

The dress is decorated with an abstract pattern in purple and white thread tambour-work. The stitch resembles chain-stitch but is worked with the cloth stretch over a hoop, known as tambour, using a small hook rather than a needle. The technique originated in India and reached Britain the 1760s. By the early 19th century the west of Scotland was a leading centre for manufacturing tamboured muslins, with up to 20,000 women and girls in total working in the British industry.

[the-merry-otter]

How To Make Medieval Fabric Buttons

You will need:

• fabric (I’m using a medium weight wool)

• a sewing needle

• cotton or silk thread (it MUST be strong)

• a thimble

• dressmakers pins

Using this style of button as a fastening technique was very prevalent in 14th century Europe, on both men’s and women’s clothing. It was used for anything from sleeves and openings on the front of garments, to the iconic liripipe hoods (which is what these are gonna be for!).

They were usually made out of leftover fabric from the same material that was used for the garment they were intended for. As well as using every scrap of material possible, they also save you from having to buy metal buttons, which… aren’t cheap (both now and then).

The trade off is of course having to make them, which can be a painful process (literally - try not to get stabbed by the hedgehog ball at step 4!!). I thoroughly recommend a thimble to push the needle through as you form the ball - this is hard enough without having to pull it through.

Making buttons in my experience is 10% knowledge, 60% spite, and 30% hatred. It is a contest of wills between you (who wants a button) and the fabric (who doesn’t want to be a button). I wish you luck soldier.

To start with, cut a circle out of your fabric. How big will depend on what fabric you use - if it’s linen, you’d cut a larger circle than you would for wool. Mine is about 30mm.

Using a long long thread, bind on and then sew running stitches around the outside, about 5mm from the edge (may vary with fabric).

Pull this thread tight like a pouch, and turn the raw edges inwards in one direction. Try and tuck them inside the “bag” section. It will likely be more of a squashed oval at this point than a sphere.

Now, get your dressmakers pins and go absolutely ham. Continue to squish it “inward” (towards where the opening was) as you pin. The button should now resemble a very unfriendly little creature now (good luck with not getting stabbed, it can be a bit of a prick).

Next, basically use your needle to try and get it to stay in that shape. I usually do a bunch of stitches around the edge of the “back” end, and then spend some time criss-crossing the back. Try and put your needle in close to where it came out, so that you don’t get long pieces of visible thread.

Once you are confident that it will hold A Shape ™ (but also isn’t so stabbed that you can’t refine it further!), remove the pins. Your button will most likely resemble a little tiny messy wool brain at this point, but that’s ok!

The next step is to use your needle and thread to continue tucking the ball inwards to the centre of where the opening was. Above illustrates how I’ll flip the open part of a fold inward, by coming up through the fold and then levering it downwards so it gets tucked away. You can also just use the thread to pull errant folds inwards. Use the hand holding the button to squash it into form, and then sew it into place.

Once the button is actually a ball shape, crisscross the back of it a bit so that everything is firmly held in place. It should now (all things going well!!) actually be a sphere.

Once you’re happy with the shape and firmness, take your thread to stem out of the centre back. Bind off, and then slide the needle off the thread, leaving the long end. This can then be used to sew the button onto the garment.

The back will still be somewhat messy, but the front should be smooth, and the whole shape roughly spherical. When the button is sewn on using the remainder of the thread, you won’t be able to see the back!

I wrap the remainder of the thread around the finished button so it won’t get tangled, and then pop it in a jar with the rest while it waits to be sewn onto the garment.

Good luck with your crafting! Feel free to ask any questions in the notes, or straight into my inbox :)

[bluejayblueskies]

Bookbinding Year in Review 2024

Another year, another reflection on all of the books I've bound this year! I didn't have as prolific a year as last year, but I still bound quite a bit.

Starting off with some overall stats:

Total books bound: 30 Total books gifted: 26 Total words bound: 1,116,840 Average words per book: 37,228

I bound quite a few blank books/journals this year, and I ended the year with a few very large binds, so there are some outliers skewing this average 😂 Additionally, despite binding about half as many books as last year, my total words bound is approximately the same (likely because so many of last year's books were short pamphlet binds).

This year, instead of doing pamphlet binds for Binderary (a bookbinding marathon event hosted by the Renegade discord server in February), I did 15 Malevolent-themed journals in conjunction with @shadow0haven and sold them at Invictuscon in March, with profits going to charity. Though I probably won't be doing it again (it took a lot out of me), it was a lot of fun!

[ID: Three journals laid side-by-side. The leftmost journal is yellow with a black spine and has artwork of Blob John on it. The middle journal has a black spine and painted-style artwork of John (depicted as a large monster with a large white pallid mask) and Arthur (depicted holding a lighter with his eyes covered) on it. The rightmost journal is black with a gold spine and a gold metallic painted Yellow Sign in the middle. All three journals have gold ribbons and black elastic closures. /End ID]

About half of my bound books this year were for Binderary. I also bound books for Fandom Trumps Hate, Renegade bookbinding exchanges, Big Bang events, and Fanfiction Writers Appreciation Day. One of my most experimental book designs from this year was from the Rusty Quill Big Bang, where I went all-out on a hockey-themed book.

[ID: A hand-bound book open and standing up with the spine facing the viewer. The highlight of the picture is the spine, which has a hockey lace threaded over it so that the spine looks like the front of a hockey skate. The spine beneath the lace is open so you can see the paper and stitching. /End ID]

I've been experimenting a lot with different book styles and binding techniques this year, trying to stretch myself, try new things, and use the skills I've acquired to think and work outside the box. I did that with the above book (combining coptic and sewn board binding styles). I also learned some new techniques, such as creating covers using cutting machines, doing different styles of endbands, trimming edges (easily the most frustrating part of the binding process 😒), and painting edges. One of my favorite aspects of this hobby is, as the Renegade server calls it, FAAFOing, or "fucking around and finding out," so even when something doesn't work out 100% perfectly or the way I envisioned it, it's just a learning experience for the future ✨

This year's fandom that I bound the most for (excluding "no fandom") was back to my roots with the Magnus Archives. I got to bind one of my own fanfictions as part of a Fandom Trumps Hate gift, which was a pleasure to do. It was my first exploration into the world of creating stenciled covers using my Silhouette, and I'm delighted at the cover designs available to me now.

[ID: A hand-bound book photographed from the front. The book has dark green bookcloth, a decorative red and gold ribbon along the left side, and a gold painted cherry blossom design. The title and author name are also in gold and read, “Ten Thousand Flowers in Spring” and “bluejayblueskies.” /End ID]

My favorite bind from this year is currently a secret (it's an exchange gift!), but my second-favorite is a Rusty Quill Gaming bind I did of knifemartin's fic Due North earlier this year. I tried marbling for the first time for it, which was a tricky yet rewarding process, and I'm thrilled with the aesthetics of this book. An honorable mention is Aftershocks, another RQG fic by knifemartin that allowed me to indulge in my love of wingfic.

[ID: Two images of two different hand-bound books. The leftmost image shows the front cover of a book bound in black cloth with the fic name "Due North" and author name "knifemartin" painted on with silver paint in a fancy sans serif font. There is also a rectangular cutout showing off blue and green marbled paper beneath. The rightmost image shows the front cover of a book bound in shiny gold cloth with the fic name “Aftershocks” and author name “knifemartin” painted on vertically on the righthand side with silver paint in a blocky sans serif font. On the lefthand side, there is a 3D white angel wing that has been constructed from individually cut-out paper feathers. /End ID]

I have some fun plans for the upcoming year, as well as a resolution to bind more for myself in 2025. I really enjoy doing events and gifts and exchanges, but it does have me putting a lot of projects I want to do off to the side, so I'm going to make more of an effort to focus on those in the upcoming year. Time to finally make a dent in my to-bind list! 💪

[metalstitchinglocking]

Onsite Crack Repair by Metal Locking and Metal Surgery Process

It has been shown that mechanical failures or exposure to extreme heat can cause cracks to form in cast iron components. Sometimes it is challenging to arrange for a new part because of a longer delivery period or an exorbitant price. We fix damaged cast metal or aluminium components by using a metal stitching and locking procedure. It offers permanent crack solutions without producing the heat required for welding. Please email us at info@rapowersolutions.com for further inquiries about metal stitching, the metal surgery process, engine block repair, and cast iron engine block crack repair. 

[littlehousebigsociety]

I was reading a book on darning. Apparently the way I darn socks isn't an "official" technique 😂 although it shares some aspects with English darning. Whatever. I hated most of the techniques in the book 🤣 but it still indirectly inspired me to try combining sashiko with square darning.

This pair of pants tore a small hole in the knee ages ago. I've had them in my mending pile while I waited for inspiration to strike. Basically I ran random stitching vertical and horizontal, not trying for regular length of stitches or distance between lines, except in the very center where I picked up extra lines and then wove them from the opposite direction in a square darn.

Supplies: Olympus 100% cotton sashiko thread in navy (103), and a small metal mixing bowl for a darning "mushroom"

Work in progress, below. While the vertical lines were easy to keep straight by following the lines in the denim, horizontal proved impossible without drawing guidelines (in brown). (Not widely approved of, I'm sure, but kids super-washable Crayola fine tip markers are great for this imo. 👍 So far they've always washed out for me.)

The hole, from the reverse, because I always forget to take "before" photos:

My only regret is that I didn't put an additional piece of denim behind the hole as reinforcement. That may or may not backfire on me. However, so far I'm very please with the outcome. I washed them, everything held up, and the patch is comfortable when wearing.

[starsandtulips]

pressed petals. ݁₊ ⊹ . ݁˖ . ݁

boothill sews an apron for his partner using the flowers he always gives him.

characters⟡ boothill, (mentioned) argenti

relationships⟡ argenti/boothill

word count⟡ 462

cw⟡ references to canonical child death

Boothill's metallic fingers shook as he attempted to prevent the sewing needle from slipping into the cracks in the casings of his finger joints. He wasn't built with the ability to undertake delicate tasks anymore but for his sweetheart, the dainty yet strong Argenti, he would do his absolute best.

So far, he hadn't torn or ripped the cream fabric while stitching it into an apron but he attributed that to his meticulous focus, rather than any latent ability left from his past life. His sewing skills, once far beyond everyone else in his family, had degraded from disuse and clumsy metal fingers. His finger slipped, the needle briefly jamming into his joint's casing and threatening to snap.

"Aeons damnit darnit." He cursed, inspecting the thin needle. Luckily it was still intact and Boothill was able to continue his work.

When the last stitch was looped into the hand-dyed fabric and Boothill snipped the leftover thread, he lifted the garment up, admiring the finished product.

The last time that him and Argenti had the pleasure of sharing each others company, the subject of cooking had come up. Boothill had plainly told Argenti that he could still taste but since he didn't need it anymore, didn't see the point of eating. Argenti had gasped and insisted on cooking for Boothill.

He had to admit, Argenti was a wonderful cook. Boothill had suggested getting Argenti a frilly apron to cook for him in, as a joke, but Argenti had blushed so prettily that Boothill immediately made up his mind about getting him one.

Unfortunately, none of the aprons he had seen in stores were good enough and Argenti had messaged him about their paths crossing again sometimes soon, so Boothill picked the needle and thread back up from where he had left it behind years ago to make him one.

Looking at the apron, he felt a sense of pride unclock from the recesses of his heart and spread across his chest. It was nothing like the little dresses he had sewed his daughter, when she was alive, but after several decades of not sewing it was passable.

He had taken the petals of the roses that Argenti gave him each time and pressed them into the soft cream fabric in the shape of open roses, dying the fabric into patterns. The bottom of the apron was scalloped, a technique that was much harder than he remembered. All in all, it was a very pretty apron.

Boothill folded up the apron after he had taken a long look at it, tucking the garment into a bag to keep it safe while he traveled, a sharp grin spreading across his face. He couldn't wait to see how flustered the gift would make his pretty knight.

[stalkerofthegods]

Athena Pallas/Minerva Deep dive

To the wisest of the wise, to the goddess that tells us the wisdom, may we all cheer for her, like how men and women and all equal in war would cheer after victory.

Herbs • Olive tree, Tiger lilies, geranium, oak, cypress, Hellebore (Christmas and Lenten rose), and citrus tree, walnuts, pears

Animals• owl, snake, rooster, griffins, horses (she taught men how to tame horses), female lambs, doves (as a symbol of victory), rams, eagles, tigers, leopards, and other cats (could not find why but many were in agreement.)

Zodiac • She was mostly celebrated in June/July so I would say, Gemini, Cancer, and Leo.

Colors • gold, orange, yellow, emerald green, and royal blue

Crystal• bronze, metal, gold, silver, Azurite, Iolite, ruby, star sapphire, turquoise, lapis lazuli, ivory, Amazonite, Iolite, Bloodstone, Clear Quarterrtz, onyx.

Symbols• owls, olive trees, snakes, the Gorgoneion, golden shield, and helmet, serpents 

Jewelry you can wear in their honor• you can veil in their honor

Diety of • knowledge, knowledge in war, crafting, inspiration, strategy 

Patron of• Military, justice, skills, close combat, good counsel, prudent restrain and practical insight, weaving, and spinning, crocheting, the defense of towns, heroic endeavor, and protection agriculture, she is known in the arts as well with Hephaestus, protectress of the phratries and houses, authority of the law, the order in the courts and the assembly of the people, mathematics, strength, asexuality, librarians, peace, judges, protests, metalwork, birds (called the goddess of the birds), teachers

Offerings• She was sacrificed bulls, rams cows, all female except a lamb, it must be a male lamb, Locrian maidens or children are said to have been sacrificed to her every year as an atonement for the crime committed by the Locrian Ajax upon Cassandra (do not do, just here for historic offerings.), Olives, Bread, Grains, Olive oil, Cakes, Olive tree branches, Owl figurines or imagery, Silver jewelry, Honey, Milk, Books, Strategy games, Quality chess boards, Snake figurines or imagery, Fountain pens, Handmade objects, Clay items ( ex- plates, bowls, vases), Yellow and/or white candles, Yoghurt, Daggers, Swords (including small decorative versions), Devotional poems, Studying, Learning something new, Using what you learn as a way of growing and developing as a person, Standing up for yourself, Improving yourself, Owl pellets, Owl decoys for gardens,Work out clothes/gear, Fidget toys for when you’re working, Brain imagery, Spider imagery, Crafts you have made, Certificates/degrees/awards for achievements, Favorite books/books on mythos or Greece, Knitting/crocheting/crafting materials, Needles, Your glasses, Coffee/tea, Nice pens/pencils, Journals/notebooks, Voting stickers/cards, Spears/swords/daggers/helmets, Protest signs, pears, walnuts, Garlic bread, Start a small side business.

Devotional• Read a book, become a librarian as a summer job, or simply check out or return a book, join a book club, host a book club, learn Battle strategies, learn Wars and how they were won, learn What led to wars being lost, read The Art of War by Sun Tzu, learn about Politics,  Democracy in Ancient Greece, learn about Armor and weapons, Catch and release spiders in your home, do Pottery, learn about Cross stitching and knitting, Tutor someone/get tutoring for areas you need help in, Watch TED talks/listen to educational podcasts, Plan out your day/keep a planner, Thinking before taking action, controlling our anger,  Learn new vocab words, Make your notes pretty, Learn study techniques, Take appropriate study breaks, Do projects for Her, Challenge yourself, Learn grounding techniques, Do your homework, Give up things that are unhealthy for your brain (ex-  smoking cannabis, drinking.), work out, Learn basic first aid, take CPR classes, Take care of your body, Go to protests/advocate

Ephithets• will post later, postponed due to motivational issues, will come soon. 

Equivalents (alike but not the same)• neith (Egyptian), thrud (Norse), Minerva (roman), Athena (Greek) 

Alter• I would not put her alter near Heaphestus, be tried to violate her in a myth, I would not put her alter near Aphrodite because they are known to not get along in myths, but things could have changed. She does work well with heroes, so if you worship Hercules or Perseus I would put her alter near them, I would not put her near Arachne and keep her alter away from spider areas, etc. Keep her altar clean and orderly. She does not like the giant Pallas, he tried to ruin her chastity.

Signs they are reaching out• Encounters with owls, olive trees, or feelings of wisdom and inspiration, seeing owls in the day, going to the library more often, staying after school. 

Vows/omans• to stay a virgin forever, and to change her name 

Number• 6 or 7 and 5 (I couldn't find a website that could agree.)

Morals• Morally lawful

Personality• Strong, endearing, respected, smart, confident, practical, clever, a master of disguises, and a great warrior. Brings Harvard teachers to shame. 

Home• Mount Olympus 

Mortal or immortal • Immortal 

Fact• Some say she invented the flute, she invented the plow, and the rake, borrows tools from Zeus to do war saves people when fate counts on it, she repels Ares, some say Athena’s full name is Pallas Athena, but they say she added the name Pallas to hers after she accidentally mortally injured her friend Pallas during a practice session in her youth.  Athena was seen naked bathing, she felt bad for the man, she covered his eyes and made him blind, making him an oracle.

Curses• blindness, more spiders, spilling tea, dyslexia getting harder, losing ur glasses, no one knowing who you're dressed as during Halloween, getting into fights, unjust detentions, no one showing up to class, getting fired as a teacher or librarian (unjustly), dropping books and learning stuff all of the sudden, forgetting materials that you learned on your test, your quizzes and tests get lost.

Blessings• remembering test materials, witty replies in arguments, detentions all of the sudden going away, getting into your dream college, getting into a book club, finding ur books, getting a librarian or teacher or tutor job.

Roots• Greek, near the river Triton born after or in the Titanomachy era.

Friends• Pallas (her friend growing up)

Parentage• Some say Poseidon then she went to Zeus after a dispute and became his daughter, and some say metis and Zeus, some say Hepeastus.

Siblings• Artemis, Aphrodite, the Muses, the Graces, Ares, Apollo, Dionysus, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Minos, Perseus, and Porus.

Children• She does not have any romantic lovers, but she has adopted children, who are, Erikhthonios/Erichthonius.

Pet• one white and three dark horse and an owl, (she shares a chariot with Artemis) 

Appearance in astral or gen•  a stately woman armed with a shield and spear, and wearing a long robe, crested helm, and the famed aigis with the the Gorgon Medusa on a shield

Festivals • The cleansing Festival/Plynteria and Kallynteria Festival, the threshing festival/Skira Festival, the festival of Minerva/Minor Quinquatrus, The panatheanaea/Athena Festival, The Vintage festivalOschophoria Festival, the artisans Festival/Chalkeia Festival.

Day • she does not have any day of the week, the 23 of each month, and the first day. 

Sacred places• The Parthenon on the Acropolis of Athens is dedicated to her, and Athens.

Status• Wisdom goddess, One of the major theoi and goddesses in Greek mythology 

What angers her • If you stop worshiping her, I would clean up and part respectfully and know she understands, she does not like the sudden removal of an alter and the trashing of one.

The music she likes• classical and lo-fi study music.

Planet• Pallas Athene (minor planet) and the Asteroids 93 Minerva and 2 Pallas

Her Tarot cards• queen of swords, queen of wands, justice card, balance card

Remind me of• the saying “hitting the books” and someone actually throwing books, twilight from My Little Pony, Dead Trees (books)

Scents/Inscene • Patchouli, dragon’s blood, musk, indigo, orange blossom, cinnamon, and cedarwood

My opinion • She's cool.

Prayers• 

Prayer To Athena by Liz “Morning Dove” La Posta

Oh, wise Athena with your spear and shield, protect me and my family from injustice and harm. Council me with your wisdom so that I may make the best decisions. Grant me success in my endeavors, but keep me humble so that I might not become condescending to others. I thank you for the many times you have guided me on my Path. Share with me your mysteries and I will do my best to follow. Athena my Goddess, I pray this in your sacred name, and I vow to always be your faithful dedicant.

Prayer to Athena for Wisdom

Clear-eyed Athena, unrivaled in wisdom, daughter of Zeus and Metis whose craft and wit excelled among the mighty Titans: Athena, I pray to you. Wise in all things you are, goddess; your cunning and guile are well known. In time of war you have no equal in tactics or in strategy; many armies have you guided to victory. In time of peace your blessings fall on those whose work is of the mind–friend of the philosopher, the scientist, the student. Advisor of kings, patron of clever heroes and bold-hearted adventurers, defender of the thinker, mistress of reason and understanding, goddess to whom a strong arm and a sharp sword are nothing without the sense to wield them well and the insight to know when words are worth more than weapons. Athena, grant me a sound mind and steady temper, bless me with good judgment, show me the long view.

Links/websites/sources •seleniangnosis https://www.theoi.com/Cult/AthenaTitles.htmlhttps://www.britannica.com/topic/Athena-Greek-mythology https://en.m.wikipedia.org/wiki/Athenahttps://www.perseus.tufts.edu/Herakles/athena.html https://www.theoi.com/Olympios/Athena.html

https://www.worldhistory.org/athena/#google_vignettehttps://greekgodsandgoddesses.net/goddesses/athena/https://olympioi.com/greek-gods/athenahttps://ilfiorello.com/athena-the-importance-of-the-name/https://www.theoi.com/Cult/AthenaTitles.htmlhttp://www.goddess-athena.org/Encyclopedia/Rituals/Festivals/index.htm ATHENA'S BIRTH ON THE NIGHT OF THE DARK MOON - JSTOR 881 Athene - Wikipedia Athena | Olympian Goddess of Wisdom | Born from Zeus SkullGoddess Gift https://www.crystalvaults.com/goddess-athena/#:~:text=Crystals%20such%20as%20Azurite%2C%20Iolite,Athena%20can%20bring%20to%20you.Athena: Greek Goddess Of Wisdom And Craftsmanshiphttps://www.museandmoonstone.com/blogs/blog/crystals-goddess-athenaThoughtCohttps://www.thoughtco.com › what...What Are the Symbols of the Greek Goddess Athena?numeralgame.64g.ruhttp://www.numeralgame.64g.ru › ...Numerology and ancient Greek myths. Pythagorean numerological number 5. Goddess Gifthttps://goddessgift.com › goddessesAthena: Greek Goddess Of Wisdom And Craftsmanship Number Seven Facts, Symbolism & Meaning - Study.com Holy And Unholy Numbers - Street Directory Athena: Greek Goddess Of Wisdom And Craftsmanshipseleniangnosis travelingthief Titanomachy Definition, Myth & Impact - Study.com Athena Siblings - 1379 Words | Internet Public Library - IPL.org Athena Justice, Mythology Tarot Enamel Pin - LitJoy Crate Inner Goddess Tarothttps://innergoddesstarot.com › go...Goddesses in Tarot: Athenahttps://www.hellenion.org/athena/prayer-to-athena/https://www.tumblr.com/tarotbee

I use resources, I do not own the info, and most deep dives have UPG (that I use in my work.) And I only take some information from sources. I am 14, this is my hobby, I am learning but I spent many hours and days on this, and I am always open to criticism. I have been doing worship for 5 years. Please know you can use the info, I do not sue, but I will take action if this work is used without permission and not put as a resource if used in any work. without permisson and not put as a resource if used in any work, for the public.

[olderthannetfic]

This might be an odd or personal question, but could I ask how you started knitting and where you started as a beginner? Or what would you recommend? I’ve tried to join clubs and groups irl, but there’s so much drama and gossiping. When I said I didn’t want to take part in that aspect, they started ostracizing and gossiping about me. Any websites, yt channels or books you’d recommend for a beginner?

--

Haha.

My friend, this does not even register on the scale of deeply personal or odd questions people have sent me.

I've been trying to remember exactly how I started and why (like, even before this ask). I think it was on a family vacation to Scotland the summer before I started college. That would have been in 1999.

I taught myself from one of those awful 90s pamphlets with the line drawings. They're a nightmare compared to being able to see someone do the motions in person or even in a video. I had some awful plastic needles and no guidance on yarn and just knit with what I found at some shop there. Do not recommend!

I achieved what I wanted during college, which was to make a nice cable-knit sweater that I still wear, and then I got frustrated with crappy acrylic yarn and drifted away from knitting until a year or so ago.

The fact is, I basically didn't do beginner projects. I moved straight from making one rectangle to making grandiose sweaters or whatever else struck my fancy. (But if you want to know, I was using Viking Patterns for Knitting and a bunch of Alice Starmore books, all of which you can still buy.) I know plenty of people who did it this way, but you certainly don't have to.

And you definitely don't need to learn from a terrible 90s printed pamphlet!

Luckily, nowadays, you can find a tutorial on just about anything on Youtube. I enjoy watching the technical and historical types discuss quirks of knitting you might not think of without years of practice or research.

Roxanne Richardson is great, for example.

Look for somebody old, not wearing a lot of makeup, and not talking about their indie dyeing/yarn business and you'll avoid most of the clowns who learned to knit five minutes ago and now want to be knitfluencers.

When I want a super simple technique tutorial, I usually end up looking at either Nimble Needles or VeryPink Knits. I find her super annoying, but her tutorials are spot-on. Norman's voice is much more soothing and I just enjoy his presence more, but both of them have good ultra close-up shots of what they're doing (which lots of vloggers don't because it requires special equipment).

I'd just figure out what kind of finished products you want to use knitting for and then find patterns and tutorials geared towards those.

Cables are relatively easy. Stranded colorwork requires a fair amount of physical coordination and some people find it rather difficult at first.

Circular needles are far more popular than traditional straight ones for people starting today.

Cotton yarn is relatively less nice to knit with than wool for most people, but it tends to be the natural fiber available at a low price point from major retailers.

Picking up general tips like that by watching various youtubers will help you pick a project that won't be too painful to work on.

People who naturally knit loosely should consider grippy bamboo or wooden needles. People who naturally knit tightly should consider slippery metal ones.

My biggest piece of advice is that you're usually better off with something "hard" that you actually like rather than a "practice" project you don't care about, at least after you've made like one rectangle to practice doing a knit stitch at all.

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Finding community can be hard, and yes, some crafting hobbies are infested with drama.

But if you just want to know how to knit, you're way better off with some video tutorials and a nice pattern you like.