#meta: squeeze

[dilf-in-peril]

Great moment for CMWhite enthusiasts.

[alluratron]

Thoughts on Gojo Satoru

Gojo Satoru is a character with nuance.

With the release of JJK chapter 236, many people are shocked, confused and outraged at his characterisation at the end of his run in the manga. There are claims of character assassination, of blatant disregard for everything he has done so far, of telling instead of showing. The portrayal of Gojo as someone whose primary motivation was strength has left multitudes of fans reeling.

Nanami states that Gojo’s reason for wielding jujutsu was not his own survival, nor the protection of others, but rather in pursuit of wanton satisfaction. Gojo does not deny this and neither can we. After all, in chapter 233 it was stated by the narrator that as the possibility of defeat crossed Gojo’s mind, an intense feeling of satisfaction bubbled up in him as well. The truth is, Gojo loves jujutsu. He loves his own strength. He loves to use it, to show it off, to flex. He revels in his own power.

Gojo enjoys being The Strongest.

However, he doesn’t enjoy being The Strongest, alone.

The contradiction in Gojo is that, much like Sukuna, he sees himself as More Than. They are beyond humans, beyond curses, beyond anything of this world. They exist in a realm of their own. Make no mistake, Gojo harbours great affection for those around him. He says as much in 236 (みんな大好きさ寂しくはなかった - I really liked everyone and I wasn’t lonely). But he also admits that there was a separation between himself and other other living creatures. This phrasing is crucial. Gojo is effectively admitting here that from his perspective, other humans are as different from him as any other creature of this world. He doesn’t even really consider them to be the same species. This is further reinforced through his analogy of flowers. He states that you can admire a flower and make it bloom, but you don’t wish to be understood by it. Gojo cares for those around him and he cultivated his students to help them blossom, to achieve their potential, but they were flowers to him. They were inferior beings, incapable of understanding his superior existence, and so why should he open himself up to them? Shoko mentally chastises him for this in chapter 220, pointing out that she was right there alongside him even with the loss of Geto, that all his talk of being alone was idiotic because she was there and he could’ve relied on her. But he didn’t because in his mind, Shoko, like everyone else, is inferior and incapable of understanding him. To him, it is pointless to try.

But where Gojo differs significantly from Sukuna, is that Gojo desperately wants to be understood.

Gojo is so painfully human in that way. Perhaps he wouldn’t be, had he never known Geto. But he did know him, and for those 3 years, Gojo knew companionship. He felt understood by Geto because Geto, being equally The Strongest, was capable of understanding Gojo, in Gojo’s own mind. When Geto defected, he called Gojo arrogant in his own strength for saying killing all non-sorcerers would be impossible for Geto and attempting the impossible was pointless, when such a task would not be impossible for Gojo himself. He asks of Gojo, “are you the strongest because you’re Gojo Satoru, or are you Gojo Satoru because you’re the strongest?”. This exchange, unfortunately causes Gojo to misunderstand Geto’s reason for defecting, or at least to oversimplify it. Gojo’s takeaway is that the issue was in Geto’s inability to keep pace with him. This would further solidify his belief that he exists apart from all of humanity. Yet he could not make peace with that. He mourned Geto’s departure and disliked his newfound loneliness (which, mind you, was only the case because of that very belief that only an equal in strength can understand him).

This would drive Gojo to seek out Megumi, something he could have done at any point in the year since Toji’s death but had no motivation to do. The words he says to Megumi are crucial - “強くなってよ。僕に置いていかれないくらい” or “Get strong. Enough to not be left behind by me.” From this, two things are clear. First, that Gojo has no intention of slowing down. Second, that Gojo wants Megumi to be on his level. He’s essentially seeking out another Geto, one that he won’t lose to their own inability to keep up with him. He’s not willing to come down from his superhuman level to connect with the average - as previously said, Gojo revels in his own strength - but rather he wants others to ascend to his level. Gege stated in the fanbook that the reason Gojo went to find Megumi was because he’s seeking talented people, and the reason he helps problem children like Yuta and Yuji is because they’re strong so he doesn’t care about the other details. There is no mention of righteousness or kindness in his actions here. Now, the fanbook is secondary material so I will always err on the side of the main text taking precedence. But since the main text does not give us any explanation from Gojo as to his true reason for saving Yuta and Yuji, and Gege’s explanation in the fanbook on Gojo’s recruit of Megumi aligns with what we see in the manga, it’s likely that his interest in Yuta and Yuji is indeed purely due to their strength potential, at least at first. He does grow fond of them as people, and he wants them to enjoy their youth. But ultimately, his reason for raising them remains that, selfishly, he doesn’t want to be alone at the top.

His idea of “resetting the crappy jujutsu world” is making it so that life as a jujutsu sorcerer is as fun for everyone as it is for him, or at least as he imagines it would be if his youth hadn’t been interrupted by Geto’s spiral. Being a jujutsu sorcerer is Gojo’s job, but he doesn’t resent it at all. Because unlike all the other sorcerers who are here because they have no choice, or because they feel a sense of responsibility to protect the defenceless, or because they fear being killed by curses and using jujutsu as a retired sorcerer is illegal (looking at you, Kusakabe), Gojo is here because jujutsu is fun. He doesn’t feel that inherent drive to protect the defenceless (he actually finds that part of it kind of exhausting) and he doesn’t feel that fear because no curse could remotely threaten him, so he just gets to enjoy jujutsu for what it is. Gojo wants the same for his students. He wants them to enjoy the experience of life as a jujutsu sorcerer, without fear, and without suffering and being forced to question what the hell they’re even doing this for. If they can be as strong as him, there is nothing to worry about - nobody dies, nobody gets left alone, nobody falls behind. It’s an idyllic picture for Gojo.

There seems to be a misconception that 326 suggests that Gojo’s only reason for training the students was to eventually fight them at their best. That is not the case. Gojo’s love of fighting and Gojo’s desire for an equal are two separate things that only got amalgamated in Sukuna. After all, Gojo never sought to fight Geto. We know they scuffled sometimes, but it’s not like Gojo was constantly trying to instigate a death match. His desire for an equal is, on its own, simply a desire to be understood, something he does not believe is possible by a weaker being. He longs for companionship but won’t let himself find it in people he views as inferior. Regardless of having an equal, Gojo still loves his own strength. He loves toying with opponents, and showing off, and brutal violence. The more challenging the opponent/situation, the further he gets to stretch his limbs.

Fighting Sukuna presented Gojo with an opportunity to satisfy both of these things.

Does Gojo have anything against Sukuna or the way he lives his life? Not really. There isn’t an ideological opposition at play here like there is between Yuji and Sukuna, they just happen to be allied with parties who are in conflict. And, with them both being the jujutsu-loving, strength merchants that they are, they’re genuinely excited at the prospect of fighting each other. Gojo does want and plan to save Megumi, sure, but in any case that requires defeating Sukuna. He wasn’t bluffing when he said he’d worry about that later - fighting Sukuna genuinely takes priority, both strategically and selfishly.

In terms of the fight, Gojo has a blast. He gets to go all out like he’s never gone all out before. He’s pushed to invent things on the spot or legitimately just die. He doesn’t even have to toy with his opponent to keep the fight going, he’s sprinting from start to finish and is giddy with it. This is possibly the most fun he’s ever had.

In terms of the emotion, Gojo has been desperately trying to find someone as strong as him because (he believes) only they can understand him. It’s to the point that he has spent the past decade trying to basically build-a-bear some equals. Suddenly, he’s presented with one, fully formed, requiring no additional shaping on his part. It’s believable that he would be excited to take that chance of being understood, being seen wholly, by the only person alive in the world at this moment that he believes capable of wrapping their mind around him, since they’re both so far above every other living being.

And so Gojo fights Sukuna and pours everything he is into it. He pushes his body to its physical limits, he uses every jujutsu ability he’s ever learned, he comes up with new ideas on the spot, he throws out multiple max output attacks. Everything we have ever been told that Gojo is capable of doing gets put on show in this fight. He does all this because he wants Sukuna to see him in his entirety, because nobody else ever has. If he tried to unleash all of this on anybody else, it would kill them before he could even get a quarter of the way through.

See, on the one hand, Gojo’s self imposed isolation is born of his own arrogance but on the other hand, he’s also right in a way; because jujutsu is a part of the makeup of Gojo Satoru - its something he enjoys and it will always be a part of him. Yet he does not fight with allies because in doing so, he would be forced to limit himself. Like Yuta acknowledges in 235, if they were on the battlefield Gojo would have been unable to perform that AoE purple blast without harming them too. He must choose between being alone when doing jujutsu, or restricting himself in this thing that he loves. This feeds into the notion that they can’t understand him - he literally has to contain himself so as not to be too much for them.

He’s not too much for Sukuna, though.

Against Sukuna, Gojo gets to exist in his entirety, unrestrained, and for that he is appreciative. But we also see Gojo’s kindness, or rather empathy. He personally was satisfied by the fight - he was able to be seen wholly. He could simply have a “fuck you, got mine” mentality about it, but we see that he actually feels sorry to Sukuna for not being able to take everything Sukuna is the way Sukuna was for him. Sukuna could not afford to go all out if it meant dying to the other sorcerers as soon as the fight with Gojo ended. I believe this is why he looked less impressive throughout the whole fight - a Gojo giving it his all puts on more of a display than a Sukuna sticking to a pre-determined plan and doing minimal improvisation. But even though Sukuna didn’t let himself go all out, he still won. This would lead Gojo to believe (and it’s not an illogical conclusion) that if Sukuna had been going all out, Gojo wouldn’t be able to take it all. Gojo feels bad about it because he was unable to be for Sukuna what Sukuna was for him, he feels bad that Sukuna will seemingly never experience that same satisfaction (because, of course, if it’s not Gojo himself giving him that, he thinks nobody else can). This isn’t Gojo feeling bad about himself for being weaker, it is genuine empathy for Sukuna because Sukuna is someone that Gojo does actually perceive as the same species as him, not someone he necessarily considers evil or an enemy.

It’s not as bad as he thinks, though, because Sukuna did take immense enjoyment in this fight. It’s true that he wasn’t pushed to the point of having to give everything here, but he was still pushed further than ever before. Many people have confused “he wasn’t going all out” for “he wasn’t even trying” and that’s such a dichotomous way of looking at things - zero or one hundred. Sukuna was absolutely trying in this fight. For the first time in a thousand years, he actually felt the nervousness of possibly losing, because Gojo’s final purple could have killed him. It’s only because it was an AoE attack and not directly aimed at Sukuna that he survived, and visibly in the worst condition of his life. And after slicing Gojo, he praises him (“you were magnificent” is crazy levels of acknowledgment from Sukuna!) and admits that he will never forget him for as long as he lives. This is coming from the guy that called Gojo ordinary and unenlightened just 6 chapters prior. Gojo moved him, this much is undeniable. And Gojo’s smile in his final moment suggests that he heard Sukuna. In the end, he knows that he did reach him in some way.

(Brief side note: Gojo never says he would definitely have lost to Sukuna even without the ten shadows. What he actually says is simply that he’s unsure as to if he would’ve won. And that’s because he, unlike much of the fandom, recognises that Sukuna’s skill and genius understanding of CE and jujutsu mean that without the ten shadows, he would’ve approached the fight very differently, especially those domain clashes, during which it’s clearly stated that Sukuna refrained from using his CT or even domain amplification too much so that the ten shadows could continue adapting in the background. Take out that element and of course Sukuna has more resources freed up to put into fighting Gojo actively.)

So this is the nuance of Gojo’s character. He’s selfish, yet capable of true empathy. He cares deeply, despite his unfathomable arrogance. His motivations are questionable, without being malicious. He sees himself as beyond human, yet at his core is painfully so. He’s not a hero, nor even really a “good” person. But he influenced those around him in ways they will carry forever.

[bismuth-209]

Has anyone else noticed how Ruby does not have a dad?

They have been going on and on about her birth mum. And maybe, in Church on Ruby Road there's a mention they don't know who her parents are. I don't actually recall. Pretty sure that's it though, in terms of references to her father. (Happy to be corrected if i'm misremembering)

But since then? It's Ruby's mum this, Ruby's mum that. Especially in the last episode I found it,, noticeable how everyone seemed to be ignoring that it typically takes two to tango.

Jazz is about the notes you don't play or something

But also looking at Ruby's lived experience, not just how she came to be

Carla (Ruby's real mum imo) mentions in, i think 73 yards, she's never had a boyfriend/male partner. She has had a girlfriend during Ruby's childhood, which to me makes the lack of stepfather all the more noticeable

Cherry supposedly had a husband named Desmond Sunday. This is what the tardis wiki told me, without any direction for a source, i'm guessing a novelisation? If anyone knows more about Desmond Sunday I'd be interested to know if he ever meets Ruby. Because I'm guessing they don't meet, and her life has just been entirely void of anything resembling a father figure forever.

Like. it feels as though there's big neon signs telling you to go left. Go left, investigate the mystery of Ruby's mom. There's nothing for you if you go right. Nope, nothing interesting here. Literally nothing.

It's like a perception filter almost. Not technically invisible but you're just urged to glaze your eyes over.

[bandtrees]

mp100 is a very very kind show, i love how compassionate it is and how forgiving it is, but i also love how hard it hammers in that there’s no such thing as a perfect person with endless bounds of patience and forgiveness, and that living your life only to please others isn’t living much at all.

the confession arc is very special to me for this reason, and below the cut is some analysis as to why! obviously, this contains spoilers for all three seasons of mp100.

the confession arc takes mob, this very kind loving sweet person who’s compassionate and has been able to see good in and treat with kindness people like mogami, touchirou, etc, and tells you... hey! this kid actually has (reasonable) building resentment and unresolved issues from being constantly people-pleasing and forgiving and not really acknowledging peoples’ flaws!

and no, it’s not a case of mob having this evil dark side who hates everyone, it’s just a case of mob... being human! expecting him to brush off the way reigen treats him and the way he and teru met and the danger to his life shou and touchirou were, as compassionate and mature as he is about them, isn’t realistic! because no human person is just a walking well of love and forgiveness, and for as mature as mob is, he’s still only a kid!

mob, as ???%, is very violent towards teru and reigen, and i choose to interpret this as how intensely he’s repressed his unresolved resentment for them that he swallowed down in favor of forgiveness and being the bigger person - the wider theme of mp100. we never really see mob express any discomfort around teru for nearly killing him, or around reigen for lying to him and generally treating him like trash sometimes, or around shou for burning his house down... and while i can’t express enough how important the messages of compassion and forgiveness are in this story, i think it’s also equally important to see, in ???%’s rampage, it’s not some evil side of mob or some shadowy separate personality in his body who’s deciding to hurt teru and reigen, it’s mob himself, because he never unpacked his conflicting emotions towards them, and now, when he can’t control himself, they’re running wild.

and this isn’t me saying teru and reigen are horrible people who never earned mob’s forgiveness. of course not! they’re very important people to him, he cares for them a great deal, they help to bring mob down from his violent episode... but as we hear in the mogami arc...

mob, kind as he is, isn’t some all-forgiving, forever-loving kid, and the same goes for his relationships with others. he cares about teru as a friend, he has resentment towards him for what he did that he never unpacked until now - these things coexist!

and there’s the ultimate catharsis when reigen tells the truth about himself, revealing to mob that he’s a complete liar who’s been using and exploiting him from the beginning. he lied to him from the day they met, and those lies ultimately led to the disaster in seasoning city that we’re seeing now. it was mob’s honest belief that reigen was a strong, powerful adult who had everything figured out -

- that led to him being unable to accept the contradictions within himself, and so reigen laying those bare, the fact that he’s a liar and an exploiter, that he too, this person mob has admired and learned from for the whole series, has a part of himself he hates for how it thinks of other people, is what’s able to let mob finally accept himself. 

reigen being a liar doesn’t make him an evil monster who deserves nothing but mob’s resentment - and in turn, mob destroying the city and trying to kill his friends doesn’t make him a violent, hateful murderer. it makes him and mob flawed humans, whose relationship couldn’t ever have healthily continued if those things weren’t unpacked - if reigen never honestly confessed about who he was, if mob kept forgiving reigen without looking inward to ask how he felt. at best, it would have been shallow and dishonest for them both until the end, and at worst... well, mob wouldn’t have been able to repress his emotions, dangerous as they are the more he hides them, forever...

this is why the scene of mob breaking down and crying is so important to me. finally, he feels safe expressing ugly, crude, selfish emotions. until now, when we see mob cry, it’s either tasteful tears running down his face, not changing much of his actual expression, or the complete opposite direction in exploding and bawling his eyes out with 100% sadness and 100% rejection - either mob’s emotions are pretty and subdued, or soul-crushing explosions he has no control over.

(sidenote: 100% rejection is one of the coolest explosions in the series to me and i wish it was talked about more!)

now, though, with the reassurance that he can cry, full-on cry, and it won’t hurt anyone, that he isn’t some selfish evil for being a middle school boy devastated he got rejected by his crush, that he’s allowed to feel broken up and miserable and have it not be an explosion that destroys the city... he cries! he feels all those negative emotions he’d held back, and because he feels safe expressing them, they’re not dangerous at all, they’re just... again, a middle school boy crying because he got rejected by his crush.

mob’s emotions, on their own, aren’t dangerous. it’s his refusal to express them, and the violent outbursts that leads to, that is.

something i love so much about mob psycho 100′s ending is that it’s not an ending at all. it’s just the beginning - finally, after three seasons, mob can actually feel and safely express his emotions. he can be on even footing with teru, reigen, all of them. he can start balanced, open, communicative relationships with those around him, showing that the compassion mp100 preaches goes far deeper than simply forgiving those who hurt you, or giving people chances.

mob’s kindness is so, so, so important to me, and where season 2 was about extending kindness to others, culminating in mob sitting down with touchirou after deciding that letting him die alone would only have been needlessly cruel and reinforcing the man’s worldview that he needed nobody, and that extending kindness towards him was what he needed to properly change - season 3, culminating in mob confronting the parts of himself that may have wanted to leave touchirou behind, is about extending kindness to yourself.

[veinsfullofstars]

🪞 Kirbtober 2024 Day 18: Mirror 🪞

(ID: Kirby series fanart of Kirby stepping out of a Mirror Door and looking up in curiosity, while Shadow Kirby peeks out uncertainly from behind the golden artifact. Inside the sparkling navy-blue glass, Dark Meta Knight can be seen in faded profile, his tattered red cape flaring dramatically around him, a single glowing eye glaring out through the scarred visor of his mask. END ID.)

Previous Day | Next Day | Prompt List (made by @/paintpanic)

Started on 09/26/24, finished on 09/27/24. | Kirbtober 2023 Comp

[littledead-ridinghood]

It’s not that Jason came back to a changed family where he didn’t fit into the gap he left behind anymore. It’s the fact that his family never scooted over to make more space for him once he returned.

[mollysunder]

I'm back to thinking about Jinx's champion tag again. I can't not think about where each of champion (Vi, Ekko, and Viktor) have their tag placed on their person.

Vi has Jinx's tag on her prison uniform, it's placed right at the start of her prisoner ID number. Once Vi's freed from Stillwater Prison by Caitlyn, she quickly gets rid of the prison uniform and thus Jinx's tag for the rest of the season. Then Vi spends the rest of the show chasing after a version of Jinx that doesn't exist anymore. It goes on that way until Jinx decisively ensures that neither of them can return to an impossible ideal past.

With Ekko, you can find Jinx's champion tag on the bottom left on the front of his jacket. It's difficult to see the actual tag because the canvas of Ekko's jacket is visually dominated by the Firelights tags over Jinx's, possibly expressing how the Firelights have become a fundamental part of his life. But Jinx's tag is still there as she still has a present (negative) impact on his life. It's only until the last quarter of the show where he doesn't wear his jacket anymore, and then he soon fights Jinx, where they nearly killed eachother.

Viktor is the odd one out. Jinx's tag never appeared on his clothes, instead it was inscribed in Viktor's tarot card, The Magician. Not only was it on a card with a design to fit his future look instead of his current clothes, it was presented by another character, Sevika. If we apply the way real world tarot works we can see that Sevika is showing the audience the future (foreshadowing) the story of these two on the plot and with eachother.

Jinx's tag is not only in the center of Viktor's card, but it's practically cradled in his grasp within the hexcore, something he'll probably NEVER part with by next season. And I can only wonder, "What kind of insanely unhealthy relationship dynamic will these two have?!?! I need to see it now!!!".

[bunnakit]

my stand in ep 4 thoughts, feelings, etc

WOW WA WE WAA THAT SURE WAS AN EPISODE HUH - happy to report i went back through the episode slowly this week and took notes and really tried to gather everything i wanted to say (but i will inevitably forget something)

🌸 ok disclaimers because i have a lot of them for this particular episode 🌸

i'm just a silly guy on the internet, i'm not an expert in mental health, psychology, body language, whatever. most days i can't even take care of myself. i'm just saying things recreationally.

PLEASE do not put novel spoilers in my replies, reblogs, or tags without a warning notice. i've got an itchy blocking finger for it these days.

i am treating ming and joe and everyone involved in this show as if they were real life human beings. ming was not born some mustache twirling villain sent from hell to make joe miserable. joe is not some pure angel descended from the clouds to do no wrong. everyone in this show exhibits very human behavior and that can be distressing under certain circumstances. i'm just going to comment on them as humans. i'm not interested in a round table discussion on why a character is irredeemable, the scum of the earth, etc. i'm just putting my thoughts out there and you can take them or leave them.

🌸 alright yucky disclaimer time over 🌸

the episode really just picks us back up where everything left off - and yet joe still made ming breakfast, and ming isn't stupid (well right now at least,) he knows something is off.

i am confused why tong needs to get married on this specific day. and like bro how fast are you getting married? relax. the whole thing is just unstoppable force (trajectory of this producers career) meets immovable object (tong's fuckass stubbornness) and the collateral damage is massive.

and then there's the question of did joe ever want to play a lead? or did he let his impulsiveness and hurt put a target on his back? (only emphasized by the fact that everyone assumed joe would turn down the role)

i DO apologize for all my doubt surrounding wut. he, ja, and may are the only people in this show with any god damn sense. maybe jojo and yim. we'll see.

getting into the confrontation at joe's work, i really don't think it's that surprising when we keep in mind ming genuinely has no fucking clue what is going on. all he knows is joe woke up, was acting weird, didn't come home, and then told him to pack up his shit and leave with ZERO explanation. like, joe's completely in the right, but i'd also be confused as fuck. (i wouldn't go to someone's work about it but, y'know, we know ming acts in extremes.)

and to me this is where it really became obvious that joe has always been able to overpower ming, to get away from him, as we have seen joe's physical prowess, we've seen what he's capable of, but he never uses his body to move ming away from him - that's not who joe is, he's not someone that would put his hands on another person like that. it's just another way ming and joe are the direct antithesis of each other.

it's my thought that the argument escalates because ming is used to getting everything he wants - except for tong, and now joe. when joe begins to push him away and deny him his substitution for tong i think ming lashes out in his hurt with a thought of "it's happening again, why doesn't anyone want me?"

i will say while i do believe sol has good intentions for the most part his white knighting is getting a little irksome. while convenient, it just shows how much he's still hovering and laying in wait for a chance with joe - he, too, is not respecting joe's wishes. no is a complete sentence, sol.

and then things continue back at home and joe finally, finally throws ming's words back at him: if i'm so terrible to be with, if you're so great, why are you wasting your time with me?

and ming doesn't have an answer. what ming DOES have is another back embrace, arms wrapped around joe as he asks "don't you love me anymore?" but is he asking joe or tong?

"although i'm not as good as tong" even now joe's rampant self worth issues are still at play but at least he finally knows he's worth more than whatever this is.

then the phone rings and to me, ming looks skittish. he looks shaken. he's never seen joe so angry and he's scared and as the call progresses that fear morphs into rage when sol calls joe. and the thing is, regardless of who played the main role, ming was never going to be happy. it was either going to be joe or tong playing opposite sol and neither of those things would have been acceptable.

and then i said, out loud, in my quiet office: OH! and promptly lost my shit in the group chat.

ming doesn't look wholly present after his act of violence. his face is vacant, like he isn't completely seeing or grasping what he's just done. i get the impression that ming isn't mentally well; stress and fear and anger have a way of making people do really fucking stupid things and as these things happen you risk falling into the sunk cost fallacy - you've already gone this far, you can't stop now - which all aligns with the obsessive behavior we've seen from ming in the past.

as joe wakes up and they talk once again joe doesn't blame ming, he blames himself for not seeing the writing on the walls even though it was written in invisible ink.

"all these times we were together did you ever love me?"

"you can't tell?"

again, so much of the blame and emotional responsibility of their situationship is put on joe and ming refuses to communicate any of his feelings, perhaps because he doesn't know how to after repressing everything for so long.

WE DIDN'T GET HOT KINKY CHAINED UP SEX THOUGH, WHY DOES GOD HATE ME SPECIFICALLY

but the way joe looks at ming as they linger there in the wake of joe's request looks like a goodbye, the way his eyes soak in every detail of ming's face. despite all of this and the nightmare it has turned into he did love ming, perhaps still does, and he does have some of those good memories he was so desperate to keep.

though like.. joe.... maybe we could consider a different career path??? instead of just jumping to risking our lives? like sure food service sucks, cashiering sucks, etc. but you aren't in danger of falling off any cliffs, you know? and let's be real, he could just go into modeling with those looks.

it's my impression that when ming calls joe he looks haggard, like he's lost numerous nights of sleep (and we really don't know how much time has passed) but either way it does seem like he's at least done some amount of reflecting. his voice comes across soft, subdued, and sincere.

and after everything, back in the present, we see ming. he's still in the apartment, desperately calling joe's name all these years later, still unable to sleep and waiting for joe to come home just like he asked him to years ago.

maybe ming never wanted to enter the entertainment industry before, but he has now. perhaps it was never for the attention or the money, maybe he chose to promote those watches because it was a reminder of the gift from joe. and maybe this job, in this specific industry, is the closest he can feel to joe now. and maybe with new influence and connections ming can find out why he was never able to tell joe he loved him before he lost him.

WHO KNOWS, NOT ME, CAN'T WAIT TO FIND OUT THO

[seasononesam]

idk why y'all hate scoobynatural this is emmy worthy stuff to me

[purble-gaymer]

I JUST REMEBERED THIS FUCKIGN META KNIHTJ MY FRIEND DREW LAST NIGHT LOOK AT HIMMMM

[citronverveine]

do you ever think about hua cheng carving the statues

hua cheng's statues are like. the only form of comfort he could have in tong'lu. the only distraction. the only way to physically touch his god. the only way to pray to him. the only way to see him. the only way to not feel alone. the only way to bring his memories to life. the only way to make sure he would never forget his face.

the statues were a hobby, something to pass time, something to get his mind off his daily life of killing and surviving, something to ground himself, to memorize the shape of his god again and again, to catalogue every facets of him, to surround himself with what saved him everytime. the statues were reminders. prayers. offerings. memories.

it's said the first statues were really not well-done. it's said some of the art on the walls was done as if the artist was in a trance and in great suffering. imagine hua cheng carving the stone incessantly in the dark. longing to depict him perfectly. to honor him and to feel him. to see him. imagine him racking up every single memory he had of xie lian and etching it into stone to make it as permanent as his faith. imagine him talking to them. praying. crying. promising that he'll find him, that he'll do his best, that he'll be the best for him.

but the statues are cold and still and never talk back. and in the end he's alone. in the dark. with his memories of the one that taught him love quiet like the deads around him. and he doesn't know what happened to the real, flesh and blood xie lian and he won't know until he gets out of there

[dilf-in-peril]

Colt Cabana performs a moonsault onto Ace Steel and CM Punk, who quickly checks up on Colt or assures him that he is okay.

[peppermintslol]

cringe fail idiots

So silly

[sitelenco]

after a nice time participating in Mogeko March, i decided to jump in MetaMay cuz the brave borb deserves to be praised 💙💙

i tried to speedrun this while in class weeeeeee

[doux-amer]

@atlasblue85 and I are talking about the Ben Daniels interview where he mentioned that Rolin asked if it was okay to make Santiago straight and Ben went "I guess so" to "nvm no<3" and how that corresponds to his acting. As much as the fandom immediately clocked Santiago as queer, it's more interesting to me to consider that's not the impression Santiago wants to make (this is not to say that he has massive hangups about his sexuality that would make him go "no homo" if people made the assumption that he's gay, bi, or pan, but the image he's constructed for himself, or one of images anyway, is a ladies' man). Sure, he's flamboyant, but that doesn't necessarily mean that he's not straight; both of us have come across many a theater kid like Santiago who is in fact firmly straight. And initially, that's the vibe we got, other than the fact that he's only seen with women which, like his diva persona, doesn't necessarily mean anything either.

If you consider Ben's interpretation of Santiago, I think it's a deliberate decision that we canonically only see Santiago with women in the show. @atlasblue85 said that makes even more sense in light of what Ben said because "of course he's making a big show of [being with women] to repress these other feelings that he was probably taught to be ashamed of in his human lifetime." This slots in perfectly with what we find out about Santiago's history too, where he's a small, insecure man hiding behind the larger-than-life persona he built, and I love the idea of Santiago being a man of masks, with repression and performance dictating his behavior and navigation of the world, something that Ben mentioned in this TV Insider interview ("I think with Santiago, in the way that I created him, it’s that everything is a facade. He is not that person you first see, I mean, you maybe get glimpses of it along the way").

Ben talked about that seething vitriol masking his desire for Armand and Louis in that first interview I linked and in the TV Insider interview, about how he immediately picks up on Louis's pretense and hates him for it because Santiago himself puts on a façade (I assume he feels the same way about Armand for the same reason). Coupled with his complicated feelings about his attraction to Armand and Louis, I think he hates that they found other ways to move around the world and they're not only able to get what they want, but they do it so openly unlike him too.

Obviously there are more reasons as to why he covets the maître role, but part of why he wants Armand's position is because it instills him with the power to be less restricted. It fuels part of his animosity towards Louis too; there are multiple reasons why he doesn't like Louis, but here comes this guy gallivanting across Europe and through Paris, unbeholden to a coven, unbeholden to any expectations. He sees Louis free of the rigid hierarchy that he's in and he sees Louis be so open about his sexuality—and sees Louis get Armand's interest and affection so quickly.

Meanwhile, Santiago thinks he's made it, that he's become the man he's always wanted to be or convinced others that that's what he is at least, but Louis disabuses him of that notion and makes him come face to face with the fact that he's playing by the Great Laws, the Paris coven rules, human societal expectations that he hasn't unlearned and shaken off entirely, and his own insecurities and weaknesses. He's forced to reckon with the fact that that confident, free-spirited bon vivant persona is an illusion and a prison of his own making, and he loathes Louis for it.

[veinsfullofstars]

Kirbtober 2023 Day 6: Royalty

(ID: Kirby series fanart of Kirby wearing Dedede’s crown and cloak, looking smug and posing proudly in a joking imitation of the king. Behind him, Dedede himself seethes in just his undershirt, obi, and gloves, stomping his foot irritably as Bandee tries rather unsuccessfully to calm him down. Off to the side, Meta Knight holds a hand to his mask, snickering under his breath at their antics. END ID.)

Kirbtober 2023 prompts by @/paintpanic (link to list here)

Started 09/03/23, finished 09/04/23, updated 10/06/23, updated for color correction 11/02/24. NOTE: This was originally posted on my deleted account on 10/06/23.

This was originally gonna be just Dedede, but then I remembered a sketch I had from a while back that fit the prompt perfectly. I just love shenanigans between these dorks.