#mentioning one of my OCs

[nintendoneko64]

Guys. I found Steve S. Burster

I'm gonna eat him now.

@redscorpiocat @sweet-sour-sketches @milk-powrit @loremaster3

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[civetcider]

Traver's new car (she/her)

and robert their deer neighbor (he/him) he's just some guy with a wife and 2 kids who was kinda homophobic but than his son came out as gay and now he still sometimes says kinda off stuff about it but everybody lets it slide since at least he's trying, extra bit under the cut

[stitchposts]

This is so obvious it's almost petty to talk about, but it keeps happening so I am increasingly faced with needing to decide to bring it up. Can everyone who advocates for not reposting art and for crediting artists start bringing that same energy to photographs of traditional art? Especially fiber arts and sewing related things, due to very prolific scraping accounts that repost things from elsewhere on the internet here to tumblr and a few years ago stopped crediting the artists at all. They never asked permission, but credit has just dried up entirely and it's galling to see.

I know non fiber artists don't really have the experience to see this, but just like visual arts, fiber artists develop pretty clear styles. So if a blog is posting elaborate pieces of infamously time consuming arts that cover a wide range of styles, once or twice a day, with no credits or discussion of themselves as an artist - that shit's stolen as fuck.

It feels like I'm going insane sometimes because thousands of people who otherwise yell all day about how artists need to be credited, just think that sewing related photographs pop into existence without needing to be linked to the person that made them.

[meamiki]

mira !!! :]

[mourn-and-watch]

no way my bestie just made me the best bday gift ever. that's my little fucked up the great old one warlock and she's never been more gorgeous

[puppyeared]

I can teach you how to be just like me

crying all night, sleeping till three

[enden-k]

Does this post tumblr.com/enden-k/764536341000224768 imply there's vore in your story? 🫣 Me likes.

(I'd leave this as a comment but for some reason I can't despite having followed for a few months)

theres no implications, saran IS intending to consume vika whole once their contract ends.

when they wished/promised to stay together forever, they rlly mean it

[kibutsulove]

this 2 month old ref drawing of my design for ozai and iroh’s mom (fire lady ilah) that i never posted now that i think abt it

[br3adtoasty]

Le Chasseur et la Colombe

On the relationship between Juno Tauber and Rook Hunt…

➽────────────────────❥

If there’s one thing Juno is best known for, it’s provoking people. And provoke he did. Not the hunter himself, no, but rather his queen.

It started in their freshman year. The first few times were just small comments that could commonly pass as faux pas;

“Your hair is sticking out a bit to the side, y’know~”

“A little heavy on the makeup today aren’t we, Schoenheit?”

It brought immense joy to Juno whenever he saw a crack of annoyance on the oh-so pretty mask of the housewarden.

Slowly, light jabs turned to insults and personal digs. It was only a matter of time that Rook had to step in before anyone got hurt. Rook, of course, readily defended his queen, and the hostility between the two would only grow from there.

Juno could never grasp Rook Hunt. Ever elusive, shrouding and hiding himself in shadows, there’s just never enough information on him. Not enough to comment on, nothing he can use to attack with, no weaknesses. And that damn smile that never seems to falter... It frustrates him.

Rook, le Chasseur d'amour, admirer of beauty, who sees grace in all things and who could sing unending praises for even the tiniest of being, finds himself at loss for words in the face of Juno, for there was none to be seen. Sure, Juno may be fair-faced, but what good is admiring an apple whose core is so inexplicably rotten?

While they do not outright attack each other when interacting, there’s always an uncomfortable tension in the air whenever they occupy the same room. Their passive aggressiveness thinly veiled in exchanged pleasantries and polite words.

If Juno ever decides to step out of line again however, the hunter wouldn’t hesitate to put the dove in his place.

➽────────────────────❥

Bonus:

[quiddling]

AEMOND MENTIONED‼️‼️‼️‼️

they dislike each other very muchly

[kirisclangen]

Cloveburr

She/her, 18 moons, cis molly

[toanw]

a couple of alchepre designs I haven't posted yet!! the mascots (sylph, gnome, undine, and salamander), latecomer villain (inanis), and big good (queen beryl splendor prima)

[flowerakatsuka]

yotsubana florals' other frequent loiterer + a bonding moment between kuroba & ichimatsu.

[wyllaztopia]

final ref! all i really changed were her eye color and hair

her name is luha - in her au, she's a replica of one of the sorcerers that sealed the monsters in a dream instead of underground. her sibling, the papyrus of her world, sometimes calls her strawberry oreo for her headphones choice

she is true to her word and will stop at nothing to keep a promise.

[astraldrake]

Corruption takes its toll text reads: Red and white petals swirled around them, a few landing on Sunny’s armor, settling into his hood and sticking to the drying blood on his side.

Penumbra could hear his labored breathing over the sound of shifting plant life.

“There’s nothing left- for either of us,” Red stained his teeth and dripped into the grass. The wind carried the sharp smell of radiolaria, and the cloying sweetness of rotting flowers. “You’re as dead as I am. you can already feel it, can’t you?”