#men fitness portraits

[alexdrogers]

cedrick cooper photographed by @alexdrogers

[env0]

Maybe this was overkill on a first meeting over Boba.

[olympusatnoon]

Lighting was on point this am

[rikibarrola]

En donde están tus límites? a donde te crees capaz de ir y conquistarte a ti mismo? @david_anayaa_trejo 👌🏻👊🏻😎🔥👏🏻 Coach @orlandomontero_fc #bodybuilding #bodybuilder #aesthetic #physique #muscular #men #musclemodel #muscle #sculpture #photoshoot #rikibarrola #gymmotivation #fitness #portrait #muscleman (en Mexico) https://www.instagram.com/p/CnXBbkyr2Qd/?igshid=NGJjMDIxMWI=

[alexdrogers]

jaidus photographed by @alexdrogers

[env0]

3,2,1 Let's Jam

[somewhere-in-the-aether]

[wolfie-wolfgang]

morning exercises. warrior training. you can do it. go for it. sad git!

[darkandstormydolls]

PSA to all historical fiction/fantasy writers:

A SEAMSTRESS, in a historical sense, is someone whose job is sewing. Just sewing. The main skill involved here is going to be putting the needle into an out of the fabric. They’re usually considered unskilled workers, because everyone can sew, right? (Note: yes, just about everyone could sew historically. And I mean everyone.) They’re usually going to be making either clothes that aren’t fitted (like shirts or shifts or petticoats) or things more along the lines of linens (bedsheets, handkerchiefs, napkins, ect.). Now, a decent number of people would make these things at home, especially in more rural areas, since they don’t take a ton of practice, but they’re also often available ready-made so it’s not an uncommon job. Nowadays it just means someone whose job is to sew things in general, but this was not the case historically. Calling a dressmaker a seamstress would be like asking a portrait painter to paint your house

A DRESSMAKER (or mantua maker before the early 1800s) makes clothing though the skill of draping (which is when you don’t use as many patterns and more drape the fabric over the person’s body to fit it and pin from there (although they did start using more patterns in the early 19th century). They’re usually going to work exclusively for women, since menswear is rarely made through this method (could be different in a fantasy world though). Sometimes you also see them called “gown makers”, especially if they were men (like tailors advertising that that could do both. Mantua-maker was a very feminized term, like seamstress. You wouldn’t really call a man that historically). This is a pretty new trade; it only really sprung up in the later 1600s, when the mantua dress came into fashion (hence the name).

TAILORS make clothing by using the method of patterning: they take measurements and use those measurements to draw out a 2D pattern that is then sewed up into the 3D item of clothing (unlike the dressmakers, who drape the item as a 3D piece of clothing originally). They usually did menswear, but also plenty of pieces of womenswear, especially things made similarly to menswear: riding habits, overcoats, the like. Before the dressmaking trade split off (for very interesting reason I suggest looking into. Basically new fashion required new methods that tailors thought were beneath them), tailors made everyone’s clothes. And also it was not uncommon for them to alter clothes (dressmakers did this too). Staymakers are a sort of subsect of tailors that made corsets or stays (which are made with tailoring methods but most of the time in urban areas a staymaker could find enough work so just do stays, although most tailors could and would make them).

Tailors and dressmakers are both skilled workers. Those aren’t skills that most people could do at home. Fitted things like dresses and jackets and things would probably be made professionally and for the wearer even by the working class (with some exceptions of course). Making all clothes at home didn’t really become a thing until the mid Victorian era.

And then of course there are other trades that involve the skill of sewing, such as millinery (not just hats, historically they did all kinds of women’s accessories), trimming for hatmaking (putting on the hat and and binding and things), glovemaking (self explanatory) and such.

TLDR: seamstress, dressmaker, and tailor are three very different jobs with different skills and levels of prestige. Don’t use them interchangeably and for the love of all that is holy please don’t call someone a seamstress when they’re a dressmaker

[hotvintagepoll]

Congrats to the ultimate winner of the Hot & Vintage Movie Men Tournament, Mr. Toshiro Mifune! May he live happily and well where the sun always shines, enjoying the glories of a battle hard fought.

A loving farewell to all of our previous contestants, who are now banished to the shadow realm and all its dark joys and whispered horrors—I hear there's a picnic on the village green today. If you want to remember the fallen heroes, you can find them all beneath the cut.

What happens next? I'll be taking a break of two weeks to rest from this and prep for the Hot & Vintage Ladies Tournament. I'll still be around but only minimally, posting a few last odes to the hot men before transitioning into a little early ladies content, just like I did with this last tournament. The submission form for the Hot & Vintage Ladies tournament will remain up for one more week (closing February 21st), so get your submissions in for that asap! Once the form closes, there will be one more week of break. The first round of the Hot & Vintage Ladies Tournament will be posted on February 29th, as Leap Year Day seems like a fitting allusion to leaping into these ladies' arms.

Thanks for being here! Enjoy the two weeks off, and send me some great propaganda.

In order of the last round they survived—

ROUND ONE HOTTIES:

Richard Burton

Tony Curtis

Red Skelton

Keir Dullea

Jack Lemmon

Kirk Douglas

Marcello Mastroianni

Jean-Pierre Cassel

Robert Wagner

James Garner

James Coburn

Rex Harrison

George Chakiris

Dean Martin

Sean Connery

Tab Hunter

Howard Keel

James Mason

Steve McQueen

George Peppard

Elvis Presley

Rudolph Valentino

Joseph Schildkraut

Ray Milland

Claude Rains

John Wayne

William Holden

Douglas Fairbanks Sr.

Harold Lloyd

Charlie Chaplin

John Gilbert

Ramon Novarro

Slim Thompson

John Barrymore

Edward G. Robinson

William Powell

Leslie Howard

Peter Lawford

Mel Ferrer

Joseph Cotten

Keye Luke

Ivan Mosjoukine

Spencer Tracy

Felix Bressart

Ronald Reagan (here to be dunked on)

Peter Lorre

Bob Hope

Paul Muni

Cornel Wilde

John Garfield

Cantinflas

Henry Fonda

Robert Mitchum

Van Johnson

José Ferrer

Robert Preston

Jack Benny

Fredric March

Gene Autry

Alec Guinness

Fayard Nicholas

Ray Bolger

Orson Welles

Mickey Rooney

Glenn Ford

James Cagney

ROUND TWO SWOONERS:

Dick Van Dyke

James Edwards

Sammy Davis Jr.

Alain Delon

Peter O'Toole

Robert Redford

Charlton Heston

Cesar Romero

Noble Johnson

Lex Barker

David Niven

Robert Earl Jones

Turhan Bey

Bela Lugosi

Donald O'Connor

Carman Newsome

Oscar Micheaux

Benson Fong

Clint Eastwood

Sabu Dastagir

Rex Ingram

Burt Lancaster

Paul Newman

Montgomery Clift

Fred Astaire

Boris Karloff

Gilbert Roland

Peter Cushing

Frank Sinatra

Harold Nicholas

Guy Madison

Danny Kaye

John Carradine

Ricardo Montalbán

Bing Crosby

ROUND THREE SMOKESHOWS:

Marlon Brando

Anthony Perkins

Michael Redgrave

Gary Cooper

Conrad Veidt

Ronald Colman

Rock Hudson

Basil Rathbone

Laurence Olivier

Christopher Plummer

Johnny Weismuller

Clark Gable

Fernando Lamas

Errol Flynn

Tyrone Power

Humphrey Bogart

ROUND 4 STUNGUNS:

James Dean

Cary Grant

Gregory Peck

Sessue Hayakawa

Harry Belafonte

James Stewart

Gene Kelly

Peter Falk

QUARTERFINALIST VOLCANIC TOWERS OF LUST:

Jeremy Brett

Vincent Price

James Shigeta

Buster Keaton

SEMIFINALIST SUPERMEN:

Omar Sharif

Paul Robeson

FINALIST FANTASIES:

Sidney Poitier

Toshiro Mifune

and ok, sure, here's the shadow-bracket-style winner's portrait of Toshiro Mifune.

[env0]

Getting a leg up, on the new year!

[somewhere-in-the-aether]

[rowzien]

The Trans Court Suit

This was my big project I made over the summer! I am beyond proud of and happy with the coat.

The first initial project I wanted for this was a pink waistcoat. I grew up liking pink and most of my stuff was, but that (along with growing up in a hot pink room) made me start to resent pink a lot especially as a teenager. (I think a lot of trans guys have similar stories.) But of course pink was very popular for men throughout a lot of European fashion history. So in many ways this was a self healing project for me, at least in that regard. Which I think was a success!

I actually found the first two portraits after I started working on the outfit, they looked perfect! The first especially is super close to my hair.

The silks for the coat as well as the linen interfacings were second hand or scraps in my stash. The cotton sateen was from Burnley and Trowbridge. This is the first project I fully drafted myself. The waistcoat and breeches were made from an 1820s manual and the coat was primarily taken from Period Patterns by Doris Edison, using also Agreeable Tyrant for interfacings and The Taylor's Complete Guide (for shape reference).

This is also the most hand sewing I’ve done for an outfit. Both of the fronts of the coat and waistcoat are completely by hand. Most of the coat is by hand with machine for structural/backstitches, mostly the seams but not the edges. In total there are 22 buttons.

I made the waistcoat straight across for two reasons A. So I can wear it with my other stuff B. I didn’t have any more trim, that was it. I’ll probably make a more 18th century style waistcoat out of white for this (at some point).

The breeches ended up being too small for my thighs so I started getting frustrated with the fit and rushed them by the end so I could move on. (I accidentally sewed the buttonholes on the wrong side).

[johnbrand]

Profile Picture

Anthony had been avoiding it for over a week and now the social media manager was getting antsy. All the new frat members were supposed to submit a picture to be introduced in profiles online. It made sense, but Anthony just did not have any good pictures of himself. Typically, people sent in their senior pictures, but Anthony had not had any taken. The last decent portrait he owned was from junior year when he had had braces.

“UGH!” Anthony sighed loudly, exasperated as he locked himself into a bathroom. Worst part of it all was that he could not escape the issue because he LIVED with these people. He had run into three of the other frat boys on the way here, one of whom insisted on shaking hands as he flew by. Typically, Anthony was short enough to literally hide; people would just overlook him so that he could scurry away unnoticed. But now he was trapped, making a deal out of something that probably should not have been in the first place. 

“If only I had been narcissistic enough to have taken a selfie once in my life,” Anthony groaned.

Suddenly, his phone lit up with a new notification. A text from a contact named “Michael.”

“Hey dude, it was great to meet you,” it read. Anthony wondered how the blond jock he had just met in the hallway already had his number. Let alone, why. Most people seemed to be put off by his personality, especially the hot, muscular ones. Anthony’s height was also a deterrent, as was his weight. Well actually, just about anything else one could think of. 

“How did you get my number?” Anthony adjusted his glasses almost subconsciously.

“Got it last night from you at the party,” came the reply. “Must’ve knocked you out pretty hard if you don’t remember.”

For a moment Anthony was not sure what Michael meant. He had only rushed this frat for the bullet point on his resume; he would have never gone to a college party. Or at least Anthony could not imagine having gone to one.

“Don’t you remember? That chick Nicole was all over you. I couldn’t help but get jealous.” Michael sent a laughing emoji before continuing. “She’s always been into the tall, ‘All-American’ kinda man.”

Anthony laughed as he checked himself out in the mirror. He did fit that bill pretty well. His body was practically built by the Midwest; corn-fed and stacked with beef. Anthony worked out all the time to maintain his thick-yet-polished frame. And at 6’3, all the muscle made Anthony appear even larger. He was almost always staring down at others, but that was just natural for men his size. 

“Yeah she was pretty crazy,” Anthony awkwardly replied. He had told her countless times that he simply did not swing that way. “I’m just glad someone else noticed. She had no chill, man.”

“She’s got a real hankering for the blond-hair, blue-eyes combo. It’s like something that really sets her off. You might get yourself a stalker if you’re not careful.”

Anthony’s smile broadened. Had Nicole really been that easy to read? Yeah, his sparkling sapphire eyes and luscious golden locks were usually enthralling, that was why he never covered them up. But that girl had really been on to him last night–more than Anthony was used to from others. “I could probably handle a girl like her.”

“I know. I’m just teasing,” Michael replied quickly. “I know you like when a girl is crazy for you anyway, all that attention goes right to the big boy downstairs.”

That text confused Anthony at first, but after a quick squeeze to his thickening python, he felt himself agreeing.

“What can I say,” Anthony smirked, continuing to paw himself. “I like to have a good girl who understands her place.

“Now stop fagging out on yourself in the mirror and get out here!" Michael responded. "This new pool is sick, and all the sorority chicks are here in their skimpiest bikinis.”

That final line made Anthony’s juicy dick spurt a bit into his tight, American-flag print swim shorts. Cockily, he posed in front of the mirror and took a picture of his studly body. Anthony then sent it to Michael before hurriedly exiting the bathroom. By the time Michael had forwarded the image onto the social media manager, Anthony had already acclimated into the pool, a swarm of hungry girls eagerly surrounding him.

[sadnymi]

Shakespeare

[Mattheo riddle × reader]

Summary:Your obsession with Shakespeare is driving mattheo insane. And now he found himself jealous of fictional characters and a long-dead playwright.

Words:0.5k

Sitting in the Slytherin common room, the fire crackling in the hearth, I watched as a couple of students began to argue near the portrait of Salazar Slytherin. As their voices rose, I felt Mattheo's arm tighten around my shoulders. He always had a protective streak, especially when tensions flared.

Suddenly, I couldn't help myself. "The lady doth protest too much, methinks," I quoted, my voice cutting through the noise. The room fell silent for a moment, and all eyes turned to me.

Mattheo chuckled softly, shaking his head. "Another Shakespeare quote, darling?"

I grinned up at him, unable to resist. "What can I say? He just knew how to capture the essence of human nature."

"Great, another Shakespearean monologue. Can't you save that for class?" Pansy said.

“I wish my horse had the speed of your tongue.”

Mattheo rolled his eyes but there was a hint of amusement in them. "You know, sometimes I think you're more in love with Shakespeare than with me."

I leaned closer, my lips brushing his ear. "You jealous of a dead playwright, Mattheo?"

He smirked, his hand slipping down to my waist. "Only when you quote him more than you kiss me."

A few days later, we were in the library, studying for our Potions exam. As usual, the silence was only broken by the rustling of pages and the occasional whisper. I was immersed in "Hamlet" when a scuffle broke out between two Ravenclaws over a disputed study spot.

 “Better a witty fool than a foolish wit.” I couldn't resist quoting, earning a few chuckles from nearby students.

Mattheo groaned, pulling my book down. "Really? Again with the Shakespeare?"

I giggled. "What? It's fitting."

He leaned in, his breath hot against my ear. "You know what else is fitting? My cock inside you."

My cheeks flushed, looking around to make sure nobody heard. "Mattheo, we're in the library."

He grinned wickedly. "Doesn't mean I can't make you wet just by talking."

The rest of the day was a blur as we were now lying on the couch in the dark empty Slytherin common room, his fingers tracing idle patterns on my skin. I had "Romeo and Juliet" open on my lap, reading aloud one of my favorite passages.

"Give me my Romeo; and, when he shall die, take him and cut him out in little stars, and he will make the face of heaven so fine that all the world will be in love with night and pay no worship to the garish sun."

Mattheo's eyes darkened with something primal. "You know, I don't like you quoting other men, even if they're fictional."

I laughed softly. "You're jealous of Romeo now?"

He kissed my neck, nipping lightly. "I don't want to share you with anyone, even if they're just words on a page."

I closed the book and turned to straddle him, feeling his growing hardness beneath me. "You have nothing to worry about, Mattheo. You're my Romeo."

His hands gripped my hips, pulling me down to grind against him. "Damn right I am. Now, why don't you show me how much you love me, Juliet?"

─── ⋆⋅☆⋅⋆ ── ─── ⋆⋅☆⋅⋆ ── ─── ⋆⋅☆⋅⋆

[vincentbriggs]

Hello! Transfem person here. I haven't started HRT yet, but want to procure a 1730s menswear suit (actually decided based on your video). I would prefer not to wait for it if possible, since I don't know when HRT is going to be possible. I am, however, a little concerned about my bust size changing and affecting the fit of the waistcoat. Is that decade usually pretty forgiving in it's tailoring? I am also considering having the upper back tie like some later waistcoats to accommodate if necessary (even if it's not entirely historical), but I figured I would ask you.

Thank you!

Hello! Ooh yay! Not enough people do early 18th century, so I'm delighted to hear that! (Link to the 1730's suit mentioned.)

I think the fit would be affected, yeah. The sides of the waistcoat are easy enough to let out (and we have extant examples of waistcoats with an extra strip of fabric added into the side seam) but the curve of the front is pretty important to how it sits on you. But then, it is fashionable in that era to leave quite a lot of the top portion unbuttoned, so maaaybe you could get away with it not fitting as well, depending on what changed and how much?

Regarding the adjustability of waistcoats, some of the earlier ones actually do have lacing in the back! This red one is an especially nice example, and it's separate all the way to the top.

(c. 1740's, V&A) (Though you also do see ones with the back hacked up and a bunch of ties that were likely added by Victorians for their fancy dress parties.)

The breeches also have adjustable waistbands, of course, so I think the hardest part to alter would be the coat. The back vent is edge to edge, so there's no overlap to sneak a bit more width out of, and letting out the side seams would require re-doing those massive pleats, which were the part I found the most difficult when making my coat. But fortunately those coats were worn open a lot of the time, so even if they're not quite right when buttoned, they should still look ok unbuttoned.

It's very difficult to predict how the fit will be affected, since HRT is different for everyone and things keep changing years down the line. (One comment on this post talks about suddenly getting more breast and hip growth after 7, 12, and 14 years.)

I only have experience from the transmasc side of things, and alas, I very much did outgrow all my old waistcoats and coats. My 1730's suit needs alterations, because the waistcoat is a bit too small, and the coat seams could use a bit of letting out too. (I made those the year after top surgery, but my ribcage kept expanding and my posture improving for quite a while.)

I've been putting it off because alterations are boring :/ My pre-top surgery waistcoats are all way too small across the chest even though material was removed, because my posture was kinda bad and I didn't even notice it, and I expect that the opposite could also lead to the same sort of better posture from more confidence & comfort.

But bodies keep changing forever anyways, even without transitioning. Plenty of cis people can't fit into the things they sewed when they were younger, so we may as well make things to fit us now. Perhaps you could make the suit now, but use a not-too-expensive fabric, and then maybe alter it later, or make a newer and better one with the experience you gained from the first one!

Also I know you specifically said menswear suit, but I want to add the fun fact that women's riding habits in this era looked extremely similar to men's suits!

(Left: Maria Amalia von Habsburg by Franz Joseph Winter, right: Member of the Van der Mersch Family by Cornelis Troost.)

As far as I can tell, the main differences are that the riding habits have a petticoat instead of breeches, and are made to fit over stays.

(Empress Elisabeth Christine in riding costume, unknown artist.)

So similar, in fact, that this portrait of a young lady in a riding habit was misidentified as a young man!

Most of the petticoat is out of frame, but you can still see that it's not beeches, and the stays shape is pretty obvious. Very silly of Sotheby's not to notice!

I have no idea if you're interested in wearing a riding habit, and I'm not sure how difficult it would be to alter the somewhat looser men's coat to fit over stays, but thought I ought to mention it.