#men fitness portraits
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env0 · 25 days ago
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It's not topless, but it is Tuesday.
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alexdrogers · 8 months ago
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cedrick cooper photographed by @alexdrogers
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justinunlocd · 9 days ago
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JUSTIN NOEL HALL
Shot by JOHN HARDER
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olympusatnoon · 1 year ago
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Lighting was on point this am
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acourtofquestions · 1 month ago
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Dont be angry, Finnula said. Be smart.
#Chapter 23#Kingdom of Ash#Sarah J. Maas#Elide Lochan#Finnula#no spoilers pls first read along w me chapter spoilers in post & tags below w more annotations/quotes/notes/reacts/perspective 3 of 4#The City of Rivers… can Aelin get a City of Fire? cuz that would be cool & Elide already said “fear was another companion it can’t be worse#IT WAS LORCANS SHIRT😭 & he cared so much he lied so she’d use it from Gavriel/Rowan😭 OH ELORCAN😭😭😭#Yet this place seemed like a paradise. WHATS REAL? is it a Maeve illusion… but it sounds lovely; like Rowan could just fly around😭#Pink and blue flowers draped from windowsills; little canals wended between some of the streets ferrying people in bright long boats.#And though a good dose of fear would aid in her cover too much would spell her doom. -smart clever spy gal Annabeth Chase would be proud#And this city Rowan had told Elide had been built from stone to keep Brannon or any of his descendants from razing it to the ground.#when u know ur evil cuz you had to build in a backup plan for the day Brannons peeps eventually come to shut that shit down… my poor Aelin#Elide fought the limp that grew with each step farther into the city--farther away from Gavriel's magic… or Lorcan’s👀😭🖤🤨#okay Elide I see your mirror mirror Aos moves with the berry listen and compact trick she can do it with a broken heart#cycle. She hadn't been able to find the words anyway. Not with what it would crumple in her chest to even think them. WELL NOW IM CRUMPLED#As if she'd been weeping for weeks… yeah that fits the KoA vibes#But it wasn't the reflection she wanted to see. But rather the square behind her. — BRILLIANT QUEEN — lol thx Lorcan for having a mirror#if only anything could be a witch mirror then they could all cell chat and communicate cause the travel time in this one is rough#she was merely staring into a compact mirror no more than a self-conscious girl trying to fix her frazzled appearance — she is the best spy#A girl trying to muster some dignity. Let them see what they wanted to see-A girl far out of her element in this lovely well-dressed city#cornflower blue ALWAYS THESE SHADES#her golden-brown skin shone with an inner light. Her eyes were soft with kindness. And concern.#had always made them foolishly off guard and eager to get away. To tell her what she needed to know. — funny 2 watch Elide do this after HoF#The sort of voice Elide had always imagined great beauties possessing the sort of voice that made men fall all over themselves.#Cairn. One of the males swore; the other scanned Elide from head to toe. But the two females had gone still. — agreed he’s the worst#the portrait of hope—yeah child’s right cause no—Elide always naming pe​ople—If you escaped Cairn don't go looking for him again.—true#Cairn is blood-sworn to our queen. Still makes him a prick TRUTH — doesn’t need to be a far to catch the lie — WHERE IS SHE DAMNIT#She was about to do it again wheen… The dark-haired beauty from the tavern was standing behind her. — SHIT#Maeve was not in Doranelle. How long would that remain true? Had to make the next performance count. — how many had she done this already?🥹😭
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env0 · 2 months ago
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Where blade meets body
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alexdrogers · 6 days ago
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uche ogugua photographed by @alexdrogers
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rikibarrola · 2 years ago
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En donde están tus límites? a donde te crees capaz de ir y conquistarte a ti mismo? @david_anayaa_trejo 👌🏻👊🏻😎🔥👏🏻 Coach @orlandomontero_fc #bodybuilding #bodybuilder #aesthetic #physique #muscular #men #musclemodel #muscle #sculpture #photoshoot #rikibarrola #gymmotivation #fitness #portrait #muscleman (en Mexico) https://www.instagram.com/p/CnXBbkyr2Qd/?igshid=NGJjMDIxMWI=
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wolfie-wolfgang · 2 years ago
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morning exercises. warrior training. you can do it. go for it. sad git!
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darkandstormydolls · 7 months ago
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PSA to all historical fiction/fantasy writers:
A SEAMSTRESS, in a historical sense, is someone whose job is sewing. Just sewing. The main skill involved here is going to be putting the needle into an out of the fabric. They’re usually considered unskilled workers, because everyone can sew, right? (Note: yes, just about everyone could sew historically. And I mean everyone.) They’re usually going to be making either clothes that aren’t fitted (like shirts or shifts or petticoats) or things more along the lines of linens (bedsheets, handkerchiefs, napkins, ect.). Now, a decent number of people would make these things at home, especially in more rural areas, since they don’t take a ton of practice, but they’re also often available ready-made so it’s not an uncommon job. Nowadays it just means someone whose job is to sew things in general, but this was not the case historically. Calling a dressmaker a seamstress would be like asking a portrait painter to paint your house
A DRESSMAKER (or mantua maker before the early 1800s) makes clothing though the skill of draping (which is when you don’t use as many patterns and more drape the fabric over the person’s body to fit it and pin from there (although they did start using more patterns in the early 19th century). They’re usually going to work exclusively for women, since menswear is rarely made through this method (could be different in a fantasy world though). Sometimes you also see them called “gown makers”, especially if they were men (like tailors advertising that that could do both. Mantua-maker was a very feminized term, like seamstress. You wouldn’t really call a man that historically). This is a pretty new trade; it only really sprung up in the later 1600s, when the mantua dress came into fashion (hence the name).
TAILORS make clothing by using the method of patterning: they take measurements and use those measurements to draw out a 2D pattern that is then sewed up into the 3D item of clothing (unlike the dressmakers, who drape the item as a 3D piece of clothing originally). They usually did menswear, but also plenty of pieces of womenswear, especially things made similarly to menswear: riding habits, overcoats, the like. Before the dressmaking trade split off (for very interesting reason I suggest looking into. Basically new fashion required new methods that tailors thought were beneath them), tailors made everyone’s clothes. And also it was not uncommon for them to alter clothes (dressmakers did this too). Staymakers are a sort of subsect of tailors that made corsets or stays (which are made with tailoring methods but most of the time in urban areas a staymaker could find enough work so just do stays, although most tailors could and would make them).
Tailors and dressmakers are both skilled workers. Those aren’t skills that most people could do at home. Fitted things like dresses and jackets and things would probably be made professionally and for the wearer even by the working class (with some exceptions of course). Making all clothes at home didn’t really become a thing until the mid Victorian era.
And then of course there are other trades that involve the skill of sewing, such as millinery (not just hats, historically they did all kinds of women’s accessories), trimming for hatmaking (putting on the hat and and binding and things), glovemaking (self explanatory) and such.
TLDR: seamstress, dressmaker, and tailor are three very different jobs with different skills and levels of prestige. Don’t use them interchangeably and for the love of all that is holy please don’t call someone a seamstress when they’re a dressmaker
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blackwhiteloveart · 1 year ago
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❤️
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Abdulai Kamara
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env0 · 2 months ago
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Maybe this was overkill on a first meeting over Boba.
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alexdrogers · 9 months ago
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jaidus photographed by @alexdrogers
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hotvintagepoll · 9 months ago
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Congrats to the ultimate winner of the Hot & Vintage Movie Men Tournament, Mr. Toshiro Mifune! May he live happily and well where the sun always shines, enjoying the glories of a battle hard fought.
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A loving farewell to all of our previous contestants, who are now banished to the shadow realm and all its dark joys and whispered horrors—I hear there's a picnic on the village green today. If you want to remember the fallen heroes, you can find them all beneath the cut.
What happens next? I'll be taking a break of two weeks to rest from this and prep for the Hot & Vintage Ladies Tournament. I'll still be around but only minimally, posting a few last odes to the hot men before transitioning into a little early ladies content, just like I did with this last tournament. The submission form for the Hot & Vintage Ladies tournament will remain up for one more week (closing February 21st), so get your submissions in for that asap! Once the form closes, there will be one more week of break. The first round of the Hot & Vintage Ladies Tournament will be posted on February 29th, as Leap Year Day seems like a fitting allusion to leaping into these ladies' arms.
Thanks for being here! Enjoy the two weeks off, and send me some great propaganda.
In order of the last round they survived—
ROUND ONE HOTTIES:
Richard Burton
Tony Curtis
Red Skelton
Keir Dullea
Jack Lemmon
Kirk Douglas
Marcello Mastroianni
Jean-Pierre Cassel
Robert Wagner
James Garner
James Coburn
Rex Harrison
George Chakiris
Dean Martin
Sean Connery
Tab Hunter
Howard Keel
James Mason
Steve McQueen
George Peppard
Elvis Presley
Rudolph Valentino
Joseph Schildkraut
Ray Milland
Claude Rains
John Wayne
William Holden
Douglas Fairbanks Sr.
Harold Lloyd
Charlie Chaplin
John Gilbert
Ramon Novarro
Slim Thompson
John Barrymore
Edward G. Robinson
William Powell
Leslie Howard
Peter Lawford
Mel Ferrer
Joseph Cotten
Keye Luke
Ivan Mosjoukine
Spencer Tracy
Felix Bressart
Ronald Reagan (here to be dunked on)
Peter Lorre
Bob Hope
Paul Muni
Cornel Wilde
John Garfield
Cantinflas
Henry Fonda
Robert Mitchum
Van Johnson
José Ferrer
Robert Preston
Jack Benny
Fredric March
Gene Autry
Alec Guinness
Fayard Nicholas
Ray Bolger
Orson Welles
Mickey Rooney
Glenn Ford
James Cagney
ROUND TWO SWOONERS:
Dick Van Dyke
James Edwards
Sammy Davis Jr.
Alain Delon
Peter O'Toole
Robert Redford
Charlton Heston
Cesar Romero
Noble Johnson
Lex Barker
David Niven
Robert Earl Jones
Turhan Bey
Bela Lugosi
Donald O'Connor
Carman Newsome
Oscar Micheaux
Benson Fong
Clint Eastwood
Sabu Dastagir
Rex Ingram
Burt Lancaster
Paul Newman
Montgomery Clift
Fred Astaire
Boris Karloff
Gilbert Roland
Peter Cushing
Frank Sinatra
Harold Nicholas
Guy Madison
Danny Kaye
John Carradine
Ricardo Montalbán
Bing Crosby
ROUND THREE SMOKESHOWS:
Marlon Brando
Anthony Perkins
Michael Redgrave
Gary Cooper
Conrad Veidt
Ronald Colman
Rock Hudson
Basil Rathbone
Laurence Olivier
Christopher Plummer
Johnny Weismuller
Clark Gable
Fernando Lamas
Errol Flynn
Tyrone Power
Humphrey Bogart
ROUND 4 STUNGUNS:
James Dean
Cary Grant
Gregory Peck
Sessue Hayakawa
Harry Belafonte
James Stewart
Gene Kelly
Peter Falk
QUARTERFINALIST VOLCANIC TOWERS OF LUST:
Jeremy Brett
Vincent Price
James Shigeta
Buster Keaton
SEMIFINALIST SUPERMEN:
Omar Sharif
Paul Robeson
FINALIST FANTASIES:
Sidney Poitier
Toshiro Mifune
and ok, sure, here's the shadow-bracket-style winner's portrait of Toshiro Mifune.
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rowzien · 3 months ago
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The Trans Court Suit
This was my big project I made over the summer! I am beyond proud of and happy with the coat.
The first initial project I wanted for this was a pink waistcoat. I grew up liking pink and most of my stuff was, but that (along with growing up in a hot pink room) made me start to resent pink a lot especially as a teenager. (I think a lot of trans guys have similar stories.) But of course pink was very popular for men throughout a lot of European fashion history. So in many ways this was a self healing project for me, at least in that regard. Which I think was a success!
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I actually found the first two portraits after I started working on the outfit, they looked perfect! The first especially is super close to my hair.
The silks for the coat as well as the linen interfacings were second hand or scraps in my stash. The cotton sateen was from Burnley and Trowbridge. This is the first project I fully drafted myself. The waistcoat and breeches were made from an 1820s manual and the coat was primarily taken from Period Patterns by Doris Edison, using also Agreeable Tyrant for interfacings and The Taylor's Complete Guide (for shape reference).
This is also the most hand sewing I’ve done for an outfit. Both of the fronts of the coat and waistcoat are completely by hand. Most of the coat is by hand with machine for structural/backstitches, mostly the seams but not the edges. In total there are 22 buttons.
I made the waistcoat straight across for two reasons A. So I can wear it with my other stuff B. I didn’t have any more trim, that was it. I’ll probably make a more 18th century style waistcoat out of white for this (at some point).
The breeches ended up being too small for my thighs so I started getting frustrated with the fit and rushed them by the end so I could move on. (I accidentally sewed the buttonholes on the wrong side).
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