#mel still loves them

[teleportationmagic]

The thing about Jayce and Mel is that like. She does not view him as an investment. That is just certifiably false. You have to skip over all her scenes to believe that.

In the beginning she does! She absolutely does! She conceives of their relationship as a business one - where she makes profit off his inventions, and he profits from her business and political acumen, both monetarily and powerwise. And overall, she believes she's fulfilled her half of the bargain.

It's only when he comes back to her after Viktor gets sick that she realizes he believes this is something deeper. And it's notable that she responds to that emotion - she opens up about herself too, comforts him, and expresses real emotionality about it. It's then that we see his ideals start to influence her - especially reawakening in her a desire for nonviolence.

Wanting to do things peacefully is something that's been with her since she was a child. It is what guides her away from Noxus, because her pacifism just does not fit there. It's why she loved Piltover so - they aren't a violent expansionist empire, which is a really low bar, but that's what she's grown up in.

She never finds the violence in Zaun, because she never goes looking for it. This is her fault, and her flaw, let me make that clear. She has some of the most power in the city, and should know about what kind of violence is holding up, and work to resolve it, truly. But she doesn't, because she's focused on her own exploits, and has so insulated herself away from the class struggle that it does not register for her until it grows to violence.

And then, once that violence comes, she maintains that pacifism with an iron grip, more than Jayce himself. It is Jayce who constructs (almost) all the HexTech weapons that are used in the Undercity, in Caitlyn's police squadron. He betrays the oaths that he's made to his partner, where Mel keeps the promise she's made to her's. She is the only politician left to try to tamp down on the worst of Ambessa's instincts, and her removal from Piltover is what marks it's descent into militarism.

She is ultimately a complicated woman, with a bunch of interesting relationships to Piltover and Zaun. I think you can divide Piltover as a city neatly between her, Jayce, and Caitlyn - each of them standing for some of Piltover's best instincts, and some of its worst.

[mel-loly]

-Thank you to everyone who is still here liking, commenting and reblogging my content, even though I'm not posting much “fandom stuff” anymore, you're still here! And I really appreciate that.. (and that makes me so happy, that as I showed in the “comic”, it moves me, so- thank you, really!!) :]💛

Also- a tip: there are also many other blogs that don't post fandom stuff, but when they do, they get more likes and reblogs than the original/other content.. So also give love to those people who have your original content, reblog, like, comment, because that's what they need! Recognition for your original content! And I know you won't regret it, and it won't hurt you to do what I said! In fact, you will be doing good and giving such love that many wanted and deserve.

A big kiss/p and a hug! Even for those who only like it when I post fandom stuff, I still love you so much, and I won't stop making this type of content, ok? I just want to give more voice to what I have to give as original, because that's what makes me happy and well ^^

-Melissa, Designer.

[kurthummeldeservesbetter]

[valzhangism]

i know i said i was happy about how mel's story went, but the more i think about it the less i'm sure about that. this is very much connected to how the themes of classism and wealth disappeared in s2, but mel in the beginning was the epitome of piltover. she wanted to advance piltover to prove herself to her mother. to "put piltover—" and by extension herself, "—on the map."

she wanted wealth just to have it. and i'm not blaming her for anything that happened, especially with hextech! she, just like jayce and viktor, could not have known what it would lead to. i mean yeah heimerdinger said so but who the hell listens to heimerdinger? but anyway i think mel changed throughout s1, much in thanks to jayce. by the end she's become more cognisant of the mistreatment of zaunites. she's the first to vote for their peace. she was a good person all along but now she knows how to act on it. it's also seen more in s2 act 1. when she covers her painting with gold, it's symbolic—she won't act according to what her mother might think. she won't let her desire for approval dictate her anymore.

so somehow i wish those themes were. continued, somehow? like again they were dropped not just with mel but the whole show and it makes her story a off to me. there's no meaningful commentary on war or classism or how her ideology stands opposite to her mother's. like some people have said, it feels like she doesn't have much agency, even if she is really cool. and that to me is a shame because agency felt like her thing. "to shape your own destiny" as she says to jayce in s1. i know her collaborating with the black rose (but not fully joining them) and learning magic is supposed to represent becoming independent from her mother, taking her own path, but some other aspects of her character were thrown away... the more i think about it the more i'm thinking they kind of #girlboss-ed her a little bit. maybe to sell another champion. i can't help but feel like even though i enjoyed seeing her on screen, the payoff didn't feel proportionally satisfying compared to her setup in s1.

[begonthounegativevibes]

THIS EDIT GOES OUT TO ALL THE FELLOW MELJAY SHIPPERS IN THE HOUSE HOOOW AREE YOUUU DOIING TONIIIIIGHT !?! CAUSE I AM NOT WELL

[ursa9909]

Arcane S2 Act 3 spoilers!

Just another appreciation post of arcane, to bring you:

Vi and Jayce fucking shit up worse when they're once again in the same room and having worked together before.

(and more importantly) Caitlyn and Mel not being to familiar with one another, nor having worked together, being in near perfect sync with one another as they fight Ambessa (Rip Cait's eye but it created a good opening for Mel, high risk but certainly high reward; also smart move to push it to her non shooting eye)

The idiot himbos of the two ships just can't win meanwhile the other half of the ships is just the woman who get's only hotter and smarter.

[verysadlesbian]

Seriously though, Vi pisses me off, 'cause after all of this, she'll still fraternise with the pilties.

[miyakuli]

Arcane is one of the best animated show I watched, that's it, I said it

[melit0n]

Hands down, Give is one of Sleep Token's yearn-iest songs. Ever. It's not on par with TLYW, Jaws etc. (because that's a whole different layer of Sleep Token's yearning onion), but it's got a kick to it.

When I say that song is the epitome of desperate, I mean it.

Without thinking about it too much, the first time I listened to it my first thoughts were 'ah, okay, wanting to give all for your lover and be able to trust them, got it', but then I thought about it a bit more.

Like with all Sleep Token songs, it has a bit of an eerie undertone, which borders on slightly obsessive, depending on who you're talking to, with the lyrics. We have "I picture you when you are all alone", "I am the shadow, you're a passenger", "I'll be the limit of your light again" and, of course, "give me all that you can give" with "and if you want to give me anything, then give (give in again)".

Vessel is describing himself as literal darkness; he's a shadow in the gloom and whoever this is is a star glowing in the darkness. A light he aims to dampen because he wants a taste of that light. A taste of them.

However, it's this desperation for attention that gets me. "Give me all that you can give" is an easy example; he's desperately giving all he can possibly give in hopes of getting the same, or more, back. It's repeated over and over, half begging half demanding with soft dulcet tones and promises that he'll be watching for their enemies, to let them know that they contend with him etc.

Give becomes this two-faced thing of someone giving with all their might to someone who is afraid to trust, bringing up empathy from us, and someone who will not accept anything except everything. It's this sexually charged fight between who is a victim (or if there really is one here) and who is the abuser.

Further, to "give in" is to 'cease fighting or arguing; admitting defeat.' It's something primal and angry hidden under, or rather, mixed with passion, and it's incredibly well hidden.

[luckyfailuregirl]

chat . chat did i cook/j

⚠️(TW: BRIGHT COLORS, MENTIONS OF DRUGS AND SEX)

(Lyrics from Limbo by Freddie Dredd, OCs besides Lucky by @shadow-9x , @cosmic-corporation , and my brother Ziggy!)

[throwawayasoiafaccount]

alicent and sansa with your bright red hair you are my enemy

stop trying to be ygritte you both could never

you have brown and auburn hair respectively with a side of some pretty misogynistic crazy fans who hate the hot dragon ladies

rhaenyra and dany you will both forever be famous

and stop stealing the winter roses rip my boy jon your symbolism is too cool too pretty so thieves are snatching it up bc for some reason little birds just aren’t good enough so a pretty flower is needed as well

i know this beef has long passed but almost every sansa fanart has a winter rose in it while i think i’ve only ever seen one fanart with jon holding some winter roses. the thieves have cleared my boy out and forced him into something so disturbing so gross so horrid so nasty and called it jonsa

they tried replacing satin with sansa it’s horrible

jonsatin is the real jonsa

it’s the truth

i’m a bi jon truther

i genuinely do not know what the point of this post is

[seaweedstarshine]

Sometimes I think of Amy Pond, who grew up being called mad by those who wielded the word as a tool of exclusion and shame —

Amy Pond, who though forced into the hands of four psychiatrists, still clung to that which they called madness until those systems which elevate psychosocial conformity above humanity stripped it from her —

Amy Pond, whose imaginary friend reappeared for a single hour after twelve years and reignited that faith before disappearing for two more years —

Amy Pond, who spent those those two years under the same implicit threat ingrained in her through psychiatric violence, and thus began to believe the man who stopped the invasion was “just a madman with a box,” only for him to agree, and to also call her “mad, impossible Amy Pond,” reframing madness as non-negative for the first time in her life —

Amy Pond, who ignored the disembodied voice of her imaginary friend even as she ran away with him for real, who still lived each day with the traumatic internalization of deviancy dictated upon her by the psychiatric-industrial complex that shaped her from childhood —

Amy Pond, who wouldn't acknowledge the Doctor's voice, such that it took an Angel in her eye that was literally killing her to ensure she couldn't reality check herself —

Amy Pond, who stood before a room which muttered about “the psychiatrists we brought her to,” and though afraid, escaped their rigid parameters of acceptable existence.

[mel-loly]

-Thank you very much for the +1.5k followers! <3

[hauntingblue]

ARCANE EPISODE 7!!!!

MY GOD I WASNT READY FOR ANY OF THIS!!! WHAT WAS THAT!!!

Also ekko wallpaper I got with my fries lmao

[artificialcaretaker]

It doesn’t matter how I feel about any and every other decision made for this act AT LEAST SHE MADE IT!!!!!!!!!!!!

[phantom-palace]

idk if anyone here watches reno 911 but after seeing this frame in the act 3 teaser those are the vibes their little team gives