#mel still loves them

[saikiflm]

how the fandom, especially jayvik fandom, treats mel + her relationship with jayce genuinely does a disservice to her character and her struggles which sucks but there needs to be an important distinction between what happens in canon and what happens in fanon. Jayce is written into a crossroad where he had to choose between mel and viktor, this wouldn't be a problem if they writers had written the end of meljayce a bit better than whatever that shit show of a reunion was but u really can't have everything. With that being said meljayce, in my humble opinion, weren't built to last but that doesn't derail the fact that both meljayce cared and love for each other but again, im tired of pretending that meljayce had potential when I really think they their relationship didn't show any signs of longevity and I wish people understood that more.

[teleportationmagic]

The thing about Jayce and Mel is that like. She does not view him as an investment. That is just certifiably false. You have to skip over all her scenes to believe that.

In the beginning she does! She absolutely does! She conceives of their relationship as a business one - where she makes profit off his inventions, and he profits from her business and political acumen, both monetarily and powerwise. And overall, she believes she's fulfilled her half of the bargain.

It's only when he comes back to her after Viktor gets sick that she realizes he believes this is something deeper. And it's notable that she responds to that emotion - she opens up about herself too, comforts him, and expresses real emotionality about it. It's then that we see his ideals start to influence her - especially reawakening in her a desire for nonviolence.

Wanting to do things peacefully is something that's been with her since she was a child. It is what guides her away from Noxus, because her pacifism just does not fit there. It's why she loved Piltover so - they aren't a violent expansionist empire, which is a really low bar, but that's what she's grown up in.

She never finds the violence in Zaun, because she never goes looking for it. This is her fault, and her flaw, let me make that clear. She has some of the most power in the city, and should know about what kind of violence is holding up, and work to resolve it, truly. But she doesn't, because she's focused on her own exploits, and has so insulated herself away from the class struggle that it does not register for her until it grows to violence.

And then, once that violence comes, she maintains that pacifism with an iron grip, more than Jayce himself. It is Jayce who constructs (almost) all the HexTech weapons that are used in the Undercity, in Caitlyn's police squadron. He betrays the oaths that he's made to his partner, where Mel keeps the promise she's made to her's. She is the only politician left to try to tamp down on the worst of Ambessa's instincts, and her removal from Piltover is what marks it's descent into militarism.

She is ultimately a complicated woman, with a bunch of interesting relationships to Piltover and Zaun. I think you can divide Piltover as a city neatly between her, Jayce, and Caitlyn - each of them standing for some of Piltover's best instincts, and some of its worst.

[mel-loly]

-Merry Christmas!💗✨

the tags (↓) are more important!!!

[bean-spring]

"Mel is an independent woman who doesn't need anyone!" actually I pretty much think she needs a hug

[kurthummeldeservesbetter]

[the-dragon-hearted]

Love in Arcane

There are a lot of themes in Arcane but an overarching theme is the dangers of love. Often times, love is put on a pedestal and mistaken as sacred. Love is always good, always "pure".

Arcane actively pushes against that.

I think a lot of the discourse surrounding some of the relationships wouldn't be as big if we recognized that love is just... not always a good thing. Silco and Jinx, Powder and Vi, Mel and Ambessa, they all display that - let me explain.

Silco and Jinx: Probably the most obvious example of this

Silco loves Jinx. This earnestly cannot be argued, he was willing to throw away his dream of an independent Zaun because he could not handle the idea of betraying her. Not losing her - betraying her. Hurting her. He was willing to give himself up, telling Jayce everything she did was what he ordered. It is not a possessive twisted love where he wants her near - he has spent her entire life promising that he won't betray her and he meant it.

BUT!

That does not mean Silco is a good father. He loves her - absolutely. But love is not always good. Everything Silco passed on to Jinx was an example of how he saw the world. Silco was a paranoid, hurt man and as such he made his daughter a paranoid, hurt woman. Love forms us, it teaches us and builds us. Silco loved Jinx but he hated Piltover. He was willing to use violence and use people to get to his goal and he taught Jinx that those methods were acceptable. And he loves Jinx, so she learned.

And after he dies, part of her healing is unlearning those lessons. It's no mistake the ghost of Silco she sees in that cell is a somber one - warning her about the cycle of violence she knows all too well. It's no mistake that Silco's solution was one he never managed to do.

A parent can love you, but that does not change who they are. It does not change what they teach you. Especially if they think they're right.

Powder and Vi: this one hits a lil personally for me

Violet is a parentified older sister, she doesn't just feel responsible for Powder - it's her purpose. It's more than a role to fill or a job to do, if something happens to Powder it is Violet's fault.

And Powder? Vi was everything to her. She looked to Vi for praise, for guidance. Everything she was supposed to seek out in a parent she had to look for in a fellow child. And when Violet leaves her (not really but that's how she understands it), she is ripped away from the only source of dependency she has. So there's a level of resentment there and a fear of further abandonment. Because if the most reliable person in her life can leave her, who won't?

When they reunite, Vi is trying to fulfill a role Jinx no longer needs. Jinx is independent. A lot of people try to say that Vi made Jinx or Silco made Jinx but remember that at the end of the day, Jinx is Jinx. She is a person who makes her own choices and has to find her own path. Violet can't recognize that until it's too late - and then, because she's known her whole life that it is her purpose to take responsibility for Powder, she betrays everything she ever stood for, puts on an enforcer badge, and takes to the streets to try to atone for her failure.

Vi sees Jinx as her failure.

And Jinx? When Vi comes back she tries to find that dependency she once knew. She tries to figure out if she can still depend on that sister who once meant the entire world to her. But she can't. She never should have. And learning that the person you idolize most sees you as either a child or a threat is gutting. Jinx is not a child, so she must be a threat. Because Vi can't love Jinx, she loves Powder. And Jinx can't be Powder anymore, and if that's the case then Violet can't love her.

They both do love each other. They love the memories of the other. Who they once were. When they start to learn about one another again and rekindle that siblinghood it becomes healthier - it's more meaningful and respectful but before then? No matter how hard Violet tried, even if Jinx had chosen to be Powder again, their love would not have been healthy. Violet needed to learn that Jinx was her own person. And that she was not responsible for her, not anymore. Jinx needed to find herself and recognize Vi's failures. Recognize Violet as a person too.

Because siblings change. They grow. Apart and then back together, usually. Siblings love each other but you have to love more than the person someone used to be. Otherwise, you're just pouring your grief on the person they've become.

Ambessa and Mel:

Perfectionist mother meets over-achiever, independent daughter. This is the clearest cut of all the relationships, in my opinion. We know Mel resents that her mother sent her away because she wanted to stay. She wanted to make her mother proud and if she couldn't make her proud she'd damn well spite her. And Ambessa? She loves Mel. She makes that very clear.

But sometimes, love is not something to desire. Sometimes love is synonymous with prison.

Ambessa's love meant she wanted her children to be survivors. Fighters. Winners. She wanted her children to be her.

Mel? Mel figured out quickly enough she didn't want to be her mother, she wanted to be herself. She feared what her mother could do but recognized the tactics and skills she honed were granted to her from the cradle.

That last word: "You have become the wolf."

The nail in the coffin. All the love, all the adoration in that tone, and yet Ambessa's love condemns Mel to a life she never wanted. Because now Mel is her mother's daughter. She is the wolf her mother raised. The heir. Mel loses everything she built and fought for as her Mother dies in her arms, by her hands.

Love. Succession. They can coexist with hate and damnation.

You can love someone and hurt them. Being loved can be hurtful. Love does not mean healthy. It does not mean good. Because love doesn't really have a tangible definition. You can love someone with everything in your body and still be bad for them. Someone can love you with all they have and yet haunt you long after their gone. I think we've placed love on this untouchable pedestal that we dare not touch or critique.

Because: "If it's bad for you it can't be love. No - people who love you don't hurt you. Love is only good. Love is good!"

It's important to know that being loved does not equal being happy, fulfilled, or safe. Better love exists. Healthy, meaningful, caring love exists. But even that will not always be perfect.

Love hurts. Love can be the most hurtful thing out there. Adoring someone rides a find line with glorifying them - love doesn't do that. Love knows your faults. It comes with faults. And adding the right combination of faults can make love a twisted sort of thing. Toxic is a word that's thrown around a lot and often separated from love.

Love can be toxic. It doesn't always become some separate entity, it just manifests sickeningly. Arcane shows us that.

It also shows us love can be good. It can forgive and accept. It can cradle and hold and save. It can last through dimensions and centuries, even through death. Love, like anything else, has many forms. Good and bad.

Doesn't Singed do atrocious things in the name of Love?

Doesn't Ekko recognize that even if he loves Powder, it's not his world. It's not his happiness to have. Doesn't leaving that love take strength?

Don't Viktor and Jayce find love in faults? In each other's shortcomings, not despite them but because of them?

Arcane encourages us to recognize Love's complexities and contradictions. And I think that's neat.

[valzhangism]

i know i said i was happy about how mel's story went, but the more i think about it the less i'm sure about that. this is very much connected to how the themes of classism and wealth disappeared in s2, but mel in the beginning was the epitome of piltover. she wanted to advance piltover to prove herself to her mother. to "put piltover—" and by extension herself, "—on the map."

she wanted wealth just to have it. and i'm not blaming her for anything that happened, especially with hextech! she, just like jayce and viktor, could not have known what it would lead to. i mean yeah heimerdinger said so but who the hell listens to heimerdinger? but anyway i think mel changed throughout s1, much in thanks to jayce. by the end she's become more cognisant of the mistreatment of zaunites. she's the first to vote for their peace. she was a good person all along but now she knows how to act on it. it's also seen more in s2 act 1. when she covers her painting with gold, it's symbolic—she won't act according to what her mother might think. she won't let her desire for approval dictate her anymore.

so somehow i wish those themes were. continued, somehow? like again they were dropped not just with mel but the whole show and it makes her story a off to me. there's no meaningful commentary on war or classism or how her ideology stands opposite to her mother's. like some people have said, it feels like she doesn't have much agency, even if she is really cool. and that to me is a shame because agency felt like her thing. "to shape your own destiny" as she says to jayce in s1. i know her collaborating with the black rose (but not fully joining them) and learning magic is supposed to represent becoming independent from her mother, taking her own path, but some other aspects of her character were thrown away... the more i think about it the more i'm thinking they kind of #girlboss-ed her a little bit. maybe to sell another champion. i can't help but feel like even though i enjoyed seeing her on screen, the payoff didn't feel proportionally satisfying compared to her setup in s1.

[begonthounegativevibes]

THIS EDIT GOES OUT TO ALL THE FELLOW MELJAY SHIPPERS IN THE HOUSE HOOOW AREE YOUUU DOIING TONIIIIIGHT !?! CAUSE I AM NOT WELL

[ursa9909]

Arcane S2 Act 3 spoilers!

Just another appreciation post of arcane, to bring you:

Vi and Jayce fucking shit up worse when they're once again in the same room and having worked together before.

(and more importantly) Caitlyn and Mel not being to familiar with one another, nor having worked together, being in near perfect sync with one another as they fight Ambessa (Rip Cait's eye but it created a good opening for Mel, high risk but certainly high reward; also smart move to push it to her non shooting eye)

The idiot himbos of the two ships just can't win meanwhile the other half of the ships is just the woman who get's only hotter and smarter.

[verysadlesbian]

Seriously though, Vi pisses me off, 'cause after all of this, she'll still fraternise with the pilties.

[miyakuli]

Arcane is one of the best animated show I watched, that's it, I said it

[melit0n]

I think that's as close as I'm ever getting to a religious experience

[luckyfailuregirl]

chat . chat did i cook/j

⚠️(TW: BRIGHT COLORS, MENTIONS OF DRUGS AND SEX)

(Lyrics from Limbo by Freddie Dredd, OCs besides Lucky by @shadow-9x , @cosmic-corporation , and my brother Ziggy!)

[mel-loly]

-Thank you to everyone who is still here liking, commenting and reblogging my content, even though I'm not posting much “fandom stuff” anymore, you're still here! And I really appreciate that.. (and that makes me so happy, that as I showed in the “comic”, it moves me, so- thank you, really!!) :]💛

Also- a tip: there are also many other blogs that don't post fandom stuff, but when they do, they get more likes and reblogs than the original/other content.. So also give love to those people who have your original content, reblog, like, comment, because that's what they need! Recognition for your original content! And I know you won't regret it, and it won't hurt you to do what I said! In fact, you will be doing good and giving such love that many wanted and deserve.

A big kiss/p and a hug! Even for those who only like it when I post fandom stuff, I still love you so much, and I won't stop making this type of content, ok? I just want to give more voice to what I have to give as original, because that's what makes me happy and well ^^

-Melissa, Designer.

[cubicle-thoughts]

Okayyy so what if Viktor was ace Christian?

Ace can still have relationships so I don't think that counts as a dig.

In season one, I already was under the impression that Viktor was ace (or ace-coded in my eyes).

But even I can see the moments of "affection" (as Viktor says) he and Jayce had.

I don't think it changes anything.

Dare I say, it kinda adds to the romance because Jayce will still accept him.

The funny part is that this makes the MelxJaycexViktor throuple dynamic work even more.

[throwawayasoiafaccount]

alicent and sansa with your bright red hair you are my enemy

stop trying to be ygritte you both could never

you have brown and auburn hair respectively with a side of some pretty misogynistic crazy fans who hate the hot dragon ladies

rhaenyra and dany you will both forever be famous

and stop stealing the winter roses rip my boy jon your symbolism is too cool too pretty so thieves are snatching it up bc for some reason little birds just aren’t good enough so a pretty flower is needed as well

i know this beef has long passed but almost every sansa fanart has a winter rose in it while i think i’ve only ever seen one fanart with jon holding some winter roses. the thieves have cleared my boy out and forced him into something so disturbing so gross so horrid so nasty and called it jonsa

they tried replacing satin with sansa it’s horrible

jonsatin is the real jonsa

it’s the truth

i’m a bi jon truther

i genuinely do not know what the point of this post is