#meet us

[algoworks]

Don't miss out on the chance to discover the latest product innovations from renowned industry experts and trailblazers. 

Learn how to enhance your building, automation, and streamlining skills more effectively.

Meet us at TrailblazerDX | March 7-8 | San Francisco

https://www.algoworks.com/trailblazerdx/

[wasabi-gumdrop]

local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6

[ciderjacks]

contracts written in blood

+

[liveandbreathemusicals]

Gay people will be like “this is my comfort show!” And then show you the most emotionally devastating, stress-inducing, tragic piece of media you have ever witnessed

[biggest-gaudiest-patronuses]

sick of this anti-aging obsession. let's go in the opposite direction. i want more characters who are hardened & grizzled & have a face lined with the harrowing tribulations of time--and then halfway through the narrative u find out they're 27

[asisp7766]

[fka310]

meet the grahams - Kendrick Lamar (Drake Diss)

[hinamie]

long way home

[kshaar]

sorry it has led to WHAT

[sugarbunniez444]

hold me

touch me

love me

be the first who ever did

[decomposingmousetrap]

I just thought of something cute.

.・。.・゜✭・🦷・✫・゜・。.

Y'know how Ghost pulls out some jokes here and there and is generally good at quips?

Imagine that the boys are out, just having a little get together at a bar after a successful mission and Simon pulls out one of his shit jokes.

You happen to sit nearby, your friend in the bathroom so you have nothing to do other than drink and listen to the environment around you.

"What's the difference between an oysterman and a prostitute with diarrhea?"

...

What?

Slowly, you set down your drink and listen carefully as a deeper, gruff voice behind you starts off a bit.

The Scotsman of the group groans audibly, "Steaming Jesus... What?"

"One shucks between fits, and the other fucks between shits."

Immediately, your forehead hits the counter as a fit of giggles bubble up and spill from your lips, uncontrollable, especially with how the joke, so fucking stupid, keeps replaying in your head. Your laughter is highly contagious as it seems, as the group of men behind you begin chuckling along.

"LT, ah think they liked yer joke."

Through little giggles, calming down from that little fit of yours, you throw a peek over your shoulder, catching onto the darkest yet equally shining pair of eyes, crinkling with a small grin as the large blond regards you with amusement and intrigue.

.・。.・゜✭・🦷・✫・゜・。.

Reblogs are highly appreciated :)

[algoworks]

Meet Jared Wesley Slomack, our Senior VP Client Services at FROM, at Fintech 2024! 🌟 Don't miss the chance to connect with Jared and tap into his wealth of #expertise in client services.

Let's discuss innovative #solutions and explore #collaboration #opportunities together. See you at the event!

Meet Algoworks at: Venetian, Las Vegas | March 3-6, 2024 | Booth No. 912, Level 2

[hairmetal666]

Steve wins the bat plush at a fair when he's seven. He doesn't care about bats, but it's the prize for making all five baskets in the basketball game, so he gets the little bat. Its eyes are a little crooked and one wing is slightly smaller than the other, but it being lopsided sort of makes it cuter.

He and his dad, they're supposed to be going on rides now, but his dad's pager keeps going off. He puts Steve next to a funnel cake stand, tells him not to move, and goes in search of a pay phone. Fifteen minutes pass, and Steve is bored under the flashing lights and tinkling music. He wants to play not sit and wait.

Eventually, he drifts back towards the midway, watches the people rushing by, searches for a sign of his dad's return. His attention is caught by another boy at the basketball booth. He has to be about Steve's age, with a mop of dark curls on top of his head and a jean jacket that's slightly too big, sleeves flopping over his hands as he lines up his shots.

This boy, he's terrible at basketball. Every shot is too high or too short or goes wide, but he's trying. Even from this distance, Steve can see how hard he's trying. He uses up his five balls, fishes into his jacket pocket for more money, and gets five more.

He misses every shot. This time, when he goes back for more money, he comes up empty. Steve thinks he sees his lip shaking.

A man, one in a leather jacket and boots that Steve thinks look mean, comes up to the boy, drops a heavy hand on his shoulder. He's too far away to hear the conversation, assumes the boy asks to play again and the man's response is a shaken head and a tight smile. They walk away from the games, right towards Steve, who slinks back to the side of the midway, not wanting to be caught staring.

"What was it you wanted? That stupid bat? Just another piece of trash you wanna bring in my house." Steve hears as they pass.

The boy nods, but keeps his eyes down and to the side.

He feels bad then. Felt bad before, but now he looks at his own bat, at its funny eyes and poorly attached wings, and wishes he could hand it over to the boy who really wants it. Steve almost does, then, makes to go after them, but his dad appears, dropping a hand to Steve's shoulder and saying, "ready to hit those rides?" And he knows the opportunity is gone, knows his dad will say it's too soft, not what men do.

Steve manages to lose himself for a while in the swirling lights and funhouse music and carnival rides, forget about the little bat in his back pocket and the boy who wanted one so desperately. But then his dad's pager goes off some more, he goes back to the pay phone, and Steve ducks into the low brick building that houses the bathrooms.

His eyes immediately land on the same boy from the basketball game. His eyes are red, face damp, obviously from tears, and Steve just--

"Here." He shoves the bat into the boy's chest.

For a second, the brownest eyes Steve's ever seen widen at him, before narrowing in a harsh glare, the boy's teeth barred.

"Why?" He snarls.

Steve thinks he may regret every choice that led him to this but he says, he says, "Because I want you to have it."

The boy blinks a few times, hand reaching out to gently pinch the bat's smallest wing. "You sure?"

Steve nods and the bat is slowly withdrawn from his grasp.

"No takesies-backsies?"

"It's yours."

The boy looks at the bat in awe, and Steve says, "see? It already looks happier with you."

The boy's beaming smile is cut-off by a voice calling from the door, "you in there,? I ain't got time to be waiting for your boohooing."

"Coming!" The boy carefully tucks the bat into an inner pocket of his jacket. "Thank you," he whispers, eyes big and glistening and happy, before he disappears out the door.

---

13 years later, give or take a few months, and Steve stands in the cracked shell of a bisected trailer, rummaging through what remains of a life well-lived, searching for anything whole. He's already found a few undamaged mugs and clean hats, but this room--it took a lot of damage. The brunt of it, really. Some sick sort of joke, after everything.

It's mostly rubble in here, scraps of fabric; slivers of notebook paper, magazine, poster; crumbled shards of vinyl and cassette plastic. A few times he comes across the disembodied limb of one of those dnd figures, and something weird happens to his throat.

In the far corner there's half of a dresser collapsed into itself, and he shuffles through the debris to see what he can find. There's something, soft and black, just the edge of it, peaking out from under half of a drawer face. He pulls it out, careful as can be and it's--it's a plush bat. It's a little dirty, but unharmed, though its eyes are a little wonky, and one wing is smaller than the other.

He holds it and he stares and he has to brace himself against the wall. It can't be--it's not the same one--but he remembers those big brown eyes and the curls and--

"Harrington," a warm, rich voice calls from what's left of the hallway. "You get lost in there?"

Eddie shuffles in, slow, careful with his crutches. And it--it took so long, months and months of convalesce and physical therapy, still physical therapy, but he's here. He's alive. He's perfect. And the something blooming between them, it's not spoken yet, but it's there, growing, and now, now--

"Oh my god, you found Lilith! I thought she was toast."

"Lilith?" He's still cradling the little lopsided bat in his hands, but moves closer to hand it over to Eddie.

"Yes, Lilith." Eddie takes the bat, presses it to his chest. "The first boy I ever loved gave her to me."

His heart turns over in his chest and when he swallows his throat clicks. Eddie doesn't notice, he's smiling softly at the bat, at Lilith, but then, "why are you looking at me like that?"

"First boy you ever loved?" He says. He thinks he sounds normal.

Somehow, Eddie's smile grows even softer. "Yeah. Roan County Fair, years ago. Tried to win her, but--" he clicks his tongue--"never had great hand-eye coordination. And then this kid just gave her to me out of nowhere. I used to think I was going to marry him."

"And now?"

Eddie laughs. "I grew up, Steve."

And for a second, he doesn't know what to say, but then, "I was right then, huh? That she'd be happier with you."

He stares at Steve, those same big brown eyes, wide and glistening. "Steve that was--Steve?" Eddie presses a hand over his mouth, overcome, before launching himself into Steve's arms. The crutches clatter to the floor, but Steve has him, will always have him, no matter what.

"I can't believe you kept her," Steve whispers.

"God, I carry her everywhere. She's Corroded Coffin's mascot, and you--Steve, I can't believe that was you."

"Surprise," he bumps Eddie's forehead with his.

They hold each other in the center of the destruction, but none of that matters right now, not when it feels like every moment since they very first met as children was leading them to this.

From the other half of the trailer, they hear footsteps, chattering, Wayne and Robin and Dustin, but Steve wants this to last a little longer.

"So, marriage...that still off the table?"

Eddie laughs softly, nuzzles his face against Steve's neck. "Are you kidding, sweetheart? No way I'm letting you go."

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[sevrinve]

bedtime

[egophiliac]

IT WAS ERIC AFTER ALL!!!! I'm so glad we got to meet him (before Vil snaps him away with those Infinity Gauntlets) (can't wait to see what happens when we get the matching Infinity Tiara to go with them, there will be no survivors)

(sorry to be so slow/rough lately, just got a lot of stuff on the ol' brain at the moment! alas, if only I could spend all my time drawing incredibly stupid characters I mean I do but)