#meet is 'it wasn't my fault'

[theinfinitedivides]

hold on babe where are you going we have to have our moral spiritual emotional and sexual awakening on this overpass you can't just leave like that

[mostofthingsmostofthetime]

My thoughts on The Ballad of Songbirds and Snakes movie

I don’t know if I liked it as much as the original films (maybe Mockingjay 1 & 2 as they are pretty emotionally draining), but I still enjoyed it.

I think where it fell a little flat for me is 1. The beginning was a bit slow (tbh I only really started getting interested when Lucy Gray stuck that snake down that girl’s dress & even then I enjoyed the story more when the setting changed from the Capitol to the district) 2. I knew Snow would survive 3. I’d already been spoiled online for a lot of stuff that happens & 4. while I know the director did his best to make Snow as “likeable” as he could for as long as possible, even before he started getting “a little too comfortable” with killing & snitching I didn’t find him as sympathetic as Katniss or Peeta (but that is probably again down to the fact that I know what he goes onto do & there’s no real way around that), this made engaging with him difficult for me.

The world is fascinating. Getting to see all the new locations we never had access to before as well as old locations now in a totally different light (for example district 12 which, while still clearly suffering, seemed like such a bustling industrial town compared to how it is in Katniss’s time). It might have a much more retro aesthetic but there's also just a more vibrant, natural, wild & lawless atmosphere to this movie compared to the others in the franchise. The whole scope of the film just felt more cinematic then I remember the others being yet also weirdly intimate. Maybe because it was one contained story & we knew the main character’s fate from the start. I also loved the title cards signifying the start of each section of the story like from the books & wished they'd done something similar for the other films. It just added a certain flair to the whole thing. Almost gave it the vibe of a tragic play.

The costuming was great. The bright red of the academy uniforms.  Flickerman’s snazzy suits. Snow’s dapper black & white outfit. Both peace keeper uniforms (despite one of them giving very ‘1930’s Germany’ vibes) looked great. Grandma might have been a bigot, but at least she was well dressed. Everything Dr Gaul wore (except the top that looked like a used tampon, lol) was exquisite. The main ladies of fashion, Tigris & Lucy Gray slayed. Our Future Capitol stylist looked like some regal yet exotic bird & Miss Survivor was giving Bohemian, country girl realness the entire time she was on screen. Even the extras were serving (like that random couple Snow walked past on his way to the reaping ceremony).

The music was amazing. Every song that played was fantastic (shout out to Olivia for her end credit contribution). The lyrics & instrumentation were beautiful & my god does Rachel Zegler have pipes! Anyone who says the singing scenes are cringy is just stupid like I’m sorry you can’t appreciate art. Also, the words ‘ballad’ & ‘songbirds’ are literally in the title. Plus, Lucy Gray is from the poorest district, so what exactly do those people want her to do in her free time? She can’t exactly hop on an X-box for a few hours. Not too mention that (as the offspring of someone who’s musically inclined) I can tell you, it’s completely realistic for a musician to use their craft to help them deal with trauma & Lucy Gray clearly had more than her fair share of that.

The Grandma'am helped to paint a sadly very realistic background for Snow. As who among us hasn’t met at least one delusional old person who thinks that their/their group’s suffering (regardless of the severity of it or the reason behind their former/newer status in society) means that no one else are deserving of even the tiniest shred of humanity & there are some people who are unlucky enough to not only be related to these people but be raised by them.

Hunter schafer as Tigris is clearly the superior Snow when it comes to things like empathy & overall mental stability but I do kind of wish they’d been more for her to do. Credit where credit is due though her & Tom did actually look like they could be related & I did buy their familial bond (which makes her appearance in Mockingjay so much sadder in hindsight).

Peter Dinklage as Casca Highbottom was a bit of a mix for me just due to his purpose as a character & the limit of film as a form of media. Like sure the audience know that Snow’s going to become an irredeemable monster in the end but without a window into his mind it really does just seem like the Dean is just out to get him & even when we find out why it seems kind of unfair. Like sure his dad sucked but haven’t the Games shown that blaming children for violence caused by others is unjust (& like ok he hates Coriolanus & probably the grandma but Tigris hadn’t done anything to deserve living in poverty, as she can’t control who she’s related to)? Plus, it felt like he could have at least tried taking Snow under his wing at some point to try to hinder Dr Gual’s influence. Saying all of that, though, Peter Dinklage is great at playing an addict with depression & the idea that some drunken rambling could lead to such long-lasting suffering is terrifying. Also its pretty realistic that living with that kind of guilt & in such a cruel environment for that long would make most people jaded & bitter, even if they did have good intentions.

Omg we finally get a Mayor family on screen & they’re assholes! Madge would be so disappointed 😭. It was interesting to see how harsh & overall “boot licky” the mayor & his family seemed compared to decades later, which makes sense as the war wasn’t that long ago for them so the dad probably felt more incentive to align himself with the Capitol as well as not feeling very connected to the district people as 12’s decline probably didn’t fully set in until they really started running low on coal & Snow became president (oh I just know he wanted to blow that district off the map 😆). I also wouldn’t put it past Billy to come up with some sob story of how he really does love Mayfair but wicked Lucy Gray is somehow preventing them from being together. Still no excuse to try to send her to her death twice in one week, though. Definitely not a girl’s girl.

Ok, so a liar. Cheat. Drunk & someone who hits women. Is there anything good about Billy Taupe? Also, trying to get your ex back, while your current girlfriend is literally standing right next to you? Dude, have some god damn back bone! You made a choice, now stick to it. Also, fumbling Lucy Gray, for a girl like that? What’s it like having no brains or taste? Well, too bad, coz you’re stuck with her forever now, lol.

Viola Davies, the actress that you are. What else is there to say? Dr Gaul is almost comic book levels of insane. Like she is how the Right see women in STEM, on crack! I don’t know what she did to get into character, but whatever it was, it worked.

Jason Schwartzman as Lucretius Flickerman is a very interesting addition to the story despite playing such a small & seemingly insignificant role. He is strange in how unthreatening he is while also extremely blasé about the abhorrent violence he witnesses that it’s as funny as it is disturbing. Making him come across as  more human yet harsher than his son, who at least pretends to care about the tributes (in a very Capitol way, obviously but still). There’s also a polish & confidence to Tucci’s performance that I think Schwartzman did a great job of avoiding copying (despite knowing what audiences were probably expecting) because not only are their characters in entirely different stages of their careers but the whole ethos of the Hunger Games is different in Snow’s youth than it is in Katniss’s. Caesar is a well established presenter & during his time, the games have always been a success (minus the year with the tundra) that the entire Capitol is invested in & seemingly in support of. On the other hand Lucretius had the unique task of not only coming into a job like this with zero experience (I mean imagine going from announcing the weather to presenting the fucking hunger games) but also there were no vibes to try to emulate let alone guidelines to follow because he truly was the first person to do this. On top of that, the "event" his presenting has been panned for years as both boring & unethical. Schwartzman brought a slightly awkward, experimental, yet try hard vibe (like a comedian who's desperate to get a laugh) that I think worked wonderfully for the character.

Tom Blyth's performance was great & he was visually perfect for a young Snow (the power of a good wig! Who knew lol). Even having the cool, analytical stare of Donald Sutherland, down pat. While his appearance was very Eminem during his peacekeeping days, his realisation in the cabin and subsequent breakdown in the woods were crazy. There was so much tension between him & Rachel in that scene that for a second, it literally felt like all the air had been sucked out of the room. I could almost hear the record scratch for both of them, & all that building paranoia finally coming to a sudden crescendo in the way that it did? Pure cinema!

Josh Rivera, as Sejanus, was honestly a mix for me. Obviously, I agree with his morals, but his way of going about it did seem a little dumb. However I do think it’s pretty realistic that a teenager, especially a rich one, would be rather naive. Also I’ve heard that he’s smarter in the book & I think at times my frustration with him is more just down to the fact that I’m seeing him from Snow’s point of view. Meaning scenes that would be portrayed as noble in any other film instead come across as almost painfully inconvenient because the focus is always on how they affect Snow rather than the actual victims of the situation. Lastly, sorry, Snowjanus shippers, I just don’t see it (especially on Snow’s end), but whatever floats your boat.

Rachel Zegler played Lucy Gray with the perfect mix of natural charm & emotional vulnerability with clear pride in her culture & a refusal to let the world around her change who she is. Yet there was also an air of mystery & a subtle resilience to her that makes her potentially surviving out in the woods for years without being detected actually believable (though I don’t buy the theory that she went on to become president Coin). Definitely the highlight of the movie for me.

PS. I'd love to know what you think of my review in the comments/tags & am open to criticism (as long as it's respectful) just remember that I'm only talking about the movie so please don't reference anything spersific to the book.

[hauntingblue]

Rewatching act 2.... yeah ISHA WATCH OUT FOR THE CYCLE ISHA!!!!! NOOOOO

[squishosaur]

hey man. i'm just saying. why would we put inexperienced teenagers with over-inflated egos and obvious emotional issues into combat classes and make them claw their way to the top of their dorms and expect things to just run smoothly. who actually thought this

[thedreadvampy]

wait no sorry one last quick immature bitch moment

the more I find out about how this person has behaved in both this relationship and a bunch of other relationships, the funnier it is how much they like to set themselves up as a like. authority on ethical nonmonogamy and consent and conflict management.

when like. they constantly sexually assault people to prove a point, pressure their partners into shit, got into enm by cheating on 3 people concurrently, and literally every time a problem in their orbit is brought up it gets explained away without anything actually changing, or they cry about how hard it is until everyone says OH NO IT'S FINE DON'T WORRY ABOUT IT

you know. very "call yourself a Community Organizer even though you're not on speaking terms with your roommates" energies.

[blunderpuff]

apparently i have a half sister???

what the fuck???

[fruitsyrups]

Random yes but thank u for making that frusan art awhile ago it's adorable and i love seeing more art of this underappreciated ship :D!!!

ahhh thank you!!! frusan is so underrated FOR REAL, i guess it's probably because after Islands they all but disappeared (like i think they were only shown twice after that and that's including in Fionna & Cake (which i actually missed when i watched it bc its such a brief glimpse)) but like. still. I actually have a little idea for another frusan drawing (frieda and susan talking on a roof grown-up edition) but I have to break up the dialogue into parts & think of more Susan Reactions so it's not just Frieda monologuing at her lol

[necroticghost]

Can I please just stop inconveniencing everyone?

[mike-wheeler-ik-what-you-are]

I fucking hate the patriarchy

[ettadunham]

pros of having a work phone: not having to worry about stepping over your private phone's monthly plan

cons of having a work phone: everything else

[eternitas]

Maybe i am so quiet and invisible with my appreciation that it gets mistaken for active ignoring. Or maybe i am just not good enough after all.

Oh... We've been here before havent we?

[suzetonic]

Hey, you know those things you think only happen in films but then end up happening to you? Tonight has been one of those times.

[star-ocean-peahen]

After watching Cinderella (the original animated movie, which was my favorite as a child), it strikes me how it solves many common problems people have with this fairy tale. Like:

Why did they try to identify the mystery girl using her shoe size? Because the bullheaded king's only clue to her identity was the shoe the Grand Duke picked up off the steps.

Why didn't the prince recognize her by her face? Because his father wouldn't involve him in the process at all, and wasn't the one going around trying to find her.

Why did the prince want to marry a lady he only met that night? Because his father was going to force him to marry someone, and he genuinely liked this woman.

Why did Cinderella want to marry a man she only met that night? Because marriage was her best and most secure way to freedom. Fucked up, but you can't say it's unrealistic for the setting of a fairy tale. She also genuinely liked him.

If they're using the slipper to find her, wouldn't it be more sensible to search for the person with the other slipper? Yes. The King is purposefully nonsensical and the Duke is purposefully terrified enough of him to carry out his orders to the letter. Furthermore, they end up doing that in the end anyway, because the Duke's glass slipper is shattered, and Cinderella brings out the one she has to prove her identity.

Why didn't the stepmother and stepsisters recognize Cinderella at the ball? Because they were dancing too far away, and then left the party to dance in private, which was possible because the King wanted very badly for his son to hit it off with someone and tried to arrange the best conditions for that to happen.

Why didn't Cinderella save herself? Because in real life, abuse victims should not have to shoulder that responsibility, and usually can't. In real life, you need and deserve an external support system. Asking for help, in this kind of situation, is very important. She is saved by others because she is loved. Because she is not alone. Because she has friends who love her, and want her to be happy and safe and free. Because in real life, people who want to help someone who is suffering are like the mice. We can't pull out miracle solutions, but we can provide companionship and if we're in the right place at the right time, we can help the person find a better life.

Why didn't the fairy godmother save Cinderella from her abusive household, or try to help her sooner? Because she's magic, and magic can't solve your problems. Quote: "Like all dreams, well, I'm afraid it can't last forever." This (and Cinderella's dream of going to the ball) is a metaphor for pleasurable things in bad circumstances. An ice cream won't get rid of your depression, but it will provide you with momentary happiness to bolster you, as well as the reminder that happiness in general is still possible for you. Cinderella doesn't want to go to the ball so she can get away from her stepmother and stepsisters, or so she can meet someone to marry and leave with. She wants to go to the ball to remind herself that she can still have things she wants. That her desires matter. This is important because the movie does a very good job of illustrating Lady Tremaine's subtle abuse tactics, all of which invisibly press the message that Cinderella doesn't matter. While going to the ball and fulfilling her dreams may not be a victory in the material sense, it is still a victory against Lady Tremaine's efforts.

Why is Cinderella's choice to be kind and obedient framed as a good thing, when you are not obligated to be kind to your abuser? This one walks a very fine line, but I think the movie still makes it make sense. Lady Tremaine never acknowledges her cruelty. She always frames her punishments of Cinderella as Cinderella's fault. Cinderella is interrupting, Cinderella is shirking her duties, Cinderella is playing vicious practical jokes. Cinderella is still a member of the family, of course she can go to the ball, provided she meet these impossible conditions. Lady Tremaine's tactics are designed to make Cinderella feel like she must always be in the wrong and her stepmother must always be in the right. If Cinderella calls her stepmother out on her cruelty, or attempts to fight back, Lady Tremaine can frame that as Cinderella being ungrateful, cruel, broken, evil, etc. If Cinderella responds to her stepmother's cruelty defiantly (in the way she's justified to), she's not taking control out of Lady Tremaine's hands. Disobedience can be spun back into her stepmother's control. She wants Cinderella to be angry and sad and show how much she's hurting. So since Cinderella is adapting to her situation, she chooses to be kind. Not only because she naturally wants to be and it's part of her personality, but because it is a form of defiance in its own way, and it allows her to keep a reminder of her agency and value. Her choice to be kind is her chance to keep her own narrative alive: she is not obeying because her stepmother wants her to and she has to do what her stepmother does, but because she wants to. It's a small distinction, but one that makes all the difference in terms of keeping her hope and identity. (Fuck, I wrote a whole paragraph about how this doesn't mean you can't be angry at people who hurt you or that you need to be kind to deserve help, and then deleted it by accident. Uh. Try again.) Expressing anger and pain is an important part of regaining autonomy and healing. Although it is commendable to be kind while you are suffering, it is NOT required for you to get help or be worthy of help. If Cinderella's recovery was explored beyond "happily ever after" she would need to let herself be angry and sad to heal. Cinderella is not only kind because it comes naturally to her, but because it's her defense against the abuse she's suffering. Everyone's story and experiences are different, and one does not invalidate the other.

Bonus round for answers that aren't part of the movie:

Why didn't Cinderella run away? Where would she go? Genuinely, in hundreds-of-years-ago France, where would she go if she snuck out of the window with a change of clothes? With her step-family, she's miserable and abused, but she's fed, clothed, and in no danger of dying or being taken advantage of by anyone other than her stepmother and stepsisters. Even if she escapes and manages to find financial security, her stepmother might be able to find her and get her back.

Why didn't Cinderella burn the house down with them inside it/slit their throats in the night/poison their food/etc.? Because that's a revenge fantasy, and this story is a fantasy about being saved. There's nothing wrong with making Cinderella into a revenge fantasy. That's perfectly fine, as long as you acknowledge that the other type of fantasy is also a valid interpretation. (I mean, the original fairy tale features the stepsisters getting their feet mutilated and all three of them getting their eyes pecked out, so go for it.)

Why isn't Cinderella more proactive in general? Because she's a child who has been abused for the back half of her life, who has had to be focused on survival because. you know. she's an abused kid.

How did she dance in glass slippers? Gotta agree with you there man, that's weird.

[greystend]

Batman, panicked by how much the villain knows about him and Jason, decides to infiltrate the Red Hood's gang with his Matches Malone's identity

Jason *oh shit he found out* : wtf wtf wtf is this a joke ? Are you making fun of me ???

Matches!Bruce *oh fuck he's even more unhinged than planned* : ... I don't understand, boss ?

Jason, struggling to find his words in way his men won't understand : you really thought I wouldn't recognize my own fa- urgh I mean genito- wait that not- hum, the guy that raised me ???

Matches!Bruce *wait oh shit the OG Matches Malone had a kid ???* : wait... *I don't even know his name!!* chum, I had to make sure it's really you, I wasn't sure, you understand ?

And then their relationship get better

except Jason is "argh I hate you but also you kinda made the effort of meeting me in my turf and also you didn't say anything about the killing so perhaps..."

and Bruce is like,"Oh shit I accidentally adopted the Red Hood, and also it's my fault his real father is dead, except he doesn't know that and must think Matches just abandoned him one day without any explanation. Also I should really figure out his name at some point"

[radiant-reid]

24 Hours

request: a blurb where he actually gets mad at JJ when she confesses to love him but doesn't really say anything at the moment. But then when he introduces reader to the team as his girlfriend, JJ is being kinda rude to her. She tries to tell him she doesn't like her, that she's not good for him. And spencer gets mad and protective👀 maybe he even throws a "i'm going to marry her, whether you like it or not".

a/n: my return piece !!

Pairing: Spencer Reid x Fem!Reader (Fluff)

Word Count: 2.2k

Spencer sees red when he walks out of the jewelry store after shooting the unsub.

JJ is the first girl he has ever asked out, someone he pined over for years after her subtle rejection at the Redskins game. He understood her reasoning. It would have been impractical for them to add relationship highs and lows to everything the BAU has been through over fourteen years, and that's if they stayed together. If they hadn't, things would have been even more complicated.

Also she just generally didn't like him that way. Or so he thought.

It didn't mean she wasn't his ideal for many years. His first love, who had so many traits he didn't have that he desperately wanted.

His confirmation he would be unlucky in love came after that with Maeve, who he once again thought could be the one for him. And then he realized that maybe the person for him had been taken away from him.

Then he met Y/n, and it all seemed worth it. All those terrible nights of crying and feeling like he would forever be alone, all the times he was the only single one on the team, knowing everyone was going home to someone they loved unconditionally and relied on for support.

She's the sun and the moon, and he fell in love so fast he couldn't stop it. Luckily, she did too.

Until JJ fucked it up.

The truth she had to tell to get them out alive dropped an atomic bomb on his newly formed life plans.

Spencer doesn't speak to her that night as they finish their recounts and reports. She leaves it out, though, he discovers, opting to write the secret about her miscarriage instead of confessing her love for her best friend and the godfather of her kids.

It messes with his head the whole way home. He can't sleep on the jet, even if he wanted to as he tried to work out what he was feeling.

All JJ does is send him pleading looks, and all he does is get angry because how dare she do this now? After she had fifteen years of them working together, all those chances to tell him how she felt.

He would have married and had a family with her, the family he always wanted. It's always stayed in the back of his head for so long, and just as he sees someone else in that role in his dreams, she drudges all of it back up.

It's such a long flight, and he taps his foot the whole way while staring out the window, not even able to read.

He goes to Y/n's. He's not sure what he's going to say, how much of it he's going to tell her, but he needs to see her to cool off the fury boiling out of him.

"Hey, handsome." She calls out when he walks in the door as cheerful as ever.

He feels a pit of guilt sink into his stomach because he can't tell her without ruining everything they delicately have put together. Maybe it's wrong to lie by omission, but his brain keeps coming back to fault. And it's JJ's fault. She's the one who's jeopardizing everything.

"Hi, gorgeous." He replies, walking into the living room to find her laying on the couch, book in her hands and her head on the armrest. He's reminded how accurate the petname he calls her by is when he's taken off guard by her breathless beauty. "How are you liking it?" He asks.

"It's good." She answers, putting the book down. "But that's because it's very you."

She gets up, meeting him behind the couch to cup his jaw, stroking over his skin and staring into his eyes for a moment before kissing him properly.

He relaxes into it, the tension in his shoulders easing and his brain slowing down for a moment. It's heavenly, as always, and it's what being loved is meant to feel like.

"How was your case?" She asks when she pulls back, still not daring to move too far away from him.

He tenses instantly at that, totally readable behavior, but he's got to perfect excuse to play it off. "It was rough." He holds out his bandaged hand that he's been avoiding showing her. "I got hurt."

"Shit." She straightens up, noticing how big it looked. "What happened?"

"Cut it on glass." He answers, not going as far as to say where he was when it occurred. "I'm fine, though. Promise."

She nods, reassured. "We've got to be up in, like, six hours, you know?" She reminds him of the time.

With the amount of coffee and adrenaline in his system, he barely registered it was already past 2 in the morning. Usually, they would have stayed in LA for the night, but being home in time for Rossi's wedding trumped a good night of sleep for everyone.

"Can I sleep here?" He wonders, awkwardly looking down at his feet.

"Duh. I'm not going to kick you out and make you come pick me up so we can go tomorrow morning." She jokes. "Picked up your suit, too. You're going to look very handsome."

Spencer grins because she seriously can't get more perfect. She still feels so unattainable, but he'd do anything to make sure he doesn't lose her.

He really should tell her, but he can't. Not right now.

Y/n snaps him out of it. "Bedtime now?"

"Please." He agrees gratefully, keeping his arms wrapped around her while they walk to her bedroom.

He keeps her close while they go through the motions of getting ready for bed. Spencer quickly sheds his suit and both of them brush their teeth.

His head is on the pillow for only a few seconds before he's asleep, and she follows soon after.

The alarm going off isn't as much of a problem when Spencer is lying in bed next to her, arm wrapped around her waist. It's one of the things she misses a lot when he's away.

"Hi, beautiful," Spencer whispers, a husky voice as always. He's glad he fell asleep quickly, not having wanted to sit up thinking about the stupid things JJ has said. He just couldn't understand why it was coming up now. Sleep provided absolutely no clarity.

She grins at him. "Hi."

"Are you ready for today?" He asks softly.

"A little nervous," Y/n admits. The BAU is his family after all. His mom is there but the BAU has been where he's spent most of his life for the last 15 years.

"They'll love you." Because I love you. Spencer assures her.

She smiles softly, feeling a little better. "Let's get up then."

Spencer agrees, not before planting a few kisses on her lips and hugging her tightly.

They get ready side by side, feeling a great sense of domesticity. She's never gotten close to someone as quickly as she has with Spencer. Somehow, it's not scary that it's happened this way.

"Wow, you're very gorgeous," Spencer tells her as she touches up the final strand of her hair, adding enough hairspray that it won't fall out. He stands in the doorway of the bathroom, admiring her. "Wow."

"Thank you." Y/n spins around to look at him in his deep maroon suit. It matches her dress color which she agrees looks very nice on her. "And you're very handsome."

"Ready? The car is coming soon." He says.

She nods, fixing her bracelet. "Let's do it."

There are still some nerves as the car takes them to the venue. Spencer does a good job of assuring her it'll be okay, his hand like a magnet to her thigh. He seems slightly off like there's something out of place, but she shrugs it off. She hopes he's being cute and afraid his friends still say something embarrassing.

The venue and interior are exquisite as they make their way in. She takes a deep breath before they come across the man of the day, welcoming everyone at the entrance. She has no doubt that the value of the artwork in this room totals her apartment and everything in it.

"Spencer." Rossi, supposably, greets him in a tight hug.

"This is my girlfriend, Y/n." Spencer introduces them.

As she expects, and as she was warned about by Spencer, Rossi pulls her in for a hug, immediately calming her nerves with his warm greeting. "It's so nice to meet you. This one won't stop talking about you." Rossi jokes, nodding at an increasingly reddening Spencer.

"It's nice to meet you too." She smiles. "Thank you for inviting me."

Rossi nods. "Of course, it's a pleasure."

And then the rest of the introductions begin. Everyone's so kind, like she expected. She's seen photos and heard stories but everyone seems to have more personality than he conveyed. She's quickly fast friends with Penelope and Tara who do their absolute best to make sure Y/n's feeling comfortable.

It's how she ends up being dragged onto the dance floor after the ceremony. Once the alcohol starts flowing, there's no more anxiousness left and some extroverted spirit has been brought out.

Spencer's not one to dance, but he's one to admire. Only Y/n, though. She looks angelic, despite the old-style dance moves.

He's so wrapped up in watching her that he doesn't register JJ's heels on the ground as she approaches him. It's only when she sits next to him that his head turns around to face her.

He waits for her to speak first. Hopefully, provide some explanation.

"Spencer." She says his name softly, almost like how he used to imagine she'd say it if they were together. Much to his surprise, she doesn't go into any detail about the bomb she'd dropped less than 24 hours ago. "I'm worried about you."

He doesn't hide his scoff. "Worried about me?" He repeats.

She goes for another tactic, trying not to get him mad. "You don't think you're rushing into this?"

"Rushing into what, Jennifer?" He spits back, snapping to anger. Using her first name drives the point home, almost unnecessarily when he sounds so angered.

"You know what I mean." She continues. "You've only been talking about her for a few weeks and now she's here."

He can't fathom that she'd suggest he's rushing into a relationship. He's been careful and deliberate, but Y/n's safe, and she's proved it time and time again.

"She's been part of my life for 6 months." Spencer fact-checks her. "And you said I seemed happier since I met her."

JJ stalls, regrouping before trying another angle. "She's just not what I expected. Is she really the type you should be with?"

"What does that mean?" Spencer states, more furious than ever. There's a chance he will fully snap at her and he wouldn't be sorry.

"I feel like you should be with someone extroverted." She suggests. "You know, someone to get you out of your shell."

Spencer needs a deep breath. "You're not being a good friend right now." He tells her much more calmly. There's not one thing he doesn't love about Y/n, whether she's more on the extroverted or introverted side."I'm going to marry her, whether you like it or not." It's not even what he expected to come out of his mouth.

"Spence-" JJ tries again to reason with him.

"No, don't you dare," Spencer says firmly. "You flew back and forth from New Orleans so many times to see Will, without telling us once and we were all accepting of your relationship. If you don't like my relationship, I don't care. But it's not too soon for me to know. We can talk about what you told me later, but for now, I'm going to dance with my girlfriend." Without another word, he gets up and walks off, leaving her a little gobsmacked.

Y/n frowns at him as he approaches the dance floor. "Are you okay?" She checks.

"More than okay," Spencer tells her with a soft smile.

"Dance with me then." She says, mirroring her smile and holding out her hand.

"I'd love to." He takes her hand just as a slow song comes on for them to sway together.

JJ gets ignored by him for the rest of the night, something unnoticed by Y/n but purposeful by Spencer. But it's fun. So much fun. And he's sure he wouldn't be having as much fun had Y/n not been there. She truly makes his day.

They're in the car later that night, parked near her apartment, ice cream eaten on the trip home. "I'm in love with you," Spencer admits when her laughter falls off after he tells a joke.

It's not a word they've said before.

Her expression is of pure shock, but joy quickly creeps in. "I'm in love with you too." She tells him, grinning.

And it's an entirely better confession than the one he heard 24 hours ago.

[emeryleewho]

Saw a fun little conversation on Threads but I don't have a Threads account, so I couldn't reply directly, but I sure can talk about it here!

I've been wanting to get into this for awhile, so here we go! First and foremost, I wanna say that "Emmaskies" here is really hitting the nail on the head despite having "no insider info". I don't want this post to be read as me shitting on trad pub editors or authors because that is fundamentally not what's happening.

Second, I want to say that this reply from Aaron Aceves is also spot on:

There are a lot of reviewers who think "I didn't enjoy this" means "no one edited this because if someone edited it, they would have made it something I like". As I talk about nonstop on this account, that is not a legitimate critique. However, as Aaron also mentions, rushed books are a thing that also happens.

As an author with 2 trad pub novels and 2 trad pub anthologies (all with HarperCollins, the 2nd largest trad publisher in the country), let me tell you that if you think books seem less edited lately, you are not making that up! It's true! Obviously, there are still a sizeable number of books that are being edited well, but something I was talking about before is that you can't really know that from picking it up. Unlike where you can generally tell an indie book will be poorly edited if the cover art is unprofessional or there are typoes all over the cover copy, trad is broken up into different departments, so even if editorial was too overworked to get a decent edit letter churned out, that doesn't mean marketing will be weak.

One person said that some publishers put more money into marketing than editorial and that's why this is happening, but I fundamentally disagree because many of these books that are getting rushed out are not getting a whole lot by way of marketing either! And I will say that I think most authors are afraid to admit if their book was rushed out or poorly edited because they don't want to sabotage their books, but guess what? I'm fucking shameless. Café Con Lychee was a rush job! That book was poorly edited! And it shows! Where Meet Cute Diary got 3 drafts from me and my beta readers, another 2 drafts with me and my agent, and then another 2 drafts with me and my editor, Café Con Lychee got a *single* concrete edit round with my editor after I turned in what was essentially a first draft. I had *three weeks* to rewrite the book before we went to copy edits. And the thing is, this wasn't my fault. I knew the book needed more work, but I wasn't allowed more time with it. My editor was so overworked, she was emailing me my edit letter at 1am. The publisher didn't care if the book was good, and then they were upset that its sales weren't as high at MCD's, but bffr. A book that doesn't live up to its potential is not going to sell at the same rate as one that does!

And this may sound like a fluke, but it's not. I'm not naming names because this is a deeply personal thing to share, but I have heard from *many* authors who were not happy with their second books. Not because they didn't love the story but because they felt so rushed either with their initial drafts or their edits that they didn't feel like it lived up to their potential. I also know of authors who demanded extra time because they knew their books weren't there yet only to face big backlash from their publisher or agent.

I literally cannot stress to you enough that publisher's *do not give a fuck* about how good their products are. If they can trick you into buying a poorly edited book with an AI cover that they undercut the author for, that is *better* than wasting time and money paying authors and editors to put together a quality product. And that's before we get into the blatant abuse that happens at these publishers and why there have been mass exoduses from Big 5 publishers lately.

There's also a problem where publishers do not value their experienced staff. They're laying off so many skilled, dedicated, long-term committed editors like their work never meant anything. And as someone who did freelance sensitivity reading for the Big 5, I can tell you that the way they treat freelancers is *also* abysmal. I was almost always given half the time I asked for and paid at less than *half* of my general going rate. Authors publishing out of their own pockets could afford my rate, but apparently multi-billion dollar corporations couldn't. Copy edits and proofreads are often handled by freelancers, meaning these are people who aren't familiar with the author's voice and often give feedback that doesn't account for that, plus they're not people who are gonna be as invested in the book, even before the bad payment and ridiculous timelines.

So, anyway, 1. go easy on authors and editors when you can. Most of us have 0 say in being in this position and authors who are in breech of their contract by refusing to turn in a book on time can face major legal and financial ramifications. 2. Know that this isn't in your head. If you disagree with the choices a book makes, that's probably just a disagreement, but if you feel like it had so much potential but just *didn't reach it*, that's likely because the author didn't have time to revise it or the editor didn't have time to give the sort of thorough edits it needed. 3. READ INDIE!!! Find the indie authors putting in the work the Big 5's won't do and support them! Stop counting on exploitative mega-corporations to do work they have no intention of doing.

Finally, to all my readers who read Café Con Lychee and loved it, thank you. I love y'all, and I appreciate y'all, and I really wish I'd been given the chance to give y'all the book you deserved. I hope I can make it up to you in 2025.