#me vs casting directors...

[sleepboysummer]

a note to every heathers director ever:

give us emo girl veronica

[puppppppppy]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[oveliagirlhaditright]

So, I don't know if I'm ever going to watch the 5th Wave movie based on reviews I've seen for it now (even though I also feel bad saying this--and think maybe I should--because I'm also someone who thinks you should judge things for yourself), but I have watched a few amvs for it... and just based on that (though I admit that that might not be a fair metric to base it on), I do agree with people who think that Evan Walker was miscast (it also might have been direction issues). He just seems too earnest to me? Too trustworthy? And that's sort of a problem, of course, because you needed to have so many moments in the film where you didn't know if you could trust the guy or not. And based on the scenes I've seen, he doesn't seem mysterious/sketchy enough. He also doesn't give off the vibes where Cassie was like, "I'm going to kill Evan Walker!" because he was pissing her off so much. IDK. -shrugs-

[ghostfacd]

I’D BE THE MAN. | TOM BLYTH

pairing. tom blyth x fem!actress!reader

summary. in which yn receives an unbelievable amount of hate, but she knows that if it were the other way around and she was a guy, they would praise her for being “the man”

installment of this au | read it for context!

ynuser tsitp behind the scenes!! 💌 sean and chris thought it was soooo funny to carry me at random times (thanks guys! very steven and conrad of you) 🤨🤨

tagged @/sean.kauf, @/chrisbriney_, @/thesummeriturnedpretty

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user1 anyone lwk think she’s a slut lol

➥ user2 no bae you’re so right cus why is she letting 2 different guys carry her when she’s literally dating tom

➥ user1 LMAOO real shes so ungrateful, if tom was my bf, i wouldn’t be around other guys

➥ user3 it’s literally?? for?? her?? work?? are you guys deluded, hating on successful women is crazy

➥ user 4 last time I checked, working does not = to whoring yourself with other guys

sean.kauf not our fault you’re easy to carry miss ella fisher

chrisbriney_ fave part of working on set is carrying u and hearing u scream

➥ user5 EVILLL

user6 the way she isn’t even replying to her cast mates are crazy, wake up! you’re not that famous

➥ user7 tbosas being #1 for movies says otherwise but ok!

tomblyth YN!!! My sweet, funny, and incredibly talented girl, congratulations for all you have accomplished. It’s been so much fun with you on the set of TBOSAS, and it’s been absolutely even more endearing to sit behind the scenes and watch you act for TSITP!! Ella Fisher is my favorite Fisher anyways :’)

tagged @/ynuser

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ynuser TOM!! I love you.

➥ user8 only 4 words? oh she hates him 😭

➥ user9 when you would die for tom blyth to post you but y/n avocot doesn’t gaf when he posts her

➥ user10 literally not true? i’m sure she just doesn’t wanna put everything online, we can all tell that she loves him

rachelzegler you guys are the cutest!

➥ user11 is yn holding you hostage??

sean.kauf always love having you on set man

➥ user12 yn’s bf vs yn’s side guy LOL

➥ user13 knock it off, i bet tom wouldn’t like his “fans” disrespecting his gf and her cast members

user14 she never posts him istg this is so one sided

user15 she’s lucky she’s pretty cause she can’t act or sing for the life of her

➥ user16 not even pretty LOLLL

ynuser since everyone thinks i’m so ungrateful, TOM!!! Thank you for always being there for me and comforting me when i’m sad. You’re my best friend and the best boyfriend I could ask for. I love you my love.

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user17 LMAOO yn called y’all out!

tomblyth i love you in every universe, the haters are LAMEEE!!

➥ user18 YOU TELL THEM TOM

VOGUE New Interview And Photo Shoot With New Star Y/N Avocot OUT NOW! The New Actress And Rising Music Star Shares Her Recent Favorite Song — “The Man” By Taylor Swift!

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user19 the man by taylor oml she’s going through it

user20 idk how anyone could hate her, she’s so sweet and gorgeous

user21 miserable ppl on the internet after hating on a girl for no reason other than that she’s close to her cast members

ynuser thank you for having me Vogue!

ynuser if i was a man, then’d i’d be the man!

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iloveyn PURRR YN I LOVE UUUU

tomblyth hell ya u would

sean.kauf queen i miss u, come back to film szn 2

➥ bellyconklinsgf WAIT SZN 2???

➥ sean.kauf oh shit..

➥ ynuser HAHA SEAN THE DIRECTOR AND JENNY HAN ARE GONBA KILL U

user22 so she replies to sean but not tom?? 🤡

➥ user23 LET IT GOOOOOO

user24 i love to see successful women not letting haters tear them down

user25 we love you yn!!!

rachelzegler ID BE THE MAAAAANNNN

[timmie-p]

april fools post translation 👍 * indicates i have notes on the translation if you want to read below

Hyun Woo —> He stopped acting in his childhood but is currently working on ALNST as a lighting crew member. Worries about his dull, slow sister

Hyuna —> The last and youngest of the ALNST cast to debut! Her real personality is gentle and innocent

Mizi —> Fan favourite among the actors. Shy personality and very nervous about her first leading role

Sua —> The feisty actress is popular among her co-stars, thanks to her nonchalant friendliness

Sua: Great job on the shoot today. I’m sure Director Kim was only speaking so harshly because he was worried about your safety, so don’t take it personally.

Mizi: Yeah.. ((It’s sunbae!!! What should I do! What should I do!!))

Sfx: Thump thump thump [heartbeat sound]

Ivan and Luka are actors from a different agency. They’re also in an idol group together (for the record, Luka hates it)

Ivan —> Ivan loves kids and voluntarily takes care of them

Luka —> Luka is Ivan’s best friend, so he’s forced to babysit with him

Baby Till —> Baby Till for flashback scenes

Baby Mizi —> Baby Mizi for flashback scenes when the kids are older

Till —> Till, the youngest in the series, is actually the oldest in the cast and debuted with CF before he could even speak in a diaper commercial. Till has a strong “my pace”* persona. He just wants to quickly wrap up the shoot and go home. His dark circles are from overwork, not make-up.

Others —> Three people who want to approach their mysterious** senior but can’t

Ivan: ((Lamenting over delays..?))

Mizi: Want me to talk to him?

Luka: Yeah

Till: ((I want to go home))

Sfx: Spacing out~

*according to namu wiki, either someone who’s strongly independent and doesn’t care what others think or someone who’s always chill

**according to namu wiki, the adjective translates to a famous person who deliberately keeps their private life secret. i just went with mysterious bc it directly translates to “mystic”

i didn’t choose to translate sunbae in Mizi’s thoughts because it sounds weird and most of you probably know what it means anyway

lol it looks like everyone’s personalities were flipped. does that mean ivan actually hates kids? and till as the cool mysterious senior everyone is scared to talk to vs hyuna as no thoughts head empty is kinda funny. i have a feeling ivan and luka are shipped together a lot by fans in this au.. the woes of being besties. also mizisua is always canon 🙏 theyre so yuri

[the-menace-in-pink]

The Phantom Troupe auditioning for Romeo and Juliet (chaotic headcanons)

Letting these rascals live up to their theater kids fantasies… how bad can it get? 💀

Chrollo: He wants to be Juliet AND Romeo because he believes he’s got a deep understanding of both characters on a level no one else does, and he gets cast as neither. He ends up getting Prince Escalus’ role as the director thought Chrollo had the regal and commanding look for that.

Machi: She doesn’t bother auditioning—clearly not a big fan of the play. But the casting director is very adamant about her being the perfect Tybalt.

Pakunoda: Gets cast as Lady Capulet, Juliet’s mom, after so many people insisted she was so ‘mother’. Casting director said bring me the mother in question!!!!

Feitan: He wanted Tybalt’s role so badly but got everyone thinking ‘Damn, even Tybalt isn’t that much of a demon.’ No. Surprisingly nailed the Nurse’s role??? And no one in the Troupe is letting him live that one down.

Shalnark: Everyone thought his boyish and mediator (lmao) vibes were 100% Benvolio. Surprisingly he did very well, but kept cracking up every now and then during rehearsals—to the point Machi almost stabbed him fr during the early Benvolio vs Tybalt show off. No one knows how she snuck that sword on stage. Props staff had to make sure the rest of the weapons were fake.

Phinks: Was in competition with Feitan over Tybalt’s role even though he secretly wanted to be Romeo. Almost became Tybalt if not for Machi. He gets to play Count Paris ultimately. Hated the role but eh.

Nobunaga: Lord Capulet your honor, and Shalnark couldn’t resist making comments about him looking like the perfect ‘distinguished-but-not-so-much middle aged man’ for that role. But he was one of the most convincing on stage!

Kortopi: Wanted no part in it. Absolutely none. Got eventually cast as Peter and even that was too much for him.

Shizuku: Casting director wanted her to be Juliet but she couldn’t remember any line for crying out loud. She let out a very rare laugh over reading R&J’s first ever flirting sene. Also deadpans ‘Why must I say Romeo so many times in one sentence? Was Juliet summoning a demon?’ ‘This sounds so bad. They’ve known each other for 2 hours, why is she asking him to get disowned?’ She ended up walking out of the play, and bringing confettis with her to cheer on the others during rehearsals. The Critic no one asked for (Kept pointing out their mistakes all thorough and shouting/whispering every characters’ respective lines to fumbling actors. So much for not being able to remember her parts—)

Uvogin: Got Mercutio’s role a bit too easily. Was proud of himself until he got absolutely livid after finding out he’s gotta die in the play, by Machi’s hands no less! Each time he took a bit too long to give it up, drew out his last lines in the most dramatic ways possible. But audience loved it.

Franklin: Friar Laurence excellence. Pretty much the only person besides Pakunoda who didn’t make much fuss, although him having to stick around as Romeo and Juliet turned to sleeping beauties had him stand like 🧍‍♂️ ‘I thought that was supposed to be the greatest love story of all times?’

Bonolenov: Acted unbothered but begged the director to let him be one of the musicians during the ballroom scene instead. He got in a few nights just fine before some fussing spectators and sponsors inquired about why a mummy was on stage during R&J’s most iconic scenes, and if that was supposed to be a Halloween rendition or something.

Hisoka: You can bet he acted his arse out thinking he could bring a brand new flavor to Romeo. He’d have LOVED having to act it out with Chrollo as Juliet lmao, especially if the decors and stage burned down as the two ended up more busy aiming props and unlucky spectators at each other than acting.

All in all, the ones who got no roles: Shizuku (hates her character and can’t remember her lines), Hisoka (self-explanatory).

Members who got kicked out after a few performances: Bonolenov (stood out too much), Phinks (got out of character by bickering way too often with Feitan, made people think Count Paris was into the Nurse), Machi (she took her Tybalt era a bit too seriously), Chrollo (he kept trying to steal the spotlight like sir YOU’RE A SECOND ROLE SIT DOWN).

[mirai-e-jump]

Animage October 2024 Issue Kamen Rider Gavv ft. Chinen Hidekazu & Sugihara Teruaki (translations below)

Publication: September 10, 2024

The Strange Sweets Kamen Rider

The 6th Reiwa Kamen Rider is the first ever to use a sweets motif! The cast and staff talk about the behind the scenes of the birth of the new hero who fascinates us with a gap between poppin visuals and its heavy filling!!

Having passed out due to hunger, Shouma, who comes from another world, was saved by a human boy named Hiroi Hajime. Shouma was in a difficult situation when he confronts the Granute, a monster who wants to kill Hajime, but when he "sets & eats" the familiar like creatures called Gochizo in the mouth on his stomach, he transforms into Kamen Rider Gavv and crushes the Granute. This was the beginning of Shouma's battle to protect humans.

The latest entry in the Kamen Rider series, "Kamen Rider Gavv" only just started in September. Despite the poppin imagery and visuals of sweets as its motif, this is a hard and serious drama that depicts the lonely battle of a young man named Shouma, who hides a grand past and mystery behind him.

This production features Takebe Naomi-san as the Producer, Sugihara-san as the pilot Director who determines the direction of the work, Komura Junko-san as Screenwriter, and Fujita Satoshi-san as Action Director, all of whom have worked on the Kamen Rider and Super Sentai series. In particular, Sugihara-san and Komura-san are the pair that gained attention for their work in "Kaitou Sentai Lupinranger VS Keisatsu Sentai Patranger" and the fans are expressing their expectations.

The story of a fierce battle between the sweets Kamen Rider and the Granute monsters has only just begun, so don't miss a moment of the birth of a new Kamen Rider legend! _

Chinen Hidekazu (Shouma)

The first transformation born from an extreme situation

-Supported by dependable friends and the Director-

"Please tell us your impression of the Kamen Rider series."

Chinen: For me, I've admired Kamen Riders since I was a child, and I love them so much that they're the first thing that comes to mind when people ask, "Who's your hero?" I've lived my whole life dreaming of becoming a Kamen Rider, so I was really happy when I was chosen to be Shouma.

"Are there any works that you find particularly memorable?"

Chinen: It's hard to pick a single work from my generation since I'm so attached to all of them, but……I think "Kamen Rider OOO" might be the one I was particularly enthusiastic about when watching. The dialogue between Hino Eiji and Ankh was interesting, and even as a child the ending made me think, so including its theme song, it's my favorite work. Lately however, I've been super into "Kamen Rider Den-O" (laughs). I'm watching it from the perspective of learning why it became so popular, but I also like Den-O because of Satoh Takeru's (who plays Nogami Ryotaro) amazing performance in which he plays multiple different personalities.

"What kind of person do you feel Shouma is?"

Chinen: I read the script so much that it felt like I was watching myself, as I thought that Shouma was so similar to me. We're very similar in the way that we're abit out of the loop, but also curious and get into the things that interest us. I was glued to the TV when I was a child, and I'd become so engrossed when watching it, that I couldn't even listen to what my mother was saying. However, I feel like I'm far removed from him in terms of his guts and inner strength, his desire to save people even at the risk of his own life, and his ability to fight the enemy. Playing the role of Shouma gives me energy and makes me aspire to be like him.

"We think another feature of this production is that right now, Shouma doesn't have a fixed place to stay, and that he comes into contact with a variety of people wherever he goes."

Chinen: I think alot of people are curious to see what happens next, as so far in Gavv, the story continues to be dominated by Shouma's easygoingness and the fact that we don't know what he's thinking. He seems to have a connection with Sachika-san, who he met in episode 2, so what happens to them in the future is a big point to watch out for!

"Please tell us your impressions of Sachika and the person who plays her, Miyabe Nozomi-san."

Chinen: Miyabe-san is a very refined person, so when we first met at script reading, I was shocked and said, "This person's gonna be a gyaru?!" (laughs). One of the things I like about Miyabe-san is that her mannerisms show the quality of her upbringing, but the more we talked, she really started to look like a gyaru, and I felt that performing together with her was amazing. Sachika-san leaves a strong impression of being a gyaru, but on the inside, she's a stable girl who's able to understand the feelings of others. Seeing her say with a refreshing smile, "I think it's good for everyone to be happy," Shouma respects her and thinks, "She's such a wonderful person" and "I want to be like her," almost like she's the embodiment of peace. When I read the script, I always feel supported and say, "Sachika-san, thank you."

"Shouma's brother sister like relationship with her is also very interesting."

Chinen: Director Sugihara Teruaki said to me, "It's like a dog and his owner" (laughs). Still, I think that Sachika-san's all encompassing kindness, and Shouma's simple mindedness are a great combination, and we're also playing the roles with confidence.

"He's yet to interact with Shouma, but we think the role Hanto plays will also be another highlight to look forward to."

Chinen: In some ways, Hanto is also easygoing, but he's the compassionate, hot blooded type, and he too lives by carrying something on his back. I hope you'll look forward to seeing how Shouma and Hanto, who are completely different types of people, interact with each other and what they'll think of each other in their first meeting. Hino Yusuke-kun, who plays Hanto, is the mood maker who makes the set feel relaxed, which is a gap between him and Hanto, but I feel that we're similar in our passion for the production and performance, and the way we put our all into something. To me, Hino-kun is a rival but also like a reliable big brother, and we often consult with each other and visit each other's houses (laughs).

"What were your impressions of Director Sugihara, who also directed the first two episodes as the pilot Director?"

Chinen: As I had no experience in acting, Director Sugihara is a respected teacher who taught me how to perform from the ground up, including how to read the script, and he's like a father figure from Tokyo. He understands each actor's personality and gives them advice accordingly, and he's an amazing person who draws out our potential, so every time I'm on set, I feel happy to film under Director Sugihara. He's a Director I really love.

"Before filming, it seems that you and the Director practiced vocalization together."

Chinen: Yes, even before I could act, my voice wouldn't come out (laughs). I'm really grateful that he took time out of his busy schedule to watch me one on one, and it was an important turning point that led to something changing in me. I want to grow so that people will feel that I'll have changed over the coming year, and one of my goals is to give an inspiring performance that'll be recognized by Director Sugihara with, "You gave it your all."

-Aiming to be as cool as Nawata-san-

"Kamen Rider Gavv, who Shouma transforms into, has a motif based on gummies and other sweets."

Chinen: When I saw the illustration depicted in the proposal, I thought it was incredibly simple, however, my opinion changed when I saw it in person. The armor on the chest and shoulders have a gradient so that it shines beautifully when light hits it, and there's a playful gimmick where a squishy dent will form when it's pressed, so a bunch of detail has been carefully put into it. I'm now so attached to it, that I can't think of anyone else but Gavv. Personally, what I want you to pay attention to the most are the feet. The feet are actually clawed, and this slightly animal like aspect is an important element of the show, so I'd be happy if you make sure to pay attention to the feet as well.

"What's your impression of Nawata Yuya-san, Gavv's Suit Actor?"

Chinen: Nawata-san is an actor who I shape Shouma together with, and he's an indispensable person to me, as I'm able to talk to him about problems that I can't talk about with the other cast members or the Director. He also taught me about acting, like how to create the mood and how to read the script. I'm grateful to Nawata-san's action, as I think Gavv's appeal has tripled, and I feel like the show itself has also become more brilliant.

"Does that also get you enthusiastic about the post transformation dub recording?"

Chinen: That's right. The recording process is more difficult than normal acting because you have to use only your voice to express your emotions and fight scenes in accordance with the footage. In episodes 1 and 2, I had to rerecord so many times that I lost the strength in my voice, and it took twice as long as the planned time (bitter smile). As well as the performances of my seniors in the Kamen Rider series, I also studied the game "Street Fighter" based on the advice of Director Sugihara, and now I feel like I'm getting by. I'll work more diligently to make Nawata-san's performance 120% more appealing with my voice performance, and to become a Shouma who's just as cool after his transformation into Gavv.

"One of the real thrills of the Kamen Rider series are the transformation scenes, but how did you create the pose?"

Chinen: The transformation pose was decided through a discussion between myself, Action Director Fujita Satoshi, Director Sugihara, and Nawata-san. It's a movement that involves rotating your arm, but the final version, which we created after discussing the angles and timing with everyone to make sure it looked cool and appealing, is the transformation pose used in episode 2. Depending on the story, he could transform quickly, so I hope people watch the way he changes based on the situation.

"In the episodes up to this point, the action leading up to the first transformation in the first episode is a scene that can't be ignored when talking about Shouma. There was some action involving wires, and we were also impressed by his performance as he was gradually being cornered by the Granute."

Chinen: That scene was prepared weeks before the shoot, as Director Sugihara and Action Director Fujita came up with a really cool direction. The scene where Shouma is beaten was especially important to give depth to the reason for his transformation, as it took two days to film. In the end, it was in the most extreme situation I had ever experienced in my life, my performance came out unconsciously, and I was complemented with, "Your facial expressions were very good." I could've never done it on my own, the scene was made possible by the advice of Director Sugihara and Nawata-san, who worked beside me, and by all the staff members who created an environment that allowed me to concentrate on my performance.

"It makes us want to go back and pay attention to the expressions on your face. Finally, please tell us your goals throughout filming of Kamen Rider Gavv."

Chinen: I'd like to learn alot about action from Action Director Fujita, Nawata-san and everyone else on the Action Team, and I'd like to improve my acting skills. I've never been in an environment where I could spend an entire year with people who are so good at captivating others, and I don't think it'll ever happen again in the future. I hope to make full use of this experience so that in the next year, I can be an actor who can do it all, from acting to action and recording, so I'll do my best to do what's in front me!

Director Sugihara Teruaki

The vibrant world Shouma comes across

-A dark story with colorful visuals-

"When did you first hear that you'd be the pilot Director?"

Sugihara: I'm pretty sure it was around last Fall, when I was working on the drama, "Tokyo MPD: From Zero to Hero," I received a phone call from Producer Takebe Naomi-san who said, "I'd like to meet and talk with you at once." I heard from a separate matter that Takebe-san would be in charge of the next Kamen Rider, and at the time, I thought I was going to be the second Director, but when I met her, she said, "You're the pilot Director." (laughs).

"At the stage when Director Sugihara joined, how much of the content in the show was decided on?"

Sugihara: Aside from the sweets and monsters motif, we'd yet to decide on the content of the story and the personalities and relationships of the characters. In the beginning, we were a small group consisting of the Producer team's Takebe-san and Takishima Minami-san, Screenwriter Komura Junko-san, and myself. Our three parties worked out the content by sharing ideas from our respective perspectives.

"What specific ideas did Director Sugihara have in mind? Personally, we felt that the visuals of the characters, including their costumes, incorporated the Director's ideas."

Sugihara: You can assume that I'm basically in charge of visual aspects like the impression and fashion. For Shouma's fashion in particular, during the rather early stages, I'd draw an illustration and say, "How about something like this?," and I'd have them look at it while I created his character.

"Not just Shouma's clothes, but also the interior of Hapipare is rich in color, so much so that it's unusual for the Kamen Rider series."

Sugihara: I told artist Fukuzawa Katsuhiro that I wanted to make the visuals as bright and pop as much as possible. Kamen Rider Gavv itself isn't meant to be a continuation of the "ism" seen in the first generation of Kamen Rider, but it includes themes like family conflict and Shouma's sad separation from his mother, so the content is heavy. Because of this, we made the impression of the colors vivid, and were careful to not make them too dark. Moreover, being in the human world for the first time, Shouma's a kid who's impressed by everything he sees, so I was conscious of the world captured from Shouma's point of view and to use rather flashy colors. Conversely, the Granute World and Stomach Family use muted colors, or to just say it outright, they have dirty colors.

"What do you value in your expression of Shouma, the main character?"

Sugihara: I wanted to depict Shouma as a pure kid, someone who suddenly comes to the human world and finds everything he sees as fresh. On the inside, he's not much different from Hajime, who he first meets in the human world, in fact, he's much more of a child than that kid. So he ponders over what he's been told, hurt by the casual mention of "monster" and afraid of hurting others, he's unable to be together with someone else, so he leaves Hajime and Sachika and goes elsewhere. However, I didn't want to make it too dark, so it was hard to depict (laughs). While he carries a dark side, I want him to be a kid who's always smiling when he's with someone, even if he has to force himself to smile.

"This Shouma is beautifully embodied by Chinen Hidekazu-san."

Sugihara: The best thing about Chinen-kun is that he looks great on camera. That's the kind of talent an actor has. Also, the expressions on his face when he eats are really good. Even though he's eating food he usually sees all the time, he eats it like it's a delicacy, looking as if he's eating something he's never seen before and is impressed. In that sense, I think he was the right choice to play Shouma. Still, since this is roughly his first performance, he had to start from a place where he couldn't express his emotions properly, and to begin with, he couldn't even vocalize. I had Chinen-kun stand on one end of Toei's rooftop, and I stood on the opposite end and had him deliver his lines. I gave him relentless acting instruction from the very beginning (laughs). Filming started earlier than usual, so we've already shot several episodes, and I feel that he can now stand proudly in front of the camera as Shouma. With each episode his performance and facial expressions are getting better and better. I have high expectations for his growth over the next year.

-Dedicated action that make the most of the motif-

"We felt that the vibes of Gavv's everyday scenes were different from that of previous Kamen Rider series, but was there anything you were conscious of in your direction?"

Sugihara: In my mind, I had a bright, pop like feeling, but during filming, Chinen-kun……it was important to me how to capture Shouma and the human world from his point of view. I may have only been thinking, "How can I get a good shot of him?"

"In that sense, it's interesting to think that the entire production is being pulled along by Shouma and Chinen-san."

Sugihara: That's right. This is especially true for the first episode, as the story unfolds from Shouma's point of view, so I was conscious of the fact that I wanted to bring the viewers perspective as close as possible to Shouma's.

"Despite the battle scenes also having a fancy sweets motif, from the very first episode, we were taken back by the intense physical battle depicted between Gavv and the Granute."

Sugihara: I'm pretty sure it was Action Director Fujita Satoshi who put out the idea of a serious fistfight at a container warehouse, and with sword fighting in a narrow space. We specified the colors and placement of the containers, and asked the people on location to arrange them accordingly. From there, Fujita and I talked in detail about the composition of the action, and we put it together by discussing the angles while adding in our own ideas as we filmed on site.

"We heard that you and Fujita-san worked closely together to create this."

Sugihara: I also like action quite abit, so I tell Fujita various things like, "Do this sort of thing." Naturally, Fujita has alot of things he wants to do as well, so the two of us are working together to come up with ideas for action sequences and angles.

"Including Gavv's own actions, the way he fights while "eating" the Gochizo is unique."

Sugihara: It was decided in advance that the transformation items Gochizo would appear alot like that of "Pikmin" and "Minions," so I thought it'd be better to use alot of them. Because of that, when Gavv takes damage, his armor breaks and he'll eat the Gochizo one after another……we're calling it "follow up sweets," and I think it'd be interesting to keep changing sweets and repair them as he fights.

"The standard Poppingummy Form has flexible armor, while Zakuzakuchips Form's sword weapon can easily break depending on how it's used, and the use of sweets as a motif was also visually enjoyable."

Sugihara: Inspiration for the action comes from discussions that are almost like casual conversations. I thought about how things like thin baked snacks such as potato chips might be weak to side attacks (laughs). Also, unlike other Kamen Riders, we don't use bullet impacts on Gavv when we depict him being hit (mechanism that detonates gunpowder that's attached to the performer). In his setup, the armor is derived from sweets generated by his own body, so we tried to create the effect of small bead like things flying around him. During filming, we've been throwing beads into the air from the side of the camera. In that sense, it may have a new visual feel.

"What scenes from episodes 1 and 2 were particularly powerful?"

Sugihara: In terms of taking the most time, I'd say it was before the transformation in the first episode. When I was thinking about Shouma's human image, Takebe-san said, "I don't want him to be a hero who fights just because he has powers." You don't fight just because you have the power to become a Kamen Rider, there's a will to fight, and that's where the power comes in. I wanted to create an image of a hero who's able to transform into Gavv because it's Shouma. Since the time of the script meeting, we had talked about how we wanted to portray a different kind of strength from that of the everyday Shouma, who keeps going despite being beaten up by someone he can't even stand up to. On set, Chinen-kun and I worked together to find out why Shouma was feeling that way, and we worked on his facial expressions and gestures one by one, and I was quite persistent throughout filming. We were supposed to film the transformation scene in one day, but we took too long and didn't get to the transformation, so I had to apologize to the staff (laughs).

"Finally, please tell us your enthusiasm for the future."

Sugihara: Honestly, I have no idea how Kamen Rider Gavv will conclude a year from now, but I want to make a show that'll make people who watched it think, "Gavv was interesting." For this reason, I'd also like to delve deeper into Shouma and Hanto, and Sachika and the others characters, and to make each of them appealing. I'm sure that Komura-san will come up with some great developments (laughs), and for my part, I hope that I can take advantage of that, and as the pilot Director for the first time in a long time, to create images that people watching in their living rooms have never seen before.

[butterflydm]

more WoT s3 spec - what we know vs what we're guessing at

I've been poking at what we know about s3 vs what we can reasonably guess, so I wanted to break that down a bit.

So there are a few things we know just about the structure of how the show has worked so far: we know they shoot in blocks of two episodes each and that each of those blocks is going to have the same director for both episodes. Because of this info, we can make some guesses at where specific episodes may land. We also have some casting info (wotseries.com being a great resource here).

They tend to have a major reveal in the fourth episode - Nynaeve being incredibly powerful in the One Power in 1x04; Selene being Lanfear in 2x04.

What we know for certain:

Rhuidean & the Waste will appear (Rand & Egwene's storyline).

Tanchico will appear (Nynaeve & Elayne's storyline).

The Two Rivers will appear (Perrin's storyline).

Rand and Perrin will each get focus episodes akin to Nynaeve having "What Might Be" and Egwene having "Eyes Without Pity" in s2.

We have four episode titles: "To Race The Shadow"; "A Glimpse of Crimson"; "Goldeneyes"; and "He Who Comes With The Dawn".

Sea Folk are confirmed for S3.

Potential leaks include:

Mat, Min, and Thom all being part of Nynaeve & Elayne's storyline in Tanchico. Big change for Mat & Min, but matches canon for Thom. And since show-onlys have only seen Thom with Mat and Rand, it would make sense to use Mat to re-introduce us to him.

Reports of the actresses reported to be playing Morgase and Elaida seen at a castle which is almost certainly in Caemlyn (Andoran banners spotted), most likely for the first or second episode due to the timing.

An actress playing Maigran (one of the Aiel from the Rhuidean glass columns sequence) is listed under the director who is being used for eps 3 and 4.

An actress has been cast to play an older version of Latra and I really like @wheeloftimeofficial's idea that we'll see her as the ancient Aes Sedai who establishes Rhuidean in the glass column memories, especially since the younger actress also has s3 listed on her CV.

We have (unofficially) confirmed castings for Faile & Galad.

Hints we've gotten from interviews & bts info:

In an interview filmed before the actors' strike, Daniel mentions Lan having some really good relationship scenes with Nynaeve, so we know that there's interaction between those characters before their plotlines separate, implying that we will not begin with everyone already all off on their separate journeys, like they were in 2x01.

Also from Daniel, it's implied that there are training scenes between Lan and Rand (could happen at any point, since Lan is likely to be in Rand's storyline the entire season).

From what Josha has said, the show will be pivoting to a more familial relationship between Egwene and Rand next season (which matches the book timing).

Rafe made a point of mentioning that Elayne healing Rand was to flag to the audience that this was a relationship to pay attention to (which implies we'll get at least some movement on that relationship in s3).

Josha also says that there is "way more togetherness" for Two Rivers' characters in s3 than in s2.

In an unrelated interview on screenrant, Rima Te Waita (Sheriam) mentioned that she will not be in s3 but, if s4 is greenlit, she will be in s4.

Josha and Ayoola posted some cute instas of each other after finishing up the South Africa shooting stint near Cape Town, which might be a hint towards our potential AviRand interactions (could also just be the actors being cute!).

Guesses based on book & show knowledge:

It seems likely to me that Gawyn & Galad will be introduced in the same episode as Morgase and Elaida, which I am tentatively going to guess will be episode 2.

I think that Verin, Alanna & their Warders are going to be getting out of Cairhien as quickly as possible. And that they are pretty conveniently set up to head to their TSR storyline.

I am pretty torn about when the coup will happen! I feel like it happening this season feels pretty much a lock because there really isn't any more "White Tower storyline" until the coup happens, and they do already have the set made. But it could either happen pretty early on or fairly late in the season. Maybe episode five? That lets us meet Elaida in episode 2, gives her and possibly Gawyn & Galad time to get to the White Tower, maybe we get some scenes of her politicking in the WT in episode 4, with the trigger being pulled in episode 5 or 6. But another possibility is that the coup happens right away, while all those Sisters are still in Cairhien and we see Liandrin take the lead on something like stilling Siuan and Leane, which would put the White Tower in chaos before Elaida even arrives. There are at least two Black Ajah Sisters in Cairhien, after all, and Liandrin likes to act extra-judicially, and she might want to try to make sure that Siuan is taken care of before anyone has a chance to out her (Liandrin) as Black Ajah. But there is also a chance that it might happen in the finale, so that we can parallel Moiraine & Siuan's 'downfalls'. So really this one is a wildcard for me. It isn't really directly tied to any other specific events in TSR, so it can happen whenever.

We will get the glass columns in episode 3 or 4. In the books, it happened as soon as Rand landed in the Waste, basically, but the show could potentially do Cold Rocks Hold first, depending on how Rand is getting to the Waste. I used to lean towards it happening in ep3, but after learning the leak about Mat being in Tanchico, it made me wonder about ep4, maybe, as that could potentially lead to Mat going through the doorways (just speculation with zero leaks or spoilers to back it up but I like it a lot lol) from Tanchico to Rhuidean either at the end of ep4 or the start of ep5, leaving Nynaeve & Elayne's storyline and going to Rand & Egwene's.

I do keep thinking about Josha saying that the Two Rivers' kids would have "way more togetherness" than in s3, which seems difficult if they all separate by or after ep2 and then don't reunite the entire season. I guess technically it would be true because they don't reunite in s2 until the final moments of 2x08 but feels somewhat underwhelming to mention, lol.

I do still suspect that we're getting Lanfear & Moiraine with the doorway at the end of the season.

So, a tentative outline. Now we leave behind the more solid leaks and knowledge and enter into the wild speculations. Please check out @markantonys' recent post too, she's got some fun speculations!

3x01: To Race the Shadow

"Way more togetherness" between the Two Rivers group than in s2, so says Josha. This is also where we have to be getting the Lan & Nynaeve romantic scenes that Daniel keeps hyping up, lol.

Moiraine and Rand are going to be arguing about his next plans.

Something will happen that makes them realize that Something Is Up in Tanchico -- this might be a first Dream from Egwene that leads them in the direction of the museum? Which also leads to her talking to Amys, which is why she decides to go with Rand instead of going with Nynaeve & Elayne. The big question for me is if they are going to Tanchico because of Liandrin or if they go for other reasons and then run into Liandrin also being there to get the same thing that they're getting.

Now Mat may go into a doorway here as speculated by @markantonys (the room of curiosities) but for this specific outline, I'm going to say that he doesn't, and instead he chooses to go with Elayne & Nynaeve because he's running away from Rand (after the Stabbening). This pulls in something that Mat tries to do a lot in the books but gives him a new motivation that fits his show character.

I think Lanfear is going to warn Rand about the rest of the Forsaken being free but potentially also send Liandrin to Tanchico to try to get the, uh, plot token for her potential use in the future (a girl needs a back-up plan).

Lanfear talking to Rand might be another thing that Rand and Moiraine argue about.

Rand and Egwene are going to have their official 'break-up' and then we'll see their more platonic relationship develop over the course of the season. I also feel like we have to have at least a scene or two with Rand and Elayne to establish them feeling Some Kind of Way about each other, to build on that moment from 2x08.

3x02: A Glimpse of Crimson

Good episode title for a Red Ajah & Andor episode!

I'm going to guess that Rand & co are going to be stopping in Caemlyn (my feelings are similar to @markantonys about us potentially getting a garden introduction between Egwene & Gawyn here, and then having Rand & Egwene meet Elaida & Morgase (and Galad?). Elaida will have her Foretelling about Rand and freak herself out.

Our group hears the rumors about the Two Rivers, and Perrin decides to go investigate. The question is how is Rand going to get to the Waste from Caemlyn? I don't feel like they would introduce Portal Stones as a one-off if they haven't done it before, so I think there's a chance that Loial might go with Rand instead of Perrin, as Perrin doesn't need to go through the Ways to get to the Two Rivers (of course, then they would need to change how the battle resolves in 3x07).

(alternatively: there's always the Lanfear express, I guess, lol)

This could also be when Elayne, Nynaeve, & Mat arrive in Tanchico, and their introduction to the city is our B plot. I don't think they would throw all the plots at them at once and I feel like just introducing Thom first would be a good start for the first episodes in Tanchico.

3x03: Unknown

Rand & co arrive in the Waste, but I'm going to send them to Cold Rocks Hold for now, instead of straight to Rhuidean. This gives Rand and Aviendha time to bond, Rand and Moiraine time to fight, Rand and Lan time to train together, and gives the audience a chance to get to know the Aiel culture in a bit more of a relaxed setting. Then we get an attack by Shadowspawn and Rand gets the reminder that the other Forsaken have been let free and don't share Ishamael and Lanfear's feelings about him.

Another plot will be in Tanchico, involving Nynaeve, Elayne, and Mat investigating, running into Min and/or Egeanin or Tuon taking Egeanin's role. This may be where we get our early encounters with Moghedien (she Compels one or more of our characters to spill the beans to her about their plans) and potentially where she reveals herself to Liandrin & co as one of the Chosen and takes control of their group after playing servant for part of the episode.

We also have Perrin & co arriving in the Two Rivers and getting the lay of the land. This could be a fairly emotional episode for Perrin, due to memories of Laila's death. Maybe when Perrin says goodbye to Laila (putting his ring on her grave/memorial?) and potentially our first sighting of Faile.

3x04: Unknown

Rand goes to Rhuidean and into the glass columns. This is the main plot of the episode and Rand's focus episode of the season.

We get the history of the Aiel here, and learn about Rand's ancestors.

Subplot: Aviendha is told that she is destined to be a Wise One (maybe she accidentally channeled during the fight at Cold Rocks Hold?) and deals with idea that she has to leave behind being a Maiden.

Our Tanchico B-plot leads to Mat entering through the twisted doorway in the museum, For Reasons, and getting his prophecies. Maybe this same plotline leads to Elayne and Nynaeve finding dream ter'angreal, and to Tuon/Egeanin realizing that Elayne and Nynaeve are channelers, and potentially learns that all sul'dam are, and then leaves our main plotline at this time.

3x05: Unknown

When Rand leaves the glass columns, he finds Mat hanging on the tree outside, and saves his life (we've gotten a few different pieces of foreshadowing about Mat being hanged, so I feel like it will happen at some point). Mat says he was just in Tanchico.

We catch up with Perrin in the Two Rivers, with him learning to move past his grief as he gets to know Faile.

Because we've already done Cold Rocks Hold, this means that Rand & co can go straight to Alcair Dal at this point.

Aviendha and Rand bond over their lives being dictated by being able to use the One Power and not having any choices about their future.

On the way to Alcair Dal, we meet the traders, who are hiding Lanfear and Asmodean in their ranks, and Lanfear sees that Rand is getting closer to Aviendha and Does Not Approve.

Nynaeve and Elayne worry about where Mat has disappeared to and experiment with the dream ter'angreal that they recently discovered in the museum (might only be one: the twisted stone ring, so that channeling isn't needed for it), and run into Birgitte in the dream. She gives them a warning but they realize that this is the same place that Egwene was talking about in 3x01 and are excited that they might be able to communicate with her.

3x06: Unknown

Another journey into TAR for Nynaeve (maybe a successful contact with Egwene?), and she encounters Birgitte again, but Moghedien too, and this leads to Birgitte getting ripped out of TAR and bonded by Elayne to save her life.

Moiraine tells Rand that he needs to go to Tear, to fulfill more of the prophecies, but Rand is resistant.

The Two Rivers ramps up for the battle.

This would also be a good spot for the coup, imo.

3x07: Goldeneyes

The Battle of the Two Rivers. Potentially Perrin's focus episode as well, as he comes into his own as a leader. I think that it would be good to push any confirmed Perrin/Faile romance forward into the future, so they will still just have some vibes for now.

We get some pieces moving into place for the other storylines: Rand arrives at Alcair Dal; Nynaeve and Elayne make plans to return to the museum.

3x08: He Who Comes With The Dawn

Desperate to get through to Rand and worrying that he is focusing on the Aiel instead of being the Dragon Reborn, Moiraine went back to Rhuidean to try to use the doorway, as when Mat talked about his experiences there, she recognized what he was talking about and wants answers of her own.

Rand announces himself at Alcair Dal, drawing the attention of Lanfear, who makes her pitch to him that We Could Rule Together, worrying that she's losing her hold over him after seeing him getting closer to Aviendha. She tells him about Asmodean and about him potentially teaching Rand so that he can reach his potential.

Inside the doorway, Moiraine gets answers that she doesn't like about Rand and Lanfear (sort of merging her going into the doorway in Tear with her going into the silver rings).

On the Tanchico side of things, we have our big Tanchico encounter between Nynaeve and Moghedien, which results in Nynaeve breaking her block. Nynaeve and Elayne escape Tanchico on a Sea Folk ship, heading towards Tear, potentially bringing Min & Thom along with them.

After talking with Lanfear, Rand is let out of his 'bubble' at Alcair Dal as Couladin declares that HE is the Car'a'carn and he will prove it by leading the Aiel to conquer the wetlands (setting up s4 to be a combo of TFoH/LoC, with a hint of TDR with the destination being Tear instead of Cairhien). Rand realizes that the fake dragons on Couladin's arms were put there by Asmodean and goes after him -- Asmodean Skims back to Rhuidean and he and Rand battle, and Lanfear arrives, puts the block on Asmodean and offers him up as a teacher to Rand. Moiraine takes advantage of Lanfear's focus on Rand to yeet both of them into the doorway while channeling, based on the knowledge that she learned inside, melting the doorway. We see in the Tanchico storyline that the other doorway melts at the same time, leaving them no exit.

And I agree with @markantonys that possibly the most effective stinger would be the reveal that Tuon is the DotNM, but if there is no Tuon in this season, we could have it be a Forsaken (Sammael) setting up shop in Tear, to set the scene for the upcoming season.

It is a lot more cliffhanger-y than our previous season finales and I'm sure that my thoughts on it will change as we get closer and learn more spoilers, but that is my wild speculation for this specific week!

[broadwaydivastournament]

Movie Musical Divas Tournament: Semifinals

Bernadette Peters (1948- ): Annie (1986) Lily St. Regis | Pennies From Heaven (1981) Eileen | Sunday in the Park with George (1986) Dot/Marie | Into the Woods (1992) The Witch | Cinderella (1997) Stepmother Additional musical/singing roles include: Silent Movie (1976), The Jerk (1979)

"Broadway Diva Tournament runner-up, Bernadette Peters is THE living Diva of movie and stage musicals. At three years old, I saw this little redheaded bitch of a stepmother in Cinderella and decided, yeah, that's the blueprint. And it was. I proceeded to fall in love with Broadway Divas in movie musicals for the next few decades. She made me a lesbian. Seventy-six years old and still performing sold-out concerts in gorgeous Bob Mackie gowns with her titties on display. Legend." - @droughtofapathy

Julie Andrews (1935- ): Mary Poppins in Mary Poppins (1964) | Maria in The Sound of Music (1965) | Victoria Grant in Victor/Victoria (1982) | Millie Dillmount in Thoroughly Modern Millie (1967) Additional musical/singing roles include: Cinderella (1957), Star! (1968), Darling Lili (1970),

"The QUEEN of the movie musical. Started in so many long lasting favorites. Dressed in drag in Victor/Victoria, thanked the casting director of My Fair Lady in her Oscar Acceptance speech for snubbing her for the role so that she could win an Oscar instead. The voice of so many people’s childhoods and genuinely such an amazing person. Look up the story about her Tony nomination!" - @kingscatt

This is Round 6 (semifinals) of the Movie Musical Divas tournament. Additional polls in this round may be found by searching #mmround6, or by clicking the link below. Add your propaganda and support by reblogging this post.

ADDITIONAL PROPAGANDA AND MEDIA UNDER CUT: ALL POLLS HERE

Bernadette Peters:

Pictures submitted by: @funnygirlthatbelle

Photos and video submitted by: @droughtofapathy

Julie Andrews:

"The woman so talented Walt Disney was willing to wait. Saying Julie Andrews is immensely talented is about as non-controversial as it gets, but the level of talent she possesses is almost too much to process. Seriously, the way she effortlessly blends singing, dancing, and acting to create nuances in her performances is beyond the beyond. It’s cliche, but she really is practically perfect in every way." - anonymous

Photos submitted by: @funnygirlthatbelle | Video submitted by: anonymous | Video submitted by: @mygreatadventurehasbegun

[localcuttlefish]

A Theoretical Lore Bible of Caesar’s Legion as a Nation

Hello good citizens of Tumblr! I’ve been on a Fallout: New Vegas kick lately, and I recently graduated college with a bachelors degree (major illustration, minor history of art and western civilization). So now that I’m certified to draw dick AND talk about Ancient Rome, I have things to yap about.

Have you ever looked at Caesar’s Legion and wondered how the more intricate aspects of their society model after the Roman Empire? Because I have! And because of those very musings, I have come up with a little dumb idiot theoretical lore Bible on how The Legion might function as a more developed nation, using my back knowledge of western civ and Roman art and culture. Nomenclature, societal structure, industries, imports and exports, the whole nine yards!

DISCLAIMERS: I have not looked through the writers’/directors’ social media accounts thoroughly enough yet to confirm if any of the information I’m bringing to the table is already solidly canonical or solidly non-canonical in the lore of Fallout: New Vegas. There is a nonzero chance I may say something that someone in charge has already said, or something that’s already been disproven or denied. If you catch something I don’t, let me know! I like worldbuilding for fun like this, and I want to keep everything as lore-cohesive as possible to challenge myself. I’ll come back to edit this every now and then if I come up with more cohesive lore pieces, or if you guys have any suggestions that would tie in the lore better. In addition, Caesar’s Legion is an inherently totalitarian nation that supports itself on some pretty sexist and bigoted social structures. There is no universe in which I support, condone, or otherwise encourage any of the ideologies of Caesar’s Legion in real life. Don’t become a tyrant dictator of a military slave nation, kids!

CONTENT WARNINGS: Discussion of slavery, sexism, physical and verbal violence, unsafe medical practices, brainwashing/psychological abuse, and death.

Without further ado, the absolute wall of text that is the theoretical lore Bible of Caesar’s Legion. Enjoyyyyy!!

CHAPTERS:

I: Citizenship

- How To Become a Citizen

- Social Castes

- Names

II: Everyday Life

- Common Social Customs

- Household Structure

- Settlement/Town Structure

- Clothing, Hair, and Accessories

- Languages

III: Industry

- Jobs

- Imports and Exports

IV: Politics, Education, and Religion

- What Senate?

- In The Unlikely Event of a Transfer of Power

- Common Political Beliefs

- Male vs Female Education Standards

Walk and talk with me about the ways The Legion mirrors, juxtaposes, and takes inspiration from Ancient Roman society in a post-apocalyptic setting.

The first time I encountered Caesar’s Legion in game, my initial thought was “What about the American West makes these people think this is the perfect spot to reinvent Italy?” it’s a barren, land-locked desert with only one or two significant water access points. Italy is a peninsula in a temperate climate with high mountain ranges and verdant forests. Most of this was a jokey thought, but then it struck me that a phalanx would actually be an insanely powerful force in a flat landscape. It all started coming together from there in a most dreadful shape

I: Citizenship

- How to Become a Citizen

Caesar’s Legion is a colonialist nation. They gain land through conquest, typically, and have a tendency to try and homogenize the culture to their liking. Generally speaking, after a town has been conquered, people who willingly surrender or submit to The Legion are given an opportunity for citizenship. Any survivors of conquest that aren’t willing to surrender are either executed or sold into slavery. Slaves are not considered citizens, because the rights and freedoms of a slave do not reflect the rights and freedoms that The Legion offers to those who can be put to better use or are complacent with the mission of The Legion.

Once one is offered a chance for citizenship, the highest ranking general in whatever battalion just took over that person’s land will evaluate if the person can be put to work, put on the battlefield, or is generally useless. Remember, an offer isn’t a guarantee. There is a chance someone who is offered citizenship may be evaluated as useless and sold into slavery regardless of their complacency. Protesting the verdict typically increases the chance of spontaneously being executed, or, if one doesn’t like their proposed role of worker or soldier, being demoted from potential citizen to slave.

If the general regards one as fit to work or fit for the battlefield, these “half-citizens” (media populi for plural, and media persona for singular) will be assigned a new legal name after a record of all new media populi is sent from the general to the regional Vilicus (overseer ;) we’ll elaborate more on this in chapter II), and given the task of minimum 400 hours of what we would understand as “community service” before the Vilicus confirms their citizenship. This “community service” is called pentimento, or repentance. It’s a form of brainwashing in which The Legion is in a position to repeatedly reaffirm that the media persona has more value here helping The Legion than they ever did as a free settler in New Vegas before, and instills dynamics that empower and encourage violence against people of “lower status” (slaves and women, usually). Kinda like a Stanford Prison Experiment that’s purposely designed to cause power dynamics instead of accidentally stumbling to the conclusion. Pentimento may include anything from helping re-pave and clear trade routes in Legion territory, to catching runaway slaves. Each media persona is given a number of tasks to complete per month, and each failed task results in more hours being added onto the total pentimento before citizenship is granted. The number of initial hours of pentimento a media persona needs to do may vary depending on the whims of the Vilicus, how much they resisted Legion control in the past, how many tasks of pentimento they leave incomplete per month, and whether they are masculine or feminine presenting, but is never less than 400 to start. Most media populi end up with starting numbers in the 600s or 700s.

Once the pentimento hours are complete and approved by the Vilicus, the media persona becomes a citizen and is expected to continue the service to the growing empire through either the trade they work in, or through service in the army. However, there is a several-month-long window of time in which spies occasionally visit the new citizens’ homes to monitor them for suspicious activity. In this window of time, spies may be looking for signs that indicate the new citizen is an agent from a rival faction sent to infiltrate The Legion. Only high-ranking officials know about this window. One can lose their citizenship and be returned back to status of media persona if they show suspicious behavior during this time, or worse, be demoted from citizen to slave. In cases where there is undeniable evidence that a new citizen is an agent for a rival faction, the citizen is immediately put to death, and their citizenship is revoked (though revoking the citizenship of someone being put to death is a little redundant).

A baby born into a family of two Legion citizens is automatically also a citizen, and must be given a name in line with Legion naming conventions (which will be discussed next segment). A baby born into a family in which the mother is not a citizen and the father is a citizen will also be considered a citizen. A baby born into a family in which the mother is a citizen and the father is not a citizen will not be considered a citizen at birth. A baby born to a family of two media populi or two slaves will not be considered a citizen at birth.

A person who willingly enters Legion territory and requests citizenship will follow the same steps as how a person from a conquered land would be evaluated for citizenship.

- Social Castes

Social Castes in Caesar’s Legion are determined by how useful one is to the empire, and whether one is male or female. The more sexist aspects of the caste system stem from the fact that women in The Legion can’t serve in the military, and the military is a notably higher status than most other castes since Caesar’s Legion is a military state.

Of course, Caesar is the highest on the social pyramid, followed by his chosen officials (take Lanius for example), then chosen guards (praetorian guard). The military comes next, with the social hierarchy of the military following that which was established in the Roman Empire in the early establishment of Caligula’s reign. After that, religious officials (which act as pseudo-indoctrinators into The Legion, and therefore are pretty essential to brainwashing the next generation of Legionnaires). Then, the Vilici, the overseers of each region/settlement. Next, the average male citizen and then, the average female citizen. Media populi come next, and following that social caste is performers (which serve very little purpose in the eyes of Caesar and the goal of conquest), with male performers having marginally more respect among the populous than female performers. Second to last is slaves, once again with males being just a little more respected than females, but what does that matter when both are going to be abused by the upper castes anyways. At the very bottom of the social ladder is outsiders and criminals, which need to be broken before earning even a sliver of humanity in the eyes of The Legion.

Caesar > Chosen Officials > Chosen Guard > Military (with sub-hierarchy of Ancient Roman military) > Religious Officials > Vilici > Average Citizen > Media Populi > Performers > Slaves > Outsiders and Criminals

- Names

The average citizen in Legion territory wouldn’t need to immediately use their new assigned name (since there’s not enough force immediately available to actually push that, the nation is still growing), but The Legion will give them a “legal” name that they’ll be addressed by formally, and in the best case scenario, the original name will be effectively waned out because it simply doesn’t matter in comparison to the new one.

A praenomen acts effectively as a first name one uses around close friends and family, while a nomen (while acting as a last name) becomes what one is more commonly known by in public. The average citizen will usually have a nomen at least, and a male citizen will have a praenomen and nomen.

- MASCULINE: A classical Latin praenomen will be assigned equivalent to the meaning or phonetics of the new citizen’s first name. The nomen will be determined based on either phonetic/meaning equivalent of the last name, or based on the new citizen’s occupation.

- FEMININE: No praenomen will be assigned. The citizen’s title will be a feminized variation of their father’s nomen, differentiated in generation by number nomenclature (Major, Minor, Tertia, etc). If they have no father, they will assume the feminized nomen of a living male partner that is already a Legion citizen. If they have no living Legion family, they will be assigned the name “Romana” and likely be either sold into slavery or auctioned to a bachelor to gain a proper nomen.

For example: Marcus Gaius has two daughters. The eldest daughter is Gaia Major. The youngest daughter is Gaia Minor. Gaia Minor meets Decimus Junius, and they get married. Now Gaia Minor is named Junia. Gaia Major remains unchanged.

Legion soldiers have more dignity in society, and therefore have all the previous conventions, plus a cognomen. Since all Legion soldiers are masculine, differentiation between masc and fem naming conventions is irrelevant from this point forward. The nomen of a soldier may be akin to the structure of how an average citizen’s would be given, or if the soldier shows exceptional prestige and has no remaining male family, a nomen referencing warfare or combat will be assigned to them (Marcus, Augustus, Drusus, etc.).

A Legion cognomen acts effectively as a Roman military callsign. Cognomens follow classical Roman conventions. The cognomen will be used most frequently in a military setting.

II: Everyday Life

- Common Social Customs

Many Roman social customs are adopted into Legion life. For example, the entertainment at the colosseum is mimicked in the tourneys in the various arenas scattered throughout Legion territory. However, because of the key difference in that The Legion isn’t even pretending not to be a totalitarian dictatorship, there are a number of drastic differences between Roman social customs and Legion social customs.

Because of how respected the military is in Legion society, it is commonplace to show soldiers with utmost reverence. It’s customary to allow soldiers to stay in a citizen’s place of residence if the soldier requests it, and it’s customary to refer to the soldier by their military rank, not their nomen or cognomen (especially if the soldier in question is on duty). It’s considered rude or inappropriate to question the motives of a soldier, or prevent a soldier from accessing areas of a citizen’s property. Such transgressions can potentially be met with violence.

One may frequently see slaves struggling to keep up with workloads. It’s taboo, but not punishable to help them, as long as it doesn’t interfere with the productivity of one’s own work. After all, The Legion gains nothing from incomplete work. If helping a slave means increasing efficiency, then it’s appropriate, but a citizen may get strange looks from others for doing so.

Utilitarianism is the ideal philosophy under which everyone should function in an ideal Legion society, but this is clearly not the case nor the environment to foster it. Social norms are based strongly on class, and in most cases, selfishness prevails because selflessness can be seen as weak (or worse, suspicious) by trigger-happy soldiers and spies.

But hey, at least sex isn’t considered a super taboo topic or activity in Legion society. Got that much going for them. Granted, it’s seen more like a conquest, but at least it’s not seen as a sin. Woohoo? Lets go? Kinda? One step forward two steps back.

- Household Structure

A household in Legion territory for a citizen of average means will likely be similar to any other household in New Vegas (with the addition of slaves in wealthier households). Where things start to get confusing is the aforementioned situation of soldiers being allowed to invade households at will. Psychologically, these soldiers are deprived of a lot of comforts the average citizen may have. There is a decidedly nonzero chance that soldiers can show up like stray cats and keep coming back in the event that a citizen is interesting enough to them. Soldiers sometimes “claim” houses or small patches of territory they frequent as a substitute for the emotional interaction they lack. Humans are social creatures. The soldiers might not know why they want to keep coming back, but they do keep coming back. Parasocial.

Generally, a woman’s domain is the household in Legion territory. While the society is by no means matriarchal, it’s customary for a woman to maintain control over most happenings within a household. This often means a woman will need to interact with stray soldiers more frequently. Among female citizens in Legion territory, these soldiers are called catuli (singular catulus) for their presence and tendencies, though this is always in secret due to the harsh punishment of misrepresenting a soldier’s status to his face. A household can sometimes have up to three catuli claim it before fights start to break out among them about perceived territory.

It is expected for a couple in a household to have children. Cultivating multiple generations of soldiers is part of how The Legion grows most efficiently, because children are impressionable enough to instill Legion values without struggle. If a household does not have a child after several years of partnership, it is considered suspicious and the male of the partnership is encouraged to be unfaithful or open the relationship. While there are no consequences for not having children, there is intense pressure to do so.

- Settlement/Town Structure

As mentioned before, the equivalent of a mayor in each region is called a Vilicus, or an overseer. The Vilicus is responsible for tallying the census, assigning names to media populi, approving the pentimento of media populi, keeping track of production rates of resources from citizens, keeping a lookout for disease outbreak so a region can be quarantined if needed, and monitoring the citizens in each region for minor suspicious activity to report to those higher in status. Each town is also occupied by a heavy military presence, to intimidate citizens into productivity and complacency.

Most of the time, Legion towns are made of the previously conquered settlements now added to Legion territories. Building more houses is an avoidable expenditure if they just repurpose the structures already there with a few modifications. Despite the multiple depictions in-game of Caesar’s Legion showing little to no care about what damage they cause, it would make sense that the depictions in the gameplay are actually the outliers in the situation, since it’s far more efficient to leave the settlements intact and just gut and reconfigure the purpose.

There are also multitudes of mobile scout settlements, mostly made of fabric, tarp, and hide tents that can be easily condensed and moved in the event that the camp is compromised. In many cases, these camps are set up as a base to return to in order to stage an invasion of new territories. If possible, The Legion sets them up close to large landmasses like plateaus or mountains for additional cover in the event of an ambush. If that’s not available, The Legion makes settlements like this close to preexisting towns in order to make the wordless threat of “push us back, and innocents die”. Generally, very few citizens are taken on these excursions, but if the plan is to stay out longer, citizens who are medics may be involuntarily drafted into going with the scout team.

- Clothing, Hair, and Accessories

The Legion isn’t a necessarily materialistic society that allows a lot of room for personal expression. Since the goal is to create a homogenous society and culture, self expression through visual cues is often muted at best and absent at normal. Makeup, perfumes, and hair styling products are prohibited if they have any synthetic qualities or materials. In many cases, beauty products are exclusively reserved for performers, and even still, only natural pigments and materials would be permitted. Think the same pigments Ancient Egyptians would make for their makeup.

Protective updo hairstyles are common for long hair, both for practical purposes and for purposes of keeping hair out of reach and harder to pull. Efficiency is key, so in the event of a raid or a threat, everyone is expected to be able to hold their own to some extent. Part of that standard is remaining on guard, so keeping hair up while out of the house is customary.

In the military, hair is expected to be cut short, again, for efficiency. Any soldiers with long hair are expected to keep it in tight braids or cornrows to maintain the same level of efficiency. As long as it stays out of the face.

Most clothing is dull, salvaged from the wastelands. The only exception is clothing reserved for high ranking officials and Caesar, which is quite literally dyed in blood of enemies. Because blood fades to a blackish-red hue over time, high ranking officials will often appear to be wearing darker colors, when in actuality they’re wearing clothes that were soaked in blood as a symbol of power and debt paid to the gods (namely Mars).

Widows are permitted to wear part of their fallen husband’s bloodsoaked clothes through the mourning process, if The Legion can recover and identity the body. With this in mind, as soon as the widow finds a new husband, the bloodsoaked garment piece is burned.

Slaves are deprived of all aspects of individuality, given rags or scraps to wear and marked with red paint. A citizen may give finer clothes to a slave voluntarily, but those clothes must also be marked with red paint.

Jewelry, while rare, is often made of scrap metal salvaged and re-forged from battlefields or old weapons without any further use. Which is why jewelry is so rare. There is seldom ever an instance in which metal can’t become a weapon, so making jewelry is a waste of time and energy.

- Languages

Basically any language can be spoken in Legion territory as it stands, because as The Legion is currently, it doesn’t have enough power or force to totally instill a whole new language system. With that in mind, the groundwork is being laid for an eventual push to make Latin the official language of Caesar’s Legion. Between the commonly used Latin terminology to address people and the Roman theming of The Legion, it’s primed to eventually enforce Latin as the primary language. Highly educated citizens may be fluent in Latin, and most soldiers know commands and codes in Latin.

III: Industry

- Jobs

There are two types of jobs in The Legion, excluding military and slavery. One can either be a worker or a performer. Medics and nurses are highly valued, both on the battlefield and off, since chemical substances are prohibited in The Legion. Carpenters, metalworkers and blacksmiths, engineers, and tanners are some of the more important standard worker jobs, since all of them play directly into expanding the empire more efficiently, making more weapons and armor, or repurposing old material to make new. Tailors, glassworkers, weavers, technicians, and chemists are less valuable to The Legion to some extent because they either involve industries less geared towards conquest, or involve industries beyond the scope of what The Legion finds socially acceptable. Despite the amount of emphasis Roman polytheism puts on naturalistic sculpture, The Legion actually doesn’t find the arts very useful in the immediate future of the empire. What’s most important is conquest, not expression.

On the topic of the arts, performers were seen in a very poor light in The Legion, often oversexualized into objectification or framed as clowns. Most performance art is often seen as a waste of time or an avoidable expense, but it does keep soldier morale up since it gives them something to target that isn’t their fellow man. Being a performer in The Legion is marginally better than slavery, because one can at least have a house as a performer, but the physical and verbal abuse is often daily and unrelenting.

- Imports and Exports

The Legion is definitely not known for being friendly to neighboring factions, so any concept of import and export is often very loosely based in barter (namely, The Legion demanding tithe to barter for leaving a region alone, similar to how some mafias demand payment in exchange for protection from themselves). The Legion has a semi-steady stream of imports from their commonwealths which they pressure into helping them in trade for leaving their towns unburned and their people free from enslavement. However, this is decidedly not a permanent arrangement. This is a way to bide time to grow the nation a bit more before making moves on settlements and regions with more useful resources.

They export nothing unless it’s a strategic play. They pressure neighboring regions into paying them, even though they honestly don’t need it as much as they want the general population of other factions to think they do. Middle school bully nation.

IV: Politics, Education, and Religion

- What Senate?

The big difference between Rome and The Legion is that The Legion doesn’t try to pretend it’s not a dictatorship. There is no senate, there is no board of people to vote, no forum. The only voice that matters is Caesar’s, and it shows in every aspect of how the society is structured, from the strict rules on self expression, to the patriarchal hierarchy of Legion society. Ultimately, this makes the nation weaker, because in the event of Caesar’s death, it creates a power vacuum. No, I don’t think there’s a secret senate. No, I don’t think there is a solid backup plan. I think the closest thing there was to a senate was the two-man power-team that was Edward Sallow and Joshua Graham. We all know how well that worked out. And I think Caesar’s been running on fumes ever since that point, taking this as a sign to expand the nation faster before anyone sees him bleed. Hubristic in nature.

The closest thing there is to a senate are higher officials (such as Lanius) that Caesar hand-picked from Legion ranks to be his personal cabinet that all agrees with him. There is a distinct instability of power when recreating Rome without a senate, and there is the distinct air of trying to hide that open wound.

- In the Unlikely Event of a Transfer of Power

Let’s say, hypothetically, Caesar, the praetorian guard, and all his higher officials suddenly died. The role of Caesar would be up for grabs. In the event that there is no clear successor to Caesar, there is no real backup plan aside from an arena battle between the generals that could potentially succeed Caesar. A simple solution that will clearly show who can spill the most blood for Mars without hesitation or question.

With this in mind, there is one thing distinctly Roman about the potential of a transfer of power. There is always a nonzero chance that Caesar’s killer, be they foreigner or Legion, could become the next emperor. All that matters is who can devote themself to Mars in a way that would honor the fallen Caesar.

- Common Political Beliefs

Politics and religion go hand in hand for Caesar’s Legion because of the cultish way Caesar built the nation. The idea of Mars being the patron deity of The Legion instills a level of gratuitous and overzealous love of warfare among the people. Military expenditures are met with great support, and very little infrastructure on public service is supported as adamantly because of the instilled value of “we are all independent cogs working in a well oiled machine, we don’t need help”. Then again, it’s not like any other voice mattered anyways, since Caesar is the be all end all of political power.

There is a generally nationwide extremism when it comes to dealing with criminals, however. Criminal activity in The Legion is more often than not punished by torture and death, and nobody seems to really protest it to the degree that other factions do. As many of the travelers and traders in Fallout: New Vegas have said, the roads in Legion territories are incredibly safe. There is a level of patriotism in The Legion specifically regarding how safe their lands are, but in exchange, those lands also have an active military presence.

Conquest is also a pretty intrinsic pillar of Legion political beliefs, since the motivation to create a homogeneous society and usher in a new era of perceived piece may make some people accept the totalitarian power for what it is and hope it pans out right.

- Male vs Female Education Standards

Due to the intrinsic divide between male and female Legion citizens, the education of male and female Legion children is vastly different with the only exception being the uniform brainwashing. Male and female children are not only educated on different topics, they are also educated in different locations.

Similar to Spartan men, most male children (even including orphans from freshly raided towns) are give combat training just about as soon as they can hold a stick and swing it. The male children that show combat proficiency continue to become soldiers, and the male children who aren’t strong, but are intelligent are instead divided into training as either spies or medics, depending on the specifics of their skill sets. Male children who aren’t good at any of that end up becoming armigeri (singular armiger), the people who sharpen weapons and tend to the needs of more proficient soldiers. It’s a social tragedy to become what is essentially a pathetic sidekick to some far better soldier. Thankfully, since most of these children are trained from an incredibly young age to be strong, cunning, fast, and durable, very few people end up becoming armigeri. Generally speaking, no boy in The Legion goes without military training. The Legion can capture their blacksmiths and carpenters, there’s no need to train them in-house.

Female Legion children are not given formal education. They are expected to grow up to be housekeepers and produce the next generation of warlords. However, a family still has the liberty to educate a daughter at home with a tutor so long as it doesn’t interfere with the family’s productivity. Usually, female children are given medical teachings more oriented towards patching the injuries of their future husbands. However, girls aren’t left entirely defenseless. Girls are taught how to use ranged weapons and how to escape grapples in the event of an emergency. In addition, girls are given more of an education on finances and practical skills that tie into long-term survival, such as how to use every part of a killed animal for resources, how to patch clothes, and how to cultivate plants.

A Thank You And Some Concluding Comments

Hello hello to anyone who’s made it this far through my ludicrous ramblings! Thank you for reading! This is really just me throwing nonsense in the air and seeing what floats, and most of what I’ve written here will probably be subject to edits every now and then to keep building up what I’ve already put down.

Feel free to use this lore for any fan fictions, fan art, original characters, or whatever else! Please keep building on it!

I hope y’all enjoyed my insane chattering!

[karanseraph]

Since I found out that Transformers One is on Paramount+ in my region, and since I still have access to this service, I've been watching it every day and then watching some other Transformers content I have access to. Back-to-back like.

It's only been a few days.

The first day I watched Transformers One and then about 6-ish episodes of EarthSpark 'Season 3 '. Transformers One IMO, is the superior work. I don't hate EarthSpark (the obvious shift between seasons 1 and 2 does frustrate me). It generally does a lot of things I like. One of them is that it has an interesting animation style in which the 'Transformers Bots' come out looking very toy-like and the special effects 2D in style and it makes me feel like the whole thing is someone playing with toys, but in a good way (except one of the kids I'm playing with wants to go in a direction I don't like). Anyway, Transformers One is just a more epic thing all around. It's from the same era but made with different style and design. Less like toys (weirdly, considering Director, eh?) and more like an animated Science Fiction/Adventure in general. Also, arguably deeper resonance in the characters and their arcs.

The next day I watched Transformers One and then Rise of the Beasts, which only came out a little more than a year before. So, similar era of media, again. Animation vs 'live action' (but we know those bots are all animated just in a 'realism' style). The characters look pretty good to me in both. And the plots and characters and their arcs are different, but both are interesting and have resonance. I mean it's like the 'brothers' that turn into enemies with one, but then in the other it's largely about these two (three but Primal is so ahead of the others) guys from different planets trying to do their best for their own families and coming together to fight a destructive force. So, both movie are pretty epic. I kinda want others to watch these back-to-back to see what they feel, because one movie is like the one splitting apart and the other is about separate people joining as one.

Now, today I'm watching The Transformers: The Movie (I believe I own this one) and Transformers One back-to-back double feature. I'm still in the midst of this. But I think TF:tM holds up. It's 80s as Hell, right? 1986 up against 2024. But if I think about it in terms of "was this good or typical of its time" then both movies looked good in their era. Both animated, though different in technique and style. Both make use of Quintessons while the main foe is someone else. Both pretty epic plots. Both have that sort of cultural resonance where Transformers One does have those sort of Prince of Egypt vibes (I see what you did TFWiki) or like shades of Set and Osiris or vaguely The Lion King where there's a pair of close characters who split apart dramatically with betrayal. And Transformers: the Movie is very Hero's Journey itself borrowing heavily from Star Wars. Both these movies made use of some amount of celebrity casting and it worked. Transformers One several more girl or woman type characters than Transformers: The Movie, but that's also likely reflective of the eras in which they were made. Transformers One still mainly has the one main pink heroic girl and dark bad girl characters which is a thing with this whole genre of the action toyline adaptation, but yes, many other different types of bots in the background.

I think maybe Bumblebee tomorrow?

[projectjasper]

ME AND THEE: NOVEL VS MOCK TRAILER

[BASIC SUMMARY & CHARACTERS] - [FULL SUMMARY & OTHER SPOILERS]

ARCHER'S NOTE: Overall, it seems like there have already been a lot of changes made to the mock trailer alone, and there are even more usually made to the actual series. In some ways, this immediately makes sense to me. After finishing the 400-something pages novel, I thought that its plot would fit better into a 2-hour movie rather than a full series, so certain things would need to be expanded upon for certain (and, frankly, they need to be expanded upon, as the speed with which some characters are introduced for a few scenes only to be promptly yanked out of the novel forever is slightly jarring). That said, expanding on the existing themes and providing necessary context is not the only thing the writers did for the mock trailer, taking only inspiration from some parts of the novel or even stepping away from it entirely for some of the decisions they have made. This series is indeed a mystery to me, a person who has read the novel, almost as much as it is to someone who has not, or perhaps even more so, since someone who has not read the novel has no expectations for things to go a certain way.

When the writers for the series are announced and if I know them (and there is a good 90% chance I know them very well), I will likely make a separate post, speculating where they might take their ideas based on their previous writing and the mock trailer.

SPOILER WARNING! Although the trailer itself obviously couldn't reveal any major plot points, there are still some spoilers for the novel in my comparisons, so proceed with caution.

THE MAIN GIMMICK IS NOT IN THE NOVEL

Sorry to be the bearer of sad news, but what is possibly the most charming part of the mock trailer - Thee watching soap operas and reciting the dialogue by heart - is simply not a thing in the novel. To be fair! The seeds of it are kind of there.

Thee's mom did indeed raise him on soap operas - in fact, her own soap operas, as she used to be an actress before marrying her husband - and has all the DVDs of her works, which Thee loved watching as a child. Moreover, this all gets revealed at the end of the novel, after Peach spends the entirety of it making an inside joke to himself about how sometimes the way Thee speaks sounds like he came right out of a soap opera. I suppose all these factors came together to give us the far more comedic and dramatic image of Thee actually currently being a huge fan of soap operas in general, which is honestly a hilarious and incredible decision.

ROMANCE OR SEX?

Now, this is a tough one, because what Thee ends up saying in the trailer can be interpreted in many ways.

He does begin by talking about sleeping with Aran.

But the next comment is perhaps a little more dramatically romantic, although - as I said - it can be interpreted in many different ways and perhaps the "burning desire" of which Thee speaks is the desire to nail and bail.

Regardless, in the novel, Thee is strictly interested in having sex with Aran and nothing more - in fact, he has never been in a relationship before and (up until meeting Peach) is only interested in one-night stands. Especially in conjunction with Thee from the mock trailer being fully into soap operas, I feel like he might take a more romance-aligned approach after all, or perhaps they will remain novel-accurate here and he will only be interested in Aran physically. We shall see.

ARSENI? YES AND NO

So, fun fact! Thee is half-Russian in the novel and his father is actually a notorious Russian mafia. (This is also why the author gave Thee "cigarette smoke coloured grey eyes" which I had to read about one too many times - Gods protect us from contact lenses in this series, although I've heard the director X first thought of casting Pond after he saw a photo of him with blue contacts, so I guess they are helpful somewhere). Regardless of my hatred for Pond covering his gorgeous brown eyes, 'Arseni' is not just the name of the company Thee owns, but also his family's surname. Now, you are in luck, as I am Russian and can confirm: Arseni cannot be a surname under any circumstances, although it is a popular first name in the country, so the author's research has either not been extensive enough or has simply been unsuccessful. In any case, both the trailer and recently Phuwin in an Instagram Live confirm that Thee will not be half-Russian in the series.

According to the trailer, Thee's first two names are intact, but his surname has been changed to Lee - if I had to guess based on that alone, he could be of numerous descents, there are multiple countries where that surname is quite common. Another hint, however, might be in Thee's conversation with his father from the trailer, where he speaks English. That could just be because they are being hashtag international in the family or indeed because his father is from an English-speaking country. Honestly, we have no way of knowing right now. The only thing that we do know is that he is definitely not half-Russian anymore.

Oh, and that Thee's company is still called 'Arseni', as the trailer confirms multiple times.

A POND NARAVIT CHARACTER WITH A GOOD FAMILY? NOT IN THIS ECONOMY

In the novel, Thee has a shockingly nice family. He gets along with his younger brother Rome well, his mother is very warm and loving, and his father is incredibly open-minded and supportive. To be fair, there are crumbs of some... peculiar upbringing in Thee's backstory for sure. He is taught to not trust anyone outside the family (which is also why he is not properly socialised) and Mok is specifically raised alongside him to make sure he would be a trustworthy confidant to him. But, considering the "business" the family is in, this isn't totally unreasonable and the family does accept Peach and his sister Phlub into it with open arms right away.

The trailer, however, paints such a drastically different picture that I am confident this is a big change that they've made. A stern father's voice says over the phone "This business is not a place for the weak, not for the people who let their emotions get in the way. You know that, my dear son?" Although we never actually witness a conversation between Thee and his father in the novel as such, this just does not line up with what we know about him. That man adores his wife, first and foremost, and he wishes for his son to find the same kind of love he has and to focus on something other than work - he would simply never disregard all emotions in name of business. Not to mention that this isn't really even a conversation Thee from the novel would have to have with his father. The younger son, Rome, is in charge of the shady parts of the business that require one to be truly ruthless and cunning, while Thee keeps to the clean cover-up businesses, which are his main projects.

AND THIS ACTUALLY LEADS ME INTO TWO OTHER POINTS:

MOK'S ROLE AND ROME'S DISAPPEARANCE

Like I have mentioned, Mok has been raised alongside Thee to be his trusted friend and confidant. While we do not immediately find out about this in the novel, it slowly becomes apparent just how close the two are, and their upbringing is eventually revealed, as a last piece of the friendship puzzle.

What Mok says here is more reminiscent of a bodyguard who is only just trying to get close to his distant boss, which - if true - changes a lot, not just about Mok, but also about Thee's upbringing.

Rome is also not present in the trailer. And while I do acknowledge that this might be due to timing issues, he is a relatively important character and - perhaps more importantly - GMMTV mock trailers rarely pass up on the chance to at least hint at a secondary romance, which (by tried and true GMMTV rules) should be WilliamEst here, as Rome and Mock are in an on-again, off-again relationship in the novel. In conjunction with the changes they made to Thee's father, I fear Rome might not exist in the series at all, making Thee the single heir and placing much more responsibility and shady business on his shoulders.

A MAFIA HAS PROBLEMS TOO

In the novel, Peach is the one who keeps running into issues and Thee is mostly his ever-powerful knight in shining armour, rushing to save him and finally make him feel cared for and protected. Not only is there no trace of this in the mock trailer, the roles are seemingly reversed.

It is true that Thee does not really have friends, aside from his family and Mok (who is basically also family). However, this is an issue that is approached very matter-of-factly in the novel. It is simply how he was raised and how he has been living for the past three decades. It is clearly treated with far more gravity in the trailer.

Similarly, while Thee often feels cold and empty, this is his general state of mind in the novel and it is certainly not accurate to how he feels when he is around Peach. If I had to guess, I would say the trailer is going for Peach slowly melting an iceberg that encapsulates Thee's heart, while in the novel the two have a very natural connection that immediately makes them both feel safe and warm.

If I am right on both counts, the weight of the two characters in the series will shift significantly and - dare I say - the main character, who is undeniably Peach in the novel, even with all the Thee POVs that we get, might actually be Thee in the series.

A BETTER ROMANCE STEREOTYPE

The 'Me and Thee' novel is an interesting little thing, because it is simultaneously chock-full of very classic soap opera esque tropes, but also criticises some other ones very pointedly.

The questions of force and consent in particular are often brought up by Peach. A classic mafia romantic interest in a soap opera would usually not be respectful of boundaries, but Thee is very far from that kind of stereotype himself and is taken farther from it still by Peach's guiding hand. I don't know if the series will bother with threading this particular message throughout the entire plot or if it's just a line thrown into this particular dialogue, but the novel certainly does. Although, even if it will not be emphasised in the series, I am confident there will be no nasty shit happening, judging by the tone of the trailer alone.

TO ARANTAWAN OR NOT TO ARANTAWAN? THAT IS THE QUESTION

So, the 'Me and Thee' novel does not have a secondary couple as such, and if I absolutely had to give that label to someone, it would actually go to MokRome - not AranTawan. Aran and Tawan are mostly used to propel TheePeach's relationship a couple of times and otherwise have a very tumultuous and frankly kind of toxic relationship, we never see any of their sweet moments or anything like that - mostly just Tawan being jealous and taking it out on Peach.

Looking at the mock trailer, that seems to check out. So, sorry PerthSanta cowboys, but I would hold our horses, at least for now.

A DIFFERENT ROLE FOR PHLUB

If i am right in assuming that Bonnie is playing Peach's sister Phlub (which is highly likely), she seems to have a different role in the series and be a slightly different character overall. In the mock trailer, she basically explains who Thee is and warns Peach to be careful - in the novel, she doesn't know anything about Thee's involvement in Peach's life until way wayyyy later. Not to mention that Phlub from the novel would be more likely to mischievously grin and tell her brother to have fun with his new rich friend than warn him away. To be fair, her scene is very short and she could very well be working as a mouthpiece for Thee's introduction that was simply an author's note in the novel, so I can't say for certain if this is a big change yet.

MORE DETAILS

You know how sometimes you read a romance novel or watch a romance movie or what have you and the characters on their own are a tad underdeveloped? Like, sure, they are real, the relationship is beautiful, but we don't know anything about them outside of their workplace and maybe their tragic backstory. Yeah, the 'Me and Thee' novel is kind of like that. The series seems to be rectifying that, however.

Both Thee's interest in arcades (?) and Peach's interest in handpans are not present in the novel.

Although the boys' wiliness to share in each other's interests and likes is very novel-accurate.

[elitistcinema]

Cruel Intentions vs. Do Revenge

I never shit on any new movie I disapprove of because I think that’s what frustrated old men and failed filmmakers-turned filmcritics do. I also think it’s disrespectful to all involved artists – cast and crew - to rate a film’s value with however many stars out of ten as a film is after all ART and its entertainment or artistic value is therefore highly subjective. However, I’ll have to make an exception for Do Revenge (2022) as it pays homage to Cruel Intentions (1999) and it’s a good occasion to compare the state of teen entertainment of 1999 and 2022.

Let’s get budget, star power, and directors out of the way first: If we consider inflation, we can estimate a budget of $18.5 million for the creation of Cruel Intentions and an estimated budget of $25 million for Do Revenge which makes the pair very comparable. When it comes to star power, Sarah Michelle Gellar was already famous as the main protagonist in the Buffy (1997) tv show before she appeared in Cruel Intentions and Ryan Phillippe had his break with I Know What You Did Last Summer (1997). I admit that I have never heard about any of the talent in Do Revenge prior to this film but I guess that’s my own fault. Considering the tsunami of shows on all these streaming platforms, I don’t think I can be blamed. I’m saying that Sarah and Ryan were iconic actors already and Mendes, Hawke, and Abrams are not (I’m sorry). I appreciate that Sarah Michelle Gellar has a minor role in Do Revenge as well and consider her as an asset for this Netflix film. Considering the looks and theme of the Do Revenge, it was always meant to be a Netflix film and seasoned writer/director Jennifer Kaytin Robinson did a good job fitting it into their current portfolio. Cruel Intentions started as a passion project by first-time director Roger Kumble with very little money and was then picked up by Columbia.

Now we get to the entertainment value: Do Revenge has good production value in terms of costume, locations, and other eye-candy. Cruel Intentions had these assets too – the difference is that Kumble staged them masterfully. I’d argue that Theo van de Sande’s magnificent cinematography in Cruel Intentions can’t even be compared to the very standard work of Brian Burgoyne in Do Revenge. The reason for that is that Theo and Roger were inspired by Bertolucci films like the Conformist (1970) which made the simplest scenes a joy fest for the viewer’s eyes. The style of cinematography in Do Revenge was not inspired by an old Italian master but by the brand image of Netflix and maybe – only maybe - by Cruel Intentions – it left no impression on me. Do Revenge has good acting and good direction, but the dialog is often “on the nose” and cliché. The plot twists and the duality of its characters are enjoyable, but this is overshadowed by a general lack of originality. I find the character’s omnipresent strive to publicly expose their counterparts annoying and meaningless. It’s like publicly showing Sebastian Valmont’s diary– but not as dramatic (where’s the soundtrack, where are the cool montages?) and very repetitive. Somehow, I find Drea’s Yale ambitions not very believable – just like Rosehill’s crazy graduate party/orgy that is supposed to be attended by ivy league material exclusively. Aren’t these people supposed to be smart, eloquent, and have some academic ambition? Sebastian Valmont and Kathryn Merteuil were deliciously evil when they had to be and wickedly smart and charming when we wanted them to be just that. The characters in Do Revenge are written without much depth because they are always the same: ditzy and politically correct – even when they’re making fun of wokeness. Seriously, imagine any of Do Revenge’s main characters (rich ivy league candidates) using a pocket watch, journalling regularly or being a real book worm – it doesn’t work. There is no serious ambition, sophistication, or enjoyable dark academia trait to be seen in these shallow personalities. If you’re going to adapt and pay homage, why not use the cool stuff?

Do Revenge’s sexy scenes unfortunately won’t stun its audience with iconic locations, scandalous dirty talk, or explosive chemistry like Cruel Intentions. They are watered down and uninspired. This brings me to my next point: Nobody would be able to distribute a film like Cruel intentions nowadays. It’s dialogue is too hardcore and unapologetic for the teens of now and for the woke streaming platforms who love their virtue signaling. That is also why it’s impossible to portrait any of Do Revenge’s characters as iconic as the celebrated and often copied protagonists of Cruel Intentions – they had an edge and they made their props and their rooms work for them. It is my understanding that is forbidden and not marketable to have a teen movie with edgy characters like that, who have class and have become style icons. If Sebastian Valmont was alive in the universe of Do Revenge, he would be the character who can’t be found on Instagram or tik tok – he’d tell you that “that’s for geeks and pedophiles.”

Do Revenge had everything going for it but it doesn’t work at all and that makes me sad.

[buffyfan145]

Episode 2.7 of "Rings of Power" was great!!! 😀 This is the most it's ever felt like the movies to me with the battles and those scenes were so well done. So much happened in this episode too and at least 2 leaks actually did happen, one of which I wasn't mad about like I thought I would be. LOL Rest of my thoughts under the cut for spoilers but can't believe the season is almost over next week and then the 2 year wait for season 3 begins.

I feel so bad for Celebrimbor. We all know his death is coming and just seeing him realize what's really happening and that Annatar is Sauron was heartbreaking and knowing he won't survive this. His scene with Galadriel made me emotional too and next week is going to be tough to watch. But I did love that Celebrimbor also told Sauron that he's lying to himself about so many things too, as Sauron is justifying everything he's doing. And as a Haladriel shipper you can see too that Sauron's also lying to himself about his feelings for Galadriel, which will likely come into play next week when he reunites with her.

But I did laugh though at that moment Celebrimbor and Galadriel heard Sauron screaming in the tower as that foreshadowed him being in the tower in the LOTR movies. LOL

That brings me to the first leak confirmed and that it was that about half the cast is getting killed off. That came out before the season started and made sense in a way but still really sad to see it happen. We've lost Bronwyn, Walridge, Valandil, Mirdania, Rian, that other elf in Elrond's party, Damrod, a bunch of other elves and orcs, and we know at least Celebrimbor will next week with possibly Adar too (which the orcs turning against him seems to set this up too). I didn't include Arondir yet as I feel he might not actually be dead yet and might be saved since we saw Nenya and know that Galadriel gets it back. And I doubt Tom Bombadil will be back either, so that's a lot of the cast that we probably won't see in s3 besides the ones getting killed off.

Then to leak 2 was the Elrond and Galadriel kiss was real. However, it didn't bother me as much as I thought as seeing it on screen you see it was non-romantic and to just pass her that pin and trick Adar and the orcs. Like a lot of other fans have pointed out to those upset this pretending to kiss things happens a lot in the mystery/crime genres and one fan pointed out it happened in the Bond movies which I totally forgot about. LOL It's nothing to worry about and I get people saying it's weird since Elrond will marry Galadriel's daughter, and Galadriel is already in a love triangle with Sauron and Celeborn, but really it was just to help her. Morfydd even said in the bts vid that played after the episode that it was just to give her a way to escape and that's all it was. If anything I've actually seen more of the purists upset about it than the Haladriel shippers, which when the leak first came out it was the opposite, so seeing it on screen vs reading about it shows the difference.

But back to Elrond I loved his scenes in the battles and with Durin IV. He's getting closer to his books/movies version and Robert did great in those scenes. Also loved Gil Galad showed up to help, and hopefully the dwarves will too once they stop the balrog that Sauron helped unleash.

So overall I was really happy with this episode and it setting up the finale. The trailer for next week was great too and I can't wait to see what happen with Haladriel with their fight and afterwards, especially since Galadriel has the 9 rings and gets Nenya back and we know Sauron will somehow get the 9 and him choosing the 9 will be a s3 storyline. I still think something major happens between them, as we all saw their head director Charlotte saying we'll see that Sauron really loves her by the end, and I'm leaning towards he saves/heals her from a wound and she either lets him go with the rings or she goes with him. Then them including Isildur and Estrid kissing in the trailer too I didn't expect. LOL Also, The Stranger meeting The Dark Wizard and knowing we're finally going to get The Stranger's name and I'm still certain he's Gandalf. And there's more Numenor too, so lots more to come in the finale.

[astoundingbeyondbelief]

Kaiju Week in Review (November 26-December 2, 2023)

I wasn't over the moon when Toho announced that Takashi Yamazaki's Blockbuster Monster Movie was in fact the next Godzilla film. I had seen a few of his works—none bad, but none spectacular either. Well, I've set my sights on watching the rest in the new year, because Godzilla Minus One is an unqualified masterpiece. A tagline from the original Godzilla, King of the Monsters! comes to mind (as it often does when you're me): "Mightiest melodrama of them all!" A lot of the post-Showa films suffer from an abundance of characters who just spout exposition and look at monitors; here, almost everyone in the small cast gets at least one close encounter with Godzilla, and the monster's backstory is conveyed with extreme efficiency. This tale of a war veteran trying to rebuild his life in the ruins of Tokyo, stumbling into a family, finding fulfillment in blowing up leftover mines, and haunted by what he perceives as his cowardice in combat, would have been plenty compelling without Godzilla.

Since it does have Godzilla, it's high on my list of the best movies of the year, and I only need one viewing to call it one of the best installments in the almost-70-year-old series. Yamazaki patiently waited some 15 years after Always: Sunset on Third Street 2 for his shot at a Godzilla feature. You certainly get the sense, watching one of the most brutal, pissed-off incarnations of the monster ever to grace the screen, that he spent every day of it in preparation. Watch it often while it's still in theaters, and watch it big.

Godzilla Minus One will gross about $10 million in its U.S. opening "weekend", a third-place finish that beat expectations. For context, Godzilla 2000, the last Toho Godzilla film to receive a wide release here, made about $10 million during its entire theatrical run here. Ticket prices were cheaper then, of course, and Minus One was helped along further by almost half of attendees going to premium-format screenings. Conversely, it had to overcome Americans' subtitle phobia, and the first weekend of December is usually a slow one. I was pessimistic at the outset, but now I expect larger theaters to carry the film into the new year, especially with near-universal raves from critics and audiences.

Yes, a third section for Godzilla Minus One; it's well-deserved, I promise. MyKaiju is risking life and limb by hosting an English translation of the film's novelization, written by Takashi Yamazaki himself. It appears to be at least partially machine-translated, but the Japanese text is included for comparison. Haven't read it yet, as I want to see the film a second time first, but quite a breakthrough given how mysterious this sort of thing usually is.

Monarch: Legacy of Monsters could never hope to compare with the opening of a stellar new Godzilla film; unfortunately, I also thought this week's episode was the weakest so far. It's bookended by Frost-Vark action, but the rest just drags. All's forgiven if the teacher and the hacker smooch though.

Toho and Legendary used to let each other's live-action Godzilla movies breathe; now the U.S. opening weekend of one is coinciding with the opening marketing push of the other. IGN released a trio of pics from Godzilla x Kong: The New Empire, showing Kong with his axe; Dr. Andrews, Jia, and Trapper (Dan Stevens's character) in uniform; and Godzilla "evolving into a powerful new form." The same article included an interview with director Adam Wingard. Naturally, he didn't give away much... besides the return of Doug.

Earlier in the week, Legendary put out a trio of posters featuring Godzilla, Kong, and the film's antagonist, now christened Skar King. The taglines ("Unite" for our heroes, "Bow to Your King" for SK) sound like kaiju campaign slogans. Makes me wonder if, like Godzilla vs. Megalon before it, the movie will improbably capitalize on the presidential election next year. To steal a joke from Titanollante: Godzilla/Kong unity ticket? They'd have my vote.

Godzilla's new form, meanwhile, has already been spoiled by a T-shirt on Legendary's own site and some dire-looking Playmates figures. It makes sense that Wingard would want to have his own spin on the character after keeping the design from Godzilla: King of the Monsters for Godzilla vs. Kong. Hard to cast judgment without seeing the real design in full, but there's one particular detail I really like.

The film also has a booth at CCXP in Brazil, with a panel later today, so I think a trailer is incoming (the main reason I hammered out this whole post so quickly).

I missed this one last week: Tsuburaya announced an anime project called Ultraman: DARKNESS HEELS. The DARKNESS HEELS branding has been around for a while, spotlighting prominent evil Ultras—and, of course, Jugglus Juggler. No details on the anime yet, but if the Juggleman's there, so am I.

The big toy reveal this weekend was Super7's ULTIMATES! MaiGoji figure. Previous Godzilla figures from this line haven't lived up to the official photos, but hope springs eternal. It's $85 (much less than the MonsterArts); preorders started Friday. Other highlights: a Super7 ReAction figure of the original Godzilla's skeleton, which comes with a little Oxygen Destroyer, and a plush Mothra from Surreal Entertainment that can flip to imago form to a neck pillow-shaped larva.

[vintagetvstars]

Betty White Vs. Eartha Kitt

Propaganda

Betty White - (The Mary Tyler Moore Show, The Golden Girls, Life With Elizabeth) - I mean - does she really need an introduction? It's Betty White, people! The First Lady Of Television! What *hasn't* she done? She had an incredible career (in fact, she earned the Guinness World Record for the longest TV career by a female entertainer *twice*!) with an infinite list of successes - she won seven Emmys, three SAG awards, and even a Grammy. I personally know her best for her spectacular portrayal of Rose Nylund in The Golden Girls, but she's played so many great characters in her long career. A lesser known but marvelously charming role is that of the titular character in Life With Elizabeth, a 1950s sitcom which she also co-produced at the age of *28*! She was also a great advocate for a number of causes - animal welfare, gay rights (she used to accompany her friend Liberace to events to help him avoid being outed as gay), and racial equality: she famously hired Arthur Duncan, a Black tap dancer, on one of her shows, and when threatened with going off-air if he wasn't fired, she just declared "He stays, live with it." She's the whole package - amazing actress (and comedienne and producer!), kind and hilarious, and of course - beautiful! Just look at her - that smile! Those eyes! That charm!! Watch her in action if you can (they're too long to link here, but entire episodes of Life With Elizabeth are on youtube!), but honestly - her pictures alone are enough to make me swoon!

Eartha Kitt - (Batman) - No text propaganda

Master Poll List of the Hot Vintage TV Ladies Bracket

Additional propaganda below the cut

Betty White:

Have you seen her?? Look me in the eyes and tell me that Betty White's smile doesn't have the power to turn anyone's heart to mush. She looks adorable one moment, and can come up with the most out of pocket lines the next (all while still looking innocent about it). People know her best as Rose Nylund in The Golden Girls, of course, where she played the show's most naive character. But reportedly, Betty was actually the cleverest person on set. She didn't even have to learn her lines; reading the script once was enough for her, and she'd be able to remember any additional changes throughout the week without a problem. Which is pretty amazing if you ask me! Anyway, Betty is an icon. Her television career spanned seven (7!!!) decades, covering basically the entire tournament's time period (and then some!). She *almost* turned 100 and her outliving other celebrities was a Tumblr meme for ages. She had her own talkshow in the 1950s, for which she hired a female director, and had an African-American tap dancer (Arthur Duncan) as a regular cast member. When faced with criticism for the latter and the threat of being boycotted, Betty responded with "I'm sorry. Live with it" and gave Duncan *more* airtime. She was also the first woman to ever produce a sitcom (Life with Elizabeth) in which she played the lead, and looked absolutely stunning doing it. All in all: Betty was a badass, had a heart of gold, and she's absolutely stunning!

I think I might cry at how pretty she is honestly

that SMILE!!!

she's even pretty when she's not smiling... ahh...

some soft butch realness