#me the entire time:

[tamatama-kilo]

i may be

slightly

obsessed (coughs)

@mossiistars

[rioblitzle]

working retail

[ruushes]

i'm sure there's a canon timeline but dao is a springtime game to me

[hinamie]

I'll rip in hands and teeth and take a bite

[spectraling]

"They're soulmates" oh it's way worse than that

~ quote from marsadist

[freakcliff]

many things about the chronicles of Narnia made me irrevocably insane at the small age of six years old but one of the big ones was the bit in prince Caspian where caspian blows susan's horn to try and summon help and it summons the pevensie kids like. that's crazy ok. that's insane. imagine at 12 years old you're given a horn thats purpose is basically summoning divine intervention & then years later someone blows it and summons YOU . I'm crazy !

[spooksier]

the place adventure time has in just culture in general is so so funny to be because it's so prevalent whether through just merch with characters on it or designs directly referencing the style/aesthetics and yet most people have not actually seen the show past season 1-5 (including me until like a year ago!) so if you try to explain any post s5 adventure time plot where it basically became a complete different show you sound fucking insane. they don't even know about princess bubblegum's gay cousin chicle. they don't even know about my dear friend fern.

[megatronusprimedecal]

"Always got your back." "No matter what."

Transformers One (2024)

[egophiliac]

can't believe that skeleman has turned on us, and Halloween Prom is tomorrow.

(what a top-tier UM...we are about to be just totally obliterated in the absolute silliest way. what possible use could this power have outside of bringing us to the brink of utter holiday disaster.)

[doctorsiren]

The books reveal that Ford is actually a secret partier

(Available as a print on my Etsy Shop)

(wips under cut)

[lotus-pear]

charm stat at debonair ‼️‼️

[stump-not-found]

bro has not slept for a week .

[kates-dump]

WE WATCHED THE SECOND ONE!!!

I LOVED IT AAHHHHHHHHHH I LOVE THE SCENES WHERE THEY CLEARLY SHOW THAT SPEED STRENGTH AND SMARTS CAN AND SHOULD WORK TOGETHER!!!! I LOVE THE REFERENCES EVEN THOUGH THEY'RE CORNY!?!???!!(!!!())!!!(!! I CAN'T WAIT TO SEE SHADOW!!!!!! I was stimmimg the entire time and also this is what I was drinking while watching :3

Also I finally put up the poster I got from an IDW comic I bought in 2023

Mom and I watched the first Sonic movie tonight and for as corny as it is in some moments I loved watching it again and can't wait to see the other two, which I only know so much about. I. love the scenes where he's just zooming. he's so me fr fr

Anyway on a Totally unrelated note I showed Rouge to my mom and told her I wished she was on the third movie and she found her really pretty. like eyes sparkling "this is the prettiest character I've ever seen" and stuff. honestly she is so real for that

[bioshzrd]

this random ass guy who’s entire bit is that he can move like this is the only good wesker fan ever

[hinamie]

long way home

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show: