#me in a star wars setting would be very much like me in real life
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jedi-bird · 4 months ago
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Get to know me tag game
79's edition
//Rules// copy this post and answer the questions below + tag people you would like to see at 79’s!
So, imagine that all of us are living on Coruscant during the Clone Wars. Obviously we would all be going to 79's, right? Now I'm wondering what everyone is going to wear the first time you're going? What kind of drinks do you order? What will you be doing? Who will you be flirting with?
What to wear: Black tank top with an open rainbow sweater. Gray cargo utility pants (I'm not fashionable even in my head lmao). Comfy boots with rainbow laces. Hair cut super short. Empty holsters. Blue shiny nail polish. Goggles around my neck and fingerless gloves. A tooka pin because tookas are cute.
What to order: Either something weird like an unusual soda or a nonalcoholic fruit based drink or whatever the brightest looking drink is. It's really going to depend on who is there that night.
What to do: I'd probably lose big time, but I want to play sabacc but not for credits. Loser has to do a silly dance afterwards. The rest of the time would probably be spent trading stories with everyone.
Who to woo: So many choices. My favorites are Echo, Wrecker, Gregor, and Fives. Honesty, I'd probably pick Gregor to woo, because he seems like a great partner who would give amazing hugs and it would be fun to trade recipes. But if it's possible, rather than wooing, I think it would be fun to go run amok through the lower levels of Coruscant with the four of them and just be little shits out having fun. Maybe get some takeout and try to bribe the tookas to let us catch them.
Thanks for the tag @bladelei ! This was a hard one and took a lot of thought. I decided to do it as myself as I am now and not as a star wars persona (might try that later as a writing exercise).
Anyone who wants to join in, feel free to tag me!
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emilinqa · 2 months ago
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star trek tos is deeply entrenched in its identity as a 60s tv show for better or for worse (both) but i think retroactively the city on the edge of forever ends up showcasing this more now since its set in a time we can now as 21st century viewers connect with being closer to the time it was produced, rather than the nebulous 23rd. it's interesting because for me i think the single episode informs the way i connect an imagined future to the actual real 1960s the show was written in, particularly in the language and the way relationships between characters are depicted in the way they speak to one another. in that single episode it suddenly feels that the coded language everyone uses, the subtext, the hints and euphemisms is a necessity of the world rather than a feature of the show. and suddenly (for me, at least) that totally shapes the rest of the way i view the rest of the original series. though the way they speak to one another doesn't really tangibly change all that much, when they're placed in the setting of the 1930s the way that kirk and spock speak to each other and about one another entirely shifts.
edith asks kirk in regards to his relationship with spock "I still have a few questions I'd like to ask about you two. Oh, and don't give me that 'questions about little old us' look, you know as well as I do how out of place you two look here." which. well. hello. and later when she asks "Why does Spock call you captain? Were you in the war together?" and kirk says "we... served together" its like yes the obfuscation of their identities and who they are to one another is a necessity of the plot and time travel reasons but i also can't pretend that particular response doesn't color kirks line 2 episodes later in amok time "you've been called the best first officer in the fleet, that's an... enormous asset to me" in a different light. the necessity of secrets and closed doors and frantically having to conceal themselves and their tiny little apartment with a pair of twin beds and ediths "you, by his side as if you've always been there and always will" and "'Captain'? See, even when he doesn't say it, he does" well i can't act like it doesn't change the way i see their enforced professional distance in other episodes, even when they're back safe in their own century. its why The conversation cut from the original harlon ellison script hits seriously i think. it's like a deeply personal confession of desire for a life that could never be: "On my world the nights are very long. The sound of the silver bird against the sky is very sweet. My people know there is always time enough for everything. You would be comfortable there" and a wistful acceptance ("All the time in the world...") in another time in another life in another place it could be but just not this one. spock's endless resignation. well it just changes everything for me. star trek is about the 1960s!!!!!!
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whitexwolfxx310 · 4 months ago
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|| Why Are You Never Real ||
Pairing: Bucky x female reader (Eleanor//Elena)) || Bucky x Loki Summary: In 1943, 24 year old Eleanor gets set up on a blind date with Bucky Barnes. The match is so perfect, it was written in the stars. Yes, they're soulmates. Unfortunately, HYDRA gets in the way- taking the perfect life away from the two. But what if fate was so certain, it gave them another chance to be together?
Warnings: Fluff and angst off the charts (I'm so sorry!). Some cursing- but very little.
Word Count: 5.8k A/Ns: So a few things inspired this fic; First, someone requested something similar to this about a year ago. The idea stuck with me (although it was originally about the love interest being on ice also). I can't find the message of the person who requested, so if you come across this & it was you, please let me know so I can give you credit! Second, I saw a TikTok of Bucky & Loki and I've been obsessed with bringing the two together. Last but not least, I'm one of those that is constantly blasting Sleep Token- so in combination with all of these things, the song: The Apparition was also inspiring. Let me know what you think!
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1943
It was Labor Day weekend, and anybody who's anybody knows that's when the carnival came to town. Not only was it the official end to the hot New York summers, but it was an escape from everything having to do with the ongoing War. It was a reprieve for the children, to go out and experience some lighthearted fun. But mostly, the carnival lured the young adult crowd like a gullible captain to a siren in the sea.
Eleanor was twenty-four, still living comfortably at home with her parents and four younger siblings. While she helped take care of her siblings, the passive comments about how she was unmarried and reaching her prime age to start a family never failed to be brought up in daily conversations in their household. It wasn't for a lack of suitors. Plenty of men had asked her on dates, a few even so bold enough to offer marriage without so much as going for a stroll in the park. But for Eleanor, it wasn't just about picking a random man to build a life with. She dreamed of a true romance, just like the ones she would get so lost in while reading her books- and eventually starting a family out of love and not necessity or by society's regards.
While she had already made plans to meet up with her girlfriends on Saturday night at the carnival, her mother had a different idea- A blind date.
Eleanor had intriguingly spent the afternoon with her hair in curlers and ironing her favorite yellow summer dress, the one with white polka dots and matching heels. It would perfectly accent the slight tan she obtained from the few times she snuck to the beach on the outskirts of the city to dig her toes in the sand and lay in the scorching sun. As her typical primping time took a little longer than usual in anticipation for the blind date, Eleanor’s mind kept getting swept up in who the possible mystery man could be. Was it someone she knew? A family friend? What did he look like? Was he short or tall? Does he have a sense of humor? Sure, she of course curious if he was handsome. But that was never her main focus. Eleanor wanted someone who could make her laugh- someone that was playful and knew how to have fun. But a pretty face was definitely a bonus. Opening the front door and stepping out into the Summer’s relentless humidity, she was met with none other than Bucky Barnes- Brooklyn's most notorious flirt and former high school crush. He leaned casually against the railing of the front steps, dressed in an olive-green Class A's uniform wearing a smug smile.
"Ready for our date, Doll?" After initially closing the door in his face in a panic, Eleanor's mother pleaded with her to try and give him a chance. Rumor amongst the women on the block was that he was looking for a wife. She rambled off the typical list of how handsome he was, how he came from a good family, and the cherry on top of the guilt pie: he had just enlisted in the Army and was leaving in just a few short weeks for basic training. Who knows when he will come back home, if at all? Could one date really be so bad?
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Eleanor felt nervous walking the few blocks with Bucky, exchanging formal pleasantries about how beautiful the night was and so on. But she was shy- at least, by her standards. She had always worn a big smile and never felt self-conscious about how loud she laughed, regardless of how many times people stated that it was ‘unladylike’. Because of her unapologetic mentality in refusing to conform to make herself small, it labeled her as difficult. Eleanor didn’t have many friends, but she always said: “I’d rather have four quarters than a hundred pennies,” and felt fulfilled. The people in her life that truly knew her, knew of her dreams and ambitions- and that she truly had a heart of gold. Not many others noticed, but Bucky did. He had always noticed how Eleanor could light up a room. She was the sun incarnate. So, when her mother ‘accidentally’ bumped into him on the street that morning and suggested he take her out tonight, he couldn’t refuse the idea. “So aside from enlisting,” Eleanor gestured towards his uniform with her free hand, since her other was interlocked around Bucky’s arm, “what else have you been up to since we graduated, Barnes?” She unconsciously gripped his forearm just a bit tighter, using physical touch to ground her from the unfamiliar nervousness she felt. “Sergeant Barnes,” he corrected with a grin. The pair moved from their sedentary spot in the carnival ticket line, only a few away from the booth. “Okay, Sergeant,” Eleanor reiterates, laughing to herself. “So?” she asks again, tilting her head to the side curiously and looking up at him through her lashes. “Boxed my way through art school. Then with all the boys gettin’ drafted, I just figured I’d sign up before Uncle Sam had the chance to come knockin’ on my door,” he recalled casually, but didn’t seem interested in talking about himself. Bucky’s arm disentangled with Eleanor’s, pressing his palm to the small of her lower back to coax her forward gently as the ticket line moved again. Her breath hitched slightly when he didn’t remove it right away, she eyed him up and down modestly.
His head tilted to the side, “What about you, Ellie?” his sapphire blue eyes holding her gaze, “What keeps you busy these days?”
Ellie. The nickname he uses makes her stomach drop, and they haven’t even gone on any rides yet. It’s a name he’s used off and on through school and over the years in passing. Her cheeks brighten with a new shade of light pink, breaking their fixed look at one another. Bucky takes notice and smiles fondly to himself.
“Um,” Eleanor forces herself to look back up at him, feeling at a loss for words as she tries not to focus so much on his beautiful smile- On how his slightly parted lips show the smallest hint of his white teeth. She didn’t think she’d be on a date tonight, let alone with someone that she’d been smitten with since grade school.
“I um,” her words were failing her for the first time ever, “I teach at the elementary school.” She hesitates a moment, before taking a breath and says, “to be honest, I’ve been waiting to get pulled into one of the factories.” Her voice now has a hint of sadness. Ellie quickly tries to deflect the subject, “Plus my brothers and sisters keep me pretty busy.” “Ah,” Bucky’s smile grows wider as his head tilts back at the recollection, also taking the hint, “and how are the little scoundrels?” Ellie laughs, thankful to have the relief of talking about herself put off. She shakes her head, “Still terrorizing anyone and everyone.” “Next!” Bucky reluctantly pulls his attention away from Ellie to step up to the ticket booth. “Two please,” he answers politely. As the worker counts his change, Bucky’s eyes couldn’t help but admire Ellie from head to toe. How she pointed one foot inward and fiddled with her fingers as she waited patiently with an imminent smile- admiring the sights and sounds of the fair around her. She was truly breathtaking.
There was no short supply of local attractive women. Bucky had dated plenty of them, and even more had shared his bed. They had always flocked to him, like a moth to a flame. It was a great stroke to his ego, but he was never taken with any of them. And none of them would have slammed a door in his face at the mere sight of him. Ellie though? She was something else entirely. He was always interested in what she had to say. The stories she told always captivated him and made him laugh. Being around her was easy and never forced. Even when they were kids, he found himself stealing glances and daydreaming about her. He had to make tonight mean something.
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As Bucky had promised himself, he pulled out all the stops to impress Ellie. It wasn’t long before she eased back into her normal self, although she couldn’t ignore the butterflies constantly flittering along the lining of her belly. The two spent hours walking around the carnival, sharing treats like cotton candy and the biggest, most delicious cannoli they had ever had. Bucky learned fast, and kept suggesting riding the bigger rides, because he selfishly loved it when Ellie clung onto him when she got scared. And Ellie, never being one to back down, always said yes. Ellie eventually convinced Bucky to take a break from riding the tilt-a-whirl back-to-back after threatening him with seeing the pink cotton candy to make an appearance again. He reluctantly conceded, knowing that he would be missing her reaching out and holding onto him. He suggested they play some carnival games until she felt better. And from the way Ellie’s eyes lit up with excitement, Bucky knew it was a promising idea.
In the meantime, they threw darts to pop balloons, a few several types of ball toss, and a horse racing game. Bucky even got to show off his marksmanship at a rifle target booth, winning Ellie a brown teddy bear that she proudly carried around with her for the entirety of the evening. But the best part was the way they cheered each other on with every game. Bucky’s heart swelled each time he won, and Ellie would jump up and down in excitement for him. Even with the playful competitive banter back and forth, neither of them felt a bitter loss. It was starting to get late, and the fair would be shutting down soon. The only ride the two hadn’t ridden yet was the Ferris wheel. Saving the best for last. Standing in a decently extensive line, the pair continued on with the tradition of the night: sharing belly laugh filled stories about dates gone horribly wrong and glances that lingered just a little too long.
Bucky felt something being with Ellie that was completely unfamiliar. In a world that was currently plagued with such darkness, this was the first time in he didn’t know how long he didn’t feel it weigh on him. She rejuvenated his very soul. Bucky silently wished out into the universe that she felt the same about him. “Y’know Ellie, I have to admit,” Bucky tucked his hands into his pockets as he stared down at the dirt his shoe kicked up. “tonight’s been…Ellie?” As he looked up from the ground to meet those golden eyes, there was nothing. She was gone. “Ellie?” Bucky repeated, louder this time as he frantically scanned the large crowd. “Ellie!” He shouted through his funneled hands while standing on his toes. Bucky’s head was starting to spin with worst case scenarios when he suddenly caught a glimpse of her bright yellow dress. Off in a quiet corner next to the circus tent, Ellie was crouched down talking to a young boy. The boy wasn’t looking at her, but instead his head hung low as he stared at the ground, and he seemed… upset.
Although he was too far away to hear, Bucky watched the encounter intently. Ellie nodded gently as she spoke to him, gesturing with her free hand- but the boy still seemed unresponsive. A moment of silence passes between them, and then with a bright smile, Ellie holds up the brown teddy bear that Bucky had won her earlier. She makes the stuffed animal dance, wave its arms, and boop the boy on his nose- finally getting his attention and smile. Then she holds the bear out to him. Without hesitation, he snatches it into his arms and pulls it tight against his chest. The boy is now beaming and looks like he was swapped with a completely different child. He hugs Ellie before running off to another group of children, holding up and showing off the bear while they all exclaimed how lucky he was. Ellie smiled and waved as the boy ran off, remaining crouched down on the ground for a moment even after being alone. Standing up as she brushed off her dress and watched the boy, her expression changed to one with a sorrowful undertone as the boy and his friends ran off. Turning to walk back to the Ferris wheel line, her honey brown eyes locked with Bucky’s. Just the sight of him waiting on her, standing online looking tall, broad, and handsome in that uniform watching her made her cheeks blush and a small smile tug on her lips.
From Bucky’s point of view, time seemed to move in slow motion. The bottom of Ellie’s dress flowed out with each sway of her hips. Her curls gently bounced with each graceful step, despite the uneven fairgrounds. He forgot how to breathe the closer she approached.
“Sorry ‘bout that, Sarge.” Ellie says apologetically, joining Bucky back in the line. “It’s alright,” Bucky’s voice is soft from his throat being dry. The feeling is suddenly overwhelming, his hand has laid dormant for too long. Taking the risk of not being on a ride, he wraps his arm around her shoulders. ��Everything okay?” Leaning her body into his, Ellie sighs, “that was one of my students. He got the news earlier this week that his father died in the war. Left behind a wife and three kids… I just-” taking in a deep breath to try and calm herself, she shakes her head, “I know we’ve heard this story a hundred times before, Buck. It just never gets any easier. And I’m so sorry about the bear. I just got caught up in wanting to make him feel better that I just, I-” it was obvious that her heart hurt for the boy as her voice started to crack as she rambled.
She was right, it never got easier to hear these stories. And it always hit that much closer to home when it was someone you knew that was affected. Bucky was unsure if it was the story of the boy, or seeing Ellie’s act of compassion, but there was an undeniable gnawing in his chest as well. “Hey…” he cooed gently, cupping her chin between his thumb and pointer finger, coaxing her to look at him. Ellie tilted her head, though reluctant to look into Bucky’s eyes. But when she did, she found those cerulean irises filled with an unfeigned understanding as he leaned in close, “just means I get to take you out again for a chance to win another one, doll.” Her breath hitched again, at both the close proximity and the idea of another date with Bucky. Her eyes drifted down to his lips briefly before she met his gaze once again. Instinctively, Ellie started to lean in closer- not caring who was around to witness her kiss Bucky Barnes in public.
Bucky mirrored Ellie’s motions, his tongue gently flicking against his lips as he leaned in also when- “Next!” The carnival worker called. The disappointment was evident on Bucky’s face as his lips clenched into a thin line and his eyes closed tightly. Ellie though, was the opposite. She grabbed Bucky’s hand, “C’mon, Sergeant!” she giggled, dragging him onto the ride. Yet again, her smile was contagious, and he immediately gave in. Settling into their car on the Ferris wheel, it quickly jerked and rocked as it started to spin. Ellie threw her arms straight up into the air, squealing in pure excitement. And Bucky watched- Watched as the wonder sparkled in Ellie’s eyes, how the glow of the fair’s lights accentuated her already mesmerizing features, but mainly, he was dying to know if those lips tasted like the most perfect red delicious apple since they were painted exactly like one.
“Anybody ever tell you that you have a staring problem, Sarge?” Bucky had to blink a couple of times to focus. The Ferris wheel car had stopped at the very top, Ellie had her chin propped on her fist, smiling up at him through her lashes. He shook his head, “I was just thinking,” Bucky moved in a little closer, reaching his arm around Ellie’s shoulders, “that you are the most fascinating woman I have ever met.” “He’s lost in a memory…” Ellie’s cheeks blushed, but she rolled her eyes, “oh stop. I bet that’s something you say to all the girls.” Fireworks started firing off into the sky, mirroring the evident spark between the two. “I don’t care what the hell has to be done! Get him out of it! Scramble him again if you have to!” Bucky’s nose scrunches as he smiles, his head tilted up slightly to look down at her, “no, no. My pickup lines are usually waaay cheesier.” He and Ellie both laugh in unison, muffled by the occasional loud pops of the fireworks. But the pair refused to look away from one another.
“But sir-” Leaning in, Bucky breathes in both the mixed carnival aromas and the beautiful floral scent that is Ellie’s perfume. Her eyes flutter close as her lips purse towards his- “I. Don’t. CARE! Do it! NOW!” [2013] Bucky is met with a swift, vigorous slap to the face. Blinking rapidly, his eyes painfully adjust to the fluorescent lights in the room. Once focused, he finds numerous pairs of hard eyes staring down at him. Bucky sheepishly looks down at his bare chest, flexing painfully against the tight restraints of his chair. The realization that it was in fact not 1943 and not his first date with Ellie was quickly confirmed by the surrounding HYDRA agents, all staring at him like he was some wild animal waiting to snap and tear through a village.
Although in retrospect, he may have done that once or twice. And secretly, he never minded having HYDRA blood on his hands. If that wasn’t confirmation enough, the skin on his left shoulder was taut- the built-up scar tissue irritated from the roughened edges of his metal arm. God, how he hated that fucking thing. Sure, getting used to any kind of prosthetic takes time to accept- if at all. But this was used with the sole purpose of turning Bucky into a weapon, and for that reason, he hated it and everything it stood for. At least, when he could remember. Which is why he was always restrained. Which is why he was brainwashed over and over again until he forgot his name. Which is why he was thrown on ice when he wasn’t of use, so they didn’t have to hear his endless screaming as he tore and ripped at the skin, praying it would be tarnished enough that they couldn’t make him a new arm. But they always made him a new arm.
Alexander Pierce stepped out from between a few of the agents, clad in an expensive gray suit that stood out against the sea of all black military grade HYDRA uniforms. “Where’d you go?” he asked nonchalantly, shoving his hands into his pockets. It’s not like he was genuinely curious about anything that didn’t pertain to his own interests. Bucky’s brow furrowed, his eyes glancing briefly in Pierce’s direction before looking down again, “n-nowhere…” he replied apprehensively, always cautious about giving personal details when he remembered them. Pierce huffed sarcastically under his breath. A smirk tugged on his lips as his eyes narrowed on Bucky, “wipe him,” he said with a dismissive wave of his hand, “we’ll start fresh again tomorrow.” He wasn’t even fully done speaking before he spun on the heels of his dress shoes and was out the door.
The mechanical whirring from the machines surrounding Bucky’s now reclined chair grew antagonizingly loud. He could feel his lips uncontrollably twitch- and it took everything within his remaining willpower not to snarl as he reluctantly accepted the mouth guard the agent forced onto his teeth. Bucky’s chest already glistened with sweat as it heaved deeply, anxious for what was to come. His eyes widened at the sight of the all too familiar chrome halo that soon clasped securely around his head. He braced himself for the pain of his mind feeling like it was on literal fire by breathing around the mouthpiece and digging his heels. At least today, he remembered Ellie. Bucky just focused on the pure, rare beauty that she was sitting on top of the Ferris wheel that night- smiling at him like he was the only man in the world. Until it all went black. [Present Day]
He wasn’t sure if it was the sounds of his own screams or flailing around in his sleep that woke him from his nightmare. Or rather, memory. Bucky sat upright from the living room floor, tangled up in his blanket. His eyes traced the room, taking in the primarily dark apartment aside from the faint glow of the television. He felt hot, despite only sleeping in his boxers and his skin shining with a thick layer of sweat. He felt like he couldn’t breathe, even though he desperately took in quick, ragged breaths. Bucky felt so lost, even though he had been found. Even with being free of HYDRA and breaking from the control that anyone could have over him after spending time in Wakanda, he didn’t feel as though anyone truly knew him. Hell, he wasn’t even sure who he was after it all was stripped away. The only people who understood Bucky were Steve and Ellie, and they’re both gone. A small ‘meow’ came from Bucky’s side, making her presence known before gently rubbing her head against his thigh. Well, maybe there was one who understood him.
Letting out the pent-up air in his lungs, Bucky picked up the petite white cat and cradled her against his chest, “Sorry, pretty girl,” he actively softened his voice, “did I wake you?” He gently ran his hand over her head and down her neck, immediately pulling purrs from Alpine. He sighed to himself but continued to concentrate on petting her as his accelerated heart rate started to come back down. Alpine’s purrs grew louder as she started making biscuits against his thighs, making herself nice and comfy before drifting to sleep in his lap. At least one of us will be able to sleep tonight.
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As expected, he didn’t fall back asleep. Instead, Bucky replayed the distant clashing memories over and over in his head until the sun started peeking through the windows. At the break of dawn, he jumped into the shower in hopes of washing the night away. As Bucky stood in the shower, letting the tiny streams of water encase around him, he realized just how much he missed his old life. That version of him and how often his mind drifted to a time where he used to belong. In that moment, he decided he was going to use today to go to his old stomping grounds, reminisce and allow himself to truly grieve that part of his life.
Throwing on a pair of dark wash jeans, a grey T-shirt and a black leather jacket, Bucky locked the door to his apartment and made his way through The Compound. Leaning against the wall near the entrance was Loki, seemingly keeping to himself. He noticed Bucky though as soon as he stalked into view. His skin looked pale, his blue eyes dull and lifeless above the prominent dark circles underneath. Bucky’s nightmares and lack of sleep were something that the team was all too familiar with. They each collectively had their own demons that haunted dark rooms and spoke through the walls in the lonely hours late at night. “Isn’t it just a tad early,” Loki stood to his full height, “to seem this aloof already, James?” Bucky regarded Loki as he kept walking. “Yeah,” his earnest tone matching his gloomy mood as the door automatically opened.
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The bright, warm sun was a stark contrast to the cold, dark night that Bucky just had.
Standing at the edge of a small, curved road in the park that overlooked the Brooklyn Bridge, Bucky took in all the sights and sounds. It was strange to him how much the city had evolved and yet, some things were still the same. People passed, not paying him any mind. Friends gossiped over their morning coffee on a nearby bench, the runners attempted to get that last mile in before the day got too hot, couples walked by holding hands, and families pushed large strollers with smiley babies. It all sounded the same, but nothing was as it used to be. The intrusive thoughts felt heavier today as he continued to watch and take it all in, reminiscing about the times he and Steve used to drink beers at the bottom of that very bridge. Or rather, Bucky would try and convince Steve to drink. But he never did. Bucky and his sister used to play in this very park- though it looks different now. It sometimes was still difficult to differentiate what was a memory or a daydream he had conjured up to disassociate.
"Vader!" If he squinted his eyes just enough, he could see where his family's old town home used to stand in the distance before it was bulldozed down. "No! Don't- You're going to make me-" The sound of a heavy thud made Bucky look over his shoulder. On the ground a few feet behind him was a small cardboard box with the top cut off, lying on its side. Scattered all around and halfway in the box, was an assortment of wildflowers. "Damn it, Vader!" An annoyed voice grumbled before sighing heavily.
Giving the apparent mess a once over, Bucky breathed deeply through his nostrils before turning around and taking a knee- putting the box right side up before starting to subtly pick up the flowers. "Sit!" The sound of nails scratching against the asphalt came to a stop, only to be replaced with heavy panting. Bucky glanced over briefly to see a rather large German Shepherd watching proudly as he picked up the flowers. "God, thank you so much for your help! I'm just having one of those days. No thanks to this one here either." The woman's voice sounded slightly exasperated.
"No problem," Bucky replied, trying to look up but the sun blared straight into his eyes, momentarily blocking the person with whom he was speaking. After picking up the last few flowers, he tossed them into the box as he stood up. His height gave him the advantage of no longer having the sun in his face and he finally was able to see the person he's been interacting with. Bucky stops breathing- eyes widening in disbelief. Eleanor. It was her, and yet it wasn't. Her skin was evenly tanned, her golden hair long with a slight wave to it framing her face, dressed in matching yoga pants and sports tank as she clung tightly to the dog’s leash to keep him in place. "I spent my whole morning picking those," she gestured towards the box, "and this lunatic has been dragging me everywhere in between," she explains, embarrassed. Bucky is still staring, just blinking occasionally, skeptical that this is real.
Clearing her throat softly at what she perceived to be awkwardness, she picks up the box. "Thanks again!" she remarked politely, starting to turn away to leave. "W-what-" Bucky started, causing her to hesitate. He took a small step forward, "are those for?" he pointed to the box. It was the first thing that came to his mind, he had to keep her there for just a little while longer. He needed to know more. Smiling as she turned back to face him, Bucky's stomach twisted. It's the same smile. "I'm a teacher and anytime I'm here I grab some for my students," she shrugged nonchalantly. "I can usually come up with some kind of craft or whatever to make use of them." "You're a teacher?" "Mhm! Elementary." Down to the same damned occupation. "You... come here often? With your dog?" Bucky awkwardly motioned towards the German Shepherd. "Oh, um... Well," She laughed. Oh no. He feared that his question made her uncomfortable. "This is Vader," she runs her hand over the dog's head a few times, "but he's not mine. Just watching him for some friends while they're away."
Bucky looks over Vader, the corner of his lips tugging into a small smile before fixating on the woman again. "I'm sorry, " she starts, her eyes narrowing slightly as her head tilts in inquisition, "but do I know you? You just look so familiar..." He swallowed the large lump in his throat, "Uh, no? Nope, I don't think so." "Huh," she muttered to herself, continually examining his blue eyes. Clearing her throat, she holds out her hand "I'm Elena, but my friends call me Ellie." Taking her petite hand in his gloved one, he carefully shakes her hand. "Ellie," Bucky repeats, incredulously. "James, but my friends call me Bucky." "Bucky." Elena mirrors his tone. Her eyes drift down to his chest momentarily, spotting his dog tags. "And you're military?" A small snort escapes as he grins, "former Sergeant in the 107th." "Interesting," Ellie responded, continuing to search his crystal blue eyes as if it would magically reveal as to why she felt magnetized by this man's presence. Looking down, Bucky realized they were still holding onto one another's hand. His eyebrows raised, an amused smile eclipsing his former expression. The pair chuckled once, letting go. "Well," Ellie said, fidgeting with the dog leash in her hands, "It was nice meeting you. Thanks again," her voice sheepish as she shifted the cardboard box under her arm. "Nice meeting you too, Ellie," Bucky agreed. There was something about the way he said her name, how smoothly it rolled off his tongue that just felt so... intimate. Like he did in fact know her. That there was a secret between them that she was dying to know. Giving him a hopeful smile, she turned to walk away- Vader following at her side, "Hope to see you around, Sergeant!" Ellie called over her shoulder, giving a small wave.
Bucky watched Elena walking away, left utterly astounded by the interaction that had just occurred. Two images from two separate times seemed to overlap- Ellie from today, and Ellie with the tight curls and red lips in the yellow polka dot dress. A form of Deja vu. But one thing was for sure, he made it his mission to see her again.
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Later that evening at The Compound, Bucky stood at the counter in the kitchen holding a small drinking glass filled with ice and whiskey. The recent encounter from this morning consumed him and all of his thoughts. Which is why he didn’t notice Loki casually walk into the kitchen as well. Loki found this to be peculiar, since Bucky was the type to at least give an acknowledging scowl. “Penny for your thoughts?” Loki inquired, his voice low. Bucky swirled the ice in the glass before peeking up at him, “I had something… strange happen to me today.” “Oh?” “I uh-” Bucky sighed, putting the glass down a little harder than intended. “I swear I bumped into someone from my past. But it makes no sense. She would have to be, what? Over a hundred years old? It was her but it wasn’t her.” His hands expressed the bafflement he felt through their motions.
“You’re over a hundred, James.” Loki reminded. Bucky’s eyes narrowed, “yeah, I know.” He asserted. “But this was different. I don’t know how to explain it.” “Hmm.” Loki hummed to himself, looking over Bucky. Taking a step forward, extending out his hand out, “show me.” “Show you?” Bucky retorted, disgruntled by the question. “And just how would I do that?” Loki grinned, “I was raised by Witches, boy. There are many things I can see that people don’t understand.” Without waiting for an answer, Loki took Bucky’s flesh hand and pressed it flat between his. “What are you-” “Shh!” Loki planted his feet firmly, looking into Bucky’s eyes- which widened with concern. What would Loki see looking into his mind? His memories? Would he recount the same faces and what he’d done to them that haunt Bucky every single night? He suddenly felt overwhelmed with anxiety. Bucky stared back at Loki- his normal cobalt blue eyes started to glow a bright green. “Ah,” Loki breathed, “found it.” Flashbacks of today as well as the carnival shared between the two as a birds-eye view, like watching Bucky’s memories as if they were a movie. “Tell me, James,” Loki smirked while watching the images, “do you know what reincarnation is?” “What? Like being born again?” Bucky spat, feeling ridiculous. Loki laughed, “I’m afraid it’s much more in depth than people think.” Bucky raised an eyebrow, waiting for him to explain further. “Rare is it that one is given such an opportunity.” Loki breathed, astounded.
Rolling his eyes, Bucky sighs, “What the fuck are you even trying to say here, Loki?” “I’m saying,” he kept his voice low, trying to maintain patience, “that this universe somehow deemed you worthy of a second chance… with your soulmate.” “Soulmate?!” Bucky’s voice was loud, incredulous. “I haven’t seen this before,” Loki answered, fascinated at the scenes playing before them, “A soul brought back in the same lifetime to make up for time lost. Destiny can be a finicky thing.” “You’re saying that we were meant to be together all those years ago?” Bucky swallowed hard, his stomach twisting inward on itself. “Yes. And decisions made that weren’t your own affected that outcome. You’ve been given the opportunity to actually live out your true fate.” The eerie green glow faded from Bucky’s eyes as Loki pulled his hands away. He saw many things but decided to only show Bucky what pertained to this conversation. The screams already a sound he knew he wouldn’t forget anytime soon. The two always had a mutual understanding of each other. They typically got along, more so than the rest of the team. Their history often left preconceived tension with people, but they never judged one another. Just themselves. “So,” Bucky scratched the back of his head, “what do I do now?” “You, my friend,” Loki gripped Bucky’s shoulder, “go get a happy ending.”
If you enjoyed this, please check out my Masterlist. Requests are open!
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@peaches1958 @aquabrie @elsie-bells @pono-pura-vida @redbloodedgurl @almosttoopizza @beware-my-thorns @prettylittlepluviophile @annoyinglythoughtfuldestiny @calwitch @ozwriterchick @roofwitty779 @lessersole @lil-darhk @agoddoesnotplead @saranghaey @erinallene @mrsvxder @elizabeth916 @cjand10 @bucky-barnes-lover @wintrsoldrluvr @skulliecadaver-blog
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talaok · 1 year ago
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Love your writing!!!! I’m obsessed! Can you do one where a mutual friend sets Pedro and (y/n) on a blind date? Xoxo
Pairing: Pedro Pascal x reader
a/n: thank you love, and thank you for the really cute request💗💗
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Why did I agree to this?
This is not like me. Not even close to how I am.
I don't go on blind dates, I don't even have Tinder for fucks sake, that's how much I don't like hanging out with strangers.
It had taken Julie a whole night and more drinks than you'd like (or could) remember to make you agree to this, and as soon as you woke up the next morning, regret had settled into your chest like a fucking life sentence, but as much as you would have loved to call your friend up and tell her how much of a mistake you had made, a part of you couldn't help but wonder how bad could it really be.
It had been a while since you'd been on a date, and from what Julie had said, this Pedro looked like a nice enough guy, so you had taken the downright mental decision to not tell her you'd changed your mind, decision that, as you walked into the restaurant, you were starting to really regret.
he waved at you as you entered, and as you walked closer and he stood up from the table, a part of that regret couldn't help but shimmer out of your mind.
He was... handsome.
The photos Julie had shown you didn't do him any justice.
"hi" you smiled nervously "I'm y/n" you said, shaking his hand
"I'm Pedro, it's nice to meet you"
He had a nice smile, very comforting and very much matching yours in terms of nervousness.
It had been a while for him too.
And the photos Julie had shown him definitely didn't do you justice either.
He had never been good at talking to such beautiful women.
"nice to meet you too," you said, sitting down opposite to him.
"so" he cleared his throat after a few moments of embarrassing silence "umh- How are you?"
A smile pulled at your lips "I'm good, thank you" you nodded "what about you?"
"oh I'm- I'm nervous" he let out a small chukle, making you laugh softly.
"yeah, me too" you said "It's been a while"
"yeah, for me too" he confessed "and you are... well you're very beautiful, so you're not making things easier for me"
A soft blush crept up your cheeks but you managed to chukle nonetheless.
"Well I'm sorry, I'll go into the bathroom and take off some of my makeup if that'll help"
He laughed at that "No, no I don't think that will be necessary, but thank you for offering"
"anytime" you joked
"So umh, Julie told me you're a writer"
"Yup, that's me" you smiled
"That's incredible"
"Oh c'mon you're an actor, now that's incredible" You raised an eyebrow
"Oh no no, I just repeat stuff that's been written for me in front of a camera, you create whole stories from your imagination" he debated "That's far more impressive"
You rolled your eyes playfully, as your smile got only wider.
"You're a real flatterer you know that Pedro?"
"Who, me?" he grinned, putting a hand on his chest at the accusation "I'm just speaking the facts" he spoke, making you huff a laugh "so what do you write about?"
"all sorts of things, I don't really have a genre" you explained "I've written sad stuff, romantic stuff, creepy stuff..." you shrugged "It mostly depends on my mood"
"that's nice" he nodded,
"and what about you, are you working on something right now?" you asked
"I've just been cast in a tv-show"
"really? What show, if I may ask"
"Oh it's umh- It's the Mandalorian, it's in the Star Wars universe"
"oh my god" your eyes widened in surprise "You're joking right?"
"nope" he smiled "yeah trust me, I was pretty freaked out myself"
"Oh my god" you breathed, "I think I need a moment to take this in"
"I take it you like Star Wars?"
"like?" you laughed "I've grown up watching Star Wars, My brother and I know every single line to The Return of the Jedi, I-" you stopped yourself "I think I just fell in love with you Pedro, I think we ought to get married as soon as possible"
"Well that was easy" he chuckled
"How are you not freaking out?" you asked, watching him as if he were an alien doing cartwheels
"I think you're doing enough of that for the both of us" he joked
"Yeah I really am, aren't I?" you smiled, coming back down to earth a little bit "it's just- that's crazy. I'm- I'm really happy for you"
"Thank you" he flashed you a smile, and that's when you noticed that it wasn't only his smile that was comforting, but his eyes too, they were so incredibly... expressive.
The rest of the dinner went by so smoothly you completely forgot you hadn't known this man your whole life, but in fact, just met him two hours ago.
"Well, I... I had a really great time y/n" he smiled, looking nervous again all of a sudden as you stopped in front of your car. 
"Me too" you grinned 
"So, since I have your number..." he cleared his throat "I was just wondering if you wouldn't mind me calling you sometime soon, to umh- to maybe do this again?"
Your heart started beating a little bit faster
"I'd love that Pedro"
"Oh thank God" he let out a sigh of relief
"You were nervous I'd say no?" you asked, doing a poor job of hiding your shock
"well... yeah"
"I proposed to you during the first five minutes of this date, of course I want to see you again" you laughed
"well I suppose that's true" he chuckled, letting his eyes take you in one last time "So umh, have a good night" he said " I can't wait to see you again"
"me either" you beamed "have a good night Pedro"
And as you watched him walk away, you couldn't help but smile up at the sky.
Thank god I didn't call Julie back
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thefrogdalorian · 11 months ago
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The Best of Both Worlds
Din Djarin x Female Reader Modern!AU
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Summary: When a new Star Wars TV show called The Mandalorian premiered, you found yourself completely enamoured with the titular character. Enjoyment of watching the lone bounty hunter travel through the galaxy quickly turned to obsession. There was just something about the show that captured your imagination. Now, you spend much of your free time — when you're not working a fast-paced, minimum wage and incredibly stressful job at a prestigious London Museum— speaking to your online friends about your love for the show. There's just one thing... Despite how much you love The Mandalorian, no one knows the identity of the man behind the helmet... either in the show, or in real life. You only know him as Mando. No one has ever seen his face, no one knows his name.  Even after the countless hours of speculation from fans online, which even you have occasionally participated in, no one is any the wiser to the identity of the mysterious man who wears the shiny armour.  Surely, given the depth of your love for the show, you'd recognise if the man who you spend so much time obsessing over online was to ever cross paths with you. Right?
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Content Warnings: Reader is AFAB, uses she/her pronouns and in her mid 20s. Age gap between her and Din is noted but not really central to the story. Grogu is human, hints of past trauma/child abuse before Din adopted him are mentioned but not described in detail. Some mature scenes later on in the fic but not explicit smut... because I just cannot write x reader smut! Author's Note: SO very excited to finally share this fic! Thank you to the lovely @suresnips for being my beta. I really appreciate you ♡ This baby was originally my NaNoWriMo 2023 project and was inspired by this post from @toxic-seduction that I saw one evening and couldn't stop thinking about! POVs will alternate chapter to chapter from Din to reader. It was fun to write that way! Set in London for a few reasons: partly because I love the movie Notting Hill and it has some of those vibes (if you squint), also, the village where Din lives is based on Elstree Studios just outside London, where the OT was filmed and ultimately because NO WAY was I writing a modern!AU set in the states, it would've been painfully obvious a Brit wrote it. While there are lots of references to places in London, I don't live there so it might not be truly accurate (Londoners don't come for me). Also, to be political for a sec, reader works at the British Museum and I hate that institution. This was actually the line of work I was interested in when I was at Uni but for many different reasons I did not pursue it. However, it works for the plot of this story and as you'll see, she doesn't exactly love it either and goes on a few rants. Just wanted to make that clear that her job there is not an endorsement of it or anything. I can't stand them or their historical apologist bs and I wish we would give back all the things we stole (including the Parthenon Marbles)! Finally, it was incredibly important to me that the actor behind Mando in this fic clearly be the fictional character of Din Djarin rather than the real person Pedro Pascal, because rpf is not my jam! I hope I did that pretty well but just wanted to warn that if you're expecting me to use Din as some kind of way to write a Pedro fic, this won't be for you! Okay, I'll shut up now! This fic is fully written, just needs editing so hopefully I'll get a couple of chapters up each week, but life happens. I'm very proud of this one and I really hope you enjoy reading it as much as I enjoyed writing it! Also if you would like to be added to my taglist for this fic, please let me know! Happy reading ♡
❁ My Masterlist ❁ Read on AO3 ❁
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Why Does It Always Rain On Me? [Reader POV]: After a dreadful day which saw you drenched by a rainstorm after leaving a hectic day at work, you reflect on your love for Mando and upcoming excitement for the sci-fi convention you will soon be attending with your internet best friend.
He Is My Only Priority [Din's Pov]: The character of The Mandalorian is known and loved by millions. But there is another, much softer side to the man who portrays him that Din Djarin is determined to keep hidden from the world, despite the challenges that presents for him and his beloved son, Grogu.
This Is Why (I Don't Leave The House) [Reader's POV]: Your internet bestie arrives in preparation for the Star Wars convention you will attend together. Everything is set for the greatest weekend of your life! Until you arrive at the con and find yourself overwhelmed by all the crowds and noise. At least you have numerous incredibly realistic Mando cosplays to distract you from how stressed you feel, and there's one in particular which is uncannily accurate...
Curiosity Killed The Cat [Din's POV]: Despite his reservations and against his better instincts, Din heads to a Star Wars convention that he was invited to. Although he fears that his cover will be blown, curiosity gets the best of Din and he can't resist attending a panel. But Din doesn't exactly find the answers he was looking for. Instead, he finds something far more precious. Something that he would never have expected...
He's So Tall (And Handsome As Hell) [Reader's POV]: Being back in the real world and returning to work after an incredible weekend at the convention where you had so many fun experiences is taking its toll on you. The thought of collapsing on your couch in front of The Mandalorian is the only thing keeping you going. However, the universe has other plans for you. News of an out-of-hours tour for a private client that you are asked to lead almost sends you over the edge, but when you finally meet the man, he is the opposite of what you were expecting. Weirdly, he seems familiar...
With A Little Help From My Friends [Din's POV]: Din returns to the set of The Mandalorian to begin filming a new season. Despite his experience and capability, he finds that he struggles to focus as his thoughts remain firmly fixed on a certain someone...
You're The Sunflower [Reader's POV]: Despite feeling certain that you'll never see the ridiculously handsome man you gave a tour of the museum to, a special delivery is about to change everything...
Your Face Hung Up High In The Gallery [Din's POV]: After a difficult few days of filming The Mandalorian, Din is excited to spend time with you as he finally takes you on your first proper date...
Have I Known You Twenty Seconds or Twenty Years? - (Reader's POV):  Despite a messy evening which led to you waking up in an opulent hotel which you have no memory of falling asleep in, memories of kind brown eyes and breathless kisses soon come flooding back to soothe your soul. Your relationship deepens as the two of you spending time together whenever your busy schedules allow. But one night, a turn of events causes you - despite Din's reassurances - to wonder if everything you have been working so hard to build together has just come crashing down around you...
There's A War Inside Of Me - [Din's POV]: The realities of the secret he is keeping from you begin to weigh heavily on Din's mind and he seeks advice from a certain curly haired co-star on what his next move should be. Things don't go exactly according to plan, not least because of the typically awful English weather...
It Could Be Love, We Could Be The Way Forward - [Reader's POV]: With your respective busy jobs keeping you and Din apart, a mystery date after a hectic day at work is exactly what you needed.
The Calm - [Din's POV]: When filming overruns and conspires to keep Din from the fun weekend he planned for you, he agonises over his decision. Fortunately, he manages to salvage the weekend, even after a calamity involving a rowboat...
The Storm - [Reader's POV]: The happiness you feel in response to a question Din posed to you is somewhat clouded by lingering doubts. Yet your affection for each other helps you to push those emotions down, until a weekend spent at his cottage changes everything...
P.S. - I tried to be inclusive for all body types and skin tones in this fic, but if I missed something, I do apologise. If you do spot something that takes you out of the fic, I am more than happy for constructive criticism as I wouldn't want anyone to be excluded on those grounds. I am always trying to do better and would love to know where I went wrong so I can improve and be more aware of these things going forward, so I would appreciate it if you could let me know if you do spot anything. Thank you so much! ♡
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padawansuggest · 6 months ago
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Real take: I like Star Wars. I like the prequels because they have more fleshed out world building than the originals. I like the originals because it has a compelling storyline and character building. I like the cartoons because they do things that live action cannot. I like the children’s show Young Jedi Adventures and I think it’s both cute, extremely full of world building, and it’s designed to bring back the cartoon storyline of learning a lesson every episode that young children can relate to. I like the Mandalorian because it took a species with exactly two known people from it, and added a third, but made them a baby, and they were cute, and it shows the morals of Mandalorian adoption and love for children. I love Ahsoka because it took a favorite cartoon series and not only brought it to life, but also it’s funny and very full of world building for both the New Republic Rebellion scene, as well as more Dathomirian nightsister lore. I love a lot of other Star Wars off-shoots because they gave good storylines, they try to bridge plotholes, and a lot of amazing characters and new places to play with. I adore, fucking love, would give my life for Star Wars Visions; the lore and new concepts alone have captivated me and I can and HAVE made posts about things Visions did that no other SW series has touched and I’m so obsessed with the force and it’s aspects as well as just species and such you have no idea I would sell any of you for SW Visions. In fact, I would sell any of you for Young Jedi Adventures too. The worldbuilding alone for those two series is enough to have me vibrating with excitement with every episode. Sometimes I rewatch episodes of them just for random juicy facts that I can use for fics.
But you know why I don’t tell people I like Star Wars in real life? People always lookin at something they hate, and the most incel take on it is that it’s got too many women now. But irl non-fandom people who just want to ‘enjoy the ambiance of the original trilogy’ and me do not get along because they actually hate Star Wars. They genuinely hate Star Wars.
I can give you 50 plot lines in various sections of canon and legends that boiled my blood (tho not that one time Anakin at 12 literally boiled a man’s blood inside his body, that was hilarious his eyes turned black like a demons I’m so obsessed with him), but I’m not gonna talk about those.
Aren’t you exhausted? Wouldn’t it be nicer to gush about how amazing a certain costume design was? How the implications of a certain species makes you so excited you could burst? Wouldn’t you like to talk about how that one character just doesn’t get enough love and it wasn’t because they were fridged it was just because they didn’t get enough love from the fans for being black or female or disabled or something?
I am going to tell you this now, and you’re gonna hate me for it but I’m right: if you didn’t like Mortis because you think the force Doesn’t Work Like That? You don’t like Star Wars.
I’m tired of interacting with comments on commercials because it’s full of idiots crying about more women, a black character, the fact that ‘oh that wouldn’t happen’ as if the High Republic era didn’t literally have some sort of fucked up midichlorian vampire roaming the outer rim killing anyone force sensitive. Obviously they def would have acolytes set before the prequels shove it up your ass.
Anyways. Stop talking about what you hate. Yes, I get it. We are tired of rote pumped stories, but that doesn’t change the fact that there will ALWAYS be someone who hates the story you love, and loves the story you hate. You cannot please everyone, and I for one have found just about all off-shoot SW series individualized and compelling in some way or another.
You know what I did when I starting hating about 90% of all new Marvel movies? I stopped watching them. If I want back in the fandom I have older ones I can watch or simply only interact with fics.
Because Marvel, as much as they Need To Calm Their Shit, isn’t about me, and it isn’t for me anymore.
But I think a lot of you hate so much Star Wars content that you truly need to stop interacting with the series. It’s not for you anymore. And just because you didn’t like it doesn’t mean it’s not real SW. Not sorry, but this ain’t your scene anymore and you need to find a new one.
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eitaababe · 2 years ago
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˗ˏˋ WON'T HAVE YOU ! ´ˎ˗
din djarin x reader.
this is 100% self indulgent LMAO, based off of kanej from six of crows :) (maybe ooc mando?? it's my first time writing for him lol it might be iffy)
warnings — mentions of blood / injuries, shooting, typical star wars fights
─── ˚ ༘♡ ⋆。˚ ───
You sat on Din's cot in the Razor Crest, desperately trying to get the whining green baby to sleep. Mando was off, collecting another bounty for credits whilst you were left here babysitting. It was part of the deal, after all.
He took you in for protection, and you would prove yourself useful.
Din had found you on one of his hunts for a bounty— well, more like you had found him.
You were being held captive by the very man he was after, and when you ran into the Mandalorian you quickly made an alliance with him, leading him straight to the bounty.
You told Mando little of your past, and he knew better than to push. What he did know, was that you needed out and could be a valuable assest, showing your expertise in mechanics and skilled fighting.
You would almost, dare say, consider the new arrangement, safe for you.
Which was new from what you'd ever known, always trapped and having to report back to the same place all your life. Without knowing if you had a real family out there or not, without knowing how much more of your life you'd have to live.
So yeah, you could get pretty used to this.
A sound of the hatch opening caught your attention, meeting the familiar beskar helmet. You were silent for a moment, trying to hide your excitement at his return when you noticed his limp.
"What happened?" You asked, setting Grogu down carefully and rushing to help him.
"Bounty." Came a curt response, and you couldn't say you were shocked at his cold demeanor.
You almost rolled your eyes in the vagueness of his answer, "Very descriptive, Mando."
No response.
Huffing, you grabbed a kit, handing it over to him.
"Thank you." Was his only response as he tried his best to walk normally over to a nearby table, opening up the kit.
Watching silently as he removed some of his armor (never the helmet, you came to learn), you saw him slightly lift the cloth worn underneath, a wound on the back of his torso. He hissed as he reached back, struggling to clean off the blood.
"Let me help you," you finally spoke up, being met with the stubborn look that you were somehow able to understand underneath his helmet. "Din."
At the call of his name he finally complied, handing over the clumped up rag, turning around.
With shaky breaths you dabbed the cloth in water, hoping to clean the wound up a bit before applying any bacta.
You moved slow, hesitant towards his bare side, the rag finally making contact with him. He jumped at the touch, clearly holding back any noises of pain. "Sorry," you mumbled, retracting your hand away for just a second. "But I have to clean it up before I can put any bacta on."
Finally being able to focus on the task at hand, but still moving carefully, you cleaned it up the best you could, setting the dirty towel aside and spraying bacta on the wound, practically wincing with Din anytime he jolted suddenly.
"Finished." You called out, and only when he turned, helmet almost meeting your face, then did you realize just how close the two of you really were.
"Thank you. Again." He breathed quietly, also aware of the close proximity. Neither of you daring to break away, you bath sat silently on stools, and for a moment, you swear you saw him lean just forward, his hand twitching to meet yours.
You find yourself caught in whatever trance this was, heart beating rapidly—
When the cooing of Grogu on the floor snaps you back.
"I should, um," you stumbled across your words, clumsily standing to grab the little one. "Take him. You should probably wrap that. So it doesn't get infected, or anything."
Only nodding in response, the Mandalorian stayed and watched as you walked further and further away from him, out of reach.
Once again.
─── ˚ ༘♡ ⋆。˚ ───
You go weeks without addressing anything of the situation.
You tagged along with Mando in the next bounty hunt, leaving the ship and Grogu in Peli's hands as you stopped at Tatooine.
The mission consisted of someone who was associated with the man who once held custody of you— who on a technicality, still did. And you'd be lying if you said you weren't terrified of the chance of you having to go back to that life once more, but found solace in the fact he was captured previously.
You and Din split up, figuring secrecy was best suited for this mission. Stealth was always your forte, and clearly not his. He stood out too much with the armor, of course.
So you two went separate routes to the coordinates, as you took to the rooftops and Mando by streets. You'd kept him in your line of sight for the most part, seeing him successfully locate his way.
"I'm here." You quietly called to the comms, standing on top of the roof of the supposed building.
"Going in." He replied as you watched him head into the building, you looking for a nearby latch or window to sneak in through.
Your plans were cut short, however, when a bullet hits you in the arm.
"Fuck!" You cried out, crawling over to hide behind a large chimney. The shots fired towards the bricks, debris flying. You pulled out your gun, shooting from over your shoulder, taking the sniper out. "Mando! I've been compromised!" Not bothering to listen for a response you peeked in the direction of the (now dead) shooter.
You quickly learned that there were more than one, though, when more shots were fired from a different direction. You ripped off a piece of your sleeve and wrapped it around your arm for good measure on the bullet wound, and dropped from the rooftop to behind the building, shielding yourself from sight.
"Where is she?"
"I don't see her!"
You put your gun back in its pouch, opting for a knife. You followed the voices, locating them and lurking behind before taking them out, trying to find a way inside the cantina Din went inside when you were tazed, groaning in pain as you fell to the ground.
"Did you really think you would get away so easily, little bird?"
Your heart sunk to your stomach at the familiar voice, looking up to see the very face you hoped you wouldn't.
"Cat got your tongue?" He chuckled, and you were paralyzed, unable to move as he stood over you. "I won't let you get away, not this time. You'll never—"
A simple three shots ended his rant.
"Y/n!"
Your head whipped around to meet the Mandalorian, bending over to check on you. "What happened?"
Almost too much was going on for you to process, you didn't even realize the beads of tears that ran down your cheeks. Too much that you didn't realize how the Mandalorian, the very same, stoic one who mostly only spoke to either Grogu or to say thank you, the very same one who never let you get too close for comfort, was on his knees. For you.
"I'm- I-" you breathed, the floodgates rushing open. You silently leaned into his chest, and for once, Din didn't push you away.
"Let's just get you back to the Crest, alright?"
─── ˚ ༘♡ ⋆。˚ ───
After a brief explanation and some calming down, Peli left you and Mando in the newly fixed Crest, still keeping Grogu inside, both of you insisting not to wake him from his nap yet.
Still shocked, you sat down silently, doing nothing but staring at a wall. You were so numb that you didn't even notice Din taking out the kit, tending to your wound as you did his not too long ago. For once, the closeness didn't affect you whatsoever, the same voice repeating itself in your head over and over again.
"You won't get away this time."
You succumb to the thoughts of your head, still scared, despite knowing he was gone and who was beside you.
"Hey," Din's voice called out to you, your glossy eyes snapping over to meet his helmet. "He's gone now. You don't answer to him anymore. He's gone and he doesn't own you. You're free."
The words you waited to hear all your life don't feel as good as you thought they would.
Freedom was something you once thought was unattainable, something you dreamt of. But now that you have it?
It almost feels just as horrifying.
"You can do anything you've ever wanted to do," Din continued. "You can leave. Be free of this place, go wherever."
"I could leave?" You inquired. The thought of what you'd do now that you have a life that's your own and only yours has crossed your mind just a few times, and not in many of those thoughts have you thought about leaving Din and Grogu.
But would it be for the better?
You contemplate your decisions, would they even want you to stay? They were doing just fine on their own before you even arrived, they clearly would be just fine if you left. Figuring it was an invitation to leave you wordlessly get up, turning your back to him.
"You could also stay."
Four simple words make you stop in your tracks, and cowardly, you don't look back at him. "And why should I?"
"Because I want you to," He speaks, and after all this time, only now are you able to detect the emotion in his voice. You turn around to the beskar covered man, never seeing him look so small. "For him. For us."
For a moment you think he's talking about both himself and Grogu, but you understand that when he says us, he means you and him. And it should be heartwarming, it should make you want to jump into his arms and accept, but it only makes you angry.
"Us?" You repeat, and in a tone that chills him to his core. "There is no us, Din."
He's pleading now, and if only you could see his expression under the mask. "Please."
"And if I stay?" You push, walking slowly towards him. "How will I have you?"
"All of me."
You only shake your head, knowing it wasn't possible. "All of you, with a full armor of beskar every night. All of you, with short and meaningless conversations. All of you, with gloves on and hands I'll never get to truly hold. All of you, with lips that will never touch and a face I'll never see."
"My creed-"
"This isn't about your creed, Din Djarin," you practically whisper, scared if you talk any louder your voice will crack. And Din knows, Maker he does, that this isn't about his creed. It isn't about the armor that he's wearing but about the armor he puts up, about the space that he's put between you two and what he guards his heart with.
"If you think for a moment that this is about what you wear," you pause, and Din has never wanted you to see his expression underneath his helmet more than his does in this moment. "Then you really don't know me at all. If I cannot have you, truly have you, without the armor," you press against his chest plate with a light hand, and stuck in place, he doesn't give into the instinct to hold it.
"Then I won't have you at all."
─── ⭐️.
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thebigbadbatswife · 1 year ago
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Internal Conflict (Part 1 of 3)
Pairing - Batman x F!Hero!Reader Series - Under Your Skin Part 2 here | Part 3 here
Summary - While Batman is at war with himself, some members of the Batfamily start picking up on his odd behaviour.
Warnings - None that I can think of.
A/N - What's that? Is there some actual plot here? My, I think it is! 😂 I know, it's been quite a bit of time between updates again. Sorry about that, this (and the next couple of parts) took a while to outline first and then obviously life kept getting in the way. But it's here now! And the time between updates shouldn't be quite as long. Thank you for being patient with me. Anyway, enough rambling, enjoy! ��
Taglist - At the end of the fic. Please message me if you would like to be added/removed.
Word Count - 2.5k
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The wind ruffled his cape, making it blow out behind him. He was still on the rooftop, a frown on his face. You were already gone, having stormed off a few minutes ago. Your blood boiling, no doubt. Much like his was right now. The only thing he didn’t know was whether his anger was directed toward you or himself.
You had a talent for getting underneath his skin. In record time as well. It was something that he had quickly discovered not long after you had accepted the invitation to join the Justice League. Somehow, you were worse than Hal and Oliver combined. All week you had been pushing each other’s buttons and tonight you both had finally hit your boiling points. It was bound to happen at some point. In truth, he was a little surprised it hadn’t happened sooner. And while he was sure you had meant every last word you had shouted at him, he hadn’t.
He hadn’t thought about it. The filter between his brain and mouth failing as he snapped. He supposed he should count himself lucky that you could, mostly, see through his bullshit. If you didn’t he imagined that you would have quit long before now. Though, after tonight, there was now a very real chance that you would. And if you did, he was positive you would make sure it was known why you had walked away. He could already invision the line of people that would be ready to deck him for it.
With you long gone and the crisis in Star City now averted, Bruce left the rooftop. Grappling and gliding to where he had left the batwing.
The entire flight back to Gotham he replayed the argument over and over again. Analysing it. Like always.
“At first I thought it was because you wanted to make sure that I was cut out for this…”
That was true! When it came to flying solo, you were more than capable. It was one of the things about you that had caught his eye. Obviously, working with a team was far different. You had more than just yourself to worry about. He had to make sure you could do that.
“...now I think it’s because you want me to quit… For whatever reason you’ve decided I’m no longer good enough…”
That wasn’t true. He didn’t want you to quit. In the short time that you had been a member of the League, you had quickly become an invaluable member of the team. To say that it would be a shame to lose you was an understatement. Not that he was every going to say that aloud. Especially not after tonight. Chances were you wouldn’t even believe him so why waste his breath?
You had been right to call him out. If he had thought you incapable or not good enough, then you really wouldn’t have set foot on the Watchtower. But you were good enough. You were more than good enough. He knew that better than anyone. He had looked into you, put your name forward. Not that you knew or needed to know that, as far as he was concerned. And to say that he was nitpicking just to rile you up to have sex was ridiculous. Sex was just a byproduct of adrenaline caused by the arguments and being in such close quarters. It was a surprise that it hadn’t started far sooner.
It had become a vicious cycle. That he could admit to. And now it was one that had finally been broken by you. Not that he cared. He didn’t need to have sex with you. There were plenty of people out there that he could sleep with instead. Besides, you were teammates and relationships like that could get messy, fast. It was best that it was brought to an end before something happened that would jeopardise future missions. If you hadn’t done it tonight, then he certainly would have.
The sound of his boots on the metal platforms and stairs that made up this portion of the batcave, that hung over a dark abyss were loud and echoed off of the walls. The bats, high above him, squeaked in dismay, dropping from their perches to either fly deeper into the cavern system or leave it altogether.
He tugged his cowl off, setting it down onto the desk of the batcomputer as he took a seat, sighing deeply.
“Another fight with Mr Queen?” Alfred asked as he set a silver tray down, a cup, teapot and a plate of cookies on it, and poured him some tea.
Bruce grunted in response. All he wanted to do now was focus on the keyboard and screen in front of him, no longer wishing to think about what had happened tonight. There was still a few hours before dawn and he had a lot of case files to look into. He also really didn’t want to get into this with Alfred. It wasn’t any of his business.
“As talkative as ever, I see,” he muttered as he walked away to tend to other things. Alfred had decided a long time ago, since this whole vigilante business had started, that if Bruce wished to sulk over something then he could bloody well do it alone.
According to his phone, the sun had risen several hours ago. He had yet to even think about making his way up into the manor and toward his bedroom. His mind wouldn’t still, the gears just kept turning. Focusing on the argument, no matter what he did to try and steer his mind away. The anger in your features, that weren’t hidden by your mask, and your body, the venom that had dripped in each word, the clenching of your fist as you debated whether to try and deck him or not. In the end you had decided not to. Likely because he would have easily caught your hand had you tried. 
He shook his head. It shouldn’t be bothering him this much. And yet…
His thoughts were broken by the sound of boots marching toward him. He frowned, turning away from the disassembled equipment on the workbench to see who it was. Diana. Of course. She was angry, a storm dancing in her eyes and her fists clenched by her side. The only thing that he could think was that you had actually done it. You had quit and let her know that he was the reason you were walking away. Bruce swallowed thickly and composed himself, ready to be run through with a sword.
“And what did you say this time?” she demanded, stopping in front of him, crossing her arms against her chest.
“She quit?”
“Not yet, but I don’t doubt she’s thinking about it,” she replied. 
You hadn’t quit? He felt relieved, a weight he hadn’t been truly aware of lifting from him. He couldn’t dwell on that feeling for long, as Diana continued speaking.
“Now I’m not going to pretend like I know what’s going on between the two of you, but whatever it is I suggest you figure it out.”
“You’ve had this same conversation with her?” 
“I will be. I came to talk to you first since you’re the one continuously instigating these arguments.”
He grumbled in response. Instigator?” It made him sound like a damn child.
“I’m not apologising–”
Diana scoffed. “When have you ever apologised for anything. Just figure it out.”
It had been weeks since Bruce had last fought with you. Of course, he had barely said two words to you, outside of missions, because you never stuck around for too long. You were keeping your distance from him. Not that he could blame you.
He couldn’t lie. The distance, it bothered him. And it wasn’t because of the looks that he received every time you left a room he entered. Outside of all of this he lived in the public eye. He was used to dirty looks being thrown his way. Thing was he couldn’t put his finger on why it bothered him so much. It wasn’t affecting missions. You were civil and you fought alongside him like nothing had ever happened between the two of you.
Was it the result of your own conversation with Diana? Or had you decided on this shortly after Star City?
His own conversation with her had continued to lingered on his mind. It had made him wonder if it was possible to start over with you. It was clear to him now that no, that wasn’t possible. You wished to have nothing to do with him, outside of missions, and he would respect that. He told himself that things were better this way. Less complicated.
The sound of your footsteps passing by the laboratory broke Bruce’s thoughts, as well as his focus on dismantling Lex Luthor’s newest kryptonite weapon. Looking away from the weapon, he frowned. He could sworn that he was the only one left awake on the Watchtower.
The battle against Lex had been hard on all of them. The corrupted billionaire’s newest mech hitting harder and causing more destruction than any of the previous ones combined. Things certainly would have gone much smoother had Diana been with them, but the warrior goddess was off elsewhere. Busy dealing with gods and monsters and other things he would rather not think about. The battle had also served as a reminder that the production of his own mech, meant exactly for situations like that one, was taking far too long.
It also had him concerned. Super villains breaking out and working together, all of Lex’s newest tech, his own city being a little too quiet. He wasn’t one to overly rely on gut feelings, preferring physical evidence and facts, something that he could see, but he couldn’t shake it. Something big was headed their way and this was simply the start of it. They needed to be ready.
The kryptonite weapon attached to the mech meant that Clark had suffered the worst injuries out of everybody. As soon as Lex had been apprehended, he had been Bruce’s focus, making sure that he didn’t die. Lois would likely kill him if that happened and he wished to avoid that. It hadn’t stopped him from noticing you though. The way you were favouring your leg, the tear in your suit where blood was running from your thigh, making its way down your leg.
Bruce had been worried about your injury, like he would about anyone of his other teammates, of course. Years as a vigilante had taught him how bad a leg injury could be. He had wanted to see to it himself. With his training and degree, he would be the best option to, but Clark took priority and you refused to be in the same room with him.
Honestly, he was still worried. Before he could stop himself, he was already out of his seat. Making his way out of the laboratory and down the hallway. He was already halfway down the hallway when he heard one of the zeta tubes starting to fire up. He picked up his pace.
In his head, he had it all planned out. Like any concerned teammate, he was simply going to ask if you were okay and if you would like from him to take a look. Make sure that it wasn’t severe. That was it, but when he entered the room, he didn’t get a chance to even open his mouth before you were stopping him.
“I’m really not interested, Batman,” you told him, looking at him over your shoulder, your voice cold and gaze hard. You moved away from the console in front of you and stepping into the blinding light. Leaving him alone on the Watchtower.
In hindsight, he probably should have expected that.
As he headed back to the laboratory, he made a mental note to give Dinah some information she could send your way to help with your injury. You were close with her and it would be easier than trying to corner you.
Bruce worked well into the night after that. Or at least he tried to. His mind refused to focus on the task at hand. Instead it constantly drifted back to you. More specifically how it had felt to have you beneath him. The sweet noises spilling from your lips that sounded so much better than when you were arguing with him. It left him aching and missing those moments. Which he found ridiculous. The two of you hadn’t even been in a relationship. There wasn’t anything there to miss.
One thing was clear to him, he never should have dragged you into that storage room to begin with. He really didn’t know what he had been thinking. That time or any of the others. All it had done was make everything worse and that now there was no way in hell it could ever be fixed. Not that he could see anyway.
None of it mattered in the end. Things were better this way. Less complicated. Less chance of emotions getting in the way and less chance of missions going awry.
It was only after Diana had finally returned to the Watchtower and disturbed him, that he finally realised the time. It was well into the next morning and, no matter how much he would prefer to stay here and continue working, Bruce Wayne had places to be. Huffing, he locked up the now disassembled weapon and left the laboratory and began to head back to his cave.
Dick flipped through the air and landed on the mat. He had come back to Gotham for a visit because he missed Alfred’s cooking and Tim and Barbara had messaged him about Bruce acting strangely. He stepped off of the mat, grabbing his water bottle and taking a sip just as Bruce returned to the batcave.
“Finally! We were about to send out a search party!” he called out to him. He didn’t get a response like he expected he would. Not even a grumble, grunt or a glare. Instead he was simply ignored.
“Told you something was up with him,” Tim said from where he was sitting, eyes still glued to the laptop screen in front of him.
“Yeah.” He took another sip from his water bottle. “Selina’s not in town right now, is she?”
Anyone who knew Bruce knew about the very long and very complicated relationship that he shared with the world’s greatest thief. And no matter how hard they tried to make things work it always ended with two broken hearts and an even broodier Bat with an even shorter fuse. It had always been that way, for as long as he could remember.
Tim shook his head. “Barbara already checked. Selina is out of the country and has been since their last break up.”
Dick nodded. “Interesting.” And it was interesting. If it wasn’t Selina that had him acting like this, then who did? Who had gotten underneath his skin so badly? “Looks like we have an investigation on our hands.”
“He’s not going to be happy about that,” Tim frowned, finally looking away from the laptop screen.
He shrugged. “He’s rarely happy about anything. Come on, we should meet with Barbara and figure out where we should start.”
*
Taglist - @the-last-twin-of-krypton @bakugous-bakahoe @fromfoolishpeopletodeadpeople @little-rivers @callalily2000 @geminicinderella @warsaur @theclassicvinyldragon @aniya7 @bluebear19 @jdream55 @thedeadlythoughts
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3liza · 4 months ago
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Fired on Mars is alright, I especially appreciate any that it's (so far) non-space opera sci fi on a major network, an extreme rarity, especially since the Expanse turned into another ghost alien fuckaround because American audiences are too stupid to deal with realistic science fiction and think "Star Wars" qualifies. but it's really struggling as an "adult animation" production. I'm not sure if this was pitched as a live action or not but it doesn't have any reason to be animated except budget. not sure what else Max network has going on these days but you can't help but see a real show with proper production sort of superimposed on top of the simplistic and frankly boring animated backdrop. that's a real shame. they tried to split the difference by styling the drawings very buttoned-down, but it has none of the design sense of even Rick and Morty and it isn't funny enough for the writing to stand on its own, so theres just not a lot to hold onto.
the serious plot that kicks in at episode 5 reminds me a hell of a lot of the recent walking simulator, The Invincible, an adaptation of Stanislav Lem's story by the same name, with a really good surface of Mars sequence and excellent soundtrack, so I hope that's the direction the show is taking now.
it makes me think about the actual logistics and expense of filming something like this with practicals and some CGI. one of the benefits of doing something like realistic space station or mars colony stories is that you can build an incredibly cramped set and film everything on it, Cube-style, because these colonies would be modular and extremely cramped, just like NASA infrastructure is now. you could really go crazy styling a very beautiful set or soundstage that was only a few connected rooms and corridors and then just recycle them intelligently. outdoor shots in the local desert, composite out any plant life, roads, or gas stations, grey out the sky. Fired on Mars has blue sky and big cumulus clouds and initially I wasnt sure if that's referencing some sort of atmospheric control by the colony or if they screwed up or if it was focus group/producer meddling, but I looked it up and the actual Martian sky is more complicated than I assumed:
Since Mars is roughly 1.5 astronomical units from the Sun, the amount of light on the surface is about half that on our planet. Under low illumination conditions, our eyes shift sensitivity towards blue because we change from using color-sensitive “cone” cells to color-blind “rod” cells. This is known as the Purkinje effect. Hence, the first astronaut to land on Mars would probably describe its sky as even bluer than one might expect.
so anyway I think the show is ok. I stopped after watching episode 5 to write this, since this episode has taken the show in a much more interesting direction than I saw in the previous four. maybe it'll pleasantly surprise me
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aplaceinthedark · 6 days ago
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chapter three: ONE TASTE of the LIFE
Summary: The Appalachian Mountains hide numerous monsters, and it's up to Taylor and the Bad Omens to prevent them from causing any harm.
Word Count: 2,945
CW: Supernatural themes, Star Wars spoilers, Hand Jobs (male receiving)
A/N: I am so sorry this took so long. For the past several months, I've been dealing with job issues and major burnout depression. Whereas that's still hanging around, I think I might be in a better place to write more. If you're still hanging on despite my hiatus, thank you very muchness.
This is RPF, and thus will contain real people, but names and events will be changed. If this bothers you too much, then please leave this temple without causing harm.
Divider by: @saradika-graphics
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“Taylor? Are you listening to a word I said?”
I jumped, nearly knocking my water bottle over. “N-No. I’m sorry. What were you saying?” I asked sheepishly.
Rachel smiled sympathetically. “Still worried about the break-in?” she asked. I nodded, as I had told everyone that that was the reason why I was so jumpy.
I liked Rachel. Despite being almost twenty years older than me, she was sort of my only friend outside the circle of misfits and monsters I had embedded myself in. She also didn’t live in New Hope, thankfully. She was a transfer from a bigger town, since our library desperately needed one after one of our librarians “mysteriously disappeared” last August.
Said librarian’s assistant had also “mysteriously vanished” as well, leaving a job wide open for me to fill. I didn’t mind it, being Rachel’s assistant. I might have to do grunt work a lot of the time, but at least she helped instead of just dumping it all on me.
“Anyways, as I was saying, I’m pretty sure no one has gone through the donation bin this decade, if you want to make a dent in it.”
Sitting on my ass while I sort for the next two hours? “Don’t threaten me with a good time,” I said, earning a chuckle from her as I stood up and left the front desk.
There were several boxes. She wasn’t kidding. This was going to take longer than I thought. Setting my phone off to the side, I pressed play on one of my safe-for-work playlists and started humming along to some Chappell Roan.
It had been a few days since the incident with the pale creature that had come onto my porch. There had been no repeat occurrences at our place, but someone had said something about seeing a sick-looking coyote at the edge of their yard. I hadn’t mentioned that to Nick, since I wasn’t even sure that it was the same thing that I had seen. 
And Nick was… I couldn’t burden him with any more problems. Between his time at the new tattoo place, townspeople coming to him for remedies to their ailments, and not being able to sleep very well, he was exhausted. I had woken up to him passed out on his couch this morning, Lydia loafing on his back. If I could make him sleep for an entire day, I would do it in a heartbeat.
I pulled the next box towards me and dug through the dusty contents. I was sure now that most of these donations were just from older ladies dumping the contents of their attics off on us just to free up some space. Several of these books so far were the same cookbook in different states of decay. 
I was just about to ask Rachel for a mask since I was tired of sneezing out dust when my hand pulled out a book that was different from all the others. A quick flip through revealed it was a journal. Either their handwriting was terrible or it was written in a different language, because I couldn’t make heads or tails of what it was saying. But some of the drawings in it intrigued me, so I set it in the Keep Pile, with the intention to ask Rachel what to do with it. If someone donated it without knowing, they might want it back.
By the end of my shift, my back and lungs didn’t appreciate what work I had gotten done. “Being in your thirties must be rough,” Rachel laughed as I tried popping my back several times. “Maybe you could get that cute boyfriend of yours to help you out later tonight.”
I felt a brief flush rise to the surface of my skin as I thought about Nick’s skilled fingers. “Quit it,” I mumbled, earning a cackle from her that would normally get someone in a library in trouble.
“What’s that?” she asked, pointing to the journal in my hands.
“Oh, I found it in one of the boxes. It looks like somebody might’ve accidentally put it in the donation box. Should we ask if they want it back?” I said.
Rachel shook her head. “Sorry buttercup,” she said, using her nickname for me. “Those were anonymous, and who knows how long ago it was donated. There’s no way we’d be able to trace it back to its owner. Unless it has historic value, we’re supposed to throw it out.”
Something in my face must’ve changed her mind. “Well, if you don’t want to, I could conveniently look the other way when you leave,” she said. 
I was about to say that no, that it was fine, that I didn’t need another written book in my house when Nick was still combing through Granny’s hex books, but the words caught in my throat and I thanked her instead. Maybe if I could find its owner, that would be one good deed I’d done for this town, since they were still wary of me several months after I had moved in.
The library closed at seven, but I didn’t get to go to my car until half an hour later. Late April still meant that it was dark out when I left work, but the building was in the middle of New Hope, the forest a ways off. I dashed to my car through the rain, the water from the puddles splashing up as my feet crashed down in them. 
My fingers were wrapped around the car’s door handle when  a cold rush of air blew through my denim jacket, and the hair on the back of my neck stood up. I froze as the door automatically unlocked, the sound as loud as a gunshot despite the sound of the rain. Something in the reflection of the car window caught my eye.
Someone was behind me.
I slowly turned around, trying not to startle it. Meanwhile, my mind was racing in confusion and fear. Nothing came out of the woods. The town was safe.
The boys couldn’t help me if something were to happen to me out here.
So what was the shadowy figure doing in the middle of a parking lot?
It didn’t move as I stared at it. It was almost formless; I could just make out the thin, vaguely humanoid shape of it. Even if I wanted to say something, my throat had closed shut. The chill of the night increased, the wind picking up and sending some bits of trash skittering across the asphalt. But it didn’t disturb the shadow. 
I opened my mouth to say… something? Shout at it to scare it away? But another voice startled me into screaming. I whipped around. 
“Jesus, Mary, and Joseph, Taylor!” Rachel swore, hand on her heart. She was standing a few feet away under her umbrella. “What’re you still doing here? Are you okay?”
“Uhh… yeah. Just thought I saw something,” I said. I turned back around.
Other than us, the parking lot was empty.
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The smell of food coming through a cracked window greeted me as I stepped onto the front porch. My knees felt weak at the thought of Nick cooking after the heart attack I had had. I took a moment to compose myself, exhaling as I turned the doorknob and stepped into our home.
It was indeed Nick cooking, as he stood in front of the stove. His long black hair was tied up in a bun, and he was wearing his thick-rimmed glasses. “Hiya,” he said, not even turning around. 
I dropped my backpack onto one of the chairs at the kitchen table, immediately walking over and hugging him from behind. “Woah, hey. Everything alright?” He asked. His hand moved down to cover both of mine.
I should tell him; I need to tell him. Instead, I nodded into the space between his shoulders. Even though a part of me knew that the creepiness of the town's legends were true, I still couldn't believe that something would come out of the woods and into the safeness of the streets.
So what I said instead was, “I missed you,” into his shirt. 
“Missed you more,” he said in return, despite seeing each other this morning. 
“What are you making?” I asked, peering over his shoulder. 
“Just some hamburger pasta. Thought it would be good for an easy night, since it's just the two of us until later tonight.”
“Really? Not even Folio?” I asked. 
Without looking up, Nick pointed over at the kitchen calendar with the spoon in his free hand. A little black circle was drawn on today's date and the next two days. The New Moons meant that Folio was stuck in his Grim form until the first sliver of the moon shined. Kind of like a werewolf but opposite. 
“It'll be done in a few. Go get comfortable and I'll put on a movie,” he said, his own way of shooing me out of the kitchen. As I parted with him, I saw that he hadn't done the same with Lydia, who was watching from the floor with her hungry eyes. 
As I changed into some lounge pants and an old sweater of Nick's, I tried to think of a way to bring up the encounter with the shadow person. There was no way that he wouldn't get upset about it, that was a fact. Maybe after we ate.
When I came back out into the front room, Nick had helped himself to making my plate and putting it on the coffee table. I sat down next to him, I pulled my plate onto my lap. He had pulled up Rise of Skywalker for us to watch.
“So who’s coming later?” I asked as he started the movie.
“Noah,” Nick mumbled. There was an undercurrent of something in his voice, so I guess Noah had transferred something to his mind that annoyed him. 
“That's fine,” I said, squeezing his thigh. 
After eating, I curled up into Nick, and he wrapped an arm around my shoulders. “We should dress up as Kylo and Rey for Halloween again,” he said.
“Your hair’s getting too long for you to be Kylo,” I said, poking the side of his head.
“Yeah, because Rey is totally a blonde.”
“It was last minute!”
We kept up the light commentary for most of the film. I was fine up until the part when Rey sacrificed herself to kill the Emperor. As Ben Solo sacrificed himself to resurrect her, I threaded my fingers through his. A moment passed, and then Nick squeezed my hand. 
When the credits rolled, I tried to get up to take our dishes back to the kitchen sink. Nick pulled me back down. “And where do you think you’re going?” he asked, pulling me onto his lap. He wrapped his arms around me.
“Was gonna do the dishes, since you made dinner,” I said.
He pulled my head gently to rest on his shoulder. “Just stay here. With me,” he said, quietly. He would do this if he thought I was about to have one of my moments. 
He started playing with my hair, making my eyes flutter shut. “Okay,” I said. 
He kissed my forehead, but as he was pulling away, I reached up to cup his face and direct him further down. His lips brushed mine before pressing down once, soft and tender, but then he tried pulling away again. “Are you su–”
“Nick,” I pleaded, his name coming out in a rush. If he had any resolve before, it came crumbling down within milliseconds.
He was still a bit hesitant, flicking his tongue against my lips. But I wasn’t made of glass, so I pushed his chest until his back was pressed onto the couch cushions. I crawled up him until I was straddling his hips, my knees pressing into the sides of his waist. The kiss never broke.
It didn’t take long for him to harden beneath me, and I couldn’t help the small, satisfactory grin that rose to my lips. I ran my hand down his chest, down his stomach to the waistband of his shorts. When I finally parted with Nick, his hand shot up to curl around the back of my head. “Bun–”
“Can I touch you?” I asked.
“Oh, fuck yes. Please,” he pleaded.
I lifted myself a little bit, just enough to give me some room to slip my hand underneath the waistband of his boxer-briefs. The angle might’ve been a little bit awkward, but it didn’t really matter when I wrapped my fingers around the considerable size of him.
“Fuck,” he groaned, throwing his head back against the pillows. The movement caused him to bare the pretty tan skin over his throat, and I practically descended upon it. The minute I mouthed over his pulse point, his hips rolled up, rutting into my hand. On the upstroke I rubbed my thumb over the tip, and he made my favorite sound of–
Click.
We both froze, my hand down his pants. I quickly raised my head and our eyes locked on each other at the sound of the door unlocking. As the front door opened, I quickly rose up to stand on my knees. Noah stopped dead in his tracks, confusion written on his face. 
“Am I interrupting something?” he asked.
“Yes,” I said immediately, Nick echoing my words from below me.
Noah’s eyes roamed over me for a second, and his face hardened. “Please, continue. I don’t want to interrupt you guys making out in–”
Nick sat up, crawling out from underneath me. If he stood up, Noah could easily see that we were doing more than making out. “When we agreed on later, I mean late.” 
“It’s after eleven. I think that’s late enough,” Noah said, striding across the kitchen to the fridge, where he took out a beer. 
As Nick straightened himself, I caught the look on his face that said he was communicating with Noah through the bond that he had with everyone. Was there something agreed upon that didn’t require me knowing about? 
My thought was all but confirmed when Nick put his hand on my waist. “You wanna go to bed, Bun?” he asked, looking up at me with big green eyes. In this lighting, they were dark as the evergreens outside.
“No, I’m not tired,” I said. I fixed him with a look that said that I wasn’t going to be kept in the dark. Again.
He sighed. “Hang on, I gotta get the hex book,” he said, standing up. He then walked to the spare bedroom.
I looked over at Noah, who was leaning back against the fridge. He perked an eyebrow. “How was work?” he asked before taking a sip of his beer.
I narrowed my eyes at him. “I was gonna tell him.”
“But you got distracted, didn’t you?”
“Fuck off, Bambi.”
“Oh, I’m about to do worse than that.”
I tilted my head. “What the fuck is that supposed to mean?”
Nick came back with a small, leatherbound notebook. He tossed it onto the kitchen table, as if it personally offended him. “We’ve been doing this all wrong,” he said. He practically collapsed into one of the chairs. 
“Doing what wrong? What is ‘this’?” I asked.
“There’s a reason why the Valley has been getting worse these past few years. More things showing up, resurfacing, growing bolder enough to where people can catch glimpses of them. Pale Things showing up shouldn’t be a surprise, really.” He was babbling, practically. But then he took in a deep breath and closed his eyes.
“Those sacrifices weren’t just for Vessels. They were also to keep the Woods from getting worse.”
Noah’s lips thinned. “I told you, I’m not killing any more innocent people.”
“Yeah, I know, and I think I found a way around that, but…” Nick trailed off. He then silently opened the hex book and flipped to a page he had marked. He then held it out towards me.
“Why me?” I asked.
“I’ve already seen it,” Noah said. 
I took the book and glanced at the pages. It wasn’t in any readable context: Granny wrote in some kind of “language” that had been passed down through her family as to keep their practice a secret from others. Nick had been slowly translating them over the past few months into his own notebooks.
“What is this?” I finally asked. 
“It's a… Fertility Ritual.” Nick swallowed thickly. “My ancestors would send someone into the forest so the Forest would be… sated.”
“A sacrifice. Like what happened with you guys.” I waved a hand over Noah. 
“No! Well… sort of,” Nick said. He bit his lip. 
“That was more the Black Stag's version. Though it wanted sacrifices so it could take a mortal form.” Noah folded his arms over his chest. “This is a… less bloody version.”
I skimmed over the page again, and it finally clicked. “When you say ‘fertility’, you mean… Noah's got to knock someone up?”
“No!” The two shouted at the same time. “God, fuck no,” Nick sighed. “But the baby making process is the main part.”
“He has to have sex with someone?” I asked incredulously. 
“Not just someone…” Nick lowered his voice to a mumble. “Someone with a… someone of the opposite sex.”
“Well how the fuck is he gonna do that?” I asked. “Everyone around here will recognize him, and then you got the antlers to deal with.”
The two were quiet suddenly. Nick put his head in his hands. “Bun…”
“What?”
“He's talking about you,” Noah put bluntly.
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tysm for reading! If you enjoyed this, please reblog to share the word of the Revered Father. Next chapter coming soon.
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mrs-stans · 2 months ago
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Sebastian Stan and Jeremy Strong Talk Becoming Donald Trump and Roy Cohn in The Apprentice
BY TAYLOR ANTRIM PHOTOGRAPHY BY ANTONIO YSURSA
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Jeremy Strong and Sebastian Stan (both in their own clothes) play Roy Cohn and Donald Trump in Ali Abbasi’s The Apprentice, in theaters this Friday, October 11.Photographed by Antonio Ysursa
You may have heard something about The Apprentice—the Donald Trump biopic that premiered at Cannes to great fanfare, and not a little controversy. Was director Ali Abbasi’s 1970s set film, starring Sebastian Stan as Trump and Jeremy Strong as his mentor, the New York attorney and ruthless power broker Roy Cohn, too sympathetic to the striving, scheming characters at its center? (Maybe not: After Cannes, Trump’s lawyers threatened to sue.) Certainly when you watch The Apprentice, which opens in theaters Friday, it’s impossible not to be astonished, and enthralled, by the performances of Stan and Strong, who turn real-life hyper-polarizing figures into fascinating antiheroes.
But make no mistake: The Apprentice is a warning. This is a movie, written by the journalist Gabriel Sherman, that will leave you chilled. Here is the story of Trump’s rise, the lessons he learned from Cohn, and a portrayal of power at all costs—what it drives a person to and how it corrupts.
Vogue invited Stan and Strong onto The Run-Through with Vogue to talk about their performances, how the film came together, and why Americans should see it before the November 5 election. Below, read an excerpt of the conversation Vogue.com editor Chloe Malle and I conducted with the two actors in the podcast studio.
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Photographed by Antonio Ysursa
Taylor Antrim: We have three weeks until the election and I want people to know why they should go see this movie. A lot of people have Trump fatigue, and The Apprentice is two hours of being deep in his company.
Jeremy Strong: This movie is very loaded, right? It’s hard to talk about it in a non-partisan way... But I think the movie has as much in common with Midnight Cowboy, or Boogie Nights, or even, like, Scarface. It's more those things than it is some political polemic.
You know, I read something the other day by this journalist who lived in Chicago, Sydney Harris, who said, “History repeats itself, but in such cunning disguise that we never detect the resemblance until the damage is done.” And I guess I feel that the stakes are so fucking high right now in a way that they have never been, maybe since the American Civil War. And so it’s worth understanding where Trump came from and what he really is and believes.
Antrim: I also want to make sure people understand how radical this movie is, that it makes you participate in the humanity of people that you may feel you can write off. You know, like, we may understand that Trump is a monster. Or we understand that Roy Cohn was a monster, but the movie makes you participate in what they were like as human beings.
Strong: There’s a reason why it makes people so deeply, profoundly uncomfortable to relate to them that way. It’s much easier to be like, Well, they’re monsters…why would I want to feel anything or have any empathy or understanding? And I guess I find that really interesting.
Antrim: Sebastian, what was going through your mind when you were asked to play Trump? Because I would imagine that a lot of actors would just say no, or be scared of this, or be like, Are you crazy?
Sebastian Stan: I guess I had enough people saying maybe that this movie wasn’t a good idea, that it started to sound to me like a good idea. And then I think it was more, okay, well, if the right person can come and play Roy Cohn, then it’s really going to be exciting—and obviously then we found Jeremy. The director, Ali Abbasi, being Iranian, and growing up in Copenhagen, and being an outsider, having that lens on this—that was what was interesting to me. He wasn’t playing for the blue or the red team, he was looking from the outside in, and I think we were too far in the trenches on our own over here.
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Photographed by Antonio Ysursa
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Photographed by Antonio Ysursa
Chloe Malle: Did you have any sense from the beginning that a movie about Trump would be controversial, dangerous, difficult to get out there
Strong: Totally. I mean, you know that you’re playing with fire—how could we not know that? But I don’t think that had any impact on how we approached it as artists. I think we related to it as a piece of work and as a film about these two guys and their relationship.
Malle: It had trouble getting distribution coming out of Cannes, and then Trump’s lawyers threatened to sue. Did you anticipate any of that?
Stan: Of course, it seems kind of predictable that way. But I didn’t anticipate how hard it was to get the financing.
Strong: Also, if I’m being honest, I think I expected the movie to get scooped up out of Cannes. But then everyone was frankly scared to touch it. I think they were afraid of litigation and repercussions and afraid of Trump, and so now it’s opening this Friday on 1,500 screens or something like that, and I do think that this is something that is imperative for people to see.
Antrim: What I resonated so much to is that the movie is not a piece of propaganda, or it doesn’t have a particularly straightforward message, to me. I mean, it was actually a quite discomfiting film to watch for that reason.
Strong: I like to believe that we all have instincts towards other human beings. And I think if you watch this film, it’s not just learning about Trump as it is about learning about ourselves through him.
Antrim: That was definitely my experience of it. [To Stan:] And I find it interesting that your character, Trump, is someone you empathize, if not sympathize, with in the beginning of the movie. I’m thinking about when he's knocking on doors, collecting rent, that kind of thing.
Stan: A lot of people didn’t know that he did that.
Antrim: And then by the end of the movie, Jeremy, your character, Roy Cohn, is this incredibly tragic figure.
Strong: Yeah, in this case, the apprentice sort of eclipses the mentor, which is what happened historically. But I think, you know, what was exciting and challenging about this is to take these two monolithic people and say they’re not monoliths. They’re human beings with a history and a past, who made choices, and different things shaped them, and let’s examine what those things were.
Antrim: Tthe transformation that Sebastien achieves in this movie is uncanny. It’s physical. It’s verbal. It’s the way he moves.
Malle: And you make him very appealing.
Stan: I mean, look, if you go back to the Oprah show that he did in 1988, when she had him and Ivana on the show. I mean, he’s very seductive. He’s very convincing. He comes across strong. He comes across as protective of the country. I mean those are qualities that we still see today. And I think even when you dial further back, right, you’re talking about someone that came in with ideas and I guess what I was thrown by was just the amount of potential that I felt like he had at a certain point. And I don’t think there’s any fault in admitting that, because by admitting that then you can kind of see what the turnout was—and that is tragic, in some ways
Malle: Jeremy, I want to know what the most surprising thing about Roy Cohn was for you. Because I was very excited to see his frog collection.
Strong: I mean, the frogs are really a stunner. He had a room full of frog figurines and stuffed frogs and, you know, a Mickey Mouse sign on his door that said “Roy.” He had a kind of arrested development. He was very infantilized, even in his adulthood. And he lived in a consequence-less universe. He is a grab bag of surprises. And a kind of terrifying one. So you might talk about him as this monster, but for Roy, he was, like, going to Le Cirque, eating his Bumble Bee tuna that they kept for him there. He was going waterskiing most days of the year on the Hudson River.
Malle: Really?
Strong: He was at Studio 54. Like, he was pumped. And he was a brilliant lawyer, and he represented everybody. And everybody went to his parties on 68th Street. And he was capable of the utmost ruthlessness. And mendacity and brutality and remorseless destruction of people’s lives.
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Photographed by Antonio Ysursa
Malle: I loved the fashion in the movie. Were you involved in those decisions?
Strong: Roy was incredibly vain. You know, he did 200 sit-ups every morning. He basically starved himself. He weighed himself every day. He maintained his weight. I knew exactly what he weighed. And it’s interesting how much you can lose the character if you are in the wrong cut of a suit. He had these Dunhill suits that fit a certain way that accentuated a certain kind of muscularity that he thought of as his most defining feature—not that he was a muscular guy, but his kind of bellicose thing.
Malle: I have to say, at Vogue.com, we are big fans of your outfits. We think that you have excellent style. The youth at Vogue.com are big, big fans of Jeremy Strong’s red carpet looks.
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Strong in a custom velet tuxedo and ribbon bow tie from Loro Piana at the 2024 Tony Awards. Photo: Getty Images
Strong: I mean…Thank you. It’s just accident and chance. I’m very intuitive, you know? I’ve gone through phases where, like, there was a time where I only wore gray for a couple years. I only wore navy.
Malle: A couple of years!?
Strong: I only wore navy for a couple of years.
Malle: Good grief, okay.
Strong: I had a period as a child where I wore neon only.
Antrim: Oh yeah, I had one of those too.
Strong: You know, we all did. But I appreciate and love clothes. And then the rest is kind of like guided by instinct.
Malle:. Sebastian, how would someone dress if they were playing you in a movie?
Stan: Just by wearing…black, I guess. Michael Fisher is my stylist. I tell him sometimes that I don’t know if those sneakers work, but other than that… Sometimes I’m like, really, Michael? I mean, you saw the whole pink thing that I wore two years ago at that Met Ball? I mean, that’s not what I would have worn, ever.
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Stan wearing Valentino pink at the 2022 Met Gala. Photo: Getty Images
Strong: I thought that was kind of dope.
Stan: I mean, it was great, but my mom, still to this day…she’s got a neighbor from Italy and she’s like, You look atrocious. How could you do this? Anyway.
Malle: Well, we’re still talking about it!
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nitkat-rp-stash · 1 month ago
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Hewwo as yall know this is my Rp blog where I do most of my bullshit with my scriblos!
It’s also my first time doing this so umm but a lil nice but aside from that! Here are
THA RULES!!! 💥
1. 18 to 21+ Rps since most of the topics that I’ll do are mixed but most of the time it’s normal. ButI want to be as flexible with the settings with the characters as I can but Mature topics are gonna appear so be careful! (Also I don’t want to interact with minors had very bad experiences with them)
2. NO ROMANCE, NO SHIPPING Unless ur a mutual friend of mine and we are consenting of this.
3. I prefer rping to be a semi literate multiple paragraph style. I'll try to adapt to the best of my ability but 10+ long paragraphs or short ones are a no for me like dawg.
4. I’m open to any type of roleplay! But please be considerate with me, and if there’s any shit ya want to pull in the RP we can discuss it in DMs for further details (so both parties can be on the same page).
5. I’m chill with Rping with Ocs! But I’ll start with a few Au characters and Ocs before I expand on more characters.
6. Please for Fucks sake be nice and non rude for fucks sake, I may take a while due to the bullshit I deal with most of the time.
7. Fandoms that I WILL NOT RP WITH: Anything created by Vivzipop, Celebrities/Real people, country/military shit, DSMP (Or any Minecraft related SMPs). And probably more cause I’m still thinking-
8. Series that I’m familiar : Megaman, Transformers, Pokemon, Steven universe, Digimon, Sonic, Spark the electric jester.
ADDITIONAL INFORMATION:
Character/Muses info-
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Megaman X (Anchorage) He is a Reploid, a robot who can think feel and act on his own will. A member of the maverick hunters, he fights against mavericks. reploids who are a danger to society. He fights on and dreams of a Utopia of humans and reploids coexisting in peace. However he still despises fighting so at times he finds different ways to solve problems without violence. He currently runs a rehabilitation (a surprisingly successful) program of helping former mavericks (Who aren’t infected with the virus) and criminals to be reacquainted with society. Holding the belief of second chances, he’s currently married to Marty leader of the rose thorn pirate group for almost 50 years.
Ref:
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Volnutt Caskett Light (Legends Reborn)- he's a Carbon, Biomechanical being with the ability to interfacing and changing their limbs with mechanical parts. He is a young adventurous digouter boy, who descends ruins to collect ancient artifacts and special crystals of energy called refractors. Who enjoys going on adventures, naive on aspects of the world and gets into mischief and Danger face first. but he holds a heart of gold. He loves his friends and family very much. He is, importantly, the Youngest Son of the ancient legend megaman X.
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Xavier Light: Once upon a lifetime ago he was formally the legendary hero megaman x but now in this flooded world of no war, he is Xavier Light.The assistant of the renowned professor Barrell, aiding his research of Terra’s old civilizations. At the same time the Flutter’s caretaker, performing most domestic duties around the ship. A hardened yet gentle soul that at times provides wisdom and advice to those who need it, especially his youngest son Rock. Despite living a peaceful life Xavier is still a skilled warrior, but he would rather do diplomacy than fighting but when push comes to shove he’ll fight to the bitter end to keep his loved ones safe.
Note: Reborn!X is called Xavier and Anchorage!X is just named X they are are technically the same person but in different Timelines.
OC Verse:
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Alice: Alice is a slime based alien being who explores the stars and medical assistance to those who are needed. A carefree mischievous individual who sought the curiosities to different worlds and what she could learn from it. Despite her duty she’s often dropped into the antics of others curious to see how it goes. She enjoys causing a lil bit of mayhem to entertain herself but still committing to her duty of supporting individuals on her travels. Often she enjoys the thrill of adventure and is surprisingly combative despite her status as a medic.
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timetodiverge · 11 months ago
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TL:DR: a brief treatise on learning to love Ahsoka for the gifts it gave us, rather than its shortcomings
Reasons why I struggled to like Ahsoka on first watch:
-my Rebels-fan brain constantly chanting WHERE IS EZRA WHERE IS EZRA WHERE IS EZRA; every episode that ended without him had me screaming
-the portrayal of Ezra as some noble war hero/wise Jedi instead of the little shit devious street urchin thief who, after four seasons of growth, pain, and temptation to turn darkside, turned into an IGnoble war hero with the potential to become a wise Jedi
-the show's habit of far-too-casually dropping facts that emotionally wrecked Rebels fans (ALL the Wrens died on Mandalore?? Could we maybe explore that a bit?? Dave do you remember when you had Sabine collapse into what she thought were her mother's ashes, and the depth of her relief when she realised her family was still alive and she still had a chance to make things right with them?? DO YOU???)
-the show's refusal to recap/reference insanely important events from Rebels and The Clone Wars (Mortis Gods, Trials of the Darksaber, Vader v Ahsoka and Ezra rescuing her via the World Between Worlds, Ahsoka's entire existence, etc) that would have made Ahsoka, Sabine, & Hera's importance in the larger Star Wars universe much more comprehendible for non-Rebels & TCW fans
-watching Sabine, who only ever wanted to be a valued, equal member of a family & team, and who was already incredibly skilled (art/warfare/mechanics), belittling and limiting herself trying to play the part of Jedi Padawan
-the wasted potential of show that could have truly explored how non-Jedi&Sith engage with the whole spectrum of the Force (e.g. other force users such as Nightsisters, loth wolves, purrgil, and non-force-sensative people such as Sabine), instead ultimately championing the light-dark binary and the traditions of the Jedi order (which many of us have little respect for) such as the Master-Apprentice relationship
Reasons why I now adore Ahsoka and would defend it to the death:
-the breath-taking care, love, and attention the production team put into every tiny detail (the sets, the costumes, props, the MUSIC, the background art, the ships and weapons, my god the detail!!)
-the shameless centring of diverse, layered female characters and the exquisite, subtle performances of Mary Elizabeth Winstead & Genevieve O'Reilly
-a mature exploration of how traumatic events e.g. wars may technically "end", but don't end for everyone: Ahsoka and Sabine are still traumatised ex-child soldiers mourning people they desperately loved but had complex & unresolved issues with; Hera still has zero boundaries between being a soldier and her personal life. And this PTSD has very real consequences to the narrative
-the show ultimately resisting the urge to choose a plot-twist Ezra reveal (e.g. turns out Thrawn and Ezra are now buddies/Ezra is the new big bad/Ezra was Marrok), which may have been more interesting but would have deprived us of the wholesome Ezra reveal we actually wanted
-Eman Esfandi giving us the most successful animation-to-live-action transition since Katee Sackhoff's Bo-Katan, and being so perfect in his mannerisms and behaviour that it was almost worth the wait (and looking so much like Ezra's father in Rebels!!)
(...unless you include Chopper, whose transition was actually 120% perfect)
-ultimately refreshing and levelling-up the potential for mature and diverse Star Wars narratives, like Andor did, but instead of leaning away from SW tropes and traditions like Andor, digging deeper into SW tropes and history, and linking non-mainstream-SW-elements such as the Nightsisters of Dathomir, the Mortis Gods, the World Between Worlds, and the existence of other galaxies
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bradshawsbaby · 2 years ago
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Letters to My Love // Part VII
Auld Lang Syne
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Series Masterlist
Pairing: Bob Floyd x Female Reader
Summary: When you signed up to volunteer with the USO, you never anticipated that you would meet a man like Ensign Robert Floyd. Fate brings you together one balmy spring evening in Charleston—the night before Bob is set to ship off across the Atlantic. Pen and paper become your only means of sharing your heart with the naval aviator who’s captivated it, igniting a correspondence that spans the distance between you. Can love blossom even as war rages and thousands of miles keep you apart?
Word Count: 2.8k
Author’s Note: We’ve finally made it to 1943! Can you believe it will soon be a whole year since the night Bobby and Peach met?
Set the Mood: If you’re looking for some 1940s vibes, check out the playlist I made to pair with the story.
To ring in the new year in the story, the title of this chapter is based on the holiday classic, Auld Lang Syne. To get in the spirit, check out this 1939 instrumental version by Guy Lombardo!
Dedication: As always, this story is dedicated to my dear friend, @luminousnotmatter​. Clara, thank you, thank you, thank you for your support of this story!
Warnings: Alternating POV, talk of the holidays, brief allusions to the trauma of war, references to rationing, and a ton of fluff.
January 12, 1943
Dear Peach,
Happy New Year! I know we’re only 12 days in at this point, but I hope that 1943 is already shaping up to be a good year for you. Hopefully it will be a good year for all of us. And I look forward to hearing all about your Christmas back home in Georgia!
Now to address that “elephant in the room” as you called it—well, Peach, I see no elephants, but I do see what has to be the most beautiful and elegant photograph I’ve ever had the good fortune to lay these sorry eyes on. Are you sure you really meant to send it to me and not to MGM? You could be a movie star! I wouldn’t be surprised at all if it was announced that their next big picture was starring The Sweet Peach from Georgia. Hey, maybe that could even be the name of the movie. What do you think?
Peach, I hope you know that I’m not teasing and I’m not kidding. And I hope my saying so doesn’t come across as forward, but you really are the most beautiful girl I’ve ever seen, whether in the movies or in real life. Part of me was starting to wonder if maybe I’d dreamed it all up, that night we had together in Charleston. Could any girl really be that beautiful and kind and funny and smart, all wrapped up in one splendid person? But then I opened your last letter and your photograph fell out of the envelope, and I realized that sometimes real life can be even better than our dreams. Because you, Peach, are even more stunning than you were in my memories. And you know what makes it even better? That your beauty shines from the inside. Looking at your photograph, I can see all the kindness and gentleness and goodness that I’ve come to know so well, shining in your eyes and brightening your smile.
Gosh, am I rambling? I’m sure I am. But I don’t want you to feel embarrassed, not for a moment. And to think that you would even suggest I take a photograph this beautiful and shove it in a drawer or throw it off the carrier! That would be an absolute crime! It deserves to be framed and hung for everyone to admire. I admit that I’ve never seen the Mona Lisa, but I can already guarantee that you’re a thousand times prettier. But can I tell you the truth, Peach? As much as you deserve to be universally praised, I’ve been very selfish. The fellas are all quite jealous, you see, that the prettiest girl in the world has chosen to write to me, of all people. So I keep your photograph tucked close to my heart, away from all the guys. Don’t want to rub salt in the wound, you know?
Benny and Tommy Boy wanted me to respectfully let you know that you looked quite lovely in your photo, and that they’d be more than willing to serve as pen pals to any of your friends back home who may be in need of some correspondence.
Will you do me a favor and thank Dottie for this little scheme of hers? I knew that I liked your sister already, but this has truly solidified it for me. She’s a smart woman, that Dottie Sheridan. And I hope Frankie’s birthday pictures turned out just as nice as yours!
Can I tell you something else, Peach? We’ve been doing a lot of flying over here, me and Paul and the rest of our squadron, as I’m sure you can imagine. Paul keeps a photograph of Natasha and the kids in our aircraft when we’re flying. He says it brings him good luck and helps him remember what he’s fighting for. I like to keep a photograph of my family with me while we’re flying so that I can remember the same. But now I carry your photograph with me, too. And I think I understand now what Paul meant about his photo bringing him luck. Every time we’ve flown since I started carrying you with me, I feel this extra sense of protection. I know that sounds crazy, but it’s true. You’re my good luck charm, Peach, and I thank you for that. Thanks for helping me remember what I’m fighting for, every day that I’m here. And, hey—it’s sort of like we’re flying together already, right?
I was glad to hear that you enjoyed the pumpkin pie story, and that my utter humiliation could at least bring you some laughter. It’s funny that you should mention my mama setting aside some pumpkin pie for me because I did, in fact, receive a letter from her not long after Thanksgiving, and she told me she had done just that. She said that she’s hoping and praying I’ll be home for pumpkin pie this year. I hope she’s right.
I’m so happy to hear that you got to spend time with your folks and be together for the holidays. And happy belated birthday to little Frankie! They grow up fast, don’t they? Natasha sent Paul some photographs from Paul, Jr.’s first birthday, and neither of us can believe how big he’s gotten. Natasha says she’s writing down all his milestones in a little book for when Paul returns, so that he doesn’t miss a thing. I know it makes Paul feel good to hear that. He misses them so much.
I hope you don’t mind me doing so, but I shared with some of the guys on the carrier how you offered up your Thanksgiving gratitude and prayers for us. It lifted a lot of fellas’ spirits, I’ll tell you that. We were all missing home a little extra around the holidays, but to be reminded of why we’re doing this, and of the good people back home who are thinking of us, really makes all the difference.
Now to hear that you were an excellent pupil back in your grade school days does not surprise me one bit, Miss Peach. It’s funny that you say that you’re hopeless when it comes to arithmetic because I was always rather hopeless when it came to my writing—as I’m sure you can tell from the woeful state of my handwriting. My teachers at school—and yes, even my professors at Annapolis—always scolded me over it. Everyone has their strengths, huh? But if you don’t mind handling the writing, I’m more than happy to take care of the numbers and figures. We’d make quite a team.
Peach, I can promise you that the thought of getting to share another dance with you is one of the few things that keeps me going on the days when this war just really takes all the stuffing out of me. I just hope it’s something that YOU still want when all is said and done. I’m sure all the boys are lining up to sign your dance card.
Speaking of, have you been to any more dances at the USO lately?
You’re right when you say that Paul, Tommy Boy, Benny, and I couldn’t be any more different if we tried, but we do have a special bond and I’ll always be thankful for that. I’m glad to know you have that, too, with Dottie and Paddy and the rest of your family.
That glass of lemonade in Charleston sounds real nice right about now. It’s cold and rainy where we are, but I’ll be dreaming about that South Carolina sunshine.
My family was telling me about the coffee rations in one of their last letters. I am sorry to hear about that. I can only imagine how hard that’s hitting people, especially Paddy. I used to see him down at least three or four cups in the morning, back when I was stationed stateside. I’m sending all my best wishes that you and Dottie can survive his grumbling.
Peach, I just want to close by letting you know, once again, how much your support means to me. Truly. I hate to dwell on the negative, but there are days when this war is really hard. In fact, there are days when it feels downright impossible. But then I reread one of your letters, or take out your photograph and gaze at that pretty smile, and my hope is bolstered. You’ve given me so much, through your words alone, and I want you to know that.
I miss you, too. Who knows? Maybe 1943 will be the year we finally get that dance?
I hope so.
Very Truly Yours,
Bobby
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February 3, 1943
Dear Bobby,
Happy New Year! 1943 has been treating me kindly so far, but it would be even better if it was the year that you and the rest of our boys came home. Just like your mother, that’s what I’m hoping and praying for.
My goodness, Robert Floyd, you certainly know how to make a girl feel special! I have to confess, I must have read your letter through a good two or three times when it first arrived in the mail, and I couldn’t stop blushing or beaming the whole time. Dottie said that I looked like a giddy school girl, which taught me that I really ought to read your letters in the comfort of my own room instead of in front of my nosy big sister.
Just so you know, Dottie gladly accepts your praise and thanks, and has not let me live it down for a moment. She has not failed to remind me that big sisters know best, and that I shouldn’t be so afraid to trust her, because look how well her plans always turn out? Well, knowing her my entire life, I can quite confidently say that Dottie’s plans don’t ALWAYS turn out well, but I am glad that this one did.
I’m certainly no movie star, but Dottie did work her magic on me that morning, and I’m touched beyond words at your kind reception of such a silly little thing. My cheeks still feel warm, even as I write to you now. Do you really carry my photo with you, even when you’re flying? I can hardly believe it, but I know you’re an honest man, Bobby, so it must be true. And if it brings you any sort of luck while you’re up in the air, then I’m glad for it and I’d send you a hundred more photographs if I could. I want you to come home safely, Bobby, more than anything. I need you to make it home safely so that we really can go flying together one day.
Please send my thanks and my best wishes to Benny and Tommy Boy, who are both clearly gentlemen of the highest caliber. But I’m sorry to tell them that I don’t have any girlfriends I can match them up with. Truth be told, I don’t have many girlfriends to begin with, and most of the women I do know are spoken for.
Speaking of which, do you remember my friend, Emily? She was the blonde volunteer working at the punch table with me the night we met. That was so long ago now, it’s okay if you don’t remember. Anyway, she just got engaged! She and her fiance actually met that night at the dance. His name is Eddie and he’s a corporal in the Army. He was stationed in Charleston for about a month or so after you were deployed, and he and Emily got to spending a lot of time with each other. They wrote to each other after he left, and Eddie proposed while he was back in Charleston on a short leave last month. Isn’t that something? It’s funny how things work out sometimes. I had thought Eddie was going to ask me to dance that night, but it was Emily he wanted to dance with. And look how well it turned out for them! I’m really happy for her. She’s so excited. They’re hoping that the war will be over soon and Eddie will come home permanently so that they can plan a big wedding. Emily even asked me to be one of her bridesmaids! I was Dottie’s Maid of Honor when she got married, but I’ve never been anyone else’s bridesmaid, so it’s all very exciting. A little bit of good news and hope in the midst of so much ugliness.
Christmas in Georgia was lovely, even if it was a little quieter than Christmases we’ve enjoyed in the past. I did get to see my grandparents, and some of my aunts and uncles and cousins, and that was a joy. If there’s one thing this war has taught us, it’s that spending time with the ones you love is really what matters most. My aunt actually made a pumpkin pie for dessert on Christmas Eve and I couldn’t stop giggling, thinking about your pumpkin pie fiasco as a little boy.
I hope that Paul, Jr. had a wonderful first birthday, same as Frankie! I think it’s an absolutely marvelous thing Natasha is doing, writing down all the special moments that are happening now so that Paul can relive them when he gets home. What a special gift that will be! Would you do me a favor, Bobby, and send Paul my best? I’ll never forget his kindness at the dance that night, and I really do hope he’s doing well.
Of course I don’t mind you passing along my best wishes to the rest of the men! I feel like I have so little to offer, and so little to contribute to this war, so if my thoughts and prayers can help lift even one person’s spirits, then I’m happy to hear it.
I’m also happy to hear that you’re good with numbers and figures because I simply never have been. I’d suggest that you could tutor me when you return home, but I’d be embarrassed for you to see just how truly hopeless I am when it comes to my mathematics. Instead, I’ll gladly take you up on your offer to handle all the writing if you handle all the numbers. An excellent team we’d make, indeed! And believe me when I say that your handwriting is far from the most dreadful I’ve seen. You should see my father’s and Paddy’s—completely illegible! Paddy once left me and Dottie a note letting us know he’d be home late that night, and we sat up for hours worrying because we couldn’t even read what it said! So trust me, Bobby, your writing is not as woeful as all that.
You can also trust me when I tell you that there are certainly no boys lining up to sign my dance card. I’ve volunteered at several other USO events, but truth be told, I haven’t gone to many dances since that one back in May. Emily’s always trying to get me to go with her, and I have gone to a couple, but it just doesn’t feel the same, Is that silly? I know we only got to attend one dance together, but it just doesn’t feel right, being there without you, Bobby. Every time I did force myself to go, I’d hear a song that played that night and then I’d miss you too much. The next time I go to a dance, I want you to be there, too, and I want us to be dancing together. I’ll make sure there’s plenty of lemonade for us afterwards.
I think Paddy is finally recovering from his caffeine withdrawals, thank goodness! Dottie and I have been cutting back on our coffee consumption so that he can have some more in the morning. I have a feeling more rations will be coming soon, which is why Dottie and I are already making plans to revive our Victory Garden this spring. We didn’t pay as much mind to it last year, when everything still seemed so readily available, but this year we’re determined to grow as much as we can. We’re not exactly farmgirls, my sister and I, so maybe you could send us some tips?
Bobby, if my words bolster your spirits, then I want you to know that your words do that a hundredfold for me. Receiving your letters in the mail brings me such joy. I have every single one saved, and I read them whenever I’m feeling sad or scared about the war. Have I told you lately how glad I am that we met and that we’re still exchanging letters all these many months later?
Here’s to hoping that 1943 is our year, Bobby. I hope that I’ll be seeing you real soon.
Most Affectionately Yours,
Peach
P.S. I almost can’t believe I’m asking this—and I hope you don’t think it too forward—but is there any possibility that you might have a photograph you could send? I can still see your face so clearly in my memories, Bobby, but it would be so special to have a photo to remember you by. If not, it’s okay. I just thought I would ask. Stay safe, Bobby.
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thetomorrowshow · 1 year ago
Text
knowing what the cards were
hi besties enjoy (or scream at me)
cw: past major character death (and mourning thereof), violence, blood
There's a pond in Rivendell, down the face of the mountain a little ways, right in the thick of the pine trees that grow all the way down the side. It's far enough away from the main city (and any outlying buildings) that likely few have ever even seen the pond, a place too insignificant to be worthy of any sort of attention. Despite this, the pond and its surrounding trees have always been a beautiful, peaceful location. The pond has only ever had the clearest water, carried down through a small stream from the melting snow of the high peaks.
Now, in the dark of night, water skimmers skate along the surface; a couple of frogs sit on rocks at the edge. Otherwise, there's no sign of life. No fish, no creatures poking through the trees to find a drink here.
The pond is a small, unseen place of tranquility, particularly at this before-sunrise hour, when even the owls are sleeping in their nests. The night is still, the forest silent, and the pond a dark reflection of all the unheard and unseen.
And Scott, sneaking out of his bedroom window like a guilty teenager, goes to it.
He had discovered the pond in his youth, a quiet hideaway from his brother and his parents and all their politics. He hadn't gone there frequently, only when everything really became too much and he had to get out before he exploded.
The pond had always had a calming effect, apart from the real world, a tiny piece of grace and solitude.
He chooses it now as the place not for its seclusion, nor its beauty, but for its lack of living creatures.
He doesn't know what's going to happen when he uses the artifacts.
Again, Alinar had been frustratingly vague on how to use the artifacts. There'd been something about magic, and something else about learning how the artifacts interact with him, so Scott hopes that using them before facing Xornoth in battle will be all right. He doesn't really understand what it means when it talks about interacting with him, but a test run never hurt anyone.
He already sent Gem the instructions (recipe? Scott really doesn't know a lot about magical terms) for the crystal that they need to trap Xornoth. She and Katherine are going to be working together on that, as far as he knows. Lizzie and Joel are occupied with the war. Pix has been out of contact for weeks. Pearl is maintaining neutrality. Shelby hasn't responded lately.
So it's up to Scott to execute the rest of the plan, not sure who he can even turn to for support in this. After all, only the Champion of Aeor can unite and use the artifacts to trap Xornoth in the crystal.
Scott lands carefully on the mossy ground beside the pond, wings drawing up behind him. The moon has disappeared beyond the mountain, but the sun hasn't yet begun to rise. Perfect time for experimental magic.
Scott pulls his Cod-woven bag off his shoulder and sets it down on the moss, leaning it against a small boulder, then slips off his soft shoes and sets them neatly beside it.
He doesn't much care for the feeling of damp moss under his socked toes, but a glance at the grass to his left tells him that it would be infinitely worse (and far more wet) to stand there.
Should he even be wearing socks when he puts the boots on? Will that ruin the . . . magical connection, or something?
Scott strips off his socks and stuffs them in his shoes, just in case. Then he unlatches his bag and pulls out the boots, which he sets atop the small boulder.
They glow, he realizes, the runes casting a very dim blue light over the leather and stone beneath. Scott stares at the glow for a moment, surely only bright enough to discern due to the almost non-existent light cast by the stars above, then reaches into his bag again, where his fingers meet the chilled gold rods of the antlers.
He withdraws the crown as well, sets it on the boulder. It glows as well, just the slightest bit, the gold clear against the dark background.
That's got to mean something. Maybe all ancient, godly artifacts glow like that.
There's really nothing else to wait for. At any moment, a servant could come knocking on his bedroom door, summoning him for matters of war, only to find him missing.
He should pray. Right? He is trying to get Aeor's attention, after all. 
Haltingly, Scott kneels in the grass, grimacing when he feels the knees of his black trousers instantly become soaked. He's not really any good at praying, but he can give it a shot.
"Um," Scott says awkwardly. What is it the priests always say? "O Aeor, God of us all and of those below, God of the mountains and . . . and of the snow, God of the day that conquers the night, God that now slumbers until the world is returned to thy light. Uh. . . ."
The introduction part feels clunky and must actually be more ornate than that, but Scott can't quite seem to bring it to his remembrance, even with however many years that he's been hearing it. It's good enough, though, and now he ought to continue—but the prayers differ after that, a thousand and two different ones for any situation. And Scott, after he recited the main forty for his religious tutoring, made no effort to keep them memorized nor learn any of the others.
"Aeor," he says after a few moments of deliberation, dropping all attempts at following a prayer, "if I truly am your chosen, consecrate these holy objects now in me. Show me . . . show me the way. Help—help me."
Did Alinar ever kneel alone in a forest, praying for any help that his god would give? Did Alinar ever feel entirely inadequate for the job that he was faced with, for the mantle of Aeor's Champion?
Years ago, reading Alinar's tales, Scott would've laughed at such a thought. Alinar had been foreordained, had perfectly completed every task set for him. Never was there any doubt that the task at hand was beyond his reach.
But now that Scott's in the hero's story, he can't help but hope it's normal to feel like an utter failure. Normal to be scared. Normal to feel totally, utterly lost.
Scott stands, brushes off his knees, and pulls a boot on.
It fits perfectly, of course, his foot sliding into place with ease. He laces it up as tight as he can, the boot going a bit higher than halfway up his calf. The other is no different, though his fingers fumble on the white leather of the laces and it takes him a moment to get it pulled as tight as he wants it.
Okay. He has the boots on.
Next step.
Scott straightens, and with mounting anticipation and shaking hands, he lifts the crown of antlers onto his head.
He waits.
He doesn't . . . he doesn't feel any different, so far. Maybe . . . holier, maybe?
He flexes his toes in the boots. They aren't stiff at all, the leather well taken care of but fairly worn-in.
He tilts his head from side to side. The crown feels almost weightless, impeccably well-balanced. It isn't in any danger of slipping, either, set firmly on his head, fitting as perfectly as the boots do.
Now. How is he meant to test these out?
Scott takes a tentative step forward.
There's a sudden, crinkling-crackling sound from his feet—Scott looks down—
The edge of the pond is frozen.
There's frost under his toes. The edge of the pond is frozen.
There's absolutely no way.
He takes another step—more crackling, the ice spreads another foot down the pond.
Carefully, Scott puts some of his weight on the ice.
It holds. More spreads, even.
He puts both feet standing on the now half-frozen pond.
It doesn't even crack.
Ice magic, then. The boots have some sort of ice enchantment, likely written into the runes. That—maybe he's meant to freeze Xornoth? Freeze him, so that he can't get away from the whole crystal ordeal. Or maybe use the ice to freeze him to the crystal? 
And when thou hast the daemone at thy will, binde it to the cristyl.
That . . . that might be right. Right? It's probably more than normal ice, it's probably strange magical ice. Something that can bind.
Scott crosses to the middle of the pond. He's walking on water, practically. The pond is just freezing around him, making a large path for his next step before he's even raised his foot.
Jimmy would have found this so impressive. He would've stood on the shore and sputtered, mouth hanging open. Scott would've laughed, and held out his hand, and brought Jimmy out onto the ice to stand with him. And then, gazing at his perfect lover with his permanently-messy hair and his still-shocked expression, he would have kissed him.
And it's for Jimmy that Scott is going to end Xornoth.
He can't kill Xornoth, the book had told him that much. Their souls are connected, some sort of confusing reincarnation of spirits kind of thing that Scott doesn't really understand. He needs to bind him to the crystal in a ritual that he also doesn't understand, but if the boots have an ice enchantment to freeze Xornoth in place or attach him to the crystal, maybe the crown just gives him the magical authority to command Xornoth to go into the crystal? Or something like that?
Scott points at a sleepy-looking frog. "Don't move," he commands with all the power he can muster.
The frog doesn't move. But it probably wasn't planning on it, anyway.
And part of the intrinsic elvish magic that he already has is the strength of suggestion. If he tells someone not to move, really tells them, with power, chances are they won't move.
Will the crown just amplify that magic, then? Or will it make it literally impossible to break a command given, since the power comes from a god and not just a normal elf?
Well, at least he figured out what the boots do. He really ought to get back—he's already spent enough time away. A servant could have alerted the entire palace by now if they knocked to find him missing.
Scott heads back to shore and unlaces the boots, stepping out of them and into his own shoes (he doesn't bother with his socks right now, tucking them into his pocket). Then he puts the boots and the crown back in the bag, beside a small book that looks . . . unfamiliar.
When did he put a book in his bag? Especially one that looks so . . . ancient?
Frowning, Scott pulls it out and cracks it open.
The text isn't anything like what he's used to, blue lines thick and letters big, with no discernable spaces for words. It takes a moment of staring stupidly at the large letters before he has the sudden realization that this is a book in that form of Oceanic that he was meant to give Lizzie. He's already given her the book, but he remembers that it had a smaller book inside. It must've slipped out at some point.
He'll probably see her soon, right? War negotiations have constantly been taking him or one of his advisors to and fro, so surely there'll be someone to give it to her, if not him precisely.
So Scott puts it back in his bag amongst the artifacts and takes off, flying straight back to the palace and landing on his bedroom windowsill, crawling in.
Unnoticed, the touch of his fingers on the window frame leaves frost.
-
When Scott wakes up (blurry nightmares of chains and indistinct threats), he feels cold.
He must've left the window open. He's done that before, woken up to a little bit of snow on the windowsill after a late-night flight.
And his bed's been rather cold as of late, missing the heat of another body.
But when Scott opens his eyes, his favorite blue blanket is white.
He sits up, confused—and snow falls off of him in little showers, clumping onto his blanket in the creases.
Why is there—?
There's ice on his bedside table, just a thin layer of it. Snow on the bedknobs. Snow on the rug.
And the window is closed.
The low fire that's usually still a bed of hot coals in the mornings is emitting zero warmth, the coals black and cold. The lantern on his bedside table has gone out.
Scott throws his legs over the side of the bed, ignoring the cascade of snow that falls to the floor. How did—what?
The boots.
Are they still active even when he isn't wearing them? But—had something changed when he put them on? Is there a way to turn them off?
Scott fumbles around his bedpost until he finds his bag hanging, from which he pulls out the boots and turns them over in his hands.
"Stop," he says, voice still heavy with sleep. "Just . . . don't."
Nothing changes. Did it work? Are the boots still freezing the room?
Nothing really looks like it's melting, but there isn't anything new in the room, either. Scott sets the boots aside (and they feel normal, they aren't covered in frost or anything) and stands up, stumping over to the fireplace on numb feet. He stokes the coals, trying to bring any bit of warmth back to the room, but there's absolutely nothing left to be brought back.
He doesn't keep a flint and steel in his room. Usually a servant cares for these kinds of things, but he doesn't want a servant in here to find his room frozen. How on Aeor's green earth would he explain that?
He has to have a flint and steel in his travel kit in the closet, right? Scott ducks into the closet, finds his travel kit thrown on the floor where he left it after the funeral. He picks it up, rummages through it for a moment. Sure enough, tucked into a part of the leather kit is a small flint and steel, right next to a small hunting knife and needle and thread. He pulls it out and heads back to the coals. He can do figure this out. No need to panic.
There's a little pile of logs by the fireplace, which he shakes the snow off of before tossing them in, hoping they aren't too damp or anything. That would be just his luck, the inability to light a fire in a frozen room.
Thankfully, they aren't too damp. It takes a couple of tries with his numb fingers to get the flint and steel to strike a spark, and another couple tries to get it to light, but it lights nonetheless.
Once the flame takes hold, the room immediately starts to feel a bit warmer, and Scott shudders as his fingers start to tingle with pins and needles. Right, that's taken care of. Maybe now he won't freeze to death.
And then he remembers that there's quite a bit of ice and snow in his room, which will all be melting shortly.
That might be even worse than all the ice, and it's with a panicked hurriedness that Scott starts scooping up the snow in his bare hands and running it to the window to toss it out. He gets a good bit of it (at some point he lifts his blanket off his bed and just shakes it out the window) out, but it's already starting to melt and he can barely feel his fingers and the rug squishes under his feet—
Knock-knock-knock.
Scott curses, wipes his hands off on his dressing robe, and has his hand on the doorknob before he realizes he isn't wearing his veil. He curses again, doubles back to his closet. He doesn't have time to pin the whole thing on, he doesn't have time for any of his—
Scott pulls a veil on over his head and doesn't even bother with any of the pins and ties. It's a long one, meant for trips out, but he just adusts it until his eyes are in the eye-slit and hopes that he doesn't have any hair sticking out.
Then he can get back to the door (he trips over the trailing veil, it wouldn't be long enough to trip over if he'd tied and pinned it properly) and crack it open, sticking his head out.
Surprisingly, he finds not a servant, but Galidre, a junior member of his council. Galidre bows, black robes sweeping the floor.
"Your majesty," they say, straightening. "A representative of the Undergrove is here to speak with you."
"Shubble?" Scott asks, a little bewildered. What does she need?
"Not—not the ruler herself, but an ambassador. I believe they are requesting sanctuary, Milord."
Sanctuary?
That doesn't make any sense. The Grimlands haven't really mobilized anything concrete yet, and as far as Scott was last aware, Mythland and the Lost Empire were both still attacking the Ocean Kingdom.
But Scott doesn't ask questions. He just withdraws and gets dressed (properly pinning his veil this time), then grabs all the towels from the washroom and lays them on his bedroom floor to try and soak up some of the water. Hopefully nobody comes in to clean his room or gather his laundry while he's out.
Last of all, he steps into his very normal boots, pulls on his black gloves, and sets his crown atop his veil.
Perfect. He looks the pinnacle of 'king-mourning-his-fiance', no doubt about it.
He misses Jimmy.
And just as Galidre had suggested, in the meeting with the representative of the Undergrove, Shubble's people are looking for sanctuary.
"There's so few of us, your majesty," the gnome implores, twisting his mushroom hat between his hands. "Less than eight thousand at our last count. We do not ask for you to provide for us, but if we could come to just the foothills of your lands, someplace safe for our children, we promise all able gnomes will serve in your armies."
That isn't asking much. It's asking far less than Scott would have asked, had the situation been reversed, and Scott's bruised heart aches at the humble plea. Can he even bear to turn them away?
"I will . . . I will discuss this matter with my council," Scott tells him, glancing between Galidre and Aphoras, the two advisors present. "I don't wish for any to be harmed while it is in my power to stop it."
If Shubble's worried, it means fWhip is getting ready to attack. Or maybe that Sausage and Joey are leaving their battle, hoping to strike Scott in his complacency. Something's happening soon, and the Undergrove cannot protect itself.
He doesn't want to uproot the gnomes from their new home. The gnomes had appeared in his childhood, three or four thousand of them moving from some unknown, conquered land to take up residence in their own small corner of the world. They've nurtured and cultivated that corner, built a city and begun farms and families, until it became what it is—a lovely little civilization beginning to thrive. To take that away from them would be cruel.
But he has to do it. To save them the destruction of their entire culture, he has to pull the gnomes away from everything they have.
He could make the decision here and now. His mind is already made up, he won't need to discuss this with his council.
But as the gnome hops down from his too-big chair, bowing deeply, Scott knows that there's another way.
He has to end the war.
-
Ending a war is easier said than done. For one, Scott still doesn't really know how to use the artifacts. The crown remains stubbornly unforthcoming with what its use might be, and the boots. . . . Well, the boots don't stop. The next morning when he wakes up, his room is frozen again—and the morning after that. Scott stops bothering to melt it and just pins a 'do not disturb' sign on the door, before moving to sleep in Jimmy's almost-untouched bedroom. That one freezes, too, as well as the sitting room, and Scott gives up on trying to stop the boots from freezing things and just piles blankets onto his bed and puts pans of hot coals in between the sheets for when he needs to sleep. Otherwise, he just stays out of his room and pretends like it isn't covered in ice.
(He doesn't notice, but frost spreads under his desk, and his untouched cups of tea ice over, and every tear he cries freezes on his face.)
(Others notice, though. Ilphas stares when a wave of Scott's hand sends a streak of frost along a wall; a servant cleans his office and is bewildered by the ice everywhere; the eldest of the palace begin whispering rumors of Aeor's Champion, remembering the old songs.)
For another, Scott doesn't really know how or where to meet Xornoth to defeat him. Does he just go outside? Call his brother's name? Hope the demon shows up, despite the wards around Rivendell preventing his entrance?
He really doesn't want to summon the demon. Somehow, that seems like a poor idea. Some part of Scott is certain that demons have the most power right as they've been summoned, and whether that's true or not Scott doesn't want to test. And he'd absolutely rather not have Xornoth in Rivendell.
The only thing he can think to do is meet Sausage's armies at . . . well, at the border of Mythland. It would be a bold show of support for the Ocean Kingdom—he would have either to march his army through Mezelea or sail across the ocean to reach Mythland. It should only be a move to make if he's certain that he's ready to fully enter the war, or if he's certain that Xornoth will be there.
And suddenly it doesn't really matter, because three days after the ambassador from the Undergrove arrives, he receives communication that fWhip has set out for Rivendell, thousands of soldiers at his command.
His hand is forced. Scott sends Gem a quick message, asking if she's been able to create the crystal. When she responds by gushing excitedly about the properties, he tells her to meet him at No Man's Pass, on the far East border of Rivendell.
It only takes two days to mobilize the advance party of his army, prepared as he has been to enter the war. He can but hope (and dread) that Xornoth will be there.
So Scott swallows down his anxieties about not being able to figure out the artifacts (and he really has tried, but he's only had them for a little over a week), swings the Codmade bag with both of them inside over his shoulder, and rides out to meet Xornoth.
With any luck, Aeor will guide.
-
It's a cold morning when Scott steps out of his tent, ready to treaty with fWhip.
Their armies had met the day prior, and both of their generals had agreed to a meeting between leaders to see if they couldn't come to an arrangement of some sort. So Scott steps out, dressed in his most moveable mourning clothes (a short veil tight enough to be almost a scarf around his face and head, a hood pulled over that, billowy black trousers and a belted tunic with an open-front surcoat) and the Boots of Alinar on his feet, the Crown of Alinar a conscious weight in the Codmade bag at his side.
And when he enters the treaty tent, set on a cliff overlooking a rushing river in the shadow of one of Rivendell's mountains, with Ilphas at his side and two guards behind him, there are more people in the tent than he expected.
fWhip he notices first, dressed in his usual black coat and scarf, standing between two guards of his own, elytra clicking idly. But next to him is Sausage (naturally Scott wants to kill him), and next to him is Joey.
Which is entirely unexpected, because as far as Scott is aware, neither of them brought their armies—or any sort of guard—with them. They must have flown over for this confrontation in particular, as if a war wasn't currently happening, as if their own soldiers aren't dying right now.
Scott can barely muster disgust past the fear (fear of what will happen, fear that it won't work, fear because these three men tortured him again and again and if all fails, he'll be at their mercy again).
Also present is Gem, wizard's staff in one hand, a leather bag swung over her shoulder, and Katherine, wings fluttering anxiously behind her.
"I'm here to keep the peace," Katherine says immediately. "I don't know why everyone else is here."
"I'm here because Scott asked me to be," Gem pipes up.
"I'm here to see my Xorny," Joey says obnoxiously.
It's less the idea of Joey dating a demon and more the idea of Joey dating his brother that makes Scott want to vomit. Out of all the men in the world, he picked Xornoth? And out of all the men in the world, Joey is his potential brother-in-law?
Sausage shrugs in a way that makes Scott want to kill him. "I just wanted to see it all go down!" 
"Me too," a voice says behind Scott. Scott whips around—Joel's standing there, looking entirely unrepentant.
He was counting on the fact that there would be some factors within his control, such as who was present—he had only anticipated himself and fWhip and Xornoth.
"All right, this is far too many emperors in one tent," declares Scott. His feathers are standing on end, all of his nerves jangling. This isn't good. Something is going to go sour here. Especially adding Joel to the mix. Joel is hotheaded at the best of times—in the middle of a war, in a tent with the enemy? Scott doesn't trust him to keep cool.
Scott almost doesn't trust himself to keep cool.
"It's like a House Blossom meeting all over again," Sausage says, voice cheery in a way that makes Scott want to stab him through the heart.
"Hey, I'm just here—"
"This does concern me, after all, it's about—"
"Well if it concerns you, then it concerns—"
"—for everyone, so they—"
"—is that Lizzie said that—"
"My lords and ladies, your presence is acknowledged and appreciated," Ilphas steps forward, checking over their shoulder at Scott. Scott nods his go-ahead—he's never been so grateful to have political, stuffy advisors who know how to be polite.
"This is, however, a meeting between Lord Smajor and Count fWhip, and as such, no other rulers are permitted to be in the tent during the meeting."
"Aw, come on!" Sausage whines. If Scott could kill him without breaking a million laws right now. . . .
But they all clear out, even as Joel walks backward, glaring hard at fWhip.
And Scott is left alone with the man (and their combined guards and Ilphas).
fWhip nods toward the table and two chairs that have been set up in the middle of the tent, a clearly-just-unrolled red rug underneath them.
Scott waits. He doesn't plan on implying that he's at fWhip's command.
After a long moment, fWhip shrugs and sits.
It's the little things.
After waiting a sufficient amount of time to establish that he is the one running this conversation, thank you very much, Scott sits across from him.
He's about to speak. He's about to open his mouth and demand a conference with Xornoth. He's about to end this war.
But fWhip leans forward, a small smile playing on his lips.
"I heard it wasn't exactly quick," he says lowly, and Scott has a moment of confusion—quick? what wasn't quick?—before fWhip continues.
"Not as long as Xornoth was gonna make it, of course," he says, eyes fixed on Scott (and goosebumps spontaneously appear all over Scott's body as he flashes back to those six days in captivity). "If Xornoth got your little fish boy, he was gonna make it long. I heard some of his plans—something about making you watch as he slowly skinned him—?"
Before he even knows what he's doing, Scott's on his feet, hand dragging fWhip up by his collar, pulling him halfway across the table as the man lets out a surprised, choked noise.
"Milord," says Ilphas sharply, tugging on the back of Scott's robe.
Scott shoves fWhip back in his chair (which rocks onto its back legs from the force), hands shaking—whole body shaking, trembling with something like the grief-stricken rage Lizzie had shown at Jimmy's funeral. He—just to casually—casually mention torturing his dead fiance and—and Scott knows he's doing it on purpose, he knows it's to get a rise out of him, and he finds that he just doesn't care.
fWhip's guards step forward, though, weapons raised, and with Ilphas firmly pushing down on his shoulders, Scott sits back down, his gloved hands balled into fists.
He isn't going to stand for this. He isn't going to let fWhip sit there and just speak such filth about his beloved.
But he can't do anything. Not yet.
It gives him a bit of satisfaction to see fWhip ruffled, collar upturned and hair out of place. But fWhip just fixes a stupidly smug look on his face and crosses his arms.
"Scott, we both know you can't threaten me anymore," he chuckles. "Not since I beat you, whipped you, branded you with my own signet . . . there's absolutely nothing about you that I find scary. You've literally begged me for mercy way too many times for that, my friend."
Scott forces himself to breathe deeply, let his fists relax, even as the faded whipping scars on his back twinge in memory. He has to—he has to get control of himself, he has to conduct this in a kingly manner. It doesn't matter that he was tortured by this man, it doesn't matter that his fiance died mere weeks ago (over a month ago, his mind supplies, it's been over a month and the world has somehow gone on), it doesn't matter that he's only a hundred and nine, for Aeor's sake, he is a king and he has to act like one.
"We are here—" he starts, but fWhip interrupts.
"Xornoth only wants one thing. Well," he laughs a little, "a couple of things. World domination is pretty high on his priority list. But he wants you to give up the god, Scott. He already knows you're Aeor's Champion or whatever that is, so you are his best chance at finding the other one. After all, you've got a very rare direct connection to a god yourself!"
That . . . that doesn't make any sense.
The other one? Aeor is the only god that Scott knows of that happens to be living (other than Exor, who Xornoth is already irrevocably bound to). Are there others alive? Others that he's somehow meant to know about?
It doesn't really matter, Scott supposes. He's here to end this war and that's allowed.
"That subject is not the purpose of this meeting," Scott says stiffly, ignoring the chill that runs down his spine at those words that he'd heard so many times in his nightmares. "The purpose—"
"Yeah, yeah, you want me to not bring the war to you or something, trying to convince me to leave your people alone," fWhip waves. "Your people mean nothing to me. I'll kill them if you make me, but if you don't want me to do that, I have a couple of terms. So—"
"That is not what I intended to discuss," Scott says icily, smoothing out a wrinkle in his tunic.
fWhip raises an eyebrow. "Oh, yeah? Then what?"
Scott leans a bit closer, all of his instincts screaming for him to move further away. "I am here to demand a meeting with Xornoth," he says, forcing every ounce of cold anger that he feels into his words. "He has tormented these lands for long enough. My business is with him and him alone."
fWhip scoffs. "If you've got business with him, you've got it with me," he says. "So, go on. Say your piece."
You know what? Sure. Scott doesn't mind killing two of his tormentors in one go. First fWhip, then Xornoth. He can absolutely do that.
But Ilphas's hand falls on his shoulder, as if they know exactly what he's thinking of. It would be very, very bad politically to kill fWhip right here and now.
"You misunderstand me," Scott says, and his stomach flips because this is it, it's time to save the world and he doesn't know if he has the strength to do it, and he doesn't let his voice waver but he does let his breath catch— "I mean to kill him."
fWhip bursts out laughing. "Sorry—are you serious? You kill Xornoth? Like, I admire the initiative, but you're the weakest person I know! At least, the weakest living person."
Scott ignores the jab at Jimmy, as disgusting as it is. He just settles back in his chair, crosses his legs.
Eventually, fWhip stops laughing, and his cheerful demeanor drops into a glare alarmingly quickly, quickly enough that it unsettles Scott more than anything fWhip's said so far.
"Your funeral, Smajor," he says darkly. "It'll be nice to get you out of the way."
The lamp on the table goes out, bathing them in a cool dimness.
Scott's heart leaps into his throat.
He doesn't dare breathe in the sudden stillness.
The lamp flickers back to life, the once-yellow flame now a deep red.
The tent, which had been almost frigid for some reason, rapidly begins to heat to an unbearable temperature. Sweat breaks out on Scott's forehead, rolling down his back, dripping down his cheek. It's like he stepped into the Nether, hot enough that his head starts to feel dizzy and his stomach unsteady.
The table begins to rattle, quiet at first, then faster and faster and louder and louder. The ground begins to shake, actually, rumbling and trembling, and the tent walls are flapping in a sudden roaring wins and Scott knows he's coming he knows he's here—
The tent pulls free of the stakes and completely flies apart, the red light spilling outward over the darkening plain, much further than a lantern's light ought to go. Scott shoves back his chair and stands, surcoat whipping around him, searching the skies for any sign of his brother.
Scott's never really seen the demon up close. He's briefly seen him (outside of their youth) twice. Once was from a distance in the End, Xornoth standing atop a tower to watch the battle to save the dragon. The other time was just a brief encounter, Xornoth appearing behind him while visiting the Overgrown close to a year ago, seemingly to do nothing but spook him.
And now, as Xornoth appears before him, Scott loses sight of all his anger. He can't feel anything but cold fear.
Again, Scott's never really seen the demon up close. And as he stares now, feet rooted to the ground, he doesn't see a single sign of the brother he once knew.
Xornoth, like Scott, is dressed all in black, but where Scott's mourning clothing is carefully fashioned and clean, Xornoth's black robes are torn, his dark armor unshined and grimy. His feet are shod with armored boots, his hands with leather gloves, and upon his head is what could either be a literal pair of black antlers or the red-streaked crown of Exor's Champion, a crude mockery of the one hanging at Scott's side.
His face is distorted, blackened, eyes bulbous and entirely maroon, mouth far too large and cutting jaggedly into his cheeks. His ears are still somewhat elvish, poking through his straggly black hair (which had always been purple as a child), which trails down his shoulders and chest.
Whatever that demon is, Scott can barely picture his brother in its place.
Yet it is his brother, here and now, and Xornoth is standing atop a boulder on the edge of the cliff, dark veins of red spreading out from it through the earth, cracking apart stone and solid dirt. Soldiers and rulers that had been milling about leap back, weapons raised.
And echoing through Scott's head and bones and the stifling air around him is a voice that hasn't haunted him in decades.
"Well, brother," Xornoth says, their blackened lips stretching inhumanly, pointed teeth bared. "You think you can destroy me?"
Scott's really starting to think he can't. The very air is thick with the stench of brimstone, so much so that members of his army are doubled over coughing, and the wind is howling and the skies are dark and there's maroon smoke rising from the ground and Scott can't breathe, he's choking on his own air and he doesn't even know what he's supposed to do—
But he doesn't fall to his knees, even as Katherine does beside him. He doesn't cover his ears and squint his eyes shut, like Joel does.
Instead, he fumbles open his bag and pulls out the Crown of Antlers, which he trades out for the crown on his head.
And Xornoth's smile falters.
His gaze travels down, down to Scott's feet.
Scott taps a booted toe against the ground.
"That's right," Scott calls out, above the whistling of the furnace-like wind and the coughing of the soldiers. "I have the artifacts. I'm going to bind you and your master, never to return again."
Almost as if caused by his words, spoken with a conviction that he forces himself to feel, the wind changes directions. The sweat on Scott's back freezes. fWhip, mere steps away from Scott, coughs, his breath appearing before him in a puff of smoke.
"You don't know how to use those," Xornoth sneers, but despite the years it's been since they last spoke, despite how unrecognizable he truly is, Scott knows his brother. He knows that when his voice becomes harshest is at his moments of uncertainty, determined to command his way out of any problem.
That means he's scared. He knows what Scott can do to him.
(Even if Scott doesn't know it himself.)
"Gem," he calls over his shoulder, and within moments she's at his side. "I'll need you to hold the crystal while I bind him, all right?" he says, quieter.
She nods, reaches into her sleek leather satchel and pulls out a huge, clear crystal, bigger than Scott's own hand. It shimmers slightly, gold specks scattered throughout that somehow shine with the sun hidden by the dark grey skies. She hefts it up, mouth in a grim line.
Scott nods back to her, then takes a step forward, one arm up to shield his eyes as the wind and heat get stronger the nearer he gets to Xornoth. Another step. Another.
There's a crack in the air, deafeningly loud, and Scott only has a moment to register that Xornoth has vanished in a cloud of black smoke before a literal tentacle bursts out of the stoney ground right in front of him, sending chunks of rock flying, and wraps around Scott's middle.
It lifts him into the air, a sizzling sound and uncomfortable heat against his body and wings telling him that it's burning through his clothes and feathers, and Scott struggles against it to try and pull his wings free but it's holding tightly to him, raising him higher and higher into the air—
And then it stops.
Ice is gathering where Scott's fists have been beating against the tentacle, gathering and spreading down, and though it melts almost instantly it simply reforms, until the tentacle begins to slowly recede into the ground.
Scott stumbles out of its grasp and onto blessed solid ground (he loves being in the air but not like that), and Xornoth himself appears right in front of him.
The demon moves, arm reaching out, mouth stretching open, Scott's arms fly up to shield his face—
"Stop," Scott gasps blindly, putting as much compulsion as he can into the one word, even though he doesn't even know what he's commanding Xornoth to stop doing.
The wind calms to almost nothing. Ice crackles across the ground. The air becomes frigid, though the terrible smell still lingers.
Scott lets his arms lower from blocking his vision, terrified of what he might find. Dear Aeor, his legs are utterly trembling, but he doesn't have the time to collapse.
And he finds that Xornoth is standing motionless before him, face twisted in rage.
"Gem," Scott says, voice too loud for the sudden silence, heart pounding in his ears. "The crystal—Gem, now—"
Gem hurries forward, holds it out, and Scott musters everything he has in him and commands, making the words up as he goes, "Xornoth, Exor, and those demons within you, I bind you by the power of Aeor to this crystal, never to be free from it again."
He waits, breath tight in his chest.
Nothing happens. Xornoth glances down, eyes catching on Scott's waist, and chuckles.
"I bind you!" Scott says again. This has to work. He has the crown, he has the boots, he has the crystal, this should be working—
He shoves all the imagined power he can through the air, as if to push Xornoth bodily into the crystal, this has to work he's getting desperate—
He's knocked backward with a sudden force, a blast of frost and ice coming from his own body, and Scott hits the ground and rolls through the dust, bumping his elbows and knees and hips, his veil getting caught under him and tearing down off his face.
He lays there for a moment—he can't afford a moment, but he can't breathe—and when he gets up, pushing himself up on his gloved hands, he sees—
Xornoth is frozen, a giant block of ice encasing him. The crystal is on the ground, twinkling under a blanket of frost.
And Gem is on the ground too, slumped as if dead, hair white as snow.
No—no—
"What'd you do to my sister!" fWhip shouts, rushing forward to Gem. He kneels down beside her, pulls her into his lap, starts shaking her.
Scott struggles to his knees, tugs off his torn gloves with shaking hands. He didn't—he didn't mean to hurt anyone, he didn't mean to hit Gem—he doesn't know what he's doing, he was just trying to fix everything but he doesn't know how and he doesn't know what to do—Aeor, please—
He stumbles up, the lace of one boot getting caught under his foot and coming entirely undone.
Ice is everywhere. Great chunks of it around the plateau, coating every bit of ground in a sheet, the one tree growing in the tough dirt entirely uprooted and frozen.
Those members of his and fWhip's armies that are closest to the treaty grounds are dusting frost from their uniforms, some of them picking themselves up from the ground where the force of the blast had knocked them.
He didn't know the boots could do this. He didn't want to do this. He didn't mean for this to happen, he didn't want this to happen—
"You—!"
And before Scott can even really process everything, fWhip is barreling into him, sending him right back to the ground with an "oof".
"I'm gonna—" fWhip starts, straddling Scott's stomach, eyes wild and face red with anger, but a CRACK! that shoots through the air gives him pause.
Everyone, slowly, trancelike, turns to where the frozen Xornoth remains, and the large crack that's splintering down the ice encasing him.
With strength that must come from Aeor himself, Scott shoves fWhip off (he ignores the way fWhip's jacket goes stiff with ice) and rolls to his feet, stumbling toward Xornoth, scooping up the crystal on his way.
And then he doesn't know what to do.
He holds up the crystal beside the frozen chunk of ice that holds Xornoth, willing it to do something, anything.
"I bind you," he chokes out, pressing the crystal through the crack and into Xormoth's chest. "Come on. . . . I bind you!"
The ice shatters from Xornoth with a wave of heat that blasts Scott back, knocking the crystal from his hand as he once again hits the ground hard on his back (all the breath is forced out of his lungs and it hurts) and slides a couple of feet, feathers turning the wrong way and getting torn out.
Scott scrambles to regain his bearings—he can't breathe and everything hurts—but before he can even get from more than a sitting position, a foul-smelling boot kicks him in the chin and his head snaps backward, sending him back down.
He opens watering eyes, blinking several times to clear their blurriness, arms splayed out at his sides. Xornoth stands over him, radiating heat, the dark clouds in the sky behind him seeming to swell.
"You think you can trap me in a little piece of glass?" Xornoth growls, and when Scott again tries to get up, pushing himself up with his arms against the gravelly ground, he again kicks him down, knocking his head against the stone.
No. No, he has to save them—he can hear people shouting, he can hear screams, he's Aeor's Champion, this isn't how the story is supposed to go—
Xornoth laughs, cruel and derisive, before bending down over Scott and gripping one gloved hand in the front of his tunic. He drags him up, up to standing, his tunic tearing just slightly.
Scott can barely even struggle. His body feels like jelly, wings hanging limply behind him, legs almost unable to support his own weight.
He tried. He tried so hard.
Xornoth's face is so close to his that Scott can smell his reeking breath, see how the points of his black teeth glisten with saliva, but he can't even find the strength to tip his head back, get away from him.
"Even your little fish boy fought harder than this," sneers Xornoth, only loud enough for Scott to hear, and Scott's heart breaks.
Jimmy.
He just wants Jimmy.
Somehow, if Jimmy had been here, it all would have been okay.
A tear slips down his bare face. Scott swallows back a sob, brings up his fumbling arms and weakly pushes at Xornoth's hand.
Ice spreads across his glove, and Xornoth hisses before throwing Scott down. He lands hard on his side, feels one of his ribs crack with a flash of white-hot pain, and he can't do anything but lie there and try to breath through it.
"I am Xornoth," the demon declares, voice echoing around the cliff, and the armies waiting on either side quiet, the only sound Xornoth's voice and the once-again rushing wind. "I am the ruler of this world. The so-called king of Rivendell tried to challenge me, and has failed. If any of you who followed him wish to feel my mercy, give up your arms now."
Scott knows his people. He knows that despite his youth, despite some unpopularity among older generations, his people care too much for him (for tradition, for his family) to renounce him.
And he can't let that happen. He's done for. He failed.
Rivendell needs to surrender.
Scott raises his head, just a little bit, some grit that had been stuck to his cheek falling to the stony ground, and looks around—there.
He catches Ilphas's eye—Ilphas, standing at the forefront of his army, their grey cloak slipping from their shoulder and hair out of place but their chin held high and stance dignified—and ignores the abject horror painting their face, then gives the tiniest, most minute nod.
They blink several times, and if Scott didn't know any better, he'd think they were crying. They nod in return, though, and turn away, calling instructions to surrender.
Xornoth nudges Scott with the toe of his boot. "This is your king," he spits. "And he is dead."
Before Scott can do anything, before he can so much as move, another maroon tentacle cracks out of the ground beside him, burning hot, and wraps around his legs.
It's all Scott can do not to scream—this tentacle is far hotter than the other, burning straight through his trousers to his skin, but before he can try to squirm away, it drags him up into the air upside-down and throws him.
Scott doesn't even have time to process the wind rushing through his ears before he slams into the ground, knocking his head against a rock in a way that makes his vision flash black and grainy and sends pain jolting through his entire head.
Xornoth stalks toward him, he sees, through blurry vision red with pain, he says something—something terrible and pulsing—Scott scrambles back, his palms bleeding against the rough texture of the cliff, he just has to survive he just has to survive—
Xornoth grabs him by the right wing, pulls him up as the delicate bone strains, Scott tries to even out his weight to his feet but he can't find his footing—
The bone in his wing snaps and Scott doesn't have the energy to scream, his breath releasing in a little gasp. No . . . no. . . .
He meets Xornoth's eyes, the world hazy.
There's no pity to be found in those dark pits. No mercy. Only satisfaction.
And Scott knows, right then and there, with a clarity that cuts through all the pain and haziness, that he's dying.
He failed.
He failed all of them.
And with a burst of hot power from Xornoth, Scott is once again flying through the air and then he's falling, down, down, the wind buffeting his back as he goes over the cliff, his right wing thrown uselessly this way and that as his left wing tries valiantly to save him but his weight is too much, and with a gross clunk and a white hot burst of pain, it slips out of the socket.
Before Scott can scream, before he can pray, before he can do anything but twist his body in the air to face nose down, he hits freezing water and blacks out.
The last thing he thinks, mind desperately spinning, is that at least he won't have to live so alone anymore.
-
His body aches, pulsing up and down, from the tips of his fingers to the ends of his toes, traveling up each limb and down each vein. Everything hurts, in ways that he can't quite understand.
The stag steps carefully through the forest, over gnarled tree roots and clumps of grass, each step rocking him from right to left.
Scott takes in a slow breath, body slumping further against the stag. The fingers of his right hand loosely grasp its hair, his left arm hanging at his side.
He just wants to fall asleep. He's so tired, and it all hurts so much that he can't even think. He just wants to sleep.
But he blinks slowly instead, watches as a squirrel skitters up the bark of a huge oak tree. A deer pokes its head out from behind a birch, its ears twitching curiously. Somewhere in the branches above, a chickadee sings its repeating song.
Scott lets his breath out in a long sigh. His body rolls with the slow trundle of the stag, jostling his various uncategorized wounds.
He swallows, throat dry.
Maybe he can sleep here. On the back of the stag. Let it carry him to wherever it intends to go.
He's so tired.
The ground below gets softer, bit by bit, the dirt becoming darker, the grass more frequent. The stag's hooves begin to leave impressions in the ground, the grass springing up after every step. A frog croaks from nearby, low and long. The leaves on the trees start hanging lower and lower, dripping down into puddles of murky water.
And then, the dirt now mud and squishing with every step, the stag stops.
Scott should see why it stopped. He should lift his pounding head, see what's before them, because surely if it's important enough to stop the stag he has to see what it is.
But he doesn't have the strength.
As his body is pushed, further and further—
After a long moment, the stag bends its neck, head dipping low in an arc, and Scott begins to slide forward, his fingers slipping from their limp grasp, his body leaving streaks of red in the brilliant white hair.
He slowly slides further, further, until he rolls between the stag's antlers, his tunic catching on a sharp antler and pulling a long tear down the side, before he slowly falls into a clear pool of water.
He sinks, red billowing up in the water around him—
Sinking, water filling his lungs, so much weighing him down and down—
Down and down, until his toes meet silty mud at the bottom.
He hangs there, in the water, letting it wash away his aches and pains and all the blood, and he sighs, bubbles spilling from his lips.
He's so tired.
A fish swims up to him—a cod—
Hands under his arms and pulling at his tunic, dragging him up onto a rocky shore scraping his back—
It noses at him, pokes him hard in the chest—
Pressing on his chest, harder and harder, again and again and it hurts—
And then swims up to between his eyes (it takes a moment to come back into focus) and stares at him, eyes large and somehow desperate.
And he sees, wavering in and out, desperate and beautiful brown eyes.
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banamine-bananime · 9 months ago
Text
just listing some of my headcanons (mostly appearance/demographics) because i like listing things and i’m procrastinating hard
caboose - 18-19 in 2552. went straight from hs graduation to basic to sim training to blood gulch. he was gonna do a program where the UNSC provides a hefty scholarship for completion of an engineering degree with a few years of service upon graduation, but got enlisted instead through a combination of paperwork being confusing for bureaucratic nonsense reasons, paperwork being confusing for deliberate predatory we-need-as-many-people-for-cannon-fodder-as-possible reasons, and him being confused by any paperwork. 6'7”, ~250 lb, very muscular and not thin but not quite chubby either, very mixed but mostly latino and arabic ethnicities, thick fluffy 3A chin-length dark brown hair that's always in his eyes, round face with cute fuzzy eyebrows and aquiline nose. him and tucker (and kinda donut and perhaps sarge) are the only motherfuckers here with a stable happy childhood. uses-no-specific-label queer cis dude.
church - we know church is 5 in blood gulch lol but it think he thought he was like 23-ish/jimmy was around that age. in jimmy's body, 5'10, ~230 lb, chubby and "normal" level of muscularity for someone who has a somewhat active job but doesn't work out much, untidy thick straight black hair that's like 2" grown-out from a buzz, face passably similar to the director if you squint but not really (e.g. shorter/squarer face, eyes hazel instead of stupidly light green). epsilon projects a similar bodytype but would probably default to a young-director-ish face if he had to make one. i think he would at some point consciously change it around if he were doing a face with any regularity. bisexual and nonbinary and will probably never fully acknowledge it but she can have some pronouns as a treat (from tex or in her own internal monologue) sometimes.
tucker - 18-19 in 2552. went straight from hs graduation to basic to sim training to blood gulch. enlisted because he was a “fuck around without any motivation or particular goals in life” kind of teenage dirtbag who was like “oh hey predatory recruiters absolutely dominating every career fair in Covenant-war-era earth. i’ve heard being in the military is very sexy and exciting and makes you a chick magnet so sure sign me up”. 5’4”, ~110 lb scrawny guy in blood gulch -> ~135 still pretty skinny but more muscular later. 4C hair with a grown-out buzz from basic in blood gulch becoming locs when it's long enough. *takes you by the shoulders very seriously* repeat after me, his eyes are BROWN. and the only acceptable other option is when they’re turning gray as in a body horror way, gray as in your body becoming something uncanny to you, gray as in the horribly blinding cold light of unfathomably vast stars lightyears away from anything you’ve ever known (read lazarus left the tomb btw. treat yourself). very handsome face in a boy-next-door-looks-very-sweet-until-he-opens-his-mouth kinda way. an only child or had like one older sibling he wasn’t very close to by the time he enlisted. i think of him as a bi cis guy but i enjoy trans hcs.
kai - 20 in 2552. 5’2”, ~200 lb, fat and top-heavy hourglass and broadset. a little muscular (it’s not immediately obvious) as she was always athletic and basic training helped, but she’s made more for endurance (body by “dancing 7 hours and walking home across town drunk and sleep-deprived”) than strength. thick upper-back-length black 2C hair that she sometimes dyes streaks in or ombre (usually brown highlights but she mixes it up). broad face and nose, big adorable eyebrows, life-endingly cute eyes and smile. alternates between no-makeup all-leg-hair realness, and full femme glam for funsies with 5 sets of fake eyelashes trying to take flight (at least three of them are inevitably going to be Just Fucking Gone by some point in the party). pansexual ipsogender intersex gal (tbh the original reason i headcanoned her having mosaic turner’s is the colorblindess [x-linked recessive traits are rarely gonna show up if you have 2 X chromsomes vs having one, so i was like, “hey her retinas could be some of her XO tissues, and with mosaicism, fertility isn’t uncommon, so it doesn’t contradict her having had abortions”] and then years later i thought about it harder and was like wait she has achromatopsia and that’s autosomal. biology nerd fail moment. but anyways she’s intersex.)
tex - her body is modelled after allison aged 33 (when she died), but bigger stronger faster idealized-by-memory-and-wanting-her-to-be-invincible-to-the-point-of-looking-more-like-she’s-on-gear-and-photoshop-than-a-natural-body. 6’2”, body looks like ~220 lb of muscle and low-body-fat (but not like, cut for bodybuilding competition level of low-body-fat), but being made largely metal, she is heavier. whereas allison was like 5’9”, 170 lb, serious-crossfit-competitor kind of build but nowhere near as built as tex. face looks very similar to allison but just… weirdly airbrushed look and looks… sharper. harsher features. more intimidating. but she’s got this crooked smile that looks kinda like a smug smirk but also like she’s not laughing at you exactly, she’s just vibing with you and the inherent comedy of the absurdity of life. but when she’s Not Smiling it's the kind of expression you start backing away from expeditiously. i think of her having shoulder-length hair she wears in a ponytail but i do love short-hair tex dearly. gnc butch gay/bi (mostly attracted to women, uses both labels) cis woman who uses any pronouns.
wash - around 31? in 2552 (would put him being recruited to pfl at about 26 which feels right for being able to slide into the Goofy Innocent Rookie role but also plausibly have achieved a pretty high non-commissioned officer rank). 5’6” -155 lb, functional muscle with a build in-between lean and stocky (“otter” as a label keeps coming to mind). i don’t have a super settled facecanon but picture him as either white or mixed white and east asian. he has not changed his bleach-blonde crewcut since he was 17 and the shock of allowing himself to change it now might kill him. gay ace trans man.
carolina - 29 in 2552 (actually the youngest among the high-ranking freelancers. she would kill (jk) to protect this secret). she did the whole 4 year military academy to commissioned officer training thing and had a couple years of normal UNSC service before unfortunately getting wrapped up in her dad’s mad science pet project. 5’8”, ~150 lb, leanly muscular. i think of her having natural red hair she dyes bright red but i love a black-haired carolina too. we’ve seen her face. straight trans woman (transitioned as a preteen). i know, i wanted her to be in the wlw club, too. unfortunately every time i try shipping her with a woman she’s like “meh. thinking about my weird khaki man.” and i’m like oh. sorry about that affliction.
sarge - 62 (?) in 2552. 5’6”, ~200 lb, stocky and solidly muscular barrel-chested slight-beer-gut old dude. chinese-american. if you somehow catch him without his helmet he’s got wraparound reflective shades so good luck ever seeing his face (he’ll tell you it’s classified). another eternal crewcut guy but his is shorter than wash’s. bi and definitely a robofucker tbh. he is cis or trans depending on what’s funnier in any given circumstance.
grif - 24 in 2552. worked in honolulu a couple years after hs graduation until kai was old enough (17) he felt he could leave. did a year at university before realizing he’s smart enough to be admitted to cornell but not to get the scholarship he realistically needs to not be in crushing debt on graduation and also there’s not nearly enough regimentation to college life to prevent him from rotting in bed paralyzed by Problems. went through basic and stationed on the doomed outpost. that Whole Thing happened and he was reassigned to sim troopers. 5’8”, ~300 lb, fat and a little bit strong against his will from an involuntarily active job (he has valiantly resisted picking up cardiovascular conditioning. he works very hard on unfitness). he’s kinda cute in a “hasn’t washed his face in 5 days and his peachfuzz/stubble patches combo is very uneven but you caught him smiling for 2 seconds and oh no it was VERY charming” way. thick 2C dark-brown hair that’s a few inches long, wears it longer later. gay trans guy (because his little sister is named “younger sibling of the same gender” so like… also lmfao how unfortunate for kai that her name, which she did not choose, misgenders her big brother. like 😭 god it is very on the grif siblings brand of “hello so the circumstances we have been put in mean that my existence [kai]/how i have to leave you here to protect my own sanity [grif] is actively making your life much harder. i am ashamed of this, let us never communicate about it ever. i love you so much.”)
simmons - 23 in 2552. tried to do university several times and had to drop out for mental health reasons (a very polite way of putting “rapid spiral into absolute disaster every time”. it leaves room for giving him the benefit of the doubt that this was a proactive “ah i should take care of myself and this is not working for me :) #selfcare #therapy” decision. this is not benefit of the doubt that anyone who knows him would extend.). I go back and forth on whether to roll with the “suspiciously specific denial of being in a unit that was stranded and had to eat their dog to survive” thing or just say he was assigned straight to sim troopers. 5’11”, ~160 lb, wirey build and has to be standing at attention or else he holds himself so awkwardly. i pretty much go with the Standard Ginger Simmons Fanon Face but light brown hair also feels right and i think his hair should be very short. i really like when people draw his prosthetics very industrial/bare mechanical frame not trying to imitate biological form, just whatever’s functional. Red circle eye, hell yeah. bi and i used to firmly believe “this guy has to be cis because there is NO WAY he would have the hutzpah and willingness to put self-authenticity over doing what he’s Supposed To Do. we’ve seen how he deals with anxiety. he would just be white-knuckling his way through dysphoria to this day” HOWEVER i have really come around to trans simmons
donut - 19-20 in 2552. i see him taking a gap year or two to work on the farm and think about what he wants to do with his life (not productively introspecting on his deeper desires in life and what would allow him to fulfill them, god no, of course not. daydreaming unrealistically. obviously.) before enlisting. i think his upbringing was fairly happy but kinda weird and a bit insular within a small community of some Beliefs and possibly homeschooled. not like exactly Fundie Christian America as you might assume with that background; american subcultures have changed enough over 500 years that this is one of many totally unrecognizable to us. like it has some roots in Fundie Christianity and homesteading-from-a-weird-reactionary-tradfamily-can’t-trust-the-gubernment-place and some in Hippie-dippiness Spirituality, not-actually-a-cult-but-sometimes-you’ll-hear-him-say-things-he-thinks-are-normal-and-you’re-like-ummmmmmmm. (Idek how that headcanon started. i think i was just like so how DO you build a guy like donut). he’s 5’10”, ~185 lb, sturdy build, i don’t think people would consider him chubby but definitely not thin. his face and hair looks like he should be on a 1960s white america boyscouts poster but like, goofy about it. i think of him being mostly white but some latino heritage he’s curious about but was not raised connected to (hence wanting to learn spanish). acearospec and gay (he’s like…. mostly asexual and aromantic but it’s complicated. he is barely aware of being gay let alone ace or aro. he just fully makes up what he thinks sexual attraction and romance are and assigns it to random feelings/experiences). cis dude or nonbinary.
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