#maybe... maybe it is time for a rewatch......

[spacedlexi]

So I was rewatching berleezy's twd s4 and someone in the comments said it was interesting that Clementine (determinately) can believe there's no life inside of walkers when her parents were found together and they were assumably walkers for those 6 months she and lee were together. Meaning they could've wandered off and separated but they were found together after all that time. (It's more than likely for plot but it's still an interesting point) Thoughts on that? Also any headcanons on her parents? (Or art 🥺👉🏾👈🏾) have you watched berleezy's playthrough???

well walker tenn still does the hand thing. and you could apply that idea to clems parents still standing together after all that time. maybe some deep part of them compels them to move that way, to stay close to those people. what made them Them is still in there somewhere even if theyre gone. its something S4 Wants you to think about. is there really Nothing left of who they were once theyve turned? i think there is. on some level. the person may be gone, but some part of them still remains

i like that since they do the "humans are the real monsters" thing that every zombie thing does (which ultimately i feel is what zombie media is About (plus our capacity for love and community. great love and great evil)) they leaned into that idea of well if the zombies arent the real monsters then what are they? theyre just their own thing. any creature just trying to survive, even if theyre dangerous. once they were a person who lived a life and had people who loved them. and now theyre This. i joke when i call james the neighborhood cat lady but like... yeah. S4 is very explicitly about what makes someone a "monster". willing to do evil things (or willing to stop doing them) and at what point there is no return, and when you have to let go of them. but does that not also apply to the walkers? there is no return for them either, and you still have to let go (or die with them), no matter how much of who they were is still in there somewhere

S4 is very philosophical about its themes and wants You to come to a conclusion on the ideas its presenting to you. it Is a choice game after all. i do believe walkers are walkers. but that doesnt mean there isnt still a part of who they were in there somewhere. both can be true

and yes i watched berleezy cuz he was the only one i could find who actually liked vi and her romance 😭 (and who didnt not save her/get her killed). so many people were so apathetic or weird with her while still choosing to romance her i couldnt take it anymore WHERE IS THE ENERGY?? his reaction to vi shooting minnie is the reaction you Should be having in that scene. thats how i get every time i see it 😩

[districtsleepsalonetonight]

Was reading a headcanon post earlier about Dean and consent while rewatching the kiss scene in Caged Heat and something occurred to me about Dean’s awareness of Cas’s consent to things.

When he sees Meg kiss Cas, we see Dean’s reaction behind them.

He frowns, glances at Sam, looking annoyed, opens his mouth as though to say something, and then actually makes a move to step towards them-you can see he’s moving forward just after Meg breaks away from Cas.

Bear in mind the last time Dean saw Cas in any potential sexual/romantic situation, it was the brothel and it was blatantly obvious that Cas wasn’t comfortable.

Then when Cas takes hold of Meg and initiates a kiss himself, we see Dean’s reaction differs. He still looks flustered, mildly annoyed (pointing at the wall to remind them silently of the approaching dogs) and then shrugs. He doesn’t have the same irritated reaction and doesn’t make any move towards them.

Then when Cas breaks away, Dean looks at him questioningly. Could both be a “What the hell are you doing right now?” questioning look and also a “What did you think?” questioning look.

It’s only when Cas says “I learnt that from the Pizza Man” that Dean seems to fully stand down from the “ready to move in if anything’s wrong” stance.

On another note, when Dean realises that Cas is fine- it’s pretty interesting to see what his face does.

There’s a sort of bewildered expression as he looks away from Cas, as though he’s still trying to compute what he’s just seen and his eyes actually widen as he looks down at the end of the shot. In fact, the shot actually focuses on Dean specifically in that moment, not any of the others-it’s Dean’s reaction to the kiss that’s important.

It makes more sense when you remember Dean has never seen Cas acting consensually in any romantic situation before-in fact, I think Jensen mentioned later on (as to why Dean was so surprised by Cas’s love confession) that he wasn’t even sure angels could feel those things. Up until now, Dean’s teasing Cas with flirty remarks has mostly seemed to go over Cas’s head. Even earlier in the episode, when Cas is watching porn, he didn’t seem to properly understand what was going on.

Now, Dean’s suddenly having this realisation that-oh. Cas does get some stuff about sex. Cas does kiss. Oh. That’s a whole new side to Cas. (It actually looks quite similar to the expression he does in Changing Channels when Gabe calls Cas “pretty”. There’s an expression then that’s sort of “Wait-is he?” as though he’s always been somewhat aware of it but this is the first time it’s been acknowledged out loud.)

It allows him to acknowledge Cas in a whole new way he didn’t before. Because previously Cas seemed to totally lack interest in sex, so in many ways, it would have been safe to flirt with him and tease him, because it feels off-limits.

Now, though? He’s seeing Cas make out with someone right there, in front of him. It’s impossible to ignore this whole new side to Cas. So maybe Cas can get Dean’s references and jokes. Maybe Cas does get more of the personal space thing than he lets on. Cas can want at least kissing, and what does that mean?

It, in a way, gives Dean permission to let himself see Cas that way properly-as a being that can want sex-for the very first time. And that seems to simultaneously intrigue him and almost scare him. Because having permission to see Cas in that way lets him acknowledge things that he didn’t have to acknowledge before.

But digressing…

Dean’s annoyance in the scene didn’t just originate from Cas kissing someone-it originated from him not being sure if Cas was OK with what was going on. He’s seen Cas be deeply unsure/uncomfortable in the brothel (which, funny as it was, wasn’t Dean’s best moment overall), doesn’t know how he’s going to react and actually makes a move towards them as though he’s going to try to stop Meg kissing him or make sure Cas is OK.

Once he realises Cas is onboard, he stops moving forward-he actually moves back a little-and even slightly holds his hands up in a shrug. While he still looks uncomfortable and flustered, he’s no longer angry.

Dean wanted to be sure that Cas was all right with what was going on, was prepared to step in if Cas was uncomfortable, and backed off when he realised Cas was OK. Not only is this Dean showing a good awareness of consent, it’s also a nice bit of character development from the brothel episode the previous season, where Cas was pretty uncomfortable and Dean did-as well as he meant it-keep pushing him.

Then, Dean was keen on giving Cas more human experiences. Now, Dean’s more conscious of letting Cas go at his own pace and he’s prepared to step in if others aren’t letting that happen too. As well as Cas becoming more accepting of human behaviour, Dean is also making adjustments for Cas.

And Cas seems aware of this. Check out where he looks when he realises Meg has taken his angel blade:

He realises it’s gone and must know immediately who’s taken it-but he looks straight at Dean, almost in a way that’s a little annoyed. As though he almost wants to ask Dean why he didn’t intervene to stop Meg taking the blade (not necessarily the kiss).

And he looks at Dean instinctively. Instinctively, he’s come to know that Dean will step in to help him in (particularly human) situations where he’s out of his depth. It’s an instinctive glance before he turns back to glare at Meg.

So it’s not just that Dean’s adjusting for Cas-Cas is aware of that adjustment and it just deepens his attachment to Dean.

And yeah-for the first time in this scene, Dean has to acknowledge that he can think of Cas as not being some off-limits angel-but as someone who could actually want sex and intimacy. Which makes anything he himself may feel more possible and more terrifying.

[vidavalor]

Hello lovely! I'm wondering if you have any thoughts about Maggie in Final1 5? Isn't it weird that she wants to go back to talk to Az and Crowley while Nina's working? Something about it feels off to me.

Hello right back. 💕 There's chamomile mint tea and shortbread since we're on a Maggie theme, if you'd like some. Maggie's behavior from that scene on is super fucking weird, I agree.

Before the milk run-- when Maggie becomes the only involved character whom we lose track of a bit during The Final 15-- versus how she behaves when she returns is so strange as to be something that I consider maybe additional proof that things are not at all what they seem to be in The Final 15.

On Maggie and Crowley's weird Final 15 behavior, a possible meaning to all the allusions to robbery in S2, and what Maggie and Nina might be able to tell us about what happened at the end of S2.

TW: brief mentions of show's non-consensual possession/rape analogy.

Think for a moment about how truly weird Maggie's request for her and Nina to go back to the bookshop in that moment actually is...

It's only been a matter of minutes since Maggie and Nina were basically hostages in the bookshop who were almost killed by Michael and Saraqael. Crowley saved their lives in getting them out of the shop maybe, what? It's been a minute since I rewatched that bit of it but it couldn't have been more than 15 minutes prior?

The beings in the shop but for Maggie and Nina are supernatural and so left magically without using the door but while we the audience know that these people are no longer in the shop because we were watching it, Maggie and Nina do not know that. When Maggie suggests to Nina that they go talk to Crowley and Aziraphale, they have no way of knowing if the beings that just tried to kill them are still in the shop. They didn't even see Aziraphale leave with Whoever Derek Jacobi Is Playing yet because Nina was all "where's the other one?" to Crowley when they arrived back in the shop.

Maggie is literally like: Nina, I know you opened the business you own late and are the only one working right now and have a line of 20 people waiting for their morning, pre-work coffee but what if-- just hear me out-- we just made them wait an indefinite amount of time to voluntarily go back into the place where we nearly died a matter of minutes ago that could still be full of the people who wanted us dead and we did this for no other purpose than just to tell off my beloved adopted godfather and his partner, who just risked harm to save both our lives? And to maybe then also stick our noses into their love lives in return or something?

I mean... WHAT?!?! lol

Consider, even, how even more weird that is when Maggie, just *prior* to having gone to the mini-mart, had never been more on the same page with Nina and never more understanding?

She sacrificed her own want to go sleep behind the counter of her shop to offer to help Nina. It's a big moment of change in their relationship and shows a lot of growth for Maggie. She's gone from someone who is caring but has a tendency to only think about how things make her feel to seeing things from Nina's perspective. She's matured through the season into being someone more ready to be a partner to Nina. Maggie offering to help Nina with her morning rush-- and Nina accepting the help-- is the sweet, romantic moment showing that these two are heading in a positive direction, both individually and together.

When Maggie gets back with the milk, though? After she's been out of our sight for a few minutes? She's behaving very differently.

During S2, Maggie is shown to be a pretty guileless character. She might have the occasional judgemental moment but she's not deceptive or tricky and she really wouldn't hurt a fly. When Maggie comes back from the milk run, though, her insistence on Nina dropping everything and going with her in that moment is not just weird behavior but manipulative in a way that could not be more out of character for Maggie.

Nina has been in an abusive relationship where she was afraid of displeasing Lindsay. Maggie is aware of this, as it's been the subject of multiple conversations between them throughout the season. So, when Maggie gets so bizarrely insistent on Nina dropping her work-- her livelihood, her purpose, her job-- to meet Maggie's demands in that moment? When this isn't an emergency of any kind and isn't at all time-sensitive and there is no objective reason why Nina should be halting her job to do what Maggie wants in this moment? Maggie is being controlling in a Lindsay-like way. She keeps at it, knowing that Nina will give in and agree to go with her because Nina is used to doing that with her partner.

Nina hesitates and isn't sure whether or not to go with Maggie for a moment and I don't really blame her? This is the complete opposite behavior to Maggie before she left for the mini-mart. Maggie is suddenly acting quite a lot like her polar opposite-- the Lucifer-and-Heaven-paralleling Lindsay.

Maggie is also literally on Nina's shoulder like a devil the whole time in the scene in which she's convincing her to step away from the shop and go across the street with her to the other shop for a chat and...

...listen to what we just said there...

...it's a parallel to the thing that Whoever Derek Jacobi Is Playing is doing with Aziraphale, is it not?

So, what happened on the milk run?

Who did Maggie run into at the mini-mart that we couldn't see in the ending of S2 without it giving the game away? I wouldn't be surprised if, on this mirror-happy show, on the other side of learning in S3 that it was The Devil with the coffee in the bookshop in The Final 15, we also had a scene that showed that, while on her milk run, Maggie had a run-in with Sister Teresa's killer.

Did Hastur possess Maggie as part of Satan's plan? Was the idea to use Maggie and Nina to further trip Crowley and Aziraphale towards disaster to get Aziraphale? If so, it kind of half-worked. I'm not convinced that anything Maggie and Nina said to Crowley really mattered-- I think they weren't telling him anything he didn't already know or feel and that it's largely misdirection for the audience. What was effective, though, was the impression Aziraphale got upon seeing them leave as he was coming in.

Maggie and Nina being back in there at this weird time and then rushing out with smiles and comments like that they were "just leaving" and they were sure Crowley and Aziraphale had "a lot to discuss" seem to have led Aziraphale to assume that Crowley had asked them to come back and to the conclusion that he must have done so to tell them of his intent to ask Aziraphale to marry him. It's Maggie and Nina leaving the shop that reinforce to Aziraphale the idea that, when Crowley stands up afterwards, takes off his glasses, and says he supposes he has "something to say", that Crowley is only trying to communicate a proposal and not a plan.

It's what helps-- big time-- to lead Aziraphale to not listen for a shred of coded language for the entire scene. Neither he nor Crowley are listening for that with one another, which is why neither of them can truly understand what the other is saying, but Aziraphale's part of that is really fucked to Hell by the presence of Maggie and Nina in the shop when he came back. That's all pretty suspicious since Maggie was out of our sight for a few moments and came back fixated on the idea that she and Nina needed to go to the bookshop right that very moment and that it couldn't wait.

The Final 15 is a dark parallel to The Baby Swap plot and Maggie and Nina are full of shadows of Sisters Mary and Teresa to a point that the final shots of both of them in the series are mirror images of the final shots of their S1 characters. Nina looking through glass at Crowley departing is the last shot of Sister Mary both in 2008 and 2019, while Maggie's last shot?

To me, it's one of the most eerie moments in the entire series because of how much it visually resembles Sister Teresa's death.

Basically two minutes after we hear about The Second Coming... in the same season where Maggie and Nina's partial-vavoom gives way to a (possessed?) Gabriel saying: the dead will leave their graves and walk the Earth once more... we are shown Crowley and Aziraphale's apparent adopted goddaughter unresponsive on the counter of her shop.

Is Maggie dead?

Is Maggie asleep, like we were led to believe she wanted to do earlier in the episode? Maybe. Is she comatose/unconscious? Maybe. It's just that, best I can tell, she does not take a breath during the shot which I feel had to be intentional on the part of Maggie Service, and she's in the same position as we last saw Sister Teresa in S1...

Then, there's the robbery theme and how Maggie and Nina foreshadow so much of the end of S2 back in this scene here:

In Good Omens, the shop is the character. Maggie is, symbolically, the records she sells. The show also explains that Maggie's shop used to be a part of the bookshop. Now, there are three characters, not two, who are A.Z. Fell & Co.: Aziraphale, Crowley and Maggie. At the same time, Aziraphale is also The Small Back Room. The shops are intertwined as the characters are, essentially, family in the story. The fate of one is the fate of the other, which makes what Maggie and Nina foreshadow when talking about Maggie's shop while trapped together in Nina's not just the fate of Maggie's shop in S2 but also of the bookshop.

Maggie says that if she can't close the door to her shop, someone could walk in and take records. Maggie is the records she sells so, symbolically, this means someone could take Maggie. We got a bit of a preview of that when Shax appeared to get into her mind during the attack on the bookshop and Maggie also became the one who unintentionally "let the robbers in."

These robbers, Maggie frets... they could empty her till-- take all her money on a literal level... take her mind, or maybe even her life, on another. (Not to mention the now chill-inducing use of money-related words and coins with regards to the paralleling Crowley...) These robbers could take forcible ownership of Maggie's shop-- so, of Maggie. Maggie's shop was born of the bookshop... so, they could take forcible ownership of the bookshop, too.

Not just the physical bookshop, though that, too. The symbolic bookshop. Which is not only Aziraphale but Crowley and Aziraphale.

But, if The Small Back Room was originally part of the bookshop, then the bookshop really isn't just Crowley and Aziraphale-- it's Crowley, Aziraphale and Maggie.

If the robbers come for the bookshop, they've also come for The Small Back Room because it is all born of the same, symbolic shop.

Is that what they did?

Is that why Maggie is last shown to us non-responsive in her shop?

Now, Nina's even more foreshadowing reply:

Nina said that, if she owned a record shop, she'd be more concerned about "someone breaking in and leaving more records behind."

What are records? They're the literal records in the musical and old film sense that Maggie sells, yes, and also Maggie herself. They're also books, like what Aziraphale sells, and Aziraphale himself. But they're also a third thing that's very much of note in S2.

They're also the life's work of a scrivener, like what Muriel does.

Nina foreshadows someone breaking in and leaving "more records behind"... which is exactly what happens in The Final 15.

Elspeth's graverobbing. Bildad stealing Job and Sitis' wine and food. The 1810 Clerkenwell Diamond Robbery. Aziraphale having the missing Shakespeare Robin Hood play in the box in 2.06. The robbery-based fantasy Aziraphale was telling Crowley in Lockdown: ...the other night, when a couple of young lads broke into the back and tried to steal the cash(cache)box!

The Final 15 is a robbery.

The last two episodes see the shop attacked during The Meeting Ball and into the next morning. Aziraphale is robbed blind of his entire life. Characters are taken hostage. Signals for help are tried and fail. The cop, it turns out, was a stooge for the robbers. Whoever Derek Jacobi Is Playing broke in through the open door and robbed the place blind, as Maggie foreshadowed. As Nina foreshadowed he would, what did the robber leave behind?

More records. Muriel.

To rob, as we know, is to steal. It's to plunder or strip a place from someone through force and/or violence. That is why it was once, in addition to being descriptive of physical goods stolen from a person, also a word that was used for rape, for which non-consensual possession has been analogous since the show's first episode. That is why some of us think that the music goes insane on the look to Crowley in the scene below. Satan is robbing Crowley-- forcing him to identify him as The Metatron to Aziraphale and the angels and to let Aziraphale go alone with him.

Satan attacked Crowley in front of Aziraphale and, while Aziraphale pretended he didn't see it, he did, which is why he led "The Metatron" straight out the door in an effort to get him away from Crowley. Because, speaking of characters behaving very weirdly... anyone have a better explanation for why guard dog Crowley sat in that chair like he couldn't get out of it and encouraged Aziraphale to go alone with a guy who once tried to kill them? It just doesn't make any sense unless his words are not really his own and there's only one character we've seen do that to him.

And if Crowley's not the only one behaving out of character, then what else happened to Maggie at the mini-mart but something similar?

What happened in The Final 15? Satan robbed the bookshop.

He and The Metatron don't give a toss about the shop itself and plan to destroy it alongside everything else once Armageddon gets rocking. They're there to get Crowley and Aziraphale out of the way for Armageddon by dividing and conquering. Just because we've yet to see blood doesn't mean this wasn't robbery by force.

Satan took hostages at the start-- letting the ones go he didn't care about go and keeping the ones most likely to influence the shop's owner: Crowley and Muriel.

Satan and The Metatron sacrificed Muriel to their plan, not caring if Muriel explodes along with the shop when they kick off Armageddon a matter of *checks watch* basically any minute now after S2. We think Muriel is better off in the shop at the end of S2 but I'm not totally sure they are. I think it actually might be one of the most dangerous places to be in right now. The bookshop didn't burn down this time-- it was burned as safe space in every possible way. It's a crime scene.

The Metatron and Satan are here for revenge. The Metatron is letting Satan have Aziraphale to get Crowley and Aziraphale out of the way for Armageddon. There is no real job offer-- it's all Satan tempting Aziraphale into falling. Satan's revenge on Crowley and Aziraphale is to force Crowley to help him take Aziraphale right out from under his nose. That's the start of it, anyway.

Besides Armageddon and daring to have a relationship and a sense of self outside of the demonic collective of Hell what is Satan really pissed at Crowley and Aziraphale about?

His kid. Adam. Crowley and Aziraphale helping Adam against him.

If Satan has been lying in wait, still very, very angry at Crowley and Aziraphale for turning his son against him and if he's now here for revenge, then who else besides Aziraphale is then most in peril here?

Yes, my Job-and-Sitis-paralleling poppet... your big, cross duck and your kids are most imperiled here and S2 showed us that your kids are not just humanity writ large but, specifically, Maggie. The Small Back Room is of the bookshop that is you and Crowley. Maggie is your Adam. Will Satan come after your daughter? It's a concept posed in your paralleling/foreshadowing story earlier in the season... actually, it was also the entire plot of that paralleling story earlier in the season as well...

I feel like not going with Ennon and Keziah's theories on Satan's behavior is probably the best way to form a Good Omens theory 😂 so I'll stick with the idea that Satan very much would dare leave a revenge body count of Crowley and Aziraphale's adopted kids, as the Job minisode proved he'd do even with the spawn of "God's favorite human", let alone anybody else.

As, speaking of foreshadowing lines, this is really even more S2 than it was about S1:

Satan will even have a whole pseudo-philosophical chat about it with you first, amused that he's standing in a place called Give Me Coffee or Give Me Death and ordering a coffee while the plan is likely for this place, the women making him the coffee, and everyone on this street and on most of the planet to be dead by tomorrow.

Maggie is the only character who actually asked for coffee using that exact word in S2.

[p34ce0fm1nd]

cooper, trap, and ocd

me rewatching trap to see what compulsions and obsessions cooper exhibits.

obviously we see him being “neat” which is a compulsion. i wonder what obsession he has that spurs it on. maybe an obsession of germ contamination.

he does tell lady raven that the profiler is correct. his car is black due to it appearing less dirty.

a person with ocd often experiences symptoms from ocpd as well, and some symptoms overlap in both.

he has a ridged routine. we know that he drugs his victims. we know that he cuts their bodies into sections.

we see cooper needing control, he tried to overtake the trap situation. he leads every conversation he is in. he manipulates situations to get the outcome he desires. when talking with lady raven he is obviously smug with his control. he even tells her at the house that he is in control.

cooper also exhibits repetitive behaviors. he constantly jerks his right shoulder when he feels out of control, anxious, and cornered. the compulsion helps ease his mind/gather his thoughts. every time cooper jerks his shoulder he is thinking of a way to get out of his current situation.

[youhideastar]

WujiWatch: CQL Rewatch Episode 23

Long time, no WujiWatch! But I’ve been reading Catching Chen Qing Ling and it’s put me in an analytical mood about The Untamed again. Picking up where we left off...

Episode 23 has at least two iconic Wangxian scenes: Lan Wangji’s visit to a recovering Wei Wuxian’s sickbed to play Clarity, and the “I am not Wen Ruohan” conversation on the same clifftop where they will meet again in the last moments of Wei Wuxian’s (first) life. One thing I didn’t realize until this rewatch is the way those two scenes are tied together; that the second one picks up, thematically, where the first one left off.

The Clarity scene is interrupted by the screams of Wens being rounded up (and perhaps killed on the spot) and the shouts of their pursuers. Wei Wuxian immediately looks disturbed and asks what’s going on; Lan Wangji says, “they’re hunting down the rest of the Wens” and looks not disturbed at all. I am very good at interpreting Wang Yibo’s microexpressions by now, and this dude is 0% bothered. That is especially striking since the very next scene is all about (among other things) Lan Xichen being very disturbed at the prospect of murdering Wen civilians. By this point in the drama, Lan Wangji has made some progress toward moral nuance—but it’s all specifically Wei Wuxian-focused. His view of the rest of the world is still very black and white. The Wens are bad, so it’s appropriate for bad things to happen to them. End of story.

That’s how the Clarity scene ends, and then, as mentioned, we have the scene where 3zun and Jin Guangshan debate the treatment of the surviving Wens. After that, we have the clifftop scene—and what I’d forgotten is that the first line of dialogue in this scene is Wei Wuxian asking Lan Wangji, “What do you think of the people here [in Nightless City]? Who is good and who is bad?” The fate of the defeated Wens is still very much on Wei Wuxian’s mind. And it’s still a matter of no concern for Lan Wangji: he ignores Wei Wuxian’s question. He doesn’t want to talk about the larger events happening in Nightless City – he only wants to talk about, and help, Wei Wuxian. This foreshadows the scene in the rain at Qiongqi Dao – the moment when the hero of the common people looks at a group of starving, abused civilians and says to Wei Wuxian, in effect, Let them die—because otherwise, I’ll lose you.

(One other note from this episode that passed me by in every prior viewing, although maybe everyone else knew it: Lan Wangji knows the Yin Tiger Seal is made out of Yin Iron, very early on. In the clifftop scene, Wei Wuxian admits the sword he found in the Xuanwu Cave was made of Yin Iron and that he refined the Yin Tiger Seal out of it (albeit in one of his bullshit “What if I told you…” phrasings), and Lan Wangji confirms that he knows by asking, “Since you knew it was Yin Iron, why did you use/refine it?” While everyone else in the drama is resorting to innuendo and suspicion—and while Wei Wuxian is denying it to everyone else—Lan Wangji knew the truth all along.)

[lemotmo]

I'm not sure how you feel about getting these anymore but I thought this was hilarious so wanted to share for you at least to read even if you don't want to post. 😊

Q. I really was trying to hold onto the belief that the show wasn't going to make Eddie gay but it's really hard to see what other storyline is possible given those latest Ryan interviews. I would love to say gay or not the show would just keep Buck and Eddie as platonic best friends but there is zero chance of the show not pairing them together. They really did just use my man as filler until they were ready to tell the Eddie story. That's so gross.

A. Well, anon that's the point of a plot device. Their only reason for being is to move a larger story forward. By definition their filler characters. They have no individual significance or purpose. Their purpose is the story they're being used in. I've been telling you this for months now. Many of us have. He was never going to be anything more than a plot device. The show wasn't subtle about it either. It's been pretty much a connect the dots picture of plot device usage. Go back and watch his scenes in season 7 with this new found realization and I promise it will not be hard to see. And I agree, especially with the context the latest Ryan interviews gave, there's really not any other story it could be. He also confirmed they're not turning him into the new Bobby, and he's not siding with Gerard. So it was nice of him to debunk the latest round of ridiculous takes during the interview. If I could offer you a suggestion though I would encourage you to give the story a chance. If you pay attention to Eddie, and not your fandom people telling you to hate him, you will like him. After all there's a reason you all tried to hijack his entire backstory and history for Tommy. Let yourself enjoy the character those things actually belong too. Let yourself enjoy the actual story.

Oh Nonny! I feel joyous and happy whenever I get another of these posts in my ask box. While I'm asking people to not ask Ali any questions through my blog, I'm still perfectly happy posting her asks here. 😋

Especially since, for most of us, this is the only way to read Ali's posts and we do love her posts very much. So don't hesitate to drop something in my ask box. The only things I don't post about are the direct posts about the BT fandom, but Ali has told me she isn't replying to those posts anymore anyway, so that eliminates that problem.

As for the ask itself...

Yeah, so many of us have been saying this since day one. Tommy was only ever there to help Buck out of that closet. He was never really meant to be anything more than that. Sure, the change of the storyline because of the early renewal, gave Tommy some more time on the show, but that's where it ends.

So yeah, going back to rewatch the previous seasons, knowing what you know now? It will change the way you see Eddie and Eddie and Buck's friendship and maybe you'll find some joy in them. Just let it happen.

IMPORTANT! Please don't repost this ask and/or a link that leads straight to my Tumblr account on Twitter or any other social media. Thank you!

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[reluctantscribe]

I just spent the past week and a half (maybe less if I’m being completely honest…) binge-watching all of, “Gravity Falls,” and I just want to say: Thank you to Alex Hirsch. And to the cast and crew and to the fans on Tumblr, who piqued my interest again. Thank you.

I have an interesting relationship with this show. I saw the premiere when it aired, and then when it premiered again, I saw the second episode. And we didn’t have cable all the time growing up. So I missed a lot of it after that— but we caught an episode here and there. I’ve always really loved this show. And the mystery presented throughout. And it may have taken me a long while to finally sit down and watch the show and seek out the answers to the mysteries of Gravity Falls… but I did it. And I enjoyed every second of it.

Thank you to the fans of this show for being lowkey as hell and not spoiling it for me (could have been dumb luck on my part though.)

And again, Alex Hirsch, thank you. For making me laugh. For making me cry. For creating these characters and this little town. I plan to do a rewatch every summer. It’s a perfect little show. And I loved it so much. Gravity Falls… see ya next summer. 🌲💫❤️

[mama-qwerty]

Okay, so I'm working on the next chapter of Lost and Found, and rewatched the little Master Emerald backstory scene for details.

I just noticed something.

Tails said that with the Master Emerald, "a single warrior could defeat entire armies".

Could.

That's not the same as did.

I know it's speculated that this version of what happened wasn't the full truth, as history is written by the victors and all that. So it's very likely that the owls aren't the benevolent heroes that Sonic and Tails were led to believe. And they read this account in an owl temple, which would of course make the owls out to be the good guys, and the echidna out to be the bad guys, with no gray area in between.

Now, based on game lore, we know that the echidna did go after the Master Emerald with the intention of using its power for themselves. But movie lore isn't the same, or at least isn't following the same beat-for-beat game story. So there could be some play there.

Another thing that pokes at me is the masks the echidna from all those years ago wear. They look suspiciously bird-like to me, in much the same vein as the ones Knuckles' tribe wore more recently. With the latter, you could see that as an "I'll wear the skin of my enemies to scare them in battle" kinda thing, but why would echidna from ages ago wear bird masks, if they didn't already have a beef with the owls?

So maybe the owls and echidna were already beefing, and in an attempt to either defend themselves, or end the war before more blood was shed, the echidna formed the Master Emerald. This scared the owls shitless, and they decided nuh uh, that ain't fair, and decided to remove the ME from the echidna and just hide it away, thereby doing an about face and making themselves out to be such kindly and good-hearted folks to have 'saved the galaxy' from the 'horrible danger' that the echidna presented.

Or

The owls were the ones who coerced the echidna into forming the Master Emerald in the first place.

Maybe the two species coexisted in peace for the most part, but there was a faction of the owls that wanted more. Maybe the echidna at the time were more pacifists, and content with guarding or protecting the island and gems more than anything.

Maybe there was an order of echidna that trained under the owls as warriors, under the guise of becoming better guardians for those they protected. They didn't seek power or want to conquer, they simply wanted to keep their loved ones and home safe.

But the owls took advantage of this desire, and convinced them to form the seven chaos emeralds into a single gem, one that held unimaginable power. One the owls hoped to use as a weapon, perhaps against the echidna themselves.

Once the ME was formed, it grew too powerful, too tempting for the echidna to resist, and one single echidna warrior became fused with it, possibly by accident, becoming more powerful than any before.

The owls, not wanting to fess up to being the ones who planted the idea for the echidna to do this, stepped up as the heroes of the galaxy, bravely fighting this power mad echidna for the good of all.

The echidna, feeling betrayed, now have a royal beef with the owls, and vow to retrieve what they'd been tricked into creating, and then had stolen away from them. So they truly were looking to restore their honor, because the owls had taken advantage of them, and pushed them to do something that went against their very nature and code.

I hope this makes sense, I'm just spitballing off the top of my head.

I don't know if we'll ever discover the whole truth to what happened when the ME was formed, but am certain that there's no clear good and bad in this.

[crystalklk]

listen if we make enough destiel amvs and gifs maybe they'll kiss the next time we all rewatch it.

[vero-niche]

just another bit of lore in tristamp that i thought was cool and wanted to share in case i wasnt alone in not processing anything else from the end credits scene in ep12 other than "omg its chronica"

so in recent weeks i've been listening to Drain Gate more often, which definitely plays during when Vash uses his powers in ep12 (i can't quite place it when) so while rewatching, it actually registered what they are saying here:

so earth is basically using their independents' power (consensually!!! cough cough knives take note) to develop a warp type space travel! judging from the project's name (pieces of earth) i'd say maybe to reconnect with the previously deployed colony ships.

which means

the reason they were able to detect the energy blast at julai despite it being so far away ("amplify 2.7 million times") is because their tech is tuned in specifically to plant/independent energy!

[crehador]

look i got here from one of you doji danshi fics (great stuff, A+) but then i saw '#yuurakutei yakumo the eighth…… #bon my beloved :')' in your tags and now i'm obliged to ask for your hand in marriage, actually (if you got this ask more than once i'm so sorry, tumblr is tumblring)

omg let's hold hands and frolic through the field called amazing taste <3

i'm usually the worst at choosing/ranking my favorite anything but descending stories is easily my favorite anime of all time, i truly think it's a masterclass in storytelling and bon is the old man of all time

genuinely everyone please watch descending stories it is the most beautiful the most devastating the most i want to eat it with my teeth story in existence

[snarkspawn]

it's missing wenzhou hours friends

happy lunar new year!! 🧧🧨🐉

[spielzeugkaiser]

I come back for a hot second (and go into hiding pretty much right again) with some redrawn screencaps of what I'm watching currently!! 👀 All I have in me are the sillies-

[most-likely-fandom]

✌️✌️.

[hopefulsapphic]

i'm an early seasons steve harrington apologist. sorry. he was not a bad person he was not a bad boyfriend he was literally just 17

[novodontia]

lil pootis save me.... lil pootis.... save me lil pootis.....