#maybe this is canon and i just missed it

[gay-boy-detectives]

when edwin said that a demon traded him to another demon, who traded him to "something worse than a demon," i understand that that probably means the doll head spider monster, but what if he was traded to despair? what if his continued suffering, especially tied to the fact that he does not deserve it, feeds despair? it would explain despair's appearance further, and as one of the more objectively painful and negative members of the endless, she definitely is "something worse than a demon." and if edwin does belong to despair, does she still have a claim on him outside of hell? is this something that could come up in another season? i have so many questions.

am i even making sense? did i miss something or could this be canon? because i liked the scene with despair and the drama it added. it made the extent of edwin's suffering very clear and it was an interesting way to highlight the connection between dead boy detectives and the sandman universe, but despair's presence was not fully explained. i feel like if edwin had been traded to despair, the connection would be more clear and poignant, and it would be an interesting use of despair, who did not get much screentime in the sandman, as well as a really dramatic future plot problem for edwin

[chloesimaginationthings]

The secret good ending for FNAF ruin,,

[dakeus-art]

My take on the new cast!

[rystiel]

idk what we’re all calling the concept of fiddlestan working together but i’m calling my version the portal partners AU 🙏🏼

[peace-hunter]

tfone au where OP is created as the last of the primes but way after them, a sparkling born at what were thought to be the last days of the war against the quintessons, the beginning of a new generation of peace after eons of war. a child meant to be loved and raised knowing nothing of war nor sacrifice.

he's kept mostly out of the spotlight by his siblings, who don't wish to expose him to everyone's optics so young, and want to wait until the war is done and over to properly introduce him to their people.

except of course the primes are betrayed and murdered by sentinel, the war is lost and everyone who knows and cared for the truth is either banished or outright killed in order to suppress it.

and the high guard, the ones the primes trusted the most, the ones that were supposed to protect them, the ones who failed in their most important duty, have to make a choice. to take the last prime, their last hope, with them to the surface, a hostile environment where there's little to no supplies and where they'll be hunted down by both sentinel and the quintessons as the biggest threat to their regimen.

or hide him in plain sight. place him where sentinel won't think to look for him. one more sparkling among many. and hope it will be enough to keep him alive. pray to primus that he'll protect his last child long enough for them to come back for him when it's safer (even if most of them have already lost their faith on him when he allowed the rest of his children to be massacred like that)

they almost lose their resolve when they realize they will have to take the little one's cog away in order to make him blend in with the rest of the newborns (and oh do they burn with murderous intent when they see what sentinel has done to their people but it's not the time yet-) but in the end they decide an impaired little prime is better than a dead one.

and so in the chaos of thirteen dead primes and a sudden energon crisis, a little sparkling who very few mechs really knew about and even fewer had seen completely vanishes. and in the depths of iacon a mech in charge of a new batch of newborns scratches their helm in confusion as they realize they must have miscounted the first time.

optimus prime is quietly erased from any official records by sentinel, written off as dead when they find a sparkling's frame mangled beyond recognition after an attack on the base of those rebels that insist on being a thorn on his side. killing the sparkling hadn't been precisely in his plans, he probably could've found some use for it after all, but he's not particularly upset about it either.

and orion pax grows up with an ache on his spark that tells him he's missing something far more important than a t-cog and dreams of gentle and loving hands, cradling him against the frames of mechs he cannot recall the faces of.

[starry-bi-sky]

Clone^2 - Separation Strikes

"Why do I have to go?" Damian asks, surly and accent-thick, it sounds more like a demand and a whine at the same time. Sitting on the kitchen table with his arms crossed, in a green t-shirt that Danny bought him at a whim when he was at a thrift shop, and black shorts, he's never looked more like a kid. There's a little backpack leaning against the table leg, Damian begrudgingly picked it out when they went shopping.

His English has grown in leaps and bounds since Danny found him -- er, or more accurately; since Damian was spat out in front of him. -- and very little did they have to use the translator on Danny's phone these days.

Which meant one thing: Damian can start attending school comfortably now. And 'go' was the Amity Smiles Child Care Center. Danny and Jazz went as kids until they were twelve, and Mom and Dad actually managed to convince the center director to let Damian enroll for the summer.

And it was summer; Damian starts today.

"Because," Danny says, trying and failing to hide the smile pulling on his face, his heart warm and soft, and also laughing at Damian's expense; "being cooped up in the house all day isn't good for you, and you're starting school in the Fall. And, in Jazz's words: you need to have interactions with other kids your age for the benefit of your social development. And besides, it's only for the morning."

Damian's nose scrunches up, and his eyes roll so violently that for a moment, Danny thinks about joking that he'll get his eyes stuck like that. He holds his tongue; his little brother already looks like he's five seconds away from committing an act of violence.

"I don't need social interaction." Damian sneers, his cheek in his hand; a neverend pool of pride. "I am--"

"The Blood of the Demon Heir, better than everyone else." Danny cuts off, waving his hand in dismissive circles, his voice mockingly deep. Damian's brown skin darkens in embarrassment, and he scowls at Danny. "I know, bud. But Jazz is right, -- don't tell her I said that, -- you should be around kids your age."

Especially when he starts First Grade in the Fall. Honestly -- Danny was a little nervous to send him to the center. Damian's long since cut the habit of trying to kill or otherwise maim people, his palms ache-burn with gentle reminder, but his tongue was as sharp and as cutting as his sword. He still struggles with trying to quell it when he's upset. Vicious child-weapon that he once was, and will never be again.

Danny knows that it comes from a place of fear and defense, that Damian lashes out because that's what he's been taught. That at the end of the day, he doesn't really mean what he says, and he's learning to express himself better. But the other kids don't know that, and kids can be unforgiving and cruel.

Danny just...

His slow beating heart sighs, melancholy settles behind his lungs.

He doesn't want Damian to be outcasted. He doesn't want him to be alone.

Not like he was.

Damian sneers again, but says nothing, his shoulders crawling up to hide his ears like a turtle receding into his shell. Danny watches him silently, leaning against the kitchen counter with his own arms crossed. The clock hanging on the wall ticks in their ears -- it's almost time to go.

He watches Damian, careful, and so he sees it when his little brother's stone-shell pride and petulance shudders, and cracks. The darkened furrow of Damian's brows weakens, and for a moment, slants back.

Ah, Danny thinks, his own shoulders slumping. Epiphany washes over him, and his sad-heart soothes in warm understanding. So that's what it is.

His head tilts, and his hair spills over his shoulders, messy and fluffy, tickling his neck. Some of his bangs fall into his face. "Hal 'ant easabiatan ya habibi?" He asks, voice low and soft. Just as Damian's English has improved, so has Danny's Arabic. He still stumbles over himself some days, and Damian says his accent is trash, but they can have whole conversations now in Damian's mothertongue.

(Danny was incredibly proud of himself for it.)

Damian's face darkens, his blush spreading across the rest of his face, and he ducks his head down. Grown-out curls, black-brown and springy, falls over his eyes. "La!" He yells, loud and indignant, and not at all convincingly. "La 'asheur bialtawaturi!"

He was nervous. Danny can see it now, in the hunch of his shoulders and the tightness of his face, and faintly, he can feel it too. In the ecto-rich air of the Fentonworks House, it thrums, barely-there, like a hummingbird behind his lungs.

Danny can't stop the little, fond smile that forces itself across his lips and upticks the corner of his mouth. "It's okay to be nervous, little brother." He says, he sounds like Jazz when he says that. He doesn't think she'll mind him borrowing the nickname.

He pushes himself off the counter, and Damian refuses to look at him, hiding behind his hair and in his shoulders. It takes three long strides for him to reach the table, and Danny turns, plants his hands on the ledge, and hoists himself up. Right next to Damian.

Damian leans into him easily when Danny's arm wraps around his shoulders and tucks him close to his heart. He can feel his ear against his ribs. Danny hunches over him, resting his chin on Damian's head. "It's so okay to be nervous, actually. I was nervous, Jazz was nervous." He tells him, scratching the blunt edge of his nails across his scalp. "Everyone gets nervous."

"'Ana last aljumiea." Damian mumbles, as small and feeble as he was the night on the OPS Center balcony, realizing that his mom and the League weren't coming for him. Realizing that he was replaceable.

Danny's half-working heart squeezes; in grief, in rage, and his faucet eyes sting. He breathes in carefully, and presses his nose into Damian's hair in a loving faux-kiss. "You're right, you're not everyone." He says, steady and strong, because if he's not a pillar for his family, who else is he?

He can feel Damian's eyes flick up to him, and Danny smiles into his black-brown curls. Tilts his head to squish his cheek against him instead, hand dropping to thumb below Damian's lashes. "You're Damian Fenton," Because the adoption went through a few weeks ago, and he's still riding that high, "You're my baby brother. O' Artist Extraordinaire, Kickass with a Sword, Vegetarian and Wonderful Co-Ghost Hunter."

Damian tries to stifle a smile, and fails. Score! Triumph gathers in Danny's gut, his smile grows wider. He squeezes Damian tight, and only releases him so he can look him in the eyes. "And if anyone gives you a hard time at school, and I mean anyone--"

Danny has bad memories of the teachers looking the other way when the other kids were bullying him, all because he was a Fenton.

And Danny, bleeding heart, bleeding hands, loves his family more than he will ever love himself, will never let Damian experience the same injustice. Not if he can help it.

His eyes narrow, and the buzzy-film of ectoplasm covers his eyes, making them glow, "--You tell me. And as your awesome great big brother-and-technically-dad-but-only-biologically, I will handle it."

Damian, wonderfully made, full of light, his little brother Damian, giggles weakly at him. A sound that's worth it's weight in gold. The scary eyes dissipate, and Danny matches the sound with a cock-eyed, impish grin, dragging Damian into a soul-crushing, too-tight hug. The kind that only annoying older brothers can give. "Got it?"

That gets a proper, if short, laugh out of Damian. He wriggles in Danny's arms, trying to break free. But Danny does calisthenics, his arms are as big as Damian's head, so it doesn't work. "Understood, now, daeni 'adhhab ya 'akhi!"

Danny laughs, loud and bright, and loosens his hold just a smidge, only so he can adjust his grip and hop off the table with Damian still in arm.

"Never!" He crows, hoisting Damian slightly. One eye flick at the clock, and in one quick move, he secures Damian under one arm like a football, and hooks his foot under the strap of his backpack. Kicking it up, he tosses it into the air and catches it with his free hand, and slings it over his shoulder. "Now, to the car, my boy! Before we're late and Mom and Dad get charged."

Damian groans, childish and dramatic and long, but his face is all squished up with a wide grin and glee. Danny can taste his joy beneath his tongue.

"And, if my little pep talk didn't encourage you," He says, reaching the door to the garage, flipping Damian up onto his hip instead. "If you have a good day today, I'll make you bal mithai when you get back."

Like all kids at the promise of sweets, Damian's eyes widen and glitter. Danny loves seeing Damian be a kid, it's his favorite thing in the world. "I will!"

[skeletoninthemelonland]

a glimpse of what their early dynamic looks like

[dragodoodlez]

Is there a canon reason why people think Kabru sleeps around? Like it’s a very wildly agreed upon headcanon - at least, that he has the reputation for it - like in fanfiction/art that I’ve seen

[kacievvbbbb]

This is so shanks coded to me. Like he just keeps losing people and he never learns how to deal with it. So much so that he becomes the abandoning parent. He literally knows nothing else all he has as a frame of reference is all the adult figures in his life leaving him and telling him it is for the best. So why exactly wouldn’t he believe that the best way to love someone is by letting go?

He does it to Luffy, he does it to Uta and in some ways he does it to Buggy and Mihawk too. Because he never just asks them to stay. He lets Buggy run out of his life even though it was pretty obvious that Buggy wanted Shanks to fight for this to take a stand a real one on a conviction for once and he…doesn’t, he just lets buggy leave.

And then he hitches his wagon to the most flighty (dude is literally a bird motif 😭) mother fucker he can find. he lets Mihawk wander in and out of his life as he pleases regardless of what is best for either of them. Because maybe Mihawk has nothing better to do 👀. Maybe he would say yes now if Shanks asks. but Shanks would rather die than ask, would cut off his other arm before he even attempted to “clip Mihawk’s wings”

And that’s like the truth of it. Shanks has been abandoned by every person that has ever loved him besides his crew and he knows they will never leave him. But Maybe he just wants someone to stay not because they call him captain.

[waterdroid]

There's this one stream from June where Hbomberguy plays Tactical Brach Wizards and chats with Tom Francis (the game's creator, writer and developer), and the whole thing is really interesting! They talk mostly about the development of the game and some of what Tom says is already on the Developer's Comment in the special edition, BUT there are some lore things/fun details that I found interesting:

Being a wizard in this world is regarded more or less the same way as being a doctor in ours ("It's impressive, but no one's like, 'oh my god, can i get an autograph'")

Jen's mom is an arcanist

Bank's heart "canonically isn't pounding" in the missions because "she's used to life and death situations"

Banks "cares about who lives and dies"

Tom mentions that Banks doesn't have as good of a relationship with the rest of the team, and that her and Jen's relationship is "hot and cold" (LMAO)

Darrell's hiding spots were all basically John Roberts' idea (the game's sole artist)

The world of Tactical Breach Wizards (as in, the geography and literal placement of countries) intentionally does not look like the real world. "The DSR resembles the UK and America in some ways", but isn't really a 1 to 1 so "they don't map to real clichés and dynamics of the world".

[royalarchivist]

Pac: Oh, Nenê... How cute... 🥺💕

After dying to an atomic creeper in a cave and stressing over potentially losing all his items, Pac returns home to set his spawn and receives a sweet surprise:

His cat falls asleep on top of him and purrs when he goes to bed :')

[mikimeiko]

Evil | Season 4 (2024), Robert and Michelle King

[anachronistic-falsehood]

thought about fitpac for half a second and i

[evilkitten3]

i have a theory about shinji, gin, and aizen, but i'm not really sure how to word it.

we never really see shinji and gin interact all that much, which makes sense bc both of them have significantly more important relationships with aizen, but at the same time it's a little odd how much there isn't.

like. gin cut hiyori in half. shinji is understandably pissed about that, but he aims that anger at aizen - and this seems to be one of the very few things in the bleach world that honestly isn't on him bc he never told gin to do that, he never even implied it. hiyori was never a threat to him. hell, we don't even know if she was charging in the right direction; if anything, attacking her implies that she was which is a really stupid thing to do when you're surrounded by a bunch of people who super want you dead and would kill you if they could be sure you weren't tricking them into stabbing each other (ofc it could also be a fakeout but still)

but i don't remember shinji's beef ever really being with gin, even tho he didn't seem to anticipate that gin was working with aizen the whole time during tbtp. so like does he feel responsibility there? cuz gin went straight from academy to 3rd seat and shinji could plausibly feel like that sent him right to aizen bc he doesn't know that gin was always aiming for that. did he blame himself? does he feel like he should've seen it coming? does he still see him as some weird genius kid? does he just view gin as an extension of aizen, which is both dehumanizing to an extent but also entirely fair bc gin did that to himself?

the thing is, since we never really see them interact much, it's kind of only interesting on shinji's side of things, bc gin doesn't really care about much outside of whatever the fuck he thought he was doing and the version of rangiku that he has in his head who needs back something that the real one doesn't ever seem to have realized she lost to begin with. gin's so disconnected with basically everybody that most of the time you can usually assume his thoughts are just "lol. lmao" and there's no reason to think that doesn't extend to shinji as well (gin has deep thoughts on: aizen, ichigo, and matsumoto (massive asterisk on that one ofc) and i think everyone else is kinda set dressing to him lmao the guy is Fucked Up)

anyway i think it's interesting to toy around with that relationship as it was in reality as well as how it might've been perceived, but also in the sense of both of them being sort of opposite ends of the manchild spectrum - shinji leans into his childish side but still has a fairly adult worldview, and gin is able to pull off maturity to an extent but was never able to escape a deeply childish mindset

[pokemon-radical-red]

I hate it when I headcanon a character who’s canonically a girl as a trans man and make ships of him and a character who’s canonically a guy and I refer to it as a gay/mlm/guyxguy/whatever ship and someone gets mad. Like omg let trans people have FUNNNNN. Why are queer headcanons and genderbends cool until they’re saying that the character is trans???

“OMGGG you’re so misogynistic I can’t believe you would erase FEMALE representation!!!”

and like half of the characters in the franchise are women, and a total of… NONE of the characters are trans men. Also, my headcanon doesn’t change the source material. If my stuff upsets you, you can block me and go engage with the source or maybe every single other fanwork, since mine is the only trans man hc for this character that I’ve ever seen.

or when people are like “WTF??? this is so transphobic!!! how dare you imply that a character who looks like that could be a trans man?!?! do you think that trans men are women or something??? she uses she/her, and you’re misgendering her!”

No, I don’t think that being a trans man makes you a woman or vice versa. That’s why it’s a headcanon, and the headcanon is that this character is actually a trans man and not a woman at all! You’ll never guess what pronouns most trans men had to use at some point in their lives, and you really won’t like it when you find out about pre-(or no-)transition trans men… or trans men who are in the closet… or trans men who don’t know that they’re trans yet.

“But the character is a kid!!! Saying they’re trans is sexualizing them.”

I’ve seen this one from other queer people. Like did you miss when all of the homophobes said this about your identity, or do you think that bigotry is only bad when it’s directed at you?

“Why would you say ‘testosterone could fix her’??? Are you trying to call her a delusional woman?”

Why would your brain even go to that first? This literally has to be a bad faith reading, because there’s no way that someone could see what I said and get this unless they were specifically looking for something to be mad at me for.

(Note for anyone unaware: “Estrogen would’ve fixed him!” was a meme going around at the time I said this. I’m not sure if it’s still super big, but this was a joke to the effect of that.)

“So girls can’t be tomboys anymore? You just wanna trans everyone?”

This is like actual real life transphobic rhetoric. This isn’t even just shitting on my headcanon, but in fact, sending transphobic hate to a trans man. Thanks 👍. Maybe you should go send JK Rowling another message about how much you loved her essay instead of bothering me.

[raiiny-bay]

redhead :-)