#maybe they're saving it for the end

[adracat]

GWitch 23 thoughts

Sorry for the wait on this, I had to rewatch a few times to really drink in everything that was going on. I didn't have the best knee-jerk reaction initially ( I enjoyed it ofc but was a bit ambivalent about some things) and wanted to give it a fair shake.

First up, seeing Suletta zip around like the ace pilot she is was quite rewarding and fun! Now all those auto-pilot rumors can be laid to rest. However, the circumstances weren't the best and it broke my heart she was gasping for air the entire time. I had no doubt she'd live but it's still miserable to witness that

Ah Lauda. Your tomfoolery knows no bounds. We knew this was coming after the last ep, but it's still a bit frustrating. On a technical narrative level, it works since we're seeing two sets of siblings confront their simmering tension with one another. On a personal level, I wasn't very amused. I first saw this at 4 in the morning and had no patience for Lauda lmao. But rewatching it a few times gave me a deeper appreciation for what's going on. He's really intent on scapegoating Mio for everything wrong in his life. Fitting for her role as the Rose Bride and Lauda's demonized witch

This little aside from Chuchu is so suspicious tbh. Considering Mio's failure at piloting, this seems to imply either she does not have a permet implant of any sort or a flat intolerance. I have a sneaking suspicion it'll become a factor in the next episode.

Mio staring wistfully at Cool-san/etc memento of Suletta will always grab me by the throat. Girl wants to wife up Suletta so bad. And really, who could blame her?

Schwarzette is so pretty and cool. Unfairly so. Like, why did you make that thing so unique and cool? For dipstick Lauda?? Who is that pink permet for and why does it look like Utena??? ANSWER ME OKOUCHI

That's nice of Delling to rise from his sickbed to try and negotiate with the SAL. Unfortunately, this would be for naught because they're here to purge and replace. Not make nice. It was the thought that counts, I suppose.

Speaking of, the debut of a solar ray blindsided me. I mean, yeah it's Gundam, but I kinda thought we were skipping the big death ray lmao. After sitting on it, I think I know where it's headed. Totally on brand for SAL too in hindsight. They like to act removed, but they're just as entrenched as Benerit in the skeevy corpo politics. Allying with Ochs and now Peil cements it

Check the link above to see my Utena related thoughts on this moment btw. It might be the highlight of the episode beyond the Prospera confrontation. Stunned they finally stopped playing coy and seemingly confirm Notrette is indeed a GUND entity residing in pseudo hell, and likely a GWitch newtype like Eri

This was very sweet and I enjoy it more on a rewatch but I also understand why I and so many people had a gut-deep aversion to this subplot. The issue is entirely investment based imo, and tbh I just don't care that much about the Jeturk family dynamics. At best, I don't mind them. Guel is a bro but Lauda is SO exhausting on multiple levels. His misogyny and gross negligence of Petra in favor of revenge doesn't help.

If something came of this other than Lauda/Guel sibling closure, I'd consider it fulfilling. But if you lack investment in the conflict, it's going to feel limp or frustrating in comparison to the siblings you want to see. So while I appreciate the parallel with Suletta/Eri and the continuing subtext of witch coded Mio, that's it for me. But hey, it serves a purpose. A tragic cycle was broken after all, thanks to love and MVP Felsi!

The one big gripe I have after consideration is this man's continued existence. Kenanji doesn't deserve to play buddy buddy with the cast. He's a dirty space cop who bullies children and murdered Nadim, now he's joking with 5lan? The hell. I get the theme of the show is forgiveness and not perpetuating the cycle of revenge but... really? KENANJI gets to be happy but Norea/Sophie don't? Sigh

It was so dirty of Eri to use Suletta's love for Mio against her. She knows Suletta would panic over their mother possibly 'gaining two'. It's crafty and unrepentant, but Suletta holds fast. Her faith in Mio is greater than her idle fears

Mio scolding Prospera over her favoritism was great. We love a fiancé willing to take a stand against her shit in-laws. Speaking of, looks like Mio has fully embraced becoming a Mercury one day. 'All of us will be family' YEAH YOU WILL so suck it up Prospera. The holidays are gonna be so awkward

Btw love Mio was shouting at her while having an emotional breakthrough deciphering her mother's QZ riddle. This moment was excellent and easily superceded my minor gripes. UGH when will you reveal Notrette's whole deal GWitch? We're waiting

Such a bittersweet moment. We know from the Blessing and Cradle Planet that Eri loves her sister but it may not have been until this moment that Suletta understands her feelings. Now, I don't think she's 'dead' tbh. Or deader anyway. I suspect it's a false flag to hook you until the finale. It would be quite anti-climactic if she passed without a proper goodbye. I'm still holding out on a Tempest end where Prospera voluntarily sets her free.

The next Sunday will be our last. Hard to believe tbh. Feels like just yesterday we set out on this spectacular journey. Que sera sera! I'll see y'all in the finale~

[bakudekublogblog]

I THOUGHT PEOPLE WERE FUCKING EXAGGERATING WHEN THEY SAID HEROES RISING WAS THE BAKUDEKU MOVIE BUT. NO IT. IT WAS JUST A WHOLE MOVIE??? OF BAKUDEKU??? THE WHOLE FUCKING THING?? HOW THE FUCK DOES ANYONE COME OUT OF THIS THINKING THEY'RE NOT GONNA BE HERO PARTNERS AT THE END OF THIS SERIES WHAT IS ///HAPPENING/// this must have been fucking DEVESTATING for the antis holy SHIT

[radio-writes]

It's about time for your blood to spill + you should sleep + we were soulmates

(Congrats on the 300 followers btw!)

Now, The Echoes Interlace

300 Followers Event

Warnings: Blood, physical injuries to reader, ambiguous major character death(s), angst

Tags: Alastor x reader, gn reader, relationship can be read in any way

MDNI

"You always have looked so pretty in red, Al." You hummed as your combed your fingers through his soft hair. You pressed your fingers against his scalp, lightly massaging against his antlers.

The light static that varied in volume crackled. "Fuck you." Alastor managed to say as his head laid on your lap.

His smile was strained—present, of course, as it always was, but strained. The trail of blood from his mouth dripped from his chin, joining the warm pool under both your bodies.

"Rude." You scolded him. Your breath coming out in a hiss as Alastor dug his claws into an open wound on your leg. 

"Must you continue to hurt me? You're already dying." You glared down at him as you would at a misbehaving pet.

You leaned forward, easily removing his hand from your body without much of a struggle. He only had so much strength left after all. 

"Fuck you." Alastor repeated, static morphing his voice this time around.

"Yes, well, I get that you're mad, Al." You continued your casual tone. "But it was about time for your blood to spill, don't you think?"

You grunted as you leaned your back against the cold wall again, sighing as the tension on the wound across your stomach was lessened.

"F—"

"Fuck me, yes yes." You cut him off. "Save your strength or you'll die out faster."

Alastor didn't mean to listen to you, but he just felt far too tired to argue otherwise.

Your hand returned to his head, damp with sweat and blood, and yet somehow still so adorably fluffy. Leave it to this guy to still look so presentable even when dying a second time around.

Your fingers scratched at one of his tufts of hair, causing it to give a slight, involuntary twitch.

"So they are ears." Your voice was soft. "I always assumed but was never really sure, you know?"

Alastor didn't respond. His red eyes continued to glare at you.

He adjusted his hands to lay over his chest. A weak attempt to slow his loss of blood. He didn't even have enough energy to press on it anymore.

"Hey, Al." You wheezed, breath slightly knocked from you. You had adjusted the way you sat so the demon could lay more comfortably on your lap. "Do you remember how we first met?"

"You told me that cheesy pick up line. How'd it go again?" Your hand paused as you tried to remember. 

A rather dashing demon slid up to you at the bar; charming, sharp smile, on full display. You've seen all sorts of sinners by now, but none so happy while rotting in hell.

You expected him to sell you drugs, or quite bluntly tell you to sleep with him. What you got instead was a very corny: 

"You must be buried treasure, because I am absolutely digging you." You let out a tired laugh, hand continuing to pet Alastor once more.

The sound of static crackling again was the only response you got. You think it meant fuck you. 

"Well you must be treasure as well, Al. Because it seems I'll be burying you tonight." You met Alastor's harsh glare with a soft smile.

"What? That absolutely was funny, you can't deny it." You defended yourself.

Alastor didn't think him dying was funny at all, actually, but he didn't exactly have any energy left to say that.

His smile was a tight, close lipped one, but you see his lips try to curl just a tiny bit in what you assumed would have been a snarl. 

"You always thought I was hilarious." Your own hand moving over the gash on your neck as if it was a mild inconvenience. You titled your head as you looked down at the demon on your lap. "What changed?"

Alastor merely glared at you.

Your eyes traveled down his body, staying on the deep wound oozing across his chest.

"That's not fair, Al." You laughed tiredly, eyes staying on his bloodied torso. "I always thought you were incredibly handsome—sinfully so really. But your attempts at killing me never changed that."

"Fuck you." The static over his voice was gone now. His tone was as spiteful, angry, and condescending as always, but much, much weaker.

Your eyes drifted back to his face. His smile was still present, but his lovely red eyes seemed more unfocused than they were a second ago.

Your hand in his hair stopped their movements. For a moment, the world was still as you wondered if your company had already left.

But it was merely for a heart beat, as a ragged breath from his lips snapped time back into motion.

You pealed your fingers from his hair, bringing them down to softly rub your knuckles down his cheek. He doesn't so much as flinch, but, you knew he would have had he been able to.

"Hey, old pal." You cooed softly. "You should sleep, you look so very tired."

His fingers on his chest twitched once, but you didn't get much of a reply anymore after that.

You sighed heavily. Your hands rested on his face as you leaned your head against the wall behind you, face craned upwards to the red sky that covered all of Hell.

Your own eyes closed, realizing just how tired and weary you yourself were.

Still, you were never one to be silent around a friend—or foe. It had always been unclear to you when it came to Alastor.

"We were soulmates, wouldn't you say so, Al?" You continued softly. "But in a funnier way, I think, where we were always meant to destroy the other."

Alastor's skin felt as it always did beneath your fingers. The stench of blood heavy as it always was around him. You felt his familiar eerie presence by you, as you always did.

And yet, you were unsure if he actually was still there. You were quite conflicted about how you were supposed to feel about that, truth be told.

"Fuck you, old friend." You sighed, eyes remaining closed, smile tiredly stretching across your own lips.

[buckyscap]

you know when you experienced something so traumatizing or grieved too hard your brain sort of temporarily locked that memory to protect you from the pain? i think that's what's been happening to me after deadpool 2 bc tell me why every time i rewatch that movie, i always forget how painful these scenes are?

they always leave me sobbing and totally wrecked but with each rewatch i'd just... forget they would eventually happen and i'd eventually get hurt??

[herearedragons]

tag the oc that's most likely to get stuck in a time loop and what kind of time loop it would be

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[hellameyers]

It's funny looking back and listening to podcasts from Season 1 of IWTV, and hearing people say Louis's relationship with Armand was healthier than Lestat. Hilarious!

At least with Lestat, you knew up front what you were getting. Armand was just more clever with his control and machinations.

[multiiocular-mushroom]

Going back to that silly little Madoka AU for The Terror, and it's finally Hickey time :D

(bits of lore and another pic under the cut)

As a magical girl:

Funnily enough, out of the original cast he resembles Sayaka the most, up to fighting at very close range. Makes his deal with Kyubey soon after the flogging, which is why he is aware of the whole "you are now a Soul Gem piloting your former body" thing pretty much from the start and sees it more as a blessing. Considers trapping Tuunbaq and using its energy instead of merely killing it (think Alina Grey and her entrapment cubes). Also he's the one who takes down witch!Goodsir.

As a witch:

In those of Jopson's timelines where Hickey has the time to witch out before Tuunbaq shatters his gem, he becomes Эван Сесил, the elusive witch with a mirror for a face.

The inside of its barrier vaguely resembles London, every house window an empty grave. The witch is followed around the barrier by blinding light, making it even harder to analyze its appearance or movements. Its minions roam the premises on wooden horses, an attempt to still have the mutineers by its side. This witch exhausts you with chases until you slow down and are swallowed up by the ground/walls or stabbed by a minion.

One who fights this witch must convince it that it never existed in the first place.

[nervousgnome]

Might do a sim dump or maybe sim requests when I get back from my holiday if anyone is interested, not sure which yet 🤔

[mikesbasementbeets]

to be real for a second, i think there is a moment in the show where mike has a ~realization~ of sorts about his feelings but hasn't quite put two and two together yet.... and it's this:

this realization of "hey my feelings for will are actually maybe different than my feelings for my other friends, but i'm not sure why" happens at the end of season two. and then mike spends the entirety of season three acting sort of strange and different around will while having his relationship with him constantly juxtaposed with his relationship with el. reaching the end of that season which, despite all the supernatural shit going on, took the time to focus so heavily on those two relationships (and how fundamentally different they are), and having mike have the same realization he had at the end of season two makes no sense because it would mean he accomplished absolutely nothing in his emotional arc during the course season three

especially to claim that he still believes he has feelings for el going into season 4. especially to claim he still believes he has feelings for el by the end of season 4. it's to claim that he has not made any emotional progress in his relationships for at least two full seasons, that he's been going through all of this for it to not have made any conscious impact on him, and the changes in the way he acts from s2-3 and from s3-4 aren't a product of his character developing (growing, changing, to quote hopper's letter) but rather..... ? i don't know actually. just him feeling weird but not understanding himself at all. still. it just doesn't make sense to me. he's one of the main characters of the show, and to keep him emotionally stagnant for 4 out of 5 seasons (especially when we can see that his behavior is changing, that he has not been stagnant at all but rather deeply affected by everything) would be a disservice to his character, first of all, but also a disservice to the narrative which has been showing us his (as well as the other characters') struggle with growing up and growing into himself every season. and it simply doesn't align with what we're being shown

mike is already having realizations by the end of season two. but by the end of season three, he's starting to be really honest with himself about what they mean

[hellsingmongrel]

Man, so I'm not normally the biggest fan of Modern AUs, nor am I overly fond of fiction focused on kids, but...last night, my sleeping brain decided to concoct this Trigun (Stampede-flavored) Modern AU that now is living rent free in my damn brain! I want to get it out of my head and into the ether. I don't know if I'm going to do anything long-form with it, and I'm having to translate dream weirdness into more coherent storytelling, but here we go.

So it's modern day Earth, like 2024 or some shit, right? And that's when this version of Earth had just begun fucking around with Plant cloning. It's early enough that the SEEDS project hasn't even left the planet, the scientists haven't yet figured out how to put Plants in bulbs and use them for fuel, none of that! But they've already had Tessla happen, and the boys have already been born. Since they're not in space, even though they had to have found out about their sister, Nai hasn't had a chance to literally nuke humanity from orbit, and I guess Rem has had a chance to try and curtail some of his trauma, so he's...more stable? Ish? Stable enough where he's not actively trying to murder everyone. And the boys are "older," like we see in the flashbacks for the time Vash encountered Nai during the Last Run, so probably around 6 years old but looking 16 or so.

Rem has managed to fudge their paperwork so they've started going to school with human kids, to try and give them a normal childhood. Nai isn't as eager to play ball with the whole "being human" thing as much as Vash is, but Vash has got so many friends, Meryl and Milly and Lina are there and they're like the cutest, most stupidly adorable group of friends, just a bunch of little goofballs, like kids that age are. And the school has a field trip to a theme park (it was Disneyworld in my dream because my school actually did this, but ours was a band trip) and Vash manages to convince Rem to let him go. Vash and Nai and Rem are still paranoid about humans figuring out who they are, so you know, he's told to be extra careful and take care of himself, and Nai gives him one of his blades or something for self defense, just in case something happens. Even though Vash would never, that boy has trauma around knives and trying to defend himself, if you've read Trimax, iykyk. But he takes it anyway, and somehow, he manages to sneak it into the park. Maybe the metal doesn't register on metal detectors or something, who knows.

But he's a kid, and kids are dumb. Especially when they're 16. Especially if those 16 year olds aren't actually 16 and don't have the actual lived experience to know better. So he starts playing with the knife in front of the girls, showing off and just being a silly little guy. And then the knife slips. Bad. We're talking "this is how he probably lost his arm in this AU" bad. Blood everywhere, the girls are panicking and take him to the school chaperones and it's like "HOLY SHIT WTF DUDE, We're taking you to the ER, someone call his mom!"

And he hears that, pictures the doctors finding out he's not human, remembers what happened to Tessla, and panics. Boy does a runner like only Vash can do, and he manages to get away from them, out of the park, and escapes from security. And when parents get involved in trying to find him, the authorities start looking into the incident, and someone in the government overseeing the Plant research is able to recognize the elemental make up of the blade he dropped, and they start having suspicions. So the feds get involved, and it just goes from bad to worse, right?

Meanwhile, loopy from blood loss and panicking and a little sobbing mess because he feels dumb about slipping up and he's afraid he'll never get to go home to his mom and his brother again and is spiraling the way kids do when they panic, he gets lost in the city and ends up stumbling over teenage Wolfwood, who lives on the streets and has a few street kids that he looks after on his own with Livio. They never got to live at the orphanage, but that also means that the Eye (in whatever form it takes in this AU) never got ahold of them, so yeah, shits fucked for them, but it's actually a whole lot better for them than it might have been. And it's Wolfwood without all of the EoM trauma, so you can just imagine what he does when this delirious, bloody, terrified, severely injured kid runs him over in the street, sobbing about being caught by the adults and taken away.

Big Brother Nico do what Big Brother Nico do.

At that point, I ended up waking up, but damn if my brain didn't give me enough details to come up with a dumb AU idea that I kind of love and want to do something with, but I don't know if I have the time or spoons to do so.

Ideas I'd had following this beginning to flesh itself out in my head; Luida and Brad are Plant researchers brought onto the project to help the feds figure out wtf is going on with this whole situation, and when Luida is told to talk to Rem, because she's not giving them anything they can use, the two of them reach a secret accord to bring Vash home safe and sound and cover everything back up nice and squeaky clean the way it should have stayed.

Vash's arm is bad enough that he can't really heal it very well on his own without medical care, Plant healing or no. He's doing better than most kids would, but it still begins to go septic, and it forces Nico and Livio to make the really hard decision to find adults they can trust to bring him to so he can get the care he needs. He still ends up losing his arm, though.

At the end of everything, Melanie ends up taking Nico and Livio and the other kids in, so they still get to have their momma figure, even if she comes in later. Maybe she's the one that they find to help them. Is she maybe someone they've known was mostly safe but was never able to get them to stick around long enough to take care of them? Either way, the boys get Vash to her, and it starts the process of getting him home and the kids finally staying at the orphanage.

Meryl, Milly, and Lina all end up sneaking away when they realize that Vash is in more trouble than the adults are letting on, trying to go find him, since they know him better than anyone other than Rem and Nai. Eventually, they meet up with Nico and Livio while everyone is trying to avoid federal agents.

Obviously it's lovey-dovey Vashwood and Insurance Girlfriends and Polygun-flavored, but in the "these kids are too oblivious to think about sexy things, yet" sort of way, because I really do headcanon that at least Vash is ace, Wolfwood is probably demi, and also I am not writing children getting intimate like that. >8/ But kids having little crushes on each other is adorable and I can't not have Vashwood and Insurance Girlfriends be the eventual outcome, once those idiots all grow up and get their heads screwed on straight.

Also, because Nai hasn't had a chance to murder everyone, Rem's managed to work with him enough that he's very slowly overcoming his trauma and regaining his ability to trust that he's not in permanent danger. He'll probably grow up to be a Plants Rights activist or something, lbh. Or a politician. But he's not going to murder people, so either way, it's a win/win!

Because Nico's been living on the streets with him, Razlo either hasn't had to manifest as strongly for Livio, or hasn't manifested at all. Livio is still the sweet, shy, crybaby teddy bear we see, and maybe Razlo only comes out when the feds start getting closer and almost managing to grab the kids, and because he's been able to bond with Nico and the other kids so well this time, Livio is close enough to them that the thought of them getting hurt or taken away is enough to make him want to protect their little group instead of just Livio.

Wolfwood absolutely grumbles about how alike Vash and Livio are. Both a couple'a crybabies, geez, what the Hell you two??? But he also is very much a teddy bear who gives the best hugs when one of his little band of gremlins is upset, so he probably spends more time in a cuddle pile than anything else, now that there's two of them to lose their shit at the drop of a hat.

Vash was totally the one very sweet boy in a clique of girls that everyone who'd known him realized, when they were adults looking back, that he was very much the sweet gay kid hanging out with the girls because it was safer to be himself around them than it was to be around the other boys. (This isn't meant as a stereotype of gay kids, this is based on actual kids I grew up with. My friend group honest to God adopted them because we were all a bunch of momma bears.)

Vash is also...not trans? Because he's a Plant and Plants don't work the same way humans do, but he's also not what humans would think of as a cis boy. He expresses a masc presentation, but probably the closest equivalent would be an intersexed kid. Nai, too, tbh, though he's probably more of the "I don't give a fuck" opinion when it comes to his own gender identity. He uses he/him because that's what humans think when they see him, but he doesn't care any deeper than that.

[theultimatekamehamehavoc]

Naegami Fluff and/or Shenanigans 10

Byakuya just looks like he's like mint cookies. I dunno why I feel this way but he just gives that to me. Plus, it's KINDA cute as a headcanon. Like, mint cookies, minting money. Uh... Mint is green His tie is green. I dunno! This one is very miniscule. Which is why I am now going to expand this thought via Naegami. Aka, one day, Makoto accidently steals Byakuya's stupid little mint cookies. Hijinks insure. Ahem It all begins one day when Makoto's a bit hungry and lost of what to eat. He doesn't really feel like cooking at all. Maybe he's just feeling a bit lazy and lethargic that day. Or, perhaps, he was just craving a little snack. Regardless though, the boy decides to rummage around in the pantry in search for a tasty treat to sink his teeth into. Eventually, the boy finds a nice box of mint cookies and, without much thought, he opens it up and begins snacking. He then takes the box with him and maybe does some activity while eating a bit mindlessly. Maybe watching some videos, reading some manga. What matters though is that, after a while, the box becomes empty and he's both a bit bummed out that there's no more cookies but also just a bit embarrassed that he ate them all like that without noticing until the last minute. Makoto tries not to think much of it though and swiftly discards the empty box. Here's him munching on one of the cookies btw.

Fast-forward a day later and Byakuya searches the pantry in search of a small serving of the cookies he "invested" in that he totally didn't buy on a whim with his boyfriend in a dinky supermarket to try something new. However, gasp! They're gone! Who could have done this? Certainly not the heir! He would have known if he'd ate them all. He's not one to forget such a fact. Thus, his head turns to the only culprit there that could have done such a thing to his Great Value thin mint cookies that he was lowkey a tad bit interested in trying and judging for himself. Emphasis on the judging cus the heir's got a way more refined taste to actually ENJOY Great Value cookies like the average joe. And, Makoto. Yeah, him. There is just that immediate realization in his eyes. Oh, crap. he done goofed, didn't he. Therefore, the boy tries his best to tell the truth. Before he can confess what he did though, Byakuya interrupts him and begins his investigation. Basically, Byakuya literally treats this whole situation like a crime case. A crime scene with a murder victim, suspects, and a culprit that needs to be caught at all cost. Therefore, the bastard starts interrogating Makoto, acting that he really IS upset and has no choice but to solve this mystery once and for all. However, Makoto can tell the heir isn't TOO mad though the word's the heir says aren't to be ignored. The boy can tell that, even though the cookies were cheap garbage in the heir's eyes, he still had that long-lasting curiosity to actually try them. By eating the mint cookies, Makoto took that away from him. So, regardless of the lighthearted air to the situation, Makoto still had that guilt festering inside. The heir's antics do distract his mind a bit as he questions Makoto on where he was on the night of the crime, estimates the time in which the crime took place, and even pulls out a notepad to write down all of this information. Eventually, Makoto ends up spilling everything after this goes on for a while. He played along for a bit. However, the boy's guilt kept festering and festering into a boiling point that he could not handle any longer. When he speaks of what occurred, Makoto is very visibly embarrassed. Though he isn't one to do this type of thing often, the fact that he ingested a whole box of the thin mints still left him feeling ashamed. Byakuya does end up cheering the boy up in his own Togami way however. Like, the two chat a bit and it's oddly sweet.

Byakuya basically tells Makoto that he wasn't that mad at him and he should have expected something like this to happen at some point. The heir's picked up on Makoto's good and iffy habits after all. Makoto can't help but say sorry again though cus Makoto's just like that. They decide to put this situation aside though and get some new cookies instead that aren't Great Value ones. Aka, it's baking time!

Here's them with the cookies. They made too many.

[front-facing-pokemon]

[karinaing]

I JUST REWATCHED PIWON MOVIE AND I HAVE THINGS TO SAY

[ladsofsorrow24]

i think some of you are too used to genre conventions, you guys forgot to question the worldbuilding that many authors painstakingly made to question the subject of death and life in a more nuanced manner than just "wow resurrection is so romantic!"