imagine you're luce, and you're born the heir to a mafia family. you're mafia-born, and so of course also mafia-raised, and then also a donna-to-be. you're raised to be able to take on the role, to be good and capable at it, are taught to make one of your core beliefs about how the many must come before the few, because the family must always come first. you're going to be the donna, of course you must always prioritize the family above all else, it's your foremost and most important duty.
if caring about the few too comes at the price of the many, comes at the price of the family, is it even worth it? if the happiness gained from it comes at the price of a greater suffering for others, is there even any meaning to it, even if it's your happiness we're talking about? you understand, don't you?
you're not sure if you do, but you care about your family, love it, want to do right by it once you become their donna, so you nod, listen and learn.
(you don't have to be taught the pain and loss and guilt and anger and bitterness is a fair price to pay for the pain you decide has to be inflicted and the sacrifices you decide must be made, including by yourself. it's the least you could do, even.)
imagine you're luce, and the gift of foresight runs through your blood.
you would not call it a gift. you did not ask for it either. and you'll never come to see it as something wanted by you.
you can see the future, and it happened exactly as you saw it would, so of course it's exactly the way you wanted it to go. you can see the future, and it happened exactly as you saw it would, so of course you didn't care to try hard enough to change it. you saw the future before the shape of it had yet to be breathed into existence, and who's to say it didn't come into existence only because you saw it happen? you saw the future, and it happened worse than it had to for it.
you can see the future, but you still can't make it anything else than what it was always going to be. you can even make the visions happen at your will, but you still have no say on what you see or how much you see. you still can only be the witness of it before anyone else can.
it does mean double and longer the happiness sometimes, means relief and gratefulness and hope beyond words, and it'd be cruel of you to voice out loud your feelings for others to hear the many more times it means something else.
you can see the future, and it doesn't make it any kinder on you than on anyone else, does not give you any more power or control over it than anyone else, but at least you can see the future. you're given the time to make peace with it, to brace yourself for it, to bargain with it, to plead and beg and fight against it however desperately and hopelessly, even if in the end it still happens exactly as you saw it would.
(you can see the future, and it still doesn't hurt you any less than anyone else when it happens, but you don't expect anymore for anyone to hold you any less responsible for it anyway. it would be nice for someone to do it one day, but you understand.)
you can see the future, and you decide it's a kindness to both yourself and others to keep it for yourself as much as possible whenever you can.
imagine you're luce, and your family has this set of rings they've looked after and protected for as long as your family has existed. they're one set of three of the most important artifacts in the world, ones that help in safeguarding its existence and balance. they're duty, the very first one and the most important one your family was created for.
the pacifier around your mother's neck is duty too, and the most important and powerful artifact among twenty-one in safeguarding the world and its balance. it's been passed down in your family too, from mother to daughter. it's duty, but less tied to your family and much more to the blood running through your veins. it's a curse, in fact, as it demands heavy sacrifices the rings don't, and one that can only be tied to the blood running through your veins.
(your mother looks at you as if expecting some kind of reaction from you, and you can only wonder at which point you weren't supposed to see it as a given. duty and sacrifices have been one and the same for you for a long time now. is it even duty if it doesn't require any sacrifices from you?)
imagine you're luce, and your mother dies for duty. she's the donna, and so she dies for your family. she's the sky arcobaleno, and so she dies for the world. she's your mother, but she dies anyway, doesn't fight it either, even knowing she will leave you behind, even knowing she won't ever get to see what you look like all grown-up.
everywhere you look, duty stares back at you, from your mother and the pacifier around her neck, her love for your family and the life she gives up for it, her love for you and how she dies anyway while you're still only a child. duty, from your family members and how they die for you and kill for you, how they do both at your command, how their lives are in the palms of your hands and how they weigh only as much as you allow them to at a time. duty, from the knowledge your foresight gives you and the shackles tied to the blood running through your veins.
your mother's only duty while she lives too. she loves you, but she'd have had to give birth to you anyway even if she didn't. she loves you, but she still gave birth to you even knowing the kind of life you'd have to live, the kind of hands you'd inevitably end up with, the burdens she'd have to lay on your shoulders, passing them down from her own. because she loves you, she finds the resolve to raise you to be able to face all of it head-on and come out on top, but she'd have had to raise you much the same way anyway even if she didn't.
(she doesn't die for you, doesn't fight to be able to keep living with you, and this, too, is your mother surrendering to duty one last time.)
(you're so sick of it, so angry at it, so hateful and resentful against it. you're so stifled by it to the point you've stopped being able to breathe for a long time now. or you would have been if they had taught you how to face duty in this way too.
it's for the better they didn't. a silver lining, sparing you pain that isn't necessary for you to go through. everyone you turn to only teaches you how to keep holding your breath longer, and you listen and learn, obedient and dutiful as you've ever been.
you're grateful for it too. really, you are.)
everywhere you look, there's no room for you to so much as question any of it, let alone anything more. duty is commendable, something you ought to look up to and strive towards, strive to achieve. duty is the right thing to do. of course it is.
(you exhale a breath of relief that shakes you down to your very core.
thank god, it's at least the right thing to do.
you're grateful for it beyond words. really, you are.)
imagine you're luce, and before it even happens, you know the choice you'll make when climbing that mountain, when standing on top of it, when waiting for a bright light to shine down on you from above. you know the choice you'll make then, even when pregnant with your daughter.
it doesn't matter since how long you knew, be it years, months, days, hours or minutes before. all that matters is that before you can even contemplate the idea of making another choice and all its implications and possible consequences, before the thought can even come alive in your mind, you already know the choice you'll make.
(you can see the future, but just because you already saw it, it doesn't mean it's now set in stone.
you can see the future, but just because you're given the chance to fight to change it, it doesn't mean it still won't happen every bit like you saw it.
it doesn't mean it can't still happen even worse than how you first saw it happen because you fought to change it, no matter how already dreadful it originally was.)
imagine you're luce, and before it even happens, you know they'll be others with you standing on top of that mountain. you're the only one who'll know it before it happens.
(because you can see the future.
and oh, you did not ask for it.)
they're strangers, people you don't owe anything to. adults who choose to show up at the first meeting, and to show up to every following mission after that. the chosen seven, whose ambitions and prides lead them to walk the path of the seven strongest too once laid down in front of them.
you don't force their hands in making any of those choices for them. you're not responsible for any of them.
you become coworkers then, accomplices, your hands stained in blood to various extent, but now dipping in the same pool of blood as you strive towards the same goal together. you have each other's backs, learn each other's strengths and weaknesses, learn each other's personalities, likes and dislikes. you keep having to spend more time together as the missions keep coming your way.
inevitably, you come to care about them. even more damning, they come to care about you in return. enough so they'll look after your daughter even after what'll happen on top of that mountain. enough so they'll look after your granddaughter too, warmly and fondly enough she'll call one of them uncle.
you're still the only one who knows they'll stand together with you on top of that mountain, not knowing what'll happen on it like you do.
and you do care about them, you swear you do. really, you do.
(you care about them the same way your mother cared about you, and how she still raised you to have steel in you and be made of sharp edges you know how to use. you care about them the same way you care about your family, and how you still send them to their deaths as needed so the rest of your family you care about just the same can keep on living longer and safely. this is the only way you've had the chance to learn how to care and love.
duty and sacrifices have been one and the same for you for as long as you can remember. it doesn't matter at which point sacrifices came to mean love to you too.
and most of all, you love your daughter more than anything else in the world.)
imagine you're luce, and this is who you are. this is who you've been raised to be, the only way you've been given room to grow up to be. this is the life you've lived and the kind of life that has shaped you as the person you are now. this is what you've been taught and told is the best version of yourself you could have grown up to be. this is who you ended up being by what you've been taught and told are all the right choices to make.
you're still the only one who knows what is about to happen on top of that mountain. it hasn't happened yet. the fate of the world hangs on what'll happen on top of that mountain, the same world you'll have to give birth to your daughter in. the same daughter you're currently pregnant with.
now imagine you're luce, look me in the eye and tell me you'd know how to even form the thought of the possibility of there being any other choice to make. look me in the eye and tell me you wouldn't look at the only choice in front of you, and know deep in your bones it's the only right choice to make. that it is right of you to make it. because it simply has to be.
(imagine you're luce, and you're not doomed by the narrative. of course, you're not.
why would you need to be when the narrative has painstakingly shaped you all your life to become its perfect, faithful and dutiful sacrificial lamb?
and then, imagine you're luce, and you're even grateful for it, so, so very grateful it held up its end of the bargain too.
truly, you are.)
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s2 episode 24 thoughts
this episode was quite spooky. because cannibalism is real. but something about scully about to get her head chopped off and boiled seemed more outlandish than all the aliens and the guy that kills people with his shadow or even lizard man eugene tooms!
which is strange. because those things are pretty outlandish! maybe its because it was so much scarier than even evil lizard men.
let’s jump in:
so this is an episode involving more meat. did we need more meat, after the earlier meat processing content in s2 episode 10? many are saying no. but not chris carter!
we begin at a dirt road at night. in the state of arkansas. we have an older man and a younger woman named paula in a car, which is not suspicious at all! /s
oh and now the old man choking? is this natural or did she induce it with some poison. i mean maybe he deserved it, if she did. he takes some pills, so I’m guessing it is due to natural causes. now she beckons him out to the woods.
into the woods. she says he has to catch her. is she luring him into a Bigfoot trap? we have yet to really see Bigfoot, and maybe he’s hungry. although Bigfoot is more Pacific Northwest than Arkansas, i think.
author's note: we tested negative for bigfoot in this episode :(
oh! this man tripped and is now surrounded by people with flashlights and very cool masks. get axe murdered, fucker.
back in DC! aforementioned fucker has been gone for 10 weeks and scully thinks the higher ups are sending them on a wild goose chase. “i’m not questioning the legitimacy of the case, just their motives in assigning it to us” <- damn, very well spoken by a rightfully suspicious woman
oh, but at the scene, someone saw a fire. and mulder says the fire is “supposed to be the spirits of massacred Indians” OH...
(mentally i was like, please do not be another scary Indigenous story episode. and we did in fact get that. sighs deeply. we can make things scary without making Indigenous people the scary ones! or using the trauma of genocide as a setting for spooky time! well, i'm sure you, dear reader, know that, so i shall not preach to the choir, but i will point out that these thoughts were going through my mind)
“these are only legends, mulder”, says a dismissive scully. and why is her hair looking excellent today. I mean not that it isn’t usually but damn. shoutout to the hair and makeup team.
the place on the side of the road where he went missing had a big fire! could be a bonfire, both parties thought. until mulder remembered a documentary he saw in college...
(hehehehe mulder spent college watching documentaries <3)
! MULDER LORE REVEAL ! wow it's been a while since i've gotten to format some text like that. he watched a documentary about an insane asylum in college and it gave him nightmares.
(and this may not be super relevant to his character, but to ME, it is, so i shall note it <3)
he's got the VHS from the doc all loaded up, and presses play on a guy rambling about a fire demon!! who was found in the same spot as the fire mark!!! dun dun dunnn
(love the implication that he either purchased his own copy of the documentary that gave him nightmares in college, or had to go rent it from the video store. both are wonderful possibilities)
cut to arkansas. mulder is on the scene holding a plastic fork from the ground. wearing his silly sunglasses. lmaooo idk why they make me laugh. what a serious gentleman.
sheriff arrives at the scene. he says the witch’s peg to ward off spirits is normal there and also that the fire mark comes from illegal trash burning. and, as an American i am aware of how Americans love an illegal trash burn. but still. suspicious.
sheriff says the missing man george was chasing women out of town. lovely sounding fellow /s
wife questioning time!! he left her years ago. oh, but tea: the day before he went missing he was going to cite major health violations in the chicken plant! hmm... a cause for murder?
mulder gives the wife his phone number. also mulder is also looking very good today. but that is an evil voice in my head that ought to be silenced.
noooo, it's chicken plant time. no thank you ma’am, i would be out in the car <3
paula from the woods at work in the plant!!! taking mystery pills. seemingly in pain??
chicken cutting cam. oh, this is not for me!
the agents chat with the manager, who says george was trying to shut them down. and while clocked in, paula is sweating. she just gasped in front of a whole bunch of chickens and some guy with very blue eyes. she sees a human head on the chicken stand and picks it up and throws it off. shoutout to this fake decapitated head and my best friends in the prop department for making such a funny creation.
(but of course, it was a hallucination, and she really just threw a poor chicken on the floor!!! his sacrifice was in vain... gone but not forgotten)
mulder is inspecting the chicken gutting operation and i've said it before and i'll say it again: he is braver than me.
ohh, more chicken drama: george was filing a lawsuit about “line hypnosis” and it was dismissed before he vanished! he deserved to win. is there a meat processing union? there ought to be. but he was the only one citing bad health practices, the other 3 workers said it was fine... sooo what’s the truth…
“what’s that” asks mulder, who then gets shown the feed processor, and asks “chickens feed on chickens?” <- heartbreaking realization. many of us remember where we were when learning this information. i'm sure it will stick with him forever. and i'm frankly surprised he didn't know already.
NAURRR THE SLUDGE AND BLOOD nasty nasty evil
OH plot twist: paula is holding the manager with a knife to his throat… scully telling everyone to calm down. personally i would be not calm. she said “don’t get excited” but me? experiencing an active hostage situation at my place of work? i would be excited
NOOO the sheriff shot her and she fell into the feed conveyor belt processing… thing. sheriff i KNOW you are covering something up. you will not hide from me.
SHE GETS GULPED INTO THE FEED BELT THINGY GAGGG it’s giving the jungle by upton sinclair that caused many american 8th graders to confront the corruption of the meat industry
paula had gone to the doctor about headaches… like george!!! doctor had assumed the condition was stress induced. and they did have similar symptoms.
treated them both with codine… ain’t that a bit strong?? this man doesn't seem to be a very good doctor, tbh. i mean i don't think the guy that works at the chicken plant to sew back on fingers needs to be an expert in everything but like. codine for headaches? umm girl.
mr. chaco of chaco’s chicken was paula’s grandfather… if i was a grandfather rich off of chicken money, my grandkids would not be working the processing line, let me tell u that much!
back to the agents: these two should not be looking as good as they do in a chicken processing plant. they had to really step it up today to compensate for the horrors of the set.
chicken man lives in a mansion. further evidence of corruption. paula, i would not have had you working in such conditions if i was your grandfather. there has been a deep wrong here, i can see already.
and he’s got a big hat and is feeding his chicken corn. not other chickens, like the feed he makes in his plant... seems he is aware of the ethical issues implied in his business. also, mulder with those weird ass glasses.
cacho is going on about the subject of chickens. and how he built this town. he sure is taking an awful lot of credit for creating a town, pretty sure that's a team effort mr. chaco. he's also going on about how he thought george was trying to tear him down.
AUTOPSY TIME!! rare degenerative disorder in da brain of paula. and scully has only seen it one other time back in med school because you can only really find it in an autopsy. nice work, doctor! <- i just typed “nice worm 🪱” so we'll let that stay for the added sense of whimsy it provides
but despite looking like a young girl fresh out of high school, paula was born in '48?! she was 47 years old. allegedly. this is not adding up. so they go on a quest to find her birth certificate and see what the truth is.
debrief in the car. so: odds are not great that she and george had the same very rare disease
during this discussion, our duo are run off the road by a chicken truck!!!! no! oh... he drove them into a river. mulder has shifted into rescue mode as the river is red with chicken gore. i feel someone might be distracting them and trying to get the body… (this was actually not the case i was just overly suspicious)
but more chicken drama: the driver had the same symptoms as george and paula! how can this be?!
“i just came up with a sick theory, mulder” (grabs her shoulder) “ooh, I’m listening” LMAOOOO this is sososo funny to me. yeah tell me ur sick theories scully you have my full attention.
GAG!! because it is both gross and shocking. her theory: what if someone put george’s body in the feed grinder, and then since it’s a prion disease, a chicken ate it, and someone ate a chicken, and it spread to the humans!!!! AHHHH! well that would be an epidemic, because they ship chickens out across the country… she glances knowingly, implying things could be very bad
the river is filled with bird gore from the plant BLECH... who allows this??!! please say there are some modern regulations in place to prevent this being done irl.
mulder says he wants it dragged, thinking that maybe george is in there. and the sheriff is hesitant to do this. once again, i’m onto you, sheriff. i mean, a river full of chicken gore: it would be a good place to put a dead body.
and bam! a body is found. or rather. many many many bones. many bodies. and they are still going. damn.
so, we have a ton of bones. scully can put them into 9 distinct skeletons, one of which is in fact george. i love that she can do that, put the bones into distinct skeletons. she knows it's geroge from a pin in his femur!
“all of them share one, strange detail though” “well, they seem to have lost their heads” “… well, besides that” <- LMAOOOO idk why this was so funny to me... he really thought he picked up on something but he did Not.
here's the linking detail: all the bones are smooth and buffed like they have been polished. ??? who is polishing bones? it sure isn't me, i'll tell you that much.
george’s wife is at the scene, learning her husband's body has been found, and she is sobbing. and the sheriff says “we’ll take care of you” now what does THAT mean? because it's not really sounding like the welcoming words of a man who is going to guide his neighbor through tragedy, and instead like there is something bigger at play here...
back at the plant, the doctor is mentioning another guy coming down “with the symptoms”…. omg. so this IS a known thing from the inside. mr. chaco knows but he isn’t doing anything about it!!!!! chicken dramaaaa goes crazy
scully at the scene of all the bones, carrying a bucket of chicken. lmao. she is braver than me, for i would have gone vegan the first moment i set foot in chicken processing land.
mulder does some digging: 87 people have disappeared in the area in 50 years! that seems... a lot? and he thinks the same person or persons were responsible. he thinks they were EATEN!! boiled in a pot.
“they used similar evidence to prove cannibalism among on the Anasazi tribe of New Mexico” okay: 1. why do you know that 2. need to look into these allegations for myself and 3. Anasazi… that is the title of the next episode!!! what could this mean!! another cannibalism episode?!
scully is very sad to say that paula could have gotten sick from eating george :( girl I’m not convinced the chicken is clean put it down NOW
cannibalism = eternal life? follow for more crazy mulder theories!
she puts aside the chicken……. good!
mr. chaco says “he’ll handle it” and george's wife doris arrives, saying she “can’t keep lying”… she says “she did it” (!!)
OH????? she... killed her husband? that is a bold thing to admit to.
“we’re gonna take good care of you”, says mr. chaco, which raises the question: are they a cannibal cult???? is that what he means when he mentions that he “built this town”???
now what the hell is going on. <- an interjection i stand by
mulder and scully are going to the courthouse to look at the papers and all the birth records are burnt!! doris calls mulder and says he’s afraid mr. chaco will kill her… they split up…. nooooo i hate splitting up!!! i watched so much scooby doo as a kid!
GASP! a guy in a mask like we saw at the very beginning of the episode is in doris' home!!! drumbeat playing while she screams…. overall, this is very not good, i wrote, referring to the use of Indigenous imagery for this murder, and also doris being murdered in the first place
scully at the scene of the murder ft. big ass flashlight. she gets in through the side door. gun: out. trench coat: open. looks: served. diagnosis: baby girl that could kill me, and i am respectful of the fact that she has this power yet refrains from using it on me.
mulder at mr. chaco’s house. mr. chaco has some… stuff in his home. including photos with Indigenous people and also bones. having human bones in your house, and especially on display, is not a good sign of ethics in play. and a skull. Oh! it says the skull is from a tribe in New Guinea... why tf does he have that. put it back???
at the back of chaco's parlor, we see a mysterious door. mulder is busting it open.
LORD ALMIGHTY, I DID NOT THINK THERE WOULD BE HEADS INSIDE??? HELLO???
so that must be where all of the heads that mulder noticed were missing have gone. they're sewn up sort of like shrunken heads. very spooky. once again, pour one out for the props department for such a creation.
noooo chaco is in the house with scully, who was investigating the call of doris. NOOOO HE KNOCKED HER OUT!!! this seriously needs to stop happening like i'm worried about the brain damage she is experiencing.
back to mulder cam. goodness. all of these heads.
in a field now. doctor is serving some soup. to a bunch of people. who are eating around a big bonfire. do NOT tell me scully is in that meal....
she is not. YET! but he is bringing her over to be roasted. and they ate doris! chaco is yelling about turning on each other and how they were only supposed to eat outsiders. girl you shouldn't be eating anybody last time i checked.
man in the mask shows up with an axe. and chaco is decapitated in front of scully. who is put into the decapitation thingy next. GIRL THIS IS FUCKED UP!!!
mulder on the scene, just in time. he shoots the dude in the mask.
“you alright?” he asks, brushing her hair back after lifting her out of the decapitation machine. my good friend, i would venture to guess that she is not quite alright at the moment!!! this will take an awful lot of unpacking!!!
sigh. but the tenderness of the near death experience. coming back to life in someone's arms. yeah i'll romanticize that.
TEA!!! the sheriff was the one under the mask!!!!!! i knew he was up to no good.
wrap up: chicken place shut down. unclear how many citizens of the town ate people. 27 have become ill with prion disease. chaco’s plane was shot down in 1947, and he spent 7 months with a cannibalistic tribe, and also he was born in 1902, so he was 93 at his death- so the cannibalism really WAS extending life. and we see some more feed being scooped to the chickens as scully says his remains have yet to be found. end scene.
HUH???? what in da hell. so what are we thinking kids…?
well, i'll tell you something: turns out i am afraid of cannibal cults, no matter how outlandish they seem! i guess when you get a villain or evil situation of the week show like this, you WILL learn exactly what kind of fear pushes your buttons. i can imagine almost nothing scarier than being led to the slaughter like scully was. seems a purposeful commentary on the meat industry, especially when taken in with the other meat episode this season.
so, if i were scully, i do think i would need to take a week or so off. but she is just built different than i am.
some things bugged me here. first of all, like i mentioned, you don't need to throw in Indigenous people to make a scary story. like is the thought of a bunch of arkansas cannibals not horrific enough? the scary was there!
second, i have not been doing a kidnapping count, but i feel that scully is getting the rough of the deal here. i believe in gender equality when it comes to characters being kidnapped. like, an even 1:1 ratio. why are we denying mulder his damsel in distress arc? does anyone think about how he would feel? how nice it would be to see scully burst in with a gun and shoot the fellow that was about to cannibalize him?
still, it is rare an episode actually spooks me, so i must give credit where it is due. even if it felt a little outlandish, your girl was frightened! scully needs a vacation now. i also thoroughly laughed at the sick theories line and his funny sunglasses.
it's funny to note, but i like the episodes that are either very silly and light hearted, or incredibly angsty the best. and that may seem contradictory, but you cannot tell me that one breath and humbug may be on opposite ends of the tone spectrum, but they are both objectively Perfect. i'll have to think more on why they are the best in my opinion, but i think honestly i would watch these two read the dictionary.
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