#maybe it's more popular in certain fandoms

[friendshipgun]

"#also: the way ppl loathe first person cracks me up" I cannae help it, I involuntarily cringe. I think it mostly has to do with how much it is associated with beginner type writing though where an /author/ is often doing a lot of transparent self insertion. I am aware experienced authors can use first person well I just can't remember reading anyone doing so (I'm sure I have but I have absolutely no memory of it, I only have more recent memories of not-great YA books in first person). That post saying theres people who read first person like its READER INSERT though is so funny to me. I'd understand more with second person ??? But why would first person invoke that kind of feeling in a reader? Even third person feels like it would be more open to that for me as first person often feels so much like a separate ass person telling you things at all times. Its like reading someone else's diary, which does not evoke a feeling of "haha that me" in me personally. (In fact, usually it just invoked hat reflexive sense of immense cringe I noted at the beginning of this mini rant).

lmao nah i get u. there is def that connotation with it with fanfic for sure, but i also read a lot of novels that use first person, none of which are YA (you know my thoughts on YA) so i don't have that connotation with it in a wider sense at all.

i do feel like there's a post or a twitter thread somewhere that goes into the notion of "relatability" and this mindset certain readers have where what they read becomes representative of themselves, where the goal of "reading" is relatability first and foremost & where characters that deviate too strongly from what the reader is comfortable """"relating"""" to are met with aggression.

so i can maybe kind of see people seeing the first person pronoun and immediately putting themselves into the story, bc that's what they're always doing anyway, just with a more literalness here where they become the "I." (i'm laughing bc i keep thinking 'i am feel uncomfortable when we are not about me?' but like with reading lmao.)

like bro idk i'm just spitballing the entire idea is horrific to me i don't feel like the people who do this were ever actually taught to read, or like they were certainly never taught to process or analyze what they were reading. shit's bleak.

[shoppingcartshells]

YELLING AT YOU OH SO AFFECTIONATELY i need to scream but I will spare you from the all caps

your fic!!!!! is!!!! beautiful!!!! it reminds me of EVRYRHING GOOD and it reminds me of such happy times in my past and it smells like this bakery but then again to me everything good smells like baked goods but YOUR FIC!!! CRADLES IT. it has become my comfort fic and gaHHkfhsjak. I’m sl normal about it I need to chew your writing. chews it. I’m chewing it.

I KEEP. LIKE. quoting it too!!! like a lot!!! its just too good and is the first fic in a while that has made me smile so many times and audibly giggle. the jokes are very very funny and you capture the turts so wonderfully and I am Going To Go Insane about how you write ninpo.

sorry for yelling jn your ask box I just finished ch30 and I saw the tumblr link and im like Aight. ANYWAY THANK YOU for this fic I am cradling you /pos /pos /pos eueueue

AAAA TY!!

i did my best to make the fic as funny and in character as possible! in make, the only reason i made it aside from wanitng that good ole crossover "hey wtf" was that the rise characters were always boiled down to things that they werent (and i could go onto a whole rant about how fandom characterization is so far removed from their actual characters that it is the sole reason i dont really interact much with the fandom and make my own content but thats not what this is about) so i am VERY glad that you enjoy how i write them!! i really wanted a chatfic that was in character as well as funny and im so glad i pulled it off!

and YES the ninpommmmm i could go Onnn but i already made a post about it so i shall refrain lmfaoo

dont be sorry about yelling in my ask box i loved to see it! thank YOU for sending it! cradles you back

[caruliaa]

bad decision maker (me)

[bbygirlverstappen]

this fandom is genuinely very unwelcoming towards writers

[charminglygrouped]

For the past several years (and perhaps longer) in the P&P fandom I've seen a lot of people who want to rehabilitate Mrs. Bennet: like, sure, she's uncouth and seems greedy, but it's because she cares so much about her daughters' futures; her situation is actually really stressful and uncertain and she's powerless to change it and her husband makes fun of her, and so it's natural that it would cause her to be anxious all the time; maybe she doesn't have the intelligence or social awareness to understand that her behaviour is actually harming her daughters' prospects, but at least her heart is in the right place.

I'm usually not the type of person who argues that fandom is actually being too nice to a female character, but in this case I don't buy the counter-narrative (which I think is popular enough at this point to be fanon / a narrative in itself) about Mrs. Bennet.

For one thing, she was never really powerless in this situation. These people are rich even for gentry. Mr. Bennet's income was always good, at 2,000 pounds per annum (even though I can't believe he isn't neglecting some practices that could raise it higher). Mrs. Bennet had 4,000 pounds from her parents and a further 1,000 from Mr. Bennet. Invested in the 4 per cents (for example), this is 200 pounds per year in pin money that Mrs. Bennet could spend without touching the principle of her dowry, and without affecting Mr. Bennet's income. This is more than some people's entire yearly incomes.

The picture of Mr. and Mrs. Bennet that we get in P&P is not of people who are helpless against their circumstances, but of people who are extraordinarily neglectful. We're told that:

Mr. Bennet had very often wished, before this period of his life, that, instead of spending his whole income, he had laid by an annual sum, for the better provision of his children, and of his wife, if she survived him. [...] When first Mr. Bennet had married, economy was held to be perfectly useless; for, of course, they were to have a son. This son was to join in cutting off the entail, as soon as he should be of age, and the widow and younger children would by that means be provided for. Five daughters successively entered the world, but yet the son was to come; and Mrs. Bennet, for many years after Lydia’s birth, had been certain that he would. This event had at last been despaired of, but it was then too late to be saving. Mrs. Bennet had no turn for economy; and her husband’s love of independence had alone prevented their exceeding their income.

We also know that the "continual presents in money which passed to [Lydia] through her mother’s hands," plus her allowance and food, amount to about 90 pounds per year. Rather than saving up from the beginning in case the entail is not broken, rather than beginning to save once it's clear a son will not arrive, rather than making Jane's dowry the full 5,000 from her mother (which would be something) and saving up for the younger girls' dowries thereafter—which is what would be typical, and that's why Lady Catherine was so shocked that all the girls were out at once—Mrs. Bennet's housekeeping, dress, the girls' allowance, presents of money over and above their allowance, plus whatever Mr. Bennet is spending money on (and other expenses relating to servants, carriages, maintenance &c. which are unavoidable), add up to their entire income. The only reason why Mrs. Bennet doesn't overspend even that is that that's where Mr. Bennet puts his foot down.

Mrs. Bennet is actively harming her daughters' prospects, not even of marriage, but of living respectably if they don't marry, because she doesn't have the temperance not to spend all of the income that is allotted to her. It is the role of the woman in a marriage to take charge of the housekeeping, servants, cooking, furniture, and all expenses relating thereto (plus certain attentions to her tenants and any living in genteel poverty in the area, though presumably this will depend on her income and whether there's a parish church with a parson's wife who's doing some of these things). She's an adult who should be competent to manage these things in a reasoned way without needing to be dictated to.

It is supposed to be the role of the woman in a marriage to take charge of her daughters' education—and yet Mrs. Bennet did not hire a governess, and Elizabeth says that she didn't spend much time teaching her daughters anything (it's not clear to what degree she's educated herself). Granted, the girls did have masters—but, from the sounds of things, that was only if they requested them. No one was required to learn much of anything, which will probably further harm the marriage prospects of the girls who "chose to be idle."

I think the "point" of Mrs. Bennet is that she is one half of one type of bad marriage which the novel illustrates, in contrast with the Gardiners' marriage. These marriages are two possible models for the Bennet daughters to look to. At one point, Elizabeth's prospective marriage is explicitly compared to her parents', with her in the role of her father: Mr. Bennet says "My child, let me not have the grief of seeing you unable to respect your partner in life" (emphasis original).

We might wonder whether Elizabeth saw herself potentially in the role of her father, in a marriage that was very intellectually unequal, when she rejected Mr. Collins; or whether she also saw herself in the role of her mother, married to a man who insults and doesn't respect her, when she rejected Mr. Darcy. Ultimately, she accepts Mr. Darcy after she realises that he is nothing like her father; that he is diligent in attending to his responsibilities, and that he does evidently respect her mind.

This isn't me defending Mr. Bennet, who is also a bad parent and a bad spouse. I do, however, find it a little disturbing when people suggest that Mr. Bennet is at fault for not controlling or curtailing his wife. His wife is a grown woman. Surely we don't actually believe that a situation where a man is legally in complete control over his wife, merely because he is a man and she is a woman, is in any way natural, moral, or just? (This also goes for people who suggest that Mr. Bingley needs to get his sister 'in line' 😬😬😬.)

Mrs. Bennet should be competent to manage her household and her daughters. Given that she's not, yes, Mr. Bennet, according to Georgian and Victorian ideas of the role of a man in a marriage, "should" have stepped in and started dictating to her. But I don't really think that's what Austen is suggesting went wrong here. The models of good marriages we have—the Gardiners, the Bingleys and Darcys after their weddings—are all ones in which the women were basically sensible people to begin with. In the latter two cases, we are told of particular ways in which the men stand to benefit from some mental quality of their future spouse (Elizabeth's good humour and ease in company; Jane's steadiness and determination).

The ideal which some Georgians had of a husband's role being to shape his wife's intellect doesn't seem to be what's being advocated here. If Mr. Bennet made a mistake, it was in marrying a silly, selfish, ill-tempered woman to begin with, not in failing to browbeat her into submission once he found out that she was silly, selfish, and ill-tempered. The idea is that you should choose your spouse carefully. But that message doesn't work if Mrs. Bennet is just a woman in a difficult situation who has her heart in the right place.

[jesswritesthat]

Atsumu Miya: Second Choice

Fandom: Haikyuu!! — [ Masterlist ]

Summary: ~2.2k, fluff

• You were never first choice, so it comes as a surprise when he notices your presence before anyone else.

Warnings: None

>>>>——————————>

It was always the same, you'd watched as people flocked to beauty, straight past you every time. In reality when you became friends with Sachiko it was because she had a great personality, you couldn't have possibly predicted she'd become the most beautiful and popular girl in school by the time you'd reached Inarizaki High.

Regardless of her sparkling status, she remained your best friend and you'd usually be found together throughout the school premises along with anyone else who joined you at the start of first year.

When the Volleyball team grew more intoxicating, it was Sachiko who'd excitedly dragged you along to one of their home training matches. It's where you first laid eyes upon the famous Miya twins, a vicious team of spiker and setter with a serve worthy of award among them. Already they had personal fans and the cheer squad screaming their praises, you're surprised they didn't get mauled in the hallways.

Now you'd seen them, you recognised them in school and they apparently had space to breathe aside from the odd confession here and there. You'd regularly seen that with Sachiko though, she'd often be either pulled to the side or you'd bear witness to some lovestruck soul gushing their heart out for her.

It was humbling in a way, you were the one who goes unnoticed but notices everything. Including if feelings were reciprocated, and you're certain you deducted gossip before it even became that, you'd been getting accurate in predicting things lately. However, you never predicted one of them to notice you.

Especially him.

"Hey, ya in one of my classes right?" In honesty you didn't even realise it was you this voice was addressing since Sachiko lingered by your side, not until a careful tap drew your attention to the blonde twin rather than your locker.

"Huh? Oh I think so, it hasn't been long enough to learn everyone's name yet. You're the volleyball player though."

"Ah, have ya seen me play? Like it?" His head tilted in curiosity, proud smirk upon his lips.

"You were really good, you have great form when you serve." With that you nodded to him, slipping on your shoes and walking off with your best friend quickly following in tow.

"Woah— wait up!" You didn't even look back in the swarm of leaving students. "I didn't get yer name..."

———

It wasn't until a week or so later did he 'confidently' interact with you again, this time his call far more effective in hailing your attention.

"(L/n) (Y/n)!"

Immediately you spun to the origin, finding none other than Miya Atsumu dodging a group of fangirls rather effortlessly on his way to you.

"You know my name."

"Yeah 'course. You know who I am so it's only fair." It was surefire charisma, one you'd soon extinguish.

"Miya Osamu isn't it?"

"Ye—Hey?! YA GOTTA BE KIDDIN'!"

"'Tsumu shut ya mouth!" The namesake twin glared harshly at his counterpart, quickly flashing a calmer look when you'd addressed him.

"Ah, hey Miya-san. I apologise, that was my fault for winding your brother up."

"Dumbass has control of his own mouth." Osamu politely assured, meanwhile Atsumu reclaimed your peripheral with a childish pout.

"So ya knew ma name all along and decided to be freakin' mean about it? On our second meetin' too."

"I couldn't resist, you're so cute when you're mad."

"I'm— oh ya think I'm cute?" Atsumu stammered slightly, your smirk only widening upon noting the crimson tips of his ears. Honesty leaving your lips soon after.

"I think you're both handsome, as does a majority of the school body. See you Miya-san and Miy—"

"Call me Atsumu!"

"See you in class, Atsumu." You actually looked back this time, an unfamiliar and unexpected feeling flourishing within you.

———

Part of you wandered if it’d be different this time, maybe you’d found someone who was there for you and not Sachiko. Just this once. You’d spoken more in class, studied together, traded snacks, and genuinely became friends over the course of two months.

Ironically it was the same blonde who tugged you from your reverie at the your locker where you’d first spoken.

"Yer friends with Sachiko aren't ya?"

This was it, the moment you realised he was just like all others and for the first time in a long while, you were truly disappointed.

"Yes I am, and she is amazing."

"I'm aware, could ya introduce me?" He’d spoked so casually, completely unawares of the charade you donned.

"What? Too scared to introduce yourself?" Atsumu was taken aback by your mockery, smirk growing as you persisted. "She doesn't bite y'know, that's my job."

This was the second time you'd left him speechless, slamming your locker door and disappearing into the halls with a wave.

From then on you'd see them happily talking to one another, it was hard seeing them together, amusing considering you'd only known the blonde not even half the year, yet you'd liked him more than you considered possible.

The first time you'd walked into the classroom finding the pair conversing at her desk, it was like Atsumu was desperately trying to convince her of something. It was only for a brief moment but when the setter turned to see you with a suddenly concerned look, you realised you hadn't worn a facade. You were meant to smile, instead you must've looked saddened - briskly you offered a weak smirk, and span to leave the room with additional flare as to minimise suspicion.

You’d only made it three steps down the hallway when a grasp on your wrist limited your escape.

"Hey you okay?"

"Yes? Why wouldn't I be?" Came your upbeat response, even if he portrayed a careful worrisome look on his handsome features.

"Ya... ya looked upset."

"Really? Are you sure?"

"I'm observant y'know, gotta be fer volleyball so yeah, I noticed your little slip." He was more forward this time, gesturing to you with a tilt of his head - even if he was head over heels for Sacchan, at least he still genuinely cared about you.

"It's nothing, just realised I've got a test today and that's depressing enough." You thought it was acceptably convincing, though the calculating gaze he'd locked onto yours made you reconsider.

“(Y/n) I know I can be annoyin’ but I’ll do anything I can to help y—“

“I’m fine.” You instantly corrected, reaffirmation following. “I’m fine, Atsumu.”

A gentle pat on his chest told him not to worry, and the nod you gave said you wanted to be alone. So, he let you walk away, your wrist slipping from his grip.

———

Even weirder than the smitten pair hanging out was that your conversations with Sachiko seemed to revolve around him too. Which by your deductions, meant he’d certainly made more of an impression on her than anyone else recently. Maybe Atsumu really had a shot with her…

"Atsumu is so hot isn't he?"

"I guess he keeps in shape, he has to if he wants to improve his skills."

"Uh yes... his hair suits him though, brings out the colour of his eyes~" She gleamed, searching for your reaction and once more her face dramatically dropped at the deadpan reply.

"Makes him easier to differentiate from Osamu."

"True, but I'm asking if you find him attractive?!" Her impatience had gotten the better of her, voice raised slightly out of desperation.

"Isn't that a question you should ask yourself? I haven't heard you go on about a boy this much since middle school." You quipped, raising a quizzical brow at her.

"It's not like th—"

"Oh hey! Sachiko, (Y/n), you wanna come to practice today?" Atsumus’ hollering tone interrupted the conversation, the blonde strolling into your classroom like he belonged there.

"Yes, we'd love to." Sachiko of course was ecstatic to agree, why would she say no since he’s ’so attractive’. Yourself on the other hand had replicated the Thor meme perfectly…

"Would we though?"

"Yeah ya would! C'mon~" You hadn't the chance to protest further when Atsumus' hands clamped your shoulders steering you in the direction of the gymnasium with a giggling Sachiko skipping behind.

———

When Atsumu had asked you to meet him after school before practice started toward the end of the year, you expected something food related or about homework answers, not whatever this was.

Here he stood, flowers in hand and apparently a homemade bento box offered to you with a growing blush painting his handsome features and an aura of flustering about him which was unusual in itself.

"What are you doing?"

"I'm— isn't it obvious?!"

"I have literally no idea what's going through your thick skull, Sachiko will like the flowers though." You answered honestly, crossing your arms.

"They're not for her!"

"Oh... Suna...?"

Atsumus brows furrowed at your wit, shaking his head with a huff.

"Alright ya got me, they're for Sachiko. Yer gonna deliver them since yer her best friend. Thanks and make sure ya eat some of the bento 'cuz there's stuff yer will like in it. Later!" He basically threw the flowers at you and pushed the bento box into your chest prior to storming toward the exit.

You stood dumbfounded, flicking between the two items when he placed his forehead against the door with a defeated sigh and spun on his heel.

“Go! Go on, the team are here and I don’t want ya getting hit with a face full of leather and petals.” He’d stubbornly commented, ushering you out of the gym.

Still, you shouldered your sadness, wearing false confidence like your favourite outfit as you went to find your friend (completely oblivious to the embarrassed mess whining to his teammates inside).

Sachiko squealed when she saw you, leaving her work unattended and rushing to your side admiring your haul.

"It finally happened! Oh my goodness!"

"Yeah yeah, blondie came through congratulations." You boredly spoke, placing the items down whilst she basically vibrated with pure joy.

"Congratulations indeed! Are you happy?"

"Eh. He did say we should share the lunch."

"That's... weird?" Sachikos’ prior energy disappeared as she looked to you in confusion.

"I know, that's what I thought. Apparently there's things I like in it."

"Well obviously. Atsumu made it for you."

"No, he made it for you."

A moment of silence passed, yourself and Sachiko locked in a puzzled stare off.

"Nah, let's be honest, Osamu probably made it~" You dismissively waved your hand once placing the items on her desk, although it was only you who found humour in the situation.

"No (Y/n) I'm serious! Atsumu has been asking me about you and your preferences for months and I've been super excited about it. He even wanted me to find out if you liked him or not —of course IF I found out, I would've kept it to myself— but he really likes you."

"I thought he was into you, I mean everyone is into you." You adamantly justified, as if it explained everything but Sachiko was just as passionate.

"Not him, why do you think he keeps asking you to practices or bugging you every 5 minutes?"

"To get close to you? I don't know."

"No! To get close to you!"

Widened eyes and a look of pure shock told Sachiko her words had finally resonated with you, the truth burned brightly and she could only smile as you ran.

Abandoned were the flowers as you dashed through the halls and came to a skidding halt before the gymnasium - fingertips hesitantly pausing against the door upon hearing Atsumus' cursing whines.

"I didn't even get to say! They just ran off to Sachiko!"

“Ya literally said ‘Go’.” Osamus voice maybe?

“Yeah well, I don’t ever wanna walk away from (Y/n), but it feels like they’re always walking away from me…” Atsumu trailed off, more emotion than you thought lacing his words.

"Maybe ya shouldn't have lied?" That was definitely Arans’ blunt advisory tone.

"I had no choice! They were lookin' at me with their stupid pretty eyes and askin' if it was for Sacchan and I didn't wanna disappoint 'em."

"Yer an idiot." Osamu gladly highlighted, the perfect moment to walk in and make your presence known you decided.

"I know! But—"

"Atsumu?" At the sound of your call, the entity of the team turned in your direction, the setter being the first to respond.

"Huh?! (Y/n) what are you doing here?"

Osamu and the rest of Inarizaki seemed to understand the underlying tension and were quick to evacuate the area.

"I came to tell you that Sachiko liked the flowers." You awkwardly started, Atsumu running fingers through his hair with a quiet voice.

"Oh, right."

"As did I, and I think I'd like to get you something in return."

"Eh?"

"She told me what was going on." You filled in, hands behind your back fiddling with your fingers.

"She's lying! I do not like you at all, let alone find you attractive or anything!"

Much like you predicted, he'd jumped to conclusions and had inadvertently dropped himself in it and exposed the truth Sachiko had enclosed which earned your witty reply.

"Funny, I never mentioned anything about liking me. That’s good to know~"

"Wait— then what?" Atsumu defused, utterly confused and blushing.

"And it's a shame, I was about to confess my feelings for you but I see there's no need since you 'don't like me at all'." You shrugged haphazardly, a hint of sarcasm lacing your tone but it was your statement that revitalised his spark. Enough to abruptly skid in front of you with a commendable justification when you’d started to turn around.

"You still can, nothin' to lose and all that." A half smile was sent to you, hazel eyes meeting yours. “And please, don’t walk away from me this time.”

"I didn’t want— I mean I—“ A wistful sigh escaped you, confession imminent. “I really like you Atsumu, you're both an incredible player and a cool person so I’m glad I got to tell you that.”

“I like ya too (Y/n)! So much, and I feel more confident playing when ya come and watch. Yer smile really hypes me up y’know. If yer up for it, I’d love to spend more time with ya.”

"Yeah, I’d like that."

—

That evening, he’d offered to walk you home and there was still one thing you wanted to say after all that.

“Hey Atsumu?” A hum signified his attention. “Thank you for noticing me."

"Noticing ya?"

"Yeah, I just… I appreciate it."

"No I mean, noticing ya? I haven't noticed anyone else since I met ya."

<——————————<<<<

[ Masterlist ]

[olderthannetfic]

No, ppl, VPNs aren't even possible for many MANY ppl in the third world. You can't buy a VPN in a brick and mortar store, and many of us (adults who are parents of kids in schools and everything) don't even own credit cards. Many who do still cannot afford VPN because what is easily affordable to a Westerner could pay my bills for a whole month. It depends on how poorly my currency is performing against the US dollar.

Even Paypal is sth mythical. I mean, I've had pieces accepted in US magazines for what the editors said was a token payment, about 50 dollars. Man, those 50 dollars would've paid off so much! That would be a FORTUNE. But I had to waive the payment EVERY time because Paypal doesn't work in my country. Grrr.

That doesn't mean third world countries listed on the Paypal site can use it either. My country is on it but every time I filled surveys etc and they transferred the money, I couldn't get my bank to let me have it. I know a third worlder in another country who has had that happen to them too.

My heart goes out to fellow readers and writers in Malaysia. Some of the most mindblowingly beautiful fics I've ever read (they were gushed abt by Americans and Brits and Aussies so I assumed the writers were native English speakers) turned out to have been written by fellow third worlders, one of those in my own country! The idea of waking up to find my country decided to ban ao3 is just... unbearable.

I hope the Malaysians find a way around it. And I hope whoever made that horrible decision gets the worst RPF written abt them AND hears about it from their political rival.

--

Yeah, I'm always meeting fans online from certain countries: Malaysia, Indonesia, the Philippines. Some places just seem to produce a lot of nerds. Or maybe more people learn English? IDK. Both a lack of (popular-with-fans) local media and a lack of economic opportunity can incentivize foreign language learning, so I'm sure that's part of it along with a certain amount of randomness.

In any case, part of why AO3 is run on donations instead of having paid accounts with better features is that a lot of core fans who write the fic and make the recslists and make fandom happen turn out to be in situations where they literally cannot pay even if they have the money.

Someone who's popular might be able to get foreign friends to pay for their VPN, but even then, can they actually get access to it? Questionable.

As for the last, it will be with their political rival, and you know it! They'll have to hear from some aide. ;D

[labs]

Introducing Collections

Hello again, Tumblr. Labs division here!

A while back, we announced our comeback as a new team that would imagine big ideas for Tumblr—and would build them in public (aka with you). We recently announced our first failure, and today we're very excited to announce our first possible success!

A bit of context

As we've said before, an essential part of how we're working in Labs is speaking to people who use Tumblr pretty much on a daily basis and those who don’t use it at all.

In those interviews and focus groups, we learned that curating the Tumblr experience around different interests and fandoms is a big part of making Tumblr feel like your own space — and one of the main ways you do that is through blogs and tags (be it following or creating them).

So here at Labs we're working on ideas to help you curate the content you care about, and to help share what makes your experience fun with other people, even if they are not on Tumblr already.

Ok, but what's the idea?

Have you ever put together a song playlist to listen to when you're in a certain mood, or share with a specific friend? Or sent them books you know they'll love? Now imagine if you could do that with blogs and tags on Tumblr…

Maybe you're a veteran in a fandom and have the best recommendations of who to follow for your followers. Or your best friend won't join Tumblr because they don't know that their favorite TV show is actually really popular here. Or maybe you want to curate and browse content from a specific fandom, or a group of your mutuals, your own way.

That's the idea behind Collections!

You can check out that example collection on the web here!

We want your help

The first way we're testing Collections is by inviting some of you to create your own and share with followers and friends—they'll be able to follow all the blogs and tags in your collections. So we're looking for volunteers!

You want to help? Great! Here's what you need to do:

Come up with your own Collections of blogs and tags, write it down somewhere. Focus on introducing people to Tumblr or recommending stuff to your followers. What would you want them to first see on your version of Tumblr?

Come up with a name, cover image, and description for it. Also try to think of who you would send your collection to, and where you might post about it.

Write out that idea as a reply or reblog on this post!

We’ll give it a few days, and pick a handful of people to play with Collections. We'll let you know. Then we’re off to the races!

If you decide to participate (and get selected), please note that this early release won’t work on the apps yet, only in your web browser. 

What happens next?

Our goal is to keep working on improving and adding Collection functionalities while you test what we've built (and share your feedback with us).

Next we’re exploring making a collection something you can follow on Tumblr, as a way to curate Tumblr around your many interests and moods, and to give you more freedom to curate content on your dashboard.

And if this idea is not for you, remember we have many more experiments in progress, so stay tuned!

With love,

Labs division

[imustbenuts]

nuts reading trigun in japanese 3 - "weirdo" and vash's pronoun switching

disclaimer: my jp reading posts are all for triangulation purposes and nothing else. scanlating mangas is tough work. @-@ i know this.

"Weirdo"

the word 'weirdo' in 2024 english carries connotations of neutral-bad or positive depending on the context of the speaker. depending on how one curates their internet space, weirdo often leans more positively with the same meaning as eccentric, but not always.

however, but in JP, "weird" is more specific and often negative. there's the well known, hentai 変態 (ie. deviant, pervert, freak, extremely negative in tone), and in this case, kimochi warui 気持ち悪い (gross, off-putting, bad vibes). eccentrics are more as 変人 henjin and carries a more neutral tone.

in this panel here papa nebreska uses 気持ち悪い in katakana キモチワルイ in reaction to vash busting his ass saving people and putting out of harms' way. vash's vibes are so off putting to this wanted man he's actually creeped out.

this is particularly interesting to me bc the english translation didn't end up portraying how utterly weird vash's mindset is fully. it wasnt until wolfwood points out how flawed vash's pacifist mindset do i get a proper frame of reference of norms in this world, but i might be having skill issues in english comprehension. ;w;

Pronoun switching

quick. 俺 Ore! 僕 Boku! 私 Watashi! they all mean "I", and there's 2 spectrum of expressions going on here thats commonly believed. 1st being Masculinity to Femininity. what's the 2nd?

the answer is... Rudeness/Assertiveness to Politeness. and gosh does vash switch a lot between Boku and Ore in the first 4 chapters of this manga lmao.

(to be clear, while i am aware of trans hc thats very popular in the fandom, im not at all diminishing or talking about gender expression specifically. im talking about what vash is presenting himself as in context.)

so to perhaps oversimplify this, in JP the idea of politeness and hierarchy is so super duper important, its very built into the language itself. and Japanese is a very high context language. if someone of a higher or equal standing uses "Ore", its totally fine. but if someone of a lower standing uses "Ore", they've committed a social faux pas.

as an obvious example, if a fresh new employee approaches his Boss with "Ore", he's potentially getting dressing down in the company. maybe in front of his coworkers. if this employee forgoes polite speech (keigo) and uses a too Assertive and Casual speech, they've Really Fucked Up and are one foot out the door.

this is also tied up in gender to some extent, hence why girls using Ore is incredibly uncommon, but guys would use Watashi in certain contexts such as talking to their Boss. (woo woo the forces of hierarchy/patriarchy... or something.)

so. vash switches his pronouns for the same effect. when he uses Ore, he's making himself sound more assertive and confident. when he uses Boku, he's often making himself sound less threatening, smaller, open, and trying to avoid conflict.

sound familiar?

bc if you translated all of that into a character design instead of relying on just jp pronouns, we'd get TriStamp Vash.

slight spoilers, but this is even true in one of the tensest moments between vash and wolfwood, where the latter provokes vash and tears into his pacifism ideology. vash sticks with boku in this scene as he says his piece.

if he ever uses watashi, it's bc he wants to be polite straight out of the gate with an air of formality. (this is japanese manners and the proper approach to talking to strangers. mainly to get a feel for each others standing without offense until context changes.)

i also wanna point out maybe something obvious here but.

real life pronoun switching in japanese is a COMMON thing. no one ever really sticks to 1 pronoun bc of Good Manners and the aforementioned hierarchical systems in place. it is only mostly in anime/manga and video games where characters overly prefer 1 due to this being a good shorthand for characterization. this being how rude or polite they are, and in some cases, Gender.

[gotorux]

Fandom Discourse Analysis

Mentions of aging up, enjoying villian characters, and disliking popular characters.

Something I have noticed about anime becoming more popular and mainstream and also the rise in minors in certain spaces is a constant level of discourse over certain topics. I truly believe it’s a good thing anime has become more popular. However, as it brings in more viewers, I think it’s important too open up the conversation surrounding the necessity of distinguishing fiction from reality. There is a lot of posts I see while browsing tags and although I don’t post often I think something needs to be said about three very specific topics that, for me, mean a lot and seem to have a lot of discourse surrounding them. 

One of the things I see happening a lot lately within the community is the hatred against people for liking fictional characters who happen to be minors in their respective animes. The aging up dilemma. First off, let me start by saying that a fictional pixel on a screen does not = minor. It can not be a minor because it is a drawing that was made up whenever the author wrote it. And in a lot of these instances, these characters are crafted by the authors with traits that appeal broadly to audiences, transcending their canon ages. This is particularly evident in shonen anime, where characters are often depicted with maturity, wisdom, or exaggerated physical features that align more closely with adult aesthetics rather than with children. This stylistic choice by many authors is done purposely to cater to a wide demographic, enabling viewers to form connections with characters regardless of age. 

It's important to recognize that a great majority of the time it is NOT the age that attracts viewers to the character which differentiates them with people in real life who are attracted to minors. Having a crush on, or writing about a fictional character that, like I said previously more closely align with adult aesthetics, does not make someone a pedophile. I think when it comes to loli and shota, then yes maybe we can open up this conversation as those characters are made to look like children. But that’s another topic. Acknowledging the fictional nature of these characters and their resemblance to adult fictional characters should be taken into consideration and not be misconstrued as indicative of real-life inclinations towards minors. Not to mention many of these authors don’t want them to be minors which is why they write about them as adults. Again, these are NOT minors. They are drawings and their ages can be changed depending on who’s writing them. An author could come out tomorrow and say the character has always been an adult and that would make it canon. It is not the same as pedophilia. Most people like characters like Sukuna that doesn’t reflect their real life tastes. Which brings me to my next point. 

Liking a villainous character does not correspond to endorsing those actions in real life. Anime often portrays "evil" characters with a depth that makes them appealing through usually through some form of tragic backstory, a charismatic or confident personality, or having extremely complex motivations. I think this makes people often misunderstand that liking them is a reflection of one's real-world values. That is not the case. 

Some people even like these characters just for being attractive and due to the fact they are fictional, and again an authors way of getting people to appeal to said characters, it can not be misconstrued of saying that those actions would be okay in real life scenarios. These characters allow viewers to explore themes of conflict, redemption, and moral ambiguity that can be explored in safety because it’s fiction. I think one of the main reasons people find themselves drawn to them is that villian characters are often created with flaws and authors give them depth to explore said flaws. This is why anti-hero characters are also often seen as more relatable and engaging. Anti-heroes, like villains, aren't bound by the usual moral constraints and often make decisions that are more realistic than heroes would. They can express doubts, conflicts, and vulnerabilities that mirror real human experiences. This makes them intriguing and allows audiences to connect with them on a deeper level.

All that said I think the attraction to villainous or morally grey characters often stems from their complexity and the opportunity they provide for viewers to engage with difficult ideas and emotions in a safe, controlled setting. These characters challenge our perceptions of good and evil by navigating a blurred line between the two which is appealing for most people. 

The last thing I want to bring up which kind of ties in with liking villainous characters is that disliking certain characters beloved by others is not necessarily a negative stance. Anime characters are crafted with diverse backgrounds, personalities, and motives, which naturally produce varied reactions among viewers. Understanding a character's motives yet still disliking them is completely valid and should stop being treated as inherently wrong or a negative reflection of someone. 

People are allowed personal preference and I think that encourages a a better discussion within anime communities whereby differing opinions can coexist. It is through these discussions that fans can dig into character analysis and conversations revolving around characters. Recognizing that disagreement over characters is totally normal and that people can be cool with each other, or be friends and disagree is important in both real life and fiction. 

At the end of the day there is also the block button which I will admit I use when needed, if you disagree with someone’s take. Instead of sending them hate and being a horrible person on the internet. 

[kouyou-arc-when]

ON DAZAI AND EMPATHY: A character study Before you read: Obviously diagnosing any character in fiction seriously is a fool’s errand, but I am a fool, so let’s just do this for amusement. The main thing I desire is to discuss is the extent to which Dazai is capable of various types of empathy, as well as how that influences the way he sees and interacts with others. It will be chaotic and all over the place because I just sat down and wrote this in a fit. Let me explain some factors in analyzing Osamu: The author's intention is clearly to make Dazai's internal world a mystery. Since we don't have enough information, all we can do is hypothesize based on external elements. Generally, across all novels, the only time we’ve seen anything of Dazai’s perspective is in “The Day I picked up Dazai” (Beast continuity) – where he “saves” Oda and tortures that random dude. We don’t hear his thoughts narrated from first-person perspective, unlike many of the other novels.

Now, the crux of the issue. For years, it’s been discussed whether Dazai is a “sociopath”. If we disregard that sociopathy is a very loaded term that can mean a lot of things depending on which specialist you consult, at the very least, Dazai does strike me as someone with a unique expression of empathy, who could qualify for Anti-social personality disorder or a related condition. I will abandon the idea that Dazai is a sociopath, and use actual concepts that have legitimacy within this post. Whether Dazai could qualify for ASPD or any other disorder is something I've seen discussed for many years within the fandom. I'll try to analyze how these concepts could apply to him. In regards to mental health and Kafka (since it is a contentious matter) and the validity of any of this: I understand that a lot of people are resistant to the idea that any of the characters could have conditions more complex than depression, anxiety, and PTSD. This is my counterpoint. I have noticed that Asagiri emulates a lot of characteristics commonly attributed to “geniuses”, without confirming or potentially even intending to write these characters as having a specific condition.

A great example is Ranpo – who will read as autistic to any decent mental health professional (Untold Origins). Did Asagiri intentionally sit down and say “I am going to write an autistic character”? Maybe not. However, the “genius” stereotype is profoundly connected to visions of autism, even if people aren’t aware of it. Take people like Sherlock, House and L from Death Note – they’re commonly believed to be autistic by fans. All of these characters borrow from the same group of traits, that just happens to correspond with a certain condition - savants have always been popular in fiction. It's been known that the favorite type of character for Asagiri is the “prodigy” type, and he has used geniuses across fiction for inspiration of most notable intelligent characters within BSD. For Ranpo it was Sherlock, for Fyodor it was Joker from the Dark Knight (a classic sociopath), for Dazai it was Patrick from The Mentalist.

What I’m trying to say is, you can see various personality disorders connected to the portrayal of these geniuses, and even without confirming their state, it is clear they are either intentionally or unintentionally coded to be that way. Extremely intelligent characters not being able to read social cues, lacking empathy, disregarding rules etc. is something we commonly see in fiction. Basically, a lot of people don’t even know that these stereotypes are based on certain personality types, disorders, and illnesses. It’s sort of like drawing a character and dyeing their hair a certain shade of blue that you don’t know the particular name of: it doesn’t change the fact that you used that color, and the fact it has a name. Most authors are not mental health experts anyways, so they may not be entirely aware of every detail of the psychological framework they write the character to possess. They also may not write it consistently, as they're mostly emulating stereotypes. I mention Ranpo and autism because a character can embody traits of a stereotype without the author even necessarily having the intention to do so, however, to anyone who knows a thing or two, it is clear Ranpo is on the spectrum. If Ranpo were to express a few traits that go against this, it would not necessarily take away from the large-scale portrayal he is meant to exude: an autistic coded genius.

Why am I saying this? It is entirely possible for the author to write Dazai as a person with anti-social personality disorder, to “code” him in that way, but to not be entirely aware of how an individual with ASPD realistically tends to act.  Because he may be emulating a certain "stereotype" of a genius, he may also end up emulating specific psychological states, without making them entirely consistent in a realistic way. Writing the way individuals with ASPD tend to deal with empathy can be extremely difficult for anyone. It's easy to emulate a sociopath on a superficial level, but beyond that, it gets more challenging. How would a person with limited empathy act when they're hurting someone? That is an easier idea to handle. But how will they act in a friendly relationship? This is where it gets tricky. That is likely why someone like Dazai can never be consistently compatible with a very specific disorder: but, he can come very close. Besides, concepts such as anxiety and depression are pretty well-known, but more niche mental health conditions are not as well understood. So, BSD Osamu was written with specific attention to mental health issues because the author himself was someone who spoke heavily on the topic. I’ve read a lot of real-life Dazai Osamu, with special attention to No Longer Human (the main inspiration for BSD Dazai was Yozo) – and neither RL Dazai nor Yozo gave me the impression they could qualify for ASPD at all.

I know BSD Dazai is the opposite of the RL author in so many ways, but I guess it’s relevant to mention this because we know so little of BSD Dazai’s internal working processes, and Asagiri's main inspiration can tell us a lot about the intentions behind Dazai's portrayal. Generally, an intention or idea behind a character can give a lot of clues to us - more than anything, I am under the impression some of the main ideas behind Dazai's creation was that: 1) He doesn't feel like he belongs among humans 2) He has mental health issues However, we have difficulty defining the exact source of why all of this is in more realistic terms.

Naturally, since Dazai, an extremely socially intelligent person, sees himself as "othered", it is logical to assume he is not capable of fulfilling some emotional function most people can in a successful enough way. If he were just mentally ill in more typical ways (only depression), I theorize he wouldn't feel that "othered". He specifically is not meant to feel human. Obviously, his extreme intelligence is one of the things that isolates him, but the question is what else?

We are led to believe Dazai "sees" something the rest of us don't, and that is one of the reasons he wants to die. However, there is something more to it, as I believe it to be. We have two characters who are as intelligent as Dazai: Fyodor and Ranpo, and neither of them is suicidal, as far as we know. I believe Dazai "feels" a certain way, and then finds a way to logically justify it. Due to his intelligence, he likely falls into a complex loop which leads him to existential nihilism: but you usually don't end up in a place like that if you tend to feel alright in the first place, regardless of how smart you may be. While Dazai is certainly isolated due to his extreme intelligence, most of the people who made an impact on him are nowhere near him in that respect. In fact, I'd argue Dazai isn't even looking for someone equally intelligent to him, unlike Fyodor (this would take another post to explain).

The man who means the world to him, Oda, is more emotionally intelligent and full of common sense, but definitely not his cognitive equal. You can tell a lot about a person depending on what they value: and due to this I believe that Dazai's main issues relate to emotional matters. He primarily feels isolated due to his emotional state, and his intelligence pushes the problem further. Otherwise, he would treasure people like Ranpo and Fyodor over guys like Oda and Atsushi: he's looking for something to ease his emotional pain. Dazai doesn't seek out raw intellectual stimulation as much as comfort/excitement. This post will be an analysis of how Dazai compares to the "average" psychologically and some of the reasons he may feel so othered. Basically, my theory is that the feeling of being "othered" comes from his emotional profile, as much as it comes from his intellectual capacity. Those two take equal parts in his psyche.

Why would Dazai feel so emotionally "othered"? I believe it may have to deal with a specific personality disorder or condition, and mainly how he experiences empathy. One of the possibilities is ASPD. Anyways, let’s look into common ASPD symptoms, and then we'll look into common behavioral patterns the character shows. Dazai is equal amounts portrayed seriously and in a “jokey” way, but his worst traits and moments are usually described without humor. To preface: Keep in mind that you can have any or all of these traits without it qualifying you for a certain disorder. It is the extent to which you show it that makes a person, like Dazai, out of the norm.

1. Repeatedly breaking the law: This one goes without saying, he was in the Mob as Young as 15, and seemingly a violent criminal even before that age. To differentiate him from other members of the Mafia, it is stated by tons of people throughout the story that Dazai was practically born for this job.

Oda in Dark Era:

He was openly murderous before the age of 15, according to both The Day I picked up Dazai and Fifteen:

Dazai and Oda interacting in TDIPUD When talking to Kyouka, it seems that he has an “interesting relationship” with murder as a whole:

One thing is for sure, Dazai is much calmer, calculated, and more Machiavellian than most criminals in BSD, and this all started at an extremely young age. Many people kill when they're young, but they're not this casual about it.  The age at which he was this cold about would be of diagnostic significance.

2. Lack of remorse: Everything mentioned above, it is clear that Dazai has an even more complicated relationship with guilt and empathy. I’m pretty sure anyone in real life would consider him out of the norm, as it’s explicitly stated Dazai doesn’t feel remorse for all sorts of things he does, but there are some hints he is either ashamed of the way he is, or regrets his nature, but accepts it. What is particularly significant here is how young Dazai is when he shows a marked level of these traits. A key event that stuck with me is from the Dragon Head event in Mayoi (from my understanding it was written by Asagiri), where Shibusawa mentions Dazai will regret something (to me it sounded like he meant that killing Shibusawa will end poorly for Osamu). However, Dazai’s reaction was interesting – it was like he was almost amused that anyone would believe Dazai “could” feel regret for anything.

Mayoi Later down the timeline it’s quite questionable whether Dazai feels regret for some of his actions because he hides his feelings like a snake hides its legs, but there are implications he is somewhat remorseful if you read between the lines. More on that later. Dazai has changed compared to his past self, but to talk about that, and the extent to which he has changed would take a whole other post.

More on his lack of remorse, In “The Heartless Cur” Dazai is very young when he gets some randos from the Mafia killed in front of Akutagawa, yet his main emotions are amusement and boredom. This is not the “typical” emotional range of most people, even practiced criminals. For example, Chuuya kills people just like Dazai, but his reactions to it are entirely different.  

from The Heartless Cur Murder tends to not be the preferred or first solution Chuuya goes for: there is an expected amount of hesitance if you read into Chuuya. He put a bomb below Chuuya’s and sabotaged Ango’s car without much bother. I’d say even if you do see It as a “means to an end”, the way he did it was really cold. Usually, when people of all kinds do bad things, they have remorse and empathy they need to suppress, but with Dazai we don't see much of that. It's like he can just "do it'. He’s also really great at torture, in Side B at age 15-16, he already describes himself as a “specialist”. This is also touched upon when he speaks to Kouyou:

No matter how "grey" a character is, torture is a very specific process that takes a particular psychological profile to pull off. To be a "specialist" at it, you definitely need to possess dented empathy. Lack of remorse and empathy does not mean a person is going to be a criminal at all - it simply opens the opportunity that they may get lost in those waters more easily compared to the average person.

3. Repeatedly being deceitful I’m pretty sure we don’t have to cover this one. Yozo, the character he was loosely based on, is a big liar, and commonly uses “clowning” to distract from his real personality. Even the real Dazai Osamu wrote extensively about the concept of “lying”.   There is a lot to talk about Dazai and “masking”, and I’ll get to that in the second half of the post. Generally, Dazai lies a lot, one can’t even be sure what his personality really is. He lies by omission, manipulates, and intentionally deceives people without any issues. There are so many quotes about this that I’d probably reach the image limit right there if I wanted to reference them all. 4. Being impulsive or incapable of planning ahead Does not apply

5. Has difficulty sustaining long-term relationships: Dazai is famously a hoe. From “All women are his type” (and it seems he has zero issues getting together with any woman, young, old or even taken) to being known as “the enemy of all women” (said by Chuuya), it’s clear he is very promiscuous. Wan is in the gray area of canon, but in one of the earlier chapters he has so many love letters by different women that Atsushi burns them all. Kunikida said he hits on any woman he sees in the Entrance exam novel, which is further supported by random Wan! Chapters, silly crossovers, and everything else (literally anything female).

Not only that, but Dazai sounds like a consistently manipulative and toxic romantic partner. In an Otomedia interview, written by Asagiri, Dazai’s real type was basically something like: “Any woman is fine, because he is confident he can shape her to suit his tastes” which shows a remarkable lack of care for the personhood and individuality of his partner.

When answered what he’d do if his partner cheated or betrayed him, his answer was even more concerning. Depending on the translation, it goes something like: “He has not been cheated on, but he has cheated on others” or “he set up women to cheat on him/betray him” where both are a lot, just in different ways.

Either he is compulsively unfaithful, putting all above together, or he plays mindgames with his partners. He’s also told Kunikida that: “And from my experience, it takes only a smile and some kindness to get a woman swooning over you when she's fallen on hard times” painting an image of someone who takes advantage of people’s weaknesses to get what he wants.

Regardless, it’s clear he is very manipulative and likely emotionally abusive. I won’t even touch upon his obsession with double suicide. There’s also the fact that he seems to use sex to get what he wants – insert scene where he fucks the nurse to get his phone back.

Other than that, Dazai appears to be rather solitary. Ango and Oda are said to be “the only ones close to him” because they respected said loneliness. Even in ADA, Dazai seems to be professionally close to people, but very few people seem to know him on a personal level. I’d say he keeps people at a distance intentionally – before it was violently, later it is by being avoidant. For as much of a womanizer he is, there was that early comic where he spent Valentine’s Day drinking at Lupin “with Oda”, instead of going out with any particular person. I think this demonstrates how emotionally distant he is from all the people he interacts with

6. Being irritable and aggressive:

Dazai is not particularly aggressive, nor irritable, but he has moments where he slips. Tbh, reading back, it says a lot about Dazai’s character who he gets angry at and why. It’s important to say that when Higuchi calls him out on “Hollowing out the hearts of his opponents” in incredibly brutal ways, Dazai replies that he thinks “Sadism is just a method, and how it’s boring”.

Akutagawa is the receiver of a lot of his violence to a disproportionate degree. He beats up Akutagawa beyond what could ever be “just training”. There’s something that ticks him off about Akutagawa, which is interesting, since Dazai tends to not react this way to anyone who doesn’t touch him “intimately” in some way. A lot of people justify Dazai’s physical abuse by saying it is “training”, but it stood out to me how he kicks Akutagawa in the stomach even the first time he meets him in “Beast”, when Akutagawa is just an extremely traumatized and deprived kid he refuses to recruit. There is not much utility to that kick, to me. It felt personal.

Another example of him expressing anger is when people “called him foolish for wanting to die” – clearly he did not take it well since all of those people ended up dead. This is from “The Day I picked up Dazai” when Oda tells him he is a fool for wanting to die.

Other times Dazai expressed rage was in relation to Ango and Oda, particularly anything that related to Oda’s wellbeing.

He snaps at his subordinates when they tell him he shouldn’t be friends with someone “of such low status”, and the only time we really hear Dazai say he hates someone is when he’s torturing one of the guys who put Oda in trouble in the Beast timeline of “The day I picked up Dazai”. Obviously, he is resentful towards Ango and incapable of forgiving him. “Dead Apple” guidebook touches on it.

“Though they were once good buddies who used to drink together, to Dazai, Ango is one of the persons who caused the death of Odasaku. He still holds that resentment up to now, and is unable to forgive. Ango also seems to feel Dazai’s silent wrath towards him.”

Harukawa has said to pay attention to how cloudy the eyes of a character are to accurately interpret their psychological state. I don't think there are many times Dazai's eyes are drawn in such an extreme way - there is no "light" she talks about here. His eyes are pure black when he talks to Mori during the Guild arc.

He also agrees with Fyodor on “Malice being the best fruit that God Bestowed upon Mankind”

There is also this with Jouno:

Basically, Dazai rarely gets angry, insults don’t work on him (as he tells Chuuya), nor does beating him up, but when he does get irritated he flies off the handle and has no issue crossing any normal boundaries.

That detail is what stands out to me – usually, people have a line they won’t cross when getting mad, but for Dazai it’s like most moral lines disappear. Imo, his anger is for social standards over disproportionate in how far he’ll go and how he'll act on it– he usually has a clear intention to harm the individual he's mad about. In comparison, Chuuya is someone who gets angry more than Dazai, but Chuuya clearly has a line he won’t cross. There is also no pointed sadism in his reactions. Dazai will likely do almost anything.

Basically, it's not how much Dazai gets angry, but the way he gets mad that sticks out to me. Most importantly, Dazai only ever gets enraged if it concerns something very personal and intimate: Oda and his death, his suicide attempts etc. At this point, for me, It’s safe to say that if Dazai gets extremely angry, it means the topic affects him on a deep level (a hint to whatever Is happening between him and Akutagawa, I could talk a lot about that). 

More on Dazai’s unpredictable and violent nature:

Stormbringer I think there is a valid argument in seeing Dazai’s aggression as just a tool he uses to keep others at bay, something to hold over people and control them – but even then, it shows a marked disinterest in social norms people usually respect.

7.Having a reckless disregard for their safety or the safety of others This one builds upon all the others. However, it’s always been interesting to me how it’s clear something flies over Dazai’s head when it comes to regularly empathizing with others.

This is often seen with Chuuya. In my opinion, most of the bullying Dazai gives Chuuya is not motivated out of rage, but rather some form of spite. He goes at length to Rimbaud about planning Chuuya’s murder in “15”, then he also lets Chuuya be tortured in “Stormbringer”.

I am under the impression he sees these moments as “amusing” and doesn’t fully emotionally understand why this is something bad, even if he does on a rational level. I’ll say that Dazai did seem to show some rage whenever anyone hurt him physically in the past (seems likely to be a hint to a traumatic past), which Chuuya did when they met, but I don’t get the impression he is generally angry with Chuuya, it’s more like he just enjoys fucking with him. Ironically, for how rarely Dazai gets angry, it seems he reserves his rage/irritation exclusively for people and things he cares about, so Dazai being specifically irritated at Chuuya is just a sign of how much the guy gets to him.

If Dazai were angry at Chuuya, it is in character that he would try to hurt him a lot more than he does. However, I'd say Dazai has a blurry space for what's ok between "keeping someone purely safe" and "deeply hurting them". There is some lack of emotional empathy there - to him, it is more amusing than anything to see someone he finds interesting struggle.

Dazai sees boundaries differently. He’ll put people into danger or through discomfort without worrying much, especially if he’s sure they’re going to walk and live after it, but sometimes not even that. (there’s so many examples of it). I’d say it’s not that Dazai doesn’t care, he just cares about people differently compared to what we’re used to socially.

Regarding personal safety, it’s pretty obvious: he’s a suicide maniac, but even more, he also puts himself in harm’s way all the time without any anxiety present. Examples are when he provokes that sniper in Dark Era (when Oda gets angry at him and wants to punch him), knows he is going to get shot by Fyodor, but lets himself get hurt anyway. When he “dies” in 55 minutes, he seems “lightly” surprised, but there’s no strong reaction to it.  To me, it seems that the only physical harm he dislikes is pain he suffers from another person (when he doesn’t plan it). Dazai apparently doesn’t feel much “anxiety” – I remember many different times when he comments on another character’s timidness or meekness, seeing it as something unusual.

8. Behave irresponsibly and show disregard for normal social behaviour He’s extremely eccentric, and even Ranpo says he doesn’t get him. Dazai asks women to commit suicide the moment he meets them, and often attempts suicide around people even if it distresses them (Entrance exam).

While I think he made this excuse in Dark Era to Taneda because he didn’t want to work with Ango, I do believe he believes what he said: “You’d lose your job if I did that.” Dazai wryly smirked. “I don’t like places with lots of rules.” Not being able to accept conventional rules is very often a telltale sign of a personality disorder. Clearly, Dazai fits many of the criteria necessary for having ASPD, so let’s look at some other details that are common for people with ASPD.

Masking: In psychology and sociology, masking is the process in which an individual camouflages their natural personality or behavior to conform to social pressures. Masking is common with many disorders, such as autism, ASPD etc. I am pretty sure it’s canon Dazai masks – on a BSD exhibit, the key element Asagiri wanted to talk about in Dazai’s personality was related to this.  

“When I describe Dazai to the staff, there is a phrase that I always use, “an unworldly being with a mental age of two thousand years.” Dazai has far surpassed the mental dimension that human can reach, thus no-one can even tell if the emotions he shows are the real things or not.

There are rare moments when that Dazai shows his very “human” side. That is when he talks to another superhuman who is on the same level with him. The other is when he talks about his old friend who has passed. This is the scene when Kyouka wondered “Maybe I’m, after all, just a murderer at heart.” and refused to be saved. And Dazai’s reaction to that. When he said “Don’t give me any of that!” here, he really meant it. That was an outburst from Dazai, as a 22-year-old boy, in this scene.” Light novels often describe his smile as fake, mask-like, and I could probably find 20 panels where Harukawa clearly drew him to intentionally seem like a fake smiler. From “15” to “Entrance exam”, Dazai often drops his mask, and then goes back to acting silly just to make the other person relax. He does this with everyone, Mori, Kunikida, Atsushi, etc. Chuuya also mentions that Dazai’s “happy-go-lucky” personality in ADA is something new, and he believes it doesn’t fit him.

Kunikida says this in the Entrance Exam: "For someone so full of eccentricities, there is something about his behavior that makes it seem as if he has an unobstructed view of the world. I don’t know exactly why, but all his emotions strike me as an act to some degree. Is he just playing dumb? Could there be more to him than he’s letting on, lurking behind his ambiguous mannerisms?"

More than anything, Dazai himself says that Oda was the person closest to seeing his “real” personality. That pretty much confirms he keeps his real self hidden away. I’d say that there are several possibilities to why this is: He hides it because he dislikes being vulnerable, he doesn’t know how to act “normal”, people are unable to understand him, so masking makes it easier for him to communicate with others…there’s a lot of theorizing I could do here.

Dazai also tends to have interesting thoughts about personalities as a concept.

You’ll commonly see Dazai say something serious, followed by a severe reaction of the other character, ending with Dazai changing his demeanor and saying “just kidding” to lighten the air.

Manipulation: Dazai is extremely Machiavellian – he is prone to manipulating everyone around him, regardless of how much they care about him or not. He manipulated Chuuya into joining the mafia, he does the same with Akutagawa even today: Here we have him preying on Aku's insecurities to sabotage his self-confidence

He seems to be able to cut off his emotions from any situation, seeing people in a raw, factual sense.

There are several moments throughout the novels where Dazai talks about people as if they’re purely resources or pawns. An example of this in Dead Apple (where Chuuya gets angry because he doesn't respect people or show enough sympathy)

The way he speaks of Atsushi, when asked what he thinks of him in a guidebook, is something like “developing as expected”. Especially in the original, it sounds extremely factual, mechanical, and cold. To me, that doesn’t mean he doesn’t care about Atsushi, he’s just the type to compartmentalize his emotions in opposition to his thinking. This is very common for a few personality disorders and mental health conditions: the capacity to totally cut off your emotions from the equation.  Obviously, many people are capable of doing this to one extent or another, but the amount to which he does it is what makes it significant.

Lack of traditional empathy: Personally, I think everything comes down to this. Dazai's experiences with empathy are one of the main themes of his character arc. I believe one of the things that makes him feel othered is his lack of emotional empathy.

People with ASPD tend to have issues experiencing what a lot of people consider “typical” empathy – however, ASPD is also on a large spectrum, so experiences certainly vary. Keep in mind that "lack of empathy" is common for all sorts of disorders, but since ASPD seems to be one of the most popular choices for Dazai, I decided to start there.

Before we continue, there are 2 types of empathy: Cognitive empathy is the ability to recognize and understand someone’s feelings and experiences and imagine yourself in those scenarios. Emotional empathy is experiencing shared emotions with someone or feeling emotions as though the experience is your own.

People with ASPD can commonly do the first type easily, and struggle with the second one. It does not mean they cannot experience emotional empathy, it’s just rarer for them to feel it. In my opinion, Dazai heavily relies on Cognitive empathy compared to Emotional empathy.

You can see often that he seems to not entirely understand “why” something is wrong on a personal level, but he can logically see it. This is a running theme, and you can commonly see that Dazai doesn’t fully understand “normal”.

“15” Asagiri seems to be writing Dazai as someone who has gone “beyond the human dimension” in his skills and intelligence, so other people can’t fully understand him, but I think this goes both ways. Dazai has lost touch with what’s the standard human experience.

One of the times Chuuya specifically calls out Dazai for not "acting human-like" is when he's not expressing empathy and respect. It is clear that Dazai's lack of empathy is one of the aspects which make others see him as "inhuman".

There is another situation with Kunikida  during the Azure Messenger arc where Dazai seems to apologize for not getting something “is normal”, it slips by you very easily. It is framed as a joke, and it can be read as him making fun of Kuni, but Kunikida asks himself why Dazai apologized. It does read a bit unusually.

To me it seems like Dazai doesn’t fully emotionally understand other people, so when his mask slips you can see that he struggles a ton with getting what’s exactly “typical”.

Because Dazai is extremely intelligent, he masks in order to fit into society, and he does it successfully since he can intellectually understand most social and emotional functions and processes. However, he slips up like everyone does. This is why he got along with Oda well – since Oda just let him act like himself without having ulterior motives. Dazai didn’t have to “mask”. He didn't see Dazai as "just anyone", but he also realized Dazai was human. Basically, to Oda Dazai was a kid that had empathy issues, but he was struggling much like everyone else.

Personally, I feel like Dazai doesn’t feel entirely “human” because he doesn’t feel “emotional empathy” on the same level as other people, and this is one of the key issues of the character (as it's clearly stated in the Dead Apple manga, where Dazai does seem a bit upset by Chuuya's reaction)

. The reason he felt “seen” by Oda is because Oda fully recognized this and still believed Dazai could do “good”. In our society, it is common for people to think that "empathy" and "sympathy" are conditions for being a good person, but it isn't so simple. The possible complexity of Dazai's moral state is why I find the character so interesting - a person without traditional empathy choosing to be good is really fascinating. (more on this later).

Boredom and general emptiness: “Boredom” is an extremely common complaint for people with ASPD – in fact, intense, non-standard boredom, along with other symptoms such as atypical experience with empathy, is one of the easiest ways to recognize ASPD. A “numbed” emotional state is common for people with ASPD, and due to their different emotional range and inability to connect with others in a more typical fashion, they are prone to “boredom” and seeking out extreme experiences.

Alcoholism/Substance abuse is common for people with ASPD, and it’s pretty much canon Dazai drinks a lot (alcohol is even in his likes). Aside from that, Dazai often cites boredom as one of the main reasons he wants to die, and I remember so many instances where he complains about it in bizarre circumstances. This is common for people with ASPD: depression/suicidality is comorbid, and I have heard people with ASPD mention they wanted their life to end once they no longer have enough stimulation. Dazai is often stated to be “bored”, or look bored even when extremely horrifying things are happening (people dying around him/telling their life stories..).  An example with Mori where he talks about wishing to die (from 15):

Another really funny thing, a lot of people with ASPD I have seen tend to dislike “dogs”. Obviously, this hatred comes from the real life Dazai being scared of them and thinking they can attack at any moment, but it’s a funny coincidence. They tend to dislike dogs for an entirely different reason than Dazai does, to be fair.

How Dazai seems to see himself and morals in general

Generally, to me it seems like Dazai is not entirely happy with his nature. He admires Oda and doesn’t understand why he wouldn’t use his talents to rise up in ranks within the Mafia, simply because that is logical to Dazai – perhaps it is that difference between them that he enjoys so much. He is frequently attracted to displays of empathy:

Examples: 1. Ango documenting the deaths of people within the mafia even if it’s “just a waste of money” 2. Almost everything Atsushi and Oda do

He often describes altruism as “interesting”. I am also under the impression that Dazai has a tendency to project his nature onto others, which we can gather from his “Evil expects evil from others” quote to Mori. Furthermore, he sadly remarks in Dark Era that he is “a man despised by righteousness”. so I feel like there is something up here, some sort of guilt, distaste or shame.

This tells me:

a)Dazai sees himself as “evil”

b)He is constantly assuming the worst in others or is prepared for the worst

Another thing this tells me is that Dazai is someone who is likely extremely wary of people’s intentions. This is a ubiquitous theme all across BSD, especially when we see him as a kid. Osamu tends to be skeptical of everyone and everything, as if he’s waiting for people to betray or fuck him over at any corner. In TDIPUD, he keeps getting upset that he can't figure out Oda, since it makes no sense for him to be so charitable for absolutely no reason. Oda said “good and evil are the same to you” – personally I interpret this as Dazai being largely amoral rather than immoral.  Whether Dazai can be described as “good”, “evil” or “neutral” largely depends on your view of ethics. Just because someone lacks traditional empathy, it doesn't mean they are necessarily sadistic or bad at all. Immoral and Amoral are two words that sound similar but have different meanings. Immoral is an adjective that describes “something against pre-established morals, ethics, or standard societal practices.” Amoral, on the other hand, is an adjective that describes “something or someone completely lacking morals.” In common society, if you’re not “good”, you are often automatically “evil”. Basically, a person who has "no morals" is just as bad as a person who has cruel beliefs, but those two fundamentally differ. However, in a technical, utilitarian fashion – this is often seen to be true. More or less, “good” is the neutral state, and the more you step away from it, the more “evil” you are perceived to be. The more moral conventions you break, the more "evil" you are, regardless of your intentions. The results of the actions matter more than the source and motivations. In the end, a person is dead, regardless of why you killed them or how you felt about it. The reasons why people do conventionally moral things can be all over the place too - people aren't always kind because they have sympathy. When I hear “evil and good are the same to you”, it sounds like Dazai has no need for either, meaning, yes, he has no inherent need to do good, but no need for bad, he is simply not opposed to either of them. Regardless of what he's doing, he feels the same way. They're both tools to satisfy particular needs. Many people read this and say "aha, so if he sees no difference between the two, that means he is evil", but I think the truth is in the middle. I always say that to estimate Dazai's moral framework, you need to judge him outside of normal conventions. Basically, his starting point in making decisions is different. He begins his process likely by thinking "what will this bring me?" Most of his “evil” is not out of pure sadism, it’s just that he feels no need to stop himself due to moral conventions, he mostly cares about practical results. This is opposed to Kunikida who cares about ideals and morals in a vacuum and pursues them in their most idealized version (and it's well known Asagiri writes duos as opposites). Entrance exam as a novel was about how idealism can lead people to ruin when it's unrealistic.

He’s naturally immune to socialized pressure that forms the moral frameworks of most people on an emotional level. All of this is very common for ASPD, and a few other conditions. The more I see Dazai talk about how he sees the concept of personality, murder, morality – the more I am convinced his ethical framework is focused on results rather than the inherent morality of said actions. Example: He's going to lie to you to make you happy, even though "lying is bad". There is no inherent value in staying honest if it makes an individual miserable in the long run, even though society sees frankness as a virtue. That way, most actions are “open” for Dazai to undertake, he has no qualms most people have against them, since he doesn’t have socialized morals. A lot of the time, we only see certain things as "unconditionally bad" because we've been socialized to see them that way, even if it's not necessarily logical. He simply lacks socialized morals, leading to a tendency to be amoral. Everything is a means to an end, every action is alright if it's a tool that has more pros than cons. Oda's death was a useful character arc, since it led Dazai to taking Oda's moral framework as his own. He doesn't believe he is better than others, nor does he enjoy hurting random people, he doesn't kill or rob randos to get something and believes he is justified in it. Things of that type would make him “immoral”. Most of Dazai’s evil actions seem utilitarian, rather than committed for the pure act of pleasure or cruelty. When I say “amoral”, I mean this from Dazai’s point of view. Since he has no “moral boundaries”, all actions are open for him to undertake. He can go as far as he wants to any extreme largely depending on his subjective worldview and feelings (as seen in Beast, where he breaks all sorts of ethical codes of being "a good man" so Oda could get a decent life). However, since he is aware that there is a fight between good and bad in every person, and that evil tends to win out compared to the good, under enough pressure, he admires people who selflessly continue to be kind. That is why Oda, a highly moral person even beyond what is logical (his insistence to not kill even if it harms him) is the opposite that pushed him to change. Ulterior motives tend to be something Dazai is worried about in people, perhaps because he is possibly projecting all he is, or can be, on others. He describes Oda specifically as:

"a man who has no ulterior motive". Oda is obviously being a good person partially out of self-interest ("people live to save themselves"), but this self-interest is not destructive. I think for Dazai, it was difficult to find people who didn't have an ulterior motive that was ultimately hurtful, and he projected that onto everyone. Oda acting in his self-interest was ultimately beneficial to everyone. All in all, while Dazai does admire Oda's morals - I think a lot of this appreciation comes from an intimate and subjective place, where he feels comforted someone like Oda even existed. Continuing Oda's work is likely an extension of this as well. Keep in mind, any person has the right to see Dazai's actions as bad, as they often are. I am more speaking of Dazai's internal mental framework. Conclusion: Dazai has no inherent need to do good or bad, for the most part. He just goes as far as he needs to to satisfy his emotional needs.

Oda saved Dazai’s life in the day I picked up Dazai, and listened to him, but expected nothing in return. I feel that Oda saw this struggle within Dazai, and the way “good and evil don’t mean much to him” due to his disorder, but recognized that Dazai perhaps didn’t want to be this way.

Since Oda saw Dazai’s “irregular” nature, and still believed he could be a good person, Dazai was touched and decided to change his life. I believe Dazai had some distaste for himself, regardless of his lack of empathy, he could recognize what he was doing was not entirely right. As Asagiri mentioned, Oda told him exactly what he needed to hear, and the fact that these words were so life-changing to Dazai tells us a lot about what he had on his mind.  In my opinion, to see who Dazai is, you need to follow exactly which words got to him.

In my opinion, it likely meant a lot that a person he actually admired wanted to be in his life, especially a person he considered so kind like Oda. He often says that Oda is “the most interesting person he knows”. Imo, this is because “empathy” is one of the things Dazai doesn’t fully understand. He had to learn it. Since he understands human nature so well, cognitive empathy comes easy to him, but he still fucks up sometimes.

Here, I also feel like he is talking about himself – he sees himself in Kyouka. It doesn’t come naturally to Dazai to be “good”, but he is trying his best, that is his ideal now. (Asagiri said this was one of Dazai's rare human moments). For that reason, I think Dazai admires empathetic people and tends to dislike those who are naturally violent, or even choose to be violent out of sadism.

On the BSD exhibit, Asagiri said Atsushi was "an empathy user", and how that is the key to his character. During one interview, the author mentioned that Dazai keeps testing Kunikida's ideals, but Osamu secretly hopes that Doppo will prove to be right, and Dazai wrong. This to me paints a picture of someone who hopes that "good" is worth it, at least from an intellectual point of view. When talking with Fyodor, he seems to admire people who live emotionally, thinking god doesn't prefer perfection, logic and harmony.

"The ones who actually make the world run Are those who scream in the storm of uncertainty and run with flowing blood"

Dazai seems to reject the idea that him and Fyodor and better because they are more calculating and cold - like I mentioned earlier in this god-forsaken post, this to me says Dazai believes empathetic and emotional people are better than him.

"I've come to see it many times, his gimmicks are the accidental and illogical that's a weakness two of us have in common" He suffers because he is not like them, and that contributes to him feeling "othered".

Negative emotions and Akutagawa

My guess is that one of the reasons Dazai has so many issues with Akutagawa is because he is projecting his own issues with his lack of empathy onto him. This makes him relate to Akutagawa, but also dislike him beyond how he usually treats people. Akutagawa questions why Dazai's acts of violence are justified, while Osamu is judging Akutagawa: to me it sounds that Dazai sees his actions as at least partly justified because they are "logical" and utilitarian. He puts a difference between him and Aku, as if Dazai's natural instinct is not to mindlessly hurt others. However, it's interesting he needs to draw this line.

I believe Dazai sees a lot of the hurt he enacts on others as either "justified" or subconsciously defensive. "If I don't hurt others, they will hurt me", and he uses this against all kinds of people to keep them in control. In the Dark Era novel, Dazai speaks of Akutagawa like this:

“When I first saw him over in the slums, I was horrified. His talents are extraordinary, and his skill is extremely destructive. Plus, he’s stubborn. If I’d left him to his own devices, he would’ve ended up a slave to his own powers until he destroyed himself.” Interestingly, Dazai was "horrified" at what Akutagawa was capable of, where most things don't seem to exactly phase him. I think something about Aku's capacity for violence even scares him, and he "lashes" out in response to control him.

Later on Oda calls out Dazai's thinking indirectly in Beast, saying that hurting Aku is still bad no matter why he did it. (more on this in the next section) However, it’s very clear he cares for Akutagawa in “Chopsticks and a Spoon”, so I do feel like he’s likely aware of it. In fact, that story contains one of the gentlest expressions Dazai has pointed at anyone, so I think he partially sees Akutagawa as "innocent" in nature, and more like a wounded animal. I'll likely write a post about it. Since Dazai has expressed some lament or even shame regarding him being a person "hated by righteousness", I do think he is a bit ashamed of who he is. This part is a theory: When talking about "No Longer Human", Asagiri mentioned that he felt the book was about "embarrassment". Since Dazai is canonically famously based on Yozo to some extent, I feel that we can guess that Osamu likely does feel some shame - the question is about what. The rare times we see BSD Dazai express something similar to shame is when talking about his moral nature (when he beat up Akutagawa in Dark Era), but it's a "blink and you'll miss it" type of thing. Yozo and RL Dazai's relationship with his father was one of the cornerstones of his work (NLH even ends with him mentioning how he would have been alright if he had a better relationship with his father). Within the book, Yozo feels all sorts of things which make him feel "inhuman", but he is terrified about being open about it due to his strict father who sees him as somewhat strange. Since the theme of "fatherhood" was lightly touched upon when Atsushi's orphanage director died, I do think this is potentially a sore spot for BSD Dazai too. My guess is that Dazai likely had a poor relationship with his father figure, who saw him as "strange" or "inhuman" due to the way he acted: leading BSD Dazai to feel shame over his nature. Perhaps one of the things that made his father see Dazai as inhuman was his lack of typical ethics and empathy. Osamu internalized this - and ended up becoming a criminal at a very young age, perhaps in an attempt to confirm what hurt him, seeing himself as someone who could mostly do bad (which could be one of the reasons he wanted to die so young). Perhaps Oda making a way for him to "act good" was life-changing because of that too - it targeted a specific wound. All of this is speculation, but Dazai did mention that "self-pity leads you to living a life that is an endless nightmare". My guess is he was talking about himself there: and his own experiences with shame. To extend this: I think one of the reasons Dazai is so harsh on Akutagawa is because he is possibly projecting his relationship with his father onto Aku. Akutagawa is violent and troubled, and Dazai was shamed for the same thing. (but it would take a lot of time to work through this theory, so moving on..)

Dazai exhibiting empathy However, Dazai does show empathy for Oda, and a lot of it. I’d go as far as to say that he over-empathizes with Oda, while he underempathizes with everyone else. His relationships with the people closest to him tend to be why some people think he may have BPD. Especially due to devaluation and the "favorite person" concept. For someone with this type of BPD relationship, a “favorite person” is someone they rely on for comfort, happiness, and validation. A FP is a person who someone with BPD relies heavily on for emotional support, seeks attention and validation from, and looks up to or idealizes. For Dazai, this is Oda. On the other hand, In the context of BPD, “devaluation” refers to a psychological defense mechanism or coping strategy that individuals with BPD may employ in their interpersonal relationships. Devaluation involves a shift in the person’s perception of others, where they view someone they previously idealized or held in high regard as unworthy, flawed, or worthless. They become unworthy of their affection and praise. The person with BPD may engage in behaviors such as intense criticism, verbal attacks, withdrawal, or even cutting off contact with the person they have devalued. These actions are often driven by the individual’s fear of rejection, abandonment, or a desire to protect themselves from potential hurt or disappointment. For Dazai, the clearest example of this is Ango. However, a person can exhibit the "favorite person" and project the phenomenon of devaluation without having BPD. In my opinion, Dazai does show heightened polarity in his feelings toward others, but I am not sure if BPD would be my choice for him. It's very difficult to say, as many conditions mask as BPD, and Dazai's expression of empathy is unique.

Dazai idealizes Oda, and deeply sees his pain as his own, while he always frames Akutagawa in a negative light, even though he is likely one of the people Dazai cares about the most (next to Oda, Chuuya, Ango, Atsushi, especially according to Beast). Another example of his heightened negative emotions are Ango, and Chuuya to a much lesser extent. My guess is that Dazai doesn’t deal with caring about people well, especially when they are any sort of “threat”: which is why he tries to “bully” them down. The reason he goes easier on Chuuya than Akutagawa is because he feels Chuuya is in his nature more sympathetic.

In my opinion, the moment Dazai warmed up to Chuuya was when he realized that The Sheep were pushing Chuuya around: he was no “King of the sheep”, he was acting out of empathy and care. Since Chuuya is so powerful, it was likely admirable to Dazai that he didn’t abuse his abilities for self-gain. This is when he decided to isolate Chuuya from the Sheep: and I think the reason above is specifically why

I'd say Dazai is likely "spikey" to anyone he cares about but has less confidence they won't hurt him. There are two camps of people: 1. Atsushi, Oda, Kunikida, Sigma (generally upright, meek, moral at the end of the day) 2. Chuuya, Akutagawa, and lastly Ango (people who are aggressive, challenging, and need to be put down in Dazai's eyes).

He cares about both camps (Sigma is debatable, I spoke of the type of personality Dazai seems to deal with easily in his case), but he likely feels "less safe" with the second type. Mori could potentially go into the second camp - there is some respect and resentment there at the same time. He even talks about this with Kunikida in Entrance exam.

"“I guess. But you, Kunikida, I’ve got a good idea of who you are now, so nothing you do will ever surprise me. I mean, compared with me, you’re just a simple man with a simple mind, after all.”

See? You wear your heart on your sleeve. You don’t hide how you’re really feeling. It’s nice. You know what else is nice? Just knowing that you’re going to be worrying later to yourself, ‘Am I really that simple?’”

“Why, you—”

But I refrain from arguing. Whatever my response, he’s just going to end up telling me, “I knew you’d say that.”

I suppose that being around Kunikida comforts him since he is predictable, yet kind. On the other hand, someone like Chuuya excites him, because he is wild and challenging enough, but is still a good person when it comes down to it. Basically, Dazai is hypervigilant of pain.

Akutagawa is “off the chain” in comparison to all of them. I am under the impression that Dazai can care about people without treating them well at all, and 2 of the people who are at the top of his list (Chuuya and Aku) are people he “seems” to dislike (In Chuuya’s case rather openly in his profile).

It appears that the more “intense” and “unpolished” parts of Dazai’s personality are strictly reserved for people he cares about, but he is extremely selective about who he shows emotional empathy to as it’s such a rare experience for him. He may capable of "cutting off" empathy to protect himself emotionally. It is quite clear some aspects of empathy miss him broadly in Beast, when he appears shocked that Oda would react so strongly to endangering Akutagawa since “it’s all supposed to end well if he survives”. That sentence itself is totally tone-deaf, yet Dazai is acting as if Oda is supposed to take that normally. It’s quite clear that Dazai doesn’t treat Atsushi all that well in Beast either, as he exploits his fears for Atsushi to be totally obedient to him.

I really like this moment, because it demonstrates that even if Dazai does have some point regarding Akutagawa and the way he goes about things, the way he has treated him is still too much – and Dazai can’t exactly convince Oda, a decent person, why this is ever justifiable under any circumstances. There is an aspect of regular empathy that misses Dazai – it doesn’t cross his mind why his actions are inherently bad. Perhaps it is possible that Dazai was treated with little to no empathy growing up, so he accepted that as a model for acceptable behavior. A lot of the time, cruel actions don't seem to even register to him as bad, in an almost innocent way. It's like it doesn't cross his mind that stuff is out of the ordinary. When talking to Oda about this, he was described as "childlike".

However, Dazai shows a lot of extreme emotional empathy for Oda, which tends to be rare for people with ASPD (obviously, all traits of it are on a spectrum).

Dazai clearly feels as if he himself is being beaten when Oda suffers. Furthermore, “Beast” shows that he is willing to endanger multiple people he cares about so Oda could live and write his book. In his words “the me from other worlds doesn’t care about the world” – showing that even though he may “care” about people, it’s really hard for him to fully emotionally connect with others.

This leads him to severe feelings of loneliness and isolation, but it’s quite clear Oda is the exception to this.

Dazai has multiple anxiety attacks when meeting with Oda in Beast and TIPUD:

“I see.” Oda says after he gives it a moment of thought. “I’ll do so then. That is very kind of you. You are a good guy.”

Dazai’s expression becomes distorted.

He opens his mouth, and closes it again, as if he can no longer breathe.

If he tells him everything now, maybe things will go back to how they were. The two of them will go to the bar together and have a toast. Just like that night.

“Odasa…”

Just as Dazai is about to say that name, a train passes by. The express train passing through that station cuts through the silence of the night, right next to where Dazai and Oda is."

and obviously the whole showdown at the bar. Earlier, Oda mentions that Dazai looks like he is about to cry:

 An interesting part here is that Dazai gets shocked that Oda would even consider that Dazai could hurt him:

It almost sounds absurd that Dazai, who is known for scheming even against people he likes, would be that surprised someone would expect this from him. This, to me, shows that Dazai does have that underdeveloped, childish emotional side to himself, where he doesn’t understand everything he does. It’s quite logical why Oda, or anyone else, would be consistently doubtful of Dazai, yet he is so used to not caring about anyone, that when he does feel things he is remarkably unpolished and just as illogical as anyone else. I’d say his heart is like a knife that went blunt from lack of use. Since he has no experience dealing with people he feels strongly about, it always comes across very messy – and Asagiri himself often describes him as childish at his most vulnerable.

Furthermore, the lyrics of the song for Beast have these words to say: “Loving you to death won’t kill me Because I don’t love this world enough” And in the Beast novel, he mentions all he has to give to the world is love. I think we can certainly see that Dazai is not emotionless.

To me it seems like Dazai is capable of selective emotional empathy. I feel like one of the reasons Oda was “the one” Dazai attached himself to the most, is because Oda was a struggling man who was also depressed (rather clear the more you read), but he was empathetic and accepted Dazai for who he was.

Him and Dazai had difficulties in common (the guy was a killer as a kid too), yet Oda did his best to be a good person – that is one of the reasons, as Asagiri mentions, why he had an “outburst” when Kyouka implied former killers can’t be good people. Oda was a good person in his eyes, and his role model of “empathy”: someone he wished to emulate. I am pretty sure that Oda became the blueprint for the moral compass he strives towards.

Most importantly, Oda didn’t really judge Dazai when he showed his lack of empathy, while he remained firm in what he believed in.

“Odasaku is the type of person who will never lecture anyone. Because he does not consider himself a superior person who can teach and guide others. However, it doesn’t mean that he has nothing he wants to say. The sentiments that he couldn’t convey in these two scenes were finally delivered to Dazai in the last scene through the words “Become a good person.” Very meaningful scenes when read as a set.”

is how Asagiri described Oda during the exhibit. As Asagiri says, one of the reasons he didn’t tell Dazai anything when he provoked the sniper was his modesty. Since Oda didn’t look down on him, yet showed concern and fully understood Dazai wasn’t just a struggling depressed kid, but someone with serious issues who also happened to be a child – Dazai grew to deeply care for him. Oda didn't shame him, likely avoiding Dazai's hypervigilant sensor for pain.

Selective empathy is common for many disorders – and Dazai, after not feeling “seen” his whole life, ended up making a true connection with Oda. I guess, in that sense – Oda was the one who really reached Dazai’s heart, and since he was the only one who came that close, all of Dazai’s emotional empathy is reserved for him.

In my opinion, the reason Dazai was so difficult to “get to” was that even people who had good intentions toward him never truly saw him.

To see Dazai as a depressed woobie who just needs to be saved is to idealize him – which wouldn’t exactly help him. They’re talking about a version of him that doesn’t exist. If the only way he could be seen as worthwhile was someone seeing him as more “traditionally good” than he truly is, it’s not going to work. He needs to be seen for exactly who he is, and still given a chance to be better.

Likewise, it had to be someone who wasn’t helping him in order to get something from him. I would say that one of the main reasons why Dazai got so attached to Oda was because his friend had no reason to save him, he gave him space, and didn’t even force himself into Dazai’s life.

It was purely altruistic, and for Dazai, who expects the worst from others and seems to fear people’s intentions, this was perfect. One of the main aspects of Dazai's character is his anxious-avoidant attachment style, where he is likely so afraid of potential pain, he pushes others away, or punishes anyone he cares about who might hurt him preemptively. A lot of this is not impulsive, but calculated, which is why he feels a natural resistance to Akutagawa (but relates to him and cares all the more because of it). He understands the self-destructive nature of Akutagawa.

"If I’d left him to his own devices, he would’ve ended up a slave to his own powers until he destroyed himself.”" I believe Dazai likely allows himself to fully empathize with Oda because he feels only Oda is "safe" in this world. The fact that Oda is dead and gone perhaps makes caring for him even safer, as his image of Oda will never change.

Conclusion: I'd say Dazai is someone who is probably extremely traumatized, with a specific emotional profile that doesn't allow him to experience empathy like normal people do - and this is one of the defining traits of the character for me. He is able to isolate himself from normal social pressures and boundaries - and because of this and his extreme intellect, he feels like an alien in this world. A lot of his struggle likely deals with the fact that he dislikes the hurtful person he is, but has difficulty seeing why he should be better - all while he has a distaste for sadism, cruelty and senseless violence in others. In my opinion, a lot of his own cruelty is "reactive": he acts "evil" because he expects the same from others ("evil expects evil from others), and decides he wants to beat them to the punch. He is comforted when he is in the presence of altruistic and empathetic people, because he doesn't have to be what he dislikes (as "enemy" evil will always make him react since he is threatened). In the end, he rationally sees that cruelty is negative, but he still feels it is an effective tool. If Dazai weren't this way, he wouldn't consistently choose empathetic people for his company throughout the story, while acting callous himself most of the time.

A lot of things Dazai does to me feel like he is avoiding hurt, or attempting to "control the pain" he gets in his life. Notably, Dazai mostly lets himself get "bullied" by people he sees as innocent and simple like Kunikida, since "Kunikida will never surprise him" - he knows that Doppo won't cross the line. Ironically, he famously says he "dislikes physical pain", but often gets himself into physically dangerous scenarios.

It's like he doesn't mind pain if he's the one in control (when Fyodor let the sniper shoot him, when that dude from Mimic shot him point blank). Avoidance of pain and control are other keys to Dazai's character. In that sense, I think Dazai was possibly traumatized and learned to almost completely disassociate from empathy early in his life. There are so many theories I could think of here that we'd get nowhere.

It is clear that Dazai is capable of extreme emotional empathy due to his relationship with Oda, and it's possible he doesn't allow himself to feel it in most scenarios due to his avoidant nature regarding pain. However, whatever the reason behind it, it is clear he doesn't feel a ton of emotional empathy in his day-to-day life, and this disassociation from empathy has crafted him into a person who doesn't fully understand "normal humans".

That is why he sees them as fascinating after Oda dies - he reaches Dazai's heart and opens him up to the idea that not all people are unempathetic and cruel - meaning Dazai doesn't always have to be on guard. Does Dazai have ASPD, or is his lack of empathy a result of other things: PTSD, CPTSD, is he perhaps autistic? I can't say for sure, as it could be so many things. Personally, anyone could make an argument for any of these in my eyes. Above, I mostly analyzed his displays of empathy and tried to study which emotional patterns he appears to follow. I think Dazai's character arc has a lot of worth specifically because we see someone for whom emotional empathy may not be natural trying to be good. It's a unique ethical dilemma, and that's one of the reasons I feel in love with the series. Since it isn't natural for him, his efforts mean a lot, and the struggle feels real and genuine.

Thank you all for reading if you made it this far <3 I've taken a lot of posts and translations I've gathered over the years, and I am sure I won't be able to thank everyone, but, I'd like to show appreciation for popopretty, aja154ever and many others for sharing info from exhibitions, databooks and so. Have a nice day !

[raven-at-the-writing-desk]

hi! regarding the character popularity ask… how do you count the pixiv yume-works? did you use specific tags to see how many works were under them?

[Referencing this post!]

The Japanese Twst fandom is very particular about tagging all works so that it is easy for people to filter and curate what they want to see. To that end, all yume works are tagged a certain way. This is typically formatted as #(first few syllables of canon character’s name)superintendent or prefect.

フロ監 is “Furo Kan”, or “Furo” (as in, “Floyd”) x “Kan” (superintendent; the character 監 is the first to appear in the phrase 監督生 or kantokusei/prefect). マレ監 is “Mare Kan” or “Mare” (from “Malleus”; Japanese does not have a true /l/ sound) x Prefect. Basically all the yume tags work this way.

Please note that it is possible to be even more specific with the tags. For example, there is also a tag specifically for femme Yuus and a tag for masc Yuus. However, even if you totaled these, it would not make a significant difference in determining character popularities (as there’s only like maybe a few hindered masc Yuu tags per character).

Of course, there’s also canon character x canon character tags. However, there’s too many possible combinations for those that it would be too time consuming to check them all. It was easiest for me to compare using x fem!Yuu tags.

[mecachrome]

landoscar ao3 stats — 2023 overview

notes

retrieved ~sometime in march 2024

methodology: scraped metadata for every fic in the landoscar tag and...... that's it. however one important constraint is that all temporal data is date updated (not posted), so the above timeline isn't exactly a true representation of fic growth but rather how many fics were last-updated at that time. of course this is still its own reflection of fandom health in a way since dead fandoms don't update old fic but well... it's just not quite the same!

this is just info about general trends, fic content, tags etc... so nothing about kudos/comments or any authors specifically

i decided to focus solely on fics last-updated in 2023 (unless otherwise mentioned) because i wanted a tidy set that i can maybe compare & contrast in a year's time, because i expect a lot of details to look different then (tho as stated above this set isn't exactly static... 🤷‍♀️)

ngl i had to re-scrape a bunch of times because i forgot about it for like 3 weeks and then there were 100 new fics 😭 so if there are some minor discrepancies across the post it's because of that halfskh.

also i wanted to include more global comparisons (aka how 814 stack up against the f1 rpf tag in general), but this is also considerably difficult in some contexts since i can't exactly scrape 31,000+ fics can i... or i didn't even want to entertain the thought of trying to do so!!!

why did i do this? who knows.

anyway here's some viz T__T

ship growth

as evidenced in the opening graph, landoscar have been a very fast-growing ship over the past year — although interestingly enough they didn't really start growing substantially until july / the ~better half~ of the 2023 season. here are two views showing their "growth" (by date updated) alongside two other ships on the fringes of the f1 rpf top 10 (sebchal & galex):

landoscar are very much on-track to surpass them and officially enter the top 10 soon, likely before mid-april ❗️ :o

ship characteristics

onto the ship content — another thing i was mildly curious about was how landoscar differs in certain areas from other f1 ships, or the f1 rpf "global" average you could say. for example, here's a breakdown of rating popularity in their ao3 tag:

seeing as explicit is their most common rating, and that i don't necessarily expect this to be true for all ships/fandoms, i compared these percentages with the general f1 rpf tag to see whether some ratings are more commonly represented in 814 fic than average, which produced interesting results:

do lando ships simply skew more HornyTM in general? is it oscar? a secret third thing??? who knows... actually i think it would be fun to do more analysis in this direction but that can wait for another time!!!

similarly i also wanted to see which ships are the most "public" on ao3, as in have the highest share of fic that isn't user-locked... i will refrain from peppering in my feelings about the 4th wall too heavy-handedly but i was curious to see whether some sort of perhaps... er, generational gap (?) of sorts between ships that are more public vs. not could be identified. however i don't pretend to have any takeaways from this LOL i conclude absolutely nothing. (for ref landoscar is currently 72% public, vs. a global avg of 63%)

note that this graph is current stats, not filtered for 2023

looking at relationship tags, i also wanted to know whether landoscar suffer noticeably from Second-Ship Syndrome, so i tallied the first-tagged ship of every fic to find out. i know this doesn't necessarily mean that it's always the "main" ship but it's a good enough approximation. the results were quite positive!

filtered to top ships with count of >1 only

i then also calculated the number of ships tagged for each fic to discern the profile of multi-shipping in 814 ficdom; i did have to do a little bit of string standardization (all instances of implied / background / hinted collapsed to hinted for simplicity's sake + removal of other redundancies), but otherwise i left everything mostly untouched.

as you can see, landoscar also have a fairly promising amount of OTP: TRUE fic:

by the time you get to the fics with 10+ ships tagged, landoscar are less likely to be the primary ship, which makes sense just on a basic statistical level... this is also a very small sample size though

i also lazily tallied the 10 most common ships that weren't NOR/PIA or NOR & PIA to diff their shares of the 814 tag vs. of the general f1 rpf tag, to see which other pairings are more represented in the 814 tag than on average (because lestappen are the most popular by pure count but this is also true of fandom in general, so it would be a misrepresentation to say that their popularity is out of the ordinary):

maxiel's gap isn't really that surprising since i think that, generationally, in terms of when both pairings were teammates there is quite a gap; with carlando—actually let me tally this again but including all instances of "implied" and "past" as being part of the same ship, since that's how ao3 tag-wrangles as well:

Aha ! obviously as a direct ship there is competition between 814 and other lando or oscar ships, but this difference is somewhat less pronounced once we include all formats. tbh none of this really means anything but i thought i'd add it anyway... (it's also very possible that there are several errors in this, in which case my b 😔)

before we move on to additional tags, there are a few more basic characteristics of 814 fic we can calculate. i realize i never offered an overview of Super Basic Stats, so here are a few:

plus, looking at word counts, here is a distribution of those in 2023-updated fic, which shows that a majority of 814 fics were under the 5k mark:

85% of landoscar fics were under 10k & nearly 97% under 25k

i don't really have any reason to believe that landoscar's wc stats differ significantly from average ? so this is kind of just Data To Have Data, and it most likely reflects normal ao3 trends in general... but i thought i'd include it anyway because i already made it lol. similarly, here are word count distributions but stratified by rating:

& same info but heat map view:

i feel like this is also probably something you'd find across fandom in general — that gen fic is likely to have a higher share of under 1k works, since Building Up to sexual content often takes... Literal & Metaphorical Foreplay ! and the longer a fic is the more opportunities an author has to include a sex scene or other explicit content (ofc, not necessarily just porn but also graphic violence & so on). but i thought this was fun to visualize haha

additional tags & aus?

back in my old f1 rpf stats post, i made a table comparing fluff/angst "ratios" (not exactly a direct ratio because of how tag wrangling works, but an approximation) of the most popular f1 ships, and now that landoscar are somewhat popular i thought i'd first do an update:

also current data, not 2023 to make things easier

just like before, simi are one of the most fluffy ships and brocedes are by far the most angsty, but it's interesting to see 814 also extremely high up on the charts, with far and away the lowest % of angst. will be exciting 2 see how that holds or changes as the seasons progress !

finally, i also wanted to do a bit of au/additional tag analysis because you can kind of see this when you use additional filters on ao3 but the previews are limited and get bogged down by the prevalence of *checks notes* Fluff, Angst, PWP, Anal Sex and what have you. which are nice stats to have and all but what of the rest !

disclaimer that the set for these tables is a biiiit outdated because by the time i'd wrangled everything i was like I Am Not Changing It Again. unfortunately i clean my data with shoddy queries and regex functions in googsheetz...

there were 48 tags with at least 10 instances from 2023 fics, shown below, with ones that are (some ~vaguely) nsfw in red just to kind of get a rough sense of which tags get commonly used in M/E fic:

getting a bit too much into small sample size / specific fic territory so if you're an author i sincerely apologize for that... do not mean 2 put u on blast... TT__TT but i also tried to tally the most popular aus people write for 814, which is a bit dubious because people tag in really different ways and i had to accommodate for a lot of string formats but ... it's close enough ! (?)

i feel like this is very little interesting info but idk what else to add so i will stop here for now... well!!! if you made it to the end i hope u learned something or even vaguely enjoyed reading T__T and most of all thank you :')

[soulfullives]

marauders era unpopular opinions, once more

i really don’t like fanon regulus. i don’t like him being helpless and kind and a sirius variant. he’s morally grey, leaning towards morally dark, he’s selfish, he agreed to his parents’ and voldemort’s ideologies, having joined the death eaters most likely by his own will (unlike draco malfoy). but obviously, everyone is allowed to characterise characters the very way they want to

and while we’re on it, i don’t like evan and barty either, for the same reason. maybe i would, if they were realistically characterised (i LOVE reading morally grey or morally dark(er) characters), and once again, i believe that just because one likes a character, that doesn’t always mean that the character is a good person

and continuing on the same topic, the sunshine james potter, although being a topic that i like and delved deeper into myself, is nice, but i would also love to see more of arrogant, spoiled james potter, too

not liking severus snape and peter pettigrew but liking evan, barty and regulus is kind of hypocritical

i don’t like jegulus

i also don’t like the casanova, bad boy characterisation of remus, and the helpless, needy characterisation of sirius either. to me, they’re out of character, overly done and absolutely not enjoyable

and because i earlier mentioned severus snape, i think he’s an interesting character, actually. that doesn’t make him a good person (once again, i believe him to be morally grey, too) and i can’t call myself a lover of his, however i find his story and character very interesting and compelling

i don’t like a lot of the wolfstar dynamics in current fandom

“we need more content about the girls!” literally do it yourself. please. whenever i write content about the men, i get a wave of new followers, and whenever i post about the non-men, suddenly i have tebs of people unfollowing me. oh, and my posts about the men have twice or thrice the notes of the other ones

sirius > regulus

and speaking of which, sirius is such an interesting character, and he was reduced by many people to nothing, or whatever is relevant to the plot

james would pick sirius over regulus any time, with literally no hesitation

i don’t care about popular fics (read or don’t read, i generally don’t read popular fics to be honest), however i do care about the way creators, especially writers, are treated in this fandom. i made a few posts about this topic, feel free to ask me to link them to you, but the way some people feel entitled to fic and fandom content is horrible

“x is the female version of— !” please stop. i’m going to stop you right here.

stop tagging jegulus and wolfstar and other mlm ships with wlw and nmlnm tags, for god’s sake. you’re just clogging the tag, and if i came looking for a certain ship, that’s what i’m going to expect to find. besides, why would you tag jegulus with, say, pandalily, when jegulus is by far more popular?

jegulus < jily

[got-into-worm-by-mistake]

Okay, I've Read Worm: A Retrospective Part 1: How The Fuck Did I Get Here?

I don't know exactly what I'm going to be doing with all these posts, but at a minimum, we will be having the following, not necessarily in this order:

A discussion of some of the parts of Worm I liked most. Some genuine and well-earned praise for Wildbow.

An analysis of Amy Dallon as she exists in Worm, though more for unpacking my own thoughts in one place rather than some deep literary stuff.

A discussion of things I was genuinely surprised by in the Text itself versus the stuff I picked up via fandom osmosis and fanfic. Expectation vs reality and stuff.

A discussion of just who the fuck the target audience of Worm actually probably maybe was, and what the fuck I just read.

And a detailed (for my own unpacking of thoughts than to convince anyone of anything) discussion of why I'm not going to read Ward. Nothing new there, but still, it'll be nice to put it all one one place.

But first, let's take a step back and answer one very important question: How in the bloody fuck did I end up here? How the fuck did reading Worm even happen? Because as I've said before, superhero media isn't my thing, I'm definitely not the target audience for Worm, and while I enjoyed it, only liking it 60% is a barely passing grade, as it were.

So how the blue hell did I end up here?

I don't know exactly when I first became aware of Worm. What I do know is that I was loosely aware of it by 2019, because I was active on SpaceBattles, and of course, Worm is all over there. I'd see the name, and I knew it referred to a work of fiction, but that's about all I knew. It might have been before 2019 that I first heard the name, it might not have. I say by 2019, because I know that sometime in 2019, I was in a discord server associated with one of the many spinoff sites to Spacebattles (I believe it was Frozen in Carbonite, which was honestly a pretty noxious website but I didn't know that going in) and I made a post using this meme:

And I got an answer that was something to the effect of 'It's an edgy villain protagonist superhero story'. And so I shrugged, and I moved on. Not my speed. Superheroes aren't my thing, not really, not in of themselves. I first got into AoS watching it with my then GF back in... 2015? And then I got into shipping Skyeward in it. Then I watched Arrow because some of the people I followed from Skyeward were into it and again, pretty much stayed for the shipping and certain characters. Flash and Legends of Tomorrow and Supergirl were entered into as branching off from Arrow.

And yes I've watched a good chunk of the MCU, but mostly because why not watch a movie and there's a handful of characters I liked. But I've never read a single superhero comic book, as far as I can recall, and I've never really been super into any superhero cartoons, just watched them if they happened to be on Cartoon Network when I was a kid.

At some point between then and this year, I found a Worm CYOA on r/nsfwcyoa, and despite never having read it, gave it a look, played around with it, and picked up random errant facts about the story and characters therein. I would revisit this CYOA and similar ones as they got updates, and along the way got my first exposure to the whole 'fanon' problem of the Worm fandom, when one of the options in one of the CYOAs was to make certain popular fanon true for the version of Earth-Bet 'your character' appeared in for the CYOA. Things like making Woobie Amy true, or turning Vicky into the Collateral Damage Barbie she's cast as by some people, et cetera.

And then, at some point probably late last year or early this year, I think, I was on Questionable Questing (the pervert uncle of Spacebattles, as it were) and I saw a fic get posted that was Worm - so, prepared to ignore it - and then I saw it was also tagged with several of my kinks. And I've read smutfics that aren't for one of my fandoms if I really like the kinks and it's just a smutfic, so I gave it a show. How much do you need to know about the source canon for a smutfic, eh?

I don't remember much about that fic, or even which of my kinks in particular it had, but I would read a few other such stories here and there until sometime in... probably May or so, maybe late April, when I made an errant post on QQ in a thread discussing stories you considered but never actually read, that I had considered Worm (because by then I had, ish, after some of the various go-arounds with the CYOA and picking up bits of osmosis here and there) but that the whole thing sounded too bleak and grimdark and depressing.

This spawned a conversation about Worm, and if it was really grimdark (one person I think went so far as to say it wasn't even depressing or bleak, and oh to live in that person's world) and if it was really a deconstruction or a love letter to superhero media or a takedown of superhero media or w/e. And at some point, someone made a comment about Wildbow having disdain for his fans, or something like that.

And I was like 'I feel like there's a story there'. And yes there was. One of the things that came up were the so-called 'retcons' of Ward re: Amy (whether or not they are actually retcons is beyond the point of this post, please don't discuss it here). And here's the thing, my thought then was: I've been there.

I've been there when characters have been set on, or are seemingly being set up for, some kind of redemption arc, and then some new installment pulls the rug out from under the character in a way that feels very, very deliberately aimed at fans of the character. Grant Ward is the most notable case of this for me. 2015 and 2016 me had quite a few things to say about that. 2024 me lacks the energy or desire to go into detail.

It's not fun, either way. So I sympathized. And I figured that probably meant Amy Dallon would be my sort of character. But I didn't want to read Worm - it sounded depressing, it was 1.6 million words, Taylor didn't sound super appealing and I knew she was the main POV, and superheroes aren't my thing.

But it wouldn't leave my head. So I started poking around on places like r/parahumans (a den of bad takes and noxious fans if there ever was one) and r/WormFanfic and the Parahumans wiki and looked through a few threads on SB and started trawling the Amy Dallon tag here on Tumblr and developed some thoughts.

Amy Dallon, and the injustice of what happened to her in Ward had crawled inside my head and it wasn't going anywhere. I ranted to my friends about all the shit I'd learned and was like 'I HAVEN'T EVEN READ THIS WORK AND I DON'T EVEN KNOW IF I WANT TO AND IT JUST WON'T LEAVE MY BRAIN!'. I remember seeing a post saying something about how someone who had read worm couldn't relate to people who hadn't and weren't constantly thinking about Amy and I reblogged it saying 'I haven't even read Worm and I'm constantly thinking about Amy' and I think the OP of the post reblogged my reblog and called me a whole new kind of person or something. I don't remember and don't care to go digging.

The things that held me back the most continued to be the sheer length of Worm, a fear that Taylor would be insufferable and the fact that it still sounded godforsakenly depressing. (2 out of 3 ain't bad, as Meatloaf Says). So eventually I decided to go poking around and read some fic to get the idea if I'd actually read it. I don't remember all the ones I read in this period, but they included: I, Panacea, Desperate Times Call For Desperate Pleasures, Queen of Blood and More Than Meets The Eye. It was around this time I also started getting multiple Worm Fic Ideas, which was... fun. Because you know, it's one thing to read fanfic without knowing the source canon, but I've always loathed in previous fandoms when people say they're writing a fic for a canon they've only read fic from (and was always an immediate X-out for me) and I have too much dignity self-respect as a writer to do that myself.

Now, fic ideas don't mean I have to write them. I have ASOIAF and TVD fic Ideas I'm never going to write, and my notebooks across the ages are littered with fic Ideas I had and then put aside and never wrote. Some still haunt my dreams like Edgar Allen Poe's Telltale Heart. But still.

Eventually, after someone made a comment to me to the effect of 'with all due respect, if you haven't read Worm, shut up about it' I decided to at least make an effort to read it. Spite was my original intent - I wanted to see if my opinion about Amy's storyline in Worm specifically would remain the same (and it broadly has) and if so, I would feel satisfied I'd been right.

(For the record, It did remain the same (pretty much, more on this in a future post) and I do feel satisfied that I was right.)

And so, on June 16th, half on a whim and half because I knew I'd have things to say and I wanted to section them off my main blog, I made this blog and began reading Gestation 1.1. I gave it even odds in my head I'd give up before I was more than a few arcs in.

Wasn't even tempted until Arcs 12 and 13. Then was tempted again in the absolute nadir of the work, 17-19. And then again during the Behemoth fight. Once I got past that, I was never temped.

So that's I got here. Existing adjacent to Worm for years, some osmosis, an ill-timed comment, some snarky responses and a character that burrows into my brain by hitting all of my buttons.

[utdrmv-confession-box]

Transcript: i think the fandom was genuinely better before 2020. or at least 2021. maybe i see nostalgia through rose-tinted glasses, but 2015-2019 was the best era of this fandom. people say cringe and free but there’s a difference between unknowing cringe and acknowledged cringe, and the former is just more genuine. more fun, more free. things were better, in my eyes. now there’s useless discourse (there was, of course, discourse then, but now people have wrapped morals into it. you’re not a bad person who wants to abuse people if your favorite character is canon nightmare sans, god), even worse fanon that people have dubbed as canon (dream is not an uwu baby, yes, but going in the entirely different direction and making him a mean smoker is just as fanon and inaccurate, you’re no better, so get off that pedestal), and just the bullying that comes with liking older interpretations.

blueberry is fine. uwu star sanses are fine. slendermansion bad sanses are fine. teddy bear horror is fine. any interpretation is fine. but there’s art left and right of people drawing characters punting those other interpretations whilst the creators themselves continue to make their own interpretations that are the same, if not worse, levels of inaccuracy and mischaracterization. it’s hypocrisy and i don’t doubt that in four or five years this era of the fandom will be mocked and a new, just as wrong interpretation will emerge. i don’t mind this, you can characterize anyone however you want. that’s what makes this fandom great. it’s just the fact that this is combined with the bullying of other interpretations that makes it hypocritical and me upset. not even to touch upon the new fanon of “sans would show no emotion of papyrus died”. in an attempt to move away from one side of the spectrum they went too far to the other, rather than settle upon the perfect balance.

in general i also grieve what will never come back. the style of older popular artists drawing sans, that line weight jakei and superyounma used that pulled the style together, the obsession when dream and nightmare became truly popular, the formation of the star sanses, the overuse of the word ‘senpai~’ when it came to crossmare, the comic dub movies on youtube, or how everyone obsessed over sans and made him overly edgy and emotional. the animation memes, the genuine sans fangirls, not the satire ones. ichika. the othertale animations. early underverse and the silly comics jakei made for it. the terrible wattpad fanfiction. amino. actually, we can leave out amino. i don’t miss amino.

it wasn’t all perfect. if i’m honest, it was a dumpster fire in a lot of ways. but it was my dumpster fire, and what once burned became nice and toasty. the fandom now is great, don’t get me wrong. i love how it’s turned out, i love how characters are no longer white anime boys and how people have begun to acknowledge how certain things are bad, rather than ignoring it. how underrated characters have been getting more attention.

but if i had to pick between the fandom now and the fandom then, i’d pick then in a heartbeat.