#maybe it could be expanded on
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random-dragon-exe · 2 months ago
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Ok so I've been thinking about this speech from the Whomp King lately:
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So the whomps build the buildings and pave roads, but I cannot help but think HOW?
They have small stubby arms and legs.
So this led me to coming up with a small headcannon as to how they can achieve this.
Basically, whomps can manipulate the earth in a manner that combines earth bending in A:TLA and the construction coven in ToH.
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However since their limbs are small, they can only do so through their feet.
This has some small basis because in Super Mario Galaxy 2, we can see the Whomp King making small versions of whomps to help him fight Mario by summoning/creating them with his feet.
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Sure that's (most likely) an ability that he has being a king and all, but it would make sense for his abilities to be more powerful than regular whomps. This would then mean regular whomps only possess the earth manipulation as I mentioned above.
I know this isn't that much well thought out, but I like the idea because how else would they do it?
Plus, I like making headcannons lol. It's just fun.
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nidbaesenpai · 1 month ago
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Paper flowers seem beyond you now but you can always go back to the basics, paper cranes are easy enough...
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wandixx · 4 months ago
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I've seen a lot of different takes on Fear Toxin/other fear causing stuff (Yellow Lanterns Ring or something)(later just called Fear Toxin cause I'm lazy) but here is another one.
Danny seems like he isn't affected by Fear Toxin because his biggest fear is that his accident changed him so much he is no longer human, he can no longer truly experience human things.
So when he gets lungful of fear Toxin, he feels normal. He was antsy before, because c'mon, it's a rogue attack but it's not worse. Or so he thought. Because the anxiety lingers. Not enough to register as abnormal just this slight hypervigilance that makes you see things about yourself and your surroundings that you'd never realize otherwise. He'd realize he doesn't blink as often. He'd realize that if he doesn't consciously focus, he sometimes seems to not touch the ground. Forgets to breathe. He can't feel his own pulse at time. He'd realize people will miss him when he's walking down the street as if he was invisible (people just don't care about everyone they pass by). When he'd look straight into his reflection, he'd look slightly to the left. Not enough to actually name anything that was wrong but just stretched enough to fall on the wrong side of the uncanny valley. If he just caught his reflection in the peripheral vision, it'd be vaguely shadowy creature with glowing green eyes and white smoke instead of hair. Overall he'd be just wrong enough to be distinctly not human.
For everyone else, he'd be just a dude. Literally couldn't find more normal dude than this dude. Will pass as absolutely normal human unless someone is specifically looking for ecto-ghost stuff. Even most magic users wouldn't clock him at the glance
Tldr: Fear Toxin makes Danny perceive himself as some sort of eldritch horror but not enough to make him believe he'd actually be affected, while from outside perspective he's Just A Dude™
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takatul · 4 months ago
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Twisted Wonderland self-aware!Yuu except they’re empathic.
When I say self-aware!Yuu I don’t mean a scenario where Yuu transmigrated into Twisted Wonderland with memories intact.
When I say self-aware!Yuu I mean someone who knows themselves better than anyone else.
They know they have flaws. They know that, sometimes, their flaws will get in the way. Whether it’s shutting down emotionally, not being able to express themselves properly, or something to do with a physical ability. Their flaws will always follow them around. Even in Twisted Wonderland.
And yet, self-aware!Yuu is still kind. Still loving all of their strengths and flaws.
Ace needing a place to stay after Riddle off’d-his-head? “Yes, of course you can sleepover.”
Deuce breaking down after letting his delinquent side out? “No, you’re not a bad guy— you just protected me and Grim from those bullies!”
Riddle having a crisis after his overblot? “I don’t accept your apology. Not yet at least. But I can understand why acted this way… you’re allowed to feel angry about your past. You didn’t deserve that kind of treatment.”
No matter how wrong the opponent is, self-aware!Yuu always empathizes with them in the end.
Maybe one day, someone confronts them about it. I can see Leona or Azul or Rollo and maybe Jamil. They’re people who have experienced and or seen how terrible people can be.
“Why are you so nice all the time? You’re too thought. Too kind. Good people like you always end up last.”
Perhaps self-aware!Yuu will look at them with a stoic face. Perhaps a shocked expression, accompanied by a frantic gasp. Perhaps even small laugh at their question. And just as the confronting student was about to retort again, self-aware!Yuu will smile.
“Well, I’m not a good person. I just do what I think is right.”
Self-aware!Yuu will sit down, watching activities unfold around them— heart still bursting full of kindness. They’ll pat the empty space beside them. An invitation, but it’s up to the student to take the initiative.
“It’s everyone’s first time living after all. May as well make it kind.”
Soon enough, if the student plucks their courage, they’ll sit and slowly learn how to become self-aware too.
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banner credit: @bunnysrph
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ohithankyou · 1 month ago
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one of the best ways i can explain why and how bucktommy feel like they’re it for each other with how the narrative has presented them to us and why tommy feels like the ultimate partner for buck is that, in my opinion, the writing has made them feel like/sold them as each other’s persons (speaking in a romantic context) in the same way bobby and athena, maddie and chim, and hen and karen are each other’s. yes, the dynamics are different and each couple has had a different journey in finding and building a relationship, falling in love—but they are each other’s persons (and were made to feel so quite early on in their romantic relationships) and the same is true for buck and tommy. buck has had other relationships before his relationship with tommy that we’ve seen start, unfold, and develop (or sometimes, lack thereof) to different degrees and then ultimately end in different ways but none, until tommy, has felt like the one in its narrative conception, its narrative run, and even in its narrative end, (or, i would argue, especially in its narrative end which really feels as a pause before a new and stronger beginning/progression).
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wisteriasymphony · 4 months ago
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guys if a hallucination of your husbando appeared before you and told you that the 'real' version of him deserved to die because he wasn't perfect and sexy enough would you do it??? urgent answers needed
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shipping-receiving · 1 month ago
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On vulnerability in Love Scout
I’ve been seeing a few comments here and there asking what Jiyun “offers” to Eunho and what she can bring to their potential relationship, especially considering how much he does for her both materially and emotionally. While this is one method of determining if their relationship is truly balanced, I wonder if a straightforward measurement of give-and-take can effectively assess their dynamic, especially given their current employer-employee status. After all, since Eunho is Jiyun's secretary, so much of his caretaking can be seen as a natural extension of his job scope, although of course he has gone above and beyond professional expectations (and boundaries).
Jiyun can’t easily reciprocate Eunho’s acts of service within the limits of their (thus far) professional relationship – even if she is starting to do so by buying him food and coffee etc. On top of that, she is an inherently guarded person. It’s difficult to say what she can “offer” because she’s not in a position to offer anything besides his salary. It’s also much easier to see the value that he has added to her life because her struggles were emphasised from the start in very visible ways (messiness, insomnia, her trip to the hospital), while he seemed to live a very full life with Byeol.
Therefore, perhaps a better measure of their mutual compatibility and support is in the vulnerabilities that they allow themselves to show around each other – when they let themselves to be something other than the ‘perfection’ that they’ve defined for themselves. Again, it’s more obvious when Jiyun’s walls come down (expressing joy, letting herself be helped/comforted, falling asleep), because it is such a contrast to her stern, no-nonsense, ultra-professional demeanour. With Eunho, it’s not so clear, because his warmth and compassion can easily be mistaken for openness. Yet his pleasantness can also be a shield; a way to deflect uncomfortable feelings by minimising himself for the well-being of others. The most obvious example of this is when he maintains his amiability even in the face of outright mistreatment from his former boss. But it’s also in how he defaults to being the pillar of strength and the ‘fixer’ in social situations. 
In fact, almost all of Eunho’s true moments of vulnerability and honesty have come only in Jiyun’s presence. First, and more circumstantially, the frustration and anger at her for trying to poach the developer in Episode 1, and his desperation to keep his new job as her secretary in Episode 2. Then, more purposefully, when he tells her about why he took paternal leave; the challenges of his previous job; the fact that he was orphaned at a young age; his worries about fatherhood. These are not the only times he’s discussed his anxieties with another character – he did so with his ex-colleague when he was in danger of losing his first job, and with Suhyeon when Jiyun was still being difficult – but both of those times, he was also binging something sugary as a coping mechanism, and speaking in generalities with a tone of resigned acceptance. He’s simply not in the habit of showing so much of himself (i.e. his ‘imperfections’) to another person; even his beloved senior/Mi-ae’s husband doesn’t know why he got divorced.
Of course, everything he has revealed to Jiyun has been in response to her very direct questions. But I don’t think it’s just about that. As much as Jiyun can be a mess, she is also a very stable and confident person who is a good judge of the characters and motivations of others. That’s what makes her so good at speaking to both clients and targets, which Eunho himself has observed first-hand. Jiyun inspires trust and respect, which is (part of the reason) why he feels comfortable revealing the parts of himself that aren’t so ‘put-together’. Furthermore, he’s seen that she’s not incapable of the sincerity that he so readily offers to other people, even while being very rational and principled. This is not just Eunho “rubbing off on her” as Jiyun observes in herself in Episode 6. It’s just that her sincerity, which is a form of emotional vulnerability for her, has often only felt ‘safe’ to use as a strategy in appropriate professional situations.
Jiyun’s interactions with Byeol shed further light on the positive aspects of Jiyun’s personality. It would have been easy for her character to be written as cold or awkward around kids. Instead, there is a mutual respect between her and Byeol, with whom she’s not afraid to discuss more difficult personal topics (at least in an abstract sense). Jiyun treats Byeol like a fully-formed person with agency, takes genuine interest in her independent of any connection to Eunho, and is able to be supportive in her own way without pandering or patronising. It’s the very things that make Jiyun “cool” in Byeol’s eyes that gives us clues about what Eunho admires in her.
In a recent interview (a very cute one conducted by Ki So-yu, who plays Byeol), Han Jimin says that with Eunho in her life, Jiyun’s “sharp and prickly points have softened and become smoother”. Conversely, I think Jiyun is someone who gives Eunho room to show the roughness beneath his rounder, gentler exterior, which he otherwise takes such pains to smooth over.
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irrideemaple · 11 months ago
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Aventurine learns how to play chess (Gone wrong?)
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vaguely-concerned · 3 months ago
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you know it is hard to not feel for caterina a little in my worldstate. she loses sight of lucanis for a couple of months while her other grandson has her in jail for grandmother time-out, and by the time she sees him again he is in full undying devotion mode for the guy she sent to get him back. her grandson finally brought someone home, and it's a fairly low-level elven mortalitasi whose family background is 'idk we found this baby in a crypt and liked their vibes' who will not be giving her any biological grandchildren. not even one of the politically well-connected scheming mortalitasi, which could at least have been useful (nevarra is a bustling market for the crows! twenty contracts on the king alone and still going strong! still a payday baby let the good times roll!), but one of the dutybound earnest little freaks they keep down in the necropolis to wrangle skeletons and write esoteric papers and who frankly don't care that much about murder b/c death comes to us all in its own time anyway trust us on this one. lucanis looks at him like he hung the moon, the sun, every celestial object and glittering star in the sky, like he's the only real thing in the world. and in caterina vision she sees this weird little slip of a goth mage guy wearing too much kohl who cracks jokes at strange times and is so hard to read but also gives her the unmistakable flinty 'I'll try to keep this civil if you do the same. If.' eye contact over lucanis' shoulder sometimes, with the utter grave calm that only someone who's a speaker to the dead (and the dead are savage) and who has killed several gods and wouldn't back down from second deicide if necessary could bring to bear. she sucks and deserves this and more but she also does have a whole Situation on her hands here
(I love that rye's relationship to lucanis' family is basically 'I met some of the most insufferable people. but, they also met me'. he tangoed with the god of lies and betrayal so he could waltz his way through a dellamorte family dinner relatively unscathed)
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mollysunder · 4 months ago
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The whole discourse about whether Mylo was right about Powder really just sidesteps that the metric these kids are measuring themselves against is both unrealistic and unfair. None of them should be out robbing apartments, they should be in school!
But they can't be in school because they live in Zaun and public education doesn't exist for them. Instead, most kids have to pull their weight in some way or other, whether it's in the mines, a factory, They are all children but they all think they need to be as good as the young mythologized version of their father figure.
Most eleven-year olds aren't particularly good at anything, especially robbery, but because this is Zaun that doesn't matter. Your dad might run a bar, but his real job is being a crime lord that runs a black market through the district with the bar as a hub. It doesn't matter most teens and preteens aren't natural prodigies at fighting and theft, you've got to put the work in.
If Mylo and Powder were on a little league soccer team or whatever, and he had the same complaints an adult would tell him to not take things so seriously and just use any failures as a learning opportunity. Unfortunately for both of them, this is their jobs, this is their life, and the only adult in it has delegated the responsibility of mediation to another child.
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thatadhdfeel · 1 year ago
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adhd to people pleaser pipeline
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accirax · 5 months ago
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last night i had a dream that it was Friday, and i was watching Chapter 2 Episode 15. it was nearing the end of the episode, and Teruko had accused Ace in the Closing Argument. however, Ace was nonstop arguing with MonoTV that he didn't do it and that everyone had it all wrong. MonoTV laughed cryptically, and the episode ended on the cliffhanger...
...that MonoTV was about to introduce Ada Tobisa, Eden's secret twin sister, as the seventeenth student in the killing game.
no, i don't know what role Ada would have had in the murder.
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earlier in the dream episode, we had seen the left photo as its own CG, and were led to believe that it was a photo of Eden as a baby (i have no idea how this came up in the Trial). however, the end stinger was showing the CG with the two of them, and that the left picture was actually Ada all along.
anyways, call me the Ultimate Fortune Teller, because i'm pretty sure i've foreseen exactly what's going to happen in Friday's episode drop 😎
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writeouswriter · 1 year ago
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Two people with the exact same brand of ADHD and shared intense hyperfixation clicked too hard, 100 dead, thousands injured, 3 million new timelines unlocked, a single starting line of conversation ending in 400 new novel length messages sent and one month between reply times
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tiredspacedragon · 8 months ago
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There's something so appealing about the dichotomy between light and sound and Av-Matoran vs. De-Matoran colour schemes. Where Av-Matoran can literally be any colour of the rainbow and beyond, while De-Matoran are monochrome. Especially when also considering that Shadow Matoran are just as colourful as Av-Matoran.
Something something in Bionicle Elemental Shadow is more of a perversion of Elemental Light than an inversion, and Elemental Sonics is its true equal and opposite counterpart.
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puppppppppy · 9 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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daisywords · 3 months ago
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thinking about this post but also it's more than that. do you ever think about how stories starring men are allowed to be about humanity but stories starring women have to be about Womanhood
#it's just the same discourse from like the 2010s about how girls will read about boys but boys won't read about girls#and we haven't gotten anywhere#even when it's like in a feminist way!!! there's room for stories about Womanhood obviously#but believe it or not ''women'' is not the only significant trait or experience that that half of the population has#and frankly I think it's counterproductive to focus every woman-centric narrative on the Woman aspect in some kind of feminism way#especially I feel like in adaptations that get a more hashtag feminism focus! like that story was about a person that was a woman#and you made it into a story about Women. which. ok#but was it not enough for her to just be a human being#experiencing human experiences that perhaps men could relate to#but a story with a male main character is allowed to exist on its own terms#no one's like. okay the main theme of this is obviously something to do with masculinity#(unless that's actually true)#a man is still the default character to explore your ideas and adding the ''girl'' trait is seen as like this extra distortion#that you would add only if you wanted to explore Womenness#like everyone's putting a guy in situations but hey maybe your guy could be a woman#even if the specific situation doesn't call for it#did you ever think of that?#and a lot of it I think is because men are conditioned not to relate to female characters#so making a male character would work to expand your audience because female readers are still willing to invest in him but not vice versa#but that doesn't mean we should just keep perpetuating the cycle#and only making stories about women specifically for women about Womanhood#that's just cementing the problem even further#obviously this is all a generalization and there are exceptions#this also applies to things like race#like in the US if you're making a story with a nonwhite main character suddenly it has to be like About Race or something
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