#may watches candela obscura

[meadowsofmay]

honestly, i am so fucking impressed with liam, it's insane. he didn't let go at all and when it felt like he did he smashed poor mother's head open — this move was so inherently him, i started laughing out of being startled.

but it's so captivating to watch him tell a story, not breaking a face or pace at all, putting his circle through situation after situation. him being a menace in the best, most creative way possible.

god fucking damn, this man. there's no words good enough to express the awe he has me in.

[elemental-plane]

i've decided to ignore the last half of candela after the break! wdym most of the circle died nah bro youre crazy what are you talking about

madam glask rebuilt but stayed with mina because that is her DAUGHTER, oscar started helping cosmo with the antiquarian, and elsie and raj finally worked through all of their problems and everyone gets a happy ending thank you goodnight

[happycattail]

Haven’t actually watched Candela Obscura yet (I know I will I swear) but the ability for them to generate extremely different tones and vibes from 3 separate group especially just in the trailer alone is amazing.

[andi-o-geyser]

hitting the two hour mark of having important stuff i had to do this evening so i lost track of time and missed the first 35 mins of candela obscura so now i am confined to spoiler jail because i can’t go back in the stream so now i had to wait until monday. i am consoling myself by watching one piece with my brother. let me in i just want to watch this silly dnd people do eldritch horror pLEASE

[ariadne-mouse]

"And you are sure these are edible?" "Ja. Well, sort of." "What does 'sort of' mean, Caleb Widogast?"

Here is Shadowgast in the style of Scavengers Reign!

Yes, this is a transparent and blatant attempt to pspspsps my fellow fans of Critical Role into watching this series. The first season is airing now on Netflix as of May 31st. They picked it up after Max did not renew it for a second season, and will decide based on the reception now whether to continue - so I am hoping that lots of people discover the show and love it! The animation studio is Titmouse, who also produces The Legend of Vox Machina.

It's like a Miyazaki-esque Annihilation. Cosmic horror and cosmic wonder in equal and necessary parts. If you like the funky biology parts of Candela Obscura, give this a shot. There is horror. There is humanity. There is hope and connection. There are creatures of all shapes and sizes, including a wonderful amount of tiny idiots, which I have made many compilation posts about. It's a setting where you can envision David Attenborough peacefully narrating a nature documentary about it, but be horrified the same time. Just an absolutely incredible show.

[unhandmeisay]

So I had a thought

I've been watching Jason Carl's (long may he reign) Vampire the Mascarade chronicle L.A By Night, and a scene in season two hit me in the feels in a way it had no right to AND made me think of an interesting parallel

/!\ Fair warning, spoiler ahead for Season 2 of L.A. By Night and ep 3 of Candela Obscura Circle of Needle and Thread /!\

In season 2, ep 8 of L.A. By Night the protagonists are sent on a diplomatic mission to try and distract the Camarilla, a sort of totaliratian parallel vampire state while their allies gathered support and rallied the troops. This was as close as it gets to a suicide mission, and it gave this gem of a scene:

Notice anything familiar ???!

I dunno man, but the urge of the two daddest figure of each group to immortalize (lol) their friends/familiy-in-all-but-blood while still in the eye of the storm, in the moment right before the impact, when they can still pretend that they will all come out of it alive ??? The others being very deeply awkward but still humoring Undad Victor and Bestboy Lieutenant Trapp bc despite the cringiness they recognize the gravity of the situation and also want that moment to strech just a bit longer ?????

Nothing better to sell a proper feeling of impeding doom than the idea that the affection these people had for each other will live on in a picture, even if they all most likely don't.

Thank you for coming to my TedTalk.

[centaurianthropology]

Why Spenser Starke is a Fantastic Horror GM (and the Core Fantasy in Candela Obscura)

So, I have seen some rancid takes about Spenser Starke online. Less so on this webbed site, largely because people around here are not in a pissing contest to prove who’s the most cynical, superior, and dickish. But there have still been some mind-blowing ones, from “he says UM too much” (guess who else does that? Brennan, but I don’t see these people criticizing him), or “he describes scenes like shots in a movie and that’s BAD WRONG” (while you might not stylistically enjoy it, I for one adore seeing a new interpretation of how to narrate while GMing, and think he’s doing great).

But the two that rub me the wrong way most are that he “controls the narrative too tightly” and doesn’t allow the characters to meander too long before throwing them back into the narrative, and that he’s “too harsh” in that even mixed successes tend to net characters damage of some sort. I saw accusations of “GM vs Player” mentality, but everyone was clearly enjoying themselves and the experience.

And that, I think, highlights the fundamental disconnect between these complainers and what’s actually happening on the screen: they don’t understand the core experience.

They have likely never played horror TTRPGs. They may have never played TTRPGs period, and instead are armchair DMs based purely on how Matt and Brennan DM, not really understanding that there are a thousand other ways to DM. But if they have played TTRPGs, I would guess that they’ve exclusively played D&D or its ilk. And I say that because there’s a very clear belief here that empowerment and ‘winning the game’, as well as wandering about freely to create your own narrative at your own pace are all fundamental parts of the TTRPG experience as a whole. But they aren’t. They’re fundamental to D&D, yes, but this is not what players come to a game like Candela Obscura for.

Each TTRPG has a central fantasy playing out. In D&D it’s heroic empowerment. D&D is mechanically built around getting more and more power and eventually defeating the big bad. A good GM in D&D, like Matt Mercer, focuses on giving out challenges, but always helping their players strive to overcome and grow and become better. This self-actualization is at the heart of the experience.

Horror games are not about that at all. The closest to that fantasy is something like ‘Vampire the Masqerade’ or other World of Darkness games, which do feature power growth, but the core fantasy is actually about learning that you are a monster. And embracing power will lead to even greater monstrousness. The horror in games like this is both political and personal, and the system is mechanically built to accommodate that horror.

And if you watch LA by Night or NY by Night, you’ll actually see that Jason Carl employs a fairly similar narrative tightness to his storytelling as that of Spenser Starke. Because a huge part of horror is about establishing and maintaining a mood. To do that, a DM has to keep a tighter rein on pacing, cutting from scene to scene and moment to moment in a way that is more directed than in D&D, because that helps establish and maintain the vibe being created.

Candela Obscura plays, thematically, a lot like one of my favorite games to run: ‘Call of Cthulhu’. CoC is a game all about disempowerment. The power differential between the players and the monsters is vast. Combat is vicious, short, and deadly, and direct combat almost always ends badly for an investigator. There is an entire chapter devoted to running away for a reason.

Both CoC and Candela are built on danger, vulnerability, and a constant sense of tension. And Spenser is fantastic at all of these. He keeps his narrative laser focused, moving between moments rapid-fire to keep up that tension, and to introduce new dangers. He is a ‘vicious’ DM only in so much as even mixed successes hurt. But this also keeps the tension up by keeping the characters and players on the edges of their seats. They are almost never safe. They are almost never well. They are constantly juggling dwindling resources. They are underpowered, vulnerable, and afraid.

And that’s the core fantasy here: exploring fear in a safe way. Being stressed out in a way you can leave behind as soon as the scene is done. Constantly living on the edge, fighting the odds, and knowing that you likely won’t succeed or will only do so at great cost. And he is masterfully keeping that intensity running through each session.

He gives characters time to talk about themselves, time for scenes to play out, until he feels the tension begin to flag, and then he pushes on. He never lets the air go entirely out of the narrative sails. He has a great sense of when a character needs a moment (his use of the red PTSD lighting exemplifies how closely he’s paying attention to his players and adjusting the setting to fit their moods). He sometimes pushes on, gets pushback from a player who wants another beat, and is always happy to give that to them. He keeps the pace up, but is always very careful to make sure his players have what they need to still enjoy this particular experience.

All this is to say that Spenser is absolutely killing it at being an exemplary horror GM. His sense of pacing and tension, his ability to direct action while still always embracing player autonomy, and using the mechanics of the system to never allow them to feel entirely safe are all great tools in a horror GM’s toolkit.

Horror games are not for everyone. Certainly there are plenty of people who only ever want the hero fantasy of D&D, but I think it’s important to recognize what the goal of a game is, and what constitutes success within those parameters, rather than parameters that only exist in an audience member’s mind, because they don’t really get how horror games work.

[t-hirstreview]

How are you doing after the dropout teaser? Ready for shirt review when the new season drops?

i'm so ready! I cannot wait to get my hands on the full trailer.

on a completely unrelated note, for no reason at all, i may watch candela obscura while i wait... patiently

[noelwho]

Ultimate Chronological Order Imodna Playlist!!!

Hello! I feel like I have to introduce myself ‘cause I’m barely on Tumblr. I’m still learning how to use it, I posted a couple of fanarts and they went really well, so I want to try and make myself a spot in here. My name is Noel (they/them) and I’m a big fan of Critical Role. I started watching a few months ago, with Exandria Unlimited. Once I was done I went ahead and started Campaign 3. I’m currently on episode 49 (I know, I have a lot ahead yet). I also watched the first season of Candela Obscura and a couple of One-Shots.

Today I’m here to talk about the Lesbian Southern Gothic Witches. Earlier this week I started to obsess over a playlist. An Imodna playlist, to be more specific. It started with me listening to one I found on spotify (I will credit below because it’s been a huge inspiration for this project) and I got the urge to make my own. At the beginning it was something chill, something normal…until it was not. Over the course of the last 3 days I haven’t thought about or listened to anything else. I got the idea of making the playlist in chronological order and I started to take it very seriously. I divided their history in 10 different chapters and assigned each song to the correct time period. At first it was just gonna be into chapters, but then I started to put them in order inside the chapters too, and it became very personal. For real, this playlist has been the one and only thing I wanted to talk about for days. Last night I finally finished it. I’ve played it for run tests several times and I think it’s finally ready to see the light (kinda feels like the project of my life even though I only spent a few days working on it).

After all this brainrot it didn’t feel right to just tweet a link to the playlist, I wanted the world to know everything that went through my head in the process of making this. I also don’t have many people around who care about Critical Role, and I thought it was a good opportunity to connect with the fandom. So all of this took me here, to tumblr. All of a sudden it became very clear that this was the perfect place to set my baby free.

There’s some things I wanna make clear before you start reading, the first being the classic: english is not my first language. Sounds like a joke at this point but for real, it’s very likely that this thing is full of grammatical mistakes and I want to apologize in advance (specially about the in/on/at situation, I’ve been having lots of trouble with those for some reason) This is also the first time I do something like this so it may not be perfect. The second thing is that this will obviously be filled with spoilers. In fact I actually haven’t even got to The Scene, I saw it around on Tumblr and Twitter (impossible to avoid that spoiler, but I don’t really care). I’m aware that there’s a lot of Imodna moments that I haven’t seen yet, but I couldn't wait to start this playlist. I don’t know if the episodes I have left to watch will translate into new chapters or into new songs for the chapters I already have but either way, I will keep this post and the playlist updated.

With that being said, welcome to this ride through an unhinged mind. Fasten your seatbelts and enjoy!

The tether scene is one of my favorite ones. I love that metaphor with a passion. That’s why I chose this name for the playlist. With the photo I wanted to make an allusion to the red thread myth given that Laudna herself carries around a spool of red string. I even edited the picture so the hands on the right are slightly gray like Laudna’s.

There’s not just one specific vibe to this playlist, but I find it to be a very calming one, with the exception of some specific moments that we will talk about later. I tried to avoid strong and distracting beats so I could keep it a little ethereal. Lots of acoustic guitar (which I love). I’m not going to talk about every single song because some of them have pretty obvious meanings. Usually the songs aren't a 100% match, but they do have a part to it that speaks to me and to the story on a certain level.

× Imogen and Laudna’s separate lifes ×

At the beginning of the journey that is this playlist, I wanted to introduce the characters. Intertwining their songs, we get to know Imogen and Laudna’s pasts, before they have each other to face the terrors of being witches in a world that doesn’t quite understand them.

Delilah - Florence + The Machine (Laudna)

I sometimes wonder if Marisha has ever listened to this song, because oh my fucking god. I wanted to start the playlist with Abbey, I didn’t because with the intertwining I couldn’t make it fit, but this one is a very good start as well. This song shows perfectly how it must have been being brought back by Delilah and having that power all of a sudden.

Abbey - Mitski (Imogen)

Matilda - Harry Styles (Laudna)

Imogen - Nick Mulvey (Imogen)

Laudna's lullaby - Ginny Di (Laudna)

Time comes in roses - Bess Atwell (Imogen)

The Tradition - Halsey (Laudna)

Burn it down - Daughter (Imogen)

There’s several songs from this album on this playlist. It couldn’t fit better. It reflects perfectly the moment Imogen started to develop her powers. It even refers directly to the way she parts ways with her town (which doesn’t happen for a few chapters but still I felt this one belonged here). Her fear of being a disappointment, her father becoming absent, the feeling of being cursed. It’s all here.

The hanging tree - The hunger games (Laudna)

Still I wait - Anna Leone (Both)

Even with everything they had to go through, they both still wait and cling to hope.

× Imogen and Laudna meet ×

Finally, their paths cross. They experience the feeling of warmth for the first time in a long time. They both feel the need to keep the other one close and begin to appreciate the little things in life, learning how to be taken care of. Goodbye loneliness.

Season of the Witch - Lana Del Rey

I'd like to walk around in your mind - Vashti Bunyan

How important is this song knowing what Imogen can do…

Comfortable Silence - Bella Porter

Without you without them - Boygenius

A hole in the earth - Daughter

That Moon Song - Gregory Alan Isakov

Love brought weight - Old Sea Brigade

That distant shore - Steven Universe

Sick of losing soulmates - Natalie Dawn

I Hear a Symphony - Cody Fry

Sidelines - Phoebe Bridgers

The bug collector - Haley Heyderickx

Sometimes I feel that it’s always Laudna taking care of Imogen, as if she didn't have anything on her own plate. It can't be easy to live with a voice in your head and paranoia. This song shows how Imogen is there to hold Laudna too when it becomes too much.

Look up - Joy Oladokun

If the last one was an Imogen’s POV, this one is totally a Laudna’s POV. Her and her silly little pep talks. “You’re so capable”.

Daylight - Taylor Swift

I love the idea of them learning that life can be good if you find someone to share it with. This song encapsulates that perfectly.

Spell - Dora Jar

I wanted this one to be the last one of the chapter because it introduces the idea of leaving together.

× Imogen and Laudna run away together ×

“Would you run away with me?” They learn what it’s like to have a home that’s not a place, but something entirely new. The past still follows but they’re no longer crushed by it, because they don’t have to sustain it on their own.

Departure - Daughter

Second child, restless child - The Oh Hellos

Just the two of us - Grover Washington, Jr.

I really like to imagine Imodna slice of life scenes when I listen to this song.

Dandelion Wine - Gregory Alan Isakov

Homesick - Dwara, Khotton Palm

Graceland Too - Phoebe Bridgers

When I realized how much of a Laudna's POV this song is, I almost cried.

Telepath - Manchester Orchestra

I really really like Manchester Orchestra, it's one of my favorite bands. I never let go of the chance of spreading them around, and this one is the best song they have. Laudna's POV for sure.

everything i wanted - Billie Eilish

With songs like this one and Intertwined, I wanted to introduce the idea that even though they're definitely better off now that they left the town, that doesn't instantly solve all of their problems. As I said before, the past follows, but they're no longer alone with it.

Savior Complex - Phoebe Bridgers

Intertwined - Dodie

Nothing else matters - Phoebe Bridgers

As long as they're together, nothing else matters.

× You lied ×

Even though I only have a few songs for this precise moment of the story, I thought that it was very important to include their first fight. The gem is broken and Imogen feels betrayed. Laudna is left abandoned and thinks she deserves to be punished for Delilah’s wrongs. We explore jealousy for the first time.

Witches - Daughter

The silence at the end of this instrumental song represents the loneliness that Laudna felt when Imogen left her alone after her incident with Delilah

Landfill - Daughter

There are two possible ways of reading into this one. This is in my opinion a Laudna's POV. She could either be talking to Imogen, expressing her deep rooted desire for a punishment for what she’s done; or to Delilah, alluding to the attachment she has to her own powers (that at least as far as she knows are there because of Briarwood) opposed to the hatred she feels for her and for herself for wanting those powers (this is a theme that they explore later on future chapters)

Are you okay? - Winnetka Bowling League

Afterglow - Taylor Swift

The archer - Taylor Swift

× Laudna’s death ×

Otohan Thull relentlessly kills three members of Bells Hells. A coin is flipped and Laudna is gone, again. What awaits beyond the afterlife? Perhaps a little girl, a monster and a tree.

DVD menu - Phoebe Bridgers

If death’s not exactly DVD menu by Phoebe Bridgers, then someone tell me what’s like because I can’t imagine otherwise. I freaking love how this song connects with Daffodil.

Daffodil - Florence + The Machine

Death with dignity - Sufjan Stevens

Bells in Santa Fe - Halsey

I like to imagine that Laudna didn't appear in Nightmarish Whitestone immediately. Up until this point, she's in a limbo, accepting her own death. Bells in Santa Fe marks the moment she sets foot in that Upside-down kind of world. The constant repetition of “All of this is temporary” is like a mantra for her, the only hope she has of getting through it with her sanity intact is believing that this will also end and she will finally find peace.

Willow Tree March - The paper kiss

Hard times - Ethel Cain

Tether me - Galleaux

With this song and the next one, I wanted to express desperation. We don't get to know in the series how she feels throughout all of this, but I can only imagine how terrifying it must have been. There's a point where anyone would have started begging for help.

Matilda - alt-J

× Imogen’s grief ×

“Is she your favorite?”. Imogen feels deeply guilty for what happened. The possibility of bringing Laudna back is the only thing that’s keeping her from losing it completely. All the regrets, all the words she wishes she said before, all the times she didn’t approached her when she wanted to, come afloat. Grief, disassociation and sorrow.

Words - Storefront Church, Phoebe Bridgers

This song is meant to represent the exact moment of Imogen floating and losing control, with Otohan in her head pushing her to let go.

Goner - Twenty One Pilots

No other song in existence can express better the moment Imogen realize Laudna's gone for good.

Lanterns lit - Son Lux

True Faith - Ashley Johnson

Hurt for me - SYML

Carry you - Novo Amor

My love - Florence + The Machine

Lucky for you - Novo Amor, Gia Margaret

Killer + the sound - Phoebe Bridgers, Noah Gundersen

Should have known better - Sufjan Stevens

Ya'aburnee - Halsey

Show you a body - Haley Heyderickx

Imogen (even Laura) loses hope for a moment during the ritual they do for bringing Laudna back. The end of this song summarize this repeating a lyric over and over (you can clearly see through this playlist how much I love repetition).

× Back together ×

After Bells Hells confront Delilah at the Upside-down-Whitestone of Laudna’s nightmares, Pike manages to bring her back to life. Imogen and her are back hand by hand, and nothing can ever tear them apart again. Here’s where I think something awakes inside them, but they are far from realizing it.

I am the Antichrist to you - Kishi Bashi

Like an angel “fallen from the sky with grace”, Laudna’s back on Imogen’s arms.

Darling - Halsey

This love (Taylor's Version) - Taylor Swift

Now that you're home - Manchester Orchestra

Lose you again - Manchester Orchestra

Halloween - Phoebe Bridgers

But not kiss - Fayer Webster

Like I said, something changes after this. What they’ve been through is not nothing. This song is here to show that something is born deep inside them, on their subconscious far from their reach yet

× Back to Gelvaan ×

Same as with the “You lied” chapter, I felt that this one was important even though I just have one song for it. It just matches perfectly. Imogen and Laudna visit Imogen’s hometown and the place where they met, searching for answers. Old wounds, some closure and an emotionally absent father.

My tears ricochet - Taylor Swift

× Tethered ×

In this chapter the platonic bond is peaking. It takes place right before The Unraveling, giving in to the “Can I kiss you?” phase and becoming romantic. They’ve been through hell and back just to stay together. This is my personal favorite bit of the playlist, everything is extremely intense but not yet explicit.

Tethered - Sleeping at last

I Will - Mitski

Anchor - Alli X

Don't let them see you cry - Manchester Orchestra

Crosses - José González

Quietly - Manchester Orchestra

Francesca - Hozier

Moon song - Phoebe Bridgers

Capital Karma - Manchester Orchestra

Everywhere, everything - Noah Kahan

In a week - Hozier

Monster - King Princess

j's lullaby (darlin' i'd wait for you) - Delaney Bailey

I will follow you into the dark - Miya Folick

I wouldn't ask you - Clairo

× Can I kiss you? ×

Finally, the moment we’ve all been waiting for. The beggining of something new, the next and most logical step of this journey. The platonic becomes romantic and they get to truly explore the feelings they always had, and some novel ones. This is the moment I know less about, but I’ve used my imagination and my own headcanons.

Can I - Genevieve Stokes

I debated a lot whether to put this one at the end of the last chapter or the beginning of this one because I don't know how relevant Laudna's death is up to this point, and there's a huge reference to this in this song. I know for a fact that the Delilah’s plot is not over and things will change, but I couldn't resist the urge to put it in here, given the name of the song and its obvious connection to the chapter.

We'll never have sex - Leith Ross

Wading in Waist-high Water - Fleet Foxes

This is the last time - The National

All my ghosts - Lizzy McAlpine

Prière pour la nuit - Barbara Pravi, November Ultra

Chewing Cotton Wool - The Japanese House

Bandages - Rachel Bobbitt

This is it, this is The Ultimate Chronological Order Imodna Playlist. I don't know if I'm the first one doing this, probably not, I don't know if this has any value to anyone beyond myself, but I had a hell of a lot of fun. If only one person were to read this till the end I would be more than satisfied.

I’ll link here the playlist that started all of this. Massive respect for this person whoever it is, I took lots of the songs from here

Infinite thanks to anyone who gets here or saves my playlist, feel free to respond with any song that you think adds to the story!! Something tells me this isn't the end of my Imodna brainrot so,,,, more things could be on their way (a fanfic, perhaps?).

No idea how to end this so… long live Lesbian Southern Gothic Witches!!!

[jinxknight]

Super excited for Candela Obscura, though this part from the blog post needs to be mentioned in bold:

Candela Obscura premieres May 25th at 7pm Pacific on our Twitch & YouTube channels and continues on the last Thursday of each month. The podcast and YouTube VOD will be available two weeks after each episode’s initial broadcast. As you can tell, we’re trying out all sorts of new things with Candela Obscura including changes to our delayed release schedule. If you want to be able to watch it right away you can always catch the broadcast live for free or subscribe to our Twitch channel for instant VOD access. We’ll of course keep you up to date with any programming over on our socials. 

[utilitycaster]

You've talked a bit before about genre and genre-expectations. If you have the time/inclination, could you talk a bit about what classifies something as horror? More specifically, what makes Candela Obscura fall into the category of horror?

As a bit of background: I am a Travis-level scaredy-cat, but I love the supernatural - ghost stories, monsters, superstitions. I tend to rely a lot on genre labels to help me differentiate, and media labelled "horror" is pretty generally a no go. I starting watching Candela out of curiosity because I'd heard great things about the characters in chapter two, and was fully prepared to have to nope out. Instead I found that it sat comfortably within my "supernatural" bubble of tolerance, and I absolutely loved it! Obviously a person's tolerance for what is "scary" is deeply individualistic, but its got me wondering what exactly classifies something as horror? (and whether there is other media similar to candela that I am missing out on because my genre expectations are skewed)

So...genre boundaries are all very permeable and take a on very "I'll know it when I see it" quality when you get to the edges. There's a poll about horror tolerance going around right now and I actually found it completely unusable because, for example, all three of Jordan Peele's films are considered horror, and while I consider myself also kind of skittish, I loved Get Out and Nope whereas the premise of Us fundamentally is on my personal "absolutely cannot" list. Basically: defining horror is tough (though I'll make an attempt, with the understanding that I am the most amateur and there are actual media studies folks in the fandom who might be a better bet) but also a lot of people, myself included, who consider themselves bad at "horror" often, as you say, actually have a very specific personal list of tolerances and plenty of horror is fine for them (and plenty of non-horror might not be!) Basically this is a great question and multiple people out there are writing their PhD theses attempting to answer it, and they probably have different answers, is what I'm saying. I also, in looking up horror on Wikipedia in order to see what that definition is, found that it defines the genre differently for literature vs. film. Short answer: no one fucking knows; scary shit.

I think horror is most generally works that are intended to build a sense of fear or dread, and I recall (possibly incorrectly) someone on a podcast talking about writing define the difference between a thriller and a horror movie is whether the protagonist succeeds; I'd modify that to say "whether they succeed without a great cost (thriller) or whether the price of success possibly outweighs the win (horror)."

Anyway, I do have a list of horror subgenres here that speaks the language of TTRPGs, namely Van Richten's Guide to Ravenloft, and I find that horror subgenres are more helpful signposts than just the "horror" label, and I suspect you may find the same as well. I'm not going to run through them all, but, for example, "Ghost Stories" and "Dark Fantasy" are two of them, and those never bothered me and it sounds like you like those! Candela covers a lot of ground - elements of body horror, gothic horror, cosmic/eldritch horror, and occult detective stories, but it is absolutely in the supernatural realm. It is worth noting that a lot of not explicitly horror shows often dip into horror and I (and possibly you) are fine with it. The CR main campaign and D&D in general absolutely has horror elements. I only watched the Nine and Ten seasons of modern-era Doctor Who but that absolutely has episodes that are basically straight up horror (Midnight? Silence in the Library? Don't Blink? Even though, famously, everyone lives in that one set during WWII, the "are you my mummy" line is chilling.) Again: genre/subgenre lines are very permeable and hard to use as signposts.

What has been most helpful to me in finding horror works I can personally enjoy is understanding what I can't do. I don't mind blood and gore but I don't want that to be the point (I don't think I'm so much upset by slasher films so much as don't enjoy them) and I don't want to watch torture porn (which is pretty much exclusively within the realm of horror film, not literature). I have a lot of trouble with zombie films but a lone zombie in a D&D game is fine. The premise of a film like The Thing is intellectually fascinating to me but the idea that you can't trust anyone or anything is too unsettling...although also that was kind of the premise of the monsters of Candela Chapter 2 and I thought that slapped. Psychological horror is case by case; folk horror can be great or can mess me up; like Marisha I flat out don't do narrow tunnels in caves and I especially don't do caves with water in them. Cosmic/Eldritch, dark fantasy, and gothic horror are all almost always okay or if they're not it's because they take place in a water-filled cave. Honestly, I don't have a good answer of how to find things but I use subgenre, talking to people you know who watched the film/saw the show in question, and understanding your own personal issues - whether they're genuine triggers or just "this will upset me and I don't find it fun." I will say a lot of the tropes within horror that bother me bother me out of horror; the cave diving, for example, is part of a general hard line I have; I don't like zombie comedies even though horror-comedy can mitigate other issues (eg: I liked Cocaine Bear even though it's basically a slasher film with a bear because it's pretty funny).

Another really big distinction for me that might be true for you: audio horror, literary horror, and actual play horror (even if filmed), where the visuals are limited or only described, is much easier for me than visual horror. I don't know if that's the same for you, but it's very true for me.

Some other similar media I can personally recommend as someone who I suspect has similar broad preferences re: horror:

Of the Candela touchstones listed, will personally vouch for V. E. Schwab's Darker Shade of Magic series (dark fantasy books, wouldn't even classify as horror), Frankenstein (the book); Crimson Peak (gothic horror/ghost story film; I recall it having a lot of blood but not gore but I saw it in theaters so it's been a while); Penny Dreadful (is it good? debatable. Is it fun? absolutely.)

The New Weird genre is often thrown around and I don't think Candela per se falls into it, but it's certainly the same vibe of horror/fantasy crossovers that don't always fit into one or the other. Anyway: I have brought up the Silt Verses, which is a podcast solidly in that genre which I think I would not enjoy as a film but greatly enjoy as a podcast.

The Southern Reach Trilogy is...not Candela in vibes exactly but I just think everyone should read it, and it is in that weird horror-inflected sf genre space.

Twin Peaks and the X-Files which are very different stories in some ways, but are also investigations of horrors in a world where most people don't believe in that, and Spenser says his cinematic description style is using some of that lexicon, notably from the X-Files' cold opens. (The X-Files is very long and I only watched a few seasons but also while there is an overarching plot, from what I recall it's kind of ridiculous so you can bounce around; Twin Peaks is worth the watch through though I never watched anything after the original series).

I'm not going to lie, I listened to all of Alice Isn't Dead, which was a horror podcast from the Night Vale team, because the actress was so good, but the plot never totally clicked for me, but worth checking out. More worth checking out, while definitely New Weird and not horror, is Within the Wires, which I mentioned before, if you find the concept of Newfaire interesting on a sociocultural level. I am going to make a shitpost about Within the Wires in a second so just look at that. I also never finished Old Gods of Appalachia, but if you liked the Candela playlist Spenser and Rowan put out and are interested in the Bridleborne Mountains region/vibe with folk horror, it was pretty good; I just found it hard to binge, personally, and I listen to so many fucking podcasts it fell by the wayside.

Hope this helps!

[meadowsofmay]

i absolutely adore how liam is so convincing as an old man that aabria is talking to him like one would talk to an elderly. you wanna rollies? we can do rollies.

and liam is just ma'am my time is so up i am one foot out of the grave you decide i rolled a one

[chungledown-bimothy]

i was going to say top 5 make some noise prompts and then i thought about how constantly i reference them and went "oh that's way too hard" so...... hm. top 5 battle for beyond moments and top 5 dnd chaos moments to start. OH and top 5 underrated d20 seasons or other actual-play stuff if you'd like

ty for not asking the impossible of me re: make some noise prompts lol

god i hate that i keep having to say this, but i don't remember dnd chaos well enough to give a top 5 answer that means anything, i'm sorry!

that said. top 5 b4b? let's fuckin go.

(yes some of these aren't a single moment but i'm obsessed with b4b's "how it started out with a bit how did it end up like this" energy)

1- Trick? No, I don't charge. This one needs no explanation. Nikhil's a slut and so am I.

2- Nikhil's lance. It's the only thing he cares about. His sister made it for him. He says something like a prayer to it.

3- Let Ekon sleep. I felt that shit in my goddamn soul.

4- I'm pretty sure potatoes are a kind of meat. I'm morosexual, actually.

5- Literally the whole scene in their quarters after the bee tree fight. Sestia and Murdina definitely fucked. Nikhil asking Sestia to slap him so he can hellish rebuke the tea. Everyone lying their asses off about wanting to share the room.

underrated actualplay stuff. (wait hang on carlos was involved with almost all of these. interesting)

1- coffin run. please. i am begging everyone. watch it. izzy and zac have what i am 100% confident is the funniest dynamic of the entirety of d20. every single time the camera cuts to them, something unhinged and fucking hilarious is about to happen. carlos is the most wet kitten of a man, and erika... i can't do may justice. you gotta watch it.

2- battle for beyond. that top 5 was extremely difficult- i almost just said 5 of the 6 pcs because it's all just. so. good. the nikhil/sestia/murdina throuple is everything to me. the characters' growth and god the worldbuilding. i cannot overstate how much i love it.

3- dnd chaos. i really need to rewatch them. again, tables of pcs that absolutely fuck. i need citizen doctor abraham mehermblur carnally. both times, it's a fucking all-star cast. 10/10 highly recommend.

4- barbie d&d from PixelCircus. i've seen basically no one talking about it, and holy shit it was so fucking funny and i love when a shiny, happy aesthetic ends up going into truly terrifying existential horror. "this barbie commits war crimes!" carlos pops the fuck off.

5- candela obscura. i've not seen the first arc and i'm not done with the second (i've got an hour left of ep 2 and ep 3 is six. hours. long.) but god fucking damn. just. watch it. i cannot do it justice.

[cringefaecompilation]

might be a bit too early for it, but here's my wishlist for players in chapter three of candela obscura.

mica burton. mica is such a delight to watch whenever she roleplays and brings a lot of heart and much needed levity to all her characters. i think having an optimistic, kindhearted character in this world of eldritch horror and trauma would be interesting to play out. would she stay innocent or become jaded?

sam riegel. if there's one thing sam riegel is good at it's making characters that will demolish you emotionally when you least expect it with a thick veil of comedy. i really wanna see how he pulls it off in the world of newfaire as opposed to exandria.

brain murphy. let's get another d20 guy in the critical role warehouse! jokes aside i think that brian murphy is the best out of d20 cast at making characters that will obliterate you, a lot like how sam does, but he goes for the more subtle approach like with prince gerard and kugrash.

yuri lowenthal. yuri lowenthal was in the original home game of campaign 1, back when they were still called "the shits" instead of vox machina. he was also in a few geek and sundry games that the cr cast played, so it'd be great to have him back again.

erika ishii. erika's work in la by night is nothing short of spectacular, and it may very well get everyone to shut up about her not taking the games she's in seriously when they see her here. i mean, the monsterhearts one-shot ALONE was proof of that!

with liam o'brien as the game master. i know people want him as a player, but hear me out. because my GOD, this setting is perfect for him. i mean, both of liam's quests showed how well he could pull off describing extreme horror and gore as well as tragedy.

[shmaba]

A little something I’ve been working on for a while 👁

I’ve been working with Critical Role to develop the design of their Candela Obscura sets, concept art for the setting, and artwork that will be shown in the upcoming rulebook published by Darrington Press.

Be sure to watch the show’s premiere and download the quickstart guide on May 25th!

Keep your wits about you. It’s going to be a fun time 🕯️

[deramin2]

Bell's Hells as imposters:

Chetney

Travis would have so much fun. Chetney is always a bit of a wild card and Travis said on 4-Sided Dive that he loves to play by listening to his intrusive thoughts. This could be his ultimate form. Just sew chaos. Travis and Marisha have also recently come out of Candela Obscura dealing with a similar situation. I think they should get a turn at it.

Laudna

Absolutely juicy with their existing fears about Delilah. This is Laudna's nightmare scenario. She's so scared all the time about being untrustworthy but also desperately wants to be trusted and loved. Especially since one of her truths is that she doesn't know where she ends and Delilah begins. And Imogen's truth was that she's disgusted that Delilah is always watching them. (Don't unpack how you actively watch everyone else, Imogen, and took off the circlet deliberately to keep doing that.) Marisha would go absolutely ham with this. Sometimes a highly responsible woman who people rely on all the time just wants to go a little apeshit.

Fresh Cut Grass

Losing control and hurting their friends is something FCG has struggled with that's really fucked up their life and the lives of their (former) friends. They're scared that they can't be trusted, and they never can be. So this just plays right into their insecurities. What happens when their friends really can't trust them. Sam is really good at playing close to the chest. If FCG is the imposter, he's likely to sabotage them in subtle ways they won't recognize until it's too late. He may get things thrown at him (again), and he would enjoy it.

Fearne

Fearne is an agent of chaos on a good day. I think it will be very hard for the group to tell what side she's on no matter what. When she feels threatened she acts more in her own self-interest anyway. Especially when she doesn't know who else she can trust. I'm really looking forward to her either way. I think Ashley deserves to actively work against her friends, as a treat. Ashley didn't get a chance to fight the party as Yasha while she was at the table, so I think she deserves the opportunity.

Imogen

Let's be real, everyone is worried that with the moon stuff Imogen will turn on them. Either because she willingly sides with her mom in a desperate bid for approval, or because the pull of Predathos takes over. Bell's Hells are likely to be highly suspicious of her either way. Imogen's been under a lot of pressure for a while to prove she is still on their side. If she's the imposter she's likely to keep doing that, but also be working against them for real. I think Laura would have a lot of fun really leaning into this.

Imogen and Laudna being the two traitors together would be very fun because they're like 50% of each other's impulse control and it would be entertaining to see them against the world for real.

Orym

Orym is the person the group trusts the most, and who supports and believes in the goodness of the group the most. He also has contingency plans for everyone (hey Batman). I would love to see Orym get to totally snap without undermining the hope and aspiration built into the character. Plus Liam loves horror and fucked up stories and I think we'd get some phenomenal drama out of it. It would be fun to watch Orym hunt them for sport.

Ashton

Ashton probably trusts himself the least out of the group right now and his fuck-up is why they're here in the first place. They were told to their face that their friends don't trust them and that they seem in it for themselves. So I think it would be very entertaining to work through that by leaning all the way into it. Taliesin has fought the party before and it was very fun. *Slaps Ashton's back* This genasi can fit so much angst in him.

Conclusion

Everyone at the table would have a really fun time getting to work against their friends in a safe controlled environment. This is Bell's Hell's worst fear that they've been working very hard to try and prevent. They're scared of each of them turning for different reasons. This is definitely a hag's challenge. This will be so much juicy drama and angst for Nana Mori to feed off of. Whoever pulls the traitor cards is going to be a fun combo. This might break them, but hopefully it will also build them back up.

They're so afraid they can only save the world if all of them are on board and are terrified of failure. This actually lets them test it with lower stakes.

Maybe? We don't actually know what the penalty for failure is because FCG willingly had his memory of the deal erased. They haven't failed an exercise yet. So it could be that nothing happens. Or it could be that if they win all three challenges, she messes with time in exactly the way they want. But if they fail she works against them in a way that makes it more dramatic for her. Is she more a hag with a certain nature, or is she Fearne's grandmother with will protect her from all harm? We'll find out!