#matt ; phineas

[disneytva]

Found some Disney TVA friends on the Cartoon Network Studios stairwell

[muppet-facts]

Muppet Fact #1162

Matt Danner, supervising director and voice actor for Muppet Babies (2018), has said that the 2D animated yellow fish is named Phineas T. Cup.

Source:

Muppet Mindset. "A Livestream with Matt Danner!" YouTube. May 28, 2020.

[laz-kay]

///

Same energy. Different show.

[matt-eldritch]

My family and I have been watching Phineas and Ferb from the very beginning, which dredged up the memories of disappointment I felt when I saw the "Phineas and Ferb: Mission Marvel" special. I hated how Phineas was such a jerk towards Candace but most of all, I hated how the overly detailed the Marvel characters were there.

While they did look better here than in the abysmal Disney XD block of shows airing at the time (Ultimate Spider-Man, Avengers Assemble and Hulk and the Agents of SMASH), they still stuck out like a sore thumb compared to the cast of Phineas and Ferb. Their designs bothered so much that it broke me out of the art block I've had since Spring! I wanted to make versions of these characters that would actually fit the show's aesthetics. Unfortunately I think I may have made the colours a little too desaturated and I also didn't have the black areas of Red Skull's face and MODOK's armour.

[haystarlight]

Hunter: Happy birthday, Willow! We made your favorite cake! 🎂🎂🎂

Gus: I hope they don't have a male dancer coming out of that!

Matt Tholomule: They asked, but they couldn't afford me

[lazymonth]

Some funny Tinkerer doodles of this day, man he’s a very good dad /j

The second Tinkerer from the first picture is from @hollowsart ; The funny picture this and this

[xtinyslip]

matt hadn't wanted to be late on his first day working under phineas pederson. finn had put him up for this job which he imagined would already look great to his father. not. sure, he agreed to spy on phineas ; he'd agreed to whatever finn had said just to get the name of his brother's killer. did it mean he had ANY intention of following through? not if he could help it. his brother was dead, kara was nowhere to be found and even if she was? matt would have fought her till the end to make sure the kids were nowhere near her. it hadn't been what his brother wanted and so… his brothers kids had been signed over to him. it wasn't that he was bad with kids but he was trying to recover from a gun shoot wound to the chest, struggling with his drug addiction, returning to work and now he had a one year old and an eight year old he was responsible for. HE HAD NO IDEA WHAT HE WAS DOING. "i'm so sorry --" genuine when he saw phineas approaching. "she's supposed to be in the day care here but they had to delay opening --" this didn't look good, did it? baby angie on his hip, her bag over his shoulder as he offered a sincere, apologetic smile to him. "i needed to make sure she got to day care safely. it should be any minute and i'll be right with you to complete rounds." fuck. @fcdcdmcmories

[howlingday]

I have heard you all. Sadly, [tumblr] is limited in their polls as much as my brain is. So, let's have another go at this, using your suggestions!

[aglionbyacademia]

the foxes doing the hear me out cake challenge and who/what I think they’d put on there

Neil: Andrew Minyard, Kevin Day

Dan: Mufasa (Lion King), Filmore!, the weather app, the red M&M, Weaver (Antz), Scully (Monsters Inc.), Diego (Ice Age), Manny (Ice Age), the purple M&M, Mr. Clean, Bob Duncan (Good Luck, Charlie), Jimmy Neutron’s mom, Kevin Day

Andrew: Wymack (pissing Kevin and Dan off but the rest of the team agrees with him), Neil Josten, Ghostface, Chucky, Rumpelstiltskin (Shrek), the sound of glass breaking, a baseball bat, Wymack a second time, Gerard Way, Ben&Jerry’s peanut butter & cookies specifically, Kevin Day

Aaron: Jessica Rabbit, Lola (Sharktale), Candace (Phineas and Ferb), Fiona (Shrek), the dragon (Shrek), Sally (Cars), Matt’s mom, the green M&M, an aglet, an old fashioned quill and ink, swiss cheese, Peach (Super Mario), Kevin Day

Matt: Sarabi (Lion King), Sandy Cheeks (SpongeBob), Andrew’s car, King Julien (Madagascar), Neil Josten, the “Jules” desk chair from ikea, the fairy godmother (Shrek), peach (the fruit, cmbyn style), Birdo (Super Mario), one of those sheet face masks, marshmallow fluff, Kevin Day

Allison: Balto, Scar (Lion King), a snickers bar, a salt lamp, Jack Skellington, Emily (Corpse Bride) (yelling ensues because both Emily and Jack are just hot), Diego (Ice Age), Dr Drakken (Kim Possible), the dad from inside out, the invisible man (Hotel Transylvania), Kevin Day

Nicky: Gill (finding Nemo), Diego (Ice Age), Major Monogram (Phineas and Ferb), Christmas ornaments, groan tubes, the Belgian techno anthem “Pump Up The Jam”, Sauerkraut, Bloaters/Shamblers (The Last of Us), Coriolanus Snow (The Hunger Games), Barry B. Benson (Bee Movie), the German word “Potzblitz”, Kevin Day

Renee: a literal rainbow, the Mona Lisa, a swiss pocket knife, a braided brioche loaf, Ghostface, Haymitch Abernathy (The Hunger Games), Barbie (the actual doll), the beast (Beauty and the Beast), Mrs. Potts (Beauty and the Beast), Andrew Minyard (earning a silent high five from him and Neil), Kevin Day

Kevin: some very niche historical figures, the onceler (the Lorax), a literal exy racquet, Gloria (Madagascar), a three sixty vodka bottle, Shego (everyone yells at him that she’s not a hear me out; she’s just hot), Allison Reynolds (earning a side eye from her), Matt’s mom

Bonus:

Katelyn: Dr Doofenschmirtz (Phineas and Ferb), Vanessa Doofenschmirtz (Phineas and Ferb), Sally (Cars), Andrew Minyard (Aaron is disgusted), Ron Stoppable (Kim Possible), Timon (Lion King), Balloony (Phineas and Ferb), the number 8, the periodic table, the electronic configuration of phosphorus, Jordi (The Secret World of Santa Claus), Gordon Ramsay, Kevin Day (Aaron high fives her)

[incorrectlumityquotes]

So in case you haven't heard, The Ghost and Molly McGee is over. For good.

And the crew of TGaMM are spilling the tea all over social media. Apparently, there was supposed to be a season 3. They even had scripts for episodes written up. BUT then Disney decided to cancel season 3 because they didn't like the numbers TGaMM was doing on Disney+.

I know The Owl House is dead and buried, so there's no point in beating a dead horse.

But still.

I know nobody listens to me but when I say "get those numbers up" I mean it. Could Disney learn their lesson? Probably not. Executives are stupid. They only know numbers and money. They don't understand art. They can see that something is popular, but they won't understand why it's popular and they'll make the wrong move.

If there's a show you like in the future, try to get their numbers up. Don't just watch it once. Watch it as many times as you can stomach. Don't just stream it. Buy a digital copy. Don't just get a digital copy. Get a physical copy if it's available. Don't just talk about it on social media. Buy their merch.

And if you're reading this and you're throwing your hands in the air going, "I can't do this. I don't have the money. You're asking for too much," just know it's not me asking for this. It's the networks. They want every show to be an overnight success. And not just an overnight success. A ballbusting, money making, cultural phenomenon of a success. And if not, they get canned.

Just compare the way they treat Phineas & Ferb and The Owl House.

And if you're not gonna listen to me then listen to Matt Braley's twitter. You guys like Amphibia, right?

Sorry, gang, but that's the way it is for all cartoons. Live action shows aren't held to that standard because it's cheaper to make. Animation is expensive and takes a lot of time.

but, whatever.

[disneytva]

Development Art for Disney Television Animation's two attempts of a Haunted Mansion adaptation by Alex Kirwan.

The two attempts had the following creative members:

Joshua Prett and Scott D Peterson ("Phineas and Ferb","Milo Murphy's Law","Hamster And Gretel") as a special for Disney Channel and Disney XD. - First five photos

Shanon Tindle (Laika Studios "Kubo and The Two Strings",Netflix Animation's "We Lost Ollie", Netflix Feature Animation "Ultra-Man") as a mini-series for Disney Channel and Disney XD - Final four photos

The project was sadly passed by the same executive change at leadership at Disney ABC Cable Group at 2016-2017 which axed Disney Junior's The World According To Winnie The Pooh by Cartoon Saloon, Disney XD's Very Important House created by Jenny Goldberg and Jhonen Vásquez, Douglas Furs created by Jesse LeDoux and Matt Olsen and a pitch by Thurop Van Orman however the latter would by revived at Disney TVA development on 2021.

[xo-xojj]

Masterlist

Smut = *

Fluff= ~

Angst = +

Percy Jackson and the olympians

Percy Jackson

Thinkin bout you~

Grover

Luke Castellan

The Sweetest Thing~

Nico di angelo

Will solace

TSITP

Jeremiah fisher

Conrad fisher

Steven Conklin

Cameron

American housewife

Oliver Otto

Supernatural~

Hold Me Close~+

These Walls~+

Test Drive/Adore*~

Just like that*

Cooper Bradford

Sturniolo triplets

Nick Sturniolo

Matt sturniolo

Chris Sturniolo

OBX

JJ Maybank

Pope Heyward

John b

Rafe Cameron

Topper Thornton

DC

Jason Todd

Bruce Wayne

Dick Grayson

Damian Wayne

CHUCKY(tv series)

Jake Wheeler

Juinor Wheeler

Devon Evans

Grant Collins

Others

Walker Scobell

Charlie Bushnell

Mason Thames

Tom holland

Chris Evans

Jeremy Sumpter(js him alone❤️)

Eternal Sunshine(Gavin Gore)~

Heaven Can Wait(Gavin Gore)*

Series

Gossip Girl S1 (Ghostin)

Characters(00)

Prologue(00)

Pilot(01)

The Wild Brunch(02)

Poison Ivy(03)

Bad News Blair(04)

Dare Devil(05)

The Hands maids Tale(06)

Victor/Victrola(07)

Seventeen Candles(08)

Blair Waldorf Must Pie(09)

Hi, Society(010)

Roman Holiday(011)

School Lies(012)

A Thin Line Between Chuck and Nate(013)

The Blair Bitch Project(014)

Desperately Seeking Serena(015)

All About My Brother(016)

Woman On The Verge(017)

Much ‘I Do’ About Nothing(018)

Random Oneshots

Phineas Smith x Male!oc/reader

More coming soon

[utilitycaster]

Pls ignore if the spectre of ruminating on old god-diskhorse is far too obnoxious but it's rather a jump-off point for a more general question; an issue brought up pushing back against the most obnoxious "vanguard is right eradicate those tyrant gods rq stole vax hate that bitch" ppl, aside from other things like just being deeply myopic even just from an in-universe perspective, but on a wholler narrative level requires completely ignoring or discarding campaign 1 and 2's theses and genuine connections. Largely i think these ppl's takes are more interested in self-validation than concerned with what they're actually saying when they want these things to be true (which they aren't, Matt and cast and plot progression from the peak of those discourses have made that clear), but now here's my wondering: what would it say if c3 were to be these things? By what metrics do you judge a sequel installment should it, in the pursuit of its own story, undermine or contradict the earnest, complete, already told story that preceded it and was built upon?

Hi anon,

This is a good question, and necessarily one with a subjective answer, so I hope I at least explain my thought process below! Also: this does have some spoilers for a Midst episode in Season 3 (which aired a few weeks ago). I mention this because it's a really useful example for me but this wasn't a question about Midst so you might not be expecting me to talk about it.

Firstly, I agree with you that a lot of the people who want this want the story to validate their personal beliefs. Some want it to validate political/philosophical beliefs, which is a complicated thing: on the one hand, I very much don’t want to watch a show that’s like “hey slavery is neat-o!” and doubt such a show would have much merit. On the other hand, when we’re dealing with much more complicated issues like religion, which simultaneously exists as a tool of oppression; an aspect of identity that makes one a target of oppression; a source of meaning and comfort; and a source of justification of terrible practices all in one; I think it’s extremely valuable to be exposed to a multitude of perspectives and to not just endlessly look for those that validate one’s own experiences.

Others just want the story to validate their feelings about the happenings within the narrative, which is on the one hand usually less close-minded, but on the other hand, kind of stupid. You are permitted to dislike that Vax died. I disagree, but you can feel however you want (indeed, you don’t need my, or anyone’s permission to dislike that Vax died). The story saying “The Raven Queen isn’t perfect” or even “The Raven Queen is Bad” isn’t necessary for you to have those feelings; and the Raven Queen being slaughtered isn’t per se necessary for Vax to come back (which I think would be cheap and stupid, but like, if that’s what you want you could just have him come back.) You don’t need to story to tell you that your response to the story is good, so this is ultimately a case of “why are you even doing this."

I also suspect there’s just some degree of subversion for subversion’s sake (or change for change's sake) people who were into the idea of killing the gods just to flip C1 and C2 on their respective heads. The thing is, subversion for the sole purpose of subversion has always been the province of the dull. There’s a reason why culturally we treat M. Night Shyamalan as a joke and it’s because “THERE’S A TWIST” without a strong and compelling build-up to said twist nearly always is, as the post I recently reblogged said, something that only hits hard if you’re stupid.

What I need from a story to be good is internal consistency and a strong execution. I am frequently surprised, in a very positive way, by stories that are so well-executed that they sell me on a premise with which I was less than enamored. If you’d told me that I’d feel sad about FCG’s sacrifice or extremely in favor of Phineas and Jonas’s romantic relationship during early C3 or, frankly, even the minute before I listened to Trustfall, respectively, I would have said “huh, really?” But both of these events were thoughtfully built to a point where they felt like meaningful and interesting choices for the story to take, even if that was not apparent to me earlier on.

So: the metric I’d use to judge a god-killing C3 is the same as that of any long-running story. I think there is a universe in which Campaign 3 could have made the demise of the gods a good and compelling story. But that work simply has not been done. The atrocities of the Vanguard, Weave Mind, and the Dwendalian Empire under Ludinus Da’leth; the callousness shown towards all Exandrians and Ruidians by the Vanguard and Kreviris Imperium; and most importantly the fact that there haven’t been new reveals of terrible things done by the gods and the story has instead striven to paint them as more fragile and complicated than what we’ve seen in past means that a sudden twist would, well, be cheap and only hit hard if you’re stupid. You can contradict a past story in an installment (or the earlier work in a long-running series) in a way that is not undermining if you are able to tie it together and show new information that was not available earlier! But that’s the key: it needs to be clear that the earlier works were showing a specific perspective (already a very tall order given the protagonist-only POV of D&D campaigns) or that the situation has drastically changed. If you fail to do this, then as you said, it’s undermining and it’s poorly done and a bad story.

I think that last point is also really important in thinking through the fandom response. I mentioned that I can be sold on a premise that didn’t win me over initially if the execution is strong. I think some people, and especially those gunning for a “The Gods are All Bad” story are so terrified of not being validated or of being wrong in their predictions or of criticism from other fans that they can no longer enjoy a story or comment meaningfully upon it. To which I say skill issue. I am thrilled and even grateful that, as previously mentioned, FCG had an arc that deepened their character and addressed my earlier criticism such that I could enjoy episode 91 as much as I did. I was mildly spoiled on the potential of Jonas and Phineas getting together and was, to be honest, slightly dreading it as I’d always preferred a platonic interpretation of their relationship, and then the scene in which it happened (and everything since) has been so deftly handled that I’m fully on board.

I am a far better analyst and critic of fiction than a creator of it, and I’m open about this. I am constantly surprised in ways both positive and negative by how other people tell stories, and that’s why I come back to them. I want the story to be so good that it expands my horizons and comfort zone and shows me something new. I find little joy in a story validating who I already am and what I already think. I want the story to make a better argument for what it has to say than I can make against it. If this is a competition between the story and me, I am rooting for the story to win over me and in doing so, win me over; and I am disappointed when it doesn’t.

I am also a physicist, and, famously within our understanding of physics, pretty much anything can happen; it’s all just a matter of probabilities. And so it’s hard for me to say “there’s no way this could ever be done well.” It’s very easy, however, for me to say “the eye of the needle one must thread to do this well is a micron in diameter and constantly moving.” I think it’s possible to turn the concept of a god-slaying Campaign 3 into a story that, rather than clumsily ignoring or discarding C1 and C2’s theses, transforms them and puts them in a new and unexpected light. But the narrative dexterity check required for that has always been high, and only gets higher as the actual Campaign 3 story continues along its current path.

[matt-eldritch]

I've spent most of my September working the first thing of art I've felt well enough to do. I'm making a screencap edit of the Phineas and Ferb Mission Marvel special since I didn't like how the Marvel characters looked there.

[rorylovesmatt]

₊✩‧₊˚౨ৎ˚₊✩‧₊

hii my full name is aurora but i go by rory!

i write stuff about the sturniolos, mostly about matt since i’m a matt girl but i’ll write whatever you guys request as well! (please please pleaseee feel free to send me requests and talk to me!! wether it be as anonymous or not i really appreciate it. i am also new to writing so please don’t judge!)

get to know me ౨ৎ

fav movies/shows - the perks of being a wallflower, 500 days of summer, bones and all, gravity falls, percy jackson, phineas and ferb (don’t judge me 🙏)

fav music artists - madison beer (if you got to go to the spinnin tour i’m forever jealous of you) olivia rodrigo, lucki, conan gray, frank ocean, clairo, dominic fike, sza, daniel caesar, brent faiyaz, tame impala, billie eilish, travis scott, kendrick, eyedress, childish gambino, tyler the creator (there’s more but i’m too lazy :b)

some of my fav songs - spinnin, the 30th, lunch, envy the leaves, i wonder, the cut that always bleeds, pink matter, poison, making the bed, snooze, nothing matters but you, baby doll, ryder, bags, dead man walking, showed me (how i fell in love with you), velvet ring and many more!!

hobbies - art, writing and i play a little bit of piano and electric guitar!

that’s all!! byeee