#mats rits
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can you talk about how you made the costume please 🙏🙏🙏
:D sure!!! putting it under cut bc it's a lot lol
when i got the idea i had absolutely No clue as to how people even go abt cosplays like this, so step 0 was obviously One Billion Youtube Tutorials (this one - it's in polish but has eng subtitles - was my best friend <3 but there's really sooo many for every little aspect of making armor cosplay i owe them my life)
anyway. proceeding. assume every step takes a fuckton of trial and error and at least 3 failed attempts
REFERENCES:
collected all the covers where u can see mb's suit well, some fanarts that interpreted it in ways i liked, the 2 previous mb cosplays i found
PLANNING:
little to no planning (bad idea. btw.)
MATERIALS:
regular long-sleeved shirt+pants+cycling gloves+fanny pack. (sorry murderbot. but the armor piece over its crotch literally looks like a fanny pack)
the armor's made out of smth called EVA foam (similar to yoga mat in terms of texture/stiffness), had to order it from a cosplay-specific online shop
heat gun (i was lucky bc my dad's an amateur handyman and turned out to already have one) bc EVA foam's much easier to form+less absorbent when heated
contact glue (also known as contact cement) for glueing the armor pieces whole, superglue for details here and there
straps (the kind u use in backpacks etc)+plastic buckles+velcro. so much velcro. i'm never hand-sewing thru velcro again
wood glue+smth called glossy universal lacquer (p sure it's just car paint.) for painting
transparent plastic mask + rit dye for dyeing it (bc i couldn't find one that was already dark 😔)
tape+cling wrap for patterns
MAKING PATTERNS FOR ARMOR:
okay so. you wrap [Given Body Part] in cling wrap (yeah just regular kitchen cling wrap). put tape (i used duct tape at first but switched to masking tape bc it's cheaper) all over. draw, roughly, the shape you want the armor piece to be. cut urself out, cut away the excess edges, bam! pattern. like these:
(the chest piece was the tough part. i wanted the characteristic rounded shape so i didn't use cling wrap there, it was a lot of trial-and-error with cutting shapes out of paper, putting them against my chest, adjusting things, rinse&repeat.)
(also, the helmet - for the face shield i got these v cheap plastic masks that were advertised as lawn mowing masks (???), then tried to dye them black with Rit Dye for synthetics. that was a Whole Ordeal & my best try still turned out too see-through & more orange-tinted than i liked, but i was out of time so (shrug emoji). & for the pattern, i put on the mask + a beanie before wrapping my head in cling wrap dkjfgn)
i cut the patterns into shapes that could be flattened & copied them onto paper (to be able to transfer them onto foam more easily):
ACTUALLY MAKING THE PIECES:
the annoying part: outlining all patterns on the foam and cutting them out with a box cutter. This Sucks. then, shaping them with the heat gun. This Doesn't Work As Well As It's Supposed To. then, glueing the pieces together with contact glue. This Takes Ages.
(& it's like. near-impossible glueing them so the seams don't look terribly obvious 😭 i'm sure there's a way to cover it up well, but the method i tried (foam clay) worked Eh at best)
oh right also the. thingy around the neck. that's just a tube made out of some leggings i was gonna throw out. filled with a bunch of cotton i stole from a pillow. improvise adapt overcome
ATTACHING IT ALL:
That's Velcro, Baby 👍 it's either glued onto the foam or sewed onto the straps Everywhere. it's how the forearm & thigh & lower leg pieces close, how the chest & back pieces connect, how the face shield's made removable. Velcro All The Way Down.
the 2 exceptions: the thigh pieces are attached to a belt with some straps bc they kept sliding off; & the tiny armor pieces on my feet have a loop of string glued on the inside that i just pulled my shoelaces through
PAINTING:
the issue with EVA foam is that it absorbs stuff v easily, so before painting it i had to prime it (aka cover it in 2-4 protective layers of wood glue). then for actual painting, i sprayed all the pieces with 2 layers of universal lacquer (outside on some cardboard ofc). here it is all drying in the garage (bc it stank 💀):
and that's it!!!! done!!!! a bit over a month of work in total :]
#thank u for asking! hope it all makes sense (and if it doesnt i'd be happy to answer more questions)#going to bed now tho gn
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abl aci acr age aid aki ala all als alt ami ana ann ant ape arc are arm ato aun aur aut avi awa axi bab bac bai bak bal ban bar bas bat bea bec bee bel ben bes bet bia bik bil bin bir bit ble blo blu boa bod boi bol bom bon boo bor bos bot bou bow bra bre bro buc bul bum bur bus but buz caf cag cak cal cam can cap car cas cav cel cen cha che chi cho cit cla cli clu coa coc cod coi cok col com con coo cop cor cos cou cov cra cre cro cub cul cur cut dal dam dar das dat daw day dea deb dec dee del dem den des dia dic die dir dis div doc doe dol dom don doo dos dov dow dra dre dro dru dua duc duf duk dul dum dus dut eac ear eas eat ech edg edi els env epi eur eve evi exa exi exp eye fac fad fai fak fal fam far fas fat fea fee fel fil fin fir fis fiv fla fle fli flo flu foa foi fol fon foo for fou fre fro fuc fue ful fun fur fus gai gal gam gan gat gav gaz gea gen gif gil gir giv gla gle glo glu goa goe gol gon goo gor gow gra gre gri gro gul gur hai hal han har hat hau hav haw hea hee hei hel her hid hig hik hil hin hir hol hom hoo hop hor hos hou hug hul hun hur hyp ico ide idl ido inc inf int iri iro isl ite jac jai jak jan jav jaz jea jee jil joe joh joi jok jos jum jun jur jus kee kem ken kep kha kic kil kin kir kis kit kne kni kno koh kyl lac lad lai lak lam lan las lat lav law laz lea lef len les lev lie lif lik lil lim lin lio lis liv loa loc lof log lon loo lor los lou lov luc lum lun lur lus mad mai mak mal mam man mar mas mat may maz mea mee meg mel mem men mer mes mic mik mil min mis moc mod mol mon moo mor mos mov muc mus myt nai nam nav nea nec nee nes new nex nic nin nod non noo nor nos not nov nud nut oat obe odd odo oka onc onl ont ope ora ott our ova ove pac pag pai pal pap par pas pat pea pec pee pes pic pie pik pil pin pip pit pla ple plo plu poe pol pon poo pop por pos pou pra pre pro pul pum pun pur pus qui rac rag rai ram ran rap rar ras rat rav rea ree rel ren res ric rid rin rio rip ris rit roa roc rod rol roo rop ros rub rud rui rul rus rut sac saf sag sai sak sal sam san sav sca sco sea see sel sem sen sep sex sha she shi sho shu sic sid sig sil sin sit siz ski sla sli slo sna sno soa sod sof soi sol som son soo sor sou spa spi spo spu sta ste sti sto suc sui sun sur swa swi tac tai tak tal tan tap tas tax tea tec tee tel ten ter tes tex tha the thi tho thu tic tid tie til tim tin tir tob tol tom ton too top tor tos tou tow tra tre tri tro tru tub tuc tun tur twi typ ugl uni upo urg use vai var vas vei ver ves vet vic vie vin vis voi vot wad wag wai wak wal wan war was wat wav way wea wee wel wen wer wes wha whe whi who wid wif wil win wip wir wis wit wok wol woo wor wra yan yar yea you yua zer zin zon zoo
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1: 0 1 2 4 8 9 a b c d e f g h i j k l m n o p q r s t u v w x y z 32/36 (26/26) (6/10)
2: 08 11 18 19 41 42 84 90 ab ac ad ag ai aj ak al am an ap ar as at av aw ay ba bd be bi bl bo br bs bu by ca cc ce ch ci ck cl co cr cs ct cu cy da dd de df di dl dn do dr ds du dy ea eb ec ed ee ef eg eh ei el em en eo ep eq er es et ev ew ex ey fa fe fi fo fr ft fu ga ge gh gi gl go gr gs gt gy ha he hi hn ho hr ht hu hy ia ib ic id ie if ig il im in io ip ir is it iu iv iz jo ju ke ki kn ks ky la ld le lf li lk ll lm lo ls lu lv ly ma me mh mi mo mp ms mu my na nb nc nd ne nf ng nh ni nk nl nn no ns nt nu nv ny oa ob oc od oe of og oi ol om on oo op or os ot ou ow ox oy pa pe ph pi pl pm po pp pr ps pt pu qu ra rd re rg ri rk rl rm rn ro rp rr rs rt ru ry rz sa sc se sh si sk sm sn so sp sq ss st su sw sy ta te th ti tl to tr ts tt tu tw ty ua ub uc ud ue ug ui ul um un uo up ur us ut ve vi wa we wh wi wo wr xc xe xi xt xu yb yg yl ym yn yo yp ys yx ze zo 290/1296 (282/676) (8/100)
3: 184 190 842 908 abd abl aca acc aci ack acr acs act ade ads age ain ajo ake aki ale ali alk all alm alo als ame ami amp ana anc and ane ang ani ans ant anu any ape app ard are arg ark arl arm aro arr ars art ase ask ass ata ate ath ati ato att atu ave avi awa awr ayb bab bac bal bas bdo bea bed beh bel bet bey bio bis bit ble blo bly bod bon bou bow boy bra bre bst bul bur but cal can cav cce ccy cee cen cep che chi cia cie cin cks cky cle clo clu coc com con cos cre cri cru cti ctu cul cut cyx dar dda dea dee den deo dep der des dfi did die din dis dle dne doe dom don dor dul dur ead eak eal ear eat ebr eci ecr ect edd edi eed eei eem een efe egi egs ehi ein eir eit ela ele elf ell elo elv ely ema eme emo emp ems emu enb enc end eng enh eno ent env eos eou epo eps ept equ era ere eri erl erm ern err ers ert eru ery erz esc ese esn esp ess est eta ete eto etw ety eve evi ewh exc exe ext exu eyo fam far fat fem fer fes fib fie fif fin fir fis for fos fra fro fth fur fus gap gel gem ges ght gic gif gio gir gla glu gol gon gou gre gro gth gys han hap hat hav hea hei hem hen her hes hey hic hig him hin hip hir his hit hiu hna hol hot hou hro hum hus hym ial iar ibe ibi ibu ica ice ich ick icu ide idf ied ien ier ies iet ife ifi ift igh ila ili ill ima imi ims ina inc ind ine inf ing ink ins int inu iny iof ion ior iou ips ird irs isc ise ish iso isp iss ist ite ith iti its itt ity ium ive ize joi jor jus jut ked kel kes kin kiv kne kno ksc lan lar lat lde leg len les let lex lia lie lif lis lit lli llo lls lly lmo loa log lon loo lop lou low lso lue lun lus lvi lym lyp mag maj mak mal man mar mas mat may mel men mer met mew mil min mit moo mor mos mou mph mpl mpr mse mur mus myg nac nad nal nat nbo nce ncl nde ndi ndn ndo nds ndu nec nee nei neo nes nex nfr nge ngs ngt ngy nhn nim nky nly nne nop nor nos not now nox nse nsi nst nsw nta nte nti ntl nto ntr nts ntu nuo nus nve oac oat oba occ oce oci odi ody oes ofi oft ogi ogo ogs oin old ole olo oma ome omi omp omy ona ond one onl onn ons ont ool oos oot ope ops opt ora org ori orm ors ose osi oss ost osu ota ote oth oti oto oug oun oup ous out owe owi oxi oyl par pat pea pec ped pel per pho pic pin ple pli pmh poi pos ppa ppe ppo pre pri pro pte pti pub qua que qui rac rai ral ran rap rat raw rdl rea rec red ref reg rel rem ren res ret rev rge ria rib rig rin rio ris rit rki rks rly rma rmi rmo rms rns roa rob roc rog rom rop ros rou row rpr rra rro rru rsa rse rsi rst rte rth rti rto rts ruc rum rus sac sal sam sav say sch sci scl scr scu sec sed see sel seq ses sha she sid sim sio sis sit siv siz ske ski sma smo soc sof som sop sor spe spi spo squ sso ssu sta ste sti stl sto sts stu sty sua sub suc sue sup sur sus swe syn tai tak tal tan tar tat tea teb ted ten ter tes tha the thi tho thr thu thy tib tic tid tin tio tip tis tiv tle tly tom ton too tot tre tri tsi tte ttl tty tua tud tur tus twe two tyl typ ual uar uat ubi ubs uch uco udi uea uen ues ugh uit ula ume und ung unt unu uou upp ups ure uri urn uro urp urr urs urt usc use usi ust usu uta ute uts vel ver vic vid vil vit war wee wel wer wha whe whi who why win wit xcl xem xio xte xtr xus ybe ygo yle ylo yme ymp ymu yno yon you ypi ypm yst zoo 802/46656 (798/17576) (4/1000)
4: 1842 1908 abdo able ably acce acin acru acti actu adep ages ainf ajor akes akin alis allo alls ally almo alog also amil ampl anal anat ance ands andu aneo ange anim answ ants anus aped appa appe area aren arge arki arks arly arms arou arra arsa arte arti arts ased aske atar ated ater athe atid atio ativ atom atte atty atur avit awar aybe babl back ball base bdom bear bedd behi belo betw beyo biof bitt blog bodi body bone boun boyl brat brev bsta bula burr bute call cavi ccen ccyx ceed cent ceps cept cher chiu cial cien ciet cing cles cloa clus cocc comp conn cons cont cosu cret crib crum ctio ctua ctus cula cuta dard ddar deal deed denb denc deos depo dept desc dfis died dies diet ding disp dnes does dome domi dors dula duri eaki eall ears eart ebra ecia ecre ecti ectu edda edin edis eedi eein eems efer egio ehin eing eith elat elet elop elow elvi emal emel emen emor empl emur enbo ence endi ends engt engy enhn enop enor enti entl entu enve eous epos epti eque eral eran ered eres erio erly ermi erru erse ersi erte erti erto erus escr espe esti esty etal etat eton etwe ever evic evid ewha excl exem exte extr exus eyon fami fatt fema femo femu fest fibu fied fift find firs fish form foss frac frog from furt fuse gely geme gest gica gion gird glan glue gold gona gous grea grou gyst hape have head hear heir here hert herz hese hich high hims hind hing hips hird hite hium hnac hole hoto houg hroa hume hyme hymu iall ibed ibio ibul ibut ical icep icks icky icul idea iden ideo ides idfi ienc iety ifes ifie ifth ight ilar ilia illi imag imal imil imse inal incl inde infr ings inky inse insi inst inte into ints inuo iofi ions ious irdl irst isch ishe isop ispo issu ists ites ithe itio ittl itty ivel join jori just juts kele king kink kive knee know ksch land larg larl late lati latu lden legs leng leta leto lexu liar lier life lifi litt llie llow lmos loac logi logo lond loos lope lops lowe lowi lung lusi lvic lymp lypm mage majo make male mall many mark mass mati mayb mely meno ment meru meta mewh mila mili mina mite moot mora most moun mous mple mpli mpri msel murs musc must mygo naci nads nali nalo nato nboy nclu ndee nder ndin ndne ndon ndul nect neit neou ness next nfro ngem ngth ngys nhna nima nnec nopt norm nost note noxi nsec nseq nsid nsis nste nswe ntai nter ntin ntio ntly ntri ntua nuou nusu nvel oaca obab occy ocee ocie odie oesn ofib ogic ogou oint olde olog omat omen omew omin ompr onad ondo only onne onse onsi onta onti ontr oolo oose ooth oped oper opte oral oria orit orma ormo orsa oses osit osso oste osto osty osus otal oted othe otic ough ound ount oups outs ower owin oxio oylo pare part patt pear peci pelv perl phot pica pine plex plif poin pose posi post ppar ppea ppos pred pris prob proc prop pter ptid pubi quar quea quen ques quit ract rain rang rans rapp rate rath rawr rdle real reat rect redi refe regi rela reme rent rest rete reve revi rgel rges rial ribe ribu righ ring rior rise rity rkiv rksc rmat rmit rmou roat roba roce rogs rope rost roun roup rowe rpri rran rrou rrow rruc rsal rsed rsio rstl rteb rter rthe rtic rton ruco sacr sacs sals same save sche schi scie scle scri scul secr sect seei seem self sequ shap shes side sidf simi sion sist siti sits sive size sked skel skin smal smoo soci soft some sopt sori spec spin spos sque ssor ssue stan stea ster stic stin stio stly stom stot stud styl sual subs such supp surp surr swer syno tain take talk tanc tane tars tata tead tebr tend tera tere teri term tern than that thei them ther thes they thig thin thir this thou thro thus thym tibi tica tick ticu ting tinu tiny tion tips tiss tive toma tomy tons tota toti trem trib tsid tter ttle tual tuat tudi ture turn twee tyle typi uall uart uate ubis ubst ucos udie ueak uenc uest uite ular ulat umer unde undi undn ungs unus uous uppo urin urns uros urpr urro urth uscl uscu used usio usiv usua utan utsi velo vely verr vers vert very vice vide vill vity ware ween well were wers what when whic whit whol wing with xclu xemp xiou xten xtre ygol ylou ymen ymph ymus ynos
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5: abdom accen acing acrum actio actua adept ainfr ajori aking allow almos alogo amili ample analo anato andul aneou angem anima answe appar appea arent argel arges arkiv arksc aroun arran arsal arter artic asked atars atera ather ation ative atomy atter ature avity aware bably balls based bdome bdomi bedda behin below betwe beyon biofi bitty bodie bound boylo brate brevi bstan burro cally cavit ccent ceedi centu cepti cherz chium ciall cienc ciety cloac clusi coccy compr conne conse consi conta conti contr cosus crete cribe ction ctual cular culat cutan ddard denbo dence depos descr dfish dings dispo dness doesn domen domin dorsa dular durin eakin eally earts ebrat ecial ecret ectio ectus eddar eding edisp eedin eeing egion ehind eithe elati eleta eleto elope elops elvic emale emely ement emora empli emurs enboy endin ength engys enhna enopt enorm entio ently entua envel eposi eptid equen erans erest erior ermit erruc ersed ersio erteb ertic erton escri espec estin estio estyl etata etons etwee evers evice evide ewhat exclu exemp exten extre eyond famil fatty femal femor femur festy fibul fifth first fishe forma fosso fract frogs furth fused gemen gical girdl gland golde gonad great group gysto haped heart herto himse hnaci hough hroat humer hymen hymus ially ibiof ibula ibute icall iceps icept icula ideal idenc ideos idfis ience ifest ified ilarl iliar illie image imila imsel inali inclu indee infro insec insid inste inter inuou iofib irdle irstl ischi ishes isopt ispos issue ither ition ittle ively joint jorit kelet kinky ksche lands landu large larly later lativ latur ldenb lengt letal leton lexus lifes lifie littl llier llowi lmost loaca logic logou londo loose loped lower lowin lungs lusio lusiv lymph lypmh mages major makes marks matid matio maybe menop menti merus metat mewha milar milia minal mites mooth moral mount mplex mplif mpris mself muscl muscu mygol nacin nalis nalog natom nboyl nclus ndeed nding ndnes ndula necti neith neous nfrog ngeme ngyst nhnac nimal nnect nopte normo nosto noted noxio nsect nsequ nside nsist nstea nswer ntain ntere ntinu ntion ntrib ntuat nuous nusua nvelo obabl occyx oceed ociet odies ofibu ogica ogous oints olden ologi omati omewh omina ompri onads ondon onnec onseq onsis ontai ontin ontri oolog operl opter orial ority ormat ormou orsal ositi osits ossor oster ostot ostyl other otica ounde oundi oundn outsi owers owing oxiou oylou paren parti patte pears pecia pelvi perly photo pical plexu plifi point poses posit poste ppare ppear ppose predi prise proba proce prope ptera pubis quart queak quenc quest quite racti rainf range rathe reall rectu redis refer regio relat remel rentl resti rever revic rgely rgest ribed ribut right rkive rksch rmati rmite rmous robab rocee roper rosty round roups rower rpris rrang rroun rrowe rruco rsals rsion rstly rtebr rther rtica rticu rucos sacru scher schiu scien scles scrib scula secre seein seems seque shape sides sidfi simil sists sitio sivel skele small smoot socie somew sopte soria speci spine spose squea ssori stanc stead steri stick sting stion stoma stoti studi style suall subst suppo surpr surro swere synos tance taneo tarsa tatar tebra tendi tends teral teran teres terio termi their there thert these thigh thing third thoug throa thymu tibio tical ticks ticky ticul tinuo tions tissu tomat total totic treme tribu tside ttern tuall tuate tudie turns tween typic ually uarte uated ubsta ucosu udied ueaki uence uesti ularl ulatu umeru under undin undne unusu uppos uring urost urpri urrou urrow urthe uscle uscul usion usive usual utane utsid velop verru verse versi verte verti vicep viden video villi wered which white whole xclus xempl xious xtend xtrem ygold ymeno ynost ypica ystom zoolo 622/60466176 (622/11881376)
6: abdome abdomi accent action actual ainfro ajorit allowi almost alogou amilia amplex analog anatom andula aneous angeme animal answer appare appear arentl argely argest arkive arksch around arrang arsals articu atarsa ateral athert ations attern bdomen bdomin beddar behind betwee beyond biofib bodies boylou brevic bstanc burrow cavity ccentu ceedin centua ceptid cially cience cloaca clusio clusiv coccyx compri connec conseq consis contai contin contri cribed ctions ctuall cularl culatu cutane denboy deposi descri dfishe dispos domina dorsal during eaking ebrate eciall ecrete ection eddard edings edispo eeding either elativ eletal eleton eloped emoral emplif enboyl ending engyst enhnac enopte enormo ention entuat envelo eposit equenc eresti ermite erruco ersion ertebr ertica escrib especi esting estion estyle etatar etween everse evicep eviden exclus exempl extend extrem famili female femora femurs festyl fibula firstl fishes format fossor fracti furthe gement girdle glands glandu golden gonads groups gystom hearts herton himsel hnacin humeru hymeno ibiofi ically icepti icular idence idfish ifesty ilarly illier images imilar imself inalis inclus indeed infrog insect inside instea intere inuous iofibu irstly ischiu isopte ispose jority keleta keleto kscher landul largel larges latera lative lature ldenbo length letons lifest lified little llowin logica logous london lowing lusion lusive majori marksc mation menopt mentio metata mewhat milarl miliar minali mplexu mplifi mprise muscle muscul mygold nacing nalogo natomy nboylo nclusi ndness ndular nectio neithe nfrogs ngemen ngysto nhnaci nnecti nopter normou nostot noxiou nseque nsists nstead nswere nteres ntinuo ntribu ntuate nusual nvelop obably oceedi ociety ofibul ogical oldenb ologic omatid omewha ominal ompris onnect onsequ onsist ontain ontinu ontrib oologi operly optera ormati ormous ositio ossori osteri ostoti ostyle otical ounder oundin oundne outsid oxious parent partic patter pecial pelvic plexus plifie points positi posits poster pparen ppears predis probab procee proper pteran quarte queaki quence questi ractio rainfr rangem rather really rectus redisp region relati remely rently restin revers revice ribute rksche rmatio rmites robabl roceed roperl rostyl rounde roundi roundn rowers rprise rrange rround rrower rrucos rtebra rtical rticul rucosu sacrum scherz schium scienc scribe scular sculat secret seeing sequen shaped sidfis simila sition sively skelet smooth societ somewh sopter sorial specia sposes squeak ssoria stance sterio sticks sticky stomat stotic studie sually substa suppos surpri surrou swered synost taneou tarsal tatars tebrat tendin terans terest terior termit therto though throat thymus tibiof ticall ticula tinuou tissue tomati totica tremel tribut tually tuated tudied typica uarter ubstan ucosus ueakin uestio ularly ulatur umerus unding undnes unusua uppose urosty urpris urroun urrowe urther uscles uscula usivel usuall utaneo utside velope velops verruc versed versio verteb vertic viceps vicept videnc videos villie xclusi xempli xtendi xtends xtreme ygolde ymenop ynosto ypical ystoma zoolog 446/2176782336 (446/308915776)
7: abdomen abdomin accentu actuall ainfrog ajority allowin alogous amiliar amplexu analogo anatomy andular angemen answere apparen appears arently arksche arrange articul atarsal atherto bdomina beddard between biofibu brevice bstance burrowe ccentua ceeding centuat clusion clusive compris connect consequ consist contain continu contrib ctually cularly culatur cutaneo denboyl deposit describ dfishes dispose dominal ecially ections edispos eedings elative eletons emplifi enboylo engysto enhnaci enopter enormou entuate envelop eposits equence erestin ermites errucos ertebra ertical escribe especia etatars eversed eviceps evicept evidenc exclusi exempli extendi extends extreme familia femoral festyle firstly formati fossori fractio further glandul goldenb gystoma himself hnacing humerus hymenop ibiofib iceptid icularl idfishe ifestyl imilarl inclusi infrogs instead interes iofibul ischium isopter isposes keletal keleton kscherz landula largely largest lateral ldenboy lifesty llowing logical lusivel majorit marksch mations menopte mention metatar milarly minalis mplexus mplifie muscles muscula mygolde nalogou nboylou nclusio nection neither ngement ngystom nhnacin nnectio noptera normous nostoti noxious nsequen nswered nterest ntinuou ntribut ntuated nusuall nvelope nvelops oceedin ofibula oldenbo ologica omewhat ominali omprise onnecti onseque onsists ontinuo ontribu oologic opteran ormatio osition ossoria osterio ostotic oticall ounding oundnes outside parentl particu pattern peciall plified positio posteri pparent predisp probabl proceed properl pterans quarter queakin questio raction rainfro rangeme redispo relativ resting reverse revicep rkscher rmation robably roceedi roperly rostyle rounder roundin roundne rrangem rroundi rrowers rrucosu rtebrat rticula rucosus science scribed sculatu secrete sequenc sidfish similar skeleta skeleto society somewha soptera special squeaki ssorial sterior stomati stotica studied substan suppose surpris surroun synosto taneous tarsals tatarsa tebrate tending teresti termite therton tibiofi tically ticular tinuous tomatid totical tremely tribute typical ubstanc ueaking uestion ulature undness unusual urostyl urprise urround urrower uscular usculat usively usually utaneou veloped verruco version vertebr vertica vicepti vidence villier xclusiv xemplif xtendin xtremel ygolden ymenopt ynostot ystomat zoologi 297/78364164096 (297/8031810176)
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10: abdominali accentuate apparently arrangemen articularl bdominalis brevicepti ccentuated connection consequenc continuous contribute engystomat enopterans especially etatarsals exclusivel exemplifie formations goldenboyl gystomatid hymenopter ibiofibula interestin isopterans ldenboylou markscherz menopteran metatarsal musculatur mygoldenbo ngystomati nostotical nteresting oldenboylo onnections onsequence ostoticall particular predispose proceeding redisposes reviceptid roceedings rrangement rticularly stotically surroundin synostotic tibiofibul urrounding usculature verrucosus vertebrate xclusively xemplified ygoldenboy ymenoptera ynostotica zoological 60/3656158440062976 (60/141167095653376)
11: abdominalis accentuated arrangement articularly breviceptid connections consequence engystomati exclusively exemplified goldenboylo hymenoptera interesting menopterans metatarsals musculature mygoldenboy ngystomatid nostoticall oldenboylou ostotically particularl predisposes proceedings surrounding synostotica tibiofibula ygoldenboyl ymenopteran ynostotical 30/131621703842267136 (30/3670344486987776)
12: engystomatid goldenboylou hymenopteran mygoldenboyl nostotically particularly synostotical ygoldenboylo ymenopterans ynostoticall 10/4738381338321616896 (10/95428956661682176)
13: hymenopterans mygoldenboylo synostoticall ygoldenboylou ynostotically 5/170581728179578208256 (5/2481152873203736576)
14: mygoldenboylou synostotically 2/6140942214464815497216 (2/64509974703297150976)
Why are rain frogs so round? What's /inside/ of them around such an itty bitty skeleton?
So it turns out this is a really interesting question.
The first thing we must be aware of is that rainfrogs as we see them in videos of them squeaking are not quite the same shape as they are when at rest:
[x]
But you are quite right, they are very round. This is exemplified by the skeletal photo you refer to:
[X]
So what are we seeing?
Well, firstly, note that the body cavity in these frogs actually envelops the femurs, such that only the tibiofibula (fused in frogs) and the tarsals and metatarsals are outside the body. The arms are quite similarly enveloped, but a bit of the humerus does extend outside the body cavity too. This predisposes them to a rounder body shape.
Next, note the ilia - the U-shaped bone in the pelvic region. These in some breviceptid frogs are synostotically fused with the sacrum - that is to say, they are bound by bone-based connections to the bow-shaped vertebra at their tips. This whole joint seems to be quite smooth, and as a consequence, the back of the frog is quite smooth. The other thing we can see here is that the urostyle (i.e. the frog version of a coccyx) juts quite far beyond the ischium and pubis. This extends the body cavity beyond the hips. Note also that the pelvic girdle seems to be largely below the spine, rather than the typical position for frogs behind it and continuous with it. This makes the legs sit below the spine, rather than at its end, enhnacing the vertical roundness of the animal.
Next, let’s talk some soft tissue. Now, I’m not as familiar with soft-tissue in frogs as I am their skeletons, so you’ll have to bear with me a bit (rawr). Beddard (1908!!) studied the soft tissue of Breviceps verrucosus Rapp 1842. It seems that the majority of the body of these frogs is actually muscle. Beddard noted that muscles join the leg at the knee that extend into the body cavity, such that the inclusion of the thigh in the body cavity is further accentuated by musculature. The rectus abdominalis muscle is unusually large, extending from the lower abdomen up and around the sides of the body. Indeed, this large size appears to be the pattern with all of the major muscles, though in the throat the typical arrangement of large and small muscles is somewhat reversed. On the lateral side of the head, there is a substance that is not muscle, but appears to be loose tissue in which sits what is apparently the thymus gland.
There is a very large gap between the end of the urostyle and the anus (one fifth of the total length of the frog), in which there are almost no muscles, save for the one surrounding the lower cloaca. On either side of this area, between the posterior-most muscles of the thigh, lie two large ‘lymph-hearts’, as described by Beddard. These are between one quarter and one third of the total length of the frog. A further lypmh-sac sits between these lymph-hearts and the skin of the femoral region, and they are thus probably analogous to the femoral lymph-sacs of other frogs.
I find it interesting that Beddard (1908) did not mention any glandular formations in the dorsal region. As is evidence from many images (see below), these frogs are able to secrete a white, sticky, noxious substance from their skin (which they actually have to use during amplexus, as the male is too small relative to the female to mount her properly, and so he sticks himself to her with his glandular glue… kinky).
[x]
These glands do not apparently take up a great deal of the cutaneous tissue, and so I suppose are of no consequence to the size of the frog, especially relative to its enormous muscles.
The diet of these frogs consists almost exclusively of hymenopterans and isopterans (ants and termites). Neither of these insect groups are particularly fatty, so it is little surprise that their bodies appear to contain no large fat deposits - fatty bodies extend from the gonads up to the lungs and heart, but these comprise only a tiny fraction of the frog’s mass, and don’t contribute to the round shape. Instead, their bodies are extremely muscular, allowing them to be adept burrowers, ideal for their fossorial lifestyle.
So TL;DR: rain frogs are little balls of muscle (maybe the largest muscle mass relative to body mass of any vertebrate? science just doesn’t know).
Ref:
Beddard, F.E. 1908. On the Musculature and other Points in the Anatomy of the Engystomatid Frog, Breviceps verrucosus. Proceedings of the Zoological Society of London, 1908:11-41 [x]
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¿Cuál es la alineación probable del Club Brugge frente al Benfica en su próximo partido?
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¿Cuál es la alineación probable del Club Brugge frente al Benfica en su próximo partido?
Alineación titular Club Brugge vs Benfica
El Club Brugge se enfrentó al Benfica en un emocionante partido de fútbol que dejó a los espectadores al borde de sus asientos. En la alineación titular del Club Brugge, destacaron jugadores clave como Simon Mignolet en la portería, Brandon Mechele y Stanley N'Soki en la defensa, Hans Vanaken y Ruud Vormer en el centro del campo, y el peligroso ataque encabezado por Noa Lang y Noa Lang.
Por otro lado, el Benfica salió con un equipo experimentado, con jugadores como Helton Leite defendiendo la portería, Nicolás Otamendi liderando la defensa, Julian Weigl controlando el centro del campo y Darwin Núñez y Rafa Silva creando peligro en el ataque. El enfrentamiento entre ambas alineaciones titulares prometía un partido intenso y lleno de emoción.
El Club Brugge demostró su fuerza y determinación en el campo, logrando mantener a raya al Benfica y creando oportunidades de gol con su juego fluido y creativo. Sin embargo, el Benfica no se quedó atrás y puso a prueba la defensa del Brugge con rápidos contraataques y jugadas elaboradas.
En última instancia, el partido terminó en empate, con ambos equipos mostrando su calidad y determinación en el campo. La alineación titular del Club Brugge y del Benfica demostró por qué son dos de los equipos más destacados en la escena futbolística europea, y dejó a los aficionados con ganas de más emociones en futuros enfrentamientos.
Jugadores probables Club Brugge contra Benfica
El próximo encuentro entre el Club Brugge y el Benfica promete ser un partido emocionante e intenso. Ambos equipos están preparando a sus mejores jugadores para enfrentarse en la cancha y buscar la victoria.
En el Club Brugge, se espera que jugadores como Simon Mignolet en la portería, Clinton Mata en defensa, y Noa Lang en la delantera sean piezas clave en la formación titular. Estos jugadores han demostrado su habilidad y determinación en partidos anteriores, por lo que se espera que aporten su experiencia y calidad al equipo en el próximo enfrentamiento contra el Benfica.
Por otro lado, el Benfica también cuenta con una plantilla talentosa y competitiva. Se espera que jugadores como Jan Vertonghen en la defensa, Julian Weigl en el mediocampo, y Darwin Núñez en la delantera lideren al equipo en busca de la victoria contra el Club Brugge. Estos futbolistas han demostrado su destreza y capacidad para marcar la diferencia en partidos importantes, por lo que se espera que sean determinantes en el próximo partido.
En resumen, el enfrentamiento entre el Club Brugge y el Benfica promete ser un encuentro vibrante y lleno de emoción, con jugadores de gran calidad y talento en ambas plantillas. Los aficionados pueden esperar un partido disputado y lleno de acción, donde cada gol y cada jugada serán cruciales para determinar al ganador. ¡Que comience el espectáculo en la cancha!
Posible formación Club Brugge frente a Benfica
El Club Brugge se enfrentará al Benfica en un emocionante partido que tiene a los fanáticos del fútbol expectantes. Ambos equipos buscarán asegurar su paso a la siguiente ronda del torneo, y la posible formación del Club Brugge es clave para lograrlo.
El entrenador del Club Brugge tendrá que tomar decisiones difíciles al armar su alineación titular. Se espera que jugadores clave como Charles De Ketelaere, Noa Lang y Mats Rits estén presentes en el once inicial. La defensa estará liderada por jugadores experimentados como Brandon Mechele y Stefano Denswil, quienes deberán estar en su mejor nivel para contener el poderío ofensivo del Benfica.
En la zona media del campo se espera la presencia de Ruud Vormer, capitán del equipo, quien aportará su liderazgo y visión de juego para controlar el ritmo del partido. En cuanto al ataque, jugadores como Hans Vanaken y Kévin De Bruyne serán fundamentales para generar opciones de gol y poner en aprietos a la defensa rival.
El Club Brugge cuenta con una plantilla talentosa y equilibrada que buscará imponer su juego desde el primer minuto. La afición belga confía en que el equipo pueda obtener un resultado positivo frente al Benfica y avanzar en la competición europea. Será un partido vibrante que nadie querrá perderse.
Once inicial Club Brugge vs Benfica
El Club Brugge y el Benfica se enfrentarán en un emocionante encuentro en la fase de grupos de la Liga de Campeones de la UEFA. Ambos equipos buscarán asegurar su lugar en la siguiente etapa del torneo con una victoria en este partido crucial.
El Club Brugge, que juega en la Pro League de Bélgica, ha tenido un comienzo sólido en la competición europea, mostrando un buen desempeño en sus últimos partidos. Con jugadores talentosos como Noa Lang y Hans Vanaken en su once inicial, el Club Brugge buscará imponer su estilo de juego ofensivo y mantener su racha positiva en casa.
Por otro lado, el Benfica llega a este encuentro con una gran motivación después de lograr una victoria importante en su liga doméstica. Con un equipo experimentado y liderado por el talentoso delantero Darwin Núñez, el Benfica buscará aprovechar las oportunidades de gol y salir victorioso en este difícil partido como visitante.
Se espera un emocionante duelo entre el Club Brugge y el Benfica, con ambos equipos luchando por conseguir los tres puntos y acercarse a la clasificación a la siguiente fase de la Liga de Campeones. Los fanáticos del fútbol podrán disfrutar de un partido lleno de emoción, goles y grandes jugadas que podrían definir el destino de ambos equipos en el torneo más prestigioso de Europa.
Jugadores probables alineados Club Brugge vs Benfica
En el próximo enfrentamiento entre el Club Brugge y el Benfica, se espera que ambos equipos alineen a sus mejores jugadores para buscar la victoria. En el Club Brugge, jugadores como Mats Rits, Noa Lang y Charles De Ketelaere podrían formar parte de la alineación titular. Estos talentosos futbolistas han demostrado su valía en el campo y se espera que sean piezas clave en el enfrentamiento contra el Benfica.
Por otro lado, el Benfica cuenta con jugadores de gran calidad como Darwin Núñez, Rafa Silva y Nicolás Otamendi, quienes podrían ser parte fundamental del once inicial. Estos futbolistas tienen la experiencia y el talento necesario para marcar la diferencia en el partido contra el Club Brugge y contribuir a la búsqueda de los tres puntos.
La afición de ambos equipos espera con ansias este emocionante encuentro, donde las habilidades individuales y el trabajo en equipo serán determinantes para el resultado final. Tanto el Club Brugge como el Benfica cuentan con jugadores probados en competiciones de alto nivel, lo que garantiza un espectáculo futbolístico de gran calidad.
Los fanáticos del fútbol estarán atentos a la alineación de ambos equipos antes del inicio del partido, en el que se espera que los jugadores probables demuestren su mejor nivel y brinden un espectáculo digno de su talento y dedicación.
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¿Cuál fue la alineación del Club Brujas en el partido contra KA Akureyri?
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¿Cuál fue la alineación del Club Brujas en el partido contra KA Akureyri?
Alineación titular Club Brujas
El Club Brujas es uno de los equipos de fútbol más importantes de Bélgica, y su alineación titular es clave para su desempeño en la liga. Con jugadores talentosos y una estrategia bien definida, el Club Brujas se ha destacado en la escena futbolística europea.
En la alineación titular del Club Brujas destacan varios jugadores clave. En la defensa, figuran nombres como Simon Deli y Clinton Mata, conocidos por su solidez y capacidad para detener los ataques rivales. En el mediocampo, destacan jugadores como Hans Vanaken y Mats Rits, quienes aportan creatividad y control del juego en el centro del campo. En la delantera, jugadores como Noa Lang y Charles De Ketelaere se destacan por su velocidad y habilidad para marcar goles.
El entrenador del Club Brujas, Philippe Clement, es conocido por su enfoque táctico y su capacidad para motivar a sus jugadores. Su estilo de juego ofensivo y dinámico ha sido fundamental en el éxito del equipo en la liga belga y en competiciones europeas.
En resumen, la alineación titular del Club Brujas es un equipo equilibrado y talentoso, capaz de competir contra los mejores equipos de Europa. Con jugadores destacados en todas las líneas y un entrenador experimentado a la cabeza, el Club Brujas es un equipo a tener en cuenta en el panorama futbolístico actual.
Jugadores Club Brujas contra KA Akureyri
El Club Brujas se enfrentará al KA Akureyri en un emocionante partido que promete altas dosis de adrenalina y emoción. Este encuentro entre jugadores de alto nivel de ambos equipos promete ser un espectáculo imperdible para los amantes del fútbol.
Los jugadores del Club Brujas llegan a este partido con una gran experiencia y talento en sus filas. Con habilidades excepcionales y una estrategia de juego bien definida, buscarán imponer su dominio en el terreno de juego y llevarse la victoria ante su rival. Con una larga trayectoria en competencias de alto nivel, los jugadores del Club Brujas son conocidos por su técnica depurada y su espíritu competitivo.
Por otro lado, el KA Akureyri llega a este encuentro con determinación y ganas de demostrar su valía como equipo. Con jugadores dispuestos a dejarlo todo en el campo, buscarán hacer frente al Club Brujas y dar la sorpresa en este enfrentamiento. Con un estilo de juego aguerrido y una mentalidad ganadora, el KA Akureyri promete plantar cara a su rival y ofrecer un espectáculo lleno de emoción hasta el último minuto.
En resumen, el enfrentamiento entre los jugadores del Club Brujas y el KA Akureyri promete ser un duelo vibrante y lleno de emoción para los aficionados al fútbol. Con jugadores talentosos y determinación en ambos equipos, este partido promete ser un verdadero espectáculo deportivo que no te puedes perder. ¡Prepárate para disfrutar de un encuentro inolvidable entre dos grandes equipos en busca de la victoria!
Formación táctica Club Brujas partido KA Akureyri
El Club Brujas se enfrentó al KA Akureyri en un emocionante partido que puso a prueba sus habilidades tácticas. Durante la formación táctica del Club Brujas, el entrenador optó por una estrategia agresiva que buscaba dominar el juego desde el principio. Con una alineación ofensiva y movimientos rápidos, el equipo belga logró imponer su ritmo y mantener la presión sobre sus rivales islandeses.
La formación táctica del Club Brujas se caracterizó por una defensa sólida que permitió controlar los avances del KA Akureyri y cortar sus oportunidades de gol. Al mismo tiempo, el medio campo demostró una gran capacidad de recuperación y distribución del balón, facilitando la transición hacia el ataque y generando peligro en el área rival.
Los delanteros del Club Brujas supieron aprovechar las oportunidades creadas por su equipo y con movimientos precisos y definiciones certeras lograron marcar la diferencia en el marcador. A lo largo del partido, la formación táctica del equipo belga demostró ser efectiva y permitió obtener una victoria contundente frente al KA Akureyri.
En resumen, la formación táctica empleada por el Club Brujas en el partido contra el KA Akureyri fue clave para conseguir un resultado positivo. El equipo supo jugar en equipo, aprovechar sus fortalezas y neutralizar las estrategias de sus rivales, demostrando así su calidad y profesionalismo en el campo de juego.
Lista de jugadores Club Brujas frente a KA Akureyri
El Club Brujas, uno de los equipos más emblemáticos de Bélgica, se enfrentará al KA Akureyri en un emocionante encuentro de fútbol. A continuación, presentamos la lista de jugadores del Club Brujas que estarán disponibles para este importante partido:
Simon Mignolet: El experimentado portero belga, pieza fundamental en la defensa del equipo.
Mats Rits: Centrocampista creativo y talentoso, capaz de marcar la diferencia en el medio campo.
Noa Lang: Joven promesa del fútbol holandés, con habilidad y rapidez en el ataque.
Hans Vanaken: Jugador estrella del Club Brujas, con gran visión de juego y capacidad goleadora.
Éder Balanta: Defensa sólido y confiable, aporta seguridad en la zaga del equipo.
Charles De Ketelaere: Delantero versátil y desequilibrante, capaz de crear peligro en el área rival.
Clinton Mata: Lateral derecho con experiencia y entrega en cada partido.
Eduard Sobol: Zurdo habilidoso en la banda izquierda, aporta profundidad en el ataque.
Con una plantilla talentosa y equilibrada, el Club Brujas buscará imponer su juego ante el KA Akureyri y avanzar en la competición. Los aficionados esperan un gran espectáculo de fútbol y confían en que estos jugadores darán lo mejor de sí para conseguir la victoria.
Once inicial Club Brujas ante KA Akureyri
En la emocionante confrontación entre el Once Inicial Club Brujas y el KA Akureyri, se vivió un partido lleno de intensidad y emoción. El Club Brujas, un equipo reconocido por su gran desempeño en el campo de juego, se enfrentó a un duro rival en el KA Akureyri, un equipo proveniente de Islandia con jugadores talentosos y determinación.
Desde el inicio del encuentro, ambos equipos demostraron un gran nivel de juego, con jugadas rápidas y tácticas bien elaboradas. El Club Brujas, con su once inicial, se mostró fuerte en la defensa y letal en el ataque, buscando constantemente el gol que les diera la ventaja. Por su parte, el KA Akureyri no se quedó atrás y demostró su habilidad para controlar el balón y generar peligro en el área rival.
El enfrentamiento entre estos dos equipos europeos fue una muestra del talento y la pasión por el fútbol que se vive en cada partido. Los aficionados disfrutaron de un espectáculo deportivo de alto nivel, con goles, atajadas impresionantes y jugadas de gran calidad.
Al final del partido, el Once Inicial Club Brujas logró imponerse con un marcador favorable, demostrando una vez más por qué es uno de los equipos más fuertes de la región. Sin embargo, el KA Akureyri mostró su valentía y determinación a lo largo del encuentro, dejando claro que es un equipo digno de tener en cuenta en futuras competiciones.
En resumen, el duelo entre el Club Brujas y el KA Akureyri fue un enfrentamiento emocionante que mantuvo a los espectadores al filo de sus asientos. Ambos equipos demostraron su calidad y entrega en el campo, brindando un espectáculo digno de recordar en el mundo del fútbol.
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Je viens vite fait sur tumblr pour me défouler à propos de la grossophobie. Il s'est passé plusieurs choses cette semaine et du coup là il va être deux heures du mat et je fais un meltdown dans mon lit et je ne peux pas dormir.
Lundi, j'avais rendez-vous chez le médecin notamment pour renouveler mes médicaments. Je suis handi (trouble de l'hypermobilité, variante du SED), j'ai besoin d'antidouleurs et je suis souvent bloqués au lit à cause de la douleur ou de la position de mes poignets/épaules/hanches. J'ai alors expliqué à ma médecin que, depuis mes grosses crises il y a deux ans, je n'ai plus foutu un pied dehors. Il s'avère que je suis (très) grosse et que je suis rentrée chez mes parents. Après des années de précarité et de TCAs, le fait de manger deux fois par jour tous les jours sans bouger ont fait que j'ai pris beaucoup de poids et que j'ai perdu en muscles et en endurance. Du coup j'essaye d'expliquer à la médecin que, quand on rajoute le handicap par dessus, ben je ne peux pas me mettre à faire du sport comme ça, mon corps est très fragile, il faut que je le rééduque d'abord. Je voulais qu'elle me prescrive de la kiné, en fait. Sa réponse ? "Il faut que vous mangiez mieux et que vous alliez à la piscine, je vais vous faire une lettre pour une nutritionniste". Elle a balayé du revers de la main toute mention du handicap là dedans, la piscine ce n'est ABSOLUMENT PAS réaliste pour moi, ça représente une sortie (sportive en plus) de presque trois heures pour quelqu'un qui 1/n'a pas marché en dehors de sa maison depuis deux ans et 2/est handicapé c'est vraiment irréalisable. Mais bon, connaissant les biais validistes et grossophobes de la médecine j'ai laissé coulé et j'ai juste rebondit sur lea nutritionniste. En soit, voir un-e nutritionniste n'est pas une mauvaise chose parce que personne sait se nourrir bien, personne ne sait de quoi son corps a besoin. Mais bon, c'est pas moi qui gère la cuisine et quand j'ai dit au docteur qu'entre le taf, la précarité et leurs problèmes de santé mon père n'a pas la possibilité de constamment faire des repas équilibrés quoi. La médecin a rit et m'a clairement fait comprendre que je me "trouve des excuses pour me faire du mal en restant grosse" et m'a dit attention....... "vous n'avez qu'à planter vos légumes"
PARDON ???? QUEL MOT DE "HANDICAPÉ SOUVENT ALITÉ" N'AVEZ VOUS PAS COMPRIS ????
Bref, je suis quand même sortis avec une ordonnance pour la kiné, mais aussi une lettre d'd'adressage pour un nutritionniste (j'ai peur d'en voir un, les biais grossophobes sont tellement forts en France....!) Et une ordo de prise de sang. Je suis sortis de ce rendez-vous en me sentant comme la pire des merdes, j'ai eu l'impression qu'elle me voyait comme quelqu'un "dans le déni de son obésité" et genre son attitude oscillait entre une pitié dégoûtée et un jugement froid et médical (lol).
J'ai eu les résultats de ma prise de sang aujourd'hui. J'ai quelques taux légèrement hauts et un taux légèrement bas, j'ai rendez-vous mardi pour en discuter avec un médecin (un autre, celle que j'avais vu n'était pas dispo avant la deuxième partie d'avril) mais a priori c'est juste une conséquence du surpoids, rien de dangereux pour ma santé. Ça pourrait aussi être une conséquence de ma péricardite post COVID de novembre dernier. Sauf que ces taux concernent le foie et la thyroïde et je suis forcément ramenée à ma grosseur, comme un doigt accusateur et un rappel que je ne suis (littéralement) pas dans les normes. Le labo et tout internet dit bien que y a rien actuellement qui impacte ma santé là-dedans, mais après mon rendez-vous de lundi c'est un peu comme une épée de Damoclès au dessus de ma porte.
J'ai beaucoup appris sur la grossophobie ces dernières années. Par exemple, je sais que la majorité des gros-ses sont en réalité dénutris par leurs TCAs ou leurs multiples régimes etc. Je sais que la grosseur est due entre 40% et 80% à la génétique. Je sais aussi que les personnes obèses ne meurent pas plus jeunes que les minces, elles ont "juste" plus de chance de développer certaines maladies parce que les toxines s'éliminent beaucoup moins bien lorsqu'on est gros (justement parce que le foie et la thyroïde, par exemple, ne peuvent plus bien filtrer). Mais je sais aussi que ces dangers sont largement contrés par une activité physique régulière et une alimentation saine, pas besoin de maigrir en soit, si notre corps est sain ben il peut être gros sans problème. J'en ai vu des articles, si vous saviez...! Tout ça pour déconstruire ma grossophobie, guérir mes TCAs et avoir un rapport plus sain à mon corps et à la nourriture. Sans doute que, après avoir remis mon corps sur pattes, je pourrais avoir une activité physique régulière, et sans doute qu'à ce moment je perdrais un peu de poids. Mais mon objectif c'est surtout que mon corps soit en bonne santé, sinon... Autant que je me tue tout de suite.
Sauf que il y a une heure environ, j'ai vu passer l'interview d'une femme grosse, présidente d'une association sur l'obésité. Qui faisait la promotion des chirurgies bariatriques. Qui expliquait à quel point l'obésité est une maladie à guérir (eurk. I mean, c'est classifié comme une maladie, mais eurk.) et qui n'a pas eu UN mot sur la grossophobie. Elle a juste propagée une haine de la grosseur sous couvert d'une pseudo bienveillance médicale. Et depuis, je suis en meltdown.
Je ne sais pas comment gérer ça. Je ne sais pas si je suis entièrement delulu sur "la maladie de l'obésité", je ne sais pas si ma vie vaut la peine d'être vécue. Damn, je n'avais pas eu des pensées autant suicidaires depuis très longtemps. Bref, j'ai une nausée d'angoisse accompagnée de larmes qui s'amènent donc je vais arrêter là. C'est horrible parce que je pensais que mettre tout à plat en écrivant me permettrait de me calmer et dormir... 🤡
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How to Select the Best MBA College?
When career-aspiring students look forward to taking a step ahead, they prefer enrolling in an MBA course at a premium college such as Roorkee MBA College and institutes of similar recognition. Though the IIMs are the stalwarts of Indian business management studies, many students achieve lesser grades in CAT or MAT for which they have to keep options to enroll in a reputed institute with an excellent reputation of placements in national and international companies.
Let’s check out some ideas when selecting the best MBA college—
If your CAT ranking didn’t allow you to enter the IIMs or IITs then instead of feeling deprived, keep rooms open for alternatives where you can enter a good college such as RIT college offering the best faculty and educational environment in the lap of the Himalayas.
Whether you pass out from a BMLT college in Roorkee, general stream, or engineering background, attending an MBA program is for everyone.
Apply for a reputed college where the previous students whether attending from an agriculture college in Dehradun or English Honors’ background should be treated with equal care by the professors.
Find a college with advanced educational apparatus that they follow in class to increase intent among the students.
Discuss with the existing students or former pass-outs about their experience on the campus before stepping forward to enroll in the MBA college.
Make sure that the placement cell is hyperactive and do their best to let everyone in the batch get placement in the final year of college.
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UEFA Champions League 2021/2022- Matchday 6 Goals (07.12.2021)
#UEFA Champions League#season 2021/2022#Group Stage#Matchday 6#Kylian Mbappe#Mbappe#Lionel Messi#Leo Messi#Messi#Mats Rits#Dominik Szoboszlai#andre silva#Riyad Mahrez#Fikayo Tomori#Mohamed Salah#Salah#Divock Origi#Donyell Malen#Marco Reus#Erling Haaland#haaland#Antoine Griezmann#Sébastien Haller#Nuno Santos#Antony#David Neres#Steven Berghuis#Bruno Tabata#Fernando#Toni Kroos
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@bonmotx asked:
It's a dream and a memory.
The world is a pulsing miasma, something dense and smelling like blood and pomegranate seeds. Something lays in the dead and rotting, the ever mourned. Sherwood green and pale purple, cloth and head of hair, soaked in blood and unrecognizable. Somewhere someone that cannot admit death is crushed under two small bodies buried into matted fur. A captain of the ship lays broken in his many bodies.
A shield is shattered.
('A Beast is an Evil of Humanity,' a distant voice echoes. 'But they all love humanity, just in a twisted way'.)
Something without a form pulses. This is your domain. You wanted this. Hatred manifest, is it not? It must be hatred. It must. You look over the last human of this bleached word dyed with red, red, red, and look for-
-a smile.
This tiny body smiles.
"It's alright." The face is nearly unrecognizable, starved and near death and bone. They glow with humanity, but you must be hatred, you must be, to be a Beast. Beast, to hate, to loathe, to bite and claw-
(Something thick lands in your hair. When did you have hair? Where do you still, in this all-encompassing form?)
The miasma leaves this tiny body untouched, but the sludge is inescapable, tar and blood, and you watch with rapt attention as their chest struggles to beat, a rabbit's heart ready to burst with a leg torn apart in a trap.
"It's alright," that tiny body and that over-extending smile say, "we can make this better. It's okay."
A cough wracks the body and you start, a shudder running down spines and limbs and formless parts that are everything but 'human'. Why do you feel that? Why? You are a Beast. You hate, you hate, you hate-
Another cough. They fall over and the miasma rises to catch them but they fall through it, humanity, ever moving forward, but you are stuck in this single moment.
"I don’t hold it against you. We can still fix it. Please, Ashiya, just trust me. Come back." No. You aren't Ashiya. You cannot be Ashiya Douman, you are a Beast, you are here! You are strewn about the digested and mutilated saint graphs and bodies of everyone ever brought here. You are soaked so thoroughly in their blood it has become part of you.
You devour and devour but still feel empty, and there is only one thing left.
Your maws try to speak, something hateful, but you make a sound you could never recognize. Your teeth cut into your tongues, and you move forward, but your claws are too large for this tiny thing.
A thing with a name, a name you never called them by.
Ritsuka Fujimaru looks up at you, blood bubbling up to their lips. They smile still. You look at those command seals, not one ever solely yours. "Trust me."
Once, in bed, you said you would paint your mark on them, and they laughed, pulled you over with mirth on their lips, and they dared you to, like you were not a thing of fangs and talons. Then you took them, and spread them apart, and scarcely left a mark, even as they cried and you lapped up their tears, and when they slept in your arms and when they woke in the morning you still were gentle-
But somebody else, somebody came first. He made demands, was made up of sharp angles and wrath. But his sparrow bones were beautiful. He, too, was made of hate. Passion in red eyes, red, and hair that you were ever gentle with, and you kissed him a thousand times, and you modeled yourself after him. He taught you how to craft definition in hate (and he taught you contrast, too, because he was the first one you-)
Yet this one is love, love, and no matter the hate you attempt to find, no matter what love you snuff, they still extend their hand-
You swore to make his dream come true-
This one's dream is the exact opposite-
How can one commit to two contradictory, parallel dreams-
(The miasma swells. The crown flourishes to a beautiful crescendo. You take form, the chrysalis melting away in velvet and gore and wet flaps of discarded skin.)
"It's okay, you can still come home." Claws too sharp finally abet to something that can be gentle, yet at that moment-
Life fades.
The last human dies.
Humanity dies.
You stare at the body as your gaze multiplies, as your body becomes a solid form that never had been granted to you before, a solid definition.
There is fantasy, too, there are humans in there but you will kill them because they are not your human-
Ah.
Your mind fractures. (Maybe the person in here can see where the cause of your fracture is.) There was no other human but this one. This is the most important human. (Memory fades.) This is the person you love the most. You have never loved anyone else as a person besides this one, dead body.
(This is why Alter Ego and Caster are disgusted by you, despite your lack of realization. You forgot. You forgot two important people. Alter Ego's most important person, Caster's most important person, their versions of your most important (only) person, forgotten for power. In seeing you they find their line they never would cross. You prove that only you could become you, because they see you and vow never, never.)
You are not hatred. How could you fool yourself? You love humanity. This human was humanity itself and you love, you love, you love.
There is a sound. It is a voice, yet not. Your body burns, because you have never hated anything but the inhuman, right? You destroyed humanity, the only thing you ever loved, the only commitment you ever had. Onmyouji love humanity, protect humanity, you failed at that, so you must have just loved them wrong. What a silly thing, to have thought you hated! How funny! You laugh through your wailing.
Ah. Right.
You are the one wailing. The world cracks beneath the sound. The miasma sinks, burrows, clawing and tearing its way down and down, into the world, beyond texture and bleach, beyond the reversal, it burrows into the very core and you mourn.
The one important thing to you, and you destroyed it.
But no matter the time, the body does not decay. You curl about it and isolate yourself as the other bodies fade to dust and you stay here, here, as things beyond the world pry about and are ignored. You stay here, as infinite time passes and none at all, because the Beast who mourns only ever mourns, always mourns-
(They finally realize they have forgotten, and their hands reach out for this version of themselves in their dream, where their errant master has ended up, but they freeze seeing that dead body. Their eyes go needle thin. Ritsu, Ritsu, Ritsu- and another wail, something empty and desperate-)
You sacrificed your love for this-
You stay there, lost in your mourning, as another you pulls at a body- isn't that your body, Ritsuka Fujimaru?
-
"Isn't that your body?" Alter Ego tuts, but their face is blanched white. They smell off. They tug the body that no longer is Beast but is the dreaming Ritsuka Fujimaru to the side, hide their eyes firmly under charms, and the sound of wet footsteps echoes even through the wailing and screaming and the desperation, the words of love, grief, love, love, grief, grief-
"Wake up." Alter Ego's voice is sharp. "You brought our lord here."
"Ahh... ahhh..." But the Beast's voice is wet, sharp and soft and empty empty empty, desperate-
"Wake up!" Alter Ego's own takes a hint of desperation. "I do not want to see this any longer!"
The sound of screaming and wailing is too much. This place is falling apart. Miasma and grudges clash and merge, ideals and faith and hate and love combating and tearing itself and the other-self apart. A faint sound comes from the corner.
"...oh." Another familiar voice. This one shouldn't be here. This one lurked in another's dreams, protected another dreamer despite knowing he did not need it. An uneasy air, but a familiar essence, and despite the lack of any bond... Hands that have been bitten raw rest over Ritsu's face.
"Go back to sleep."
The world fades to black, as in the living world, two bodies curl in devotion and desperation around another.
Ritsuka Fujimaru watches from eyes that aren’t theirs. It’s not the first time they’ve been someone else, seen someone else’s memories. It’s not even the first time they’ve been here.
They remember this place fractured. They remember this place from the eyes of the Ritsu they now loom above in a body formed and formless that burns and twists. In the dream they had, something kept them from knowing who this was. It was blurred, it was something unknown, they could feel their mouth forming a name but without knowledge of who or what they spoke to.
This was protection.
Ritsu lacks that same protection now, and they watch from a body that is everywhere the full extent of carnage they could not see before. They cannot help but notice Robin’s mantle and the embers of Yako’s foxfire, still fading. There is utmost certainty that everyone else, too, is dead. (And in the way of dreams, when it is thought of it surfaces, the vision in an instant of Chaldea dying. There is no humanity and there are no Servants. There is no staff, no humans, no heroes, no Mash, no da Vinci, because all of them have died in and that instant Ritsu could see each murder.)
Everything was taken from them and in this form, everything was taken by them. No-- not everything. Because Ritsu recognizes, even when they’re not themselves, what the Ritsu before them is thinking.
(The one before them is terrified. They live their worst nightmare. The only thing they could not handle is everyone disappearing, everyone dying. Not just ‘all humanity’, but everyone. In this world, only one person aside from Ritsu remains, and it is someone they did-do-will-have loved. There was never any other possibility than Ritsuka Fujimaru still desperately trying to offer something that could fix this and end anywhere other than isolation.)
Ritsu watches this from the point of empathy and the point of the entity they occupy. They parse things all at once and in an overload.
Within their empathy, they feel the hatred that the body (body?) they occupy tries to exude. Tries? Does? Ritsu can’t tell, but they know it’s overwhelming — Ritsu was never meant for formless, indiscriminate hatred. It’s almost alien to them and it hurts, it hurts, they can’t understand it and they can’t process this desire. Something, the thing that they are, wanted this. “They” wanted this? Ritsu is pulled along in this “want”, manhandled and pushed into this foreign hatred with the death of the world oozing blood down into their throat. You did this. Ritsu sees themselves standing in their own hands.
They feel— “they” feel — you/‘you’/you (pl.) feel —
The Ritsu that belongs to ‘them’ dies and the present Ritsu knows this one won’t come back. This form of humanity is lost. (Sorry. Sorry, I… “I”?) “Aaaah…” The part of this mind that is Ritsu watching, who is aware of themselves as apart and a part of this entity at the same time, cries something helplessly.
Humanity dies and Ritsu remembers things that aren’t theirs in this memory they already don’t belong to. There are people that are valued and occupy opposite spectra, but this place cannot hold both, so, so—
But this place you’re in, past the furthest reach of one, is lonely and there is nothing left to love. Is there value in only nothingness? (And Ritsu cries no, not like this, not in stretches of blood and formless aimless hate, no, it can’t.)
Ritsu feels something break and it reflects in the world and in their gaze. They’re not the same as the person whose memories they invade, they stand just separate enough to watch but not remember their name. They watch a decision and they mourn that loss, too. (Is this the price? Is this— ‘I’m sorry,’ Ritsu thinks, ‘I’m sorry, I wasn’t enough to stop this, and you lost something that was valuable.’)
Is it selfish, cold, terrible of them that they focus on ‘you lost something’ you, the person they are-aren’t, the person they (not that they realize now) ‘made’, and not the ones whose blood colored the ground. They lost, too. And certainty: I was not enough to prevent this.
Whose thought is that? Who are you?
Ritsu wants to cover their face. They’re screaming. They don’t know how long they’ve been screaming. Maybe since the beginning, since they were forced to experience consuming hatred, maybe since now when the world falls apart and the hatred morphs into something more familiar but still so aching.
(What have you done? What have you allowed to happen? What have ‘you’/you/you(pl.) done?)
It’s too long. It’s too long. Ritsu has been here, sobbing broken meaningless apologies and laments that no one will answer and they cannot be freed from. Why— why can’t they be free? Why here, forever, with this dead, with a body that stays and reminds and won’t let you go (can’t be released)?
To mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn (it aches), to mourn, to mourn, to mourn (help me), to mourn, to mourn (the taste of blood), to mourn, to mourn (why?), to mourn, to mourn (it hurts), to mourn, to mourn (help me), to mourn, to mourn, to mourn (help me), to mourn, to mourn, to mourn (help me), to mourn, to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me).
It hurts, please. They’re all alone and they’re so scared. It’s the end of everything, and their body is too small and too broken, familiar and unfamiliar. It’s scary. Please, help me. I don’t want to be alone. I can’t breathe. Help me. Help me. I didn’t want this. I’m so sorry. I don’t know what I did to cause this but I’m sorry.
Ritsu doesn’t know how this happened. They didn’t mean for it. There is more grief than could ever fit in their body. Even their body which has seen the death of all history twiceover, the death of timelines, of their friends -- the mourning is more than was meant for a human to carry.
They don’t feel being dragged, they don’t feel the charm over their eyes. They weren’t able to see anyways. They only feel as if they’re being crushed, death and guilt and isolation bearing down on them. Their throat hurts and they feel it too close to them. They’re crying, they have been, too much, because they can’t scream.
Please. I’m sorry. Help me.
Then, hands on their cheek. Cold, somehow, against Ritsu’s skin. They reach up almost on instinct to grab whoever touches them, hands latching desperately and too-tight around an unfamiliar wrist. “I don’t know where to go,” they say, voice torn. Their fingernails are probably digging blood from Bei’s skin. “Help me. Please, please, it’s too...” Ritsu trails off as Bei pulls their awareness somewhere as if beleaguered by weight and guilt (everywhere, in the air, it’s too much guilt).
In the world that is real, or as real as anything gets after the end of history, Ritsu curls small and crying against Beast around them, Ritsu’s desperate hands digging into Beast instead.
They will forgive, because Ritsu has never done anything else. But they cry first, split and flayed here and when they awake, even then, lost and with shaking hands. They did this, didn’t they.
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a aa aach aaf aah aak aam aan aap aar aas aash aat aath ach ae aech aef aeh aek aem aen aep aer aes aesh aet aeth af ah аi aich aif aih aik aim ain aip air ais aish ait aith ak am an ao aoch aof aoh aok aom aon aop aor aos aosh aot aoth ap ar as ash at ath au auch auf auh auk aum aun aup aur aus aush aut auth cha chach chaf chah chak cham chan chap char chas chash chat chath che chech chef cheh chek chem chen chep cher ches chesh chet cheth chi chich chif chih chik chim chin chip chir chis chish chit chith cho choch chof choh chok chom chon chop chor chos chosh chot choth chu chuch chuf chuh chuk chum chun chup chur chus chush chut chuth e ea each eaf eah eak eam ean eap ear eas eash eat eath ech ee eech eef eeh eek eem een eep eer ees eesh eet eeth ef eh ei eich eif eih eik eim ein eip eir eis eish eit eith ek em en eo eoch eof eoh eok eom eon eop eor eos eosh eot eoth ep er es esh et eth eu euch euf euh euk eum eun eup eur eus eush eut euth fa fach faf fah fak fam fan fap far fas fash fat fath fe fech fef feh fek fem fen fep fer fes fesh fet feth fi fich fif fih fik fim fin fip fir fis fish fit fith fo foch fof foh fok fom fon fop for fos fosh fot foth fu fuch fuf fuh fuk fum fun fup fur fus fush fut futh ha hach haf hah hak ham han hap har has hash hat hath he hech hef heh hek hem hen hep her hes hesh het heth hi hich hif hih hik him hin hip hir his hish hit hith ho hoch hof hoh hok hom hon hop hor hos hosh hot hoth hu huch huf huh huk hum hun hup hur hus hush hut huth i ia iach iaf iah iak iam ian iap iar ias iash iat iath ich ie iech ief ieh iek iem ien iep ier ies iesh iet ieth if ih ii iich iif iih iik iim iin iip iir iis iish iit iith ik im in io ioch iof ioh iok iom ion iop ior ios iosh iot ioth ip ir is ish it ith iu iuch iuf iuh iuk ium iun iup iur ius iush iut iuth
ka kach kaf kah kak kam kan kap kar kas kash kat kath ke kech kef keh kek kem ken kep ker kes kesh ket keth ki kich kif kih kik kim kin kip kir kis kish kit kith ko koch kof koh kok kom kon kop kor kos kosh kot koth ku kuch kuf kuh kuk kum kun kup kur kus kush kut kuth ma mach maf mah mak mam man map mar mas mash mat math me mech mef meh mek mem men mep mer mes mesh met meth mi mich mif mih mik mim min mip mir mis mish mit mith mo moch mof moh mok mom mon mop mor mos mosh mot moth mu much muf muh muk mum mun mup mur mus mush mut muth na nach naf nah nak nam nan nap nar nas nash nat nath ne nech nef neh nek nem nen nep ner nes nesh net neth ni nich nif nih nik nim nin nip nir nis nish nit nith no noch nof noh nok nom non nop nor nos nosh not noth nu nuch nuf nuh nuk num nun nup nur nus nush nut nuth o oa oach oaf oah oak oam oan oap oar oas oash oat oath och oe oech oef oeh oek oem oen oep oer oes oesh oet oeth of oh oi oich oif oih oik oim oin oip oir ois oish oit oith ok om on oo ooch oof ooh ook oom oon oop oor oos oosh oot ooth op or os osh ot oth ou ouch ouf ouh ouk oum oun oup our ous oush out outh pa pach paf pah pak pam pan pap par pas pash pat path pe pech pef peh pek pem pen pep per pes pesh pet peth pi pich pif pih pik pim pin pip pir pis pish pit pith po poch pof poh pok pom pon pop por pos posh pot poth pu puch puf puh puk pum pun pup pur pus push put puth ra rach raf rah rak ram ran rap rar ras rash rat rath re rech ref reh rek rem ren rep rer res resh ret reth ri rich rif rih rik rim rin rip rir ris rish rit rith ro roch rof roh rok rom ron rop ror ros rosh rot roth ru ruch ruf ruh ruk rum run rup rur rus rush rut ruth sa sach saf sah sak sam san sap sar sas sash sat sath se sech sef seh sek sem sen sep ser ses sesh set seth sha shach shaf shah shak sham shan shap shar shas shash shat shath she shech shef sheh shek shem shen shep sher shes shesh shet sheth shi shich shif shih shik shim shin ship shir shis shish shit shith sho shoch shof shoh shok shom shon shop shor shos shosh shot shoth shu shuch shuf shuh shuk shum shun shup shur shus shush shut shuth si sich sif sih sik sim sin sip sir sis sish sit sith so soch sof soh sok som son sop sor sos sosh sot soth su such suf suh suk sum sun sup sur sus sush sut suth ta tach taf tah tak tam tan tap tar tas tash tat tath te tech tef teh tek tem ten tep ter tes tesh tet teth tha thach thaf thah thak tham than thap thar thas thash that thath the thech thef theh thek them then thep ther thes thesh thet theth thi thich thif thih thik thim thin thip thir this thish thit thith tho thoch thof thoh thok thom thon thop thor thos thosh thot thoth thu thuch thuf thuh thuk thum thun thup thur thus thush thut thuth ti tich tif tih tik tim tin tip tir tis tish tit tith to toch tof toh tok tom ton top tor tos tosh tot toth tu tuch tuf tuh tuk tum tun tup tur tus tush tut tuth u ua uach uaf uah uak uam uan uap uar uas uash uat uath uch ue uech uef ueh uek uem uen uep uer ues uesh uet ueth uf uh ui uich uif uih uik uim uin uip uir uis uish uit uith uk um un uo uoch uof uoh uok uom uon uop uor uos uosh uot uoth up ur us ush ut uth uu uuch uuf uuh uuk uum uun uup uur uus uush uut uuth
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LA RÉSERVE
Aloha ! 🥰
Ce soir, c’est un petit extrait de LA RÉSERVE, une bit-lit, que je partage avec vous :
« Maéva était allongée sur le ventre, les coudes en appui sur le lit et les pieds levés. Elle bougeait ses pieds et ses chevilles distraitement, comme si elle exécutait encore quelques pas de danse imaginaires, tout en lisant un livre avec une profonde concentration. Elle ne tourna même pas la tête vers James lorsqu’il sortit de la salle de bain, une serviette à la main à frictionner ses cheveux humides, et pour seul vêtement un boxer. Il en fut quelque peu vexé. Un livre supplantait l’intérêt qu’elle lui portait, ce n’était pas admissible ! Il posa la serviette sur une chaise, s’approcha du lit en silence et s’installa à califourchon sur sa taille, sans s’asseoir vraiment pour ne pas l’écraser sous son poids. Elle tourna légèrement la tête pour voir ce qu’il trafiquait et il se pencha pour mieux voir par-dessus son épaule. Au bout d’un moment, ses yeux s’agrandirent devant les mots qu’il lut.— Mais c’est quoi ce truc ? C’est du porno ? s’exclama-t-il, outré qu’elle puisse lire ce genre de torchon.— Non, James, de l’érotisme, ce n’est pas la même chose, minauda-t-elle. C’est Marcy qui me l’a prêté.— Pourquoi ça ne m’étonne pas, ronchonna-t-il.En appui sur un seul bras, il attrapa le livre, plaça son pouce comme marque-page et regarda la couverture.— C’est censé être quoi ça ? Un Vampire ?— Eh bien oui, regarde, il a des crocs, comme toi.— Pas comme moi non, les miens sont…Maéva rit.— Allez, rends-moi ça.Elle tendit le bras pour tenter d’attraper le bouquin, mais James avait levé la main bien haut pour l’éloigner et le mettre hors de portée.— En plus il est nu, gronda James.— Mais non, regarde il a un pantalon, répliqua Maéva qui s’amusait beaucoup du soudain intérêt de James pour sa lecture et du petit jeu qui en découlait.— Je croyais que tu ne lisais pas ce genre de fadaises.— Et d’une, ce ne sont pas des fadaises, mais de la bit-lit et de deux, depuis que j’ai un vampire comme compagnon, je suis devenue curieuse.— Tu parles ! Dis donc, jeune-fille, tu ne me trouves pas à la hauteur, c’est ça ?Maéva gloussa et tenta de nouveau d’attraper son livre.— Ne sois pas bête, James, ce n’est qu’une lecture.— Non parce que ça peut s’arranger. Je vais te montrer ce que ton vampire peut faire à côté de cette lavette en couverture.Il rugit, feignant la colère – faisant rire Maéva aux éclats – et lança le livre derrière lui. Un bruit mat leur apprit que la lecture avait rejoint le sol. James la retourna sur le dos alors qu’elle couinait de bonheur. Il lui empoigna la mâchoire en douceur, lui tourna légèrement le visage et commença à lui mordiller la gorge – sans ses crocs. Maéva gloussa, gesticula, tentant d’échapper à sa poigne tout en poussant cris et rires montant dans les aigus dès qu’il la chatouillait sur une zone un peu trop sensible.Les chatouillis laissèrent vite la place à des caresses plus sensuelles. »
📚 LA RÉSERVE est disponible ici : www.amazon.fr/dp/B084FZ3XFH
Bonne semaine. 😉
#citation#extrait#paranormal romance#romance book#romance paranormale#livre#la réserve#claytone carpe#vampire#métamorphe#sorcière#autoédition#autoédité#bitlit
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shawn mendes , cis male. , he & him. –– if you hang outside of the rits for long enough , you might catch mattias kenley leaving. you know , the twenty-two year old heir ? i hear they’re in apartment 43J and have lived here at the rits for three years. tenants seem to deem them as rits’ resident machiavellian, seems pretty fitting to me. & broken liquor bottles , winding up in the press for all the wrong reasons , st. laurent suits , & angelic personas.
hi friends , i’m gray ( they / them ) & this is my first of two babies , mattias. comes from a long line of money & is very much a chaotic rich boy who only loves his mom & his siblings. i’m sorry about him , he kinda sucks.
basic statistics :
name : mattias james kenley : mat , mj by his mom.
age : twenty - one.
occupation : heir , socialite.
orientation : bisexual
hometown : manhattan , ny.
appearance :
faceclaim : shawn mendes
height : 6′2
build : muscular
style : always in name & on brand clothes.
background & personality.
comes from a family of money –– great - grandparents were the founders of kenley hotels , a well known & prestigious hotel chain. company was passed down to his father , arthur kenley. aruthur & his wife delaney were never able to have children & adopted three kids – mattias being the youngest. mattias was raised by his birth family until he was one before being adopted by the kenleys.
mattias was raised in manhattan , but has traveled around a lot with his family. takes after his father in all of his ways –– a bit arrogant , loud , mischievous , secretive. no one ever really know what mat’s thinking unless he wants them to.
an absolute mama’s boy. this boy loves his mom & she’s the only one he’ll listen to and the only one that can really control him. can’t be controlled by no man but will absolutely stop what he’s doing if his mom asks him to.
definitely has a name in ny because of his family. –– everyone knows the kenley kids. somehow , his imagine within his family is very pure. he’s seen as the baby , the angel. except , he’s not. he doesn’t do anything to promote his angelic image and is actually more known to be a whole DEMON , but lets the press see him however they want to see him.
super super charming , but also pretty manipulative. can & will get whatever he has his mind set on. doesn’t exactly mean he’s a shitty person , but he’s pretty chaotic & definitely isn’t known for being sweet. pretty much just says & does whatever he wants at any point.
this is short but this is all i’ve got an the demon for now , i will probably add more once i think of it !
wanted connections.
honestly , i didn’t write any because i’m lazy but i do have some general ideas.
friends with benefits - this is pretty basic.
exes - mat would likely be the heartbreak in any situation though i would love for someone to have hurt him.
best friend - maybe someone who grew up in manhattan and has always dealt with mats shit.
frenemies - do love a good enemies plot.
party friends - pretty basic.
honestly anything ??? pls love him , he sucks.
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Does anyone know what the composition of furby fur is?
I want to dye one of mine with Rit dye (because I don’t have the patience for an acrylic wash) but I would love for it to not melt into a mat as a result.
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Although the #MBA_ distance Course is not as tough when compared to the full-time course, it still requires students to gain in-depth knowledge on various subjects. It is for this reason that preparation is essential where the students should:
· Study thoroughly on essential topics every semester
· A monthly, weekly and daily plan should be drawn, which is according to the assignments, tests and the class schedule. It is always advised to study on those topics which require more practice
· Study at your own pace since there is 24*7 access to study materials
· Be motivated and dedicated since owning a degree is your long term goal
· Balance your time effectively. Make sure to assign at least two days for studying.
provide the #MBA_ distanceprogram where the entrance exams are yet to be announced while some of the University’s exam will be conducted in the month of April 2020. Further, while pursuing the course, #MBA_ distanceexams will be conducted semester wise. The registration process is done through online mode where the students will have to click on the official website, fill-up the form and then proceed with the online payment.
DETAILS ON EXAM CENTRES AND FEES
The exam centres vary upon the institution to institution where the students can take the exam by mail or online or at a test centre which is nearby or through the school’s website. It is an obvious notion that the #DistanceMBA program costs much less than the full-time #MBA program. But the free criterion varies from institute to institute.
FREQUENTLY ASKED QUESTIONS
IS DISTANCE LEARNING RELEVANT?
Compared to previous years, distance learning has a lot of relevance now. The different educational technologies used are said to be playing an important role in bridging the gap between Regular and #Distancemba. The relevancy is ascertained by the number of students who enrol for this course every year. Upon analysis, there are many students who are opting for distance education every year.
WILL THERE BE AN ENTRANCE EXAM FOR #MBADISTANCELEARNING?
It varies from institute to institute. Many institutions do not require students to write an entrance exam, but there are some institutes who conduct the entrance exam.
WHO SHOULD PURSUE #MBADISTANCECOURSE?
The course should be opted by those who are working individuals or recent graduates or mothers as homemakers that want to revive their careers. Without quitting their responsibilities, students or individuals can opt for this course at an affordable cost.
HOW CAN #RITJAIPUR HELP YOU?
RIT JAIPUR, under its abode, has more than top service providers in Jaipur. With the help of RIT JAIPUR, students can find the best #MBA_distanceLearning coaching centre in no time. All you have to do is fill-up the form and then, according to your requirements, #RITJAIPUR experts will bring forth the best coaching classes in Jaipur. We help you achieve your educational goals effectively.
FAQ - #DISTANCE_MBA IN JAIPUR
· WHAT ARE THE ELIGIBILITY QUALIFICATIONS FOR #MBA_DISTANCEEDUCATION IN JAIPUR?
· WHAT DO WE NEED TO KNOW ABOUT ENTRANCE EXAMS FOR #MBA_DISTANCEEDUCATION?
· WHAT IS THE FEES STRUCTURE OF THE COLLEGES?
· WHAT ARE THE JOB OPPORTUNITIES AFTER COMPLETING #MBA COURSE?
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Sprookjeswereld
Woensdag 15 januari 2020
Het lijkt wel alsof het nog donker is wanneer we maandag opstaan. Vorige week piepte de zon op dit uur al doorheen de gordijnen. Maar nu niet dus. Het is ook vreemd stil! En inderdaad, wanneer ik de gordijnen openschuif, is te zien dat er niets te zien is … mist dus. Een dikke erwtensoep maar dan in ’t wit. Alles is wit, het gras, de twijgjes van de bomen, het siergras, de voederhuisjes. Het heeft flink gevroren vannacht en dus liet de mist een wit jasje achter.
De hele dag blijft de mist hangen en de temperaturen komen niet boven het vriespunt uit. Dat betekent dat het dunne witte laagje blijft aangroeien. Tegen het moment dat het begint te schemeren, is het nog steeds even mistig en duiken de temperaturen terug een stukje onder nul. Dinsdagmorgen is net een herhaling van de dag ervoor. Al lijkt het een ietsepietsie lichter te zijn. Maar dat komt niet door de zon, wel omdat er nu een dikker laagje bevroren mist op alle takjes zit. Net alsof het gesneeuwd heeft.
Wij gaan op koffievisite bij mensen die we onlangs leerden kennen. Gelukkig nam ik het fototoestel mee. We rijden door een prachtig landschap dat een beetje aan de film ‘The cronicles of Narnia’ doet denken, maar dan zonder de sneeuw. Door de mist lijkt het allemaal een beetje mysterieus en je verwacht dat er zomaar een bosnimf tevoorschijn kan komen.
Echt waaien doet het niet … dan zou de mist wel optrekken. Maar er is wel een minimale luchtverplaatsing. De voorbijdrijvende en tegelijk bevriezende mist zorgt voor ware kunstwerkjes. Je kan ook heel goed de verschillende laagjes zien. Machtig mooi vind ik het. Maar wel koud! Vlug terug de auto in, de zetelverwarming aan en verder genieten van de rit.
Vandaag veranderde de mist in nevel. We kunnen nu de bevroren wereld nog beter bewonderen. Zou de zon erdoor kunnen komen, dan zouden al die ijskristallen veranderen in miljoenen diamantjes. Vergankelijk, dat wel, de zon zou de rijm al vlug laten verdwijnen. Maar er duikt geen zonnetje op, alles blijft de hele dag nevelig. Het is een mooi schouwspel om in de boomgaard alle jonge fruitboomjes te zien met hun witte ‘ochtendjas’ aan. Ook de omheining kreeg een wit laagje. Mooi is het wel!
De hondjes lopen graag mee wanneer ik de vogeltjes ga voeren. Even de pootjes strekken doet altijd wel deugd. Maar lang houden ze het niet vol. Wanneer ik mijn toertje langs alle voederhuisjes gedaan heb, zitten ze me bibberend op te wachten op de mat op de gaanderij. Heel zuinigjes kunnen ze dan zitten, ze raken slechts met enkele punten de ondergrond! Eens binnen wordt er even gebakkeleid om het beste plekje achter de kachel te bemachtigen. Maar al vlug keert de rust weer en liggen ze allemaal lekker op te warmen. Duña en Zohra houden het op ‘lepeltjesgewijs’!
Zulk winterweer vraagt, smeekt gewoon om stoverij met frietjes! Chef Luc maakt er weer iets niet-alledaags van. Worteltjes in de stoverij en boontjes ernaast, zodat we zeker voldoende groentjes binnen krijgen. En de frietjes? Ja, die worden in de airfryer gebakken natuurlijk! Een kleurrijk bordje dat ook verrukkelijk smaakt. Comfort-food is de nieuwe term voor zulke menuutjes.
Wijnmaker Luc is dan weer een andere kant van mijn veelzijdig ventje. De eerste wijn was goed, maar wat te droog voor de meeste mensen. Intussen is het tweede vaatje al toe aan een tweede gisting en is de derde ‘lichting’ opgestart. Want wijn maken is een werkje van ‘lange adem’. Enkele weken gisten, proeven, meten … Ik vind vooral de bubbelgeluidjes in het halletje naar de badkamer erg leuk. En het resultaat natuurlijk …want daar gaat het toch om hé. Hij maakt niet te veel tegelijk, zo’n 9 liter per keer. Want om te bewaren komt er chemie aan te pas en we willen de wijn graag zo natuurlijk mogelijk houden.
De kerstman bracht (met enige vertraging) drie meettoestelletjes: een refracto-alcoholmeter, een meter om het suikergehalte te bepalen en een eentje die de zuurtegraad meet. Het leuke is dat niet enkel de wijn-in-wording gemeten kan worden, maar eigenlijk alles waar vocht in zit. Het suikergehalte en zuurtegraad van een appel, een perzik, een kaki, mijn dagelijks tomatensapje … allemaal mogelijk. Het is er boeiend. Al vind ik dat hij soms wat weg heeft van een alchemist … maar dat heeft mogelijk ook te maken met het Narnia-landschap!
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UEFA Champions League Matchday 2 Goals (28.09.2021)
#UEFA Champions League#season 2021/2022#Group Stage#Matchday 2#Ajax#steven berghuis#sebastien haller#idrissa gueye#Lionel Messi#christopher nkunku#Hans Vanaken#mats rits#Mohamed Salah#sadio mane#mehdi taremi#roberto firmino#RafaelLeão#antoine griezmann#luis suarez#donyell malen#Jasurbek Yakhshiboev#Karim Benzema#Sébastien Thill#football#fussball#fußball#foot#fodbold#futbol#futebol
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