#mats rits
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can you talk about how you made the costume please đđđ
:D sure!!! putting it under cut bc it's a lot lol
when i got the idea i had absolutely No clue as to how people even go abt cosplays like this, so step 0 was obviously One Billion Youtube Tutorials (this one - it's in polish but has eng subtitles - was my best friend <3 but there's really sooo many for every little aspect of making armor cosplay i owe them my life)
anyway. proceeding. assume every step takes a fuckton of trial and error and at least 3 failed attempts
REFERENCES:
collected all the covers where u can see mb's suit well, some fanarts that interpreted it in ways i liked, the 2 previous mb cosplays i found
PLANNING:
little to no planning (bad idea. btw.)
MATERIALS:
regular long-sleeved shirt+pants+cycling gloves+fanny pack. (sorry murderbot. but the armor piece over its crotch literally looks like a fanny pack)
the armor's made out of smth called EVA foam (similar to yoga mat in terms of texture/stiffness), had to order it from a cosplay-specific online shop
heat gun (i was lucky bc my dad's an amateur handyman and turned out to already have one) bc EVA foam's much easier to form+less absorbent when heated
contact glue (also known as contact cement) for glueing the armor pieces whole, superglue for details here and there
straps (the kind u use in backpacks etc)+plastic buckles+velcro. so much velcro. i'm never hand-sewing thru velcro again
wood glue+smth called glossy universal lacquer (p sure it's just car paint.) for painting
transparent plastic mask + rit dye for dyeing it (bc i couldn't find one that was already dark đ)
tape+cling wrap for patterns
MAKING PATTERNS FOR ARMOR:
okay so. you wrap [Given Body Part] in cling wrap (yeah just regular kitchen cling wrap). put tape (i used duct tape at first but switched to masking tape bc it's cheaper) all over. draw, roughly, the shape you want the armor piece to be. cut urself out, cut away the excess edges, bam! pattern. like these:
(the chest piece was the tough part. i wanted the characteristic rounded shape so i didn't use cling wrap there, it was a lot of trial-and-error with cutting shapes out of paper, putting them against my chest, adjusting things, rinse&repeat.)
(also, the helmet - for the face shield i got these v cheap plastic masks that were advertised as lawn mowing masks (???), then tried to dye them black with Rit Dye for synthetics. that was a Whole Ordeal & my best try still turned out too see-through & more orange-tinted than i liked, but i was out of time so (shrug emoji). & for the pattern, i put on the mask + a beanie before wrapping my head in cling wrap dkjfgn)
i cut the patterns into shapes that could be flattened & copied them onto paper (to be able to transfer them onto foam more easily):
ACTUALLY MAKING THE PIECES:
the annoying part: outlining all patterns on the foam and cutting them out with a box cutter. This Sucks. then, shaping them with the heat gun. This Doesn't Work As Well As It's Supposed To. then, glueing the pieces together with contact glue. This Takes Ages.
(& it's like. near-impossible glueing them so the seams don't look terribly obvious đ i'm sure there's a way to cover it up well, but the method i tried (foam clay) worked Eh at best)
oh right also the. thingy around the neck. that's just a tube made out of some leggings i was gonna throw out. filled with a bunch of cotton i stole from a pillow. improvise adapt overcome
ATTACHING IT ALL:
That's Velcro, Baby đ it's either glued onto the foam or sewed onto the straps Everywhere. it's how the forearm & thigh & lower leg pieces close, how the chest & back pieces connect, how the face shield's made removable. Velcro All The Way Down.
the 2 exceptions: the thigh pieces are attached to a belt with some straps bc they kept sliding off; & the tiny armor pieces on my feet have a loop of string glued on the inside that i just pulled my shoelaces through
PAINTING:
the issue with EVA foam is that it absorbs stuff v easily, so before painting it i had to prime it (aka cover it in 2-4 protective layers of wood glue). then for actual painting, i sprayed all the pieces with 2 layers of universal lacquer (outside on some cardboard ofc). here it is all drying in the garage (bc it stank đ):
and that's it!!!! done!!!! a bit over a month of work in total :]
#thank u for asking! hope it all makes sense (and if it doesnt i'd be happy to answer more questions)#going to bed now tho gn
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1: âââ0 1 2 4 8 9 a b c d e f g h i j k l m n o p q r s t u v w x y z âââ32/36 âââ(26/26) âââ(6/10)
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4: âââ1842 1908 abdo able ably acce acin acru acti actu adep ages ainf ajor akes akin alis allo alls ally almo alog also amil ampl anal anat ance ands andu aneo ange anim answ ants anus aped appa appe area aren arge arki arks arly arms arou arra arsa arte arti arts ased aske atar ated ater athe atid atio ativ atom atte atty atur avit awar aybe babl back ball base bdom bear bedd behi belo betw beyo biof bitt blog bodi body bone boun boyl brat brev bsta bula burr bute call cavi ccen ccyx ceed cent ceps cept cher chiu cial cien ciet cing cles cloa clus cocc comp conn cons cont cosu cret crib crum ctio ctua ctus cula cuta dard ddar deal deed denb denc deos depo dept desc dfis died dies diet ding disp dnes does dome domi dors dula duri eaki eall ears eart ebra ecia ecre ecti ectu edda edin edis eedi eein eems efer egio ehin eing eith elat elet elop elow elvi emal emel emen emor empl emur enbo ence endi ends engt engy enhn enop enor enti entl entu enve eous epos epti eque eral eran ered eres erio erly ermi erru erse ersi erte erti erto erus escr espe esti esty etal etat eton etwe ever evic evid ewha excl exem exte extr exus eyon fami fatt fema femo femu fest fibu fied fift find firs fish form foss frac frog from furt fuse gely geme gest gica gion gird glan glue gold gona gous grea grou gyst hape have head hear heir here hert herz hese hich high hims hind hing hips hird hite hium hnac hole hoto houg hroa hume hyme hymu iall ibed ibio ibul ibut ical icep icks icky icul idea iden ideo ides idfi ienc iety ifes ifie ifth ight ilar ilia illi imag imal imil imse inal incl inde infr ings inky inse insi inst inte into ints inuo iofi ions ious irdl irst isch ishe isop ispo issu ists ites ithe itio ittl itty ivel join jori just juts kele king kink kive knee know ksch land larg larl late lati latu lden legs leng leta leto lexu liar lier life lifi litt llie llow lmos loac logi logo lond loos lope lops lowe lowi lung lusi lvic lymp lypm mage majo make male mall many mark mass mati mayb mely meno ment meru meta mewh mila mili mina mite moot mora most moun mous mple mpli mpri msel murs musc must mygo naci nads nali nalo nato nboy nclu ndee nder ndin ndne ndon ndul nect neit neou ness next nfro ngem ngth ngys nhna nima nnec nopt norm nost note noxi nsec nseq nsid nsis nste nswe ntai nter ntin ntio ntly ntri ntua nuou nusu nvel oaca obab occy ocee ocie odie oesn ofib ogic ogou oint olde olog omat omen omew omin ompr onad ondo only onne onse onsi onta onti ontr oolo oose ooth oped oper opte oral oria orit orma ormo orsa oses osit osso oste osto osty osus otal oted othe otic ough ound ount oups outs ower owin oxio oylo pare part patt pear peci pelv perl phot pica pine plex plif poin pose posi post ppar ppea ppos pred pris prob proc prop pter ptid pubi quar quea quen ques quit ract rain rang rans rapp rate rath rawr rdle real reat rect redi refe regi rela reme rent rest rete reve revi rgel rges rial ribe ribu righ ring rior rise rity rkiv rksc rmat rmit rmou roat roba roce rogs rope rost roun roup rowe rpri rran rrou rrow rruc rsal rsed rsio rstl rteb rter rthe rtic rton ruco sacr sacs sals same save sche schi scie scle scri scul secr sect seei seem self sequ shap shes side sidf simi sion sist siti sits sive size sked skel skin smal smoo soci soft some sopt sori spec spin spos sque ssor ssue stan stea ster stic stin stio stly stom stot stud styl sual subs such supp surp surr swer syno tain take talk tanc tane tars tata tead tebr tend tera tere teri term tern than that thei them ther thes they thig thin thir this thou thro thus thym tibi tica tick ticu ting tinu tiny tion tips tiss tive toma tomy tons tota toti trem trib tsid tter ttle tual tuat tudi ture turn twee tyle typi uall uart uate ubis ubst ucos udie ueak uenc uest uite ular ulat umer unde undi undn ungs unus uous uppo urin urns uros urpr urro urth uscl uscu used usio usiv usua utan utsi velo vely verr vers vert very vice vide vill vity ware ween well were wers what when whic whit whol wing with xclu xemp xiou xten xtre ygol ylou ymen ymph ymus ynos
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6: âââabdome abdomi accent action actual ainfro ajorit allowi almost alogou amilia amplex analog anatom andula aneous angeme animal answer appare appear arentl argely argest arkive arksch around arrang arsals articu atarsa ateral athert ations attern bdomen bdomin beddar behind betwee beyond biofib bodies boylou brevic bstanc burrow cavity ccentu ceedin centua ceptid cially cience cloaca clusio clusiv coccyx compri connec conseq consis contai contin contri cribed ctions ctuall cularl culatu cutane denboy deposi descri dfishe dispos domina dorsal during eaking ebrate eciall ecrete ection eddard edings edispo eeding either elativ eletal eleton eloped emoral emplif enboyl ending engyst enhnac enopte enormo ention entuat envelo eposit equenc eresti ermite erruco ersion ertebr ertica escrib especi esting estion estyle etatar etween everse evicep eviden exclus exempl extend extrem famili female femora femurs festyl fibula firstl fishes format fossor fracti furthe gement girdle glands glandu golden gonads groups gystom hearts herton himsel hnacin humeru hymeno ibiofi ically icepti icular idence idfish ifesty ilarly illier images imilar imself inalis inclus indeed infrog insect inside instea intere inuous iofibu irstly ischiu isopte ispose jority keleta keleto kscher landul largel larges latera lative lature ldenbo length letons lifest lified little llowin logica logous london lowing lusion lusive majori marksc mation menopt mentio metata mewhat milarl miliar minali mplexu mplifi mprise muscle muscul mygold nacing nalogo natomy nboylo nclusi ndness ndular nectio neithe nfrogs ngemen ngysto nhnaci nnecti nopter normou nostot noxiou nseque nsists nstead nswere nteres ntinuo ntribu ntuate nusual nvelop obably oceedi ociety ofibul ogical oldenb ologic omatid omewha ominal ompris onnect onsequ onsist ontain ontinu ontrib oologi operly optera ormati ormous ositio ossori osteri ostoti ostyle otical ounder oundin oundne outsid oxious parent partic patter pecial pelvic plexus plifie points positi posits poster pparen ppears predis probab procee proper pteran quarte queaki quence questi ractio rainfr rangem rather really rectus redisp region relati remely rently restin revers revice ribute rksche rmatio rmites robabl roceed roperl rostyl rounde roundi roundn rowers rprise rrange rround rrower rrucos rtebra rtical rticul rucosu sacrum scherz schium scienc scribe scular sculat secret seeing sequen shaped sidfis simila sition sively skelet smooth societ somewh sopter sorial specia sposes squeak ssoria stance sterio sticks sticky stomat stotic studie sually substa suppos surpri surrou swered synost taneou tarsal tatars tebrat tendin terans terest terior termit therto though throat thymus tibiof ticall ticula tinuou tissue tomati totica tremel tribut tually tuated tudied typica uarter ubstan ucosus ueakin uestio ularly ulatur umerus unding undnes unusua uppose urosty urpris urroun urrowe urther uscles uscula usivel usuall utaneo utside velope velops verruc versed versio verteb vertic viceps vicept videnc videos villie xclusi xempli xtendi xtends xtreme ygolde ymenop ynosto ypical ystoma zoolog âââ446/2176782336 âââ(446/308915776)
7: âââabdomen abdomin accentu actuall ainfrog ajority allowin alogous amiliar amplexu analogo anatomy andular angemen answere apparen appears arently arksche arrange articul atarsal atherto bdomina beddard between biofibu brevice bstance burrowe ccentua ceeding centuat clusion clusive compris connect consequ consist contain continu contrib ctually cularly culatur cutaneo denboyl deposit describ dfishes dispose dominal ecially ections edispos eedings elative eletons emplifi enboylo engysto enhnaci enopter enormou entuate envelop eposits equence erestin ermites errucos ertebra ertical escribe especia etatars eversed eviceps evicept evidenc exclusi exempli extendi extends extreme familia femoral festyle firstly formati fossori fractio further glandul goldenb gystoma himself hnacing humerus hymenop ibiofib iceptid icularl idfishe ifestyl imilarl inclusi infrogs instead interes iofibul ischium isopter isposes keletal keleton kscherz landula largely largest lateral ldenboy lifesty llowing logical lusivel majorit marksch mations menopte mention metatar milarly minalis mplexus mplifie muscles muscula mygolde nalogou nboylou nclusio nection neither ngement ngystom nhnacin nnectio noptera normous nostoti noxious nsequen nswered nterest ntinuou ntribut ntuated nusuall nvelope nvelops oceedin ofibula oldenbo ologica omewhat ominali omprise onnecti onseque onsists ontinuo ontribu oologic opteran ormatio osition ossoria osterio ostotic oticall ounding oundnes outside parentl particu pattern peciall plified positio posteri pparent predisp probabl proceed properl pterans quarter queakin questio raction rainfro rangeme redispo relativ resting reverse revicep rkscher rmation robably roceedi roperly rostyle rounder roundin roundne rrangem rroundi rrowers rrucosu rtebrat rticula rucosus science scribed sculatu secrete sequenc sidfish similar skeleta skeleto society somewha soptera special squeaki ssorial sterior stomati stotica studied substan suppose surpris surroun synosto taneous tarsals tatarsa tebrate tending teresti termite therton tibiofi tically ticular tinuous tomatid totical tremely tribute typical ubstanc ueaking uestion ulature undness unusual urostyl urprise urround urrower uscular usculat usively usually utaneou veloped verruco version vertebr vertica vicepti vidence villier xclusiv xemplif xtendin xtremel ygolden ymenopt ynostot ystomat zoologi âââ297/78364164096 âââ(297/8031810176)
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10: âââabdominali accentuate apparently arrangemen articularl bdominalis brevicepti ccentuated connection consequenc continuous contribute engystomat enopterans especially etatarsals exclusivel exemplifie formations goldenboyl gystomatid hymenopter ibiofibula interestin isopterans ldenboylou markscherz menopteran metatarsal musculatur mygoldenbo ngystomati nostotical nteresting oldenboylo onnections onsequence ostoticall particular predispose proceeding redisposes reviceptid roceedings rrangement rticularly stotically surroundin synostotic tibiofibul urrounding usculature verrucosus vertebrate xclusively xemplified ygoldenboy ymenoptera ynostotica zoological âââ60/3656158440062976 âââ(60/141167095653376)
11: âââabdominalis accentuated arrangement articularly breviceptid connections consequence engystomati exclusively exemplified goldenboylo hymenoptera interesting menopterans metatarsals musculature mygoldenboy ngystomatid nostoticall oldenboylou ostotically particularl predisposes proceedings surrounding synostotica tibiofibula ygoldenboyl ymenopteran ynostotical âââ30/131621703842267136 âââ(30/3670344486987776)
12: âââengystomatid goldenboylou hymenopteran mygoldenboyl nostotically particularly synostotical ygoldenboylo ymenopterans ynostoticall âââ10/4738381338321616896 âââ(10/95428956661682176)
13: âââhymenopterans mygoldenboylo synostoticall ygoldenboylou ynostotically âââ5/170581728179578208256 âââ(5/2481152873203736576)
14: âââmygoldenboylou synostotically âââ2/6140942214464815497216 âââ(2/64509974703297150976)
Why are rain frogs so round? What's /inside/ of them around such an itty bitty skeleton?
So it turns out this is a really interesting question.
The first thing we must be aware of is that rainfrogs as we see them in videos of them squeaking are not quite the same shape as they are when at rest:
[x]
But you are quite right, they are very round. This is exemplified by the skeletal photo you refer to:
[X]
So what are we seeing?
Well, firstly, note that the body cavity in these frogs actually envelops the femurs, such that only the tibiofibula (fused in frogs) and the tarsals and metatarsals are outside the body. The arms are quite similarly enveloped, but a bit of the humerus does extend outside the body cavity too. This predisposes them to a rounder body shape.
Next, note the ilia - the U-shaped bone in the pelvic region. These in some breviceptid frogs are synostotically fused with the sacrum - that is to say, they are bound by bone-based connections to the bow-shaped vertebra at their tips. This whole joint seems to be quite smooth, and as a consequence, the back of the frog is quite smooth. The other thing we can see here is that the urostyle (i.e. the frog version of a coccyx) juts quite far beyond the ischium and pubis. This extends the body cavity beyond the hips. Note also that the pelvic girdle seems to be largely below the spine, rather than the typical position for frogs behind it and continuous with it. This makes the legs sit below the spine, rather than at its end, enhnacing the vertical roundness of the animal.
Next, letâs talk some soft tissue. Now, Iâm not as familiar with soft-tissue in frogs as I am their skeletons, so youâll have to bear with me a bit (rawr). Beddard (1908!!) studied the soft tissue of Breviceps verrucosus Rapp 1842. It seems that the majority of the body of these frogs is actually muscle. Beddard noted that muscles join the leg at the knee that extend into the body cavity, such that the inclusion of the thigh in the body cavity is further accentuated by musculature. The rectus abdominalis muscle is unusually large, extending from the lower abdomen up and around the sides of the body. Indeed, this large size appears to be the pattern with all of the major muscles, though in the throat the typical arrangement of large and small muscles is somewhat reversed. On the lateral side of the head, there is a substance that is not muscle, but appears to be loose tissue in which sits what is apparently the thymus gland.
There is a very large gap between the end of the urostyle and the anus (one fifth of the total length of the frog), in which there are almost no muscles, save for the one surrounding the lower cloaca. On either side of this area, between the posterior-most muscles of the thigh, lie two large âlymph-heartsâ, as described by Beddard. These are between one quarter and one third of the total length of the frog. A further lypmh-sac sits between these lymph-hearts and the skin of the femoral region, and they are thus probably analogous to the femoral lymph-sacs of other frogs.
I find it interesting that Beddard (1908) did not mention any glandular formations in the dorsal region. As is evidence from many images (see below), these frogs are able to secrete a white, sticky, noxious substance from their skin (which they actually have to use during amplexus, as the male is too small relative to the female to mount her properly, and so he sticks himself to her with his glandular glue⊠kinky).
[x]
These glands do not apparently take up a great deal of the cutaneous tissue, and so I suppose are of no consequence to the size of the frog, especially relative to its enormous muscles.
The diet of these frogs consists almost exclusively of hymenopterans and isopterans (ants and termites). Neither of these insect groups are particularly fatty, so it is little surprise that their bodies appear to contain no large fat deposits - fatty bodies extend from the gonads up to the lungs and heart, but these comprise only a tiny fraction of the frogâs mass, and donât contribute to the round shape. Instead, their bodies are extremely muscular, allowing them to be adept burrowers, ideal for their fossorial lifestyle.
So TL;DR: rain frogs are little balls of muscle (maybe the largest muscle mass relative to body mass of any vertebrate? science just doesnât know).
Ref:
Beddard, F.E. 1908. On the Musculature and other Points in the Anatomy of the Engystomatid Frog, Breviceps verrucosus. Proceedings of the Zoological Society of London, 1908:11-41 [x]
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ÂżCuĂĄl es la alineaciĂłn probable del Club Brugge frente al Benfica en su prĂłximo partido?
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ÂżCuĂĄl es la alineaciĂłn probable del Club Brugge frente al Benfica en su prĂłximo partido?
AlineaciĂłn titular Club Brugge vs Benfica
El Club Brugge se enfrentĂł al Benfica en un emocionante partido de fĂștbol que dejĂł a los espectadores al borde de sus asientos. En la alineaciĂłn titular del Club Brugge, destacaron jugadores clave como Simon Mignolet en la porterĂa, Brandon Mechele y Stanley N'Soki en la defensa, Hans Vanaken y Ruud Vormer en el centro del campo, y el peligroso ataque encabezado por Noa Lang y Noa Lang.
Por otro lado, el Benfica saliĂł con un equipo experimentado, con jugadores como Helton Leite defendiendo la porterĂa, NicolĂĄs Otamendi liderando la defensa, Julian Weigl controlando el centro del campo y Darwin NĂșñez y Rafa Silva creando peligro en el ataque. El enfrentamiento entre ambas alineaciones titulares prometĂa un partido intenso y lleno de emociĂłn.
El Club Brugge demostrĂł su fuerza y ââdeterminaciĂłn en el campo, logrando mantener a raya al Benfica y creando oportunidades de gol con su juego fluido y creativo. Sin embargo, el Benfica no se quedĂł atrĂĄs y puso a prueba la defensa del Brugge con rĂĄpidos contraataques y jugadas elaboradas.
En Ășltima instancia, el partido terminĂł en empate, con ambos equipos mostrando su calidad y determinaciĂłn en el campo. La alineaciĂłn titular del Club Brugge y del Benfica demostrĂł por quĂ© son dos de los equipos mĂĄs destacados en la escena futbolĂstica europea, y dejĂł a los aficionados con ganas de mĂĄs emociones en futuros enfrentamientos.
Jugadores probables Club Brugge contra Benfica
El prĂłximo encuentro entre el Club Brugge y el Benfica promete ser un partido emocionante e intenso. Ambos equipos estĂĄn preparando a sus mejores jugadores para enfrentarse en la cancha y buscar la victoria.
En el Club Brugge, se espera que jugadores como Simon Mignolet en la porterĂa, Clinton Mata en defensa, y Noa Lang en la delantera sean piezas clave en la formaciĂłn titular. Estos jugadores han demostrado su habilidad y determinaciĂłn en partidos anteriores, por lo que se espera que aporten su experiencia y calidad al equipo en el prĂłximo enfrentamiento contra el Benfica.
Por otro lado, el Benfica tambiĂ©n cuenta con una plantilla talentosa y competitiva. Se espera que jugadores como Jan Vertonghen en la defensa, Julian Weigl en el mediocampo, y Darwin NĂșñez en la delantera lideren al equipo en busca de la victoria contra el Club Brugge. Estos futbolistas han demostrado su destreza y capacidad para marcar la diferencia en partidos importantes, por lo que se espera que sean determinantes en el prĂłximo partido.
En resumen, el enfrentamiento entre el Club Brugge y el Benfica promete ser un encuentro vibrante y lleno de emociĂłn, con jugadores de gran calidad y talento en ambas plantillas. Los aficionados pueden esperar un partido disputado y lleno de acciĂłn, donde cada gol y cada jugada serĂĄn cruciales para determinar al ganador. ÂĄQue comience el espectĂĄculo en la cancha!
Posible formaciĂłn Club Brugge frente a Benfica
El Club Brugge se enfrentarĂĄ al Benfica en un emocionante partido que tiene a los fanĂĄticos del fĂștbol expectantes. Ambos equipos buscarĂĄn asegurar su paso a la siguiente ronda del torneo, y la posible formaciĂłn del Club Brugge es clave para lograrlo.
El entrenador del Club Brugge tendrĂĄ que tomar decisiones difĂciles al armar su alineaciĂłn titular. Se espera que jugadores clave como Charles De Ketelaere, Noa Lang y Mats Rits estĂ©n presentes en el once inicial. La defensa estarĂĄ liderada por jugadores experimentados como Brandon Mechele y Stefano Denswil, quienes deberĂĄn estar en su mejor nivel para contener el poderĂo ofensivo del Benfica.
En la zona media del campo se espera la presencia de Ruud Vormer, capitĂĄn del equipo, quien aportarĂĄ su liderazgo y visiĂłn de juego para controlar el ritmo del partido. En cuanto al ataque, jugadores como Hans Vanaken y KĂ©vin De Bruyne serĂĄn fundamentales para generar opciones de gol y poner en aprietos a la defensa rival.
El Club Brugge cuenta con una plantilla talentosa y equilibrada que buscarĂĄ imponer su juego desde el primer minuto. La aficiĂłn belga confĂa en que el equipo pueda obtener un resultado positivo frente al Benfica y avanzar en la competiciĂłn europea. SerĂĄ un partido vibrante que nadie querrĂĄ perderse.
Once inicial Club Brugge vs Benfica
El Club Brugge y el Benfica se enfrentarĂĄn en un emocionante encuentro en la fase de grupos de la Liga de Campeones de la UEFA. Ambos equipos buscarĂĄn asegurar su lugar en la siguiente etapa del torneo con una victoria en este partido crucial.
El Club Brugge, que juega en la Pro League de BĂ©lgica, ha tenido un comienzo sĂłlido en la competiciĂłn europea, mostrando un buen desempeño en sus Ășltimos partidos. Con jugadores talentosos como Noa Lang y Hans Vanaken en su once inicial, el Club Brugge buscarĂĄ imponer su estilo de juego ofensivo y mantener su racha positiva en casa.
Por otro lado, el Benfica llega a este encuentro con una gran motivaciĂłn despuĂ©s de lograr una victoria importante en su liga domĂ©stica. Con un equipo experimentado y liderado por el talentoso delantero Darwin NĂșñez, el Benfica buscarĂĄ aprovechar las oportunidades de gol y salir victorioso en este difĂcil partido como visitante.
Se espera un emocionante duelo entre el Club Brugge y el Benfica, con ambos equipos luchando por conseguir los tres puntos y acercarse a la clasificaciĂłn a la siguiente fase de la Liga de Campeones. Los fanĂĄticos del fĂștbol podrĂĄn disfrutar de un partido lleno de emociĂłn, goles y grandes jugadas que podrĂan definir el destino de ambos equipos en el torneo mĂĄs prestigioso de Europa.
Jugadores probables alineados Club Brugge vs Benfica
En el prĂłximo enfrentamiento entre el Club Brugge y el Benfica, se espera que ambos equipos alineen a sus mejores jugadores para buscar la victoria. En el Club Brugge, jugadores como Mats Rits, Noa Lang y Charles De Ketelaere podrĂan formar parte de la alineaciĂłn titular. Estos talentosos futbolistas han demostrado su valĂa en el campo y se espera que sean piezas clave en el enfrentamiento contra el Benfica.
Por otro lado, el Benfica cuenta con jugadores de gran calidad como Darwin NĂșñez, Rafa Silva y NicolĂĄs Otamendi, quienes podrĂan ser parte fundamental del once inicial. Estos futbolistas tienen la experiencia y el talento necesario para marcar la diferencia en el partido contra el Club Brugge y contribuir a la bĂșsqueda de los tres puntos.
La aficiĂłn de ambos equipos espera con ansias este emocionante encuentro, donde las habilidades individuales y el trabajo en equipo serĂĄn determinantes para el resultado final. Tanto el Club Brugge como el Benfica cuentan con jugadores probados en competiciones de alto nivel, lo que garantiza un espectĂĄculo futbolĂstico de gran calidad.
Los fanĂĄticos del fĂștbol estarĂĄn atentos a la alineaciĂłn de ambos equipos antes del inicio del partido, en el que se espera que los jugadores probables demuestren su mejor nivel y brinden un espectĂĄculo digno de su talento y dedicaciĂłn.
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ÂżCuĂĄl fue la alineaciĂłn del Club Brujas en el partido contra KA Akureyri?
đ°đČâš ÂĄObtĂ©n 500 euros y 200 giros gratis para jugar juegos de casino con solo un clic! âšđČđ°
ÂżCuĂĄl fue la alineaciĂłn del Club Brujas en el partido contra KA Akureyri?
AlineaciĂłn titular Club Brujas
El Club Brujas es uno de los equipos de fĂștbol mĂĄs importantes de BĂ©lgica, y su alineaciĂłn titular es clave para su desempeño en la liga. Con jugadores talentosos y una estrategia bien definida, el Club Brujas se ha destacado en la escena futbolĂstica europea.
En la alineaciĂłn titular del Club Brujas destacan varios jugadores clave. En la defensa, figuran nombres como Simon Deli y Clinton Mata, conocidos por su solidez y capacidad para detener los ataques rivales. En el mediocampo, destacan jugadores como Hans Vanaken y Mats Rits, quienes aportan creatividad y control del juego en el centro del campo. En la delantera, jugadores como Noa Lang y Charles De Ketelaere se destacan por su velocidad y habilidad para marcar goles.
El entrenador del Club Brujas, Philippe Clement, es conocido por su enfoque tĂĄctico y su capacidad para motivar a sus jugadores. Su estilo de juego ofensivo y dinĂĄmico ha sido fundamental en el Ă©xito del equipo en la liga belga y en competiciones europeas.
En resumen, la alineaciĂłn titular del Club Brujas es un equipo equilibrado y talentoso, capaz de competir contra los mejores equipos de Europa. Con jugadores destacados en todas las lĂneas y un entrenador experimentado a la cabeza, el Club Brujas es un equipo a tener en cuenta en el panorama futbolĂstico actual.
Jugadores Club Brujas contra KA Akureyri
El Club Brujas se enfrentarĂĄ al KA Akureyri en un emocionante partido que promete altas dosis de adrenalina y emociĂłn. Este encuentro entre jugadores de alto nivel de ambos equipos promete ser un espectĂĄculo imperdible para los amantes del fĂștbol.
Los jugadores del Club Brujas llegan a este partido con una gran experiencia y talento en sus filas. Con habilidades excepcionales y una estrategia de juego bien definida, buscarĂĄn imponer su dominio en el terreno de juego y llevarse la victoria ante su rival. Con una larga trayectoria en competencias de alto nivel, los jugadores del Club Brujas son conocidos por su tĂ©cnica depurada y su espĂritu competitivo.
Por otro lado, el KA Akureyri llega a este encuentro con determinaciĂłn y ganas de demostrar su valĂa como equipo. Con jugadores dispuestos a dejarlo todo en el campo, buscarĂĄn hacer frente al Club Brujas y dar la sorpresa en este enfrentamiento. Con un estilo de juego aguerrido y una mentalidad ganadora, el KA Akureyri promete plantar cara a su rival y ofrecer un espectĂĄculo lleno de emociĂłn hasta el Ășltimo minuto.
En resumen, el enfrentamiento entre los jugadores del Club Brujas y el KA Akureyri promete ser un duelo vibrante y lleno de emociĂłn para los aficionados al fĂștbol. Con jugadores talentosos y determinaciĂłn en ambos equipos, este partido promete ser un verdadero espectĂĄculo deportivo que no te puedes perder. ÂĄPrepĂĄrate para disfrutar de un encuentro inolvidable entre dos grandes equipos en busca de la victoria!
FormaciĂłn tĂĄctica Club Brujas partido KA Akureyri
El Club Brujas se enfrentĂł al KA Akureyri en un emocionante partido que puso a prueba sus habilidades tĂĄcticas. Durante la formaciĂłn tĂĄctica del Club Brujas, el entrenador optĂł por una estrategia agresiva que buscaba dominar el juego desde el principio. Con una alineaciĂłn ofensiva y movimientos rĂĄpidos, el equipo belga logrĂł imponer su ritmo y mantener la presiĂłn sobre sus rivales islandeses.
La formaciĂłn tĂĄctica del Club Brujas se caracterizĂł por una defensa sĂłlida que permitiĂł controlar los avances del KA Akureyri y cortar sus oportunidades de gol. Al mismo tiempo, el medio campo demostrĂł una gran capacidad de recuperaciĂłn y distribuciĂłn del balĂłn, facilitando la transiciĂłn hacia el ataque y generando peligro en el ĂĄrea rival.
Los delanteros del Club Brujas supieron aprovechar las oportunidades creadas por su equipo y con movimientos precisos y definiciones certeras lograron marcar la diferencia en el marcador. A lo largo del partido, la formaciĂłn tĂĄctica del equipo belga demostrĂł ser efectiva y permitiĂł obtener una victoria contundente frente al KA Akureyri.
En resumen, la formaciĂłn tĂĄctica empleada por el Club Brujas en el partido contra el KA Akureyri fue clave para conseguir un resultado positivo. El equipo supo jugar en equipo, aprovechar sus fortalezas y neutralizar las estrategias de sus rivales, demostrando asĂ su calidad y profesionalismo en el campo de juego.
Lista de jugadores Club Brujas frente a KA Akureyri
El Club Brujas, uno de los equipos mĂĄs emblemĂĄticos de BĂ©lgica, se enfrentarĂĄ al KA Akureyri en un emocionante encuentro de fĂștbol. A continuaciĂłn, presentamos la lista de jugadores del Club Brujas que estarĂĄn disponibles para este importante partido:
Simon Mignolet: El experimentado portero belga, pieza fundamental en la defensa del equipo.
Mats Rits: Centrocampista creativo y talentoso, capaz de marcar la diferencia en el medio campo.
Noa Lang: Joven promesa del fĂștbol holandĂ©s, con habilidad y rapidez en el ataque.
Hans Vanaken: Jugador estrella del Club Brujas, con gran visiĂłn de juego y capacidad goleadora.
Ăder Balanta: Defensa sĂłlido y confiable, aporta seguridad en la zaga del equipo.
Charles De Ketelaere: Delantero versĂĄtil y desequilibrante, capaz de crear peligro en el ĂĄrea rival.
Clinton Mata: Lateral derecho con experiencia y entrega en cada partido.
Eduard Sobol: Zurdo habilidoso en la banda izquierda, aporta profundidad en el ataque.
Con una plantilla talentosa y equilibrada, el Club Brujas buscarĂĄ imponer su juego ante el KA Akureyri y avanzar en la competiciĂłn. Los aficionados esperan un gran espectĂĄculo de fĂștbol y confĂan en que estos jugadores darĂĄn lo mejor de sĂ para conseguir la victoria.
Once inicial Club Brujas ante KA Akureyri
En la emocionante confrontación entre el Once Inicial Club Brujas y el KA Akureyri, se vivió un partido lleno de intensidad y emoción. El Club Brujas, un equipo reconocido por su gran desempeño en el campo de juego, se enfrentó a un duro rival en el KA Akureyri, un equipo proveniente de Islandia con jugadores talentosos y determinación.
Desde el inicio del encuentro, ambos equipos demostraron un gran nivel de juego, con jugadas rĂĄpidas y tĂĄcticas bien elaboradas. El Club Brujas, con su once inicial, se mostrĂł fuerte en la defensa y letal en el ataque, buscando constantemente el gol que les diera la ventaja. Por su parte, el KA Akureyri no se quedĂł atrĂĄs y demostrĂł su habilidad para controlar el balĂłn y generar peligro en el ĂĄrea rival.
El enfrentamiento entre estos dos equipos europeos fue una muestra del talento y la pasiĂłn por el fĂștbol que se vive en cada partido. Los aficionados disfrutaron de un espectĂĄculo deportivo de alto nivel, con goles, atajadas impresionantes y jugadas de gran calidad.
Al final del partido, el Once Inicial Club Brujas logrĂł imponerse con un marcador favorable, demostrando una vez mĂĄs por quĂ© es uno de los equipos mĂĄs fuertes de la regiĂłn. Sin embargo, el KA Akureyri mostrĂł su valentĂa y determinaciĂłn a lo largo del encuentro, dejando claro que es un equipo digno de tener en cuenta en futuras competiciones.
En resumen, el duelo entre el Club Brujas y el KA Akureyri fue un enfrentamiento emocionante que mantuvo a los espectadores al filo de sus asientos. Ambos equipos demostraron su calidad y entrega en el campo, brindando un espectĂĄculo digno de recordar en el mundo del fĂștbol.
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Je viens vite fait sur tumblr pour me dĂ©fouler Ă propos de la grossophobie. Il s'est passĂ© plusieurs choses cette semaine et du coup lĂ il va ĂȘtre deux heures du mat et je fais un meltdown dans mon lit et je ne peux pas dormir.
Lundi, j'avais rendez-vous chez le médecin notamment pour renouveler mes médicaments. Je suis handi (trouble de l'hypermobilité, variante du SED), j'ai besoin d'antidouleurs et je suis souvent bloqués au lit à cause de la douleur ou de la position de mes poignets/épaules/hanches. J'ai alors expliqué à ma médecin que, depuis mes grosses crises il y a deux ans, je n'ai plus foutu un pied dehors. Il s'avÚre que je suis (trÚs) grosse et que je suis rentrée chez mes parents. AprÚs des années de précarité et de TCAs, le fait de manger deux fois par jour tous les jours sans bouger ont fait que j'ai pris beaucoup de poids et que j'ai perdu en muscles et en endurance. Du coup j'essaye d'expliquer à la médecin que, quand on rajoute le handicap par dessus, ben je ne peux pas me mettre à faire du sport comme ça, mon corps est trÚs fragile, il faut que je le rééduque d'abord. Je voulais qu'elle me prescrive de la kiné, en fait. Sa réponse ? "Il faut que vous mangiez mieux et que vous alliez à la piscine, je vais vous faire une lettre pour une nutritionniste". Elle a balayé du revers de la main toute mention du handicap là dedans, la piscine ce n'est ABSOLUMENT PAS réaliste pour moi, ça représente une sortie (sportive en plus) de presque trois heures pour quelqu'un qui 1/n'a pas marché en dehors de sa maison depuis deux ans et 2/est handicapé c'est vraiment irréalisable. Mais bon, connaissant les biais validistes et grossophobes de la médecine j'ai laissé coulé et j'ai juste rebondit sur lea nutritionniste. En soit, voir un-e nutritionniste n'est pas une mauvaise chose parce que personne sait se nourrir bien, personne ne sait de quoi son corps a besoin. Mais bon, c'est pas moi qui gÚre la cuisine et quand j'ai dit au docteur qu'entre le taf, la précarité et leurs problÚmes de santé mon pÚre n'a pas la possibilité de constamment faire des repas équilibrés quoi. La médecin a rit et m'a clairement fait comprendre que je me "trouve des excuses pour me faire du mal en restant grosse" et m'a dit attention....... "vous n'avez qu'à planter vos légumes"
PARDON ???? QUEL MOT DE "HANDICAPĂ SOUVENT ALITĂ" N'AVEZ VOUS PAS COMPRIS ????
Bref, je suis quand mĂȘme sortis avec une ordonnance pour la kinĂ©, mais aussi une lettre d'd'adressage pour un nutritionniste (j'ai peur d'en voir un, les biais grossophobes sont tellement forts en France....!) Et une ordo de prise de sang. Je suis sortis de ce rendez-vous en me sentant comme la pire des merdes, j'ai eu l'impression qu'elle me voyait comme quelqu'un "dans le dĂ©ni de son obĂ©sitĂ©" et genre son attitude oscillait entre une pitiĂ© dĂ©goĂ»tĂ©e et un jugement froid et mĂ©dical (lol).
J'ai eu les rĂ©sultats de ma prise de sang aujourd'hui. J'ai quelques taux lĂ©gĂšrement hauts et un taux lĂ©gĂšrement bas, j'ai rendez-vous mardi pour en discuter avec un mĂ©decin (un autre, celle que j'avais vu n'Ă©tait pas dispo avant la deuxiĂšme partie d'avril) mais a priori c'est juste une consĂ©quence du surpoids, rien de dangereux pour ma santĂ©. Ăa pourrait aussi ĂȘtre une consĂ©quence de ma pĂ©ricardite post COVID de novembre dernier. Sauf que ces taux concernent le foie et la thyroĂŻde et je suis forcĂ©ment ramenĂ©e Ă ma grosseur, comme un doigt accusateur et un rappel que je ne suis (littĂ©ralement) pas dans les normes. Le labo et tout internet dit bien que y a rien actuellement qui impacte ma santĂ© lĂ -dedans, mais aprĂšs mon rendez-vous de lundi c'est un peu comme une Ă©pĂ©e de DamoclĂšs au dessus de ma porte.
J'ai beaucoup appris sur la grossophobie ces derniĂšres annĂ©es. Par exemple, je sais que la majoritĂ© des gros-ses sont en rĂ©alitĂ© dĂ©nutris par leurs TCAs ou leurs multiples rĂ©gimes etc. Je sais que la grosseur est due entre 40% et 80% Ă la gĂ©nĂ©tique. Je sais aussi que les personnes obĂšses ne meurent pas plus jeunes que les minces, elles ont "juste" plus de chance de dĂ©velopper certaines maladies parce que les toxines s'Ă©liminent beaucoup moins bien lorsqu'on est gros (justement parce que le foie et la thyroĂŻde, par exemple, ne peuvent plus bien filtrer). Mais je sais aussi que ces dangers sont largement contrĂ©s par une activitĂ© physique rĂ©guliĂšre et une alimentation saine, pas besoin de maigrir en soit, si notre corps est sain ben il peut ĂȘtre gros sans problĂšme. J'en ai vu des articles, si vous saviez...! Tout ça pour dĂ©construire ma grossophobie, guĂ©rir mes TCAs et avoir un rapport plus sain Ă mon corps et Ă la nourriture. Sans doute que, aprĂšs avoir remis mon corps sur pattes, je pourrais avoir une activitĂ© physique rĂ©guliĂšre, et sans doute qu'Ă ce moment je perdrais un peu de poids. Mais mon objectif c'est surtout que mon corps soit en bonne santĂ©, sinon... Autant que je me tue tout de suite.
Sauf que il y a une heure environ, j'ai vu passer l'interview d'une femme grosse, présidente d'une association sur l'obésité. Qui faisait la promotion des chirurgies bariatriques. Qui expliquait à quel point l'obésité est une maladie à guérir (eurk. I mean, c'est classifié comme une maladie, mais eurk.) et qui n'a pas eu UN mot sur la grossophobie. Elle a juste propagée une haine de la grosseur sous couvert d'une pseudo bienveillance médicale. Et depuis, je suis en meltdown.
Je ne sais pas comment gĂ©rer ça. Je ne sais pas si je suis entiĂšrement delulu sur "la maladie de l'obĂ©sitĂ©", je ne sais pas si ma vie vaut la peine d'ĂȘtre vĂ©cue. Damn, je n'avais pas eu des pensĂ©es autant suicidaires depuis trĂšs longtemps. Bref, j'ai une nausĂ©e d'angoisse accompagnĂ©e de larmes qui s'amĂšnent donc je vais arrĂȘter lĂ . C'est horrible parce que je pensais que mettre tout Ă plat en Ă©crivant me permettrait de me calmer et dormir... đ€Ą
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How to Select the Best MBA College?
When career-aspiring students look forward to taking a step ahead, they prefer enrolling in an MBA course at a premium college such as Roorkee MBA College and institutes of similar recognition. Though the IIMs are the stalwarts of Indian business management studies, many students achieve lesser grades in CAT or MAT for which they have to keep options to enroll in a reputed institute with an excellent reputation of placements in national and international companies.
Letâs check out some ideas when selecting the best MBA collegeâ
If your CAT ranking didnât allow you to enter the IIMs or IITs then instead of feeling deprived, keep rooms open for alternatives where you can enter a good college such as RIT college offering the best faculty and educational environment in the lap of the Himalayas.
Whether you pass out from a BMLT college in Roorkee, general stream, or engineering background, attending an MBA program is for everyone.
Apply for a reputed college where the previous students whether attending from an agriculture college in Dehradun or English Honorsâ background should be treated with equal care by the professors.
Find a college with advanced educational apparatus that they follow in class to increase intent among the students.
Discuss with the existing students or former pass-outs about their experience on the campus before stepping forward to enroll in the MBA college.
Make sure that the placement cell is hyperactive and do their best to let everyone in the batch get placement in the final year of college.
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UEFA Champions League 2021/2022- Matchday 6 Goals (07.12.2021)
#UEFA Champions League#season 2021/2022#Group Stage#Matchday 6#Kylian Mbappe#Mbappe#Lionel Messi#Leo Messi#Messi#Mats Rits#Dominik Szoboszlai#andre silva#Riyad Mahrez#Fikayo Tomori#Mohamed Salah#Salah#Divock Origi#Donyell Malen#Marco Reus#Erling Haaland#haaland#Antoine Griezmann#SĂ©bastien Haller#Nuno Santos#Antony#David Neres#Steven Berghuis#Bruno Tabata#Fernando#Toni Kroos
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@bonmotx asked:
It's a dream and a memory.
The world is a pulsing miasma, something dense and smelling like blood and pomegranate seeds. Something lays in the dead and rotting, the ever mourned. Sherwood green and pale purple, cloth and head of hair, soaked in blood and unrecognizable. Somewhere someone that cannot admit death is crushed under two small bodies buried into matted fur. A captain of the ship lays broken in his many bodies.
A shield is shattered.
('A Beast is an Evil of Humanity,' a distant voice echoes. 'But they all love humanity, just in a twisted way'.)
Something without a form pulses. This is your domain. You wanted this. Hatred manifest, is it not? It must be hatred. It must. You look over the last human of this bleached word dyed with red, red, red, and look for-
-a smile.
This tiny body smiles.
"It's alright." The face is nearly unrecognizable, starved and near death and bone. They glow with humanity, but you must be hatred, you must be, to be a Beast. Beast, to hate, to loathe, to bite and claw-
(Something thick lands in your hair. When did you have hair? Where do you still, in this all-encompassing form?)
The miasma leaves this tiny body untouched, but the sludge is inescapable, tar and blood, and you watch with rapt attention as their chest struggles to beat, a rabbit's heart ready to burst with a leg torn apart in a trap.
"It's alright," that tiny body and that over-extending smile say, "we can make this better. It's okay."
A cough wracks the body and you start, a shudder running down spines and limbs and formless parts that are everything but 'human'. Why do you feel that? Why? You are a Beast. You hate, you hate, you hate-
Another cough. They fall over and the miasma rises to catch them but they fall through it, humanity, ever moving forward, but you are stuck in this single moment.
"I donât hold it against you. We can still fix it. Please, Ashiya, just trust me. Come back." No. You aren't Ashiya. You cannot be Ashiya Douman, you are a Beast, you are here! You are strewn about the digested and mutilated saint graphs and bodies of everyone ever brought here. You are soaked so thoroughly in their blood it has become part of you.
You devour and devour but still feel empty, and there is only one thing left.
Your maws try to speak, something hateful, but you make a sound you could never recognize. Your teeth cut into your tongues, and you move forward, but your claws are too large for this tiny thing.
A thing with a name, a name you never called them by.
Ritsuka Fujimaru looks up at you, blood bubbling up to their lips. They smile still. You look at those command seals, not one ever solely yours. "Trust me."
Once, in bed, you said you would paint your mark on them, and they laughed, pulled you over with mirth on their lips, and they dared you to, like you were not a thing of fangs and talons. Then you took them, and spread them apart, and scarcely left a mark, even as they cried and you lapped up their tears, and when they slept in your arms and when they woke in the morning you still were gentle-
But somebody else, somebody came first. He made demands, was made up of sharp angles and wrath. But his sparrow bones were beautiful. He, too, was made of hate. Passion in red eyes, red, and hair that you were ever gentle with, and you kissed him a thousand times, and you modeled yourself after him. He taught you how to craft definition in hate (and he taught you contrast, too, because he was the first one you-)
Yet this one is love, love, and no matter the hate you attempt to find, no matter what love you snuff, they still extend their hand-
You swore to make his dream come true-
This one's dream is the exact opposite-
How can one commit to two contradictory, parallel dreams-
(The miasma swells. The crown flourishes to a beautiful crescendo. You take form, the chrysalis melting away in velvet and gore and wet flaps of discarded skin.)
"It's okay, you can still come home." Claws too sharp finally abet to something that can be gentle, yet at that moment-
Life fades.
The last human dies.
Humanity dies.
You stare at the body as your gaze multiplies, as your body becomes a solid form that never had been granted to you before, a solid definition.
There is fantasy, too, there are humans in there but you will kill them because they are not your human-
Ah.
Your mind fractures. (Maybe the person in here can see where the cause of your fracture is.) There was no other human but this one. This is the most important human. (Memory fades.) This is the person you love the most. You have never loved anyone else as a person besides this one, dead body.
(This is why Alter Ego and Caster are disgusted by you, despite your lack of realization. You forgot. You forgot two important people. Alter Ego's most important person, Caster's most important person, their versions of your most important (only) person, forgotten for power. In seeing you they find their line they never would cross. You prove that only you could become you, because they see you and vow never, never.)
You are not hatred. How could you fool yourself? You love humanity. This human was humanity itself and you love, you love, you love.
There is a sound. It is a voice, yet not. Your body burns, because you have never hated anything but the inhuman, right? You destroyed humanity, the only thing you ever loved, the only commitment you ever had. Onmyouji love humanity, protect humanity, you failed at that, so you must have just loved them wrong. What a silly thing, to have thought you hated! How funny! You laugh through your wailing.
Ah. Right.
You are the one wailing. The world cracks beneath the sound. The miasma sinks, burrows, clawing and tearing its way down and down, into the world, beyond texture and bleach, beyond the reversal, it burrows into the very core and you mourn.
The one important thing to you, and you destroyed it.
But no matter the time, the body does not decay. You curl about it and isolate yourself as the other bodies fade to dust and you stay here, here, as things beyond the world pry about and are ignored. You stay here, as infinite time passes and none at all, because the Beast who mourns only ever mourns, always mourns-
(They finally realize they have forgotten, and their hands reach out for this version of themselves in their dream, where their errant master has ended up, but they freeze seeing that dead body. Their eyes go needle thin. Ritsu, Ritsu, Ritsu- and another wail, something empty and desperate-)
You sacrificed your love for this-
You stay there, lost in your mourning, as another you pulls at a body- isn't that your body, Ritsuka Fujimaru?
-
"Isn't that your body?" Alter Ego tuts, but their face is blanched white. They smell off. They tug the body that no longer is Beast but is the dreaming Ritsuka Fujimaru to the side, hide their eyes firmly under charms, and the sound of wet footsteps echoes even through the wailing and screaming and the desperation, the words of love, grief, love, love, grief, grief-
"Wake up." Alter Ego's voice is sharp. "You brought our lord here."
"Ahh... ahhh..." But the Beast's voice is wet, sharp and soft and empty empty empty, desperate-
"Wake up!" Alter Ego's own takes a hint of desperation. "I do not want to see this any longer!"
The sound of screaming and wailing is too much. This place is falling apart. Miasma and grudges clash and merge, ideals and faith and hate and love combating and tearing itself and the other-self apart. A faint sound comes from the corner.
"...oh." Another familiar voice. This one shouldn't be here. This one lurked in another's dreams, protected another dreamer despite knowing he did not need it. An uneasy air, but a familiar essence, and despite the lack of any bond... Hands that have been bitten raw rest over Ritsu's face.
"Go back to sleep."
The world fades to black, as in the living world, two bodies curl in devotion and desperation around another.
Ritsuka Fujimaru watches from eyes that arenât theirs. Itâs not the first time theyâve been someone else, seen someone elseâs memories. Itâs not even the first time theyâve been here.
They remember this place fractured. They remember this place from the eyes of the Ritsu they now loom above in a body formed and formless that burns and twists. In the dream they had, something kept them from knowing who this was. It was blurred, it was something unknown, they could feel their mouth forming a name but without knowledge of who or what they spoke to.
This was protection.
Ritsu lacks that same protection now, and they watch from a body that is everywhere the full extent of carnage they could not see before. They cannot help but notice Robinâs mantle and the embers of Yakoâs foxfire, still fading. There is utmost certainty that everyone else, too, is dead. (And in the way of dreams, when it is thought of it surfaces, the vision in an instant of Chaldea dying. There is no humanity and there are no Servants. There is no staff, no humans, no heroes, no Mash, no da Vinci, because all of them have died in and that instant Ritsu could see each murder.)
Everything was taken from them and in this form, everything was taken by them. No-- not everything. Because Ritsu recognizes, even when theyâre not themselves, what the Ritsu before them is thinking.
(The one before them is terrified. They live their worst nightmare. The only thing they could not handle is everyone disappearing, everyone dying. Not just âall humanityâ, but everyone. In this world, only one person aside from Ritsu remains, and it is someone they did-do-will-have loved. There was never any other possibility than Ritsuka Fujimaru still desperately trying to offer something that could fix this and end anywhere other than isolation.)
Ritsu watches this from the point of empathy and the point of the entity they occupy. They parse things all at once and in an overload.
Within their empathy, they feel the hatred that the body (body?) they occupy tries to exude. Tries? Does? Ritsu canât tell, but they know itâs overwhelming â Ritsu was never meant for formless, indiscriminate hatred. Itâs almost alien to them and it hurts, it hurts, they canât understand it and they canât process this desire. Something, the thing that they are, wanted this. âTheyâ wanted this? Ritsu is pulled along in this âwantâ, manhandled and pushed into this foreign hatred with the death of the world oozing blood down into their throat. You did this. Ritsu sees themselves standing in their own hands.
They feelâ âtheyâ feel â you/âyouâ/you (pl.) feel â
The Ritsu that belongs to âthemâ dies and the present Ritsu knows this one wonât come back. This form of humanity is lost. (Sorry. Sorry, I⊠âIâ?) âAaaahâŠâ The part of this mind that is Ritsu watching, who is aware of themselves as apart and a part of this entity at the same time, cries something helplessly.
Humanity dies and Ritsu remembers things that arenât theirs in this memory they already donât belong to. There are people that are valued and occupy opposite spectra, but this place cannot hold both, so, soâ
But this place youâre in, past the furthest reach of one, is lonely and there is nothing left to love. Is there value in only nothingness? (And Ritsu cries no, not like this, not in stretches of blood and formless aimless hate, no, it canât.)
Ritsu feels something break and it reflects in the world and in their gaze. Theyâre not the same as the person whose memories they invade, they stand just separate enough to watch but not remember their name. They watch a decision and they mourn that loss, too. (Is this the price? Is thisâ âIâm sorry,â Ritsu thinks, âIâm sorry, I wasnât enough to stop this, and you lost something that was valuable.â)
Is it selfish, cold, terrible of them that they focus on âyou lost somethingâ you, the person they are-arenât, the person they (not that they realize now) âmadeâ, and not the ones whose blood colored the ground. They lost, too. And certainty: I was not enough to prevent this.
Whose thought is that? Who are you?
Ritsu wants to cover their face. Theyâre screaming. They donât know how long theyâve been screaming. Maybe since the beginning, since they were forced to experience consuming hatred, maybe since now when the world falls apart and the hatred morphs into something more familiar but still so aching.
(What have you done? What have you allowed to happen? What have âyouâ/you/you(pl.) done?)
Itâs too long. Itâs too long. Ritsu has been here, sobbing broken meaningless apologies and laments that no one will answer and they cannot be freed from. Whyâ why canât they be free? Why here, forever, with this dead, with a body that stays and reminds and wonât let you go (canât be released)?
To mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn, to mourn (it aches), to mourn, to mourn, to mourn (help me), to mourn, to mourn (the taste of blood), to mourn, to mourn (why?), to mourn, to mourn (it hurts), to mourn, to mourn (help me), to mourn, to mourn, to mourn (help me), to mourn, to mourn, to mourn (help me), to mourn, to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me), to mourn (help me).
It hurts, please. Theyâre all alone and theyâre so scared. Itâs the end of everything, and their body is too small and too broken, familiar and unfamiliar. Itâs scary. Please, help me. I donât want to be alone. I canât breathe. Help me. Help me. I didnât want this. Iâm so sorry. I donât know what I did to cause this but Iâm sorry.
Ritsu doesnât know how this happened. They didnât mean for it. There is more grief than could ever fit in their body. Even their body which has seen the death of all history twiceover, the death of timelines, of their friends -- the mourning is more than was meant for a human to carry.
They donât feel being dragged, they donât feel the charm over their eyes. They werenât able to see anyways. They only feel as if theyâre being crushed, death and guilt and isolation bearing down on them. Their throat hurts and they feel it too close to them. Theyâre crying, they have been, too much, because they canât scream.
Please. Iâm sorry. Help me.
Then, hands on their cheek. Cold, somehow, against Ritsuâs skin. They reach up almost on instinct to grab whoever touches them, hands latching desperately and too-tight around an unfamiliar wrist. âI donât know where to go,â they say, voice torn. Their fingernails are probably digging blood from Beiâs skin. âHelp me. Please, please, itâs too...â Ritsu trails off as Bei pulls their awareness somewhere as if beleaguered by weight and guilt (everywhere, in the air, itâs too much guilt).
In the world that is real, or as real as anything gets after the end of history, Ritsu curls small and crying against Beast around them, Ritsuâs desperate hands digging into Beast instead.
They will forgive, because Ritsu has never done anything else. But they cry first, split and flayed here and when they awake, even then, lost and with shaking hands. They did this, didnât they.
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a aa aach aaf aah aak aam aan aap aar aas aash aat aath ach ae aech aef aeh aek aem aen aep aer aes aesh aet aeth af ah Đ°i aich aif aih aik aim ain aip air ais aish ait aith ak am an ao aoch aof aoh aok aom aon aop aor aos aosh aot aoth ap ar as ash at ath au auch auf auh auk aum aun aup aur aus aush aut auth cha chach chaf chah chak cham chan chap char chas chash chat chath che chech chef cheh chek chem chen chep cher ches chesh chet cheth chi chich chif chih chik chim chin chip chir chis chish chit chith cho choch chof choh chok chom chon chop chor chos chosh chot choth chu chuch chuf chuh chuk chum chun chup chur chus chush chut chuth e ea each eaf eah eak eam ean eap ear eas eash eat eath ech ee eech eef eeh eek eem een eep eer ees eesh eet eeth ef eh ei eich eif eih eik eim ein eip eir eis eish eit eith ek em en eo eoch eof eoh eok eom eon eop eor eos eosh eot eoth ep er es esh et eth eu euch euf euh euk eum eun eup eur eus eush eut euth fa fach faf fah fak fam fan fap far fas fash fat fath fe fech fef feh fek fem fen fep fer fes fesh fet feth fi fich fif fih fik fim fin fip fir fis fish fit fith fo foch fof foh fok fom fon fop for fos fosh fot foth fu fuch fuf fuh fuk fum fun fup fur fus fush fut futh ha hach haf hah hak ham han hap har has hash hat hath he hech hef heh hek hem hen hep her hes hesh het heth hi hich hif hih hik him hin hip hir his hish hit hith ho hoch hof hoh hok hom hon hop hor hos hosh hot hoth hu huch huf huh huk hum hun hup hur hus hush hut huth i ia iach iaf iah iak iam ian iap iar ias iash iat iath ich ie iech ief ieh iek iem ien iep ier ies iesh iet ieth if ih ii iich iif iih iik iim iin iip iir iis iish iit iith ik im in io ioch iof ioh iok iom ion iop ior ios iosh iot ioth ip ir is ish it ith iu iuch iuf iuh iuk ium iun iup iur ius iush iut iuth
ka kach kaf kah kak kam kan kap kar kas kash kat kath ke kech kef keh kek kem ken kep ker kes kesh ket keth ki kich kif kih kik kim kin kip kir kis kish kit kith ko koch kof koh kok kom kon kop kor kos kosh kot koth ku kuch kuf kuh kuk kum kun kup kur kus kush kut kuth ma mach maf mah mak mam man map mar mas mash mat math me mech mef meh mek mem men mep mer mes mesh met meth mi mich mif mih mik mim min mip mir mis mish mit mith mo moch mof moh mok mom mon mop mor mos mosh mot moth mu much muf muh muk mum mun mup mur mus mush mut muth na nach naf nah nak nam nan nap nar nas nash nat nath ne nech nef neh nek nem nen nep ner nes nesh net neth ni nich nif nih nik nim nin nip nir nis nish nit nith no noch nof noh nok nom non nop nor nos nosh not noth nu nuch nuf nuh nuk num nun nup nur nus nush nut nuth o oa oach oaf oah oak oam oan oap oar oas oash oat oath och oe oech oef oeh oek oem oen oep oer oes oesh oet oeth of oh oi oich oif oih oik oim oin oip oir ois oish oit oith ok om on oo ooch oof ooh ook oom oon oop oor oos oosh oot ooth op or os osh ot oth ou ouch ouf ouh ouk oum oun oup our ous oush out outh pa pach paf pah pak pam pan pap par pas pash pat path pe pech pef peh pek pem pen pep per pes pesh pet peth pi pich pif pih pik pim pin pip pir pis pish pit pith po poch pof poh pok pom pon pop por pos posh pot poth pu puch puf puh puk pum pun pup pur pus push put puth ra rach raf rah rak ram ran rap rar ras rash rat rath re rech ref reh rek rem ren rep rer res resh ret reth ri rich rif rih rik rim rin rip rir ris rish rit rith ro roch rof roh rok rom ron rop ror ros rosh rot roth ru ruch ruf ruh ruk rum run rup rur rus rush rut ruth sa sach saf sah sak sam san sap sar sas sash sat sath se sech sef seh sek sem sen sep ser ses sesh set seth sha shach shaf shah shak sham shan shap shar shas shash shat shath she shech shef sheh shek shem shen shep sher shes shesh shet sheth shi shich shif shih shik shim shin ship shir shis shish shit shith sho shoch shof shoh shok shom shon shop shor shos shosh shot shoth shu shuch shuf shuh shuk shum shun shup shur shus shush shut shuth si sich sif sih sik sim sin sip sir sis sish sit sith so soch sof soh sok som son sop sor sos sosh sot soth su such suf suh suk sum sun sup sur sus sush sut suth ta tach taf tah tak tam tan tap tar tas tash tat tath te tech tef teh tek tem ten tep ter tes tesh tet teth tha thach thaf thah thak tham than thap thar thas thash that thath the thech thef theh thek them then thep ther thes thesh thet theth thi thich thif thih thik thim thin thip thir this thish thit thith tho thoch thof thoh thok thom thon thop thor thos thosh thot thoth thu thuch thuf thuh thuk thum thun thup thur thus thush thut thuth ti tich tif tih tik tim tin tip tir tis tish tit tith to toch tof toh tok tom ton top tor tos tosh tot toth tu tuch tuf tuh tuk tum tun tup tur tus tush tut tuth u ua uach uaf uah uak uam uan uap uar uas uash uat uath uch ue uech uef ueh uek uem uen uep uer ues uesh uet ueth uf uh ui uich uif uih uik uim uin uip uir uis uish uit uith uk um un uo uoch uof uoh uok uom uon uop uor uos uosh uot uoth up ur us ush ut uth uu uuch uuf uuh uuk uum uun uup uur uus uush uut uuth
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LA RĂSERVE
Aloha ! đ„°
Ce soir, câest un petit extrait de LA RĂSERVE, une bit-lit, que je partage avec vous :
« MaĂ©va Ă©tait allongĂ©e sur le ventre, les coudes en appui sur le lit et les pieds levĂ©s. Elle bougeait ses pieds et ses chevilles distraitement, comme si elle exĂ©cutait encore quelques pas de danse imaginaires, tout en lisant un livre avec une profonde concentration. Elle ne tourna mĂȘme pas la tĂȘte vers James lorsquâil sortit de la salle de bain, une serviette Ă la main Ă frictionner ses cheveux humides, et pour seul vĂȘtement un boxer. Il en fut quelque peu vexĂ©. Un livre supplantait lâintĂ©rĂȘt quâelle lui portait, ce nâĂ©tait pas admissible ! Il posa la serviette sur une chaise, sâapprocha du lit en silence et sâinstalla Ă califourchon sur sa taille, sans sâasseoir vraiment pour ne pas lâĂ©craser sous son poids. Elle tourna lĂ©gĂšrement la tĂȘte pour voir ce quâil trafiquait et il se pencha pour mieux voir par-dessus son Ă©paule. Au bout dâun moment, ses yeux sâagrandirent devant les mots quâil lut.â Mais câest quoi ce truc ? Câest du porno ? sâexclama-t-il, outrĂ© quâelle puisse lire ce genre de torchon.â Non, James, de lâĂ©rotisme, ce nâest pas la mĂȘme chose, minauda-t-elle. Câest Marcy qui me lâa prĂȘtĂ©.â Pourquoi ça ne mâĂ©tonne pas, ronchonna-t-il.En appui sur un seul bras, il attrapa le livre, plaça son pouce comme marque-page et regarda la couverture.â Câest censĂ© ĂȘtre quoi ça ? Un Vampire ?â Eh bien oui, regarde, il a des crocs, comme toi.â Pas comme moi non, les miens sontâŠMaĂ©va rit.â Allez, rends-moi ça.Elle tendit le bras pour tenter dâattraper le bouquin, mais James avait levĂ© la main bien haut pour lâĂ©loigner et le mettre hors de portĂ©e.â En plus il est nu, gronda James.â Mais non, regarde il a un pantalon, rĂ©pliqua MaĂ©va qui sâamusait beaucoup du soudain intĂ©rĂȘt de James pour sa lecture et du petit jeu qui en dĂ©coulait.â Je croyais que tu ne lisais pas ce genre de fadaises.â Et dâune, ce ne sont pas des fadaises, mais de la bit-lit et de deux, depuis que jâai un vampire comme compagnon, je suis devenue curieuse.â Tu parles ! Dis donc, jeune-fille, tu ne me trouves pas Ă la hauteur, câest ça ?MaĂ©va gloussa et tenta de nouveau dâattraper son livre.â Ne sois pas bĂȘte, James, ce nâest quâune lecture.â Non parce que ça peut sâarranger. Je vais te montrer ce que ton vampire peut faire Ă cĂŽtĂ© de cette lavette en couverture.Il rugit, feignant la colĂšre â faisant rire MaĂ©va aux Ă©clats â et lança le livre derriĂšre lui. Un bruit mat leur apprit que la lecture avait rejoint le sol. James la retourna sur le dos alors quâelle couinait de bonheur. Il lui empoigna la mĂąchoire en douceur, lui tourna lĂ©gĂšrement le visage et commença Ă lui mordiller la gorge â sans ses crocs. MaĂ©va gloussa, gesticula, tentant dâĂ©chapper Ă sa poigne tout en poussant cris et rires montant dans les aigus dĂšs quâil la chatouillait sur une zone un peu trop sensible.Les chatouillis laissĂšrent vite la place Ă des caresses plus sensuelles. »
đ LA RĂSERVE est disponible ici : www.amazon.fr/dp/B084FZ3XFH
Bonne semaine. đ
#citation#extrait#paranormal romance#romance book#romance paranormale#livre#la réserve#claytone carpe#vampire#métamorphe#sorciÚre#autoédition#autoédité#bitlit
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shawn mendes  ,  cis male.  ,  he & him.  ââ  if you hang outside of the rits for long enough , you might catch mattias kenley leaving. you know , the twenty-two year old heir  ?  i hear theyâre in apartment 43J and have lived here at the rits for three years. tenants seem to deem them as ritsâ resident machiavellian, seems pretty fitting to me.  &  broken liquor bottles , winding up in the press for all the wrong reasons , st. laurent suits , & angelic personas.Â
hi  friends  ,  iâm  gray  ( they / them )  &  this  is  my  first  of  two  babies  ,  mattias. comes  from  a  long  line  of  money  &  is  very  much  a  chaotic  rich  boy  who  only  loves  his  mom  &  his  siblings.  iâm  sorry  about  him  ,  he  kinda sucks.
basic statistics :Â
name : mattias james kenley : mat , mj by his mom.
age : twenty - one.
occupation : heir , socialite.
orientation : bisexual
hometown : manhattan , ny.
appearance :Â
faceclaim : shawn mendes
height : 6âČ2
build : muscular
style : always in name & on brand clothes.
background & personality.
comes from a family of money ââ great - grandparents were the founders of kenley hotels , a well known & prestigious hotel chain. company was passed down to his father , arthur kenley. aruthur & his wife delaney were never able to have children & adopted three kids â mattias being the youngest. mattias was raised by his birth family until he was one before being adopted by the kenleys.Â
mattias was raised in manhattan , but has traveled around a lot with his family. takes after his father in all of his ways ââ a bit arrogant , loud , mischievous , secretive. no one ever really know what matâs thinking unless he wants them to.
an absolute mamaâs boy. this boy loves his mom & sheâs the only one heâll listen to and the only one that can really control him. canât be controlled by no man but will absolutely stop what heâs doing if his mom asks him to.
definitely has a name in ny because of his family. ââ everyone knows the kenley kids. somehow , his imagine within his family is very pure. heâs seen as the baby , the angel. except , heâs not. he doesnât do anything to promote his angelic image and is actually more known to be a whole DEMON , but lets the press see him however they want to see him.
super super charming , but also pretty manipulative. can & will get whatever he has his mind set on. doesnât exactly mean heâs a shitty person , but heâs pretty chaotic & definitely isnât known for being sweet. pretty much just says & does whatever he wants at any point.
this is short but this is all iâve got an the demon for now , i will probably add more once i think of it !Â
wanted connections.
honestly , i didnât write any because iâm lazy but i do have some general ideas.Â
friends with benefits - this is pretty basic.
exes - mat would likely be the heartbreak in any situation though i would love for someone to have hurt him.
best friend - maybe someone who grew up in manhattan and has always dealt with mats shit.Â
frenemies - do love a good enemies plot.Â
party friends - pretty basic.
honestly anything ??? pls love him , he sucks.
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Does anyone know what the composition of furby fur is?
I want to dye one of mine with Rit dye (because I donât have the patience for an acrylic wash) but I would love for it to not melt into a mat as a result.
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Jaipur is one of the coolest places to hang around with your friends and family and it is also an important metro city of India. Jaipur has been a hub for the job and for all the institutes that have great importance in studentâs life. There are a lot of colleges of #MBA in jaipur and the place is best for #MBACorrespondence course. You can also do #DistancelearningMBA from jaipur as a lot of colleges offer this course in correspondence.
WHAT DO YOU NEED TO KNOW ABOUT #MBA COURSES?
#MBA is specialized in three fields basically. And you need to figure out you are good at what. The course has three fields â Human Resource, Finance and Marketing. In Human Resource an employee has a responsibility to recruit the people for their own firm or for the other. Human Resource refers to the term for the HR who hires the other employee to their organization.
FINANCE:
Finance is a subject wherein the candidate must have a good command on Mathematics and accounts as they can get into accounts once they are over with their course. A lot of people are opting for this course if they cannot crack the entrance of Charted Accountant.
MARKETING:
For the people who want to go into the marketing field by pursuing #MBA, they should have a sharp mind and they must strategies with different though the process. The people have to be very sharp and cunning in this field and they should know whatâs trending these days.
HOW MUCH FEES A STUDENT HAS TO PAY?
The fees structure is comparatively low than that of a private institute. But it might be between 30-50,000 if you opt the course from correspondence. The fees also depend upon the location of the college and the ratings as well of the institutes.
WHY A GOOD COLLEGE CAMPUS IS IMPORTANT?
The environment of the college would be good and a student will settle down there quite well as the teachers are highly professional and good in their respective jobs. These colleges may not offer the regular classes but the environment of these colleges is cool and friendly. Teachers are really frank and into their profession. They try to teach the students with full concentration and honesty. They try taking all students in mind and going with this strategy. Being in jaipur you can pursue the #MBA from here as it is one of the best destinations for studies.
WHAT SYLLABUS YOU ARE GOING TO FOLLOW?
· Principles of management
· Business laws
· Business Communication
· Computer Application
· Economics
· Business environment
· Marketing
· HR management
· Organizational behavior
· Business planning
· Finance management
· Taxation
· Retail management
· Communication skills
· Entrepreneurship
· Project work
WHAT PLACEMENTS YOU ARE GOING TO GET?
Placements in these colleges are 100% guaranteed and one can get exposure if he has the potential to prove his talent. He can also go abroad with the sponsorship of course seeing his talent and dedication. Placements are no big deal here as the student will get placed in good companies so that the future of the student will not be spoiled by going in any random company and yes, for this you should have talent also.
GET AN MBA WITH THE BEST #MBA_DISTANCEEDUCATION IN JAIPUR
#MBA i.e. a post-graduation or Masterâs degree in Business Applications has become an important pre- requisite for employers who are looking for candidates with better knowledge, skills and experience. But what if you are already working and cannot afford to pause your career for a year to enroll in an MBA course?
If you are a candidate who wishes to become a leader and handle a managerial position with skills that may outshine your sharp and smart personality, you can opt for one of the #MBA_distance classes provided by institutes for #MBADistanceEducation in Jaipur. The training given by the institutes is hands- on flexible and appropriate for a professional who cannot stop working, yet wants to earn a degree for future perks. An #MBADistanceEducation in Jaipur offers distance education courses for working professionals who find it hard to quit their job for a degree. You can enroll in  #MBADistanceEducation classes with an experience of 5- 15 years in order to boost your career into senior managerial positions. #RITJAIPUR brings to you 120+ #MBA_DistanceEducation in Jaipur that offer quality training, skills and education, thus ensuring a brighter future for you in prominent business companies.
WHY CHOOSE RIT JAIPUR?
With RIT JAIPUR, you can choose from 120+ verified #MBA_DistanceEducation in Jaipur, based on your location, and other preferences. Fill up the form by selecting the coaching or training you need, and our experts will get back to you in no time. Additionally, you can evaluate and compare different instituteâs offering #MBA_Distance classes to ensure you make the best choice.
SIGNIFICANT DETAILS OF #MBA_DISTANCE CLASSES IN JAIPUR
The #MBA_distance classes in Jaipur assure the following facilities for the #MBA_distance classes.
· Proper training in increasing analytical skills and refining business acumen skills of candidates
· Thorough online training and appropriate practice given as distance education by Business experts and renowned professors
· Exhaustive and comprehensive course material sent via emails and couriers.
ONLINE #MBA COURSE IN JAIPUR
Distance education is a correspondence course done through online mode or through a few physical classroom sessions. A distance course is best for those who have only limited time to be dedicated to education. The #MBA_distance program is for those who cannot take up a full-time course. The #CorrespondenceMBA course offers flexibility to students to grasp the course appropriately and then bag the best job in the market. We at #RITJAIPUR want to make the studentâs dreams come true, and it is for this reason we provide a list of coaching centres in Jaipur so that you can select the best distance education institution.
THE NITTY-GRITTY ON #MBA_DISTANCE_EDUCATION EXAM
#MBA_ distanceEducation program is divided into 4 semesters where the syllabus is inclusive of main subjects and the specialization course. The initial two semesters requires the students to focus on the core subjects while the third and fourth-semester students will have to focus on the chosen specialization. So based on the syllabus, the students will have to give the exam every semester. By post-graduating with #MBADistanceEducation, students can take their careerâs ahead vehemently.
EFFECTIVE PREPARATION GUIDELINES, EXAM DATES AND REGISTRATION PROCESS
Although the #MBA_ distance Course is not as tough when compared to the full-time course, it still requires students to gain in-depth knowledge on various subjects. It is for this reason that preparation is essential where the students should:
· Study thoroughly on essential topics every semester
· A monthly, weekly and daily plan should be drawn, which is according to the assignments, tests and the class schedule. It is always advised to study on those topics which require more practice
· Study at your own pace since there is 24*7 access to study materials
· Be motivated and dedicated since owning a degree is your long term goal
· Balance your time effectively. Make sure to assign at least two days for studying.
provide the #MBA_ distanceprogram where the entrance exams are yet to be announced while some of the Universityâs exam will be conducted in the month of April 2020. Further, while pursuing the course, #MBA_ distanceexams will be conducted semester wise. The registration process is done through online mode where the students will have to click on the official website, fill-up the form and then proceed with the online payment.
DETAILS ON EXAM CENTRES AND FEES
The exam centres vary upon the institution to institution where the students can take the exam by mail or online or at a test centre which is nearby or through the schoolâs website. It is an obvious notion that the #DistanceMBA program costs much less than the full-time #MBA program. But the free criterion varies from institute to institute.
FREQUENTLY ASKED QUESTIONS
IS DISTANCE LEARNING RELEVANT?
Compared to previous years, distance learning has a lot of relevance now. The different educational technologies used are said to be playing an important role in bridging the gap between Regular and #Distancemba. The relevancy is ascertained by the number of students who enrol for this course every year. Upon analysis, there are many students who are opting for distance education every year.
WILL THERE BE AN ENTRANCE EXAM FOR #MBADISTANCELEARNING?
It varies from institute to institute. Many institutions do not require students to write an entrance exam, but there are some institutes who conduct the entrance exam.
WHO SHOULD PURSUE #MBADISTANCECOURSE?
The course should be opted by those who are working individuals or recent graduates or mothers as homemakers that want to revive their careers. Without quitting their responsibilities, students or individuals can opt for this course at an affordable cost.
HOW CAN #RITJAIPUR HELP YOU?
RIT JAIPUR, under its abode, has more than top service providers in Jaipur. With the help of RIT JAIPUR, students can find the best #MBA_distanceLearning coaching centre in no time. All you have to do is fill-up the form and then, according to your requirements, #RITJAIPUR experts will bring forth the best coaching classes in Jaipur. We help you achieve your educational goals effectively.
FAQ - #DISTANCE_MBA IN JAIPUR
· WHAT ARE THE ELIGIBILITY QUALIFICATIONS FOR #MBA_DISTANCEEDUCATION IN JAIPUR?
· WHAT DO WE NEED TO KNOW ABOUT ENTRANCE EXAMS FOR #MBA_DISTANCEEDUCATION?
· WHAT IS THE FEES STRUCTURE OF THE COLLEGES?
· WHAT ARE THE JOB OPPORTUNITIES AFTER COMPLETING #MBA COURSE?
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Sprookjeswereld
Woensdag 15 januari 2020
Het lijkt wel alsof het nog donker is wanneer we maandag opstaan.  Vorige week piepte de zon op dit uur al doorheen de gordijnen.  Maar nu niet dus.  Het is ook vreemd stil!  En inderdaad, wanneer ik de gordijnen openschuif, is te zien dat er niets te zien is ⊠mist dus. Een dikke erwtensoep maar dan in ât wit. Alles is wit, het gras, de twijgjes van de bomen, het siergras, de voederhuisjes.  Het heeft flink gevroren vannacht en dus liet de mist een wit jasje achter.
De hele dag blijft de mist hangen en de temperaturen komen niet boven het vriespunt uit. Â Dat betekent dat het dunne witte laagje blijft aangroeien. Â Tegen het moment dat het begint te schemeren, is het nog steeds even mistig en duiken de temperaturen terug een stukje onder nul. Â Dinsdagmorgen is net een herhaling van de dag ervoor. Â Al lijkt het een ietsepietsie lichter te zijn. Â Maar dat komt niet door de zon, wel omdat er nu een dikker laagje bevroren mist op alle takjes zit. Â Net alsof het gesneeuwd heeft. Â
Wij gaan op koffievisite bij mensen die we onlangs leerden kennen. Â Gelukkig nam ik het fototoestel mee. Â We rijden door een prachtig landschap dat een beetje aan de film âThe cronicles of Narniaâ doet denken, maar dan zonder de sneeuw. Â Door de mist lijkt het allemaal een beetje mysterieus en je verwacht dat er zomaar een bosnimf tevoorschijn kan komen.
Echt waaien doet het niet ⊠dan zou de mist wel optrekken.  Maar er is wel een minimale luchtverplaatsing.  De voorbijdrijvende en tegelijk bevriezende mist zorgt voor ware kunstwerkjes.  Je kan ook heel goed de verschillende laagjes zien.  Machtig mooi vind ik het.  Maar wel koud!  Vlug terug de auto in, de zetelverwarming aan en verder genieten van de rit.
Vandaag veranderde de mist in nevel. Â We kunnen nu de bevroren wereld nog beter bewonderen. Â Zou de zon erdoor kunnen komen, dan zouden al die ijskristallen veranderen in miljoenen diamantjes. Â Vergankelijk, dat wel, de zon zou de rijm al vlug laten verdwijnen. Â Maar er duikt geen zonnetje op, alles blijft de hele dag nevelig. Â Het is een mooi schouwspel om in de boomgaard alle jonge fruitboomjes te zien met hun witte âochtendjasâ aan. Â Ook de omheining kreeg een wit laagje. Â Mooi is het wel!
De hondjes lopen graag mee wanneer ik de vogeltjes ga voeren.  Even de pootjes strekken doet altijd wel deugd.  Maar lang houden ze het niet vol.  Wanneer ik mijn toertje langs alle voederhuisjes gedaan heb, zitten ze me bibberend op te wachten op de mat op de gaanderij.  Heel zuinigjes kunnen ze dan zitten, ze raken slechts met enkele punten de ondergrond!  Eens binnen wordt er even gebakkeleid om het beste plekje achter de kachel te bemachtigen. Maar al vlug keert de rust weer en liggen ze allemaal lekker op te warmen.  Duña en Zohra houden het op âlepeltjesgewijsâ!
Zulk winterweer vraagt, smeekt gewoon om stoverij met frietjes! Â Chef Luc maakt er weer iets niet-alledaags van. Â Worteltjes in de stoverij en boontjes ernaast, zodat we zeker voldoende groentjes binnen krijgen. Â En de frietjes? Â Ja, die worden in de airfryer gebakken natuurlijk! Â Een kleurrijk bordje dat ook verrukkelijk smaakt. Â Comfort-food is de nieuwe term voor zulke menuutjes.
Wijnmaker Luc is dan weer een andere kant van mijn veelzijdig ventje.  De eerste wijn was goed, maar wat te droog voor de meeste mensen. Intussen is het tweede vaatje al toe aan een tweede gisting en is de derde âlichtingâ opgestart.  Want wijn maken is een werkje van âlange ademâ. Enkele weken gisten, proeven, meten ⊠Ik vind vooral de bubbelgeluidjes in het halletje naar de badkamer erg leuk.  En het resultaat natuurlijk âŠwant daar gaat het toch om hĂ©.  Hij maakt niet te veel tegelijk, zoân 9 liter per keer. Want om te bewaren komt er chemie aan te pas en we willen de wijn graag zo natuurlijk mogelijk houden.
De kerstman bracht (met enige vertraging) drie meettoestelletjes: een refracto-alcoholmeter, een meter om het suikergehalte te bepalen en een eentje die de zuurtegraad meet. Het leuke is dat niet enkel de wijn-in-wording gemeten kan worden, maar eigenlijk alles waar vocht in zit.  Het suikergehalte en zuurtegraad van een appel, een perzik, een kaki, mijn dagelijks tomatensapje ⊠allemaal mogelijk.  Het is er boeiend.  Al vind ik dat hij soms wat weg heeft van een alchemist ⊠maar dat heeft mogelijk ook te maken met het Narnia-landschap!
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UEFA Champions League Matchday 2 Goals (28.09.2021)
#UEFA Champions League#season 2021/2022#Group Stage#Matchday 2#Ajax#steven berghuis#sebastien haller#idrissa gueye#Lionel Messi#christopher nkunku#Hans Vanaken#mats rits#Mohamed Salah#sadio mane#mehdi taremi#roberto firmino#RafaelLeĂŁo#antoine griezmann#luis suarez#donyell malen#Jasurbek Yakhshiboev#Karim Benzema#SĂ©bastien Thill#football#fussball#fuĂball#foot#fodbold#futbol#futebol
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