#math and logic are one of them

[manicplank]

Noisette: Hey, do you wanna play chess?

Noise: Yeah, sure!

-

Noisette: *moves a piece* Okay, your turn!

Noise:

Noisette:

Noise:

Noisette:

Noise: [crying] I don't know how to play chess.

[nozomijoestar]

Asuka is a tragic figure, a figure of mystery, a wild card, all because the only thing she wants in life is peace and quiet for herself and to feel in control- yet her secret heritage that may be hidden from her for her own protection and the reality that life is unpredictable and will go on with or without you keep ruining that delusion, that vision of how the world is meant to work to her, and she suffers regardless of what she wants, what she does, and how little she understands anything

She was born into a family preaching peace and balance and order while being a creature of violence, and puts a dozen mental locks and excuses over this truth to justify giving into her impulse for fighting by pretending she's justice when she does it

She keeps trying to build a place of safety but she's using sand and life is a wave that destroys, yet she stubbornly persists rather than give up, not drowned to the point of self centered suicidal loathing like Jin- there's contrast, where Jin is cloaked in death Asuka stubbornly clings to life and humanity as a normal person in a terrifying world

She's not a fucking narrative clone for Jun's own purpose, Asuka's purpose must be determined by Asuka herself

[jtl-fics]

Ok I know you’re not supposed to think too hard on the logic of time travel AUs and just accept that it’s magic, but I always wonder why it’s happening and if it’ll happen again

Like imagine Andreil go back in time in like Math Nerd or Andrew First or whichever AU and then they live through their lives there and when they eventually die they wake up back in time AGAIN. Just an endless cycle of time travel AUs

My bro you have NO idea how much I love time loops and how tempted I am to repurpose one of my less developed time travel plots into one (Looking at the old flames concept specifically).

I love the idea of Andrew and Neil just locked into an endless cycle where Andrew's chasing after Neil into the next life because Neil's the one that goes first.

It's a fun idea that I wanna play with when I'm not in the middle of building my 100% Completion spreadsheet for the Trails game I'm FINALLY playing as a b-day treat to myself.

[geometricalien]

15 people, 15 questions

Tagged by @ultfreakme thank you!! 💕💕

1.) Are you named after anyone?

My first name is biblical and since my parents are Christian and my sibling also has a biblical name, I always presumed it was bc of that. My middle name though is actually a last name from my lineage

2.) When was the last time you cried?

Yesterday! It was day 2 of being home alone since my roommate left for the week and I was feeling particularly lonely since another friend wasn't able to hang out with me the last couple of days in addition to feeling isolated from family during the holiday season Plus being on my period --- yeahhh

3.) Do you have kids?

No. Nope. Nuh uh. Ask me again in 10 years

4.) What sports do you play/have played?

I did volleyball and basketball a lot in my youth, did soccer in elementary school

5.) Do you use sarcasm?

Sometimes. Mostly only with friends when we know we are being sarcastic and are playing it up? Otherwise, I'm just such a literal person I hardly use it elsewhere (even when my friends and I are joking/using sarcasm we often say "just kidding" afterwards)

6.) What’s the first thing you notice about people?

Honestly height and hair. I have such bad face blindness, and I've had it forever. But I'll remember if someone was taller/shorter than me and their hair color

7.) What’s your eye colour?

Grayish blue. They were described like ice before if that helps

8.) Scary movies or happy endings?

Depends on my mood. I like horror movies and there are just so many different kinds- I haven't found a movie that genuinely scares me in a long time though... The last one I remember was Nope. I walked out of the theater and was just watching all the clouds in the sky fkdlsajf

9.) Any talents?

Nothing is really coming to mind... I guess I'm crafty? And it shows itself in different ways. I enjoy the process of creating. Be it in writing or drawing or baking and decorating or following steps- I enjoy having a vision and creating it

10.) Where were you born?

Usa

11.) What are your hobbies?

I read books and fanfiction, I write fanfiction, watch anime and shows, cook, bake, play genshin impact. I've been playing wordle every day for almost a year now. I like tactical stuff with instructions- like legos or putting together furniture- I got this DIY book nook last week and spent like 8 hours putting it together. In school as part of the STEM program we learned how to draft both by hand and on the computer through CAD and Solidworks- those were fun. I miss that. Again it uses that same part of the brain as legos. I also like playing with cards. I have solitaire and pinocle on my phone. I was also learning how to play chess (like the strategy part)

12.) Do you have any pets?

My family home has the cat I got my 8th birthday (barn cat, brown tabby with four white socks on his paws). In the apartment though there is my roommate's black lab, half ragdoll half Siamese cat, and who knows how many fish that keep having babies

13.) How tall are you?

5'10'' (on a good day sshhh)

14.) Favourite subject in school?

MATH HELLO! (......... but also the drafting classes damn i miss those)

15.) Dream job?

Can there be such a thing as having extreme trivia knowledge on my fandoms? I'd like that alot but otherwise.... I'd like to work at one of those cat [Blank] things. Be it a café or a bar or a bookstore (that'd be awesome!!) I think that would be fun

Tagging @alienjack @szivtalan @glitt-erm @amnestyaubrey @farklelucas @brazilian-whalien52 @bloodyspade0000 @traditionalartist @illbebuyingallofthoseflowers and anyone else who sees this and wants to hop in ☺️

[bat-the-misfit]

the way Ti doms see people is so funny

like they gather info to "how someone works" like they're some kind of machine or puzzle they want to solve

[thepandalion]

you know what my favorite fanfic trope is? Characters being ridiculously good at math. Like, genuinely, doing huge math off the top of their head. Especially better in fanfic because they always just shrug it off like "oh yeah I just did that math idk how" and everyone else is both baffled and too busy with other stuff to really worry about it but they're just. Good at it. And especially when that's not really their thing in canon

[zoekrystall]

I started to bash on german the better I got in english especially regarding dubs (didn't help I was a stereotypical pretentious annoying lil kid) and I am so glad it was likely really just a kid phase bc I am rewatching detective conan in german (and once I hit where they're not getting dubbed anymore I switch to sub bc I do dislike names getting anglicized and I am very glad the ger dub kept the og japanese names, exceptions when I grew up w the anglicized names) and it is so so comfy. The dub is also just plain good imo and the voices are so nice to hear again I am so glad I found a site that got shows in german (ty katrielle layton anime for apparently only being available in japanese and german and me deciding "well I can speak german so why not check it out", nice voice acting but not up my alley).

I do still usually keep away from eng by anime bc I am a sub over dub person and I find most... not that good.. but I stopped to play part in the debate bc I'm sure all VAs try their best. Not for me but if you like em I'm happy for ya. And also in ger it is hit or miss when the og language is eng do I stick to that which is usually the case. Idk if it is just my perception or if it really did but german dubs kinda worsened but who knows maybe I just catched the ones w bad production on that part (reg ops we got nice ones but I was happy to learn others learned abt the one we got for naturo bc. yeah). Like purely anime speaking I think the cartoons and shows on tv are fine. Minus julien bam as sonic in the movies I still can't get over that but no hate towards him I just find the youtuber as voice actor thing always baffling no matter which language (also dislike the celebrity bias in every country. yes that person is famous but do they actually fit that role + voice acting and actor require different skill sets).

I think I started to bash so much on ger bc "og language always better" and sometimes yeah and I do watch if possible in the og w subs so nothing gets lost (that doesn't have to) but where that opinion makes a turn for the worse is if you start to become pretentious about it and everyone who chooses another option is somehow worse than you. Counts for every opinion that obv isn't debating human life. Honestly I adore polls but that's also why people need to zip it with their snarky comments in the answers or also on quizzes, I do have to admit those where op smacks (right answer) or smth on the one that almost no-one clicked on are funny to see though. A bit of banter is fine imo but there are some that are just really not necessary.

Anyways it is kinda funny how I thought one piece would surely get me into anime again bc I do adore it since like kindergarten and it'll forever be in my heart but nope detective conan it is. Ig the aspect of finding out together who the culprit might be is fun next to being able to do other things meanwhile bc I don't have to read. I think I got into conan at age 14? 15? Feels like decades ago though. I don't think I really understood why others rewatch things until now. Like I got it like yeah comfort but not the extend. I always tried not to rewatch bc "I got so much stuff I can't waste time with the same" (<- has replayed okami a lot on wii and now switch while having gaming backlog since forever, replayed bratz the movie on ps2 almost yearly as kid, etc) but I luckily start to go into "who cares" mode fully and it's really nice. I truly get it now.

[ruins-of-gods]

Something that I think Warhammer 40,000 storytellers miss sometimes is the sheer scale of their setting. I mean, don't get me wrong - I love the big, dramatic clashes, the characters you can buy in mini form and their convoluted, interwoven lore, the dramatic combats against unstoppable foes across a thousand ruined worlds. But that's the top of the setting, as it were - the most powerful beings in the universe, all fighting for supremacy. And at ground level, the level of the ordinary person, are so many other stories.

Did you know that a Lunar-class void cruiser has a crew of 95,000? Nearly a hundred thousand people, aboard a spaceship five kilometers long. A city, flying through outer space to wage war. Many of those people are proper trained soldiers, fresh from some academy or veterans of long, grueling campaigns, and many more are pressed into service, begrudgingly laying their lives at their Emperor's feet. But, unless the ship is currently actively involved in a really bloody campaign, most of those people were born aboard that ship. Most of their parents were born aboard it. And their grandparents. And their great-grandparents. Lineages stretching back centuries, so far that the original soldier who came aboard has been forgotten. A lot of those people probably know, on some level, that they're aboard a ship flying through space - but a lot of them probably don't, and I guarantee you almost none of them understand what that means. This ship is their world. To look out the window means madness so often that they avoid it - not that windows are readily available anyway. Most of them probably barely even understand that they're fighting. All they know is that when the readouts on their analog instruments display like so, when they hurry to obey the blared orders through the klaxon, the Emperor is pleased with them. They were born into that world. When they were children they did smaller tasks the adults couldn't. Their entire existence was winding metal corridors, laid out according to some archaic design, any logic that might dictate their layout long since degraded after millennia of ignorant maintenance, lit only by emergency lights that have long since become the default. They learned how to read an angle readout or how to relay an order perfectly the way another child might learn history or math. When they grew up, their service was flawless, born of pride and ignorance, and when they grew old and died, their legacy was remembered until it was forgotten. Many were killed in battle, but who cares? They gave their lives to the Emperor - a name whose meaning they don't understand, but whose importance they believe in wholeheartedly, all but synonymous with the commanding officers up above.

Sometimes, the klaxons sound a specific command, and every person on board who understands what it means feels a deep, awful dread as they run to their battle stations. They don't know what a warp jump is. They don't understand they're going from one place to another by the fastest way available. All they know is that, for a time, the ship dips into hell. The corridors go wrong. Things and people might not be where or what they were before. Daemons stalk the halls, and must be killed by any who can hold a lasgun. The overcrowded berths, the little nooks that families find for themselves - they are not private anymore. They are not safe. Things drift through the shift that do not care about the laws of physics, but that delight in killing and torturing human beings. Vast energies shake the ship and tear parts of it away - their home, their world, their existence, the biggest thing they can imagine, assaulted by something bigger. Is it the Emperor's punishment for failure? Is this what battle is? What's going on? They don't know, and no one who does can be bothered to tell them. The dread of those who have seen this before is even worse, because they don't know how long it will be. It might be just a few hours. It might be days, or weeks, or months, or years, or decades. It might be centuries, as the captain of the ship goes hunting daemons deep in the warp - the officers live that long, after all, and have little care for those who don't. There will be people born in hell, who spend their entire lives fighting from the day they can stand, and who die in hell, as old age and need catch up to them and they curl up in a corner to perish. To them, it isn't even hell. It's just the world. The world is death and pain and cruelty, an infinite metal box through which monsters stalk, and sometimes you must run to a battle station and do as you're ordered to do. And sometimes, as they reach forty or fifty or even a ripe old sixty, the ship drops out of the Warp, and, for the final years of their life, they are granted a life of relatively safe service better than anything they ever hoped to dream of.

Those are the kinds of stories I want to see more of. Super-soldiers fighting each other is cool, yes, but I want to see this universe explored. I want stories from the perspective of those that keep the Imperium going, or the aeldar, or the tyranids, or anyone, really. There's just so much potential in this setting. It deserves it.

[peachesofteal]

Simple Math / Part 8

Simple Math masterlist

Ghost/Soap/female reader 4.2k words - AO3 Warnings-tags: 18+ MDNI. No smut. Graphic domestic violence, physical abuse, choking. Non consensual kissing. Hospital setting, nurse!reader, medical inaccuracies. Drowning metaphors. Strong feelings of self loathing, despair, fear, anxiety. Suicidal ideation. Crying. Panic attacks. Bun is unraveling. Comfort. Protective Simon and Johnny. Things are happening.

The girl in the mirror hates you.

It’s easy to tell, by the way she stares, how her eyes glow in the yellow fluorescents of the staff bathroom.

You make her sick.

Your weakness, your stupidity, has cost her, again. As if it hasn’t cost her enough at this point, as if it hasn’t drained her dry over and over until she thought she would die.

Until she thought she wanted to die. 

Someone knocks on the bathroom door.

“Occupied.” You snap, and they huff, turning away to go who knows where.

You peek back over to the girl in the mirror. She still stares at you in disdain, but now it’s more expectant, more… intrigued, like she’s asking, well… what are you going to do?

“What are you going to do, sugar?” Phillip’s hands tighten around your neck, white teeth gleaming in the afternoon sun of your apartment. The sound of your windpipe being crushed echoes inside your eardrums, and you flail uselessly, struggling, kicking and hissing and crying to no avail. “Where are you going to run next?” Black spiderweb strings along the outside of your vision, and your palm slaps against his forearm, a pathetic endeavor, as always.

He’s too strong. Too determined. 

You’re an ant. He’s a shoe. 

You’re an early high school grad, on an academic scholarship at school your mom couldn’t afford, and he’s the charismatic grandson of a Texan oil tycoon, the son of a judge, living in a fancy house without roommates in the city.

You want to be a doctor. He wants a housewife. 

You want to be a mother; he promises to beat them out of you. 

You want a life in the sun. He wants to become a shadow himself. 

“Phillip.” You wheeze, air snaking through your teeth. He lowers his ear, like he can’t hear you, a mocking bow that you know he relishes. 

“What’s that?” 

“Can’t- breathe-“ The sigh that answers you is what you imagine a disappointed father sounds like, followed by a tsk, an over developed dramatic show that you’ve come to know so well, and he throws you to the ground in one motion, shoulder smacking against the hard wood floor. 

There’s a tear of muscle. An immediate soreness. Stars dance in your vision. 

“Gotta hand it to you, princess. You were hard to find this time.” 

You don’t have an answer for the girl in mirror.

Even with the turtleneck and the very good makeup, it’s bad. There is no doubt, someone will notice.

And then there will be questions. Nonstop questions, personal questions, private questions. Questions from your boss and an HR rep behind a closed door somewhere, invasive, mandated reporting, logical questions that you must have answers for.

You chew your lip.

It’s not so obvious, maybe, with the turtleneck. The long sleeve under your scrub top covers the tender flesh on your neck, your shoulder, your forearm. It’s second nature, how easily you hide, how perfectly they tuck away, little stories beaten into your skin for no one else but you to feel.

Except for your orbital and cheek bones. 

These are blatant. The ball cap pulled down over most of your face hid them well enough on your way in but now... inflamed, angry skin swells beneath your eye, and while it looks okay, you guess, when you get close, it’s obvious that something is wrong. The foundation and failed attempt at contour can only do so much.

It’s shocking to realize you’re actually mad at him for it.

For being so impulsive.

So sloppy.

But then again, wasn’t that your fault? 

You’re bold. Bolder than ever before. Closer to the top of your breaking point now, angry and beaten down and dying in the black of a bottomless pit. Unable to escape. Unable to climb out. 

You’ve been falling inside it for years, and it’s all you ever do. 

Fall. 

And you’re so, so tired. All you want, is for it to end. 

“That was sick, even for you, Phillip. What are you, some kind of freak? Jerking off all over your ex girlfriend’s-“ The backhand is swift. It rockets across your face, combination of it’s force and the sting making your head spin, and you stumble. 

When you lurch, he presses close, chest to your side, strong fingers digging into your forearm so tight it hurts. 

“Don’t say that.” His lips drag across your cheek, insult to injury where he struck you. They press together in a kiss, a foul, rancid piece of affection, making your stomach turn.“You know I don’t when you call yourself that. I don’t like when you lie, sweet thing. It’s not very nice.”

“It’s not a lie, you Texarkana hillbilly fuck, it’s the tru-“ You’re up against the wall in a single movement, arm twisted so hard you cry out, and he shoves you into place until he’s got you where he likes, face to face, nose to nose. 

“There’s my spitfire. Knew she was in there somewhere.” The nickname almost makes your retch. It’s a flicker of a memory, of yourself before the grave of your now life, the fateful twist that is Phillip Graves. 

“I hate you.” You spit. His eye twitches, and he looks every bit the insane man you know him to be. 

Because this... this is Phillip having fun. This is Phillip playing with his food. Phillip and his toy. 

This is not Phillip’s crazed rage. This is not suit and tie Phillip, rip your hair out from the roots Phillip, beat you until you’re unrecognizable Phillip. 

This isn’t the Phillip who slaughters innocent people. Who murders entire towns for pleasure. 

For a very short moment, your mind drifts to Simon and Johnny. You wonder what they’re doing right now, if they’ve already had their lunch, if Penny visited today. If maybe she napped with her Da safe and snuggled, sweet and asleep dreaming of sugar plums. You think about the light in Johnny’s eyes from last night, the way he looked at his daughter, and Simon, and even you. You remember the press of Simon’s mask covered lips on your forehead, a sweet, comforting piece of affection that you’ve already locked inside your heart. 

You float there. In those feelings, those memories. 

You wish they were here. You wish they could help you. 

The acknowledgement is terrifying. It happens so fast, hardly a second, but in that time, horror shivers down your spine. 

You’d put them in danger, for yourself. Your selfish, stupid self. 

Phillip’s mouth hovers over yours, and you swallow the gag rising in your throat. 

“I can’t stay.” He whispers, pseudo-gentle kisses adorning your nose, your cheek again. “It’s really rotten luck, honestly, you showing back up here today. I was just saying my see you laters.” You’re not religious, but the thoughts come easily regardless. Oh god, thank god. Thank fucking god. You have a chance.“I know you’ll be here when I get back, won’t you? I’m tired of chasing you around the world, sugar.” He gives you another wet, closed lip kiss, and your jaw trembles. “If you’re not, it’ll be that much worse for ya.”

You can do this.

It’s not anything you haven’t done before.

Deep breath. You can do this. 

Stepping outside the bathroom is like taking your first steps as a child. You’re slow, pushing through the burn in your side, the sore agony in your shoulder, the torn cartilage you’re sure is the cause the of the pain in your shoulder.

You can do this. 

Get it together. Get yourself together. You’re not going far. 

You make it down the hall without running into anyone, and once you reach the on-call room, you’re breathing long sighs of relief, sliding the lock into place after the door shuts behind your back.

Two black duffels sit on the floor, staring at you. Mocking you, just like the girl in the mirror.

What are you going to do? 

The receptionist is calling your name. 

You ignore her, trying to make it to the elevators, almost breaking into a run even though you’re in pain, your face throbbing, neck sore beyond belief. 

“Sorry, can you-“ Intercepted on your path, she gasps. “Oh my god, what happened?” 

“I was mugged.” It’s a point-blank response, even though you sound like a frog or a piece of roadkill, and it brokers no argument. You look at her with the flattest gaze imaginable, dissuading her from saying anything else. 

“I- I’m sorry. We’ve been trying to call you.” The hair on the back of your neck rises.

“For what?” 

“We need your room. There’s been a block reserved, and it includes the floor you're on. I'm... sorry.” You’re not able to contain your shock, mouth dropping open, heart cracking into tiny pieces. 

On top of everything. Now this. 

The receptionist peeks at you nervously, waiting on pins and needles for a response. 

“When?”

“Tomorrow morning, I’m afraid. I’m so sorry. The hotel apologizes, the block is paying for a higher rate and-“ 

“It’s fine, really. I needed to check out anyway.” You know it’s not her fault. Hell, you’d be surprised if it wasn’t the hotel’s fault either. It’s not like Phillip wouldn’t move heaven and earth to force you out of hiding. He's more than capable of finding out where you’re staying. 

She gives you another apologetic look before scurrying away, and the elevator doors finally enclose around you, a tidal wave of despair swelling in your heart, dropping you to your knees with gut wrenching sobs.

You’re crying again. Curled up in the on-call bed, your shoulders shake in hysteria, tears and panic overwhelming everything you have left, swallowing you until you can’t see the surface anymore.

Your throat burns. Breathing is like rubbing sandpaper down the back of your tongue, and you wheeze when you try to take deep breaths, shoulder shrieking in misery every time you shift.

You have to get it together. You have to work in an hour. 

But you can’t. You dig deep and try, desperately working to pull something forward, something sane and controlled, but there’s nothing to be found, only acid in your throat. The hysteria mounts. It catches the wind and flies down the hill, crashing into you over and over until your hands are clenched together so tight, even they hurt.

You fucking idiot. You waited too long. You ran out of time. 

You’re dead. 

“Oh my god.” Nia covers her mouth, eyes wide. You hold up a palm.

“It looks way worse than it actually is.” Another nurse peeks around her shoulder, and gasps.

“What happened to you?”

“I was mugged yesterday, getting off the train.”

“Oh my god!”

“I’m fine. Really.”

“Did you tell the police?”

“Yes, I did.” You assuage them to the best of your ability, reassuring their worry. “I filed a report, and they didn’t get anything important. I’m okay. Really.” And then the kicker: “I would tell you if I wasn’t.” You glance at everyone, four or five now, gathered around, and lay on the final piece of the puzzle. False familiarity and the ever present desire to be relevant. “Wouldn’t I, Nia?” You gesture around to expectant faces as if to say, tell them, and she readily agrees.

“Yeah, she totally would.”

Everyone pretty much leaves you alone after that. Patients need checks, meds, all of the usual stuff. You assure Nia once more in private, promising that you’re okay, and she reluctantly leaves you alone too, once you swear up and down.

The only thing that doesn’t leave you alone, is your cellphone.

>Hey, just wanted to check in, see how your day off was yesterday? 

>Bunny :)

There are a few others, alternating like above, Simon first, then Johnny. Asking if you got some rest, if you’re okay, and then a promise not to push.

You ignore them.

You ignore the feeling in your chest at the sight of their incoming text messages, the proof of their care.

You ignore the way it feels to know they’re only a floor below you.

You ignore the fact that when you got here today, all you wanted to do was run to Johnny’s room and settle in that chair next to his bed, curl up close to them, where there’s love, where there’s warmth. 

You ignore it at all.

Get it together. You have a job to do. 

Simon appears at the pit three hours into your shift. There’s no one around, everyone trying to take breaks, cover breaks, or deal with whatever emergency is happening in the moment, except you.

And when you round the corner and spot him, waiting, it takes your breath away.

Half of your reaction is pure fear. The last thing you want is for him to see you like this. Beaten. Broken. Ugly.  

The other half is… something pure. Something enamored. He came up here, why? Is he worried because you didn’t answer? Do they care? 

Still-

You start to turn on your heel, eyes flipping wide and panic startling your heart. You’re barely a shadow, a clip of a person on the other end of the hall and yet-

“Hey, there you are.”

Fuck. The acid starts to rise all over again. You keep your face tilted down towards the floor.

Maybe you can pretend you don’t hear him. You leap back around the corner, practically running towards the on-call room, where your life sits in two black bags, waiting.

You can’t do this. You can’t face them, let them see. 

Something desperate gnaws in the pit of your soul, a howl that begs you to turn back and let him in, let them both in, tell them everything.

It’s selfish, and cruel.

It’s unfair.

He calls your name. You still don’t answer. Your scrub pants swish together as you jog, trying to get away, but the effort is in vain. He’s too quick, long strides overtaking yours at a brisk walk, and just before you reach the door, he positions his body in front of the handle, an immovable wall.

There’s a long moment of silence. You stare up into his face, wide eyed, horrified.

You know what he’s seeing. A failure. A moron. A mess. 

To his credit, his expression does not change. His brow does not furrow. He only stares at you, frozen, slow thawing fury finally glowing in his eyes after a centuries’ long minute.

He reaches, time standing still, the back of his fingers stroking the lightest touch against your tender cheek, and his voice is almost unrecognizable behind the mask when he snarls,

“Who did this to you?”

The tears come in a flood. You don’t understand why the breakdown comes in this moment, why everything crashes into a million little pieces, until you feel a strong, careful arm around your shoulders, pulling you into a broad, warm chest, face tenderly nestled into a black hoodie. It feels… safe. Like a home you haven’t had in a long, long time. Like something you never thought you’d feel again.

Maybe it’s a moment of weakness. Maybe it’s your downfall, another thing for the girl in the mirror to be angry with you about, you’re not sure. You’re not sure about anything except this feeling, this feeling that lights up your heart in an explosion of fireworks, fear and panic and anxiety soothing into sadness, into a homesick feeling for a love, a life you’ve never had.

Maybe it’s a moment of weakness, when you sob his name, when you go limp against him and he holds you steady, a cheek atop your head, soft words washing over you in a whisper.

Maybe it’s a moment of weakness, but right now, you can’t seem to care.

Johnny is distraught.

Simon brings you into his room, still tucked into his side. He’s careful with you, telegraphing all his movements, letting you know where he’s going, reverence rich in his touch like he’s handling glass.

“What in the-“

“Bun says she was mugged.” Simon tells him, and you miss whatever is happening over your bowed head, hands shaking with nerves all over again. “She assures me she’s not hurt but-“

“I’m fine.” You croak, and Johnny jerks, mouth half open in disbelief. The light is dim, casting short shadow across his face, his sweet eyes drenched in worry, and you stand at the foot of his bed, tears waiting on your waterline. “I’m okay, they didn’t really get anything, and I-“

“Come here.” He cuts you off, raising both arms, extending them as wide as he can manage, scooting his hips to the side. It’s a feat, but he hides the grimace of pain well. When you don't budge, he repeats himself, firmly the second time. “Bunny. Come here.”

The shame burns, entrenched in you so deep, you know you’ll never be able to cut it out, and your tears fall unbidden, encouraged by the hollow feeling in the pit of your stomach, your heart, an ache that you need soothed so desperately.

You’re out of control. You’re losing your grip. 

You had a moment of weakness but this… this is too much. 

“Please, pretty girl.” He whispers, reaching you where no one else can. Speaking to you through the fog of your doubt, your hatred, your fear.

Your hands shake as you reach for his, and when you sit beside him, hip to thigh, he looks at you like he’s staring at someone other than the person who used to be his nurse. He’s looking at you the way you catch him looking at Simon sometimes. Bright gaze full of love. Of worry.

“I’m okay.”

“No, ye’re not.” He shakes his head. “Ye’re not. This is not okay.” The way he says it feels like he knows, like he understands, and you swallow dry, breathing ragged and shallow. It turns frantic, and he squeezes your knee gently, redirecting your attention. “Hey, shhh. It’s okay. Ye’re safe with us.” Simon sits on the arm of the chair, directly next to the bed.

“Do you need to count your breaths?” He cuts directly to the quick. Will this provide you relief? Will this stop the pain? The agony? 

No. 

“N-no.” You gasp.

“Okay. Just try to breathe, everything’s alright."

I’m s-sorry. I’m sorry. It’s just this- this happened and then I found out I had to find a new place to stay, and I st-still haven’t, so I have to sleep in the on call room, and I don’t-“

“Whoa, okay. Slow down.” Simon soothes, hand slowly sliding up and down your spine. You relax into it, marginally, clocking the subtle upward tick of Johnny’s lips, firm line shifting into a small smile, and then turning cross. 

“What do ye mean, ye dinnae have a place to stay?”

“My apartment-“ is trashed. Is a scene of a crime. Is a hollow rib cage housing a dead heart. “is being renovated so I’ve been living in a hotel,” Johnny nods, like he knows. Of course he does. What secrets do they have between? Probably none. “But someone reserved a whole block and there’s no vacancies, so I had to check out this morning.” It’s pathetic, the way you’re crying over this, the way you feel, but it’s all so forlorn in this moment, and you can't stop yourself from falling deeper and deeper into a well of despair, hopelessness dragging you to the bottom, trying to drown you. “It’s not a big deal but-“

“It is a big deal.” Johnny declares. “Ye had somethin’ horrible happen to ye, and now this on top of it?” Simon shifts, flat palm and fingers pushing down through the air, and you barely catch it from the corner of the eye. It’s the same kind of sign you give someone when you want them to slow down, and you blink.

What’re you doing?  

“I… I’m fine.” You wince at the croak in your voice, last menthol infused cough drop wearing off, bringing back the raw pain in your windpipe, the gravel grit of bruising in your voice.

“It’s okay to be upset, bun. Anyone would be.” You wipe your face, chasing away the tracks of tears and trying not to wince when you straighten your back.

“I know, but I’m okay. Really.”

“Ye cannae stay in an on-call room.” What?

“Oh… it’s fine. It,” wouldn’t be the first time. “It’s not a big deal.” Simon is watching you, focused with that same blazing intensity that feels like he’s digging around inside your skull. 

“Why don’t you stay with us?”

“What?” You blurt. “No. No, I… I couldn’t. It’s not-“

“Appropriate?” Simon finishes, head cocked. “Johnny isn’t your patient anymore.”

“And we have plenty o’ room. Penny’s still staying with Price’s a lot, because Simon’s here all the time, so it’d be nice and quiet for ye.” Say no. Tell them no.

“I couldn’t. It’s… you hardly know me. You’d invite me to live in your house?” Incredulously, you stare at them, flicking back and forth between two expectant, understanding faces.

“We know ye. Ye try to hide yerself from us, bun, but… ye cannae. Ye light up every room ye step foot in, and I dinnae think we would have made it through this without ye. Ye’re special to us, even if ye cannae accept it.” He winks. “Yet.”

“We want to help, sweetheart. Let us help you.” You’re between a rock and a hard place. An immovable force, and object. Two wills, locking in around you.

But instead of a cage, it’s warm. It’s gentle. It’s… safe.

“I couldn’t encroach.” You’re on autopilot, mouth making sounds that your heart protests. Simon sighs.

“You’re not encroaching. We’re inviting you.”

You would be putting them in danger. 

“I… I can’t.”

“Why?” Johnny’s still got his hand on yours, and he squeezes, carefully. “Talk to us, bunny.”

“Tell us what’s really going on.” Simon is grave, and for a second, air gets stuck in your lungs, fighting to escape.

You cannot tell them. No matter what. You can’t. The turtleneck is too tight, cotton and polyester scratching at your sore skin, and you shiver.

“There… there’s n-nothing going on. What if the people that mugged me,“ come back to finish the job? Track me down? Words die on your tongue, the lamest attempt to push them back withering away. Simon is having none of it.

“We’re special forces, love. No one is going to get to you while you’re with us." He pauses, trapping you, holding you in stasis, and when he repeats himself, it's a dark vow, a promise. "No one.”

If you do this. You have to tell them.

You can trust them. They’ve proven that so far, haven’t they? 

You hardly know them. 

But isn’t that better? 

“I…” Your hand raises instinctively to your throat, and Johnny’s eyes narrow.

“Bunny.” He leans forward at the waist, slow as to not hurt himself, and you sit, frozen, bug eyed, transfixed on his hand that are stretching towards your turtleneck.

You should stop him. You should tell him to back off. You should do something. 

You can't. You don't. You sit there, waiting for the discovery. Waiting for the shame. 

Once he hooks his pointer finger in the top and tugs, it’s over.

Your heart stops in your chest. Johnny burns, dragon flame and rage, incineration boiling over in his body.

“Bleedin’ christ.” He hisses.

“Fucking hell.” Simon echoes, and you close your eyes. You know the tender skin looks bad. Swollen. Angry.

“Please.” You whisper, lower lip quivering, floodgates trying to burst into pieces. “Please I… I can’t talk about it. I c-can’t, I can’t-“

“Okay, okay. Shh, it’s okay. You’re safe now, sweetheart. You’re safe.” You’re crying violently, unable to see, trying to rasp out apologies, and Simon stands, tucking you back into his chest, big hand on the back of your head. Johnny keeps his touch at your back, consistent, reassuring pressure that rubs from the top of your spine down, and he hums delicate, affectionate phrases lilting in heavy Scots’.

The girl in the mirror screams at you inside your head. She calls you a fool. A coward. She tells you the truth, that you’ll only get them hurt, that you know better.

You don’t disagree with a single thing. You know all this to be true.

But for a moment… would it be so bad to indulge? To have one- two good things in your life, even if it’s fleeting. Even if you know how it will end, can you not just have this for yourself, in this suspended moment of time, this chance?

You want it. Them. So desperately, it swells and aches and tugs at you, just as they do.

Time ticks forward, and you do not pull away. You don't try to hide, or evade. You just... exist. Between them. The rock and the hard place. 

“Alright?” Simon murmurs, your tears now stopped, only delicate sniffles sounding from his chest. You nod, shifting backward to take them both in.

“I… if you’ll have me, I’ll… I’ll stay, until I can find a place.” Inky dark shadow flickers across Simon’s face, but sunlight chases it away, happiness crinkling at the corners of his eyes.

“Are ye sure?” Johnny is hopeful, bright, and beautiful, and you tighten your grasp on his hand, holding it like you’ll never let go. You take a deep breath-

You take the plunge.

A moment in the sun. 

“I’m sure.”

[creekfiend]

I wanted to make a bonsai kitten recovery post that outlines some of the stuff that I've been doing. Because I don't think that you need to ✨see a therapist✨ to start dealing with a lot of this stuff and I get really frustrated when that is the answer that everyone is constantly giving. Firstly a disclaimer, because I know what website I am on: this is a guide for things that have worked for me! I am not everyone and if there are things on here that do not work for you or even that you think are stupid, that is fine, but please do not make it my problem. If you are reading it and you're like "that sounds like it would actually be detrimental to my specific mental health because of my specific issues" then please disregard it. Use your critical thinking skills and do what you think is right for you!

My second disclaimer is that I didn't make any of this up myself; most of these are collected from various places either in therapeutic guide books or various websites about emotional regulation etc. Some of it is stuff that I have extrapolated from those places based on experience with what works for me or does not work for me. A lot of the way that I treat myself when I need to get my body and brain into a place where I can think about stuff productively is actually directly from gentle parenting guides, because frankly cptsd recovery stuff is very often like parenting a toddler. And the toddler is you. ALL THAT SAID,

The first skill that I had to get good at, that many of the other skills depend on, is to learn how to understand when I am Reacting to something. If I am Reacting it is extremely likely that that's going to only escalate the situation and make it much worse. I HAVE to be able to tell if I am Reacting emotionally to something in a way that is coming from a place of fear and panic. This is important because it involves not being prescriptive about your emotions. You could be Reacting to something that you do not logically feel is at all justified in making you feel that way and that doesn't matter! You can't be doing math equations to try to come to the answer of how you SHOULD be feeling; you have to be observing your mind and body to see how you factually ARE feeling and then respond to THAT. This can be really hard to learn how to do especially if you were abused as a child. (If you cannot think of yourself as someone who is abused as a child perhaps it would help to think of yourself as someone who simply was not taught various emotional regulation skills for mysterious reasons that have nothing to do with your parents' inadequacies.) I need to be able to glance inward and see what the physiological reaction that I'm having is and identify whether or not I feel like this is the biggest emergency in the world that needs to be addressed right now immediately! That is a sure sign that Mr Fight and Mr Flight are in the building and it is bad to make declarative statements or important decisions when that is the case. So, I have to work on dismissing them first. That is literally the first step to any of this. One of my friends calls this "fire mittens," which is to say, if you are wearing mittens that are on fire and you try to touch stuff, the stuff will also become on fire. You have to put the fire out first before you can touch other things.

Once I have determined that I am indeed Reacting and in a physiological state of fear, I have a document in my notes app that is a "what to do when you are in fight or flight mode" guide and it has several helpful things that I will try to outline here.

Firstly, the really important thing for me for trying to get back into an emotional state where I'm capable of making decisions and being thoughtful is to feel safe and comfortable. So I actually have some stuff in my document that is straight up just like "go in the blankie nest. put on this specific music album. light this specific scented candle." etc. You might want to have a specific food or drink that is comforting to you or some other sort of stim toy that helps you regulate. If there's any calming medication or supplements for anxiety that you take as needed, now is also the time to do that. Physical sensory grounding is really important for this. This is probably especially true if, like me, you are neurodivergent, but I think it is also true for everyone because we are animals! And you can't just think about it, you have to actually do it. Which sounds obvious but is the thing that has often tripped me up in the past. Once you start getting into the habit of actually physically doing this it DOES become easier though.

One of my rules is that if I want to respond to something but I am in fight or flight mode, I don't get to respond to it for at least 24 hours. I'm only allowed to respond once I've gotten myself out of fear mode. If it is some kind of comment on Facebook that has set me off, often this means that 24 hours later I realize that I actually don't want to get into it to begin with, which is great. If it's something that is pretty serious and interpersonal with a friend, sometimes that means I have to communicate to them that I'm going to take a while to process it and then get back to them. IMPORTANT: You CANNOT do this passive aggressively or else it undermines the whole thing. You can't phrase it in a way that will make your friends think that you are guilt tripping them for "making" you feel a way. It is VERY tempting to do this when you are in the first stages of trying to form this habit and you simply need to resist the urge because it will render this step worthless. I know. It sucks.

If I am feeling fearful and insecure about friends or loved ones, I also usually try to spend some time thinking about the people that I love and care about. Because often this stuff manifest for me as insecurity that the people that I care about do not care about me, or that they think that I'm being annoying, or that they are secretly thinking mean things about me. It's obviously not good for me to constantly be imagining that the people in my life who I care about are actually avatars of my own insecurity who are here to tell me that I'm secretly fundamentally unlovable! But crucially also it's ALSO not fair to those people to imagine them as that. They are not that guy, they are their own complex human beings with their own lives and experiences and interiority. So sometimes I do thought exercises where I will imagine my friends or loved ones doing things in their everyday lives and I will think about them as people and I will think about the things that they like to do and the things that they say and the places that they go, and I will try to imagine them fondly in those circumstances. This helps to remind me that they are just people and that the scary puppet wearing their faces is not real. To this end I sometimes will have a document of screenshots of things that they have said to me that I can use to reality check myself. I personally find reality checks to be essential for a lot of this. Things can feel true when they are not true at all. Things can feel wrong when they are actually true. The point of most of these exercises is to gently remind myself that those feelings are normal for me to be having, but that I do not need to let them dictate my responses.

It is crucial throughout all of this that you are nice to yourself. You can't talk to yourself in a mean way while you're doing this, or you will not get to a point where you are feeling safe enough to react from a place of not-fear. You can't make yourself feel ashamed or defensive for your emotional reactions. This is the particular area where I find gentle parenting protocols helpful. You HAVE to be patient with yourself.

Ok that's all for now bc I ran out of steam but I will try to think of more to add on another day maybe. Godspeed everyone

[x-i-l-verify]

Something that I've noticed ever since the Smiling Critters were introduced is that they can so easily be paired off into complementary duos, ones that are specifically designed to teach children fundamental lessons about life and self-care from two different angles. It's really interesting to me.

Like obviously you have Dogday and Catnap, with their sun/moon, dog/cat dichotomy, that stress how important it is to have fun and get things done during the day, but also that it's important to wind down, relax, and get a good night's sleep.

-

Bubba Bubbaphant and Craftycorn were introduced as a duo in the Smiling Critter show's intro, and their dichotomy is quite obvious. They are basically the right and left sides of the brain personified. Bubba is the left side of the brain, logical, analytical, focused on math and science. Craftycorn is the right side of the brain, creative and imaginative, focused on the arts and self-expression. They represent learning and academia in all its forms, the different ways people engage with and understand the world.

-

Hoppy Hopscotch and Kickin' Chicken form the sportsmanship duo. They are both portrayed as enjoying sports and the outdoors, but in different ways that highlight the different ways sports can be played and enjoyed and also what it entails to be successful at them. Hoppy Hopscotch may be loud and impatient, but she is also a team player, shown in her willingness to slow down her fast pace to make sure none of her friends are left behind. Kickin' Chicken, on the other hand, is laid-back, relaxed, and chill, the described "cool kid" of the group, but he's also described as having a ton of perseverance, more of a "slow and steady wins the race" type of person.

-

This leaves Bobby Bearhug and Picky Piggy as the last pair. Fittingly, these two are all about how to meet the fundamental needs of yourself and others. Bobby teaches children how to nourish themselves emotionally through showing and receiving care from others, while Picky teaches them how good food is important to nourish the body and soul. Depriving oneself of either of these things only makes oneself and therefore everyone around one miserable, because those fundamental needs are no longer being met.

-

Like fr, this is some pretty genius marketing right here. You have enough characters that every kid will have their favorite, but not so many that any would get lost in the shuffle, because the lessons each one of them would teach would be integral to the group as a whole. It really makes me that much sadder we saw basically nothing of the Smiling Critters during the game itself, because Mob Games struck gold with this concept, only to ultimately do nothing with it. :/

But I guess that's what fandom is for, eh?

[tungledotedu]

prismatic bell is shamelessly doing genocide denial again (archive org version), with some points such as:

'the keffiyeh is a symbol of arab colonialism'

'Every civilian killed is a travesty to be laid on Sinwar’s bloody hands. But…it’s actually also REALLY GOOD for urban warfare'.

no amount of 'it's tragic, i know it sucks, it's heatbreaking' will make up for the fact that xe LITERALLY SAID THERE IS A 'GOOD' AND 'PROPORTIONATE' NUMBER OF DEAD CIVILIANS. including children and babies. and this is right after xe called them colonisers.

xe's still desperately trying to deny the death toll. 'the numbers as given have been proven false. Someone was literally able to show they’re generated with a math formula. (I have articles backing this up, but again, will have to add when I’m off mobile, sorry.)'

also known as 'i can't add more sources right now, but i DEFINITELY have them!' (uses memri tv as a source)

'actually it's completely legal for israel to target hospitals because they fabricate evidence of weapons in those hospitals.' who's going to tell xir about how the iof mistook an arabic calendar for a list of names. also, legality=/=morality.

'DELIBERATE TARGETING OF HOSPITALS: yes, Israel has bombed or raided several hospitals because they were being used as weapons depots or missile launch sites. This is completely legal—what would be illegal would be raids on hospitals not being used as military sites.'

'hamas is the one that's committing genocide! if israel was really trying to eradicate all of gaza it would be done already!'

62% of homes and 84% of healthcare facilities have been damaged or destroyed. as well as more than 80% of schools.

'what is happening in ukraine IS genocide! but not palestine!'

since this person seems so fixated on 'proportionate' death tolls...

ukraine has a population of 34 million, and the 2022 russian invasion has resulted in around 34,000 civilian casuallties as of june 2024. that's a lower ratio of civilian casualties to total population (1:1000). mariupol and the rest of donetsk oblast (population: 4 million) have sustained the highest number of casualties, with over 25,000 dead. this means the ratio is 1:160. according to this user, this is enough to warrant the label of genocide.

(edit: the number of dead ukrainian civilians may be higher at 100,000, making it 1:340).

but the gaza strip had a population of 2.4 million in 2022 (see the quote below), and the estimate of around 40,000 deaths has been outdated for some time now due to israel's destruction of gazan healthcare infrastructure and staff. even without a more accurate death toll, the ratio is higher (1:60). but for some reason (racism), it's not enough to be called a genocide.

the death toll in gaza is estimated to be much higher. according to the lancet,

Applying a conservative estimate of four indirect deaths per one direct death to the 37 396 deaths reported, it is not implausible to estimate that up to 186 000 or even more deaths could be attributable to the current conflict in Gaza. Using the 2022 Gaza Strip population estimate of 2 375 259, this would translate to 7·9% of the total population in the Gaza Strip.

and this is a conservative estimate.

also, according to this user's 'logic', with a lower ratio of casualties, russia is actually 'doing urban warfare' better than israel. so much for being pro-ukraine.

all of this disgusting vitriol is tacked on a post with artwork of jesus christ, because one of the sketches depicted him with a keffiyeh. i don't think prismatic bell has anything of worth to say about christianity.

(edIted on 20 july)

changed pronoun to xir. explanation here.

i've added a link to a source for 100,000 killed civilians in ukraine.

but still, given the choice between an academic article and an internet user, i'm going to trust the academic article to have actual research with sources and not 'fake numbers' for gaza.

i wrote a bit about how the alleged 1:1.5 civilian death ratio is incorrect under the read more, but then i realised, does it actually matter? should this be the metric by which we measure proportionality in the first place? should we forget how more palestinians have been killed by israel since its founding than the other way around?

if we only focus on this, we overlook the bigger picture, the alarming number of people who have been killed or left sickened and disabled. we have to keep the total population in mind, and the fact that israel also mass murders palestinians 'indirectly'. through starvation, cutting off electricity and water, blockading medical supplies as well as other resources, denying life-saving healthcare, and other means. what prismatic-bell said about russia targeting aid workers applies to israel too.

what about how israeli militants rape and sexually torture palestinian hostages? how they don't distinguish between combatants and civilians, and their 'definition' of terrorist includes elderly men and kids they've captured and stripped to their underwear? or how they've maimed people as part of rabin's 'break the bones' policy since the first intifada? or when the iof lied about letting an ambulance rescue hind rajab, only to kill the paramedics and shoot 335 bullets at the car where she was hiding? or how they haven't stopped bombing and sniping people despite orders from the icj and credible evidence of them committing genocide?

and 'fake numbers'? sounds like projection to me. here's what prismatic-bell said:

'And finally, let’s look at the civilian-to-combatant death toll. [...] With that said, the best data we have at this moment suggests one civilian killed for every 1.5 Hamas militants.'

no source given, but i'm guessing it came from wikipedia (where the sentence is unsourced as well).

here's an actual analysis by yagil levy on ha'aretz. it's outdated, but it argues that even early on in the genocide, the israeli army failed to show restraint in targeting civilians. none of that 'it's actually also REALLY GOOD for urban warfare' or 'entirely proportionate', or however you want to cruelly dismiss human life.

It follows that with a high proportion of noncombatants among the total number of those killed, we can conclude that the principle of discrimination was not adhered to, and an unusually high rate will reflect either a departure from the principle of proportionality or a highly flexible interpretation of it. [...] Thus, rather than this being a case of "collateral damage," it was the reverse: Because most of those harmed are civilians, what was produced is "collateral benefit," in the form of a low number of Gazan combatants killed.

This calculation shows that out of the total of 6,747, at least 4,594 individuals of both sexes who can be categorized as noncombatants were killed – 68 percent of the total. 

this is a different way of calculating the ratio. it takes civilian deaths and divides it by the total number of people killed, not by combatant deaths (as the 1:1.5 ratio does). with 2,153 combatants killed, the ratio is actually around 2:1, meaning it is biased towards civilians killed. this is an outdated estimate and is probably higher in reality.

or take the iof's more recent but probably inflated estimate of 16,000 dead hamas fighters, meaning 24,000 civilians out of the 40,000 killed. the ratio would be 1.5:1. or 170,000 civilians if we go by the lancet.. that's 10.5 civilians dead for 1 militant. (if anyone has better sources let me know.)

[flowerandblood]

Incomprehension (Oneshot)

[ Michael • Gavey x math student • female ]

[ warnings: stalking, angst with comfort, depression ]

[ description: Michael Gavey seems to her to be an alien from another planet, and observing him becomes her daily routine. She decides to cheer him up by secretly putting his favorite Crunchie in his backpack, but one day she is caught red-handed. Requests regarding the character stalking Michael and her comforting him after the situation with Oliver at the bar. ]

I thought I'd post this between chapters of The Fall from the Heavens because I really like it even though there is no smut in the story! This will not affect the order in which new chapters will be published.

* English is not my first language. Please, do not repost. Enjoy! *

My other works: Masterlist

_____

She had no idea how it really started. She had watched him for a long time, knowing only that he was the best. Even though he was a student in the same year as her, equations that took her an hour to solve, he solved in a few minutes.

He worked like a machine: when he stood in front of the big board his face was stony. Unlike her, he wasn't frightened or stressed knowing that the whole room of students was watching him – on the contrary, seeing his lips clamped into a tight line, the wrinkles of concentration on his forehead and his wide-open blue eyes, she had the feeling that he derived satisfaction from it.

He wanted his genius to be admired.

They never exchanged a word with each other – even if she had wanted to, she wouldn't have known how to begin, and seeing his outbursts and behaviour that seemed bizarre to others, to say the least, she wasn't sure it would be worth taking the risk and stepping out of the shadows.

Something about him not knowing she was watching him filled her with peace and contentment.

Her year-mate had lamented to her as they sat in the library that one of the handsome, rich boys from a good house had not responded to her greeting as she passed him in the corridor. She nodded in understanding, looking thoughtfully towards the other table.

She didn't understand why he stayed close to Oliver.

This boy seemed too frisky to her, stretched out, wanting too many things at once. He wanted to be humble and feisty at the same time, lonely and surrounded by a group of friends, appreciated and unappreciated, for someone to comfort him.

He wanted to be noticed while remaining in a state of his own uniqueness.

Unlike him, Michael was authentic.

She showed up in the places he walked because he appeared in them like clockwork. His routine became her routine, allowing her to be a passive observer of his life instead of participating in her own.

She didn't want to return her thoughts again to her body and the emptiness she felt as she lay alone at night, thinking that she hated math.

However, it was the only thing she could do well.

The logic of formulas, the certainty of the fundamental, immutable laws that ruled the solving of equations gave her a sense of security.

Words were a strange and unnatural construct to her, and while her mind was full of thoughts, they did not usually find an outlet beyond the basic phrases that allowed her to turn in the company of others.

It wasn't her nature, but her choice: it seemed to her that every time she tried to explain the state of what was happening inside her, no one could comprehend her, giving her cloying advice she hadn't asked for at all.

She wanted to hear that she didn't need to change, instead however, everyone kept telling her that she should smile more, which she did reluctantly.

Why should she smile if she wasn't happy?

Michael was her opposite, and watching him was like observing a rare animal in the zoo: he was loud and unpredictable, his remarks often lacking tact and sometimes even sense, his chin raised in the confidence that emanated from him.

He was a mean bastard and she knew it, but she couldn't hate him.

To her despair, he seemed to evoke entirely different feelings in her.

His behaviour did not repel her: on the contrary, his explosive, quirky nature aroused a kind of admiration in her, as if he were an alien from another planet, someone who did not really exist.

She watched from the sidelines as Oliver slowly began to make his choice, more and more and more allowing Felix and the rest to absorb him like a large, voracious monsters.

She wasn't sure if the look of disappointment on Michael's face when he waved at him from afar and he didn't respond was a result of his sadness or his anger at having wasted his precious time.

It seemed to her that after he started eating and sitting alone again he quietened down and fell silent, disappearing before her eyes.

One day she got the idea of cheering him up and whenever she had the chance, she would slip a small Crunchie bar into his backpack, usually when he was busy talking to someone or when he put it down on the floor and left it in the corridor while going to the toilet.

She would then sit down next to it and, watching to make sure no one saw, slip the bar into the side pocket of his backpack and return to her seat.

Only twice had she seen his reaction to finding her gift tucked in one of his pockets. He would then look around, and she would lower her gaze, pretending that she was engrossed in a textbook on quantum physics.

She would smile involuntarily when she heard the rustling of the paper after a while, and then look at his thoughtful face, his gaze directed somewhere far away as he bit into the bar as if he were eating a burger.

He was so uncouth, so bright, so unpredictable.

However, her lack of vigilance doomed her: she wanted to do what she always did when she saw that he had thrown his backpack on the ground and headed for one of the rooms, apparently to talk to their professor. As soon as she sat down next to his bag, he came out and looked at her.

She froze, feeling her heart start pounding like crazy, cold sweat running down her back.

She picked herself up and moved to flee, unable to face the shame that spread throughout her body.

"– hey – wait – fuck –" He cursed, wanting to follow her, but remembered his backpack, so retreated to pick it up.

She stepped out into the courtyard, not hearing or seeing anything, blinded by the sun, stunned by the noise in her head and the shrill conviction that some kind of veil had fallen between them.

"– are you deaf? –" She heard him behind her, his large hand grabbing her arm too aggressively and too firmly, turning her away with a sharp, impatient jerk. She stopped, looking with big eyes at his blue checked shirt.

"– do you like rummaging through other people's things? –" He sneered, frustrated and amused at the same time. She simply remained silent, staring dully at the fabric of his shirt, smelling some cheap aftershave and his own scent.

He bowed his head, apparently wanting to meet the gaze of her eyes, but when she noticed his blue irises she turned her face away, quivering in his grasp.

"– you're weird –" He decided and let go of her, stepping around her, making her lower lip start to twitch, burning tears of shame, disappointment and regret gathered under her eyelids, running down her face one by one.

She adjusted the straps of her knapsack on her back and moved ahead on trembling legs wanting to forget it had ever happened.

The next day she felt like throwing up at the thought of their lectures together and ate nothing. She rushed to the classroom at the last minute, walking straight into the room without looking at the people who were waiting for their professor in the corridor.

She sat down in one of the last rows in her seat, far to the side, almost against the wall, where she felt safe.

When she saw out of the corner of her eye his silhouette walking into the hall she froze, lowering her gaze to her fingertips, feeling an uncomfortable constriction in her stomach, trying to blend into the background and not exist.

She shuddered when she noticed that instead of taking his seat in the front row across the hall he moved towards her, walking down the row below her, sitting down opposite her. She swallowed hard when he sat sideways to her, spreading his elbows comfortably on his and her desk, leaning his back against the wall.

"– what's up, little freak? –" He asked simply, tapping his fingers against the top of her table. She looked at him with big eyes, feeling a complete emptiness in her head, having the feeling that she was hot and cold at the same time.

For some reason she wanted to cry again.

Hearing that she didn't answer him he lifted his gaze to her, twisting so that he rested his arms on her desk, correcting his glasses that had slipped off his nose with the index finger of his hand.

"– you've got me used to eating one bar every day and you didn't give me one yesterday – you've ruined my daily routine and it's very fucking annoying, you know? –" He asked with anger and some kind of expectation that completely surprised her, but what she said had nothing to do with his words.

"– I didn't look inside –" She muttered.

"– what? –"

"– I wasn't rummaging through your things –" She explained in a trembling voice feeling that for some reason her eyebrows arched in pain, warm tears one by one began to run down her cheeks again.

"– are you crying? –" He asked in disbelief, wrinkles appeared on his forehead as they always did when someone made him uncomfortable.

"– yes –"

"– because I'm talking to you? –"

"– because I'm ashamed –" She whispered and lowered her gaze, swallowing hard, feeling that it had cost her a lot of strength to choke out these few sentences.

He fell silent for a moment – other students began to sit down around them, their professor announcing that they were about to begin their lecture.

He no longer responded to her words, returning to his previous position, leaning with his back against the wall, one of his hands remaining on her desk. She watched dully as his long fingers beat rhythmically against it, repeating the same movements again and again.

As always, he didn't even open his textbook, didn't write anything down or take notes, memorising everything he heard in his head.

She couldn't afford to do that, so she wrote down meticulously everything their professor spoke about, knowing that it would be one of the topics that would appear on the exam.

As soon as their class was over, she saw his silhouette standing in front of her with the textbook in his hand, which for some reason he carried with him. She packed her bag, pretending she didn't feel his expectant gaze on her.

"I want my Crunchie." He communicated, as if giving her some irrelevant piece of information. She looked at him in disbelief, feeling her lips part involuntarily.

Was he always this cheeky and spiteful?

"Here." He said, pulling a few coins out of his pocket, far too many for one bar, placing them in front of her.

"Just bring it to me." He said impatiently and moved ahead, running down the stairs, correcting his glasses on his nose, disappearing out the door.

She didn't feel like bringing him this fucking bar, but decided she didn't have the strength to stand up to him.

That's why she went to the vending machine standing in the corridor and, using the coins he'd given her, bought him as many bars as the money he'd given her was enough for.

She found him exactly where he always was at this hour, which was in the library.

She knew that he was solving equations not because it was a challenge for him, but because he was terribly bored. She pulled her fabric knapsack off her back and opened it, placing bar after bar on the table top where he sat.

"– I wanted one – are you mad? –"

"– give yourself one each day – you know how to count – have a nice day –"

"– do you have to be so fucking rude? –" He growled with a hint of malice, from which she turned to face him, feeling that for the first time in many years she had lost her temper.

"– take a look at yourself, you spiteful, spoilt brat –" She hissed and froze, wondering how she could have said such a thing, a hot feeling of shame and horror spreading through her stomach.

He stared at her with his lips clenched, furious, his nostrils twitching in an anxious, heavy breath.

She thought he was going to say something, humiliate her again, but they just looked at each other.

"– I – I'm sorry –" She mumbled and turned away, wanting to run away, to sink into the ground, to disappear.

She was sure he would be avoiding her now, telling everyone with amusement what a fucked up and stupid person she was, that she'd stalked him and then started yelling at him in the library.

She knew he commented on various people's behaviour in this way and she was sure he wouldn't spare her.

"– hi, nasty bar slut – what's up? –" He asked, walking up to her as she stood by the notice board, causing her to completely freeze.

"– please, don't call me a nasty slut –" She mumbled, looking at him with big eyes.

He shrugged his shoulders, correcting his glasses on his nose with his index finger, his gaze fixed on the sheets of paper on which the timetables were written.

"– fine – so? –"

She didn't understand what purpose this exchange of words was supposed to serve.

"– and what are you asking? –" She asked uncertainly and he shrugged his shoulders again.

"– I don't know –"

God.

"– are you still ashamed? –"

She swallowed hard, lowering her gaze to her feet, feeling her heart in her throat.

"– yes –"

"– why? –" He asked, as if he didn't understand what her condition was caused by. "– it was pleasant – finding a candy bar in my backpack pocket every day – unexpected – like magic with this dumb tooth fairy –"

She looked at him in disbelief, feeling a strange kind of warmth and relief spread across her chest. She pressed her lips together, adjusting the knapsack on her shoulders.

"– I saw how Oliver treated you – I think I just wanted to comfort you, but I couldn't speak to you like a normal human being –" She choked out finally, feeling that embarrassing sensation of a tightening in her gut again.

He snorted, correcting his glasses on his nose again.

"– sad bullshit is for poets – isn't it? –" He scoffed, still not looking at her, a mischievous grin on his lips.

She wasn't sure she understood him correctly, but it seemed to her that he was trying to tell her that he liked what she was doing in a way.

She shrugged her shoulders.

"– words have never come easily to me, although my head is full of them –"

"– right – I don't have a problem with talking, as long as someone doesn't start tendentious stories about their deep inner life – I don't give a shit, to be honest –"

He said, still avoiding eye contact. He scratched the back of his neck and rubbed the tip of his nose with the top of his hand, doing his best to look anywhere but at her.

"– it seems to me that you don't give a shit about a lot of things –" She stated finally and it was only when he heard this sentence that he looked at her, the intensity of the blue of his irises frightened her.

"– that's true – but that's who I am – I don't pretend to be anyone, unlike those rich losers who haven't earned anything themselves –" He hissed, and she nodded in agreement.

He hummed under his breath, pleased apparently to find in her a listener who didn't question his rather subjective, and therefore, in his mind, sincere judgements.

"– and you? – why do you behave in this way? –" He asked suddenly, and she blinked, feeling her whole body tense up at the urge in some primitive desire to protect herself.

"– what do you mean? –" She asked finally.

"– that whole crying thing of yours –" He said indifferently, once again correcting his glasses with his finger on his nose.

It seemed to her that he was treating her as an equation for which he lacked data, making it impossible for him to solve, much to his natural frustration as a scientist.

She thought she understood him.

"– I don't seem to feel alive – as if I'm a camera recording everything around me – when suddenly someone speaks to me as a person who should be experiencing and thinking something, I feel ashamed, as if someone has caught me in the act –" She choked out with difficulty, thinking in disbelief, terrified, that for the first time she had expressed in words what she was feeling.

She was more afraid than ever of hearing someone's response to what she had said.

He looked at her for a moment, furrowing his brow, as if analysing in his brain the details she had just provided him with.

"– you're lonely –" He stated finally, as if he had at last found a summary of what he thought of her. She pressed her lips together at his words, embarrassed that he had hit the nail on the head.

"– yes –"

"– me too – that's no reason to cry –" He said, shrugging his shoulders, sliding his hands into his trousers in some subconscious gesture of discomfort.

She nodded at his words, feeling her heart pounding hard in her chest.

"– so –" He began, looking at his shoe as if he saw something interesting on it. "– what now? –"

She swallowed hard, raising her eyebrows in surprise.

"– what are you asking? –"

"– me and you – are we mates now? –" He asked, and she involuntarily smiled sincerely for the first time in many years, feeling some pleasant warmth ripple through her lower abdomen.

"– yes –"

[midnightanxietytm]

He takes his whiskey neat

A/N: Look, I think i was possessed while writing this one /j. It was like 1 am and I was procrastination on college work, I dunno what happened but this is the ungodly spawn of my imagination mixed with sleep deprivation, caffeine and stress. Enjoy and don't question it too much

Contents: Ford Pines x reader, pinning (lots of pining), I pictured reader in their late 40s to early 50s so there is an age gap but nothing extreme. There's some plot in those holes. uhhh lots of tension and no payoff because im pretty sure I passed out before I got to that part.

Word count: 996

There’s this look on his eyes now that you can’t quite figure out.

Ever since Stanford Pines came back from the portal, ever since weirdmageddon and the end of that fateful summer, something about him fundamentally changed. There’s contempt, relief, sure, but there's more to it, something that he keeps deep in that rattling metal-protected brain of his.

And god forbid sometimes you just want to pick him apart entirely, figure out every detail, note it down, absorb it, maybe then his mere presence won’t entice you, mess you, so goddamn much.

It culminates, as all events are bound to do, right before that year’s summer vacation, you blame the heat. 

Soos and Melody took a vacation for themselves, entrusting the shack back to Stan’s less than trustworthy hands, just like old times. Ford slips back into the basement so easily you almost follow him; your mind briefly longing for that nostalgia of being freshly out of college, when you and Ford were easily impressed by the oddness of the world.

You were a prodigy; a good ten years younger than him yet still doing your masters while he did his doctorate, and in the same area with similar themes! Back then, you two were just bright-eyed yet very tired academics… Then Gravity Falls presented itself on a silver platter, and Bill followed through.

You were there, on the day of the portal, or at least, almost there, going back for the thousandth time, expecting no answer to your knocks at the door as usual, only to be met with the fallout of something far worse than refusal.

And then he was back, less jittery, less paranoid and less sleep deprived than he was before at least. But there was that thing in his eyes, that inherent distrust, detachment…? You struggled to find the words and if there’s one thing that you as a scientist can’t deal with is a question that goes unresearched.

So it began; your “research” depended on experiment and to experiment, you firstly decided to get close to your unwilling subject. And you go down the rabbit hole.

You find him in the basement, of course. He’s drawing on loose sheets of paper, some of the discarded pieces lay on the floor, and the cd player by his side is playing just loud enough to muffle your footsteps as you approach him by his right side. “Updating the journal?” You ask, nonchalantly, as if you hadn't obsessively turned each page of his journals before, as if your own handwriting wasn’t squeezed in the first ones before his old muse took all the space left.

Ford just hums, raising his chin slightly, but not his eyes, just to acknowledge the question. “Not really, just trying to get some proportion practice. Looking back, some of my work on the first journal was… Not the best.” 

A chuckle leaves your mouth; “If you say so…” You hum, picking up one of the filled out pages that were pushed aside in the table and pretending to look it over as he places his pen down and looks up at you.

“Any advice?” He asks, and once again you pretend to be paying attention to anything but him and his every movement.

“Not really… I think you’re good.” You place the paper back at the table, leaning against it. “Thought you’d be going through your abstract phase by now, honestly.” And you smirk down at him.

He leans back, crossing his arms; “I fear I’m too logical to have an abstract phase, even my craziest dreams have math and science behind them.” And you both laugh, and your curiosity itches more and more every millisecond.

The next words that leave your mouth were planned and inwardly rehearsed, but they come out natural as a summer breeze. “Every tortured artist has an abstract phase, get on with the times, sixer!” It comes out as a joke, it's a test. And suddenly you’re too nervous to stay there, staring at him and waiting for a rebuttal. You push yourself off the table and zipline to one of the bookshelves, reaching towards the back of it, you pull the ‘eureka whiskey’ and the two cups.

He just watches you for a second, then accepts the cup as you pour him one, then one for yourself. 

And it’s truly the eureka whiskey, because goddamn you just found something in those eyes. 

He takes a sip; “Yeah I guess those portal days would do for some good surrealist pieces at least.”

“I can’t even imagine.” You say.

He smirks, lips inches from his cup. “You can’t…” He takes a sip. “That’s the point of surrealist.” You want his brain under a microscope, you want his breath mixing with yours, you want to never see him again, you want to wake up near him every day.

The curse of science is that in the endeavor to figure out the world, the scientist often loses sight of themselves. 

The witty remarks, the planned lines, the psychological strategies, all fly out of you head and you lean back against his desk. He’s leaned further back now and his chair is turned diagonally towards you and he watches with a smile and those eyes. “What did you see?” It’s almost a whisper, because you think he might actually tell you, and that scares you more than anything.

“Too much…” He swallows, sighs, takes a swing of whiskey and rests the empty cup on the desk. “It was very chaotic, honestly that’s all I want to say…” You sigh, pushing yourself up to sit at his desk, and his head tilts as he watches you. 

“I’m glad you’re back.” You settle, even though it doesn’t even come near to all the things you want to express. He smiles, and his eyes travel down, landing on your hands, holding your barely touched whiskey glass. You follow his gaze, and chuckle. “I’m more of a whine person.”

“I know…”