#match made in a dumpster

[distressedwalnut]

very quick edit of Doc in the stardew bed

[h0estar]

the dumpster battle was so intense, it felt like I was in the court with them

[syncopatedid]

Haikyuu!! The Dumpster Battle is supposed to be a movie about the long-awaited showdown match between eternal rivals Karasuno Vs. Nekoma, but the truth is it's really a love letter tribute to Nekoma and a beautiful sendoff to the best match they ever played. Karusuno may have won the game, but it is the players of Nekoma who are the protagonists of this chapter of the story.

Nostalgic, right-in-the-feels stuff, all the members had their moment and I am soft! Highly encourage a big-screen viewing because the volleyball gets served way, WAY high! Even if you aren't already a fan of Nekoma you'll still come out of this movie entertained. And since it's hitting movie screens in more countries than your usual niche anime movie, it's a chance not to be missed.

Bonus: I went for a fan screening that came with a 33.5 bonus booklet and it is my favorite thing ever because it has pages with Furudate's chicken scratches and I live to see such drafts honestly because nothing like feeling your art level is finally on par with the pros; so inspired, ahahaha!

[kodzuwuken]

sooooo… when are we getting sakusa kiyoomi in the haikyuu season 4 animation style

[radrobotz]

i need to post abt roe again too. i never even shared his large gf that likes to rip out his circuitry with her bare hands

[sweet-little-dude]

omg 😭

[sunarryn]

DP X Marvel #26

Danny didn’t really think it through. In his defense, there weren’t a lot of guidebooks titled “How to Deal with the Psychotic Future Version of Yourself You Accidentally Redeemed But Are Still Terrified Of.” Jazz suggested therapy. Sam suggested containment. Tucker suggested launching him into deep space. Danny, brilliant and seventeen and sleep-deprived after three days of babysitting a now mostly-reformed Dan Phantom, decided, “Screw it,” ripped open a portal to another dimension, and told him to “go make friends.” Dan grinned, sharp-toothed and wicked, and without hesitation dove through the swirling green and blue mass of unstable ectoplasmic energy.

Thus began the Marvel Universe’s greatest headache.

The first incident happened barely four hours after Dan’s arrival. New York woke up to a brand new urban legend: a demon with burning blue eyes and silver-streaked black hair beating the living shit out of Shocker in the middle of Times Square. People recorded it, of course. Viral videos showed Shocker screaming, running, trying desperately to aim his gauntlets while Dan literally phased through every attack like he was swatting a mosquito. Somewhere in the footage, Dan shouted, “C’MON, MAN! HIT HARDER, YOU’RE EMBARRASSING YOURSELF!” before drop-kicking Shocker into a halal cart.

The Avengers noticed. Specifically, Spider-Man noticed, because Peter Parker had never been so personally offended by something in his life.

���He’s stealing my bit,” Peter whined to MJ later, scrolling through TikTok and watching the mysterious “Blue Devil” bodyslam the Rhino into a GAP storefront. “That’s MY thing. Wisecracking and beating up guys in animal costumes.”

MJ, deadpan as ever, didn’t even look up from her book. “Maybe if you hit the gym once in a while, you could still compete.”

Elsewhere, S.H.I.E.L.D. was losing their collective shit.

Nick Fury reviewed the footage with the grim severity of a man preparing for war. “I want every available agent tailing him. Find out what he is, what he wants, and for God’s sake, do not engage.”

Unfortunately, Dan had other plans. He wanted engagement. Constant, chaotic, no-holds-barred engagement.

When the X-Men tried to approach him peacefully—because, to be fair, a floating, smirking, six-foot-seven superpowered anomaly screamed “mutant”—Dan responded by challenging Wolverine to a fistfight in the middle of Central Park.

“You smell angry,” Dan said, cracking his knuckles and grinning wide. “I like that. C’mon, Knives. Show me what those claws can do.”

Wolverine, never one to back down from a challenge, growled and immediately lunged. It took six X-Men to pull them apart. Logan was half in love and half homicidal.

Jean Grey, massaging her temples afterward, sighed, “He’s not a mutant. He’s something else. Something… worse.”

Meanwhile, Dan wasn’t picky about his opponents. Hero? Villain? Civilian? If you looked at him wrong, he was ready to throw hands. He got into a screaming match with Daredevil over a parking spot. He suplexed Deadpool into a dumpster for calling him “Discount Nightcrawler.” He made Venom cry after a fifteen-minute insult match that Eddie Brock would never fully recover from.

The Fantastic Four tried to reason with him.

“We can help you,” Reed Richards said, voice patient like he was talking to a rabid cat. “We have resources—”

Dan blew up the top three floors of the Baxter Building and left a sticky note on the ruins that said, “UR WELCOME - D.”

The thing was, Dan wasn’t evil anymore. Not really. He wasn’t trying to take over the world. He wasn’t murdering anyone. He just had a lifetime’s worth of rage, grief, and unresolved abandonment issues—and no idea what to do with them except get into constant, escalating, deeply unnecessary fights.

It got to a point where the heroes started treating Dan like a natural disaster.

“Code Blue,” a harried S.H.I.E.L.D. agent barked over comms one afternoon. “I repeat, Code Blue! The entity is currently body-slamming Juggernaut through Grand Central!”

Cap sighed, already pulling on his shield. “Alright, team. Let’s move out.”

Black Widow holstered her guns. “At least it’s not another alien invasion.”

Thor, cheerful as ever, grinned. “I relish a good battle!”

Hawkeye muttered, “You relish being concussed.”

Dan, for his part, loved the attention. He loved the chaos. He loved the feeling of letting loose in a world that could actually handle him, where nobody flinched when he punched through a concrete wall or melted a tank with a blast of pure ectoplasmic fire.

He was happy, in his deeply deranged, borderline-psychotic way.

That didn’t mean he was easy to deal with.

After Dan singlehandedly wrecked a Hydra base (“I was bored, okay?” he said when the Avengers confronted him), Tony Stark decided to try a different tactic.

“Look, Big and Blue,” Tony said, lounging on the ruined remains of what was once a cutting-edge jet. “Ever think about channeling that rage into something… productive? Like, say, joining the Avengers?”

Dan blinked, actually considering it for a full five seconds.

Then he laughed so hard he almost dropped a car on Tony’s head.

“Me? Work with you guys? Under orders? Are you high, Tin Man?”

Steve Rogers, exhausted and already developing a migraine, tried. “You could do a lot of good—”

“I am doing good,” Dan said brightly. “I’m keeping you on your toes. No need to thank me.”

“You broke Clint’s arm last week,” Natasha reminded him.

“He’ll live.”

“He was trying to give you a granola bar.”

Dan shrugged, utterly unbothered. “He looked suspicious.”

The closest thing Dan had to a friend was Deadpool. Not because they got along—they didn’t, not even a little—but because Deadpool was the only one insane enough to keep up.

They had a rivalry. A bloody, chaotic, absolutely incomprehensible rivalry that involved prank wars, bar fights, and one extremely regrettable karaoke contest that left three bars in ruins and a citywide ban on musical gatherings involving either party.

“I hate you,” Dan snarled once, pinning Deadpool to a wall after a four-hour chase across Manhattan.

“I hate you more!” Wade screeched back, thrilled beyond belief.

“Great! Friends forever!” Wade cackled.

Dan screamed into the void.

Meanwhile, Danny Fenton was back in his own dimension, blissfully unaware, telling Jazz, “See? Everything’s fine.”

Jazz, reading a news article titled “Unknown Supernatural Entity Causes $3 Billion in Property Damage, Punches Doctor Doom in the Face” quietly considered strangling him.

Eventually, the heroes adapted. Dan was like bad weather. You prepared for him. You kept an eye out for ominous blue clouds and spontaneous outbreaks of screaming. Sometimes he helped. Sometimes he made things worse. Mostly, he made things interesting.

There were even betting pools.

“Fifty bucks says he crashes this gala,” Sam Wilson said, tightening his bowtie before a high-profile Avengers event.

“Hundred says he wears a suit to crash it,” Bucky Barnes added, deadpan.

“Two hundred he punches Tony before dessert,” Carol Danvers said, sipping champagne.

Dan did crash the gala. In a tuxedo.

He punched Tony before the entrees even made it out.

By then, nobody was even surprised.

The turning point came when Galactus tried to devour Earth (again). The heroes mobilized. Big stakes. High drama. Apocalyptic dread.

Dan showed up in the middle of the chaos, lazily floating beside Captain Marvel.

“Hey,” he said, tilting his head at the giant cosmic entity looming in the sky. “I’m gonna punch that.”

Carol, blinking, said, “You can’t just punch Galactus.”

Dan, already cracking his knuckles, grinned. “Watch me.”

And then he did.

Nobody knew how. It defied physics, logic, and every law of reality. But somehow, Dan punched Galactus so hard the giant stumbled, clutched his jaw, and left.

There was a beat of stunned silence.

Deadpool clapped. “THAT’S MY BEST ENEMY!”

Thor dropped his hammer.

Tony sat down on the ground and decided to reconsider all his life choices.

Steve very seriously said, “We are never letting him leave.”

Thus, against all odds, Dan Phantom—the violent, chaotic, semi-redeemed ghost of a now-erased dystopian future—became an honorary Avenger much to his own dismay.

He didn’t exactly follow rules. He certainly didn’t behave. But when Thanos invaded three months later and Dan showed up by suplexing a Leviathan out of the sky and riding it into battle like a demented cowboy, nobody complained.

Well. Except the Leviathan.

In the end, Danny was right.

Everything was fine.

If your definition of “fine” included a psychotic ghost terrorizing both heroes and villains equally, destabilizing multiple governments, and becoming a beloved menace.

But hey. Could be worse.

At least he wasn’t totally evil anymore.

[nikkeora]

jason todd puts flowers on his own grave.

it wa curiosity at first. after he'd spent a while at the league and mellowed out, formed a proper plan besides simply burning wayne manor to the ground, he wondered what his grave would say. they'd told him there had been a funeral, after all. probably closed casket, with an altered death certificate saying he'd died in a car crash or something. not like bruce could face the truth if it beat him with a crowbar.

beloved son? a generic lie.

loving brother? much the same.

something bitter rises in his throat as his feet hit worn, damp stone. the streets aren't familiar anymore.. even crime alley has changed - there must've been a turf war or something, because those goons following him most definitely aren't black mask's usual pick. then again, maybe old roman's changed, too.

he sighs in frustration when he meets a dead end. gone for just how many years and they brick up an entire street? ridiculous. he hears the telltale sign of weapons being drawn behind him before he turns around with his own.

gone but not forgotten? they'd moved on fine without him. everyone had.

he stashes their bodies behind some dumpsters and moves quick. he's not in much of a mood for a fight right now. he isn't in a mood to do much of anything; there's a strange sense of melancholy in his chest.

he makes it the rest of the way to gotham's main cemetery without another incident. it's relatively easy to find his place there. thomas and martha wayne have a large tree next to their joint grave, and he just assumed he'd be somewhere near them. he's a little surprised to see his headstone right on their left. that spot used to be saved for bruce.

tentatively, he reads the inscription.

jason todd.

...

he shouldn't be surprised, really, what else did he expect? he wasn't in any of their lives for long, they barely knew him. he thought he knew them, he was wrong. they didn't care. the only thing they wanted to remember about him was his name, birth and death date, he doesn't doubt they would've had a blank headstone if they could, hell, maybe there wouldn't even have been a funeral if he hadn't existed in the public eye, he might as well have been buried in an unmarked, shallow grave next to that goddamn warehouse-

a drop of rain tears him out of his spiral.

...inhale...

...exhale.

maybe he'd hoped they cared.

that little boy who died that night deserved to have someone that cared.

...because that boy had cared so, so much.

come next morning, he's gotten himself a shitty apartment in crime alley and there's a small bouquet of flowers in his hand as he visits his grave for the second time. there's none already there, not even wilted ones. but as he crouches down to give himself what he believes to be the first flowers that boy has ever gotten, something in the grass glitters, catching his eye.

his first thought is a used needle, but as he looks a little closer, he realizes it's a little bracelet.

it's a little rusty and definitely made for a kid. the chain is cheap and a bit chunky. but the charm, a tiny, half heart meant to be a matching set to another bff bracelet, brings back a flood of memories.

he knew he'd forgotten a couple things when he'd come back. most of it was unimportant stuff. there's a jane austen book he doesn't recall reading? great, he gets to experience it for the first time again. his favorite color? well, he knows it's not green for sure, and that's really the only thing he needs to know. which floor his room was in the manor? he was never going to go back, anyway.

but how could he ever have forgotten you?

that tiny bracelet, tucked away from prying eyes and grubby hands in the taller grass near his headstone and meant for a boy he no longer was, said that someone had cared. enough to visit him. enough to leave something he would have wanted to take with him.

and maybe, just maybe, if he keeps coming back... he'll see you again one day.

so jason todd puts flowers on his own grave. every week, every day. same time, same place.

for that boy who had cared, and his friend who missed him.

and one day, a little while after his grand plan had gone to shit, there are flowers in his hand again. he doesn't get to place them on his grave, though. when he spots someone standing there - different clothes, different hair, but the same eyes that had been his first love all those years ago… it’s like seeing you for the first time all over again.

those flowers are for you now.

[cjjohansson]

i remember.

natasha romanoff x reader - angst, fluff - 6.2k

You don’t know what’s happening. That’s the first thing you think of when you wake up in an alley, gloved hands covered in blood. Confusion filters through your head. 

What happened?

Where are you?

You stand up slowly, your body swaying as you look down at what you’re wearing. You’re in a pair of black jeans, with rips throughout both legs and as you look closer you only notice how the rips have been made from slashes of a knife as your blood is dry underneath them. Your hoodie is soaking wet, your hands going into the pocket to be met with a gun and a knife. 

None of this makes sense. 

Standing there confused you try your hardest to remember anything. Anything at all. 

Red hair. Piercing green eyes. 

Death. Destruction. Pain. Loss. 

Memories whip through your brain as soon as your hand wraps around your gun. But still, none of it makes sense. 

What year is it?

You stumble down the alley, hand still wrapped around the gun resting in your pocket. You stare up at the buildings surrounding you. New York. You’re in New York. 

You watch as people pass by, words fading in and out of people’s conversations. You feel a pull, your body trying to get you to move in a certain direction but you have no clue why. 

You decide to give in, allowing your body to move. You stumble into someone muttering a sorry as they tell you to watch where you’re going. 

“What year is it?” You ask them, panic and confusion filling your voice.  “2018…” Panic feels you all over again. No that doesn’t make any sense. That’s not the year. 

Red hair. Piercing green eyes. 

A name to match the features. It echoes around your head in confusion. You know her. You can feel it. You can feel it with everything inside of you. 

Your breathing picks up, and you need to hide. You rush down another alley, hiding behind a dumpster as your head falls into your hands. 

It hurts. Your brain hurts. 

Everything is rushing through you. A place called SHEILD, the Avengers. Red hair and piercing green eyes. 

But then that stops. 

Memories of your hands hurting people now rush through you. People hurting you.

Cold. Dark. Wet. Pain. Agony. 

Then it all hits you at once. You can remember it so clearly. 

The mission, your arm getting trapped under rubble, telling her to leave. The building exploding. All you can remember after that was black and then it’s the pain. 

5 years. How, how has it been 5 years? 

Natasha? 

Natasha. Red hair, piercing green eyes. 

Her face is now so clear in your head. 

You’ve been gone 5 years. You need to find her. 

You stand up again. Walking out of the alley, taking in your surroundings as you try to get your memory to cooperate with how to get to the tower. 

She will be at the tower. 

She is the only person who makes sense. 

Everyone else is a blur. 

You find yourself walking so fast down the street, people staring at you as you practically start running. The route becomes clear in your head as you finally stop outside. 

Your hand grips your gun, you can’t be too careful, not until you find her. They could still be looking for you. 

As you walk in, alarms go off behind you as you pass through the door. Confusion fills you as you hurry to the desk. 

“Natasha. Where is Natasha?” Your hand is gripping your gun so tight.  “We need you to step back.” Voices surround you. You turn slowly, people with guns ready and raised. Your hand now lifting out of your hoodie, gun in hand like it would even match theirs. 

“NATASHA. WHERE IS NATASHA!” You shout, frustration coursing through you, why won’t people answer you?  “PUT THE GUN DOWN!” You don’t. You move closer towards the man who is shouting. Before you can reach him he shoots. 

You feel the bullet lodge into your shoulder. But you don’t stop, no pain registers. 

“I need Natasha! Listen to me!!!” You beg, you plead. Why won’t they listen?  “Natasha, who?” You wrack your brain for an answer, you try so hard, your hands finding your head as you start to hit it to try and remember. 

“Red hair, piercing green eyes!” The men around you turn to each other, murmuring as they continue to look at you.  “Come with us.” Sirens go off in your head. You aren’t leaving unless it’s with her.  “No. No. You bring her here to me, NOW!” You raise your gun again. Everyone raises theirs to face you, matching your stance. 

“We need you to drop the gun.”

“Not until she is here.” You don’t give up. If you’re leaving it’s with her. 

She is the only thing clear in your head. Your body calms with the thought of her. Memories of whispered confessions, secret nights lying beside one another, her laugh, the way your body reacted to hers, and vice versa. She is the only thing clear. You need her here now. 

“Y/n?” A man’s voice has you turning around. Your gun now facing him. His face seems familiar but you can’t place a name. It’s so frustrating, having that familiarity, but none of it makes any sense. “I don’t, I need Natasha.” You stumble over your words, tears filling your eyes at the pain going through your head. 

“Okay, okay. Do you remember me?” The man asks you, you close your eyes, trying so fucking hard to remember but you can’t. You shake your head at his question, opening your eyes to see him moving closer. 

“No, stay back! Don’t, don’t come closer!” You shout at him. His movement instantly stopped at your words. “Ok, I’m sorry. I’ll stay right here. Everyone clear the room!” He shouts his last sentence your body tensing as you watch everyone start moving around you, hurrying to the doors. You’re left in the lobby of the tower, just you and this man standing opposite each other. 

“Natasha.” Is all you can get out of your mouth once everyone has left. “She is coming, ok. How about we lower the gun and take a seat?” You shake your head no. You can’t sit down. Your hands find your head again. Your gun hits the side of your head as your frustration builds. You’re pacing around now. Even more, memories spiral around. 

The man with you, his face shows in some of the memories, but his name is still so far away. It frustrates you to no end. All of this is so confusing and you’re becoming tired. 

“Clint? What’s going on?” You turn around at the voice. Your arm lowers as your body sags in relief. Her voice is the same, she is the same. 

“Y/n?” She asks in shock, your body shaking as tears build in your eyes. She is real, you remember her. She starts rushing towards you and you hate how your body’s reaction is to raise your gun again. But she doesn’t stop moving. She keeps coming closer. 

“Stop, stop.” 

“Y/n, it’s okay. I’m here.” No, no. This could be a trap. 

“Tell me something only you would know.” Her eyes widen, you can see her wracking her brain for anything. 

“You have a birthmark that looks like a giraffe on the inside of your left thigh.” She smiles shyly at you but it only breaks you more. 

“No, no, they…they’d know that now!” You shout at her, gun gripping so tight as you move your aim to her head. If you pulled the trigger it would hit right in between her eyes. 

“Ok. Ok. Let’s calm down. It’s fine. Your favorite time of the year is winter, and it’s because it means we have longer nights in bed where we can just cuddle and be us. We can make hot chocolates and watch films in the comfort of each other arms. With no one else annoying us because they know it’s our time. Your favorite color is green, but not any green but the green in a forest when the sun hits it just right, it’s your favorite because you always said it reminded you of me. You only like marshmallows when they're toasted over a fire, other than that you hate them, they have to be gooey. You only like peanut butter with apples, anything else and you hate it. You used to hum songs in the shower no matter your mood. You would always wake before me and pull me closer to you and let me sleep for a little while longer before we had to get up to train-”

“Natasha…” You sob out, dropping the gun as you fall to your knees. Natasha finally approaches you properly now. Her arms surround you as she brings you so tightly into her. You hesitate to put your arms around her, but you grip her thighs so tightly you’re afraid you’ll leave bruises. 

“I remembered you. Only you. It’s taken me too long. I’ve been gone. I got taken. I’m sorry. I’m sorry. Five years. Natasha. Red hair, piercing green eyes. I remember you. I only remember you.” You can’t stop crying, your face pushing harder into her neck and finally, you allow your arms to surround her as you take in the scent of her shampoo. 

“You’re ok. You’re here now. I’ve got you. You’re safe.” Natasha whispers into your ear. Her hand comes up to the back of your head, holding you where you are, not letting you out of her arms. It’s like your body reacts to her now exaggerated breathing, her silently telling you that you need to calm down, you need to breathe. You take yourself out of her neck, your forehead finally resting on hers as you stare into her eyes. 

“I remember you.” You mutter. A smile and tears grace her face as she cups your cheek. 

“I’m glad you did. Let’s get you home, okay?” Confusion fills your face. Moving back and looking around you. “This is home?” You’re confused and rightfully so, it has been 5 years. 

“We moved a few years ago, somewhere bigger, more private. Come on, let me and Clint take you home.” She starts to stand up, her hand reaching out for yours. “Who’s Clint?” You whisper, holding her hand gently as she starts to walk towards the guy who called your name earlier. “This is Clint.” She points to him, he offers you a gentle smile, your face staying straight as you take him in. You know his face is familiar and you know that you do know him, the earlier memories of him popping up but everything else is blank. You hate it.

You stay silent the whole car journey, your hand fiddling with Natashas as she sits in the back with you. You keep trying to remember, but nothing is coming through, memories rifle through your head but they're all silent. Only she is clear, her voice is clear, her laugh. Nothing else. You can feel Natasha's eyes on you, moving between your bloodied gloved hands that she hasn’t said anything about, to your face, and then the blood seeping from your wounded shoulder. 

You pull up to the ‘compound’ as Nat called it, people rushing out of the doors have your body tensing, your hand instantly going into your pocket to grab your gun but come up empty remembering that you dropped it at the tower, but your hand wraps around the knife still present in the pocket. 

“Hey, it’s okay. They’re good, they’re safe. You know all of them but 3, it’s okay.” Natasha turns to you, her hand finding your cheek as she tries to reassure you. 

You step out of the car slowly, Natasha staying close to you as you finally approach the people standing in front of you. 

“Y/n?!” You meet eyes with another tall man with blonde hair and blue eyes. He was in your memories. He seems shocked, relieved, and also kind of scared. But you’re not shocked, they must have thought you were dead for the past 5 years. You go to reply but stop short when you take in the person coming up behind him. That’s another face in your memories but they’re not good. 

You take a glance at Natasha, her gun in a holster on her side, you reach towards it before anyone can see what you're doing, aiming the gun at him. Everyone stands still, no one talks, no one breathes as you stare at him. 

“You said it was safe.” You say out loud, your words aimed at Natasha, but you can’t look at her, you can’t take your eyes off of him. “It is. Put the gun down.” Natasha steps in front of the gun but you aim it higher, moving your body a fraction so if you shoot it will still hit him. 

“It’s not safe if he is here!” You try to tell her but she shakes her head. “He is good, whatever memories you're thinking right now, he is good. He was taken too. He was brainwashed, he is Steve's best friend, think back more, before the Avengers, think!” You close your eyes when you feel Natasha’s hand touch your chest, your arm lowering as you allow her to take the gun. You try to think, pushing away the bad, you try to think of anything and then it happens. The guy's face coming up next to the blonde man, both wearing army uniforms. It hurts, it’s confusing, and nothing makes sense.

“You’re safe here, I wouldn’t lie to you. Would I lie to you?” Natasha whispers between you both, your eyes opening and meeting hers, your body relaxes again as you shake your head no. She wouldn’t lie to you, she never would. She sends you a small smile as her hand finds yours again, walking you towards the compound, towards the people who move out of the way for Natasha and you. Only one person goes to speak, but Natasha shakes her head and pulls me along with her, the person instantly silencing themselves. 

You take in your surroundings. Counting every step you take, remembering the way to where Natasha is taking you. She places her thumb on a doorknob, the door clicking open, and she takes you into what looks like an apartment. You walk through yourself stopping just after the door not knowing what to do with yourself.

“Let’s get you cleaned up, then we can talk, okay?” You nod your head, words seeming like they can’t come to you right now, the confusion lingers, and nothing makes sense. Everything is so quiet. 

A knock at the door has you gripping your knife again, Natasha pauses and moves back towards it being met with the guy called Clint. He hands some clothes to Natasha, sending her a smile before she closes the door again and meets you back in the middle of the room. She walks you through into a bedroom until she opens another door and you're suddenly in a bathroom. 

“Do, do you want or need help cleaning up?” You stare back at her, you don’t want her to leave, she is the only thing that makes sense. You nod, accepting her help as she places the clothes onto the side, moving to another cupboard taking some towels out, and placing them onto the same side. She stands opposite you, her eyes still filled with tears as she takes a deep breath. Her hand moves slowly to your jacket, peeling it off of your body gently, her hands then go to the bottom of your hoodie, lifting it over her head. When it hits the floor she steps away from you, her tears falling, her mouth hanging open as she stares at you. 

You don’t understand why until you look down on yourself. Your left arm is…it’s metal? Shock feels your face as you take off the gloves covering your hands, your flesh arm moves to touch the metal, it’s freezing. You spot a mirror on the wall moving quickly to stand in front of it, you try your hardest to ignore Natasha's gasp as you stand with your back to her. You take yourself in, your metal arm, scars littering your whole torso. 

You close your eyes again. 

Your left side was trapped in the explosion. You open your eyes suddenly, more memories coming to you as you hurry to take off your trousers pushing them down your legs. Your left leg is metal too… You suppose it makes sense, you were trapped, they were probably ruined, and whoever got to you knew you’d be useless to them without anything replacing them. You flinch slightly when you feel hands slowly gliding up you're back. You look into the mirror your eyes spotting Natashas as she looks back at you through the mirror. 

“You were trapped…” 

“I know.” 

“I shouldn’t have left.”

“I told you to.”

“I shouldn’t have listened.” 

“You’d be dead if you stayed.” 

She doesn't say anything to that, because she knows it’s true.

Her hands surround your waist as she buries her head in between your shoulder blades. 

“I missed you, every day, I missed you so much.” You hear her mumble. Your back starting to get wet from her tears. You don’t know what to say, the past 5 years don’t make any sense, you can’t tell her you missed her too when you don’t even know if, in those 5 years, you even remembered her. And it breaks your heart when your silence makes her sobs echo within the bathroom. 

You don’t move, allowing her to get out what she needs to. This can’t be easy for her either. She thought you were dead for 5 years just to show up all over again. The years of bent-up anger and grief spilled out of her. 

You only then move when you feel her arms losing their grip and her sobs only seeming to get louder, if that was even possible. You turn around just in time to catch her, her body giving out to her emotional turmoil. Bringing her head to your chest, while holding her so tightly just so she can feel that you're real, feel like you are truly here after all this time. And secretly to remind yourself of the same things. She is still here too, she is also real, she isn’t something your mind has conjured up in your state. 

It isn’t long before she pulls away again, turning her back to you as she subtly wipes her eyes and cheeks before moving towards her shower. She doesn’t say a word, she doesn’t make a single sound while she focuses on her task at hand. And when she is done, she stays with her back to you and leaves the room before you can even utter any more words to her. 

You let the water completely engulf you as you try to focus on everything flowing through your head. You need to remember everything, every single moment, every single name and memory. The bad, the good, the ugly, you don't care. You lean over to grab some body wash on the side and the smell seems to trigger everything. 

Memories flood through you, names, faces, voices, everything. Your whole life flashes before your eyes and it should overwhelm you. But all you feel is relief. Relief of remembering, regardless of the bad you remember after being taken, that somehow fades away when Natasha’s face sits at the front of your mind. 

You're drawn from your thoughts when you can hear shouting echoing through the sound of the water hitting the sides of the shower, rushing out and throwing on the clothes Natasha left you before stepping out of the bathroom. 

Natasha is standing with the door wide open as Fury stands opposite her. They both stop talking when you slam the bathroom door to draw their attention away from one another.

“Nicholas.” You say clearly, shock filling Natasha's face as you move closer to them. 

“Y/n.” He echos right back, a smirk filling his face when you finally approach him, your arm winding around Natasha's waist to bring her closer to you, needing to feel her body heat against your cold skin. 

“Why are you both shouting, I could hear you both in the shower.” Natasha stays silent, her eyes furrowing as she looks up at Fury, his face having the same expression as hers. He doesn’t answer you and neither does she, he simply looks between you both and then speaks to Natasha, “10 minutes, meeting room.” And then he walks away. 

Natasha gets out of your grip, closing the door when Fury moves away. She stays quiet again, her back facing you as she stays with her back to you. The coldness confuses you, it hurts just as much. 

“We should head to the meeting room.” She finally says, her back still to you. “Nat, what’s, what’s wrong?” You whisper, placing your hand on her shoulder but you're met with her shrugging it off and moving away from you. 

“You were dead, for 5 years, to me, to all of us, you were dead. I grieved you, I put flowers on your empty grave every week. Every week since your funeral. For a whole year, I couldn’t go on missions, I couldn’t work. I didn’t leave the tower until your funeral, and then after that, I didn’t leave my room for 3 months. I then didn't go on missions for 6 months either, because you were dead. And I, I hated you for that, I hated that you made me leave, I hated that you radioed Tony to come and get me and I hated that we were forced to leave without even looking for your body. I hated that when I finally found the strength to pack your stuff away, I found a ring in your shoes. And right now, god I am so fucking happy and relieved you're alive but…” She breathes, she wipes her eyes and she meets your eyes, and the look in them breaks you. 

“But, I have now lived 5 long years without you and I’m not the ‘me’ you remember or know, Y/n. I’m not.” 

“I remembered you, Natasha, I woke up in an alley not even knowing what year it was and all I could remember was you. I remember YOU. I can- let me get to know who you are now, let me, let me remember you for who you are now.” You beg her, you need her. Especially now.

“You remembered the old me, Y/n. I’m not someone who you can love anymore. I’m not, that’s gone, that person died the day that you died.”

“Natasha…”

“We need to go to the meeting room.” She tries to deflect.

“I want to talk to you more than talking to Fury.”

“I can’t do this right now, please. Just please, let me take this in, you're here and you're alive and I don’t, I can’t process this right now.” She opens the door and walks out, the conversation over with. 

She leads you down to the meeting room, walking in front of you the whole time, every time you try to match her pace she only walks faster to get further away from you. You hate the distance between you both but you do understand it, as much as it hurts. She needs to process this, you’ve been gone, a lot has happened in those years and you can’t force her to stay if she doesn’t want to. So you’re not shocked when she walks you into the meeting room and leaves immediately after. 

---------------------------

You tell Fury everything. How you somehow survived the explosion, and how you remember your body being pulled from the rubble, thinking it was SHEILD but it wasn't. You tell him about the months of tests completed on you, the super soldier serum that now floods through your veins. You tell him every mission you remember, the dates, the countries, the kills. He takes you to the med bay next, and more blood is taken from you as you show them your new leg and arm, they pay close attention to the scars covering your body and you try not to cower away at that. After he is done with that he takes you to the gym, making you run the fastest you can, lifting the heaviest weights you can. You ignore the looks of shock on his and Marias faces as they write everything down. 

When you finally land back in the meeting room, you all sit in silence. Fury and Maria, continuously look at each other and then back to you. You sit back twirling your thumbs as you wait for them to say anything. And Maria is the first one to choke. 

“How do you feel? You couldn't remember anything but Natasha 5 hours ago.” I shrug my shoulders trying to find the right words to say. 

“Honestly, I feel okay. At first, it was overwhelming not remembering anything, but then when everything hit me, I was just relieved, relieved that I could actually remember. Yeah, my time at Hydra was shit, but it happened, and I’m here now. And there is only one Hydra base left which I just gave you the location too and within days that will be gone too. So I feel relieved because I won’t go back there. Because I am here, with people I know and remember. I may be different now, I know I’m different and in a week I could be feeling completely different, so if and when I do feel different, I will come straight to Maria. I promise, I am here and I am present.” I lay my hands on the table as I finish talking, Fury and Maria nodding their heads at my words. 

“I’ll sort out your death certificate. I’ll sort out your bank account and ID, all of that stuff. You’ll have it within a day. Oh, and all of your pension that we owed you for being dead I guess.” Fury tells you, standing up and leaving, but not without placing his hand on your shoulder and saying, “I’m glad you're back Y/n.”

Maria stays sitting for longer, her hands fiddling with paperwork as she gets it all together. You know she wants to say something, but you know she won’t. “So, Natasha kind of hates me, I guess.” You try to break the silence, but Maria's sighing makes her stop her movements. 

“It was rough. She wasn’t Natasha anymore, any trace of her was gone and it took a while to try and bring her back but she didn't, not really anyway. I’ve seen Natasha be so many different people, around different people but around you, that was Natasha. How she was with the guys, it wasn't how she was when you were here. But no one could do or say anything because we all knew it wouldn’t matter. Because you were gone and because of that, she wasn't ever going to come back. Especially after she found the ring. She used to wear it you know. All the time, no one said anything, worried about how she would react and then one day she stopped, and we all just thought, she had accepted it. That you were gone and wasn't coming back. She doesn’t hate you, I know she doesn’t, but right now, those 5 years of grief and loss, she is hating herself for giving up when you were out there all along, alive.” Maria, sits herself down next to you, leaning against the table as you furrow your brows, trying to process her words. You get it, like you already said, you understand. You can’t even begin to imagine what it would be like if the roles were the other way. Honestly, you would probably react the same way she is. 

“It wasn’t her fault.” You whisper, tears building in your eyes.

“To her, it is, was her fault. So what are you going to do about it, super soldier?”

------------------------------

You had been at the compound for a week now. It had been good, fun even. You knew most people, that is the original 6 of the Avengers. It was nice to be with them again, joking and laughing like you did all those years ago. It also helped that some new additions to the team were also nice.

It would have only been perfect if Natasha was there too but she wasn't. She had disappeared when you finally came out of your meeting with Fury and Maria, and it didn't surprise you when Clint was also gone. You knew where they were, at Clint’s farm. She needed space, you understood that but you wished she at least told you she had left, but you had to realize she didn't owe you that at all. 

It was by the second week at the compound that it then started to feel like you were now intruding into Natasha's life without you. She still hadn't come home. The constant thoughts of just leaving so she could come back were always floating around your head but another part also kept telling you that she just needs to process this and then she will be home, she will be back and it will all be okay. 

It was so conflicting, the constant back and forth. You wanted, no needed to call her but knew you shouldn’t. It kept you up most nights, resulting in you ending up falling asleep on the couch instead of in your cozy new bedroom, courtesy of Tony, it felt weird sleeping in a bed without her. It might have been 5 years, but in those 5 years, you hadn't even slept in a bed. It just never felt right, you didn't know what to do with your arms, and you didn't know how to lay. It was as if you could only exist with your arms surrounding her and it was tearing you apart.

By the third week, you were begging Maria for permission to use a jet. Natasha hadn’t answered any of your calls, texts, or even emails. Neither had Clint. Everyone could see it was affecting you, they all kept trying to tell you she would be back when she was ready but at this point, it didn't feel like she was coming back. Clint showed up in the middle of the third week, you tried speaking to him about Natasha but he wouldn’t budge. He wouldn’t answer any of your questions, but he could hear and see the distress. You felt erratic, you didn’t feel like yourself and it was making it all worse. He wouldn’t let you see her or speak to her, he wouldn’t even say her name. He wouldn’t even tell you if she was safe, and that’s when you lost it. 

You had him pinned against a way, Bucky and Steve on either side of you trying to pry you off of him but even with their strength, you didn't move a muscle. And finally, when Clint realized you weren’t going to let go that’s when he muttered that Natasha was safe, something he could have done 30 minutes ago when you had asked in the first place. But you continued to hold him. Maria walked into the room then, coming up by your side and telling you to let him go. You could hear it in her voice that she wasn't going to ask again and you dropped him, walking away and out of the door without turning round. 

It got to the point where the weeks turned into months. Still no sign of her, still no word from her. It was breaking you apart. You completely distanced yourself from everyone, only coming out of your room in the middle of the night to go to the gym and then taking as much food and drink as you could back up to your room. You hadn't slept, and the bed still didn’t feel right. It was exhausting. 

And that’s when it suddenly felt like you were being punished. 

That this was only a fraction of what Natasha felt. And that she was doing this on purpose.

It all turned to anger. 

You didn’t expect to get taken. You thought you were going to die. It wasn’t your fault you lived, it wasn’t your fault you didn’t look for her. You didn't remember anything until waking up all over again in an alley 5 years later. 

She was punishing you, even if she didn't realize it. 

You called her again. Her answerphone breaks you. You cried down the phone, begging for her to come home, to talk to you. To stop acting like you had died. That you have both already lost 5 years, you don’t need to lose more. 

---------------

Tony was having a party, you don't know what for. Something about it had ‘been a while’. You wanted nothing more than to stay in your bedroom, but Bucky and Steve wouldn’t let you. They forced you up, made you shower and get dressed. 

The party was boring, Thor had gone back to Asgard so in turn had taken his mead, which was the only thing that could even get you the slightest bit drunk. It felt pointless drinking when it didn’t do anything. 

The night seemed to go too slow, people coming and going as they pleased. People greet you for one minute and then say goodbye. It felt pointless. It felt like maybe 5 years ago you should have died instead. It felt like life didn’t have a meaning anymore. 

Everyone tried to get you to stay, the party still in full swing but you felt so dejected and so far from everyone it just seemed so pointless. All of it seemed pointless. They could see it too, the light in your eyes was gone, the lingering thoughts of Natasha affecting how you carried yourself every day. They saw the similarities from when Natasha lost you. It started to feel like Natasha definitely wasn’t coming back and everyone else finally started to agree. 

The party had been over for a few hours now, the clock reading 3:23 am. The room was still a mess but it felt fitting that it was the only place that would stop your thoughts from flying all over the place. You were no longer in the clothes you wore to the party but were now sporting an oversized hoodie and sweats. You got yourself comfortable on the couch. Throwing the rubbish on top of it onto the floor, someone else will deal with it tomorrow. 

You closed your eyes, taking a deep breath. You needed to sleep. It had been days since you last slept, you were well and truly exhausted. You just needed to sleep to get your head straight again. 

----------------

You felt a weight on your chest, your body going tense instantly, wanting to sit up. But a hand on your cheeks stops you. You keep your eyes closed, afraid that if you open them it won’t be real. That the familiar touch and smell isn’t Natasha, that she is a fragment of your exhausted and emotional mind. Her whole body lay on top of your own. Her head is tucked into your neck. Her hand tangled in the hair on the side of your head. 

“I know you're awake.” She whispers, her breath tickling your neck. 

“You’re real.” You sigh out, opening your eyes and wrapping your arms around her back. Holding her tightly against you. Her body fits perfectly with your own.

“So are you.” She whispers again, not wanting to ruin the quietness that surrounds you both. 

“I’m sorry, I left, I just…”

“I know, I’m sorry too.” You move your body to lay on its side, Natasha's body falling beside you, trapping her between yourself and the back of the couch. You move your hand slowly to run through her hair, her breathing slow and gentle. She stares at you so intensely, and you can’t help but stare back. 

“You remembered me.” She whispers, moving closer despite the very little space between you both anyway, resting her forehead on yours. 

“I think I will always remember you, Natasha.” You breathe out, a small smile gracing her lips as she opens her eyes after taking a deep breath. 

You feel her head moving again, so slowly and subtly but you know her, even if it has been so many years, you know her. Her lips meet yours slowly, and your body starts to shiver from the action. 

The kiss is slow, but hard, every unspoken word flowing between you. 

“I will always love you, whether I am dead or missing, or simply just alive, I will always love and remember you, Natasha Romanoff, that will never change, I promise you that.” You whisper against her lips as you both pull away, a smirk now lying on her lips. She presses her lips against yours again, short and sweet just like her. 

“I will always love you too.”

You remembered her, and you always will. 

[carriesthewind]

Oh dear.

So as some of you may know, I love to point and laugh at bad legal arguments. And as fun as legal dumpster fires are when they are made by people who aren’t lawyers but think this whole “law” thing seems pretty simple, it’s even funnier when an actual, barred attorney is the person dumping gallons of kerosene into the dumpster.

And oh boy folks, do I have a fun ride for y’all today. Come with me on this journey, as we watch a lawyer climb into the dumpster and deliberately pour kerosene all over himself, while a judge holds a match over his head.

The court listener link is here, for those who want to grab a few bowls of popcorn and read along.

For those of you who don’t enjoy reading legal briefs for cases you aren’t involved with on your day off (I can’t relate), I will go through the highlights here. I will screenshot and/or paraphrase the relevant portion of the briefs, and include a brief explainer of what’s going on (and why it’s very bad, but also extremely funny). (Also, I’m not going to repeat this throughout the whole write-up, so for the record: any statements I make about how the law or legal system works is referring exclusively to the U.S. (And since this is a federal case, we are even more specifically looking at U.S. federal law.) Also, I don’t know how you could construe any of this to be legal advice, but just in case: none of this is, is intended to be, or should be taken as, legal advice.)

First, let’s get just a quick background on the case, to help us follow along. In brief, this is a civil tort suit for personal injury based on defendant’s (alleged) negligence. The plaintiff is suing the defendant (an airline), because he says that he was injured when a flight attendant struck his knee with a metal cart, and the airline was negligent in letting this happen. The airline filed a motion to dismiss on the grounds that there is an international treaty that imposes a time bar for when these kind of cases can be brought against an airline, and the plaintiff filed this case too many years after the incident.

The fun begins when the plaintiff’s attorney filed an opposition to the motion to dismiss. (So far, a good and normal thing to do.) The opposition argues that the claim is not time-barred because 1) the time bar was tolled by the defendant’s bankruptcy proceedings (that is, the timer for the time limitation was paused when the defendant was in bankruptcy, and started again afterwords), and 2) the treaty’s time limit doesn’t apply to this case because the case was filed in state court before the state statute of limitations expired, and the state court has concurrent jurisdiction over this kind of case.

I’m struggling a bit to succinctly explain the second reason, and there’s a reason for that.

You see, the whole opposition reads a bit…oddly.

This is how the opposition begins its argument, and it’s…weird. The basic principle is...mostly correct here, but the actual standard is that when reviewing a motion to dismiss for failure to state a claim (which is what the defendant filed) the court must draw all reasonable factual inferences in the plaintiff’s favor. But even then, you don’t just put that standard in your opposition. You cite to a case that lays out the standard.

Because that’s how courts and the law work. The courts don’t operate just based on vibes. They follow statutory law (laws made by legislature) and case law (the decisions made by courts interpreting what those laws mean). You don't just submit a filing saying, "here's what the law is," without citing some authority to demonstrate that the law is what you say (or are arguing) it is.

Again, this isn’t wrong (although I'm not sure what it means by new arguments?), but it’s weird! And part of the reason it’s weird is that it is irrelevant to the defendant’s motion to dismiss. The defendant filed a motion stating that based on the facts in the complaint, the plaintiff has not stated a claim based on which relief can be granted, because the complaint is time barred by a treaty. There is no reason for this language to be in the opposition. It’s almost like they just asked a chatbot what the legal standards are for a motion to dismiss for a failure to state a claim, and just copied the answer into their brief without bother to double-check it.

The opposition then cites a bunch of cases which it claims support its position. We will skip them for now, as the defendant will respond to those citations in its reply brief.

The last thing in the brief is the signature of the lawyer who submitted the brief affirming that everything in the brief is true and correct. An extremely normal - required, even! - thing to do. This will surely not cause any problems for him later.

The next relevant filing is the defendant’s reply brief. Again, the existence of a reply brief in response to an opposition is extremely normal. The contents of this brief are…less so.

Beg pardon?

Just to be clear, this is not normal. It is normal to argue that the plaintiff’s cases are not relevant, or they aren’t applicable to this case, or you disagree with the interpretations, or whatever. It is not normal for the cases to appear to not exist.

Some highlights from the brief:

Quick lesson in how to read U.S. case citations! The italicized (or underlined) part at the beginning is the name of the case. If it is a trial court case, the plaintiff is listed first and the defendant second; if the case has been appealed, the person who lost at the lower court level (the petitioner/appellant) will be listed first, and the person who won at the lower level (the respondent/appellee) will be listed second. There are extremely specific rules about which words in these names are abbreviated, and how they are abbreviated. Next, you list the volume number and name of the reporter (the place where the case is published), again abbreviated according to very specific rules, then the page number that the case starts on. If you are citing a case for a specific quote or proposition, you then put a comma after the beginning page number, and list the page number(s) on which the quote or language you are relying on is located (this is called a “pincite”). Finally, you put in parenthesis the name of the court (if needed)(and again, abbreviated according to extremely specific rules) and the year the case was decided.

So the plaintiff’s response cited to Zicherman, which they said was a case from 2008 that was decided by the 11th Circuit Court of Appeals. However, the defendant was not able to find such a case. They were able to find a case with the same name (the same petitioner and respondent), but that case was decided by the U.S. Supreme Court in 1996, and the lower court cases associated with that case weren’t in the 11th circuit either. (The United States Reports is the only official reporter for the U.S. Supreme Court, and only includes SCOTUS decisions, so it’s not necessary to include the name of the court before the year it was decided.)

Just to be clear. The defendant’s brief is saying: the plaintiff cited and extensively quoted from these cases, and neither the cases nor the quotations appear to exist. These “cases” were not ancillary citations in the plaintiff’s brief. They were the authority it relied upon to make its arguments.

This is as close a lawyer can come, at this point in the proceedings, to saying, “opposing counsel made up a bunch of fake cases to lie to the court and pretend the law is something different than it is.”

That, “Putting aside that here is no page 598 in Kaiser Steel,” is delightfully petty lawyer speak for, “you are wrong on every possible thing there is to be wrong about.”

By page 5, the defendant has resorted to just listing all of the (apparently) made up cases in a footnote:

(skipping the citations to support this proposition)

This is where I return to my struggle to explain the opposition’s second reason why the motion to dismiss should not be granted. I struggled to explain the argument, because they failed to explain why the argument they were making (that plaintiffs can bring lawsuits against airlines in state court, and the state court have specific statutes of limitations for general negligence claims) was relevant to the question of whether the plaintiff’s specific claim against the airline was time barred by the treaty. Because 1) this case is in federal court, not state court, and 2) federal law - including treaties - preempts state law. Again, it’s almost like plaintiff’s attorney just typed a question about the time bar into a chatbot or something, and the machine, which wasn’t able to reason or actually analyze the issues, saw a question about the time to bring a lawsuit and just wrote up an answer about the statute of limitations.

We also end with a nice little lawyerly version of “you fucked up and we are going to destroy you.” The relief requested in the defendant’s original motion to dismiss was:

In their reply to the opposition, however:

“The circumstances” in this case, being the apparent fabrication of entire cases. Because courts tend to take that pretty seriously.

And the court took it seriously indeed. The defendant’s reply was docketed on March 15th of this year. On April 11th:

AKA: you have one week (an extremely prompt time frame for federal court) to prove to me that you didn’t just make up these cases.

On April 12th, the plaintiff’s attorney requests more time because he’s on vacation:

The judge grants the motion, but adds in another case that he forgot to include in his first order.

On April 25th, the plaintiff’s attorney files the following:

(And he lists the cases, with one exception, which he says is an unpublished decision.)

But he says of all of the cases except two, that the opinions…

Which is…nonsense?

First of all: if you cited a case, you had to get it from somewhere. Even unpublished opinions, if you are citing them in a brief, you are citing them because you pulled them off of westlaw or whatever. Which means you have access to the case and can annex it for the court. (There are even formal rules for how you cite unpublished opinions! And those rules include citing to where you pulled the damn case from!)

Secondly: remember that long digression I went into about how to read case citations? Remember that bit about how you include the name of the reporter (the place the case was published)? Yes, cases are published. They are printed in physical books, and they are published online in databases (e.g. lexis or westlaw). If the specific online database you are looking in does not have the case, you look somewhere else. If you have a judge telling you to get them a copy of the case Or Else, you track down a physical copy of the reporter if you need to and scan the damn thing yourself. You - literally - can’t just not have a copy of the case! (Especially published federal circuit court opinions, which multiple of these cases are! Those aren’t hard to find!)

And what kind of “online database” doesn’t include the entire opinion anyway? I’ve literally never heard of a case research database that only included partial opinions, because that wouldn’t be useful.

Maybe if we look at the attached annexed copies of the cases, that might give us some answers.

...

My friends, these things are just bizarre. With two exceptions, they aren’t submitted in any sort of conventional format. Even if you’ve never seen a legal opinion before, I think you can see the difference if you just glance through the filings. They are located at Docket entry #29 on Court Listener (April 25, 2023). Compare Attachments 6 and 8 (the real cases submitted in conventional format) to the other cases. Turning to the contents of the cases:

In the first one, the factual background is that a passenger sued an airline, then the airline filed a motion to dismiss (on grounds unrelated to the treaty's time bar), then the airline went into bankruptcy, then the airline won the motion to dismiss, then the passenger appealed. And the court is now considering that appeal. But then the opinion starts talking about how the passenger was in arbitration, and it seems to be treating the passenger like he is the one who filed for bankruptcy? It’s hallucinatory, even before you get to the legal arguments. The “Court of Appeals” is making a ruling overruling the district court’s dismissal based on the time bar, but according to the factual background, the case wasn’t dismissed based on the time bar, but on entirely other grounds? Was there some other proceeding where the claim was dismissed as time barred, and it’s just not mentioned in the factual background? How? Why? What is happening? Also it says Congress enacted the treaty? But, no? That’s…that’s not how treaties work? I mean, Congress did ratify the treaty? But they didn’t unilaterally make it!

In the second case, there’s an extended discussion of which treaty applies to the appellants claims, which is bizarre because there are two relevant treaties, and one replaced the other before the conduct at issue, so only the new treaty applies? There isn’t any discussion of the issue beyond that basic principle, so there is no reason there should be multiple paragraphs in the opinion explaining it over and over? Also, it keeps referring to the appellant as the plaintiff, for some reason? And it includes this absolutely hallucinatory sentence:

…the only part this that makes sense is that the argument is without merit. I’m not going to discuss the actual merits of the legal arguments in the opinion, because they are so bizarre and disjointed that even trying to describe them would require a Pepe Silvia-sized conspiracy board. Like the previous case, both the facts and the legal posture of the case change constantly, with seemingly no rhyme or reason.

The third one…oh boy. First, large portions of the “opinion” are individual paragraphs with quotations around the whole paragraph. What’s happening there? As far as the content of the opinion itself - I can’t. I mean that, I literally can’t. What is being discussed seems to change from paragraph to paragraph, much of it contradicting. It makes the first case seem linear and rational by comparison. The court finds it doesn’t have personal jurisdiction over the defendant so dismisses the case based on a lack of subject matter jurisdiction? But also the defendant hasn’t contested jurisdiction? And also the court does hold that it has both subject matter and personal jurisdiction over the defendant? And then it denies the motion to dismiss the case? Also, at one point it cites itself?

…also, even if this was a real case, it doesn’t stand for the propositions the plaintiff cited it for in their opposition? I’m not going to go into the weeds (honestly it’s so hallucinatory I’m not sure I could if I tried), but, for example, the plaintiff’s reply brief states that the court held “that the plaintiff was not required to bring their claim in federal court.” The U.S. District Court for the District of Columbia is a federal court, and there is no discussion of any filings in state courts. The closest the “opinion” comes is with the statement, “Therefore, Petersen’s argument that the state courts of Washington have concurrent jurisdiction is unavailing.” (This statement appears to be completely disconnected from anything before or after it, so I am unsure what it is supposed to mean.)

Moving on, case number four is allegedly a decision by the Court of Appeals of Texas. It includes the following line:

Honestly, the plaintiff’s attorney best defense at this point is that he wasn’t intentionally trying to mislead the court, because if he was doing this on purpose, he would have edited the cases to make them slightly more believable. (Context in case you’ve lost track: these documents are supposed to be copies of the opinions he is citing. The screenshoted line makes it clear that what he is actually citing is, at best, someone else’s summary of an "opinion". It would be like if a teacher asked a student to photocopy a chapter of a book and bring it into class, and instead the student brought in a copy of the cliffs notes summary of that chapter. Except that the book doesn’t even exist.)

The actual contents of the “opinion” are, as is now standard, absolutely bonkers. First, the court decides that it doesn’t have personal jurisdiction over Delta because “Delta did not purposefully avail itself of the benefits of conducting business in Texas.” This was despite the fact that the factual background already included that the appellant (sorry, the plaintiff, according to the “opinion”) flew on a Delta flight originating in Texas. Like, this is just wrong? It’s not even hallucinatory nonsense, it’s just facially incorrect legal analysis. Then the court starts discussing the treaty’s time bar, for some reason? Then it goes back to talking about personal jurisdiction, but now the trial court denied the defendant’s motion to dismiss for lack of personal jurisdiction, and the appellate court agrees with the trial court that it does have personal jurisdiction, even though this is the plaintiff’s appeal from the dismissal for lack of personal jurisdiction and the court already ruled it didn’t have personal jurisdiction? And even though on page 1, the plaintiff was injured during a flight from Texas to California, now on page 7 she was injured on a flight from Shanghai to Texas? Also the trial court has gone back in time (again) to grant the motion to dismiss that it previously denied?

Also, I’ve been trying to avoid pointing out the wonky text of these submissions, but:

Everything ok there?

Case number five is similar enough to number four that it’s not worth repeating myself.

Thank god, cases six and eight, as noted above, are real cases, so I’m going to skip them. The defendant alleges that the cases do not stand for the propositions the plaintiff cited them for, and I’m going to assume that is true, given the rest of this nonsense.

Case number seven looks legitimate on the surface. But neither the defendant nor I could find the case through any legitimate search mechanisms. The defendant looked up the purported docket numbers on PACER and found completely different cases; I was able to find a case with the name “Miller v. United Airlines, Inc.,” but it was for a different Ms. Miller, it was a California state case (not a Second Circuit federal case), it was decided on a different year, and the substance of the case was entirely different from the alleged opinion filed with the court.

On top of that, this might be the most morally reprehensible fake citation of them all? Because it is about the crash of United Airlines Flight 585, a real plane crash. Everyone on board - 25 people in total - was killed. 

The individual cited in this fake court case was not one of them.

I cannot imagine conducting myself in such a way where I would have to explain to a judge that I made up a fake case exploiting a real tragedy because I couldn’t be bothered to do actual legal research.

Now, I know you all have figured out what’s going on by now. And I want you to know that if your instincts are saying, “it seems like the lawyer should have just fallen on his sword and confessed that he relied on ChatGPT to write his original brief, rather than digging himself further into this hole”? Your instincts are absolutely correct.

Because obviously, the court was having none of this b.s. On May 4th, the court issued an order, beginning with the following sentence:

That is one of the worst possible opening sentences you can see in an order by the court in a situation like this. The only thing worse is when judges start quoting classic literature. If I was Mr. Peter LoDuca, counsel for the plaintiff, I would already be shitting my pants.

“I gave you an opportunity to either clear things up or come clean. Now I’m going to give you an opportunity to show why I should only come down on you like a pile of brinks, instead of a whole building.”

We are getting dangerously close to “quoting classic lit” territory here.

If I learned that the judge in my case called up the clerk of a circuit court just to confirm how full of shit I was, I would leave the legal profession forever. Also, the judge is now also putting quotes around “opinion.” When judges start getting openly sarcastic in their briefs, that means very very bad things are about to happen to someone.

So I’m guessing the delay between this filing and the court order was because the judge’s clerk was tasked with running down every single one of the additional fake citations included in the "opinions", just to make this sure this order (and the upcoming pile of bricks) are as thorough as possible.

If you are following along with Dracula Daily, the vibe here is roughly the same as the May 19th entry where Dracula demands Jonathan Harker write and pre-date letters stating he has left the castle and is on the way home.

Also, hey, what’s that footnote?

Wait, what?

Folks, it appears we may have notary fraud, on top of everything else! Anybody have bingo?

So on May 25, one day before the deadline, Mr. LoDuca filed his response. And oh boy, I hope ya’ll are ready for this.

Hey, what’s the name of that other attorney, “Steven Schwartz”? Where have I seen that name before…

...I ran out of room for images on this post. So I'm going to have to leave this as an accidental cliffhanger. Part 2 to follow once I refresh my tea.

[teaboot]

real stupid of u to say "why do either of you give a shit we're in canada" as if trump being president doesnt affect literally the entire world considering the usa has military bases up the fuckin wazoo. i say this as a french person, it affects me and im a whole continent away. imagine you living right above them, you think hes not gonna affect you????

I feel that “I think American politics don’t impact my country so I’m choosing not to pay attention to foreign affairs” and “Two Canadian citizens engaging in a public screaming match on small town public transit about whether or not we can fairly call the flaming orange dumpster a felon- when the American justice system has already made it clear it doesn’t give a fuck so he’s facing no literally no consequences anyways- have about the same impact on Canadian democracy as a fart in a hurricane” are different statements

[gallusrostromegalus]

As someone who was recently introduced to the wonders/horrors of the night shift, what does the graveyard shift look like for the 4th Division?

Also, is healthcare in Soul Society plagued with the same understaffing as the Living World, or has Unohana managed to destroy it with her own hand?

Under the cut:

1. The ER nurses I used to let Charlie therapy dog for

2. 4th division staffing

3. Unohana's genetic meddling

4. Unohana's genetic meddling part 2: Kuchiki clan Boogaloo

5. The actual night shift

1. I used to live near an Emergency Room and walked my dog where the nurses would go to smoke, and they'd fawn attention on him and share horror stories with me. I made a comment once about the night shift being worse than the day shift, and they all disagreed. People only come to the ER at night if they're really, really in distress and while that's not great, that is a problem they have been specifically trained to handle. During the daytime however, you get people coming into the ER for mundane shit because they can't be arsed to schedule an appointment with a GP, or because they're bored and want to start a fight, or a host of other reasons that do not belong in the ER and that is VERY frustrating.

2. Staffing: shortly after the founding of the Gotei-13, the Central 46 started getting paranoid about them potentially siezing power and declared that no individual division have more than 200 members. Unohana interpreted this to mean "I can only have 200 *Shinigami* working under me. I can have as much support staff as I want " and has finagled her way into having the hospital staffed with non shinigami nurses, researchers, specialists and the like so the hospital isn't short staffed.

2.1: It also helps that she put the Fear Of Unohana into the political powers that be, so the staff of the fourth division are not just the best-compensated in the Gotei-13, they're some of the highest-paid people with the best employee benefits in the soul society at large.

3. I headcanon that Unohana has more or less been selectively breeding the Yamada Clan for the last millennium. Her very good friend from the founding generation Shijima Chigiri married into the Yamada Clan after they handed the fourth over to Kirinji, and Unohana has been a sort of unofficial wizened aunt to them ever since. She's not pushy about it, but it is extremely convenient for any young person who is interested in romance or starting a family to be able to go to her, because she will have a list of candidates who would be good matches in terms of personality, interests and genetic traits.

It's ESPECIALLY convenient for the Yamada because the Yamada are the single largest shinigami clan. Every single division has at least one Yamada in it, and there have been at least two Captain's Yamada. The family is occupying an unusually large section of the already shallow local gene pool, and it's very easy to accidentally start dating your cousin. The Yamadas at large are aware of her meddling, and given that the family's expected lifespan has tripled since she started, they're not about to complain.

She's mostly been breeding them for Kaido (the ability to magically heal bodies and replenish reiatsu). While Unohana has been very crafty about staffing, the ability to perform Kaido is RARE so early on, there were years when she didn't have 200 shinigami to command. And out of this major staffing issue came her idea about selectively breeding for more Kaido users.

Lately , the thing Unohana has been breeding for is temperament. As prolific and powerful as the Yamada Clan is, they're not well-liked: Hanataro's older brother and her former lieutenant Seinosuke, who regards pain management as 'optional' and will revive people actively begging for death, is a fairly prototypical Yamada. The whole family has a beautiful talent for single-minded focus, and atrocious social skills, like if one were to cross-breed a border Collie and a dumpster raccoon. While this does have the benefit of cutting down on the amount of people who turn up at the hospital who do not need to be there, it also stresses patients out, so they take longer to heal etc.

So to that end, Hanataro Yamada is a TRIUMPH of practical genetics. He's exceptionally good at Kaido and remarkably death-resistant, but most importantly, had the affable temperament and work ethic of a large draft horse, something she's been trying to introduce to the line for CENTURIES. While he's not quite old enough for her to start walking potential mates across his line of sight yet, she has the list fully prepared.

4. In more recent years, her genetic meddling has started to pay dividends and she now has SPARE kaido-positive shinigami, so she is spreading them into the seated officers of other divisions, partly so there's at least one healer on-site in an emergency, and partly because it's not a bad thing for a third of the seated officers in the Gotei-13 to salute her out of habit. Lieutenant Izuru Kira started out in the fourth before he was poached by Gin (a move that rather annoyed Unohana. He'd been shaping up to be a fine anesthesiologist.), and Thirteenth division third seat Kiyone Koetetsu was formerly unohana's fifth seat. Extremely handy to have an accomplished medic within arms reach of one of her most intractable cases (ukitake and his imploding lungs).

4.1: Byakuya Kuchiki is also a triumph of Unohana's genetic meddling, because the Kuchiki clan doesn't have a gene pool so much as vague genetic dampness. It was a miracle that poor Sojun Kuchiki made it to adolescence, let alone breeding age, his blood was so doggedly determined to evacuate his body. Unohana had... Not quite pleaded, but she had taken Ginrei aside and very gently* explained that having Sojun father any children would be cruel to the resulting offspring and that maybe senbonzakura should be passed to a branch member with less catastrophic blood problems.

* for Unohana. It was really more of an extremely blunt, academically dense and somewhat threatening slideshow

Ginrei refused, and so Unohana embarked on a clever plan of subterfuge that Sojun be attended to by only her most physically robust nurses during his long stays at the 4th. To her delight, Sojun hit it off with the ox-constitutioned Sachiko Yamada, who was of sufficient respectability and remarkable charm that Ginrei allowed the marriage. Young Byakuya had the good fortune to inherit the best aspects of both his parents- Sojun's enormous well of reiki and talent for Kido, and Sachiko's excellent health and stubbornness.

Unohana was genuinely devastated when Sachiko died quite young, defending her husband and son from the assassins of a rival clan, and again when Sojun succumbed to his hemophilia from a battlefield injury. Despite this, Byakuya continued to thrive, and when he fell in love with the as-unrelated-to-him-as-possible Hisana Aramaki, she went out of her way to see them married come hell or Ginrei.

Hisana Kuchiki died of complications from an ectopic pregnancy. The surgery to save her had been successful but had introduced a septic infection that killed her a month later. While it could not be determined where Hisana picked up the infection, the surgical center in the 4th at the time was dilapidated from centuries of putting off repairs due to budget concerns from the central 46.

Unohaba destroyed the surgical center in a fit of rage not seen since she became Retsu.

This did rather force the hand of the budget committee and the surgical center was rebuilt with a ruthless adherence to sanitary practices. There have been no incidents of post-surgical sepsis originating from the 4th since. If Byakuya blames her, he's never said a word, and still willingly goes under her knife. Regardless, Unohana blames herself. She holds out hope that he might marry again, but understands why he hasn't yet.

5. BACK ON TOPIC: As for the actual night shift, it's probably the best time to get a hold of Unohana. She has ADHD and the delayed phase sleep issues that come with it, so where most people have a circadian rhythm she has an experimental noise album. The ER is slow at night, until it's not, and then everyone present is VERY GLAD the captain and her centuries of experience at this bullshit are also here.

5.1: Counterintuitively, she almost never sees anyone from the 11th late at night these days. Zaraki and his division are far from averse to danger, but he also has centuries of experience in That Bullshit, and has been passing the benefits of his experience onto his men, in such topics as "how much water have you had? Not enough", "Protect your head goddamnit" and "the nerds in the 12th will be sad of we don't use all this protective gear they made us. Humor them."

It also helps that she has Hanataro on regular duty over there for auxiliary lessons like "don't touch snakes" and "if you think 'am I sober enough to do this?' you're not. If you think 'I'm totally sober enough to do this!' you're REALLY NOT."

In fact, the ONLY member of the 11th she's seen after midnight since Zaraki took over was Yachiru, who developed appendicitis in the middle of the night. That was alarming but entirely manageable. Having her beloved, the most anxious single father in that world or the previous one, in the waiting room, was much less manageable.

"Yamada." She addressed Hanataro the following morning, slightly haggard. "I am going to request your expertise as both my head of toxicology and 11th division liaison-"

"I've been trying to figure out a reliable sedative for Captain Zaraki for fourteen years now." Hanataro sighed. "I'm well into the snake, spider and cone snail families with no success."

"...Shit."

[fuckyeahchinesefashion]

hi, do you think you could please recommend some popular c-dramas for me? I am thinking specifically like palace intrigue types. Thank you so much and have a great day!

"Empresses in the Palace" (also known as "The Legend of Zhen Huan" or "甄嬛传") This is a classic and widely loved drama set in the Qing Dynasty. It follows the story of Zhen Huan, a young woman who enters the imperial palace as a concubine and navigates the treacherous world of court politics, betrayal, and power struggles. The storytelling is intricate, the characters are complex, and the costumes and sets are stunning. It’s a must-watch for anyone who loves palace intrigue. "Empresses in the Palace" is pretty much considered the number one Chinese palace drama out there. The script is super deep, it shows sympathy for what women went through back then and celebrates their spirit of fighting back. Another drama with a really deep story is "War and Beauty." (金枝欲孽) It’s in Cantonese, and while the costumes and sets aren’t as fancy as "Empresses in the Palace," the way it portrays tragedy is just as powerful. Fun fact: the original novel of "Empresses in the Palace" wasn’t nearly as deep. The screenwriter totally changed its meaning. In the book, the emperor was super handsome and charming, but the director scrapped that idea. They went with an actor who wasn’t conventionally attractive but had incredible acting skills. That choice made the tragedy hit way harder. Honestly, without the amazing performances and the rewritten script, "Empresses in the Palace" wouldn’t have become such a massive, nationwide hit.

"Yanxi Palace: Princess Adventures" (or "延禧攻略") Another Qing Dynasty drama, this one focuses on Wei Yingluo, a clever and determined woman who enters the palace to uncover the truth behind her sister’s death. It’s filled with scheming, revenge, and intense court rivalries. The production quality is top-notch, and the female lead is strong and resourceful, making it very engaging. Compared to "Empresses in the Palace," it’s not as deeply tragic. A lot of it obviously doesn’t match real history, but it’s super emotional and moving. The pacing is fast, and it fits more into the 古装偶像剧guzhuang idol dramas that often cast young pretty actors, and are set in several hundred years ago but talk and act like people in modern days. For Qing Dynasty palace intrigue dramas, I only recommend those two (Empresses in the Palace and Story of Yanxi Palace). But there are other amazing historical dramas, like "Kangxi Dynasty康熙王朝(2001)," "Yongzheng Dynasty雍正王朝（1999）," and"Young Kangxi少年康熙(2004)" etc. They’re all fantastic, though they’re a bit older. I think they have english subs on youtube too. I don’t recommend those Qing Dynasty time-travel palace dramas because, honestly, the scripts just aren’t as good as the ones I mentioned. Either the acting’s not great, or the story just feels boring and dragged out. As for "Ruyi’s Royal Love in the Palace," just… don’t. It’s a total dumpster fire—pretty much universally agreed on by Chinese netizens. If you’re curious what trash tastes like, well, there you go.

There are palace intrigue dramas based on the Ming Dynasty too, but they’re not as popular. Partly because the scripts aren’t as strong, and partly because the Ming Dynasty just didn’t have the same elements for palace intrigue. That’s a whole other topic, so I won’t get into it. But there’s one Ming Dynasty drama that’s absolutely brilliant, it’s called "Ming Dynasty 1566大明王朝 1566 (2006)." You can find it on YouTube with English subs.

The script is based on serious history by some top notch script writer, and it’s super amazing. I’m not sure if it’s for everyone, though. It’s all about political schemes, imperial strategy, and the cutthroat world of Chinese bureaucracy. If you’ve read books like "Stories about Ming Dynasty/Those Things about Ming明朝那些事儿 by shi yue石悦" （This series had me laughing so hard I was literally pounding my bed in the middle of the night. I stayed up all weeks reading it. Sadly, I don’t think there’s an official English version. It was a huge bestseller in China, though, topped the charts for historical fiction. It brings historical events to life in this super witty way, and the characters feel like they’re right there in front of you. They have e-books version on WeRead of WeChat), you’d probably love it. But it doesn't appeal to people who don't like to see real power plays. Ming history is fascinating, I think it has some of the most intense power struggles in all of Chinese history. But just to be clear, it’s not a palace intrigue drama. It focuses on the imperial court, not the palace后宫hougong (harem).

Also, many old Chinese dramas are incredibly well-made and have stood the test of time, though some might not have English subs due to their age. If you’re interested in exploring more, I highly recommend "Palace of Desire" (大明宫词Daming Gong Ci).

This drama is set in the Tang Dynasty and revolves around the life of Empress Wu Zetian, the only female emperor in Chinese history, and her daughter, Princess Taiping. It’s a poetic and deeply emotional portrayal of love, power, and tragedy within the imperial court. The dialogue is beautifully written, almost like a Shakespearean play, and the costumes and sets capture the grandeur of the Tang Dynasty perfectly. While it might not have the same modern production quality as newer dramas, its storytelling and historical depth are truly exceptional. It has this captivating aesthetic of Tang. If you’re open to exploring older classics, this is a gem worth checking out.

If you’re interested in diving into another epic historical drama, I highly recommend "The Emperor Han Wu" (汉武大帝)(2005). This one is about Emperor Wu of the Han Dynasty, one of China’s most famous and powerful rulers. It’s a gripping story of ambition, strategy, and empire-building.

The lead actor Chen Baoguo is phenomenal. He totally brings Emperor Wu to life, showing his brilliance, ruthlessness, and complexity. The drama covers everything from political intrigue and military conquests to personal struggles and relationships. It’s a bit more serious and grand in scale compared to palace intrigue dramas, but if you’re into history and strong character-driven stories, this is a must-watch.

I don’t really recommend "Joy of Life庆余年" because, well, it’s based on a straight chinese male-oriented novel男频小说(sorry straight men sir i'm not targeting you or calling you out i know threre are many normal and decent straight men it's just this one is really 直男 if you read it you know waht i mean....). Women aren’t exactly the focus here. It’s also got this heavy fantasy vibe, mixing politics, martial arts, and a bunch of other stuff, kind of like a big, chaotic stew. The male lead basically struts through the story like it’s his personal runway. It’s not historical like "Ming Dynasty 1566" or "The Emperor Han Wu" it’s completely架空 (fictional). So, it’s not my cup of tea. But if you’re curious, give it a shot. Just don’t expect much from it, the hero's girlfriend is pretty much the "perfect woman" fantasy you’d expect from a chinese male-centric novel XD like uncanny valley to me. It reminds me of that cringy feeling I got reading about Luo Ji and his wife in "The Three-Body Problem."

If you’re looking for pure romance and a love story that’s both wildly passionate and utterly heartbreaking, you have to watch "Goodbye My Princess" (东宫). It stars Peng Xiaoran and Chen Xingxu, and their chemistry is off the charts. This drama is all about intense, desperate, soul-crushing love, it’s the kind of story that will absolutely wreck you in the best way possible.

Yes, it has some of the limitations of its historical setting, but the female lead is such a radiant and compelling character. If you want to experience that mix of heartbreak and emotional satisfaction (you know, the kind that hurts so good), this drama is number one. It was insanely popular when it came out, and even now, its theme song is considered a classic.

I don’t really recommend Song Dynasty palace dramas—same reasons, there’s just not much to work with in terms of后宫 (harem) stories. But Song Dynasty slice-of-life dramas? Those are amazing. The best one is "A Dream of Splendor" (梦华录). It was insanely popular, broke records, and even got picked as one of China’s top 10 national TV treasures that year—the only historical drama on the list. A Dream of Splendor absolutely shattered the popularity records for historical dramas. It’s the most genuinely popular costume drama since "Empresses in the Palace."This year’s dramas like Perfect Match have borrowed from its style, whether it’s the setting, the character designs, or the storytelling.

I’m also watching "Perfect Match" (五福临门) right now. It’s set in a similar world, focusing on everyday people and their lives, with a bit of bureaucracy and some palace scenes here and there. The main characters aren’t royalty, though. The plot’s kind of all over the place, and Chinese netizens love to roast it for being illogical. But if you don’t overthink it, it’s a pretty fun watch. I hope you enjoy all of them😊

[chaerimjump]

You know those reverse!robin fics where instead of Dick, we got Damian as the oldest sibling? Usually, the reverse!robins are more put together than the dumpster fire canon!robins. Put two and two together, and you have a jealous canon!dick that wants to know the secrets of being a better older brother.

But of course, nothing is as it seems when the pot finally bursts for the reverse!robins and reverse!damian has to get help from good ol' dickiebird.

Reverse!Robins: *Shouting at each other at maximum volume.*

Reverse!Damian, sighing: Is it..always like this for you, Richard?

Canon!Dick, tearing up that someone else now knows his pain: Yep.

Reverse!Damian: ..Alright, that's enough!

Reverse!Robins: *Still bickering.*

Reverse!Damian: ...

Canon!Dick, the multichampion of stopping his little brothers from killing each other for the nth time, if this skill was ranked he'd be a Challenger: *Using a well-crafted Bat GrowlTM* Enough!

Reverse!Robins: *Finally went silent.*

Canon!Dick with a practised tone: *Sighing* Tim, go back to the monitor. Jason, to the library, Steph, take a chill brownie from the kitchen, and Little Me, practice with the trapeze. Think about what you all did wrong.

*Ten minutes after the screaming match.*

Canon!Tim: They seriously haven't made up yet?

Canon!Tim: If it was us, we would already eat sugar cookies together in the living room. (courtesy of Alfred.)

[deadghosy]

HAZBIN HOTEL X CAELUS! READER

prompt: you were found digging in their trash and they took you in

(I got covid😭 so me posting xreader will be kinda slow)

You were digging for some food ever since you fell from heaven because you kept fighting people over trash…I mean damn reader…

You fell with a blank look as you had a rotten banana in your mouth as you looked down to see pentagram city…so what did you do? You pulled out your fire sword and slash the ground to soften your fall which worked. You changed it to a bat for protection as you found a dumpster!

CHA-CHING✨ MORE TRASHHHH

You dig in the dumpster not hearing a person whistling. The person dropped the garbage bag shocked to see a….? Whatever you are digging in the dumpster. Your face was completely dirty as you lift it up to show you found a cool old watch.

Charlie didn’t know what to do. Are you homeless? Is what she thought as she takes you out the garbage as you blankly stare at her “•_•” “uhm sweetie are you okay?” “……” “not much of a talker huh…” you just stayed quiet as Charlie introduced herself and shook your hand bringing you to the hotel so you can have a place to stay.

I feel like you were a new angel and only stayed for like 1 month…(free trial ass shit…) and so when you didn’t act holy and proper. That’s why you mostly got kicked out

Vaggie will know you are an angel because of your angelic look and golden eyes as you just stand there minding your business. You tell her you fell because you fought over your treasure….your trash practically. So Vaggie tells you what happened to her and you hugged her making her feel safe about herself a bit.

You two have matching bracelets you made from an exercise Charlie did.

Okay I headcannon that Lucifer is already in the hotel living with his daughter. And he felt your presence and he would be like. “Fuck are you doing here”🤨 “I fought for my life.”

Vox one time put you on air with him because of your golden shining eyes….i think he was flirting with you as you ate some gift cookies he made for you…

Velvette tried to make you a model, but you kept wandering off somehow. Literally she got tired of you but never of your face as she at least posted you wearing some nice 2000 makeup

Carmilla had a gut feeling about you being an angel. She wanted to kill you but then you gave her a ring you found in a dumpster because you said she reminded you of your earth mother/parent. Yeah she wanted to adopt you

You help sir Pentious, or who you call penny for his project builds. You dig in dumpster’s, trash bins, and garbage dumps

Angel dust and you sometimes just be on your phones all the time which is obnoxious. But hey, I don’t make the rules. Being on your phone makes it seem like you don’t want to be talked to which is true.

Lucifer made you a duck as he notciced how lonely you are….(you don’t give a fuck, you only need trash as your friends) so Lucifer made you 20 ducks that are based on your favorite things or like idk just ducks

The egg boiz follow you around as you literally calling you the, “TRASH BOSS!” Not in a bad way more like in admiration as you give them stuff from the garbage.

Your golden eyes shining in the night scaring husk as he didn’t even see you in his hind sight. Like he is a cat, but he didn’t even see you?!

You and alastor’s both eat weird things, like he is a cannibal….and for you..either trash or just normal weird food combos

Alastor would definitely try to get you to eat cannibal meat, but to be honest you can tell the difference between human and regular meat. You always know.

Niffty is the kind of person who would give you a trash flower crown, kinda like how she made a crown for Alastor ✨🦆

I headcannon your angelic/demon form to be a raccoon 💀

You send dumbass memes in the hazbin hotel gc…

You are quite the feral person tbh, but who didn’t know when you literally fought people for your damn trash.

You definitely had bit Valentino once as Angel dust brought you to a club and you were digging in trash to find something cool. But Valentino found you adorable in the face and wanted to make you a sex worker. And what did you do when he tried to hurt Angel?

YOU BIT HIS FUCKIN HAND ALMOST OFF AS ANGEL WAS TRYING TO PULL YOU OFF😭

Yeah..you definitely had blood dripping from your mouth when Angel dragged you out of the club

[jungkoode]

FUCK ME UP | FRAGMENTS

˗ˏˋ that first night (her POV) ˎˊ˗

"There's a theory that says you meet everyone in your life twice—once as strangers, and once when it matters. That first night at 'Pulse', with vodka cranberry on your tongue and his eyes burning into yours, was supposed to be the stranger part. No one warns you that six months later, he'll be standing in your new apartment's doorway, looking at you like he's seen a ghost. But that’s a problem for Future you."

⋆｡°✩ story details ✩°｡⋆

collection: Before It All (FMU)

wordcount: 15k

pairing: fmu!jungkook x fmu!yn (cocky!jkxbratty!reader)

rating: explicit, 18+

playlist: spotify

content: new york city setting, university setting, strangers to roommates (eventually), nightclub setting, hookup, one night stand, drunk hookup (buzzed/tipsy but consensual), explicit sexual content, oral sex (cunnilingus), protected penetrative sex, multiple orgasms, wall sex, rough sex, choking/breath play (light), hair pulling, marking/hickeys, size kink, manhandling, dirty talk, praise kink, bickering during sex, snarky banter, grinding, multiple positions, slight pain kink, slight degradation kink, praise kink if you squint, sexual tension, sexual chemistry, mild exhibitionism (making out in uber/club), slight voyeurism (being watched in club), mild dubious condom practices (that one scene), alcohol consumption, bite kink, aftercare (mild), spooning, scent kink, vanilla scented products, enemies to lovers (eventual), size difference (height), strength kink.

✧ author's note ✧

Hi my little demons! (｀∀´)Ψ Welcome to the prequel that started this absolute dumpster fire - AKA the night our emotionally constipated idiots first met.

Let's talk about how THIS happened, because honestly? I've rewritten this scene approximately 47 times (not exaggerating, my Google docs are a MESS). I initially wasn't even going to write it, but then my 3AM brain, fueled by what was probably my 8th espresso, decided we NEEDED to see these two disasters collide for the first time. And boy, did they collide. (￣ω￣;)

First things first: This is pure, unadulterated filth. I literally had to take several walks around my apartment complex while writing this because these two WOULD NOT BEHAVE. Like, I was trying to be somewhat respectable here, but they said "No♥️" and chose violence. So you know what? I just let them do their thing and documented it like the professional disaster that I am.

Now, let's talk about our girl for a second. Writing her at this specific point in her life was FASCINATING because you can really see all the pieces that made her who she is—the family pressure, the small-town suffocation, the desperate need for control while simultaneously wanting to lose it completely... She's such a beautifully complex mess and I love her for it. (Don't worry, she'll grow. Eventually. Maybe. We'll see.)

And Jungkook... Oh boy. There's SO MUCH about him that I've deliberately sprinkled throughout this chapter. Little details, subtle hints, tiny breadcrumbs that'll make sense later. I'm actually really proud of how many easter eggs I managed to hide in here - come back after future chapters and tell me if you caught them! (Though let's be real, you're probably not here for the literary analysis, you thirsty gremlins.)

The biggest challenge was honestly Emma. Like, how do you get the world's most protective best friend to leave her bestie alone in a club? I spent WEEKS trying to make this work in a way that felt authentic to her character. The sister crisis was my 3AM solution and I'm actually pretty proud of how it turned out. Realistic character motivation is my kink, okay? (＾▽＾)

Speaking of realism—that's literally why this fic exists. I got so frustrated with how many unrealistic elements I kept seeing in stories that I went "Fine, I'll do it myself" and here we are, 35 pages of smut later???? Huh. You're welcome????

Side note: I have this whole thing narrated in audio (female voice only, because no male voice matches Jungkook’s, my beloved ¯\_(ツ)_/¯) but Tumblr said "file too big bestie" so... might drop it on ko-fi if enough people are interested. Let me know in the comments! Speaking of comments—PLEASE tell me your theories about all the little hints I've dropped about Jungkook's past. I'm dying to see what you guys pick up on! (⌒ω⌒)ﾉ

Until next time, you disaster pandas! (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

Kiki. 🍓

P.S. Any typos are between you and god because I've stared at this document for so long the words have lost all meaning.​​​​​​​​​​​​​​​​

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main story: fuck me up

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So here's the thing about nightclubs: you either love them or you hate them.

You? You're more of a 'hate them' kinda girl. The sweat, the noise, the people... not your scene. Not usually, anyway.

But usual went out the window the second Emma suggested this little adventure. Sweet, reliable Emma who you lost touch with after high school but who immediately became your secret accomplice when you reached out about transferring to NYU. Who's been your underground informant for months now—sneaking you tips about the English department, virtually walking you through the campus layout via late-night FaceTime sessions, and helping you plot out the perfect transfer application your parents know nothing about.

Emma, who didn't even blink when you showed up at her door with a weekend bag and a story for your parents about "visiting your responsible friend in the city." (They bought it immediately because, well, it's Emma. Their golden standard of What A Good Influence Should Be.) You'd spent the whole day doing exactly what you came for—touring NYU's campus, sitting in on a couple of English classes Emma snuck you into, and gathering all the transfer information you could get your hands on.

"You can't just transfer here and not know what the nightlife is like," she'd insisted, already rummaging through her closet for something that wasn't your campus tour outfit. "That's like... buying a car without test driving it."

Which, okay, terrible analogy, but you get her point. You've spent months planning this transfer—going over NYU's transfer requirements, crafting the perfect escape from your suffocating small-town university, calculating exactly how to tell your parents once it's too late for them to stop you. The campus visit was supposed to be just that—visiting your responsible friend Emma for a weekend while secretly checking out NYU.

Emma, bless her overprotective heart, had taken one look at your face after that final tour—that specific blend of desperate hope and terrified excitement—and decided you needed to see the whole picture. "The real college experience," as she put it, already pulling out her phone to text her club promoter friend.

"Location sharing on?" she'd asked for the fifth time before you left her apartment, double-checking your phone settings like some kind of Gen-Z mother hen. As if you hadn’t spent the last three months planning this transfer with military-grade precision.

"Yes, mom," you'd rolled your eyes, but something warm had settled in your chest at her fussing. It's... nice, having someone in on the secret. Someone who gets it.

"Emergency contact updated to my number?"

"Check."

"Spare key to my apartment?"

"Emma, I swear to god—"

"Just checking!" She'd grinned, already knowing she was being ridiculous but doing it anyway. "One more thing..."

And that's how you ended up with a literal tracking app on your phone, an emergency SOS button setup, and Emma's solemn promise to "never leave your side, scout's honor." (She was never actually a scout, but whatever.)

Parents really think you're just visiting your studious, sensible friend Emma for a nice, quiet weekend in the city. Having some wholesome catching-up time. Maybe seeing some museums.

Ha. If only they knew you're actually scouting out your future escape route.

If only you knew.

Because let's be real, this isn't exactly in your wheelhouse. But Emma's right there, keeping her scout's honor promise, bouncing between the bar and dance floor like some kind of safety-conscious terror. And maybe it's the way she keeps checking in with subtle thumbs-up signals, or maybe it's just knowing someone's actually got your back in this whole secret college plan thing, but you're... kind of having fun?

Which is how you find yourself here, in this pulsing, thrumming mass of bodies and sound. 'Pulse', the club's called. Fitting, considering how you can feel the bass thumping in your veins, the strobe flashing like lightning in your skull. It's... a lot. But not in a bad way?

Yeah, definitely not bad, you decide as you scan the room. Leather booths, gleaming bar top, and a dance floor packed with the kind of gorgeous twenty-somethings that make you feel simultaneously inadequate and oddly triumphant. Like 'yeah, I might not be that, but at least I'm here.'

And honestly, it's pretty nice here. Clean, classy even. Good lighting over the bar, vigilant security, and Emma vouches for the place. She's your safety net tonight, because God knows you'd never try this solo. But Emma... Emma knows everyone. Gets you both in with a wink and a wave, like some kind of VIP.

The girl's got pull and she's not afraid to use it. You envy that a bit, that confidence. Wish you could borrow just a dash of it, to fortify your nerves as you perch on this barstool, spine too straight and fingers too tight around your glass. But it's fine, it's good, you're good. That’s what you tell yourself, anyways—even if it’s not entirely the truth.

It's just one night. One chance. One small rebellion before you go back home and drown yourself in expectations and demands. Hardly even counts as rebellion, really, in the grand scheme. Not like you're planning on getting blackout drunk and ending up in jail or anything. Just… dipping your toe. Sampling the other side. Just for a night.

What's the worst that could happen?

Famous last words. Or in this case, famous last thought, as you take a too-big sip of your drink and nearly choke on watery vodka cranberry. Good thing no one's paying attention.

Well, except for one guy, apparently. And he's...

Oh. Oh damn.

He's the kind of gorgeous that makes you almost forget how to swallow, even as you scoff internally. Guys who look like that? They're usually bad news. Cringe edgy boys. Like the ones you see on TikTok. The jaw, the eyes, the whole brooding bad-boy package. Not your type. Not even a little.

But he’s hot. Truth be told.

And he's watching you. Not in a creepy way, but… intense. Interested. And wow, okay, maybe there's something to be said for the whole 'still waters' vibe he's giving off, because that gaze is doing things to you. Things you're not entirely sure you're ready for.

But then again... isn't that the whole point? To try something new? To be someone new, just for a night? The girl who holds the stare of a beautiful stranger. The girl who lets the charge build, heart kicking up and skin tingling. The girl who—

"Shit, shit, shit." Emma's suddenly at your elbow, phone clutched to her chest, face twisted with genuine distress. "My sister just called. She's having some kind of breakdown about—god, I don't even know, her boyfriend? Something about him showing up at her dorm? She's hysterical, I can barely understand her—"

You watch Emma's face cycle through about twelve different emotions in three seconds. She keeps glancing between you and her phone, clearly torn. "I should go check on her. But I can't just leave you here alone. Fuck. Maybe we should both—"

"Em, I'm fine," you try to reassure her, even as your stomach sinks a little. Great. Just when things were getting interesting with dark eyes over there. "I can just get an Uber—"

"No, no, wait." Emma's scanning the club like she's looking for something specific. Her face lights up suddenly as she spots someone by the weights machine in the club's weird gym corner. Because apparently some clubs have those now. "Oh thank god—hey!!"

She waves frantically at some guy who's been doing bicep curls between taking selfies for his Instagram story. You vaguely recognize him from Emma's study group—one of those guys who probably knows the protein content of everything in his lunch and considers gym updates a legitimate form of social interaction.

"Perfect timing," Emma says as he approaches, already dabbing his face with a workout towel. She's rapid-fire texting, probably her sister. "You're still doing that safe walk program thing for the student union, right? The volunteer thing they made you do after that frat party incident?"

"Yeah bro, community service hours almost done," he confirms, then looks confused as Emma practically shoves her phone in his face, showing him what you assume is your location-sharing setup.

"Great. This is my best friend from high school. She's got location sharing on with me, SOS button setup, fully charged phone." Emma's talking so fast she's almost tripping over her words. "I have to go deal with my sister but I'll be back in an hour tops. Could you just... keep an eye out? Make sure no creeps bother her?"

Your face heats. "Emma, seriously—"

"I know, I know, you can handle yourself," Emma cuts you off, already shouldering her bag. "But humor me? He’s actually great at this. Always walks girls home after study group. Total golden retriever energy."

You catch the way her eyes flick meaningfully toward where dark eyes is still watching from across the room. Like she's trying to say 'here's your safe but slightly dim option if you want it, but...'

Your phone buzzes with an incoming wall of texts:

Emma: 𝚒'𝚖 𝚜𝚘 𝚜𝚘𝚛𝚛𝚢!!! 𝚒 𝚔𝚗𝚘𝚠 𝚒 𝚙𝚛𝚘𝚖𝚒𝚜𝚎𝚍 𝚝𝚘 𝚜𝚝𝚊𝚢 𝚠𝚒𝚝𝚑 𝚢𝚘𝚞 Emma: 𝚋𝚞𝚝 𝚒 𝚜𝚠𝚎𝚊𝚛 𝚒'𝚕𝚕 𝚋𝚎 𝚋𝚊𝚌𝚔 𝚒𝚗 𝚊𝚗 𝚑𝚘𝚞𝚛 𝚝𝚘𝚙𝚜 Emma: 𝚑𝚎'𝚜 𝚕𝚒𝚝𝚎𝚛𝚊𝚕𝚕𝚢 𝚝𝚑𝚎 𝚗𝚒𝚌𝚎𝚜𝚝 𝚐𝚢𝚖 𝚋𝚛𝚘 𝚎𝚟𝚎𝚛, 𝚝𝚘𝚝𝚊𝚕 𝚙𝚞𝚙𝚙𝚢 Emma: 𝚋𝚞𝚝 𝚒𝚏 𝚢𝚘𝚞 𝚠𝚊𝚗𝚝 𝚝𝚘 𝚎𝚡𝚙𝚕𝚘𝚛𝚎 𝚘𝚝𝚑𝚎𝚛 𝚘𝚙𝚝𝚒𝚘𝚗𝚜... 👀 Emma: (𝚓𝚞𝚜𝚝 𝚔𝚎𝚎𝚙 𝚢𝚘𝚞𝚛 𝚕𝚘𝚌𝚊𝚝𝚒𝚘𝚗 𝚜𝚑𝚊𝚛𝚒𝚗𝚐 𝚘𝚗 & 𝚝𝚎𝚡𝚝 𝚖𝚎 𝚒𝚏 𝚢𝚘𝚞 𝚕𝚎𝚊𝚟𝚎!!!)

"Hey there. Emma had to run, but she didn't want to leave you alone. Asked me to keep you company. That okay?"

The voice cuts through your spiral, and you blink up at the interloper. Brent? Brad? Some monosyllabic gym bro who's friends with Emma and apparently your new babysitter.

Great.

You paste on a smile, even as your attention flickers back to him. Dark eyes, dark hair, and a mouth that could probably do very interesting things, you bet your money on it. But no. Don’t get distracted. Eyes on Brett. He's safe, he's known. Boring as a beige wall, but that's better. Smarter.

"Yeah, of course," you say brightly. Too brightly. Even you can hear the false note, and you cringe. "Thanks for keeping me company."

Because that's why you're here. For safety, for company, for sampling the world, but through a protective barrier. Not for tall, dark, and dangerously appealing over there. Definitely not for him.

Even if you kinda wish it was.

"You're pretty."

And like... okay? Thanks? But also, ugh. It's not that you're not flattered—you are, in that vaguely uncomfortable way that makes you want to simultaneously preen and roll your eyes into next week. Because yeah, duh, you know. You own mirrors. You're aware of your assets, thank you very much. But there's something so wonderfully, terribly basic about guys who lead with that.

Still. You give him another once-over, because fair's fair and also because like... why not? He's not bad. Actually pretty decent, if you're being honest (and you are, because what's the point of lying to yourself?). Broad shoulders, nice arms, that whole gym rat aesthetic that apparently some girls go crazy for.

Not that you're necessarily one of those girls. You've always preferred a more... balanced build. Something between "I can bench press you" and "I've never seen the inside of a gym." Like, yeah, muscles are nice and all, but you want to be able to actually cuddle without feeling like you're laying on a marble statue. Give you some softer edges any day. Something to sink into, you know?

But beggars can't be choosers and honestly? You're kind of tired of being a beggar. Or, well, not a beggar exactly, but definitely... selective. Too selective, maybe. Conservative. Careful. All those words that really mean "scared to actually live a little."

Not tonight though. Tonight you're in New York fucking City, three hundred miles from your parents' suffocating expectations and that small-town mindset that makes you want to scream into your pillow sometimes. Tonight you could be anyone.

So when you say, "Thank you, you're not bad yourself," it comes out smoother than expected. Almost flirty. And his laugh? Not terrible. Kind of nice actually, even if it doesn't quite reach his eyes. They're nice eyes too—warm brown, honest. Safe.

"Would you like to dance?"

The question hangs there, and you consider it. Really consider it. Because this—this whole thing—it's what you came for, isn't it? To try something new. To be someone new. Someone who says yes to dancing with attractive strangers in clubs that pulse with bass-heavy Usher remixes.

"You feeling confident?" you throw back, and okay, maybe that was a little sharp, a little too much of your usual self bleeding through. But he just smiles (no dimples, and why does that matter? Since when do you care about dimples?), and holds out his hand.

His fingers are cold when they wrap around yours. It's... not great. You've always hated cold hands, which is ironic considering yours are perpetually freezing. But you let him lead you onto the dance floor anyway, because what the hell. What the actual hell. You're here, you're young, you're... actually kind of buzzed now that you think about it. That vodka cran hitting different after all.

His hands hover at your hips, eyes asking permission, and you give him a look that you hope translates to "yes, but don't get crazy about it." Must work, because his palms settle, grip light but present. You rest your hands on his shoulders (nice shoulders, you'll give him that), and try to find the rhythm.

It's not terrible. Not amazing either, but definitely not terrible. He can move, keeps a decent beat, doesn't try to grind up on you like some horny teenager. His hands stay respectfully placed, thumbs making small circles that should probably feel more exciting than they do.

Everything about this should feel more exciting than it does.

Maybe you need another drink. Maybe you need to stop overthinking every little thing and just... be. Maybe...

Maybe that's when it happens. Your eyes drift up, over his shoulder, like they're being pulled by some invisible thread. Like something in you just knows where to look. And there he is.

Dark eyes locked on yours, expression unreadable in the strobing lights.

One second. Two. Three.

An eternity compressed into the space between heartbeats. Your skin prickles, heat crawling up your spine that has nothing to do with the crowded dance floor or the alcohol in your system. The weight of his stare is palpable, laden with something unnamed but acutely felt. Something that turns your mouth to the Sahara and your pulse into a kickdrum.

Usher croons about falling in love while Pitbull drops his signature "dale" in the background, and isn't that just fucking hilarious? Because this—this moment, this look, this stranger—this isn't about love. This is about want. Raw and simple and completely uncomplicated by things like names or histories or futures.

This is about the way his jaw clenches slightly as he watches you dance with someone else. About how his fingers drum against his glass in perfect time with the beat. About the little scar on his cheek that catches the light when he tilts his head, studying you like you're a puzzle he wants to take apart piece by piece.

Your dance partner's hands feel colder by the second.

It's not that his hands are bad, exactly. They're... nice hands. Big hands. The kind that wrap around your hips like they were made to be there, fingers long enough to span the distance between hipbone and hipbone. And yeah, okay, you have a thing for hands. Who doesn't? It's practically universal at this point—like liking bread or hating people who talk during movies. Just basic human nature.

But something's... off.

Your brain is doing that thing. That stupid, annoying, overthinking thing where it won't shut up long enough to let you enjoy anything. And god, you hate this. Hate how your mind rebels against perfectly good situations, like it's allergic to straightforward pleasure or something. Because objectively? This should be working. Hot guy, good music, decent amount of alcohol in your system. Your body's definitely on board—you can feel the low simmer of attraction, the way your skin warms under his touch. The basic chemistry is there.

But your mind? Your mind's like that one friend who shows up to parties just to list off everything that could possibly go wrong. His hands are cold. His laugh doesn't reach his eyes. No dimples. The way he said "pretty" like he was checking off a box on some "How to Pick Up Girls" checklist.

You sigh, already stepping back. Watch the confusion flicker across his face, quickly masked by what you're sure he thinks is an understanding smile.

"Everything alright?"

And like... no? Yes? Maybe? How do you even answer that when you're not sure what's wrong in the first place? When you're standing here on a dance floor that's vibrating with Usher's voice while your brain short-circuits over the temperature of some guy's hands?

"Yeah, I'm just..." You pause, teeth catching your bottom lip as you reconsider. Fuck it. Might as well go with the classics. "The vodka. Has me feeling buzzy, I think I'm not feeling too good."

It's a cop-out and you know it. But it's also an easy out, the kind that doesn't hurt anyone's feelings or make things weird. Because that's what you do, isn't it? Keep things smooth. Keep things nice. Even when you're lying through your teeth to some guy whose name you can't quite remember.

"Hey, that's okay." His smile stays steady, concerned even. "No hard feelings. You need a ride home?"

And that—that right there—that's actually kind of sweet. In another universe, maybe that offer would seal the deal. Nice guy, worried about your safety, probably has a stable job and calls his mother on Sundays. But in this universe? In this universe, your eyes are already drifting over his shoulder, drawn like a compass needle to true north.

You press your lips together, scanning the crowd like you're actually looking for someone. Like you haven’t known exactly where he is this whole time, haven’t felt his eyes raking you up and down non-stop.

"Actually I know someone just across the way, so honestly, zero worries."

The shock on his face would be comical if it weren’t so irksome. "You positive? Weren’t you visiting from out of town? Emma mentioned you were just in for the weekend."

And okay, what the actual fuck? Why does he need your whole life story? Yeah, sure, he's probably just being nice. Probably just wants to make sure you're not about to wander off and get murdered or something. But still. The irritation rises in your throat like bile, sharp and inexplicable.

"Doesn't mean I don't know anybody in New York," you say, and wow, okay, that came out with more edge than intended. Quick, fix it, smooth it over. You paste on a tight smile, the kind that probably looks more like a grimace but hey, at least you're trying. "See you around, Brent."

You're already moving as you say it, heels clicking against the floor with purpose. You think you hear him call after you—something about his name being Peter?—but you're beyond caring. Beyond thinking about cold hands and careful smiles and all the safe choices you should be making.

Because your feet know where they're going, even if your brain is screaming about bad decisions. Even if every rational part of you is throwing up warning signs and red flags. Even if—or maybe because—you can feel his eyes following your every move, heat spiraling up your spine with each step closer.

The bass drops, and your heart kicks up to match it.

Dale, indeed.

You don't need to look at him to know he's watching. You can tell. Can perceive it. It’s like standing too close to a bonfire. The kind of heat that makes you want to step closer even as your survival instincts scream danger, danger, danger.

And this? This is definitely dangerous.

You don't do this. Like, ever. There's a whole routine to these things, right? Guy sees girl, guy approaches girl, girl decides if she wants to deal with whatever fumbling attempt at flirtation follows. That's just... how it works. How it's always worked. Because guys? They're usually terrible at being approached. Their fragile little egos can't handle a girl making the first move. Plus, most of them aren't worth the effort anyway.

But.

But your feet are already moving. But your heart is already racing. But something about the way he's been watching you, like he could devour you whole and still be hungry—it makes you reckless. Makes you stupid. Makes you brave.

"Dance with me."

It comes out more command than question, your voice steadier than it has any right to be. He looks up at you from his seat, and fuck. Just... fuck. Because the way he tilts his head? The slow, deliberate motion of it? That should not be as hot as it is. That should be illegal in at least three states.

Then he smiles. Just one side of his mouth lifting, lazy and confident and—oh god. A dimple. One perfect little dimple that makes something in your chest squeeze tight.

"That's bold."

His voice is lower than you expected. Rougher. Like whiskey over gravel, and you want to drink it down until you're drunk on it. Want to find out what other sounds you can pull from that throat.

"You've been looking at me for 10 minutes." The words fall from your lips before you can stop them, sharp and challenging. "You gonna come dance or not?"

He chuckles—actually chuckles, who even does that?—and holy shit, there's another one. Two dimples. Two perfect little dents in his cheeks that make heat pool low in your belly, thick and sweet like honey. Your fingers twitch, aching to touch them, to press thumbs to those tiny curves and feel him beam against your flesh.

When he stands, it's one fluid motion that makes it feel like someone replaced your esophagus with a cracked porcelain vase. Because he's tall. Not incredibly, super tall. But yes the kind of tall that means you'd have to stretch up on your toes to reach his mouth, that means his hands could probably span your whole waist, that means—

No. Nope. Not going there. Not yet anyway.

He follows you onto the dance floor, and you can feel the energy shift. Like the air itself is charging up, preparing itself for both of you. His friend—some guy with killer dance moves who's been holding down a corner of the floor all night—catches his eye and shoots him a look. Something passes between them, quick and meaningful, before Mystery Man's attention is back on you. All on you.

And yeah.

Yeah, this is happening.

This is definitely happening.

The bass pounds through your marrow as Usher's voice continues suffusing the air, talking about DJs and falling in love, and honestly. At this point you’re barely listening to the music itself, too focused on finding a more secluded spot.

Your pulse picks up speed. Can’t help it, really. Because this? This is definitely going to be worth breaking all your rules for.

You lead him to some darker corner of the club—might be by a column, might be an alcove, who fucking knows because your brain's too busy short-circuiting to care about architectural details right now. All you know is it's slightly away from the main crush of bodies, slightly more private, slightly more...

Oh.

His hands find your hips the second you turn to face him. No hesitation. No silent question. No careful hovering or polite uncertainty like what's-his-name earlier. Just warm, sure palms sliding over the curve of your hips like they belong there, like he's claiming territory, and—

And you should be annoyed. You should be fucking livid. Because excuse you? The audacity of this man to just assume he can touch you without so much as a "may I?" Some feminist you are, getting weak in the knees over this caveman behavior while poor Brett (Blake? Whatever) at least had the decency to ask permission with those puppy dog eyes of his.

But your brain? Your traitorous, horny, absolutely useless brain? It's sending signals straight between your legs because apparently that's what does it for you now. The confidence. The heat of his hands—and god, they're so warm, burning through the thin fabric of your dress like brands. They're not as broad as the other guy's, but his fingers are longer, elegant almost. Artist's hands, scattered with tiny tattoos that disappear under his sleeve, and that silver ring on his middle finger catching the light as his grip tightens just slightly...

(Middle finger. Not left-hand fourth. So not married then. Good. Last thing you need tonight is adding "homewrecker" to your expanding list of dubious habits.)

Your arms loop around his neck almost on autopilot, and then you're moving. With him. Against him. The bass is a living thing between you, and he matches your rhythm instantly, like your bodies already know the steps to this dance. Like you've done this a hundred times before, in a hundred different lives.

His eyes lock onto yours, heavy-lidded and dark as sin, and every hair on your neck stands at attention. Electricity crackles down your spine, sharp and sweet, as his thumbs press into your hipbones. Just enough pressure to guide you closer, until there's barely room for breath between you.

"Didn't catch your name earlier," he says, voice pitched low enough that you have to lean in to hear him over the music. His breath fans hot against your ear, and you suppress a shiver.

"Didn't throw it," you shoot back, because apparently your mouth is running on autopilot now too. Great. Just great.

But he laughs—a quick, rough sound that you feel more than hear—and his hands flex against your hips. "Feisty. I like that."

"Bet you say that to all the girls who proposition you at clubs."

"Nah." His head dips closer, nose brushing your temple. "Just the ones who stare at me for ten minutes first."

"Excuse you, you were staring at me."

"Maybe we were staring at each other."

And okay, that's... fair actually. But you're not about to admit it. Instead, you roll your eyes, even as your fingers find the soft hair at his nape. "Does this usually work for you? This whole... whatever this is?"

"You tell me." His smile is audible in his voice, and you just know those dimples are making an appearance again. "You're the one who told me to dance."

"Maybe I just felt sorry for you, sitting there all alone."

"Wasn't alone. Had my friend."

"The dancer? Please, he was too busy killing it on the floor to keep you company."

His laugh vibrates through his chest into yours, and when did you get this close? When did your bodies start pressing together with every sway of the music? When did his thigh slip between yours, creating a friction that makes your breath catch?

"You been watching my friend too? Should I be jealous?"

The word sends an unexpected thrill through you, even though his tone is clearly teasing. "Wouldn't you like to know."

"Yeah," he says, and suddenly his voice isn't teasing at all. His grip tightens fractionally, pulling your hips more firmly against his. "Yeah, I would."

Goosebumps ripple across your arms, slow and inevitable, like lava carving its path through stone. His eyes burn into yours again, scorching hot, wild, and consuming—a downpour drowning a raging fire, leaving nothing but aftermath. What’s left in their wake is the kind of black that clings. Opaque. Dense. Like ash, settling over a forest stripped to its bare bones.

The sensible part of your brain—the part that usually keeps you from doing stupid, reckless things with beautiful strangers—is suspiciously quiet. Probably because all your blood is currently occupied elsewhere, namely with the way his hands are starting to trace slow patterns on your hips, the way his breath keeps ghosting over your neck, the way his body moves against yours like he's writing sin in cursive.

And maybe it's the vodka, or maybe it's how he's gazing at you like you're tranquility amidst his chaos, but you hear yourself say, "Buy me a drink first."

His smile is slow, dangerous. "That an order too?"

"Consider it a... suggestion."

"Mm." One hand slides to your lower back, pressing you impossibly closer for just a moment. "I'm starting to like your suggestions."

Your skin feels too tight, too hot, too everything. "Starting to?"

"Give me time." His lips brush your ear as he speaks, and this time you can't suppress the shiver. "Night's still young."

He actually does buy you that drink, which is... something. You're not sure what exactly, but definitely something. The way he guides you to the bar with his hand still on your lower back, fingers splayed wide enough to make you notice the imprint of his warmth? Also something.

"Another vodka cran," you tell the bartender, because hey, if it ain't broke. Then you catch his raised eyebrow and can't help adding, "What? Were you expecting something more sophisticated?"

"Nah." That damn dimple makes another appearance. "Just trying to figure you out."

"Good luck with that."

When he pulls out his wallet to pay, you catch a glimpse of multiple cards fanned out in the leather fold. Credit cards, maybe? Must have money then—or at least good credit. Not that it matters, because this is a one-time thing. A never-gonna-see-you-again thing. A what-happens-in-New-York stays-in-New-York thing.

Your fingers find the cocktail napkin beneath your glass, absently creating sharp creases with your thumbnail. It's one of those fancy ones with the bar's logo embossed in gold—pretentious, like everything else about this place.

Still. You notice how he pauses, studying one card for a beat too long before selecting it. Like he's making sure of something. Weird, but whatever.

The napkin disappears into your clutch without conscious thought. A habit you'll question later but can't explain now. You're too buzzed to care about his personal finances or your own questionable souvenir-keeping tendencies.

"Whiskey neat," he orders, and you barely contain your snort. Of fucking course he drinks whiskey. Probably thinks he's Don Draper or something.

"Pretentious much?"

"Says the girl drinking what's basically juice with a splash of alcohol."

"At least I'm not trying to prove anything."

His laugh is rough, genuine. "Who says I'm trying to prove anything?"

"Please. Whiskey at a club? That's like wearing a suit to McDonald's."

"Maybe I just like whiskey." He takes a deliberate sip, throat working in a way that absolutely doesn't make your mouth water. "Maybe I like the burn."

There's something in his voice when he says that, something that feeds the banked flame in your belly. His eyes are on you again, alternating between your eyes and your mouth like he can't quite decide where to focus.

"That line score you points often?" you manage to ask, even as your voice betrays you, emerging breathier than intended.

"I wouldn't know." He's definitely closer now. When did that happen? Did he move, or did you? "Is it scoring points now?"

And god help you, but it is. It really fucking is. Maybe it's the alcohol finally hitting your system properly, or maybe it's the way he's looking at you, but you find yourself swaying toward him. Drawn in like a moth to flame, even though you know you're probably going to get burned.

"You're kind of an asshole," you inform him, even as your free hand finds its way to his chest. His very firm chest, holy shit.

"Yeah?" His fingers trace up your spine, feather-light but deliberate. "Seem to like it though."

"Cocky too."

"Haven't heard any complaints."

He's so near now you can smell him—something clean and vicious, like a tempest raging on the coast. His breath fans across your lips, whiskey-warm and promising. One of his hands cups the back of your neck, thumb brushing your jaw in a way that makes your skin buzz.

"Anyone ever tell you you talk too much?" you murmur, and that's it—that's all it takes.

His mouth crashes into yours like a wave breaking against rocks, hot and insistent and absolutely fucking flawless. His lips are softer than you expected but he kisses hard, like he's trying to devour you whole. Like he's been thinking about this as much as you have. The hand on your neck tightens, tilting your head to deepen the angle, and holy fuck.

You've been kissed before. You've been kissed a lot, actually. But this? This is something else entirely. This is lightning in a bottle, this is matches in gasoline, this is every hackneyed poetry metaphor about fire and flame and immolation except it actually makes sense now because your entire body is electric with it.

His tongue swipes across your bottom lip and you open for him without hesitation, vodka cranberry forgotten in your hand. He tastes like alcohol and dewdrops and something else you can't name but instantly crave more of. The noise he makes when you tug his hair—low and ravenous and almost startled—shoots straight between your legs.

Someone whistles nearby—probably his dancer friend—but you couldn't care less. Not when his other hand is sliding down to your hip, pulling you closer. Not when he's kissing you like he's trying to memorize the shape of your mouth with his tongue. Not when everything in you is screaming more, closer, now.

You're definitely going to hell for this. But with the way he's kissing you?

Might be worth it.

His forehead rests against yours, and you're both breathing like you've run a marathon. Which is... embarrassing, actually. When was the last time a kiss left you this affected? What are you, some freshman at their first house party? Because this is ridiculous. You're ridiculous. Your heart is hammering against your ribs like it's trying to escape, and your lips are tingling, and—

And fuck it. Fuck everything. You want more.

"Let's take this outside," you say, surprising yourself with how steady your voice sounds considering your internal chaos. Because yes. Outside. Away from the crowd and the music and all these people who aren't him.

"Your house?" The words are barely out of his mouth before you can finish your suggestion, and okay, that's kind of hot. The eagerness. The way his fingers flex against your hip like he's already imagining it.

You can't help the smile that tugs at your lips. At least you're not alone in this desperate teenage hormone bullshit. At least he's just as affected as you are.

But then reality crashes in like a bucket of ice water. Your house? What house? You're crashing at Emma's place and—oh god, Emma would actually murder you. Like, literal homicide. She's already doing you a solid by covering for you with your parents, and bringing back some random (incredibly hot) guy from a club? Yeah, that would definitely void the best-friend contract.

"Yours?" you counter, trying not to sound too hopeful.

He makes this sound—half hiss, half groan—that shouldn't be as sexy as it is. "Can't."

"What, mommy and daddy don't let you?" The snark is automatic, defense mechanism kicking in to mask your disappointment.

"Nah, but my friend might not like it."

"Mine either."

You stare at each other for a moment, eyes darting back and forth like you're both trying to solve the same puzzle. The absurdity of the situation hits you at the same time—two grown adults, hot and bothered in a club, cockblocked by their respective roommate situations—and suddenly you're both laughing.

His chuckle is deep, rumbling through his chest where you're still pressed against him, and it's... nice. Really nice. The way his eyes crinkle at the corners, the way his dimples flash (and seriously, those things should come with a warning label), the way his thumb absently strokes your hip like he's forgotten he's doing it.

"Well, this is..."

"Stupid?" you offer.

"I was gonna say unfortunate, but yeah. Stupid works too."

You're still close enough to feel his breath on your lips, still wound tight with want, still buzzing from that kiss. And now you're both laughing about it, which should probably kill the mood but somehow doesn't. Somehow makes it better, actually. More real. Less like some fantasy hookup and more like...

Nope. Not going there. This is still just a one-night thing. A one-night thing that's currently being cockblocked by your respective living situations, but still. Just one night.

"So what now?" he asks, and his voice has dropped back into that lower register that you really want to hate. "Because I really want to kiss you again."

"Just kiss?" The words slip out before you can stop them, teasing and suggestive and probably way too candid.

His grip tightens, just marginally. Just enough to make your breath catch. "Definitely not just kiss."

"Fuck," you breathe, because eloquence has left the building. Possibly the state.

"That's the idea, yeah." And how he says it—all gruff edges and sinful vow—makes embers spark low in your abdomen. "Just need to sort out the logistics."

Which brings you right back to your current predicament. No Emma's place, no his place, and you're pretty sure having sex in the club bathroom is both tacky and probably illegal. But the way he's looking at you, like he really, really wants to wreck you…

"We could..." you start, then pause. Because what? What brilliant solution are you about to offer here? Your practical brain is absolutely useless right now, short-circuited by the lingering taste of whiskey on your tongue and the steady pressure of his hands on your body.

"Could what?" His thumb traces your bottom lip, and your train of thought derails completely.

"I have no idea," you admit, and his laugh is somehow both frustrated and fond.

"This is definitely stupid," he says, but he's still holding you close, still looking at your mouth like he's considering kissing you again anyway, roommate situations be damned.

"So stupid," you agree, already tilting your face up to meet him halfway.

You lick your lips, tasting geosmin and want and really awful decision-making skills.

Fuck it. Fuck everything. Emma can kill you tomorrow.

Your fingers wrap around his wrist—god, his hands are so warm—and you're already moving, already pulling up the Uber app with your free hand. Thank fuck for muscle memory because your brain is absolutely useless right now, too busy cataloging the way his pulse jumps under your fingers, the way he follows without hesitation.

"Where we goin'?" His voice is low and hoarse as he trails behind you, wrist a hostage to your grip.

"To my friend's place," you mutter, trying to type Emma's address without typos.

You: 𝚎𝚖𝚖𝚊, 𝚑𝚎𝚊𝚍𝚒𝚗𝚐 𝚑𝚘𝚖𝚎 𝚗𝚘𝚠

You don’t mention you’re not heading home alone. She’ll find out herself.

The dude, for his part, just hums in response, like he's fine with whatever as long as it means getting somewhere private. Which, fair. You're kind of operating on the same wavelength here.

You make it to the coat check line first, because priorities. You’re not leaving your jacket behind. And it is moving at a glacial pace, because of course it is. The universe clearly wants to test your self-control by forcing you to stand here, his chest pressed against your back, his breath hot on your neck.

The way his fingers keep "accidentally" brushing your thigh has you seriously considering saying fuck it and just leaving your jacket behind.

"Could just come back for it tomorrow," he murmurs, like he's reading your mind. His lips brush your ear as he speaks, and you barely sigh in response. Bastard knows exactly what he's doing.

"It's January in New York. I'm not getting hypothermia just because you can't keep it in your pants for five minutes."

"Could keep you warm."

And okay, that line should be cringeworthy. That's the kind of shit that would usually make you roll your eyes so hard they'd get stuck. But he has a way with words—or maybe it’s just his fucking voice—and somehow you like it.

"Next," the coat check girl calls, mercifully saving you from having to respond. You practically lunge forward, fumbling with your ticket. Better than letting him feel how that stupid line affected you.

He reaches past you to hand over his own ticket, arm bracketing you against the counter. And really? Really? This is some romance novel bullshit right here. Who does he think he is, Christian Grey? You should be annoyed. You should definitely not be noticing how good he smells, or how the position highlights just how much bigger he is than you, or—

"Here you go!" The coat check girl's voice is way too cheerful for—you check your phone—3:46 AM. She hands over your coats with a knowing smile that makes your face heat. Great. Just great. Even the coat check girl can tell you're about to make terrible life choices.

He helps you into your jacket because apparently he's decided to be a gentleman now, after spending the last hour making you question your life choices with his mouth. His hands linger on your shoulders just a fraction too long, and you have to bite your lip to keep from making an embarrassing sound.

"Ready?" he asks, voice still pitched low enough to make your skin tingle. You nod, not trusting yourself to speak, and let him guide you toward the exit with his hand on your lower back.

The coat check girl calls out "Have fun!" as you leave, and you seriously consider moving to a different city. Maybe a different country. Somewhere people don't immediately clock your questionable decision-making skills.

The Uber arrives embarrassingly fast—some higher power must be looking out for horny idiots tonight—and you both slide into the backseat. You start on opposite sides because you're trying to be decent human beings, trying to remember that your poor driver doesn't deserve a free show.

But then he's moving closer.

And closer.

And suddenly his mouth is on yours again, hot and demanding, and okay, yeah, sorry Mr. Uber driver but this is happening. His hand cups your jaw, tilting your head just so, and you're definitely making some kind of noise in the back of your throat but you're beyond caring. Beyond thinking about anything except the way his tongue slides against yours, the way his other hand grips your thigh.

Fifteen minutes. That's all it is from the club to Emma's place. Fifteen minutes that somehow feel like both seconds and eternity, lost in a haze of wandering hands and stolen kisses and trying (failing) to keep things PG-13. You're vaguely aware of streets passing, of turns and stops, of the driver pointedly turning up the radio.

And then your attention shifts. His teeth graze your bottom lip, fingers slowly sliding on your inner thigh. Hisses when your nails find his scalp. Heat. Want. Need. Building higher with each passing minute until you're practically vibrating out of your skin.

By some miracle (or possibly divine intervention), you make it to Emma’s building. You stumble out of the Uber, giving the driver your most apologetic smile-grimace combo. He just shakes his head, probably adding you to his mental list of "drunk hookups I never want to see again."

But then he's pressing you against the building's front door, mouth hot on your neck, and you really can't bring yourself to care about your Uber rating right now. Not when his hands are everywhere, not when he's making these little sounds against your skin that go straight between your legs.

It takes three tries to get the key in the lock—partly because it's 4 AM and you're tipsy, mostly because he won't stop kissing you long enough to focus. When you finally get the door open, you nearly fall through it, saved only by his arm around your waist.

"Smooth," he murmurs against your lips, laughing softly.

"Shut up," you breathe back, already pulling him in for another kiss. His back hits the closing door with a thud that's definitely too loud for 4 AM, but you're past caring. Past thinking about anything except the way his hands feel sliding up your sides, the way he tastes, the way he's eating you up with his eyes.

Emma's definitely going to murder you tomorrow. But with the way his fingers are digging into your hips, the way he's kissing you like he's trying to crawl inside your skin?

What-fucking-ever.

He pushes off the door like a man on a mission, and suddenly you're airborne—your legs wrapping around his waist on pure instinct. And okay, that's hot. The way he lifts you like you weigh nothing, the solid press of his body against yours, the little growl he makes when your hips roll against his.

"Room?" His voice is wrecked already, breath hot against your mouth between kisses that make your head spin.

You gesture vaguely toward Emma's guest room, too busy mapping the muscles of his shoulders to form actual words. He exhales sharply against your lips, already moving. Your jackets become casualties somewhere in the hallway, dropped with fumbling hands and zero grace because yeah, the vodka's definitely hitting now. Everything's warm and hazy and electric, your skin buzzing everywhere he touches.

Then you're falling backward onto the bed, and holy fuck. The way he's looking down at you—like he's been lost in the desert and you're a fucking oasis—it makes your breath catch in your throat. Makes heat pool low in your belly, makes your thighs press together in anticipation.

His shirt comes off in one fluid motion and—

Jesus fucking Christ.

You've seen attractive guys before. You've seen gym bros and athletes and the whole spectrum of male bodies. But this? This is like someone took Michelangelo's David and decided to make him real but better. He's all lean muscle and smooth skin, but with just enough softness to make him touchable. Human. Perfect.

And his chest—god, his chest. It's not the rock-hard wall of muscle you'd expect from someone who looks like that. Instead, there's this ideal balance of firm and soft, creating the most magnificent set of man tiddies you've ever laid eyes on. The kind you could actually cuddle up to without feeling like you're resting on concrete. The kind that would make a flawless pillow after—

Your lusty brain stops working as he leans down, pressing his hips deliberately against yours as his mouth finds your neck. His tongue traces patterns on your skin that make you arch up against him, desperate for more contact.

"Fuck," he breathes against your throat, nosing along your pulse point. "You smell so good. Like vanilla and..." He inhales deeply, making your skin erupt in goosebumps. "Like something sweet I wanna taste."

Your hands slide up his back, feeling the play of muscles under warm skin. He's perfectly balanced above you, using just enough of his weight to make you feel deliciously pinned without crushing you. You fucking love it. Don’t know why, don’t know how. Maybe it's just how attractive he is, or the heat of his mouth on your neck, or the press of his body against yours or the way he keeps making these little sounds like he can't help himself.

He's kissing you again before your vodka-soaked brain can process anything beyond rudimentary want, primal need. It's all heat and tongue and teeth, messy and perfect in the way only drunken hookups can be. One of his hands slides up your neck, fingers spreading across your throat. Not squeezing, just...resting.

It's fucking electric.

Your hands map the expanse of his back, nails dragging lightly in a way that makes him groan into your mouth. He's all smooth skin and sinewy muscle, hot to the touch and absolutely unfair. No one should be allowed to feel this good. To make you feel this good, just by existing.

He drags his mouth down your neck, teeth grazing your artery. Your fingers tangle in his hair, gripping tight enough to make him hiss. Which is hot. Way too hot, because that noise? It immediately spirals straight between your thighs.

And fuck, how he grinds down against you in response. It's obscenely filthy, the perfect pressure in just the right spot to make you want to moan aloud. To be shameless.

"Fuck," he breathes against your skin, and you feel it more than hear it. Feel the heat of his breath, the barely restrained want in the way he's touching you. "You feel so fucking good."

Your hips roll up to meet his in a way that's purely instinctual. Because yeah, he feels good too. Better than good. You feel the maddening length of him grinding against you through his jeans; his hand around your neck and—god, you want to claw his back, to wrap your legs around his waist and just take.

The hand on your neck flexes just slightly, thumb brushing your jawline and you think you die just a little because hello? You like that. You really, really fucking like that. New kink unlocked, it seems.

"Want you," he murmurs, voice low and rough with arousal. "Want you so fucking bad, you have no idea."

And oh, you do. You really, really do. Because wanting him is all you can think about right now. All you can focus on beyond the thrumming of your heart, the aching throb between your thighs. You want his hands, his mouth, his—

"Off," you manage, tugging at his jeans with clumsy fingers. "These need to come off like, yesterday."

His chuckle vibrates through his chest into yours. "So fucking bossy."

But he's already leaning back, already working on his fly as you prop yourself up on your elbows to watch. And Jesus Christ, the way he looks right now—shirtless and disheveled, dark hair falling into darker eyes, lips red from your kisses—it's unfair. Unreal.

So fucking hot you think you might actually die if he doesn't touch you again in the next ten seconds.

His jeans hit the floor with a soft thud and holy fuck—the sight of him in just black boxer briefs should be illegal in at least forty-eight states. Like, someone call the police because this? This is absolutely criminal. The way the fabric clings to his thighs, the obvious bulge that makes your mouth water—

But then he's on you again, and thinking becomes a foreign concept.

His hands find the hem of your dress, bunching the fabric up with an urgency that makes heat pool between your legs. You arch up to help him, already anticipating the slide of fabric over skin, but—

Oh.

The second the dress clears your elbows, he presses down. Uses the fabric to pin your arms above your head, effectively trapping you against the mattress. And that's... that's...

Fuck.

His mouth is suddenly on your breast, hot and wet and absolutely perfect. No hesitation, no teasing—just the wet slide of his tongue over your nipple before he sucks it into his mouth, and holy shit.

Thank god you wore this dress. Thank every fucking deity that you chose the tight red one that doesn’t need a bra, because the feeling of his mouth directly on your skin is absolutely devastating.

A moan tears from your throat—embarrassingly loud in the quiet room—as his teeth graze sensitive flesh. His responding groan vibrates through your chest, sending shivers down your spine. Your back arches instinctively, pressing more firmly into his mouth as his tongue swirls around your peaked nipple.

His free hand finds your throat again, and—

Oh god.

His fingers spread wide, applying the slightest pressure. Testing. Exploring. Like he's curious about your reaction, about the way he feels your heartbeat flutter faster in response.

You can't help the soft sound that escapes you—somewhere between a whimper and a moan. His grip tightens fractionally in response, and your cunt clenches around nothing. Because fuck, that shouldn't be as hot as it is. The way he's controlling your breath, the way he's holding you down, the way his mouth is absolutely ruining you one suck at a time...

"Sensitive," he murmurs against your skin, and you can hear the smirk in his voice. Bastard. His thumb strokes along your jugular, feeling the way your breath hitches. "Wonder what other sounds I can get that pretty throat to make."

You'd have a snappy comeback for that. You know you would. But then he's switching to your other breast, teeth scraping just right, and coherent thought becomes a distant memory. All you can focus on is the wet heat of his mouth, the steady pressure of his hand on your throat, the way he's using his other hand to keep you pinned against the bed.

And maybe it's the situation, or maybe it's just him, but you've never been this turned on in your life. Never been this wet, this desperate, this needy. It should be embarrassing really—the way you're practically writhing beneath him, the way every little touch sends electricity sparking through your veins.

But with the way he's groaning against your skin, the way his hips keep grinding against yours like he needs it? Maybe you're not the only one that’s losing sanity here.

His teeth catch your nipple just as his fingers flex against your throat, and the combination pulls a sound from you that you didn’t even know you could make. High and breathy and absolutely wrecked.

"Fuck," he breathes, hot against your wet skin. "The sounds you make..."

His thumb brushes over your throat again, slower this time, before gliding up. Along the underside of your jaw. Pausing at your bottom lip. He applies the slightest pressure, watching as your mouth falls open on instinct. You're not sure whether you breathe or whimper, but it makes his gaze go impossibly darker, makes his hips roll against yours in response.

And then his thumb is there, pressing against your tongue, and—goddamn him—you're sucking without a second thought. The groan he lets out is a shattered thing, low and guttural, as though he's just as wrecked as you.

For three glorious seconds, he just... freezes. Like his brain's temporarily offline, like you've actually managed to short-circuit whatever smooth operator routine he had going.

And okay, maybe that gives you enough time to yank the dress out the rest of the way, tossing it off your bent elbows in a way that you hope was sexier than it felt. He doesn’t seem to notice—too busy looking at you like he's forgotten how he got here. Or how to breathe.

Either way, it's a little distracting.

But then he's moving, yanking his hand back like you've scorched him. And before you can even process the loss, he's sliding down your body, trailing open-mouthed kisses that make your skin come alive.

Your tipsy brain tries to catch up with what's unfolding—manages to register the flex of his shoulders, the heat of his mouth marking a path down your stomach, the way his hands are suddenly gripping your thighs and—

Oh.

Oh fuck.

He pulls you to the edge of the bed like you weigh nothing, kneeling between your spread legs like he belongs there. And how he looks up at you through his lashes, mouth hovering just inches from where you're absolutely drenched through your panties...

You prop yourself up on your elbows because fuck if you're missing this show. The movement makes your head spin slightly—reminder that you are definitely not sober—but the sight of him between your thighs is worth any potential vertigo.

His breath fans hot against your core, and your hips twitch involuntarily. A smirk plays at the corners of his mouth, but before you can call him out on it, he's leaning in. Pressing his open mouth against you through the thin fabric of your underwear, and—

"Fuck."

The word tears from your throat unbidden because holy shit, this shouldn't feel this good already. It's barely anything—just the heat of his mouth, the slight pressure of his tongue through fabric—but your body's lighting up like a fucking supernova. Like every nerve ending is suddenly dialed to a hundred.

Your fingers find his hair without conscious thought, tangling in the dark strands as he works you through your panties. The grip of his hands on your thighs tightens in response, and fuck—that's definitely going to leave marks.

And okay, yeah. Maybe you're embarrassingly wet. Maybe you can feel it soaking through the fabric, making everything slick and messy. Maybe you should care about that, about being this affected this quickly.

But you don’t. Not really, with the way he's groaning against you like he's dying for it. Like he can't get enough. Yeah, dignity can take a backseat.

Besides, all thoughts of pride or shame fly right out the window when he finally, finally hooks his fingers under the waistband of your panties. Your hips lift automatically, helping him slide them down your legs. They catch on your heels because of course you're still wearing your fuck-me pumps, but he doesn't seem to mind. Just lets the fabric dangle from one ankle as he dives back in, and—

"Holy shit."

His tongue drags up your slit in one long, deliberate stroke, and your brain temporarily stops working. Like, full system shutdown. Windows XP error sound and everything. Because fuck—that shouldn't feel as mindbogglingly good as it does.

Then he flicks your clit with the tip of his tongue and you make this absolutely mortifying noise—some choked little "guh" that would humiliate you if you were sober enough to care. His lip ring adds this extra edge of sensation that makes your thighs quake, cool metal a sharp contrast to the heat of his mouth.

He makes this sound against you—something between a hum and a growl (and okay, yeah, maybe 'growl' isn't the right word because what are you, fucking animals? But you're drunk and getting your pussy eaten properly for the first time in forever, so vocabulary can fuck right off). Whatever it is, it vibrates through you in a way that has your hips jerking up, seeking more.

Then he's doing these small, slow circles around your clit. So. Fucking. Slow. Like he wants to drive you crazy, wants you to fucking writhe against him. You try not to just grind up against his face. Because that would be desperate, right? That would be—

Damn.

The circles suddenly get faster, tighter, more intense. His tongue flicking over your clit with the kind of speed and precision that would put Fast & Furious to shame. And the sounds coming out of your mouth? Yeah, those aren't even words anymore. Just a stream of "oh fuck oh fuck oh fuck."

If Emma’s home—because it’s probably been an hour already—she’s probably getting one hell of a show through these paper-thin walls. But you know what? She fucking owes you. All those times you covered for her sneaking out to Bobby Martinez's house in high school? Yeah, consider this payback with interest.

He drags his tongue back down, gathering your wetness (and okay, yeah, you're basically flooding at this point but whatever), then slides back up. Adding texture to his movements like some kind of oral sex virtuoso. Because apparently this stranger knows exactly what he's doing with that mouth, and honestly? Good for you. You deserve this. You deserve to have your pussy eaten by someone who treats it like a goddamn art form.

So you lean back, let yourself enjoy it. Let him explore and taste and fuck—the way he's absolutely feasting on you like you're his last meal. His tongue finds your clit again, and this time he sucks it into his mouth, and the sound that rips from your throat probably violates noise ordinances in several states.

The wet sounds of his mouth on you are absolutely obscene. Like, pornographic-level obscene. All sucking and slurping and Jesus fucking Christ, you should not find that as hot as you do. But with your stiletto digging into his back (when did that happen?) and his hands gripping your thighs hard enough to leave fingerprints...

Yeah. Yeah, definitely hot.

Then his tongue drags down, down, down—and fuck, you can feel every ridge, every texture against your sensitive flesh. He reaches your entrance and just... circles it. Like he's mapping you out. Like he’s thinking about his next move.

Five blessed seconds where you can actually catch your breath. Where your brain starts to come back online and—

Fuck.

His tongue plunges into you without warning and your hand definitely just yanks out some of his hair but who fucking cares because his nose is nudging your clit while he tongue-fucks you and—and—

And your brain's offline again. Good talk.

He adjusts his arms, somehow pulling you even closer to his face. As if you weren't already basically smothering him. As if he literally wants to drown in your cunt. And that thought shouldn't be as scorching hot as it is but holy shit.

A moan tears from your throat—loud enough that Emma's probably googling noise complaint laws right now. But you can feel it building, that telltale tightening, that electric tension spreading through your core. Your clit's throbbing in time with your racing pulse and—

And he doesn't change a thing.

Because this guy? This absolute genius between your legs? He knows better than to pull that amateur hour bullshit where they speed up right when you're close. No, he maintains the exact same rhythm, the exact same pressure that got you here. Like he's done this before. Like he actually pays attention to what works.

(And okay, maybe you shouldn't be thinking about his past experience right now but your brain's kind of shorting out so whatever.)

Your stiletto digs deeper into his shoulder—might actually be drawing blood at this point but he doesn't seem to care one iota. If anything, he groans against you like he's getting off on it. Like pain turns him on. And that's...that's definitely something to stash away for later.

Or never. Because this is a one-time thing. Right. Focus.

Except focusing is basically impossible when he's eating you out like it's his actual job. When the pressure's building and building and—

Oh.

Oh fuck.

Your back arches off the bed like you're auditioning for America's Next Top Model: After Dark Edition. The orgasm hits you like a riptide, waves of pleasure so intense your vision actually whites out for a second. Your thighs clamp around his head, heel probably leaving permanent marks on his back, and you're definitely making sounds that would make a porn star blush but—

But holy shit.

His tongue flicks over your oversensitive clit one last time—the absolute bastard—and your whole body jerks as you whimper. Which, okay, definitely earned that one. Because holy fuck.

You slump back against the bed, bones liquified, as he prowls up your body. His hands plant on either side of your face and—wow, okay, up close he's even more unfairly beautiful. All sharp jawline and scorching eyes and lips that are literally glistening with...yeah.

"You taste exactly like you smell," he murmurs, and what kind of weird-ass compliment is that? Like, thanks? Good to know your pussy matches your perfume brand?

Except...it kind of works? Something tingles in your face and no. Absolutely not. You are not getting all swoony just because Hot Stranger is saying vaguely poetic shit during sex. This is just your horny lizard brain going 'hot man say words, neurons go brr.' That's all.

Then his mouth is on your neck and—yeah, okay, thinking is canceled anyway. His hands trace maddening patterns down your stomach, feather-light touches that make your muscles jump. And when he tugs his briefs down, his cock springs free and—

Oh.

Well then.

Your body apparently didn’t get the memo about the standard refractory period because hello, Round Two suddenly seems very appealing. It hasn’t even been five minutes since you came but here you are, already clenching around nothing like some kind of sex-starved teenager.

He leans back slightly, reaching for something and—ah. His jeans. More specifically, his wallet. From which he produces not one but multiple condoms, and honestly? We love a prepared king. Nothing hotter than a guy who practices safe sex without having to be asked.

(And yes, you're literally evaluating his sexual responsibility while naked and still tingling from one of the best orgasms of your life. Sue you.)

He grabs one condom and tosses the others somewhere on the bed. Then—because apparently he's auditioning for some porno-meets-action-movie hybrid—he puts the wrapper between his teeth. Locks eyes with you. Rips it open.

And okay, PSA time: Kids (not that any kids should be reading this, what the fuck brain?)—this is not how you open condoms. Use your fingers like a normal person, not your teeth like some kind of sexual menace. That's literally Condom Safety 101.

But then again, when a guy this stupid hot does literally anything, your brain just kind of... accepts it. Like yeah, sure, demolish that condom wrapper with your teeth while maintaining smoldering eye contact. That's normal. That's fine. You're fine.

He gives the condom a cursory check (okay, at least he's being thorough), pinches the tip between his fingers and you just... watch. Wait.

"You gonna fuck me tomorrow or...?" The words slip out before your self-censor can nab them, biting and teasing.

Bad choice.

His hand—his stupidly large, stupidly warm hand—wraps around your thigh and yanks you down the bed in one fluid motion. And why the fuck is that so hot? Why are you noticing how his fingers practically span your whole thigh? Why is the heat of his palm against your skin making your breath catch?

Your eyes flicker back to his cock and—oh. When did he even get the condom on? You must have missed that while you were having your crisis about his hands. But he's ready now, thick and hard and—

Fuck.

He pushes in with one swift motion and your body just... takes him. Like you're literally eager for it, still slick and open from his mouth. He makes this soft gasping sound like he's actually dying, like your cunt is some kind of religious experience.

"Fuck, you're so wet," he groans, hips flush against yours. "So fucking slippery and warm, feels like silk—"

"That's—ah—what happens when you eat someone out properly," you manage, even as your walls flutter around him. Because apparently your mouth doesn’t know when to quit, even with a dick inside you.

His laugh is rough, breathless.

"I’ll keep that in mind."

And fuck—the way he says it, like a promise, like a threat. Your cunt clenches at the thought and he actually growls.

He pushes your thighs down against the mattress and—ow. Okay, that's definitely going to hurt tomorrow. Future You is probably already plotting Present You's murder, adding your name to some karmic hit list right next to Emma’s (who, let’s be real, is definitely contemplating homicide through these paper-thin walls right now).

But then he starts moving and—oh.

Oh fuck.

Every coherent thought evaporates because he's burying himself so deep you swear he's trying to carve out a permanent place inside you. Like he wants your body to remember exactly how he feels, wants to leave an impression that'll last long after tonight.

You didn’t even get a proper look at his size earlier (too busy fizzing over his hands, his mouth, literally everything else), but holy shit. What you do know is he's thick—like, properly thick. Every inch of him pressed against your walls like he's trying to eliminate any space between you, like he's mapping out your insides for future reference.

"Fuck, you're tight," he groans, and you actually feel him twitch inside you. "So fucking—"

"Less talking," you manage to gasp out, "more moving."

His laugh is rough, breathless. "As you wish."

He snaps his hips once—testing, exploring—and your breath hitches in your throat. Then again. And again. Quick thrust in, torturously slow pull out, and every single time has you gasping like some Victorian maiden with a too-tight corset.

"Like that?" He sounds way too smug for someone balls-deep in a stranger. "The way you squeeze me every time I—"

"You always this chatty during sex?" Your voice comes out embarrassingly breathy, but whatever. "Or am I just special?"

Another snap of his hips that makes your eyes roll back. "Maybe I just like the sounds you make when I'm inside you."

And fuck—why is that hot? That shouldn’t be hot. You're still so wet from earlier that you can hear it, can feel how smoothly he glides in and out, nice and easy.

"You're certainly—ah—confident," you manage between thrusts, because apparently your mouth doesn’t know when to quit. "Compensating for something?"

His grip on your thighs tightens. "Want me to stop and let you check?"

"Don’t you fucking dare."

His pace quickens and—oh hello, is that a smirk he's biting back? It is. It absolutely fucking is. And your brain, your stupid, traitorous brain, finds that scorching. Because of course it does. You squint your eyes shut because you can’t deal with how cocky he looks right now, can’t process how that cockiness is actually doing it for you.

Congratulations, you've officially lost it. This is your villain origin story. Death by dick-induced insanity. They'll write case studies about you in Psychology Today: "Local Woman's Brain Melts Because Hot Stranger Has Good Dick Game." Your mother would be so proud.

But also? Also shut the fuck up, brain, because you're literally getting the best dick of your life right now so maybe save the self-reproach for later? Like, there's a time and place for your characteristic overthinking and this ain’t it.

He leans forward then, changing the angle as he chases your mouth, and holy fuck. Each thrust goes deeper, harder, faster—like he's trying to reach parts of you no one else has touched. His kiss is messy, all tongue and teeth and desperation, and you're actually whimpering into his mouth like some kind of—

Wait.

Hold the fucking phone.

Since when do you whimper? What is this, some kind of Harlequin romance novel? Are you secretly the protagonist of a Fabio-covered paperback? Because you don’t whimper. You don’t make these soft, needy little sounds into strange men’s mouths. That’s not your brand. That’s not—

But then he rolls his hips in this way that makes you see actual fucking stars, and okay, you know what? Fuck your brand. Fuck everything. Because the way he's moving? The way he's filling you up like you're some kind of horny piñata? Yeah, that takes precedence over your identity crisis.

And speaking of crises—why does this feel so fucking good? Like, mathematically speaking, dick is dick. It's basic anatomy. Tab A into Slot B. So why does every thrust feel like he's rewriting the laws of physics? Why does your body respond to him like he's got some kind of sexual Midas touch?

The worst part? The absolute worst part? You can feel another orgasm building already. Which is ridiculous. Impossible. You literally came like ten minutes ago. This man hasn’t even finished once and here you are, ready to go again like some kind of horny Energizer bunny.

You need to have a serious conversation with your pussy about standards and expectations. Like, what happened to the refractory period? What happened to playing hard to get? Because this? This instant response to everything he does? This eager little flutter every time he hits that spot just right?

This is just embarrassing.

But also really, really fucking good.

"You take my cock so fuckin' well," he groans against your neck, voice rough and slurred. "Like y'were made for it, so perfect—"

And okay, what kind of porn dialogue bullshit is that? Who actually says things like that during sex? More importantly, why is it working? Why does every filthy word from his mouth send electricity shooting straight to your cunt?

"Hnnngh—"

That's it. That's all you can manage because your brain-to-mouth filter is totally fried. Your nails dig into his shoulders as he hits that spot just right, and you're pretty sure you're leaving marks but whatever. Future Him problems.

"F-fuck, how you clench around me when I say shit like that," his words come out breathless, hitching. "Like hearing how good you feel? How tight and wet and fucking flawless—"

"Shut up." But it comes out more like a whine than a command, completely undermining any attempt at snark. Your walls flutter around him traitorously, and his responding groan vibrates through your whole body.

"Make me," he challenges, punctuating it with a particularly vicious thrust that has your eyes rolling back. "Or maybe you don't want me to? Maybe you secretly get off on—fuck—on hearing how amazing you are, how nobody's ever swallowed me this deep before—"

"Nghh—" Your brain's offline. Completely fucking offline. No thoughts, head empty, just the overwhelming sensation of him moving inside you, the heat of his breath against your neck, the absolute filth falling from his lips.

"S'true though," he pants, pace growing erratic. "Never felt anything like this, like your—oh fuck—"

A moan tears from your throat—loud and wanton and utterly mortifying. But you can't help it, not when he's fucking you like he's trying to ruin you for anyone else, not when he keeps saying these things that make your insides turn to molten lava.

"That's it, lemme hear you," he encourages, and you want to punch him for how smug he sounds but you also want him to never stop. "Love the sounds you make when I'm deep in this pussy, when I—shit—"

His voice catches as you deliberately tighten around him, a small victory that makes you smirk despite how your body's on fire.

"Fuck, you're evil."

"You talk too much," you manage to get out between gasps, even as your hips chase his rhythm desperately. You're close—so fucking close—but not quite there.

He laughs against your neck, the sound dark and promising.

“Touch yourself for me."

When you don't immediately comply—because for some reason you still want to challenge him—he pulls back just enough to look you in the eye.

"Rub that pretty clit, show me how you like it."

The command in his voice shouldn't turn you on this much. "Make me," you challenge, because apparently your mouth has a death wish.

"Oh?"

His rhythm slows to something torturous, each thrust deep and deliberate. "Do I need to show you where it is? Guide those lovely fingers myself?"

You're about to snark back when his hand slides between your bodies, and—oh. Oh.

"Found it," he says with infuriating smugness, circling your clit with practiced ease. Your whole body jerks at the contact, oversensitive and desperate. "Seems like I know exactly where it is. Don't I?"

"Fuck—" Your voice breaks as he applies just the right amount of pressure, the bastard. "You're so—nghh—"

"I'm so what?" He's grinning now, you can hear it in his voice even as you squeeze your eyes shut. "C'mon, tell me. Use your words."

"Insufferable," you grit out, but your body betrays you, arching into his touch. "Arrogant—ah—asshole—"

"Maybe." His fingers speed up, matching the pace of his thrusts, and holy shit you're going to die. "But I'm an arrogant asshole who's about to make you cum again, aren't I?"

He's right and you hate it. Hate how well he reads your body, hate how he found your clit without hesitation like he's got some kind of carnal GPS, hate how fucking good he is at this.

"That's it," he encourages as your breathing hitches, as your nails dig into his shoulders. "Let me feel you fall apart. Wanna feel this cunt clamp down on my cock when you—"

His hips stutter and you can feel him pulsing inside you, even through the condom. The way his whole body tenses, the broken sound he makes against your throat—it pushes you right over the edge. Yeah. Your second orgasm says hi; has you curling your toes against his back, tensing your thighs around him as if he would ever dream of leaving right now.

"Fuck fuck fuck—" You're not even sure which one of you is saying it anymore. Maybe both. Maybe neither. Maybe you're having an out-of-body experience because Jesus Christ.

For a moment, there's just silence. Just breathing. Just the sound of your heart trying to recall its normal cadence. Then he chuckles against your cheek—a low, sated sound that you'll deny remembering tomorrow—and follows it with a quick nip that makes you jolt.

"Fuck, that was good," he breathes, still catching his breath.

"S'alright," you manage, even though your legs are literally jelly and your brain's still rebooting.

He pulls back just enough to quirk an eyebrow at you, that infuriating smirk playing at his lips. "Just alright?"

"Fishing for compliments?" You raise your own eyebrow, trying to ignore how his hand is still absently stroking your hip. "That's kind of desperate."

"Says the girl who came twice."

And—okay, rude. Accurate, but rude.

He shifts then, carefully pulling out (and at least he's considerate about it, making sure not to hurt you), and starts dealing with the condom. But then he just... stands there. Looking lost. Condom in hand and this adorably bemused expression that makes something in your chest do a weird little flip.

No. Not adorable. Nothing about this guy is adorable. Hot? Yes. Skilled with his tongue? Abso-fucking-lutely. But not adorable. You refuse to find anything about him cute, especially not the way he's glancing around the room like a lost puppy trying to figure out where to—

You can't stifle the snort that escapes you. "Trash can's over there, genius." You gesture with your head toward the small bin by the dresser. "Try not to get lost on the way."

He rolls his eyes but moves across the room, and you definitely don't watch the play of muscles in his back as he walks. Or the way his ass looks in the dim light. Or how his hand rakes through his tousled hair as he leans down to dispose of the condom and—

Fuck.

Fuck.

Because here's the thing: you've had one-night stands before. You know how this goes. Quick fuck, awkward goodbye, never see each other again. That's the routine. That's the protocol. That's what smart, sensible people do.

But.

But you're already thinking about how his mouth felt between your legs. About how he filled you up just right. About how he seemed to know exactly what to do with his hands, his hips, his—

And you know what? Fuck it. Fuck being sensible and sane. Fuck playing it cool. You've got a hot guy with stellar dick game right here, right now. Might as well take advantage while you can.

Before your brain can talk you out of it, you're launching yourself off the bed. Your legs are still a bit wobbly (thanks, Mr. Two Orgasms), but you manage to catch him just as he turns around. Your mouth crashes into his, messy and demanding, as you push him against the wall.

His surprised grunt turns into a pleased hum against your lips, and his hands immediately find your hips like they belong there. Like this is exactly what he was hoping would happen.

Cocky bastard.

He spins you around so fast your head spins—or maybe that's just the lingering vodka. Either way, suddenly your back's hitting the wall and—oh. Okay. This is happening. Again. Because apparently your body doesn't give two shits about being thoroughly fucked already.

His mouth crashes back into yours, hungry and insistent, and it should be gross really—you can taste yourself on his tongue, everything's messy and uncoordinated and frantic. But instead it's just...hot. So fucking hot you feel like you're melting from the inside out.

Then his hands slide down to your thighs and he's lifting you like you weigh zilch (and seriously, what is it with this guy and manhandling? More importantly, why do you like it?). Your legs wrap around his waist automatically, and how his cock twitches against your stomach—already getting hard again—should not make you feel this smug.

"Eager?" you manage to gasp between kisses, because apparently your mouth doesn't know when to quit.

He bites your bottom lip in response, just hard enough to make you whimper (and fuck, there's that sound again, what is wrong with you tonight?). "I’m sorry? Weren’t you the one jumping me?”

"Just felt sorry for you." The words come out breathier than intended as his mouth finds that spot behind your ear. "Standing there looking all lost with your used condom—"

His growl cuts you off, vibrating through his chest into yours. One of his hands tangles in your hair, yanking your head back to expose your throat, and—fuck. The way he attacks your neck like he's trying to mark you up, like he wants everyone to know exactly what you've been doing...

Then his mouth finds yours again, swallowing whatever protest you might have made. And it's different this time—sloppier, needier. All clashing teeth and warring tongues and his hands everywhere at once. You're pressed so tightly between him and the wall you can feel every twitch of his muscles, every stuttered breath.

One of his hands slides up your thigh, fingertips trailing fire in their wake, and you're already embarrassingly slick again. Already aching for him like you didn't just have him inside you minutes ago. Your hips roll against him craving friction, and the sound he makes—half groan, half snarl—shoots straight between your legs.

"Condom," you gasp against his mouth. "Need a—"

"Yeah," he breathes, but he doesn't move away. Just keeps kissing you like he's suffocating and you're oxygen, like he can't bear to stop even for a heartbeat. "Yeah, just—fuck, you feel so good—"

Your brain's rapidly disintegrating, especially with the way he keeps grinding against you, the way his mouth keeps doing that to your neck. But you manage to remember: "Bed. Other condoms. On the bed."

He makes this sound of acknowledgment but still doesn't budge, just shifts his hips in a way that has his cock sliding against your clit and—jesus fuck.

"If you don't get a condom right now," you warn, voice embarrassingly unsteady, "I'm going to kill you."

His laugh is rough, breathless. "Such violence."

He practically teleports to the bed—like, Olympic-level sprinting for that condom. It'd be comical, the way he fumbles with the wrapper (apparently Mr. Smooth isn't so smooth when he's desperate), except you're too busy being embarrassingly turned on by his urgency.

You're about to suggest moving to the bed—because your legs are already shaking and wall sex seems ambitious after two orgasms—but—

Holy fuck.

He's got you up against the wall again in one fluid motion, hands gripping your thighs as he lines himself up and—oh god. The sound that rips from your throat as he fills you in one swift thrust is utterly shameful. But the broken "fuck" that falls from his lips? How his whole body shudders as he bottoms out?

Yeah, okay. Maybe worth the mortification.

"Jesus fuck," he breathes against your neck, voice wrecked. "You feel—shit, how do you feel even better than before?"

"Hush it," you gasp, even as your walls flutter around him. "And move."

He laughs, breathless and gritty. "Demanding little thing." But he's already moving, setting a pace that has your head lolling back. "God, you’re even wetter than before, taking me so well—”

"That your professional opinion?" Your attempt at snark falls flat when it comes out as more of a moan. "Done extensive research, have you?"

His hips snap up particularly hard at that. "Never—fuck—never felt anything like this."

And that should be a line. That should be the kind of bullshit guys say during hookups to stroke their own egos. Except the way he says it—all breathless wonder and raw honesty—makes something hot unfurl in your chest.

"Yeah?" It comes out embarrassingly breathy, but whatever. Can’t really care when every thrust is melting honey down your spine. "Prove it."

He makes this sound—half growl, half moan—like he fucking loves your audacity. "Already made you come twice."

"Maybe I was faking."

"Sweetheart, nobody's that good an actress."

And honestly? Fair. But you're not about to admit that, not when he's already so smug about how well he plays your body. Instead, you drag him down for a kiss that's more teeth than finesse, swallowing his groans as his pace gets more erratic.

"F-fuck," he pants against your mouth. "Gonna make you come again. Wanna feel you—"

"Big talk for someone who—ah—hasn't delivered yet."

His responding thrust makes your back arch off the wall. "Jus’ wait."

His hips snap up harder at your challenge, making your head thump back against the wall. And fuck—the way he's moving now, all rough desperation and graceless rhythm. Everything's wet and messy and absolutely filthy, the sounds of skin on skin blending with your breathless moans.

"Still—ah—ah—waiting for that delivery," you manage, even as your nails dig into his shoulders.

"Fuckin’—" His breathless laugh is menacing. "Always—fuck—gotta have the last word, don’tcha?”

You'd have a comeback for that, you really would, except he chooses that moment to shift his angle and—holy shit. Because now? Now his pubic bone grinds against your clit every time he moves, every time he thrusts deep inside you. And honestly? Fucking unfair that even his bones know where your clit is.

You can feel him twitching inside you, can tell he's close by the way his breath comes in harsh pants against your neck. And you're almost there too, just need a little more—

But then he's groaning, hips stuttering as he cums. His whole body tenses, pressing you flatter against the wall as he empties into the condom.

And okay, great for him, congratulations, but you were so fucking close.

You tap his back urgently. "Keep goin’."

"What?" He's still catching his breath, forehead pressed against your shoulder. "Gimme a second, ah—I just—"

"I was—right there," you whine (and yes, you're actually whining now, this is what you've been reduced to). "Don't you dare stop."

He lifts his head, looking at you incredulously. "I literally just filled the condom—"

"I don't give a fuck, just move."

And okay, yeah, PSA time number two: This is definitely not safe sex practice. The second a condom's full, it needs to be changed. That's like, Sex Ed 101. But also? Also your clit is throbbing and you were this close to coming and your horny lizard brain has completely taken over.

"Jesus," he breathes, but he's already starting to move again, shallow little thrusts that make your eyes roll back. "You're fucking insatiable."

"Like earlier," you gasp, grinding down against him. "With the… with your hipbone."

He laughs against your neck—a rough, breathless sound that shouldn't be as arousing as it is. "Gotcha."

And he does. Repositions himself, makes sure he’s got exactly the same position he had earlier. His hipbone comes in contact with your clit as he begins thrusting faster again, and fucking yeah, that’s what you needed.

"Fuck, the way you feel," he groans. "So slick and snug and—shit—"

"Shut up shut up shut up—"

Because you can't handle his voice right now, can't deal with how his words make the drowning sensation grow more and more intense by the second. You're so close you can taste it, right on the precipice, just need a little more—

Then he nips at your neck, his tongue flattening against your pulse point. And that's it. You're a goner. Again. For the third time tonight.

Your entire body locks up as bliss courses through, lapping at your core like waves at a shore. Your eyes instinctively close as you relish it in all its intensity, and you're pretty sure you make some kind of mortifying noise but whatever. Three orgasms in, dignity is a distant memory.

He slows his movements gradually, letting you ride it out, and you can feel him softening inside you. Your head drops to his shoulder because keeping it upright seems like way too much effort right now. The residual booze is hitting different after getting thoroughly wrecked—everything soft and fuzzy around the edges.

You vaguely register him checking the condom with his free hand—the other one still supporting your ass because apparently you're not ready to unwrap your legs from his waist yet. Your brain's moving in slow motion, heavy with alcohol and mist and the kind of bone-deep exhaustion that only comes from really good sex.

"Hey." He taps your back lightly. "You falling asleep on me? Dick game that good?"

"Die," you mumble into his shoulder, not even bothering to lift your head. "Just... shut up and die."

You hear him chuckle, vaguely. It should be irritating. It isn't. You're too drained to care. Everything's warm and hazy and your limbs feel like they're crafted from lead.

You're only half-aware of him moving you to the bed, of sheets being pulled up, of a warm body pressing against your back. Your consciousness is already drifting, floating in that space between awake and asleep where nothing quite computes.

The last thing you register, right before slumber claims you completely, is his nose pressed against your neck and his drowsy murmur:

“Smell like vanilla now too."

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