#mary cochran

[imasallstars]

10 DAYS LEFT to Starlight Stage’s 9th Anniversary

featuring Lady Twinkle (Hijiri Mochizuki, Mary Cochran)

[365idolmaster]

DAY 10

The character randomly chosen today is Mary Cochran! Mary is a girl who moved from San Fransisco to Japan in order to pursue fame as an idol. Mary has very noble and fashionable tastes, and wants to be treated as a mature lady. However, at the end of the day she is still a child who gets lonely, homesick, and doesn't understand things about Japan and the idol industry.

FUN FACT: Mary is comparatively the tallest of all of the cinderella girls child idols, being taller than some characters that are at least 5 years older than her, such as Akane Hino.

i think this came out cute. i've been doing this for 10 days now, i would say that i can't believe it but we still have so many days to go. i have been having a lot of fun drawing so far though.

see ya!

bonus time

[wonderfullpawz]

yuh

[transparentimascg]

[deresute-ssrs]

Mary 2

[burningvelvet]

Some thoughts on the topic of Byronism, Byronic Heroes, Byron himself, and Mr. Darcy, Mr. Rochester, and their respective authors...

This was inspired after I was tagged in a post (thank you @bethanydelleman !) asking whether Mr. Darcy should be considered a Byronic Hero or not. I start with my response before delving off, but I refer back at the end and it all ties in.

On Mr. Darcy: to Byronic, or not to Byronic? That is the question...

Whether or not Mr. Darcy should be considered a Byronic Hero is a complex question, as is the concept of the Byronic Hero itself.

I think there two versions of Darcy, and general pop culture tends to conflate them. There is Misunderstood Darcy (pre-"redemption" arc; aka what many think of him pre-Elizabeth's discovery of his true personality) and then there is True Darcy (post-"redemption" arc; "oh he's not rude, just socially awkward and proud"). Misunderstood Darcy has aspects of the Byronic, whereas True Darcy isn't Byronic at all.

Is Darcy Byronic? I recognize that he has Byronic elements that would make the general populace view him as Byronically aligned, so it doesn't bother me too much if people call him such, but without fully going into the debateable qualifications of the Byronic Hero, I don't think he is truly Byronic.

My interpretation of "Byronic" as a concept:

"Byronic" is not an easily defined term. A lot of academics have their own preferred methods of classifying the Byronic and there is no one fixed definition or interpretation. "Byronic" originally referred, of course, to the themes and tropes presented in the characters of Byron, who was one of the best-selling and most influential writers of the 1800s.

However, even applying the term "Byronic" solely to Byron's own corpus is an act of over-generalization. Many of Byron's purported "Byronic Heroes" are drastically different from each other or have little in common, as Byronist Peter Cochran noted in his review of Atara Stein's "The Byronic Hero in Film, Fiction and Television" (https://petercochran.files.wordpress.com/2012/07/stein-green-lapinski-ii.pdf).

I believe there are two main types of Byronic Hero: the Broad Byronic and the Byronist's Byronic.

The Broad Byronic is the modern pop cultural conception of Byronism which has been applied to practically every rebellious anti-hero. You can find thousands of articles analyzing why thousands of characters are or aren't Byronic, from Jack Sparrow to Batman to Luke Skywalker and ad infinitum. If you try hard enough, anything can be Byronic.

The Byronist's Byronic is like the Orthodox Byronic, the more traditional sense of the term. Academics who take the stritcer Byronist's Byronic approach mainly focus on Byron's direct literary descendants, like the Brontës and Pushkin, who were thoroughly obsessed with Byron and whose works/characters are directly and obviously inspired by Byron's own works. Heathcliff and Eugene Onegin are the most commonly cited examples and are Byronic by all standards.

Over time, "Byronic" has taken on a life of its own, leading to what I dubbed as "the Broad Byronic." I personally believe there is sort of a Byronic spectrum wherein I would place Heathcliff on one end and maybe Mr. Rochester on the other, considering his salvation plotline, which I feel is huge to his character and which Heathcliff lacks (as he openly declares at the end, he has no regrets for his actions).

Peter Cochran's interpretation of the Byronic Hero

Peter Cochran was a writer, professor, & one of the best Byronists (scholars of Byron) & I often defer to his opinion. His website is a haven for Byronism. His interpretation of the Byronic Hero is very much representative of the orthodox Byronist's Byronic.

In his essay "Byron's 'Turkish Tales': An Introduction," Cochan provides a brief analysis of the Byronic Hero, which I have sectioned out the most relevant parts of:

"Much has been written about him; what few writers say is that he has so many facets that it's misleading to treat him as a single archetype. [..] The Byronic hero is a human dead-end. He is never successful as a warrior or as a politician [..] he is never successful as a lover. [..] The Byronic Hero is never a husband, never a father, and never a teacher [..] He bequeaths nothing to posterity, and his life ends with him. He is to be contrasted with the Shakespearean tragic hero, who has to be something potentially life-affirming, such as a father (Lear) or a witty conversationalist (Hamlet) or a great soldier (Macbeth, Coriolanus, Antony) or a lover (Romeo, Antony). If they were not such excellent people, their stories would not be tragic. The Byronic Hero is not tragic: he's just a failure, and leads on to the Superfluous Man of Russian literature - as Pushkin demonstrated, when he created the Byronically-fixated Eugene Onegin. [..] The Byronic Hero must never be witty, or be brought in contact with a critical intelligence [..] if he were, his tale would lose its imagined grandeur [..] In his gloom, failure, and rejection of humour The Byronic Hero aligns not with the heroes of Shakespearean tragedy but with the villains of Shakespearean comedy: Shylock, Malvolio, and Jacques. [..] I would suggest that The Byronic Hero is either a closet gay, or a poorly-adjusted bisexual - a problem that Byron would have known all about."

On Mr. Rochester and Mr. Darcy

In his introduction to Charlotte Bronte's Jane Eyre: Modern Critical Interpretations, legendary literary critic Harold Bloom explained that Mr. Rochester is Charlotte Brontë taking the Byronic Hero, killing him, and then rebirthing him. I fully agree with Bloom's interpretation:

"[Rochester's] transformation heralds the death of the Byronic hero [..] Rochester is, in this sense, a pivotal figure; marking the transition from the Romantic to the modern hero [..]"

I would argue that what Austen does to Mr. Darcy is a lighter, pre-Byronic attempt at doing what Brontë did with her transformation of the Byronic in Mr. Rochester. Women growing to sympathize with rude men and then (directly or indirectly) inspiring them to change for the better. Women taking the Byronic and not just going "I can fix him," but instead "I'll tell him off, and then maybe he'll fix himself." Like Darcy, Rochester has two versions, pre-redemption and post-redemption. This is not Byronic, but their pre-redemption selves are, with Mr. Rochester being much, much more so than Darcy, and being considered an archetypal Byronic Hero (rightfully so in my opinion, his come-to-God ending aside).

Also, what Darcy and Rochester are redeemed for differs greatly; I'm not equating their moral or personal failures, and I know that Rochester clearly has more of them (if any anti-Rochester, pro-Darcy fan is out there, pls don't kill me for comparing them).

On Austen and Byron:

Austen started writing P&P when Byron was 8-years-old, so she definitely wasn't influenced by the actual Byron in creating Mr. Darcy. However, Austen did read Byron's work later on, or at least his poem The Corsair, which was his best-selling work at the time and which is one of his most cliché "Byronic" works. She did write some works, like Emma and Persuasion, after reading The Corsair, but I haven't read these yet and I'm not the biggest Austen scholar, so I don't know if she was ever actually influenced by Byron or not. I'm positive that people have analyzed this before. Lots has been written on Austen/Byron. They also shared a publisher, though they never met.

On Byronic (the writer) VS Byronic (the writer's characters):

To further confuse us, "Byronic" by its literal definition can refer to the Byronic Hero OR Byronic as in Byron the Man. Many conflate these things, but they are separate. This adds to the case of the Broad Byronic. Many of Byron's contemporaries created characters that were direct and obvious tributes or parodies of him, including Mary Shelley's The Last Man, Percy Shelley's Julian and Maddalo, and Thomas Love Peacock's Nightmare Abbey. They all knew Byron personally. Mary Shelley openly put Byron into several of her novels, as explained in "Byron and Mary Shelley" by Ernest Lovell Jr. and "Unnationalized Englishmen in Mary Shelley's Fiction" by William Brewer. Other notable examples of this are Caroline Lamb's Glenarvon (Lamb was Byron's ex) and Dr. John Polidori's The Vampyre (Polidori was Byron's doctor) in which both titular characters were/are clearly known by readers to be caricatures of Byron. The Vampyre was the first vampire novel, and was not only a caricature of Byron but also based on Byron's short story Augustus Darvell. So all modern "Byronic" vampires, including Dracula, are really Byronic as in Byron the Man, although they sometimes may overlap with the Byronic Hero. As I said, easily confusing!

As many academics (and Lord Byron himself) have noted, many of Byron's fans wrongly conflated his characters with himself. Although many of Byron's works were indeed semi-autobiographical, he himself said that they were not intended as actual depictions of himself, and that he was annoyed when people thought so. Many fans who met him would write they were shocked to find he was nothing like the Byronic Heroes of his works. He was humorous, he smiled often, he was somewhat of a dandy and much of a rake (self-confessedly), he was an aristocrat, he was considered by many to be effeminate, etc. -- all elements that are not typically expected of the Byronic Hero.

In reference to his drama The Deformed Transformed (which contains the characters Satan and Caesar) Mary Shelley wrote to him in a letter:

"The Critics, as they used to make you a Childe Harold, Giaour, & Lara all in one, will now make a compound of Satan & Caesar to form your prototype, & your 600 firebrands in Murray's hands will be in costume." [John Murray was Byron's publisher]

Here, Mary mentions how many of Byron's readers expected him to be just like his characters Harold, Giaour, & Lara, who fans assumed were his self-insert characters, as they each had strong similarities. However, these characters were more similar to "alter-egos" than actual "self-portraits." My personal interpretation is that Byron was writing these very similar dark anti-heroes and villains in order to channel the darker aspects of his subconscious, or what Jung would call his Shadow Self, to try to purge or subdue it. Though he lived before the field of psychology officially existed, Byron was very interested in all things psychological, and he used his writing as a method of self-therapy (see: Touched with Fire written by psychologist Kay Jamison, which contains one of the most thorough & reliable psychoanalyses of him).

As Bloom explains in the essay I mentioned, and as countless other academics have explained, Charlotte Brontë and many other women in the early 1800s were obsessed with Byron and his works. Byron's English-speaking fan base has always been primarily female, especially in the beginning of his career. Byron's fans wrote him letters revealing their differing interpretations of him and his Byronic Heroes (but again, most didn't really differentiate between the two).

Likewise, I think the Brontë sisters may have conflated Byron with his Byronic Heroes. Mr. Rochester is such a strong example of Byron the Man and has so many similarities to him that when reading Jane Eyre I felt like I was reading Lord Byron fanfiction. It's clear that Charlotte Brontë was familiar with his biography. For example (one of countless), in chapter 17 Rochester sings what he calls "a Corsair song" -- as I mentioned earlier, The Corsair was one of Byron's greatest hits, and Jane Eyre is set around the time The Corsair was published, and Byron also wrote songs and was also known for his good voice.

Although the Brontë sisters were each influenced by him, they took their own individual spins on the Byronic, and their works reveal the dynamicism of these themes. In my opinion, Emily employs the Byronist's Byronic most raw and faithfully (and maybe even takes it further), Charlotte punishes, redeems, and transforms the Byronic with much influence from Byron the Man, and Anne presents the Byronic most critically and realistically, asking "what if the Byronic Hero were real, and really got married -- what would that look like?" and having perhaps the most (Broadly) Byronic heroine ever, who is also later redeemed by the end, and has her veil of Byronic mystery removed much like Darcy did.

[celebritieslegs]

Mary Mouser, Annalisa Cochrane & Hannah Kepple

[lgbtqreads]

Happy National Girls and Women in Sports Day 2024!

Happy National Girls and Women in Sports Day! In celebration of this day, here are a whole bunch of books that center queer girls and women in sports! (For even more recs, check out 2022‘s post!) Fiction You Don’t Have a Shot by Racquel Marie Valentina “Vale” Castillo-Green’s life revolves around soccer. Her friends, her future, and her father’s intense expectations are all wrapped up in the…

[overwatchfanskinarchive]

Reindeer Reinhardt by Ann Marie Cochran

[imasallstars]

[01/19] HAPPY BIRTHDAY MARY COCHRAN!

Voice Provider: currently unavailable

[if-you-fan-a-fire]

“The Cochrane-Dunlop Hardware Ltd., the largest wholesale and retail hardware firm in Ontario, is now commemorating its twenty-first business year. Branches are operated at North Bay, Sault Ste. Marie, Pembroke and Copper Cliff. The North Bay store (pictured above) was erected in 1911 by the Cochrane Hardware Company, from which developed the present firm by an amalgamation in 1926 with the Dunlop Hardware Pany of Pembroke.”

- from the North Bay Nugget. March 3, 1933. Page 3. 

[wonderfullpawz]

just imagine

[onceuponatown]

Elizabeth Cochran was born on May 5, 1864 in Cochran’s Mills, Pennsylvania. The town was founded by her father, Judge Michael Cochran. Elizabeth had fourteen siblings. Her father had ten children from his first marriage and five children from his second marriage to Elizabeth’s mother, Mary Jane Kennedy.

Michael Cochran’s rise from mill worker to mill owner to judge meant his family lived very comfortably. Unfortunately, he died when Elizabeth was only six years old and his fortune was divided among his many children, leaving Elizabeth’s mother and her children with a small fraction of the wealth they once enjoyed. Elizabeth’s mother soon remarried, but quickly divorced her second husband because of abuse, and relocated the family to Pittsburgh.

Elizabeth knew that she would need to support herself financially. At the age of 15, she enrolled in the State Normal School in Indiana, Pennsylvania, and an added an “e” to her last name to sound more distinguished. Her plan was to graduate and find a position as a teacher. However, after only a year and a half, Elizabeth ran out of money and could no longer afford the tuition. She moved back to Pittsburgh to help her mother run a boarding house.

In 1885, Elizabeth read an article in the Pittsburgh Dispatch that argued a woman’s place was in the home, “to be a helpmate to a man.” She strongly disagreed with this opinion and sent an angry letter to the editor anonymously signed “Lonely Orphan Girl.”

The newspaper’s editor, George A. Madden, was so impressed with the letter that he published a note asking the “Lonely Orphan Girl” to reveal her name. Elizabeth marched into the Dispatch offices and introduced herself. Madden immediately offered her a job as a columnist. Shortly after her first article was published, Elizabeth changed her pseudonym from “Lonely Orphan Girl” to “Nellie Bly,” after a popular song.

Elizabeth positioned herself as an investigative reporter. She went undercover at a factory where she experienced unsafe working conditions, poor wages, and long hours. Her honest reporting about the horrors of workers’ lives attracted negative attention from local factory owners. Elizabeth’s boss did not want to anger Pittsburgh’s elite and quickly reassigned her as a society columnist.

To escape writing about women’s issues on the society page, Elizabeth volunteered to travel to Mexico. She lived there as an international correspondent for the Dispatch for six months. When she returned, she was again assigned to the society page and promptly quit in protest.

Elizabeth hoped the massive newspaper industry of New York City would be more open-minded to a female journalist and left Pittsburgh. Although several newspapers turned down her application because she was a woman, she was eventually given the opportunity to write for Joseph Pulitzer’s New York World.

In her first act of “stunt” journalism for the World, Elizabeth pretended to be mentally ill and arranged to be a patient at New York’s insane asylum for the poor, Blackwell’s Island. For ten days Elizabeth experienced the physical and mental abuses suffered by patients.

Elizabeth’s report about Blackwell’s Island earned her a permanent position as an investigative journalist for the World. She published her articles in a book titled 10 Days in A Mad House. In it, she explained that New York City invested more money into care for the mentally ill after her articles were published. She was satisfied to know that her work led to change.

Activist journalists like Elizabeth—commonly known as muckrakers—were an important part of reform movements. Elizabeth’s investigations brought attention to inequalities and often motivated others to take action. She uncovered the abuse of women by male police officers, identified an employment agency that was stealing from immigrants, and exposed corrupt politicians. She also interviewed influential and controversial figures, including Emma Goldman in 1893.

The most famous of Elizabeth’s stunts was her successful seventy-two-day trip around the world in 1889, for which she had two goals. First, she wanted to beat the record set in the popular fictional world tour from Jules Verne’s Around the World in Eighty Days. Second, she wanted to prove that women were capable of traveling just as well as—if not better than—men. Elizabeth traveled light, taking only the dress she wore, a cape, and a small traveler’s bag. She challenged the stereotypical assumption that women could not travel without many suitcases, outfit changes, and vanity items. Her world tour made her a celebrity. After her return, she toured the country as a lecturer. Her image was used on everything from playing cards to board games. She recounted her adventures in her final book, Around the World in 72 Days.

In 1895, Elizabeth retired from writing and married Robert Livingston Seaman. Robert was a millionaire who owned the Iron Clad Manufacturing Company and the American Steel Barrel Company. When Robert died in 1904, Elizabeth briefly took over as president of his companies.

In 1911, she returned to journalism as a reporter for the New York Evening Journal. She covered a number of national news stories, including the Woman Suffrage Parade of 1913 in Washington, D.C. Elizabeth often referred to suffrage in her articles, arguing that women were as capable as men in all things. During World War I, she traveled to Europe as the first woman to report from the trenches on the front line.

Although Elizabeth never regained the level of stardom she experienced after her trip around the world, she continued to use her writing to shed light on issues of the day. She died of pneumonia on January 27, 1922.

[deresute-ssrs]

Mary 1

[soracities]

Marie Nizet, from “The Torch,” Belgian Women Poets: An Anthology, edited and trans. Renée Linkhorn and Judy Cochran (ID in ALT)

[battyaboutbooksreviews]

🌈 Queer Books Coming Out in November 2024 🌈

🌈 Good morning, my bookish bats! Here are a FEW of the stunning, diverse queer books you can add to your TBR before the year is over. Happy reading!

❓What was the last queer book you read?

[ Release dates may have changed. ]

❤️ I Am the Dark That Answers When You Call - Jamison Shea 🧡 Snowed in With You - Reba Bale 💛 Fire Spells Between Friends - Sarah Wallace & S.O. Callahan 💚 Ho Ho Homicidal Maniac - K.A. Merikan 💙 Escape to the Sea - Alex Callan & Angelica Babineaux 💜 She's Always Hungry - Eliza Clark 💛 Phoenix Rising - Emily Hayes 💙 A Flower's Fatal Thorn - Jordan Dugdale 💜 A Sharper, More Lasting Pain - Alex Harvey-Rivas

❤️ The Librarian's Gargoyle - Evelyn Shine 🧡 Dead Girls Don't Dream - Nino Cipri 💛 Of Hoarfrost and Blood - Scarlet Tempest 💚 Judgement - Lucas Delrose 💙 Deadline for Love - Candi Tab 💜 Wake Up, Nat & Darcy - Kate Cochrane ❤️ All the Truth I Can Stand - Mason Stokes 🧡 Celia - Addison James 💛 A Diamond Bright and Broken - Holly Davis 💙 Hexed - Emily McIntire 💜 Hometown Christmas - Laura Conway 🌈 This Christmas - Georgia Beers

❤️ Suite Heart - Jade Winters 🧡 We All Fall - Arden Coutts 💛 Taiwan Travelogue - Yáng Shuāng-zǐ 💚 Pit Stop - L.M. Bennett 💙 The Damaged Hearts Bargain - Sienna Waters 💜 War of Night - Greyson Black & E. Scott Clevenger 🧡 I'll be Boned for Christmas - Katherine McIntyre 💜 All You Want for the Holidays - Quinton Li 🌈 Queer as Folklore - Sacha Coward

❤️ Time and Tide - J.M. Frey 🧡 Ghost of the Heart - Catherine Friend 💛 Flopping in a Winter Wonderland - Jason June 💚 All the Painted Stars - Emma Denny 💙 Currency in Flesh - Heather Nix 💜 I Really Do - Emily K. Hardy ❤️ Something Close to God - Erika del Carmen Ruiz 🧡 The Crack at the Heart of Everything - Fiona Fenn 💛 Undeniable You - Chelsea M. Cameron 💙 The Twice-Sold Soul - Katie Hallahan 💜 Always on My Mind - Kelsey Painter 🌈 Interstellar MegaChef - Lavanya Lakshminarayan

❤️ Don't Break Character - Jules Landry 🧡 Rani Choudhury Must Die - Adiba Jaigirdar 💛 Remnants of Filth: Yuwu - Rou Bao Bu Chi Rou 💚 Sugar, Spice, and Christmas Nice - Anne Hagan 💙 The Wishing Tree - Barbara Winkes 💜 Love on Moonlight Lake - Adriana Sargent ❤️ Mistletoe Motel - Lise Gold 🧡 The Royal They - KJ Sinclair 💛 My So-Called Family - Gia Gordon 💙 Frosted by the Girl Next Door - Aurora Rey & Jaime Clevenger 💜 The Star-Crossed Empire - Maya Darjani 🌈 A Hard Fit - Jennifer Moffatt

❤️ The Sacred Heart Motel - Grace Kwan 🧡 Leap - Simina Popescu 💛 I Dare You - Regena Mercy 💚 Love Lessons - Mary Ellen Capek 💙 Afterglow - Emily Antoinette 💜 In the Back Row With You - Natasha West ❤️ Make Room for Love - Darcy Liao 🧡 Here Goes Nothing - Emma K. Ohland Just for the Holidays - Micah Carver

❤️ Cookies, Candles, and Cute Butts for Christmas - Cameron D. James & Cali Kitsu 🧡 Objects in Mirror - N.W. Downs 💛 Sleigh Bells Ring - Alyson Root 💚 Real Tree / Fake Boyfriend - Ree Thomas 💙 Out of the Storm - Logan Sage Adams 💜 Hungry Heart - Jem Milton ❤️ A Wild and Ruined Song - Ashley Shuttleworth 🧡 Beneath Her Power - Margaux Fox 💛 Thanks for Listening - Molly Horan 🌈 The Lotus Empire - Tasha Suri

❤️ Naughty November - Anthology 🧡 Hearts and Stars - Phoenix Kathryn 💛 Guarding Her Gangster Queen - Persephone Black 💚 The Shadow Spinner - Eric Kao 💙 Black, Queer, and Untold - Jon Key 💜 Hall of Shadows - Mariah Stillbrook ❤️ The Last Hour Between Worlds - Melissa Caruso 🧡 A Crimson Covenant - Aimee Donnellan 💛 Isaac - Curtis Garner 💙 Vineyard Dreams - Carol Wyatt 💜 Kiss of Death - Bryony Rosehurst 🌈 The Many Mistakes of Amy Love - RA Hunter

❤️ Accidentally in Love - Kimberly Cooper Griffin 🧡 Unwrapped - D. Jackson Leigh 💛 Hot Honey Love - Nan Campbell 💚 Havoc for the Holidays - Jay Leigh 💙 London - Patricia Evans 💜 Fatal Foul Play - David S. Pederson ❤️ The Gift of Us - Abigail Taylor 🧡 Upon the Midnight Queer - 'Nathan Burgoine 💛 The Christmas Pic - Rena Sapon-White & Ella Schaefer 💙 Seducing Scylla - Lex Logan 💜 Fated Winds and Promising Seas - Rose Black 🌈 A Surprise For The Holidays - Anna Sparrows

❤️ Immortal Hunger - KL Bone 🧡 Love and Loyalty - Emily Hayes 💛 A Kingdom of Lies - Ben Alderson 💚 Christmas Dreams - Carol Wyatt 💙 Wrecked for the Holidays - Kerry Kilpatrick ❤️ Not for the Faint of Heart - Lex Croucher 🧡 Phoenix Found - T.J. Nichols 💛 Room for Two - Rochelle Wolf 💙 The Long Winter of Miðgarðr - Edale Lan 💜 A Handyman for the Holidays - Valerie Gomez 🌈 Sundown in San Ojuela - M.M. Olivas