#martin fabric
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chicinsilk · 1 month ago
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US Vogue September 15, 1952
Wenda Parkinson wears a dark red velvet coat. A coat with a fine, enveloping shape. Designed by Ben Zuckerman in Martin velvet (rayon and DuPont acetate). The earrings, the rhinestone hoops, mobile, airy, three-dimensional; Eisenberg. Lipstick "Beauty Red".
Wenda Parkinson porte un manteau de velours rouge foncé. Un manteau de forme fine et enveloppante. Conçu par Ben Zuckerman en velours Martin (rayonne et acétate DuPont). Les boucles d'oreilles, les créoles en strass, mobiles, aérées, tridimensionnelles ; Eisenberg. Rouge à lèvres « Beauty Red ».
Photo Irving Penn vogue archive
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wilkoakdraws · 1 year ago
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Two guys learn to communicate over 5 seasons
or, the jmart triptych. Bonus under the cut:
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they deserve all the hugs and so does every tma fan
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samwise1548 · 2 days ago
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Jonmartin commission for @semiaquaticcat
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[ID: A drawing of Jonathan Sims and Martin Blackwood from The Magnus Archives. Jon is a brown man with short grey hair and circular scars all along his skin. He's wearing a short sleeve shirt and plaid pajama bottoms. Martin is a white man with curly ginger hair and glasses. He's wearing a baggy sweater and sweatpants, as well as blue slippers.
The pair are laying on a couch together, pillows and blankets stuck inbetween them. Martin's legs wrap around his sleeping boyfriends, and he reads a blue book above his head. Am orange cat also sits, taking a nap on the couch with them. There's books, mugs, and a cat toy sitting messily on the floor.
/End ID]
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elinekeit-artstuff · 3 months ago
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i like my body when it is with your body. It is so quite new a thing.
Excerpt from i like my body when it is with your by E. E. Cummings
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zegalba · 4 months ago
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maison martin margiela
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petite-madame · 1 year ago
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Misc. XIXth century Johnlock Illustrations - (2023)
Sherlock wearing a kimono, amongst other works. I explained this precise head canon of mine in this video HERE. (Note: Drawing n°2 was the first version of Drawing n°1, that's why I used the same reference picture for the head)
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grrlboy-vamp1re · 9 months ago
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Fabric rustles doodle :3
I didn’t use a reference and I can’t tell if Jon’s head looks weird but I’m posting anyway cuz it’s cute
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killyridols · 1 year ago
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untitled by rosie lee tompkins, 1987, 100.5 × 70.5 inches
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averlym · 1 year ago
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litany of the martyrs (click for better resolution!)
#at some point i wanted to make an illustration for each character but in retrospect maybe each is multiple song-coded..#drew the sketch for a quincy thing after a chat with a mutual reminded me this song existed dfsghjkl and then spent weeks rendering this#quincy cynthius martin#adamandi#i'm finally done with this! the saints especially were joys to paint and the halo a menace.... this has been the most ambitious one so far.#but it also took quite long because i only worked on it <engages with quincy> when mentally okay to deal with the themes. i'm not religious#but i do identify with the irrational(?ish) guilt + family legacy + academic achievement + disregard for self. also more complex thoughts#about love [but depsite quincent being a large part of quincy's character this piece deals with mostly the Rest of it. so another time..]#anyways! in the original sketch- the saints had heads bent towards quincy so the halo spikes pointed at him. but this worked better! halos#of the saints implying/creating one for quincy was a concept from the start though. in the show they don't touch him directly here but#differences in mediums i think- i don't have time in an image to craft a narrative so everything has to be happening. also artistic liberty#misc inspiration for this includes stained glass windows. i might have maybe misinterpreted the saint costume but i think i logic-ed it out#as the cloth part following a nun's habit w the hood. and then halo above. the material is also more transparent originally but i had. um.#too much fun painting fabric folds.. if you look closely you can see the basis of faces though behind the cloth; but only the vague shapes#because smth obscurity + inhumanness// cassian is the only one i gave a mouth though. that stems from melliot's post about the saints and#st cassian as spokesperson (<- did research teehee!) that's also how i found out which costume = which saint. speaking of which.#left to right: 'st lucy take my hand' // 'st lawrence give me strength' (presses quincy forward; but hand on shoulder connotates guidance)#/'st cassian help me smile' (quincy's mouth is btwn a grimace and a smile; tilts up at side. also no direct touch bc added insidiousness.)#//'st jude [...] i hope your causes burn' (jude's hand is in two places to show movement- nearing the flame and then snatching back; burnt)#other notes: at the midst of the flame the core is shaped like a human heart /the saints and their wax are all melting like the candle for#fun visual effect and also this way they are even less tangible <real>. perks of painting as a medium i guess. // also insp from icarus?#wax and burning imagery; looking at the halo and rays as parallel to sun that burns. too close to the sun; melting; hurting; hurtling //#candles at bottom are a nod to the frankly gorgeous set// also the entire composition kind of stems from the lyric <what use is a candle if#both ends aren't burning>; the two sides between the concepts of catholic guilt and academic perfection that spur quincy#the halo above (saints and guilt; litanyofthemartyrs) and the 'halo' below (academic papers; insp from choreo for perfect at school)#the papers were originally supposed to be more glowy. but i like the idea of it now being a reflection of how quincy's priorities shift#also of note is that <candle> in centre = quincy; w burning candle + aforementioned heart in flame -> most human; idea of love + passion#last thoughts: kneeling + hands close tgt = prayer //wax dripping onto the red As make an effect that looks like blood. because i like#hiding that within the adamandi pieces :OO continuity!! // i've run out of tags but yeah! had fun with this one! every so often i go a#little insane in making art and the final result astounds even me. ngl i'm quite proud of this one. pretty colours <3333
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eggnoodles0up · 1 year ago
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martin gets to be a little extra. as a treat.
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chicinsilk · 3 months ago
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US Vogue August 15, 1963
On the left, a model wears an evening dress with an Empire neckline, narrow like an Ondine; all black, with a velvet ribbon at the waist under the chest, from the sleeves to the wrists. Worn with hair up under a scarf paved with sequins. By Mademoiselle Ricci, in Celanese acetate and Avisco rayon (Martin fabric). Scarf by Echo. On the right, model in a navy blue velvet dress encrusted with the blackest shimmering jet beads. By Nat Kaplan, with his own velvet stole. In Du Pont nylon (Martin fabric).
À gauche, un modèle porte une robe de soirée au décoletté Empire, étroit comme une Ondine ; tout noir, avec la taille un ruban de velours sous la poitrine, des manches jusqu'aux poignets. Porté avec les cheveux relevés sous une écharpe pavée de paillettes. Par Mademoiselle Ricci, en acétate Celanese et rayonne Avisco (tissu de Martin). Écharpe par Echo. À droite, un modèle en robe en velours bleu marine incrustée de perles de jais scintillantes les plus noires. Par Nat Kaplan, avec sa propre étole en velours. En nylon Du Pont (tissu de Martin).
Photo Horst P. Horst vogue archive
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theleoisallinthemind · 1 year ago
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Maison Martin Margiela
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samwise1548 · 1 year ago
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Jonathan Sims, Knower of All Knowledge, and still can't make a decision on his own
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[ID: A drawing of Jonathan Sims and Martin Blackwood from the Magnus Archives, sat back to back. Jon is a brown man with mid length grey hair, wearing a green sweater. Martin is a fat white man with ginger hair tied in a tail in the back, and frosted white at the bangs and ends. He's wearing a pastel jumper. Jon is reading a book and Martin's on his phone. In green and blue text bubbles, their conversation is as follows:
Martin: "What are we thinking for dinner?"
Jon: "Anything is fine with me."
Martin: "Pizza?"
Jon: "No."
Martin: "Tacos?"
Jon: "Not that."
Martin: *silence*
\End ID]
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elinekeit-artstuff · 7 months ago
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Nightmare // Hair Care @jonmartinweek
I would like you think I love you warmly Like brown cat yawning among sheets in the linen cupboard.
Excerpt from The Absent Minded Lover's Apology by U.A. Fanthorpe
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katie-crayton · 1 year ago
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More art my friend did. God I'm tired rn.
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thirdchildart · 2 years ago
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"I see you, Jon...I see you!"
This scene was my whole reason for storyboarding this giant project, so here's a clip of THE moment!! Lots of long acting shots in here I spent hours and hours getting right, and I'm so happy with the final!!
Full 9 minute clip on my pinned post!
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