#dupont
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reality-detective · 6 months ago
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Anything with the F in it 🤔
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atomic-chronoscaph · 26 days ago
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Plaid Toughskins - Sears catalog (1975)
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chicinsilk · 2 months ago
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US Vogue October 15, 1958
Jeanne Lanvin-Castillo Haute Couture Fall/Winter 1958-59 Collection. Mary Jane Russell in a velvety, moiré opera coat cut in silvery blue faille over a ruffled taffeta dress on the steps of the Opéra Garnier. Coat in Du Pont acetate, nylon and metallic thread.
Jeanne Lanvin-Castillo Collection Haute Couture Automne/Hiver 1958-59. Mary Jane Russell dans un manteau d'opéra moiré, velouté, découpé en faille bleue argentée sur une robe en taffetas à volants sur les marches de l'Opéra Garnier. Manteau en acétate Du Pont, nylon et fil métallique.
Photo William Klein vogue archive
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goshyesvintageads · 3 months ago
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E.I. du Pont de Nemours and Co, 1968
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bubblyernie · 2 months ago
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a doodle from literally like.....2 years ago or smth? Arbiter's family of short eccentric dad and powerhouse barbarian mother is so funny to me. She takes after her mom and her younger sister is more her dad.
art tag // commission info
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humanoidhistory · 1 year ago
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DuPont’s Miss Teflon II, aka Robot Girl, promotes the non-stick glories of Teflon, circa 1970.
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dandyads · 1 year ago
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Dupont, 1977
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dogdownloader · 2 years ago
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hey one of my good friends is facing homelessness and is in urgent need for a place to stay for awhile. their twitter is @ furtistic or discord is @ sunshinecats if anyone is able to help and would like to reach out. here’s a link to the original post any assistance or sharing would be greatly appreciated, he is trying to get out of this situation as soon as possible
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peterlorrefanpage · 4 months ago
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The DuPont Show of the Week: "Diamond Fever"
March 24, 1963. Special guest star: Peter Lorre.
So far, I can't find this TV episode out there! We have the plot at least...
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Story text: A newly-unearthed, 4l5-carat uncut diamond has a tantalizing effect on five human lives. To a fashionable jeweler, Arthur Harwick (Sidney Blackmer), in whose possession it falls, the gem is a dangerous challenge.
Will the embittered diamond cutter, Herbert Vanderling (Theodore Bikel), turn the stone into an article of priceless beauty or shatter it into 1,000 worthless fragments?
To Vanderling's deep-in-debt brother, Joe (Martin Brooks), the diamond represents a once-in-a lifetime chance to wipe the slate clean.
A Texas billionaire’s wife, Mrs. Newton Weber (Jeri Archer), will stop at nothing in her obsession to possess the gem.
To Archie Lefferts (Peter Lorre), perhaps the world's most accomplished jewel thief, the diamond is the supreme challenge of an infamous career.
--If that's not Polo, I'll eat Peter Lorre's squashable hat.
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thoughtportal · 1 year ago
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For decades, workers who make protein for Nestle made a fair living. After a $26 billion takeover, a new owner wants to take away lunch breaks & destroy the union.
Workers won’t back down. They’ve been striking for 4 months.
{watch}
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stone-cold-groove · 2 years ago
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Before you buy - be sure to see Remington rifles and shotguns.
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nicklloydnow · 1 year ago
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“The system of the motorway, the social relation of the motorway, is left untouched by any attack on its specifics - untouched or is it reinvigorated? Does it bloom like the desert in places where fire and rain have visited. Anarchism against circulation is an ethics; it doesn't hurt the motorway even though it wants to. It doesn't hurt the motorway because it is just one response among many to present conditions, and it takes its place alongside all other theories and actions as an ideology - it exists as one strand in the strand of strands of commodified consciousness.
On the motorway, everything that can happen will happen, including dissent against the motorway. But we see now that achieving the heightened condition of dissent does not bestow upon the rebel a capacity to change anything, or even to escape the conditioning of the possible exits open to her/him. Saying "no" does not transport us to a place where we might make decisions separately from the world in which we live. I have met anarchists who live like ironside puritans and others of a deliberately decadent inclination, but whether you forbid or celebrate you do not touch capitalism itself. At every point it holds you in its palm - sometimes allowing a little more movement, sometimes gripping harder. Capitalism has facilitated democracy, fascism, state socialism, theocracy, militarism, human rights, religious revivals; it processes and transforms all social organisation into its social organisation. Every political aspiration is compatible with its productive relation. You propose the counter culture? Capital will commodify it, instigate it, reproduce it, and sell it. There is no outside of the loop.
The motorway cannot be undone either by ideas or practice. It cannot be undone. You think a million people like you could do the business? Well, where are they? If you haven't got them after two hundred years of agitation what makes you think they will turn up now or at some time in the future? And do you really think it possible that a million people can believe the same thing at the same time? How would you check they were really thinking what you thought and not hoping to get something else out of it: a Phd thesis, a promotion, a ministerial promo-tion, a groovy party, radical credibility, a new girlfriend? And if they did truly believe as you believe, if they downloaded your consciousness - by what mechanism would that change the world? Proposed democratic change works like magic, it has a misdirected relation to the movement of capital: if we all think the same thing then everything will come good. In reality, we know that agreement is both false and also not decisive on the mechanisms of power, which act automatically, independently of decision-making.
Why should large numbers of people be convinced by what one person claims more than the promises of any other? The internet is full of get rich quick schemes, anarchism is just one of them.
The easy anarchist answer is that it is not thoughts that change the world but acts. The fundamental flaw in political action is this: the more militant (and therefore true) the action is, the fewer people want to participate in it. The more unreal and fluffy, the more inclined they will be to turn up. Anarchists, being mostly young men, still have not learnt that only young men like to fight back on the streets, everyone else will find excuses not to be there. In directing campaigns, the choice for activists is stark, it is between numbers or ideological purity.
But even to say that rubs some up the wrong way; all discussion subverts the glory of acts. Apparently talking and thinking gets you nowhere because "there is no point in theory without action", as if the likes of Class War or RTS have ever got anywhere. How could Monsieur Dupont demonstrate its activities on the streets? How is anarchism demonstrated on the streets? It seems after all, that all deliberate interventions made by the pro-revolutionary minority are acts but what is really important is whether the proposed interventions either achieve, or are capable of achieving, what is claimed for them.” (p. 160 - 162)
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coffeenuts · 3 months ago
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chicinsilk · 1 month ago
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US Vogue November 1, 1952
Nettie Rosenstein for DuPont
Model : Mary Jane Russell
vogue archive
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lisamarie-vee · 4 months ago
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bubblyernie · 2 months ago
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Human AU!!
I keep saying I have this uncanny talent of drawing men that look like lesbians and duuuude......Dante...........im never beating those allegations...........
art tag // commission info
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