#martignone

[gracie-bird]

Princess Grace, greeted by Marcel Bleustein-Blanchet, owner of the drugstore 'Le Matignon' during the inauguration, in Paris, France on November 21, 1970.

[rich4a1]

Foreign Affair Trio SOUS LE VENT

Foreign Affair Trio SOUS LE VENT Zoho Records Hector Martignon, piano/composer; Eduardo Dudu Penz, electric bass; Raphael Nick, drums; SPECIAL GUESTS: Luis Bonilla, trombone; Jean-Lou Treboux, vibraphone; Xavier Paternot, flute. Hector Martignon recorded and mixed this project at Riverside Studio in Torino, Italy. The pianist, composer has, for many years, been spending an equal amount of time in…

[lamilanomagazine]

Anzola Emilia: arrestati dai Carabinieri i presunti autori del tentato furto aggravato alla "stazione elettrica Martignone"

Anzola Emilia: arrestati dai Carabinieri i presunti autori del tentato furto aggravato alla "stazione elettrica Martignone". I Carabinieri della Sezione Radiomobile di Borgo Panigale hanno arrestato due pakistani, un 23enne residente a Modena e un 31enne residente in Provincia di Belluno, per tentato furto aggravato in concorso. È successo nella notte dell'8 febbraio 2024, quando i Carabinieri della Centrale Operativa hanno ricevuto la telefonata di un addetto alla sicurezza di una società che gestisce la stazione elettrica Martignone, il quale riferiva di aver notato, dalla visione di un impianto di sorveglianza gestito da remoto, delle persone sospette nell'area. Appresa la notizia, i Carabinieri si sono recati sul posto e quando sono arrivati, hanno identificato i due pakistani a bordo di un'Audi A4 cabriolet, parcheggiata nei pressi della stazione elettrica, il 23enne alla guida e il 31enne seduto di fianco. Ispezionando il bagagliaio dell'auto, i Carabinieri hanno trovato una cesoia di grosse dimensioni di colore giallo, un cacciavite e una pinza. Ulteriori accertamenti svolti dai militari, unitamente agli addetti della stazione elettrica, hanno consentito di rilevare che poco dopo la mezzanotte, dei soggetti avevano tentato di asportare tre matasse di cavo di rame "giallo – verde" che erano state tranciate da una bobina della stazione elettrica e accatastate per terra, in attesa di essere trasportate altrove. Alla vista dei Carabinieri che stavano arrivando, tre componenti della banda sono fuggiti a piedi, dileguandosi nella campagna circostante, mentre i due pakistani che si trovavano a bordo dell'Audi, probabilmente per fare da "palo", sono stati identificati e arrestati. Su disposizione della Procura della Repubblica di Bologna, i due soggetti arrestati dai Carabinieri sono stati trattenuti, in attesa di essere tradotti nelle aule giudiziarie del Tribunale di Bologna per il giudizio direttissimo.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[forumelettrico]

La stazione di ricarica per veicoli elettrici Be Charge da 22 kW situata ad Anzola dell'Emilia BO in frazione San Giacomo del Martignone: in una zona residenziale, ed a 5 minuti a piedi andando verso nord troviamo un comodo bar tabacchino e di fronte un ristorante https://www.forumelettrico.it/forum/colonnina-be-charge-22-kw-anzola-dell-emilia-bo-via-magenta-9-san-giacomo-del-martignone-t33543.html #SanGiacomoDelMartignone #AnzolaDellEmilia #bologna

[tess3f]

#nuovaroma #insalataporcini #friggione #ragù 🍷#voltumna #silene 🍝#tagliolineaifunghi #galletti 🍷#vignetosanvito #martignone 🍝 #tagliatellealragù #cotolettaallabolognese (presso Ristorante Nuova Roma) https://www.instagram.com/p/CTIwK1ENm-H/?utm_medium=tumblr

[diarioresumen]

El Municipio aseguró defender el Pellegrini y que la UAR no estará allí “salvo que los vecinos decidan lo contrario”

El objetivo del predio es un Polo Educativo pero los rumores de un convenio entre la AABE y la UAR encendieron la alarma. La Comuna ha solicitado información sobre lo que ocurre. El predio del Instituto Carlos Pellegrini estuvo en el foco de los pilarenses, primero por el desmonte que allí se estaba realizando desde…

El Municipio aseguró defender el Pellegrini y que la UAR no estará allí “salvo que los vecinos decidan lo contrario” publicado originalmente en: Diario Resumen: El Diario de Pilar

[manukyan]

Correos - Nuevos Tiempos from Diego Berakha on Vimeo.

DIRECTOR Diego Berakha REP COMPANY / PRODUCER Silvia Romero AGENCY CONTRAPUNTO BBDO Gema Crespo - Alejandro Bardera AGENCY CREATIVES Carlos Jorge - Gorka Fernandez CLIENT Correos EP Lautaro Brunatti - Florencia Bardas PITCH CREATIVE Soledad Torres LINE PRODUCER Mercedes Serrano POST PRODUCTION COORDINATOR Mercedes Serrano AD Sebastian Goldberg Production Manager Mercedes Serrano Art director Marilina Martignone Construction Department Julieta Iacono - Julieta Lavalle Assistants Ramiro Chiaradia - Susana Mota DOP Andy Aguiló 2D Design Vicky Lamas - Juan Barabani - Diego Berakha - Gianluca Fallone Animation Lio Skilar - Juan Huarte - Javier Bianchi - Edu Escalante - Matías Furno - Dante Zaballa - Paolo Cavalieri Editor Pablo Betas Special Thanks to Soledad Torres - Flora Cammilleri - Belen Guerra Henri Aragunde - Can Can Club Color Anahi Piccinin Sound Mix Tronco

[passionevegano]

1 aprile 2007: Willy Martignon batte il record mondiale di schiacciata acrobatica

1 aprile 2007: Willy Martignon batte il record mondiale di schiacciata acrobatica

Sono trascorsi esattamente 14 anni dal record mondiale di schiacciata acrobatica dalla maggiore distanza dal canestro. A battere quel Guiness World Record nel 2007 fu Willy Martignon, membro dei “Crazy Dunkers”, la squadra di basket acrobatico più importante al mondo. L’atleta francese riuscì in quella incredibile impresa nel corso di uno spettacolo che si svolse a Riga, in Lettonia. Willy ha…

[eduardomarin90]

Correos - Nuevos Tiempos from Diego Berakha on Vimeo.

DIRECTOR Diego Berakha REP COMPANY / PRODUCER Silvia Romero AGENCY CONTRAPUNTO BBDO Gema Crespo - Alejandro Bardera AGENCY CREATIVES Carlos Jorge - Gorka Fernandez CLIENT Correos EP Lautaro Brunatti - Florencia Bardas PITCH CREATIVE Soledad Torres LINE PRODUCER Mercedes Serrano POST PRODUCTION COORDINATOR Mercedes Serrano AD Sebastian Goldberg Production Manager Mercedes Serrano Art director Marilina Martignone Construction Department Julieta Iacono - Julieta Lavalle Assistants Ramiro Chiaradia - Susana Mota DOP Andy Aguiló 2D Design Vicky Lamas - Juan Barabani - Diego Berakha - Gianluca Fallone Animation Lio Skilar - Juan Huarte - Javier Bianchi - Edu Escalante - Matías Furno - Dante Zaballa - Paolo Cavalieri Editor Pablo Betas Special Thanks to Soledad Torres - Flora Cammilleri - Belen Guerra Henri Aragunde - Can Can Club Color Anahi Piccinin Sound Mix Tronco

[prostheticknowledge]

ARKit Spatial Mapping

Experiments from Marco Martignone that visualizes and meshes in 3D the detected surfaces for iOS Augmented Reality:

our very own @marcomartignone making futuristic artwork using #ARKit✨ pic.twitter.com/nBG2QevdGI

— Combo (@comboldn) September 26, 2017

Sneak peak of the realtime video feed pic.twitter.com/46yVCkENx8

— marcomarco (@MarcoMartignone) September 26, 2017

You can follow Marco on Twitter here

[lucaartista2000-blog]

Casolare martignone, #antoninosartinipittore #macchiaioliartist #macchiaioli #macchiaiolibolognesi #paesaggistibolognesi #pittoriitaliani #macchiaioliart #macchiaioliart #macchiaiolo https://www.instagram.com/p/B7zLAyEhVsm/?igshid=47gyzoiz7ad3

[ladobestudio]

👉Tatuagens realizadas por nosso aluno Gustavo Salomão Martignon de São Paulo - SP durante os Módulos Práticos do Curso Básico de Tatuagem. Procedimento realizado com segurança dentro das normas da Anvisa 😷☠️ . ✔️DESENHOS DESENVOLVIDOS PARA O CURSO # ✔️Desenvolvimento Artístico: Carga horária : 48h . # ✍️ CURSO BÁSICO DE TATUAGEM: Carga Horária Total - 100 horas .⠀ Informações: # 📧contato@ladobescola.com.br ⠀ ☎11-34761259 ⠀ (Seg a Sex das 10:30 às 18:30) ⠀ #ladobescola #ladob #arte #art #tattoo #tatuagem #tatuadoresconscientes #escolaparatatuadores #cursosparatatuadores #donrodrigues #cursodetatuagem #auladetattoo #auladetatuagem #donrodriguestattoo #saopaulo #sp https://www.instagram.com/p/BzffDpoA4lH/?igshid=dpm74z62qa1g

[giallofever2]

1966 Kriminal Also Known As (AKA) Spain La máscara de Kriminal Spain La máscara del criminal Greece (reissue title) O dolofonos Greece (transliterated) O fantomas tou Londinou Uruguay (original subtitled version) Kriminal

Directed by Umberto Lenzi

Music by Romano Mussolini

Writing Credits Umberto Lenzi … (story) Umberto Lenzi … (screenplay) David Moreno Mingote … (screenplay) Luciano Secchi … (comics) (as Max Bunker)

Release Dates Italy 23 December 1966 Spain 11 September 1967 (Barcelona) France January 1968 Spain 28 April 1969 (Madrid) Uruguay 2 June 1969 Mexico 11 February 1976

Cast (in credits order) Glenn Saxson Glenn Saxson … Kriminal Helga Liné Helga Liné … Inge / Trude Andrea Bosic Andrea Bosic … Ispettore Milton Ivano Staccioli Ivano Staccioli … Alex Lafont Esmeralda Ruspoli Esmeralda Ruspoli … Lady Gold Dante Posani Dante Posani … Frank Franco Fantasia Franco Fantasia … Commissario Murad Maria Luisa Rispoli Maria Luisa Rispoli … Margie Swan (as Susan Baker) Armando Calvo Armando Calvo … Kandur Mary Arden Mary Arden … Gloria Farr Rossella Bergamonti Rossella Bergamonti … Nurse Mirella Pamphili Mirella Pamphili … Miss Dickinson

Rest of cast listed alphabetically: Bruno Alias Bruno Alias … Man at casino table (uncredited) Agustín Bescos Agustín Bescos … Party Guest (uncredited) Sisto Brunetti Sisto Brunetti … Police officer (uncredited) Consalvo Dell'Arti Consalvo Dell'Arti … Comm. Megress (uncredited) Raniero Dorascenzi Raniero Dorascenzi … Man at Casino Table (uncredited) Margherita Horowitz Margherita Horowitz … Woman at casino table (uncredited) Cesare Martignon Cesare Martignon … Zeiland (uncredited) Fulvio Mingozzi Fulvio Mingozzi … Funzionario all'Esecuzione (uncredited) Francesco Narducci Francesco Narducci … Police Sergeant (uncredited) Claudio Ruffini Claudio Ruffini … Hangman (uncredited) Giovanni Scognamillo Giovanni Scognamillo … Man bringing photos (uncredited) John Stacy John Stacy … Sir Winston (uncredited) Alessandro Tedeschi Alessandro Tedeschi … Macintyre of Lloyds (uncredited)

filming locations Incir De Paolis Studios, Rome, Lazio, Italy (studio)

Istanbul, Turkey

London, England, UK

Madrid, Spain

Rome, Lazio, Italy

[randomvarious]

Ray Barretto & New World Spirit - “Work Song” Fiesta Picante: The Latin Jazz Party Collection Song released in 1994. Compilation released in 1997. Jazz / Latin Jazz

It’s difficult to imagine that there was ever a point in time in which jazz music, including Latin jazz, was without congas, but it was. And according to NPR, Ray Barretto was the first U.S.-born percussionist to integrate congas into jazz, having brought his drums to New York City jam sessions following an Army stint in postwar 40s Germany, which is where he initially learned to play. As a result of those jam sessions, before long, Barretto would become a member of Charlie Parker’s and then Tito Puente’s bands, forever solidifying himself as a conguero who was both equal parts jazz and Latin music. 

A brief rundown of his career, provided by Encyclopedia Britannica, has more:

Ray Barretto, (Raymond Barretto), American percussionist and bandleader (born April 29, 1929, New York, N.Y.—died Feb. 17, 2006, Hackensack, N.J.), played conga drums on jazz albums and in Latin bands before he became one of the most popular bandleaders in salsa music. His strong sound and relaxed swing made him one of the first congueros (conga players) to blend gracefully with modern jazz, especially in popular 1950s and ’60s albums with Gene Ammons, Lou Donaldson, Cannonball Adderley, and others. Barretto spent years with Latin bands, most notably with Tito Puente’s group from 1957 to 1961, before he scored his own hit single, “El Watusi” (1963). He went on to lead more than 50 albums and become musical director of the Fania All-Stars, a top 1970s salsa band. One of his albums with singer Celia Cruz, Ritmo en el corazón, won a 1990 Grammy Award. Later Barretto led the Latin jazz sextet New World Spirit.

Barretto’s New World Spirit band formed out of his disenchantment with what had become of Latin jazz by the early 90s. From an archived copy of Bernhard Castiglioni’s Drummerworld, which quotes Barretto:

"But while I had the privilege of working with Celia Cruz, Johnny Pacheco, Tito Puente, Willie Colon, Ruben Blades and other great musicians, there was a downside too. I discovered that after some 20 years with Fania I had become typecast as a 'Latin artist.' That turned out to be extremely limiting when I tried to interest jazz labels in signing me."

So, in a hunt for new opportunities, Barretto said goodbye to salsa, the genre he himself had played an integral role in fostering, and set out to do something different: take Latin music and bebop and fuse them together in a way he hadn’t done before. Throughout almost all of his life, Barretto had held a deep love for both types of music, and while his time with the Fania All Stars was legendary, it had also left him pigeonholed. He didn’t want to be merely just thought of as a Latin musician; he wanted to also be known more broadly as an accomplished jazz artist. From an early age, Barretto had been raised on a steady diet of both Duke Ellington and Arsenio Rodriguez (and many others, of course), and wanted a mix of those passions to be reflected in his own work.

In 1993, his idea was realized when New World Spirit was signed to Concord Picante, a Latin offshoot of the west coast juggernaut, Concord, and whose founding I posted about not all that long ago. It was on Picante that New World Spirit would release their first two albums, Ancestral Messages in ‘93 and Taboo in ‘94. They would deliver four more albums on different labels up until their final release in 2000.

Found on Taboo is a wonderful reworking of Nat Adderley’s 1960 jazz standard, “Work Song,” (also, check out this cover by a little-known 60s garage jazz-mod band from Michigan called The Quintette Plus, which I posted about a while back) which sees Barretto and his band giving the original song a heavy dose of Latin flair. While the percussion remains unmistakably Latin all throughout, it’s Hector Martignon’s piano, Adam Kolker’s sax, and Ray Vega’s trumpet that seem unwilling to choose a lane, resulting in a track that only someone like Ray Barretto could so effectively conceive of. The Latin percussion originally provides backing to a trio of traditional solos, first Vega, then Kolker, then Martignon, but around the song’s final third portion, all that jazz traditionalism is replaced entirely by a lively blend of Latin instrumentation, yielding a superb ending, initially led by Vega’s frenzied, high-pitched, squealing, climactic solo, and then dissipating with a much quieter few full band repeatings of “Work Song”’s famed refrain.

One of the godfathers of salsa music’s great attempts to transparently fuse Latin music with more traditional jazz. 

[meow-mellow]

Villavicencio de autor from MECHI LOPEZ on Vimeo.

Directed by Mechi Lopez Produced with Tron.co EP Rocio Furmento Creative Development Soledad Torres - Florencia Cammillieri - Augusta Timotea Head of Production Rocio Furmento Producer Lorena Domenighini DOP Alan Badan Art Director Marilina Martignone AD Pitu Petrucci AD 2nd Unit Pablo Chehebar Cameraman Mauricio Heredia Gaffer Nahuel Szeliga Key Grip Alvaro Dolgay Prop Master & Product FX Valentin Cosentino Product Master Pipa Enriquez Real Flowers Landscaper Mariana Greco Postproducer Giselle Paladino Editor David Maruchniak Postproduction House DaOcho Brand Plates Animation Javier Bianchi Color Grading Anahi Piccinin Storyboard Artist Martin Santos BTS Angel Giovanni Hoyos

[diarioresumen]

El Municipio aseguró que el aumento de tasas no superará el 50 por ciento

Así lo señaló el Jefe de Gabinete. “Existe una limitación que establece un aumento no mayor a 150 pesos o 50 por ciento”, remarcó.   Luego de los resuelto en la Provincia, donde el proyecto de la gobernadora Vidal culminó eliminando el tope para el aumento de tasas, la alarma se encendió en el distrito,…

El Municipio aseguró que el aumento de tasas no superará el 50 por ciento publicado originalmente en: Diario Resumen: El Diario de Pilar