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mudaship39 · 1 year ago

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Chronicles of War

Location: Polynesia, Micronesia, & Melanesia:

In Tahiti, Tonga, Samoa, Aotearoa, Hawaii, Fiji, Guam, & the Marshall Islands:

“Dior Linh Heimana Tranh a Vietnamese and French Polynesian Tahitian woman of color, Hokulani Zhao Kaimana Ya Keali’i a Chinese and American Polynesian Samoan and Hawaiian woman of color, Vaulina Tagi a Melanesian Fijian woman, Runica Keju a Micronesian Marshallese Indigenous Pasifika woman were the first people I showed my Polynesian Indigneous Pasifika traditional tattoos to.” “I also showed them my Polynesian jewelry such as necklaces, bracelets, & rings that I wear to honor my cultural identity as someone Polynesian Hawaiian and Tongan.” Alexander Kana’i Mack Ryuu Francisco Makoa “Alex” Smith/Alexandria Ataahua Macy Haruka Francisca Kamalani “Lexi” Smith is a Polynesian Hawaiian and Tongan Indigenous Pacific Islander, East Asian Japanese, Latinx Columbian, & Indigenous of Colombia mixed person of color. Alex's/Lexi’s father Chieftain and Warchief Mark Akio Puleleiite Oshiro Kaimana Kato-Smith is a Southeast Asian Japanese Okinawan and Polynesian Hawaiian and Tongan Polynesian Indigenous Pasifika person of color metahuman. Alexander’s/Alexandria’s mother Maria Garcia Bahr Alejandra Smith is an Indigenous Colombian of the lowlands of Colombia and a Hispanic Latinx Colombian woman of color. Maria Garcia Bahr Alejandra Smith as the daughter of the Iuyamanian alien Marie Gabriella Bahr Smith is also an Iuyamanian hybrid. On Alex/Lexi’s body were traditional Polynesian Indigenous Pasifika tattoos. As someone Polynesian Alexander/Alexandria had on his/her/their body on their terra cotta or beige skin traditional Polynesian Indigenous Pasifika tattoos. They were on his/her/their chest because in the Polynesian culture Polynesian tattoos on the chest represent kindness, honesty, honor, & resolution. They were on his/her/their head because in the Polynesian culture Polynesian tattoos on the head represent spirituality, knowledge, wisdom, & intuition. He/she/they had Polynesian tattoos on his/her/their arms. He/she/they had Polynesian tattoos on his/her/their upper arms from his/her/their shoulders to his/her/their elbow to represent strength and valor and they relate to people such as warriors, warchiefs, & chieftains. He/she/they wear it as a child of a chieftain and warchief who is next in line. He/she/they had Polynesian tattoos on his/her/their lower arms from their forearms to their fingertips of his/her/their clawed hands with opposable thumbs to represent creativity, creation and making things. He/she/they had Polynesian tattoos of complex shark teeth. Alexander/Alexandria said, “Shark teeth or niho mano deserves a space of their own.” “Sharks are one of the favorite forms that aumakua choose to appear to man.” “They represent defense, leadership, power, & ferocity.” “However, they are also symbols of flexibility in many cultures.” It was fitting for the strike team commander of the Elites, Paragons, & Sentinels superhero teams. He/she/they had Polynesian tattoos of a pattern of spearheads. Alex/Lexi said, “Another typical symbol that is used to represent the warrior nature is the spear.” Fitting for a former super soldier who fought since he/she/they were a child as a former metahuman and superhuman child soldier. “Spear-heads are very symbolic in relation to sharp items too and they can be used to represent the sting of some animals.” He/she/they had Polynesian stylized tattoos of the ocean. “The ocean is a second home to Polynesian people and the place of rest when they leave for their last voyage.” “Coincidentally, turtles are said to join the deceased guiding them to their destinations.” “So sometimes the ocean can be used to symbolize death and the beyond.” “Since the ocean is the primary source of food it is no wonder it impacts so much tradition and myth.” “All the creatures living in the ocean are associated with several meanings usually mutated from their characteristic traits and habits.” “The ocean and the sea can be represented by waves.” “The stylizations of the ocean can often represent ideas such as life, change and continuity through change.” “Waves can also be used to represent the world beyond or the place where the departed go and rest on their last voyage.” He/she/they had a Polynesian tattoo of a Tiki. “One meaning of the word tiki is figure.” “So, the tiki is the name given to human-like figures that usually represent demigods contrasting to atua who frequently materialize to men under the shape of animals such as lizards.” “The tiki can also represent sanctified ancestors, priests, warchiefs, & chieftains who became demigods after their passing.” “They denote protection, fertility and they serve as sentinels.” “By stylizing the figure over and over there has been a simplified version that has been reached.” “This is called the brilliant eye where the eyes, nostrils and ears appear to be the prominent elements.” “Tiki figures can be portrayed in a front view.” “Sometimes with their tongue stretched out as a symbol of defiance to enemies.” He/she/they had a Polynesian tattoo of a turtle. “The turtle or honu is another significant creature throughout all Polynesian cultures and has been connected with several meanings.” “The first being the fact that turtles represent health, fertility, longevity, foundation, tranquility, & rest.” “The word hono, meaning turtle in Marquesan language has other meanings which include things such as joining and stitching together families and representing the idea of harmony.” “Contrary to what is sometimes believed turtles drawn upwards do not imply that they are taking the soul of a dead person into the other world.” “To represent this, a human figure must be placed on or near the shell of the turtle.” He/she/they had a Polynesian tattoo of a lizard. “Lizards and geckos are often called mo’o or moko and they play a significant role in Polynesian myth. Gods (atua) and minor spirits often appeared to men in the form of lizards and this may explain why the stylized element used to represent the lizard is very similar to the stylized symbol used to represent man.” “Lizards are very powerful creatures that bring good luck and communicate between the humans and the gods and who can access the invisible world.” “On the other hand, they can also bring death and bad omens to people who are disrespectful.” He/she/they had a Polynesian tattoo of a stingray. Alexander Mack Smith/Alexandria Macy Smith said, “Stingray tattoos come in several variations and styles.” “So, this image can hold symbolic meanings.” “The stingray has the ability to hide in the underwater sands mainly from sharks and is able to cover up with sand and lay still.” “Most sharks can sense prey in the sand based on movement but for the most part the stingray is able to hide.” “For this reason, its image is classed as a symbol of protection.” “Other themes that go hand in hand with the sting-ray image are adaptation, gracefulness, diplomacy, danger, dexterity, speed, & covertness.” Fitting for someone who is a shapeshifter, metamorph, & changeling. He/she/they showed these tattoos to Diona Artemis “Dee” Megalos, Tahlia Macar, Veronica Veracruz, Nijah Nadra Nadar, Inayat Aloomse, Carina Akali “Carrie” Ragorio, Hibiki Higa, Ylva Helga Olafsdotter, Loretta Dawn, & Joanna “Jo” Jacobson and explained to them their meanings. The only people that he/she/they didn’t have to explain the tattoos to was Kaimana Zhao Hokulani Ya Keali’i, Runica Keju, Dior Linh Heimana Tran, & Vaulina Tagi. Kaimana is his/her/their East Asian Chinese and mixed American person of color Polynesian Hawaiian and Samoan Indigenous Pasifika woman of color wife. Dior Linh Heimana Tran is his/her/their Vietnamese, French, & Polynesian Tahitian Indigenous Pasifika woman of color wife. Vaulina Tagi is his/her/their South Asian Indian Melanesian Fijian Indigenous Pasifika woman of color Indo-Fijian wife. Runica Keju is his/her/their Micronesian Marshallese Indigenous Pasifika wife. They were all there when he/she/they received them as they are two Polynesian Indigenous Pasifika. “The ocean will always be my home as a Polynesian Indigenous Pacific Islander person of color.”

King/Queen and Chieftain and Warchief Alexander Kana’i Mack Francisco Ryuu Makoa “Alex” Smith/Alexandria Ataahua Macy Francisca Haruka Kamalani “Lexi” Smith as a Japanese Okinawan, Colombian Hispanic person of color, Indigenous Colombian, & Polynesian Hawaiian and Tongan Indigenous Pasifika person of color he/she/they had many gifts from the Kings and Queens of the 9 Kingdoms of the Empire of Atlantis who were also Chieftains and Warchiefs as Polynesian, Micronesian, & Melanesian Hawaiian, Maori, Tahitian, Samoan, Tongan, & Fijian Indigenous Pasifika. These Indigenous Pasifika Atlantean hybrids had power over the earth, the sky, the ocean, earthquakes, wind, storm, volcanoes, fire, lava, & or magma. Including one of his/her/their wives Queen Kaimana Hokulani Keali’i a Polynesian Hawaiian and Samoan Indigenous Pasifika mixed Chinese and American person of color mixed Atlantean hybrid that had power over the ocean. These eight Polynesian Indigenous Pasifika who were mixed Atlanteans and one Indigenous Inuit mixed Atlantean were all led by their Emperor Angelo Vergilius Romano who is a son of Neptune and an Atlantean empress and their empress Cornelia Augusta Rossi a daughter of an Atlantean and a sea nymph. Making him the relative of Laurissa Owen Jones who is the daughter of Athena and a homo magi. Alexander Mack Smith/Alexandria Macy Smith he/she/they had a Toki (Adze) Polynesian Maori necklace. Alexander Mack Smith/Alexandria Macy Smith said, The Toki (Adze) is the Maori tribal emblem of strength.” “This symbol resembles resolve, control, power, focus, & honor.” “Its shape represents an axe head.” “The Toki (adze) was used by the Maori as an everyday working tool for shaving and chipping.” “Sometimes it was used as a weapon.” “Unique complex adzes were by tradition carved in stone and passed down as an heirloom.” “The Toki had much meaning to the Maori created from stone or greenstone.” “It was a vital tool for survival and day to day life of a Maori tribe.” So, this given to him/her/them by an Atlantean King and Polynesian Maori Indigenous Pasifika Chieftain and Warchief means a lot to him/her/them. Alexander/Alexandria said, “That’s the reason the Maori attribute the spiritual meaning of strength and power to the Toki.” “This design represents the Toki which was used to shape the great canoes.” “The toki was also used to cut and work timber for the fortresses where the Maori lived.” “It was such an important tool in Maori life that it became regarded as a symbol of power, authority & good character.” It was given to them by the King and Chieftain and Warchief as a sign of respect as he/she/they are a King/Queen and Chieftain and Warchief. “It is also the mark of a craftsman and an artist.” He/she/they also have a necklace of Hei-Matau (Fish Hook) given to them by an Atlantean Queen and Polynesian Maori Indigenous Pasifika Chieftain and Warchief. Alex/Lexi said, “These very stylized fish hooks represent power, affluence, wealth, fertility.” “It also represents vast reverence for the sea.” This makes sense since he/she/they are the last scion and lord/lady of his/her/their ancient and powerful house. “It also is said to provide good luck and safety when traveling over water so is often worn by travelers.” “The Hei-Matau are also symbols of authority and power which are held in great veneration by the Maori people.” “They were used as a practical tool for fishing and were often adorned as a sign of admiration for the creatures of the sea.” “There are many styles of Hei-Matau from the true hook designs to the more decorative styles which became cherished heirlooms for generations after.” “Initially the Maori have been fishermen.” “Their main food source was the sea so a fish hook of premium was a valued item to possess.” “Worn around the neck the hook became a symbol of wealth, abundance, good health, authority, & power.” “As well as a mark of reverence for the sea and its life in it.” “It is also believed to provide good luck and protection while traveling over water.” “The Maori fish hook symbol refers to being reliant on the sea for their food gathering.” “The matau is a talisman for good luck.” He/she/they also had a bracelet of whales, dolphins, & turtles. “The ocean has always been the prevailing force for the Maori people who traveled colossal distances in their long canoes and lived on the gift of the tropical waters.” “They had a great respect for the creatures on the sea and in particular dolphins and whales.” “The whale with its immense size and evident intelligence played an essential part in the traditions of the Maori people.” “They were often represented as an example of family love with mother and calf always side by side and touching at every opportunity.” “Beached whales were cherished as gifts from the gods.” “They were chiefly valued for the bone which after numerous years of curing was used to carve elaborate jewelry and art works that were frequently passed down for many generations.” “The whale is the most important animal in the life of the Maori.” “Besides speed and strength, the whale it also represents success, confidence, and sensitivity.” “It represents the bond between animal and human.” “A dolphin (Papahu) is an emblem of liveliness, harmony, & camaraderie.” “The turtle is the mark of a navigator.” “The dolphin is another Maori symbol of protection.” “Schools of dolphins were reported to attack sharks circling around canoes.” “The dolphin shows sympathy with the sea and nature in general.” “It resembles a free spirit.” “Nowadays the dolphin represents protection on all types of travelers.” “So, it is another Maori symbol of protection.” He/she/they had the jewelry of the symbol of the Koropepe (The Mythical Eel/Fish). “The Koropepe is an eel-type fish a legendary guardian.” “It is a symbol of new beginnings and youth, prosperity, & wealth.” “The koropepe is thought to characterize the curled eel which was one of the main protein sources hundreds of years back in Maori history.” “Many koropepe have a coiled appearance with bird-like heads.” “These heads are said to possess its divine power.” “The design is a relatively modern form as no ancient examples have been found.” He/she/they had jewelry of the White Heron bird (Kotuku). “Kotuku is the Maori word for the rare White Heron bird.” “It is a symbol of status, purity, & individuality.” “One of the greatest compliments among the Maori was to liken someone to Kotuku.” “For it signifies everything extraordinary and gorgeous.” “It is sometimes referred to as a darling or treasure.” “The kotuku is one of New Zealand’s rarest birds and is held in chiefly high regard in Maori mythology.” “As with other birds the kotuku stands for the connection between the afterlife.” “He is a messenger of the spirit world.” “The kotuku represents everything pure and beautiful in Maori legends and oratory.” “Most importantly the kotuku represents all the people of this land.” “The kotuku is a traveler who came to this beautiful country and chose to stay.” “There are more Maori bird symbols such as the huia, kaka, & torea.” He/she/they finally wear a bracelet of the huia bird of which the long feathers were used as hair adornments by Maori chiefs and notables. As King/Queen, Chieftain and Warchief, & as President/Madam President who is the ruler and sovereign of a few countries on several alien planets, moons, & asteroids they wear the long feathers of this Maori bird in their headdress. “Intricately carved wooden treasure boxes used to store the huia bird feathers are a characteristic form of Maori art work.” He/she/they had jewelry of a Tiki one of the most fashionable and most identifiable Maori symbols. “The Tiki is symbolic for the whole Polynesian hemisphere.” “It is the insignia of Polynesian cultures from Hawaii to Tahiti, to Samoa, & to New Zealand.” “According to folklore tiki was the first man on earth who originated from the stars.” “According to myth tiki was first mortal person who created the first woman after his image.” “The literal meaning of the tiki symbol is disputed.” “There are several opinions but the most acknowledged are that tiki stands for fertility.” “The regularly occurring hands placed on the groin are a direct reference to fertility.” “Tiki is a good luck charm meant to keep evil spirits away.” “Other theories state that tiki represents the human embryo” “The Maori god Tiki who was considered responsible for the creation of life.” “The Tiki is a very primordial symbol and is by far the least understood so there are a number of legends about its meaning.” “Some say he came from the stars and that he was the first man of the world.” “He is also often depicted with webbed feet which suggest a strong connection to the creatures of the sea.” “Tiki was respected as the instructor of all things and the wearer of this symbol is therefore seen to possess clarity of thought, devotion, great inner knowledge and strength of character.” “The Tiki is regarded as a good luck charm when worn and in some areas is also regarded as a fertility symbol.” He/she/they have a necklace of Koru (Spiral). Koru is the Maori word for “bight” or “loop” and refers to new shoots of the silver fern. “The spiral shaped koru design is derived from this unfolding silver fern frond.” “The circular movement towards an inner coil refers to going back to the beginning.” “The unfurling frond itself is symbolic of new life, new beginnings, optimism, precision, regeneration, a new start, awakening, personal growth, purity, nurturing, a new phase in life, the spirit of innovation, & tranquility.” “The koru design repeatedly worn as a Maori necklace but present in many cultural expressions.” “It is a fundamental symbol in Maori art forms.” “Both on itself as well as integrated in more intricate designs such as carvings and Maori facial tattoos.” “The spiral is a Koru that represents the fern frond as it opens bringing new life and purity to the world.” “It also represents peace, tranquility, & spirituality as well as a strong sense of regrowth or new beginnings.” “The Koru is also often associated with nurturing so when interlocked with others is frequently used to represent the strength and purity of a loving relationship within a family.” He/she/they had a necklace of a circle (Porowhita). “The closed circle is said to embody the circle of life which is has no beginning or end.” “It also tells of the stars and planets which are part of the circle of life and contain the information of our origins.” “It is often used to enclose other elements such as the Koru linking love and new life or new beginnings with the circle of life.” For an artist like Alexander Mack Smith/Alexandria Macy Smith the circle represents the relationship or oneness between the artist and his/her/their craft bringing together head, hand, & heart. “The closed circle with a hole in between represents the never-ending circle of life and nature.” “It also stands for the belief that life has no beginning or end.” “Both the spiral and the circle are also described as a metaphor for a never-ending journey of discovery and rediscovery.” “The journey itself with its aboriginal or Indigenous perspectives and sense of direction is the most important act of cultural convalescence.” “It reflects the importance of being on the move in the present while realizing that the path of tradition is a two-way track.” “It points concurrently in the present, towards the past, & towards the future.” He/she/they have a necklace of a twist. “The twist with the interweave form represents the many paths of life and love and as such is regarded as the primordial infinity symbol.” “The single twist or Pikorua (Single Twist) in particular shows the union together of two people for eternity even though they sometimes move away from each other on their own journeys.” “They will always come together again sharing their lives and blending to become one.” “It tells how the strength of the bond of friendship, devotion, & love will last forever.” “The Maori single twist symbol consists of a closed loop with three knots.” Pikorua as the Maori name this symbol refers to eternal emerging paths in life.” “The double and triple twists have a comparable meaning but refer more to the fusion of two peoples or cultures rather than individuals.” “They also refer the three baskets of knowledge.” They were given an eight shaped single twist when he/she/they married one of his/her/their wives (who are women of color and Indigenous women) when he/she/they married Queen and Chieftain and Warchief Kaimana Zhao Hokulani Ya Keali’i who was a Polynesian Hawaiian and Samoan Indigenous Pasifika mixed Chinese and American person of color mixed Atlantean hybrid. They were married by their childhood friends two Polynesian Indigenous Pasifika Atlantean hybrids. These Polynesian Indigenous Pasifika people who married them was European British Polynesian Maori Chieftain and Warchief and Atlantean King Arapeta William Rewi and his wife a Polynesian Indigenous Pasifika Atlantean Hybrid. It is something that they Alexander/Alexandria and Hokulani both treasures especially after being married for decades, centuries, & even millennia as two metahumans and superhumans. “The eight-shaped single twist denotes the power of the bond between two people, their loyalty & friendship.” “It signifies the sacred merger of two people for eternity.” “Although people will take different paths in their lives they will always be connected and will return to each other.” “The twist is a powerful statement of loyalty, friendship, and love.” Teardrop or roimata designates healing and console, hope, & optimistic energy.” “It is often called a comfort stone.” “The drop is a stylized version of the toki and signifies strength, power, pride, & independence.” “The core meaning of the teardrop is speed and strength.” “It indicates the support often shown by dolphins and whales to humans in anguish.” “So therefore, it is a symbol of protection but also of speed, power, & compassion.” “It represents the bond between animal and human.” “It expresses respect for the sea and nature.” “It is also a good luck charm providing safe passage over water.”

"Welcome home my mahu/fakaleiti child," East Asian Japanese and Polynesian Tongan and Hawaiian Asian Native Akio Kato or Puleleiite Kaimana Latu said to his nonbinary genderfluid Asian and Latinx Native child Kana'i Makoa Latu/Ataahua Kamalani Latu who was stolen a long time ago from the (now independent by the 22nd century) Kingdom of Hawaii by metahuman and superhuman traffickers who experimented on him/her/them turning him/her/them into a sentient weapon and child soldier just like imperialist governments did to soldiers of color and Indigenous soldiers up to the 21st century "You were stolen from your home and have journeyed along time across the stars just like your navigator and sailor kupuana before you and now you are home," he said to his child no longer a child but now a young adult, "I prayed for a long time to elders asking you safe passage home and it seems my prayers were answered." "Welcome home my child." "Those colonizers they stole your childhood from you!" "You were supposed to live happily here in Hawaii riding a bike surfing goofing off with your friends maybe get your heart broken by your wahine!" "Not being forced to fight and die for colonialism imperialism and occupation across the stars under the banner of the imperialist and colonial Terran Dominion as a child soldier!” Akio roared calling upon his power as a Polyesian demigod, "I swear upon my divinity as a demigod by the gods and goddesses those settlers will pay for ever harming my child!" "Who are these people dad?" asked Makoa/Ataahua to his/her/their dad Akio Latu about a mystery teenager & preteen. "These are your younger siblings Makoa/Ataahua, "You were a child when you were taken and these two were just babies when those settlers stole you from your home..." "Its been years Makoa/Ataahua," he said pointing a now teenage Leilani Ailani Latu and preteen Kekoa Maleko Latu the younger siblings of Kana’i Makoa Latu/Ataahua Kamalani Latu who were no longer children... "What..." asked Ryuu/Haruka Kato a plural system of Kana'i/Ataahua as someone with schizophrenia and dissociative identity disorder born from the years of abuse and trauma Kana'i/Ataahua suffered. Ryuu/Haruka took over since Kana'i/Ataahu no longer wanted to be in control as a main system at this moment. "What more did those colonizers stole from me?!" "Childhood?!" "Seeing my siblings grow up?!" "Take their first steps and say their first words!"

Queen of Altantis and Chieftain and Warchief Hokulani Zhao Kaimana Ya Keali’i a Polynesian Hawaiian and Samoan Indigenous Pasifika mixed East Asian Chinese and American Caucasian person of color Atlantean hybrid superhero was on her throne in the 9 Kingdoms of the empire of Atlantis. She was clutching her Quident of power of Triton and calling upon the power of the sea and the earth. By her side was her friend Dior Linh Heimana Tranh a Vietnamese, French, Chinese, & Polynesian Tahitian Indigenous Pasifika woman of color with power over wind and fire. Dior was the other Polynesian Indigenous Pasifika spouse of Alexander/Alexandria. Hokulani she was remembering the moment she was forced to watch her spouse and partner Alexander Mack Smith/Alexandria Macy Smith an East Asian Japanese Latinx Colombian person of color and Indigenous Colombian and Polynesian Hawaiian and Tongan Indigenous Pasifika Indigenous person superhero be taken from Hawaii. He/she/they were kidnapped by human and alien metahuman and superhuman traffickers when he/she/they were a metahuman and superhuman kid to be experimented on and forced to become a metahuman and superhuman child soldier who fought until they were a young adult metahuman and superhuman super soldier. Alexander/Alexandria he/she/they were a nonbinary genderfluid pansexual or mahu or in the middle (Polynesian gender in Polynesian Indigenous Pasifika gender and sexual orientation fluidity that is a cultural identity and gender identity like Indigenous two spirit). It was a quiet day when kids were playing on hover bikes, hover skates, and hover boards. When the unmistakable sound of space ship engines roared as men and women in combat power and power armor started to abduct metahumans and superhuman children, preteens, teenagers, and young adults from across the planet, star system, & galaxy. “Run call the elders and kupana now! “Get his/her/their parents Chieftain and Warchief Mark Akio Puleleiite Oshiro Kaimana Kato-Smith (the Japanese and Polynesian Hawaiian and Tongan Indigenous Pasifika metahuman) and Queen Maria Garcia Bahr Alejandra Smith an Indigenous Colombian and Colombian Hispanic woman of color) now!” Screamed some of the older young adult and adult metahumans and superhumans to the teenage and preteen metahumans and superhumans who ran or flew to get help. The older teens and young adults stayed behind to fight off the metahuman and superhuman traffickers since the Polynesian Indigenous Pasifika Atlantean hybrids had power over the elements. Some had power over earth, earthquakes, & stone, others had power over wind, thunder, lightning, storm, others had power over fire, magma, lava, & others had power over water, snow, ice, & or frost. They were all given this power because of their belief in the Polynesian polytheistic gods as Polynesian Pasifika and their faith in the gods of the sea and titans of the ocean of Neptune, Poseidon, Amphirite, Triton, & Oceanus as Atlantean hybrids. So, the traffickers were being attacked with elemental powers of earth, fire, & wind. “Alex/Lexi!” screamed Hokulani Zhao Kaimana Ya Keali'li as she watched him/her/them be chained in hard light shackles and plasma chains.” “Alexander/Alexandria!” She roared as she watched them put a collar on him/her/them that negated his/her/their power as a metahuman and superhuman. “Get your hands off of him/her/them!” She roared as she called upon the power of the earth and the sea as an Atlantean hybrid mixed Polynesian Indigenous Pasifika person of color by using her quident of power. "Neutralize her non lethally.” “She is important to our objective of Alexander Mack Smith/Alexandria Macy Smith.” “Stun her.” “We need her alive.” Alexander Mack Smith/Alexandria Macy Smith was put into a collar that negated their powers because earlier he/she/they were using his/her/their powers as a metamorph, changeling, & shapeshifter and shapeshifted into a yeti, Sasquatch, cave bear, dire wolf, saber toothed smilodon, gray wolf, polar bear, gorilla, hellhound, griffin, & dragon & chimera. He/she/they were also put into shackles of hard light because earlier he/she/they ripped through the combat armor using their claws on their clawed hands with opposable thumbs and clawed feet with opposable toes with his/her/their claws that can rip through materials stronger than even diamonds. He/she/they were put into chains of plasma because earlier with canines, fangs, & or saber teeth that can rip through even diamonds they tore through even power armor. So they were classified by the alien traffickers as a A rank threat even as a metahuman and superhuman child. The earth and the ocean shook as Kaimana used her powers to defeat several of the traffickers but it wasn’t enough as they traffickers left with most of their objectives. Hokulani dropped to her knees as she cried being powerless to stop Alex/Lexi be taken. Sitting on her throne tears ran down her face as she remembered the broken look in the parents of Alexander Mack Smith/Alexandria Macy Smith as they learned their child was taken. For years she blamed herself for the kidnapping of their fiance. That is why she trained stronger becoming stronger in her command of the earth and the ocean as a superhero. She joined the spec ops and black ops military of Atlantis and trained until she became one of the best as an Atlantean military officer. “Alexander Mack Smith/Alexandria Macy Smith is home!” Kaimana Hokulani Keali’i and Dior Linh Heimana Tranh both dropped their Quidents of Power as they ran to meet their fiance who was now home after all of this time. “Welcome home King/Queen and Chieftain and Warchief Alexander Kana'i Mack Ryuu Francisco Makoa Smith/Alexandria Ataahua Macy Haruka Francisca Kamalani Smith of Ethania the country on an alien planet in the Andromeda Galaxy,” said one of Alexander Mack Smith/Alexandria Macy Smith’s personal male and female honor guards as they escorted him/her/them out of the ship. Cardinal Changeling (Alexander Mack Smith/Alexandria) shouted as he/she/they hugged his/her/their father’s best friend, “King Zhao Makoa Li Keali’i!” King Zhao Makoa Li Keali'i said, “My son in law/daughter in law!” “Alex/Lexi, my daughter Queen Kaimana Zhao Hokulani Ya Keali'i has heard of what happened to you when you were taken. “She knows of you being experimented on, being enslaved, & being forced to become a super soldier.” “She wishes to command her honor guard to hunt them all down and kill the ones responsible with extreme prejudice.” Alexander Mack Smith/Alexandria macy Smith said, “Of course she did….” “In time they will be dealt with.”

Later when Hokulani, Heimana, and Kana’i/Ataahua were alone, “I should have fought harder,” said Chieftain and Warchief Hokulani Zhao Kaimana Ya Keali'i. He/she/they said, “Kaimana…” “No if I fought harder.” “They wouldn’t have stolen you from our home in Hawaii.” “If I fought harder.” They wouldn’t have forced you to become a metahuman and superhuman child soldier who fought until you were young adult metahuman and superhuman spec ops and black ops super soldier.” “If I was stronger than they wouldn’t have took you stolen you from our home and experimented on you on a giant black site planet as part of an intergalactic compartmentalized deep black project.” “You saw true evil.” An intergalactic compartmentalized deep black is a need to know highly classified top-secret military operations and defense project so dangerous that even if a hint of them are leaked. It would get millions or even billions killed, cripple intergalactic military or intergalactic political operations, & cause collapse of entire intergalactic governments. A giant black site planet is a planet where so many unacknowledged black projects are being conducted. “I’m the reason that you have mental illnesses in the first place.” “It was my job and my duty to protect you and I failed.” “It was our job to take care of each other Hokulani.” “We were superhuman and metahuman kids Kaimana.” “Nothing you could have done could have prevented it.” “They were adult super soldiers what could we have done.” “If I was stronger than maybe I could have.” “That’s why I became superhuman and metahuman spec ops and black ops super soldier for the Atlantean military before I became queen of one of the 9 kingdoms of the empire.” "Hokulani she spoke sunshine and light.” “I responded in darkness and shadows.” “Kaimana she cried life and I murmured death.” “But together we sung stellar and cosmic starlight and found a way.” “In this universe force, power, influence, & supremacy dominates everything.” “Without power you cannot defend anyone or shield anything let alone yourself.” “Let us soar through the stars of the cosmos enjoying the white, yellow, red, & blue suns of the universe.” “Let me kiss your prosthetic bionic and cybernetic eye Alexander/Alexander.” “Let me kiss your mouth.” “Let me caress your cybernetic cyberware on the right side of your face, your left and right clawed hands, your torso, & your back.” “Let me continue to notify you that you are more stunning than the most vivid white, yellow, red, & blue star in the star system, galaxy, & universe.” “Even with all of these scars you are still the valiant leader, warrior, & artist that I adored all those years ago.” Alex/Lexi he/she/they were in his/her/their royal attire that was a mixture of a traditional Polynesian Chieftain and Warchief attire and a mixture of traditional East Asian imperial attire as the child of East Asian and Polynesian royalty and the child of Iuyamanian royalty as the child of metahuman Chieftain and Warchief Mark Akio Puleleiite Oshiro Kaimana Kato-Smith a Japanese and Polynesian Tongan and Hawaiian Pasifika and superhuman Queen Maria Garcia Bahr Alejandra Smith a Colombian woman of color and Iuyamian alien hybrid.

Dior Linh Heimana Tranh is a Vietnamese and French Polynesian Tahitian woman of color. Hokulani Zhao Kaimana Ya Keali’i a Chinese and American Polynesian Samoan and Hawaiian woman of color. Vaulina Tagi is a Melanesian Fijian woman. Runica Keju is a Micronesian Marshallese Indigenous Pasifika woman. Hokulani Zhao Kaimana Ya Keali’i-Smith is a biracial Chinese and American woman of color Polynesian Hawaiian and Samoan Indigenous Pasifika Atlantean hybrid. She has power over the earth and ocean. She is a monogamous cis demisexual. Dior Linh Heimana Tran-Smith is a Vietnamese Chinese and French Polynesian Tahitian Indigenous Pasifika woman of color Atlantean hybrid who has power over fire and wind. ‬She is a monogamous trans maohi asexual. Cardinal Changeling or Scarlet Shapeshifter (King/Queen Alexander Kana’i Mack Ryuu Francisco Makoa Smith/Alexandria Ataahua Macy Haruka Francisca Kamalani Smith) said to Queen Dior Linh Heimana Tran his/her/their Vietnamese French and Polynesian Tahitian Indigenous Pasifika woman of color wife and Queen Zhao Hokulani Kaimana Ya Keali’i his/her/their Chinese and American Polynesian Hawaiian and Samoan Indigenous Pasifika woman of color wife, “It seems the elders or kupana are choosing me to become an elder.” “A mahu or maohi in the middle elder that is since being mahu or maohi that is my gender identity and cultural identity as a Hawaiian and Tongan Polynesian Indigenous Pasifika.” “That is so awesome Alexander/Alexandria,” said Linh and Zhao, “an elder is an important duty or kuleana.” “So much more as a mahu or in the middle elder.” “It’s a huge cultural responsibility and spiritual obligation among our peoples.” “People from families, clans, & nations will come to you for guidance and wisdom.” “You will do so well our love.” Alexander Kana’i Mack Ryuu Francisco Makoa Smith/Alexandria Ataahua Macy Haruka Francisca Kamalani Smith took out his/her/their hard-light ukulele and started to serenade his/her/their Indigneous Pasifika spouses and partners Dior Linh Heimana Tranh a Vietnamese and French Polynesian Tahitian woman of color, Hokulani Zhao Kaimana Ya Keali’i a Chinese and American Polynesian Samoan and Hawaiian woman of color, Vaulina Tagi a Melanesian Fijian woman, Runica Keju a Micronesian Marshallese Indigenous Pasifika woman. All five of them were on a beach in Hawaii. He/she/they sang in his/her/their male masculine form, female feminine form, nonbinary genderless form, & genderfluid androgynous form. As a songwriter and singer, he/she/they started to sing the following songs to Dior, Hokulani, Vaulina, & Runica. During some of the songs Alexander/Alexandria started to crying when singing them. He/she/they were thinking about his/her/their current Indigenous Pasifika partners. He/she/they were thinking about Dior Linh Heimana Tranh a Vietnamese and French Polynesian Tahitian woman of color, Hokulani Zhao Kaimana Ya Keali’i a Chinese and American Polynesian Samoan and Hawaiian woman of color, Vaulina Jiya Tagi a South Asian Desi Indian Melanesian Fijian Indo-Fijian woman of color, Runica Keju a Micronesian Marshallese Indigenous Pasifika woman. He/she/they were also thinking about his/her/their Indigenous Pasifika exes. His/her/their exes were Polynesian Indigenous Pasifika such as Hawaiian, Tahitian, Maori, Samoan, & Tongan. His/her/their exes were Melanesian Indigenous Pasifika such as Ni-Vanatu, Fijian, & Papuan. His/her/their exes were Micronesian Indigneous Pasifika such as Marshallese, Chamorro, Pohnpeian, Kosraean, & Chuukese Indigenous Pasifika men, Indigenous Pasifika women, & Indigenous Pasifika mahu or in the middle people. People such as Kalea Ioane a Polynesian Hawaiian Indigenous Pasifika woman, Ahio Moala a Polynesian Tongan Indigenous Pasifika man, Verani Hoata a Polynesian Tahitian Indigenous Pasifika woman, Nali Tamara Apa an Afro Caribbean Haitian and Melanesian Papuan Indigenous Pasifika woman, Taki Anaru a Polynesian Maori Indigenous Pasifika man, Runica Alik a Micronesian Marshallese Indigenous Pasifika woman, Eiken Apaisam a Micronesian Pohnpeian Indigenous Pasifika man, Isa Dela Cruz a Micronesian Chamorro Indigenous Pasifika woman, & Achina Akapito a Micronesian Chuukese Indigenous Pasifika.

https://www.youtube.com/watch?v=kr5Znx4cxKQ.

https://www.youtube.com/watch?v=1yn9mKqDuHM.

https://www.youtube.com/watch?v=Bum4936KgOo.

https://www.youtube.com/watch?v=rAU620FgR_w.

https://www.youtube.com/watch?v=iafubcZ2EAY.

https://www.youtube.com/watch?v=_7ccKx3NHMU.

https://www.youtube.com/watch?v=WXPP2sgLMKQ.

https://www.youtube.com/watch?v=lX3YX1ffzDI.

https://www.youtube.com/watch?v=yblB87dpJGc.

https://www.youtube.com/watch?v=YEpLa4KyFOo.

https://www.youtube.com/watch?v=zNR--LWQeso.

https://www.youtube.com/watch?v=hjiAkUiPHqs.

https://www.youtube.com/watch?v=FBiRLp58qEE.

https://www.youtube.com/watch?v=SsGeHAMDTAA.

https://www.youtube.com/watch?v=piUSSiy-gUw.

https://www.youtube.com/watch?v=xIqk0NJwuMQ.

https://www.youtube.com/watch?v=UjMA6BP2Xo4.

https://www.youtube.com/watch?v=mOqoFc5dp4A.

https://www.youtube.com/watch?v=CFJ6qQ9K3N0.

https://www.youtube.com/watch?v=NFLppNGY1uA.

https://www.youtube.com/watch?v=WSoP2_sDaDw.

https://www.youtube.com/watch?v=7x0xJJUKQoo.

https://www.youtube.com/watch?v=e9XBf_5GsPE.

https://www.youtube.com/watch?v=hXQ089YTHoc.

https://www.youtube.com/watch?v=R3HRMdHtbq4.

https://www.youtube.com/watch?v=FqPpX5PrWZI.

https://www.youtube.com/watch?v=WHqR45z4-ss.

https://www.youtube.com/watch?v=z_TROKSJ5eQ.

https://www.youtube.com/watch?v=TxIgPoyEiPk.

https://www.youtube.com/watch?v=LaCNka7zZrA.

https://www.youtube.com/watch?v=ausm7Agez7Q.

https://www.youtube.com/watch?v=BpKNXAWc7dg.

https://www.youtube.com/watch?v=QMQRF-H2LlE.

https://www.youtube.com/watch?v=D1iwJ7U-uJs.

https://www.youtube.com/watch?v=KY3nbk8iMPE.

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moviesandmania · 3 years ago

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MYTH: BIGFOOT HUNTERS (2021) Reviews and overview

‘The forest speaks back’ Myth: Bigfoot Hunters is a 2021 mystery horror film about a group of park rangers in search of two missing EPA agents in the forest. They discover they are not alone when they encounter Sasquatch. Written and directed by Brando Snider, making his feature debut. The American Pink Elephant-Red Bridge Pictures co-production stars Jack Rooney, Alexa Raye, Alex Marshall, Hauke…

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#2021 #Alex Marshall #Alexa Raye #Brando Snider #film #Hauke Bahr #horror #Jack Rooney #movie #Myth: Bigfoot Hunters #review #reviews #Sasquatch

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arabiclanguageday · 3 years ago

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Celebratio of the Arabic's historic role in the development of art and science.

On Saturday, 18 December 2021, the Chamber Music Society (UNCMS) have presented a virtual concert in celebration of World Arabic Language Day.

One of the most widely spoken languages in the world, Arabic is a pillar of the cultural diversity of humanity. In celebration of World Arabic Language Day, and Arabic's historic role in the development of art and science, the programme will feature a variety of popular and classical music from the Arab region.

The opening will present 'I Lift My Eyes' composed by Christopher Tin, 2x Grammy Award Winning Composer – sung by Lebanese singer-songwriter Abeer Nehme. Throughout the concert, "Magic Carpets" artwork by Saks Afridi will be presented.

Opening remarks will be delivered by H.E. Mr. Mohammed Hussein Bahr Aluloom, Ambassador and Permanent Representative of Iraq to the United Nations, and Chair of the Arab Group for the month of December 2021. Founded in 2016, the UN Chamber Music Society is dedicated to promoting the United Nations' goals and values at large - through the universal language of music.

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MESSAGE

H.E. Mr. António Guterres, UN Secretary-General

OPENING REMARKS

H.E. Mr. Mohammed Hussein Bahr Aluloom, Ambassador and Permanent Representative of Iraq to the United Nations, Chair of the Arab Group for the month of December 2021

UN Chamber Music Society of the United Nations Staff Recreation Council Brenda Vongova, Artistic Director & Piano

FEATURING:

'I Lift My Eyes' composed by Christopher Tin, 2x Grammy Award Winning Composer sung by Abeer Nehme, Lebanese Singer/Songwriter

"Magic Carpets" artwork by Saks Afridi

PROGRAMME

CHRISTOPHER TIN (1976 - ) 'I Lift My Eyes' Abeer Nehme (Lebanese Singer), UN Chamber Music Society: Brenda Vongova (Piano), Hana Mundiya (Violin I), Jeremy Kienbaum (Violin II), Noémie Chemali (Viola), Derek Louie (Cello), Kohei Yamaguchi (Bass), Jamie Papish (Percussion), Sandro Friedrich (Duduk), Angel City Chorale "The Becoming" by Saks Afridi

GHIYA RUSHIDAT (1984 -) Izar Hana Mundiya (Violin), Rohan Mundiya (Violin), Florrie Marshall (Viola), Drake Driscoll (Cello), James Quinlan (Double Bass), Brenda Vongova (Piano) "Woven Heart 2021" by Saks Afridi

Mary Kouyoumdjian (1983 - ) The Revolt of the Stars Noémie Chemali (Viola) "Woven Desert" by Saks Afridi

KADIM AL SAHIR (1957 - ) Eid al ashak "Celebration of lovers" Flute Solo (Amir), Hana Mundiya (Violin), Rohan Mundiya (Violin), Florrie Marshall (Viola), Drake Driscoll (Cello), Alec Manasse (Clarinet), Tom Betsalel (Percussion) "Illusion 2021" by Saks Afridi

#virtual concert #Arabic Language Day #18 december #United Nations Chamber Music Society (UNCMS)

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naturecoaster · 6 years ago

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Pigz in Z'hills offers World-class Barbecue and Blues January 19

The Greater Zephyrhills Chamber of Commerce proudly invites BBQ and Blues enthusiasts to drive-in or fly-in to the 9th Annual Pigz In Z’Hills BBQ and Blues Festival held at the Zephyrhills Municipal Airport, located at 5200 Airport Road in Zephyrhills, on January 19th from 10 a.m. to 6 p.m. Admission is Free with $10 Parking. The Pigz in Z’Hills BBQ and Blues Festival has come a long way in the 9 years since its inception. 2018’s attendance exceeded 12,000 and with the addition of a cornhole tournament more enthusiasts are expected to visit Z'hills this year!

Enjoy a Florida BBQ Association-approved Competition

This fun festival features a Florida BBQ Association-approved barbecue competition. About 60 competition teams, both professional and backyard, are expected to compete for top honors and trophies in four standard categories: Chicken, Pork, Brisket, and Ribs. Professional teams have the added incentive of potentially winning $10,000 in prize money. Pigz in Z’Hills BBQ & Blues Festival has distinguished itself as a qualifier for three prestigious championship contests: The Jack Daniel’s World Championship Invitational in Lynchburg Tennessee, considered the Superbowl of BBQ contests, the American Royal World Series of BBQ in Kansas City, the world’s largest and oldest contest; and the Sonny’s Smokin’ Showdown Invitational.

The Advent Health Stage will be alive from 10:30 a.m. to 6 p.m. with an impressive line-up of blues music. This year’s headliner is Damon Fowler who will be performing at 4:30 pm

Damon Fowler heads the Blues Acts

The Advent Health Stage will be alive from 10:30 a.m. to 6 p.m. with an impressive line-up of blues music including headliner Damon Fowler, as well as the Bird Tribe, Chuck Riley’s All-Star Band, the Ellie Lee Band, and the Dave Shepard Band. Damon Fowler will be onstage at 4:30 pm. Damon is a Florida native. On the strength of his hybrid of roots rock, blues, and sacred steel, the Florida native started wowing audiences with his musical exploits as a teenager, building a reputation as one of the hottest young players on the scene. Adding songwriting and vocal skills to his repertoire over the years has brought him many accolades, with critics extolling his originality and maturity as well as his technical guitar expertise. Billboard notes that “He’s a formidable slide guitar player and has also mastered lap steel and dobro as well as electric guitar…”. The Bird Tribe will be onstage at 3:00 pm. Each member of the Bird Tribe contributes to the group’s unique expansive sound which is lyrically poetic with a mixture of heave groove, Rock, Soul, and an experimental feel. Chuck Riley’s All-Star Band features Chuck Riley on bass, accompanied by an assortment of fabulous local talent. This blues revue is one of the favorites each year and always electrify our stage! Their powerful blend of R&B with soul and blues never fails to bring the house down. This eclectic band will perform at 1:30 pm. The Ellie Lee Band will make their way to our stage at 12:00 pm. Winner of numerous awards, the Ellie Lee Band is an exciting blues rock group with a dynamic on-stage performance. Ellie fronts the band with her soulful voice, ripping guitar solos and her obvious joy in performing. Dave Shephard and the Blues Riders will start off this amazing day of music at 10:30 am. This band's powerful grooves, vocal harmonies and instrumental excursions have captured the souls of blues lovers around the state. They have been featured on WMNF radio and have opened for national acts like Pat Travers and the Marshall Tucker Band. Bleachers are available but please bring your lawn chairs for at-home comfort! At 6 p.m. the barbecue competition winners will be announced.

Under the direction of Ryan Schwartzkoph of the Tampa Bay Cornhole Organization, the 2-player team - double elimination tournament will feature two divisions: ‘Well-Seasoned Division’ for more skilled competitors, and the ‘Still-Marinating Division’ is available for recreational competitors.

Join the Cornhole Tournament

A Cornhole Tournament sponsored by Advent Health Zephyrhills begins this year. The constest will include 2-player team double elimination tournaments with two divisions: The ‘Well-Seasoned Division’ for more skilled competitors is $40 per team, and will have a total payout of $500 as well as 1, 2nd & 3rd place trophies and will begin at 12:00 p.m. The ‘Still-Marinating Division’ is available for recreational competitors and cost $20 per team. Prizes will include trophies and BBQ swag bags full of goodies and will begin at 3:00 p.m. Zephyrhills Chamber Director Melonie Monson states: “We are thrilled to be adding this tournament to our already successful BBQ event and there is a lot of enthusiasm from locals. More than 12,000 attended Pigz in Z’Hills BBQ & Blues Festival last year and we expect this cornhole tournament will add even more who will be excited to come spend the day in Zephyrhills.” Pre-registration for both divisions will include a parking pass which will offset the $10 event parking.

Kidz Zone, Car Show, Business Expo & Aviation Showcase add to the Fun

In addition to the barbecue competition and live blues music, the Kidz Zone will entertain with face painting, arts & crafts, and games. You can also enjoy the Show-N-Shine Car Show, Aviation Showcase and the Business Expo as part of the Pigz in Z’Hills event.

The Zephyrhills Museum of Military History located across the street will be open for visitors to enjoy this impressive and unique collection of memorabilia and information.

Don’t miss the Zephyrhills Military Museum

The Zephyrhills Museum of Military History located across the street will be open for visitors to enjoy this impressive and unique collection of memorabilia and information.

Zephyrhills Community benefits from Funds Raised

Pigz in Z’Hills has helped The Greater Zephyrhills Chamber of Commerce to provide $24,000 in scholarships for local Zephyrhills area students in the 9 years since its inception. Students aren’t the only one benefitting from Pigz in Z’Hills. Many local 501(c)3 youth groups and charities that dedicate time and talent to make this a successful event are awarded donations raised from the event. Pigz in Z’Hills Blues & BBQ’s success has allowed the Chamber to “Pay it Forward” with donations to scholarships, youth leadership programs and children’s charities every year since its beginning.

Donate Blood and visit Sponsors

The OneBlood, Blood Mobile will be on site once again. All donors will receive 5 Pig Bucks and a wellness checkup including blood pressure, temperature, iron count, and cholesterol screening! The Festival is presented by the Greater Zephyrhills Chamber of Commerce and is a Visit Florida event in partnership with the City of Zephyrhills and Zephyrhills Municipal Airport, AVCON, Suncoast Credit Union Advent Health Zephyrhills, O’Reilly Auto Parts, PuroClean, Sonny’s BBQ, CenterState Bank, Bahr’s Propane Gas & AC, Jarrett Ford, TBA|BEARCOM, Culvers of Zephyrhills, Duke Energy, Edward Jones, Kelly’s Portable Restrooms, Kimley-Horn & Associates, Pepin, TECO/Peoples Gas, and West Coast Rental. Advertising Partners include: The Laker/Lutz News, Pasco News Publications, Tampa Bay Times, and Tampa Type & Print. For more information visit https://www.zephyrhillschamber.org/bbq-blues, call (813) 782-1913 or visit our Pigz in Z’Hills BBQ & Blues Facebook Page. Read the full article

#bbqandblues #chuckrileysallstarband #cornholetournament #damonfowler #DaveShephardandtheBluesRiders #ellieleeband #FloridaBBQAssociation #pigzinz'hills #zephyrhillsairport #zephyrhillschamber #ZephyrhillsMunicipalAirport

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danmarshallwatercolor · 8 years ago

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Don't be fooled by the title haha ! It's all about commitment! Great article by my new friend Bob Bahr at Outdoorpinter.com @pleinairconvention Plein Air Magazine @st_cuthberts_mill @stcuthbertsmill (at Dan Marshall Art Atelier 71)

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investmart007 · 6 years ago

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LOS ANGELES | Cicely Tyson, Kathleen Kennedy among film academy honorees

New Post has been published on https://is.gd/3BaMVf

LOS ANGELES | Cicely Tyson, Kathleen Kennedy among film academy honorees

LOS ANGELES— Actress Cicely Tyson, composer Lalo Schifrin and publicist Martin Levy will be getting honorary Oscar statuettes this fall at the film academy’s Governors Awards, while producers Kathleen Kennedy and Frank Marshall will receive the Irving G.

Thalberg Memorial Award.

The Academy of Motion Picture Arts and Sciences announced the honorees Wednesday after a Tuesday night vote by its board of governors.

“Choosing the honorees for its awards each year is the happiest of all the Board of Governors’ work,” academy president John Bailey said in a statement. “And this year, its selection of five iconic artists was made with universal acclaim by the Academy’s 54 spirited governors.”

The Oscar statuette is intended to “honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion picture arts and sciences, or for outstanding service to the Academy.” None of the honorees have been awarded an Oscar before.

Schifrin, 86, is a six-time nominee, who has composed original scores for over 100 films including “Cool Hand Luke” and “Dirty Harry.”

Tyson, 93, was Oscar-nominated only once for the 1972 film “Sounder.” The prolific stage and screen actress has appeared in films like “The Help” and “Diary of a Mad Black Woman.”

Levy will be the first publicist to receive an honorary Oscar. His work on the campaign for “Close Encounters of the Third Kind” led to a four-decade partnership with Steven Spielberg, including on films like “Schindler’s List,” ”Saving Private Ryan” and “E.T. The Extra Terrestrial.”

Also Spielberg-adjacent are Kennedy and Marshall, this year’s Irving G. Thalberg Memorial Award recipients, who together have received best picture nominations for films like “The Sixth Sense,” ”Munich” and “Seabiscuit.” Kennedy, who will be the first woman to collect the Thalberg award, was also nominated for “E.T.,” ”War Horse” and “Lincoln.”

The 10th annual Governors Awards will be held in Los Angeles on Nov. 18.

By LINDSEY BAHR , Associated Press

#composer lalo schifrin #film academy honorees #frank marshall #governors awards #honorary oscar statuettes #kathleen kennedy #lindsey bahr #producers kathleen kennedy #publicist martin levy #TodayNews

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drmarshallbahr · 9 months ago

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#marshall bahr #physician #dr. marshall bahr #ranger #addiction

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gdrunplugged · 5 years ago

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#RUSSIANROLETTE Il nostro Filippo Guaitamacchi accetta una #SFIDAIMPOSSIBILE per il #GIOCHIAMOA di martedi 24 settembre! Leggere e facilitare uno A CASO tra questi 794 (SETTECENTOVENTIQUATTRO) GIOCHI!!! STASERA ALLE 18 L'ESTRAZIONE CASUALE IN DIRETTA!!! #telegram #twitter #Feminism (Misha Bushyager, Lizzie Stark, Anna Westerling et al., 2017) 100 Creepy Things... 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Hill _ Filamena Young, 2011).pdf Angel Project - Cute Girls Save The Galaxy! Anima Prime (Christian Griffen, 2011) Annalise (Nathan D. Paoletta, 2008-2010) ANocturne_0-7-2(1).pdf Apocalypse World 2nd ed. (D. Vincent Baker _ Meguey Baker, 2016) Apocalypse World_ Dark Age Apocalypse World_ Fallen Empires Archipelago III (Matthijs Holter, 2012).pdf Archives of the Sky (Aaron A. Reed, 2018).pdf Armour Astir - Advent Ars Gladiatoria (Alberto Tronchi, 2013-2016) Ars Magica 5th ed. (Jonathan Tweet _ Mark Rein•Hagen) As Blossoms Fall (Luke Jordan, 2018) Atlas (Tom Fendt, 2016).pdf Attorneys at Jaw ((Chris Longhurst, 2019).pdf Austral Avant la fin (Francesco Rugerfred Sedda, 2013).pdf Avarice (C. Steven Ross, 2019) Awesome Adventures (Willow Palecek, 2011).pdf Babes in the Wood bacchanalia Baker Street (Bryce Whitacre, 2014) Band of Blades (Stras Acimovic _ John LeBoeuf-Little, 2019) Band or Album (Kenneth Hite _ Jeff Tidball, 2015) Barbaren (Frank Tarcikowski, 2009-2012).pdf Be Not Afraid (Nora Blake, 2018).pdf Beast Hunters (Christian _ Lisa Griffen, 2007).pdf Beast the Primordial Beat to Quarters (Neil Gow, 2009).pdf Beath the Boss (Doug Geisler, 2019) Beautiful Space Pirates in “The Galaxy_s Most Dangerous Funeral!” (Grant Howitt, 2019).PDF Becoming - Roads Less Traveled (Jason Pitre et al., 2014).pdf Becoming (Brian Engard, 2013).pdf Bedlam Hall - A Depressing Role-Playing Game About Horrible People Behind the Masc (Brie Sheldon et al., 2018).pdf Belly of the Beast Beloved (Ben Lehman, 2011).pdf Beneath Cursed Moon (Michael Mazur, 2018) Best Friends (Gregor Hutton, 2007).pdf Better Angels (Greg Stolze, 2013).pdf Better The Devil Who Serves You Between Dreams BFF! (Ross Cowman, 2019) Black Mass (Will Jobst, 2019) Blackout - A Game about Women & The Blitz Blades in the Dark (John Harper, 2017) Bliss Stage (Ben Lehman, 2007).pdf Blood Red Blossoms (Emanuele Galletto, 2018) Blood Red Sands (Ralph Mazza, 2012).pdf Blowback (Elizabeth Shoemaker Sampat, 2009-2010) Blubeard’s Bride (Whitney “Strix” Beltrán, Marissa Kelly _ Sarah Richardson, 2017) Bootleggers - Smuggling Run Boy X Boy (Jake Richmond, 2011).pdf Breakers - World of Dungeons Turbo Breakfast Cult (Paul Matijevic, 2016) Breaking the Ice (Emily Care Boss, 2005).zip Brewin_ USA Broken Worlds Bubblegumshoe - Core Rulebook.pdf Bury Mary - The Great Lich's Bake Off Busty Barbarian Bimbos (John Fitzgerald, 2013) BX Essentials (Gavin Norman, 2017) By the Author of Lady Windermere’s Fan (Ed Turner, 2017) Caitlynn Belle - Bundle Calipso e Odisseo (Carlo Antonioli, 2012).pdf Call of Cthulhu Calling the Quarters (Kira Magrann et al., 2015) Candidate (Dale Elvy, 2016).pdf Candycreeps (Nick Licata, 2008).pdf Caper (Dale Elvy, 2017).pdf Capers (Craig Campbell, 2018).pdf Car Lesbians (4 chan’s _tg_, 2011).pdf Cards Without Master Carolina Death Crawl - Rules (Jason Morningstar, 2013).pdf Carry - A game about war - revised edition (Nathan D. Paoletta, 2006-2016) Cartel Catch the Devil (Sage LaTorra, 2019).pdf Changeling the Lost Characters Welcome (Jeff Stormer, 2019) Chess - Two Kingdoms 0.3 (Takuma Okada, 2018).pdf Chronicles of Skin (Sebastian Hickey, 2011-2012) Circle of Hands (Ron Edwards, 2014) Circles of Power (Jason Pitre, 2019) City of Judas - Dark Fantasy AW hack City of Mist - A Detective Role-Playing Game in a City Classroom Deathmatch (Jake Richmond, Matt Schlotte, Nick Smith, 2007).pdf Clink (David Schirduan, 2017) Codex Codex Zines Cold City (Malcolm Craig, 2006-2010) Cold Shadows (Alan Bahr et al., 2017).pdf Cold Soldier (Bret Gillan, 2012) Colonial Gothic (Richard Iorio II, 2007-2012).pdf Community Radio v. 1.2 (Quinn Murphy, 2015).pdf Companion’s Tale (Laura Simpson, 2018) Comrades (W. M. Akers, 2019) Conclave (Willow Palecek, 2019) Conspiracy of Shadows - Apprentice (Keith Senkowski, 2012) Conspire (Alexander Jerabek _ Jake Breish, 2017).pdf Contenders (Joseph J. Prince, 2006) Covenant (Matt Machell, 2006).pdf Crowsmantle Crush the Rebellion (C. Steven Ross, 2015) Cthulhu Confidential (Robin D. Laws, Chris Spivey _ Ruth Tillman, 2017) Cthulhu Dark (Graham Walmsley, 2010-2017) CthulhuTech - Blue Horizon (WildFire, 2011).pdf Damn the Man, Save the Music! (Hannah Shaffer _ Evan Rowland, 2017) Dance ’Til Dawn (Barak Blackburn, 2019) Dangerous Times (Michael Bacon, 2019) Dangers Untold (Shoshana Kessock, 2014).pdf Dark Darkmoor_Gioco_di_Ruolo_(9834758).pdf David Kills Goliath (Hayley Gordon _ Vee Hendro, 2019).pdf Dawning Star - Fate of Eos (Justin D. Jacobson, 2017).pdf De Profundis (Michał Oracz, 2001).pdf Dead Are Among Us (Giacomo Vicenzi, 2016).pdf Dead of Night 2nd ed. (Andrew Kenrick, 2010).pdf Dead Scare (Elsa S. Henry, 2017) Dead Teenager Death of Legends (Dale Elvy, 2015) Deathroll (Conor Kennedy, 2019) DeathwatchApocalypsePlaytest.pdf Dee Dee’s Seattle Survival Guide (Tony Dowler, 2013) Deep Love (Jason Morningstar, 2019).pdf Deep-Forest.pdf Delayed Blast Gamemaster (Philip Reed, 2019) Demon the descent Den of Thieves Deniable - A Game of Unwitting Spies Tempted by Easy Money Dethroned (Mallory Strout, 2018).pdf Deus Opera (Giovanni Micolucci, 2013) Devils _ Black Sheep (Christopher Ferguson, 2019) Di Cosa Hai Paura (Fear Itself) Dialect (Kathryn Hymes _ Hakan Seyalıoğlu, 2017) Diaspora (T. Dyke, B. Kerr, C.W. Marshall, B. Murray, 2009-2010).pdf Die Laughing (Craig Campbell, 2019).pdf Dies Illa (Paul Riddle,2016) Dino Wranglers Dinosaur Princesses (Hamish Cameron _ Dana Cameron, 2019) Dirty Secrets (Seth Ben-Ezra, 2007).pdf Do - Pilgrims of the Flying Temple (Daniel Solis, 2011).zip Doctor Who Dog Eat Dog (Liam Liwanag Burke, 1012) Dogs In The Bark Dogs in the Vineyard (D. Vincent Baker, 2004).pdf Doll (Josh T. Jordan, 2013) Don’t Lose Your Mind (print) (Benjamin Baugh _ Fred Hicks, 2008).pdf Don’t Rest Your Head (Fred Hicks, 2006).pdf Don’t Walk in Winter Wood 2nd ed. (Clint Krause, 2011).pdf Donjon Pak B1 (Clinton R. Nixon, 2003).pdf Downfall (Caroline Hobbs, 2015) Dread (Epidiah Ravachol, 2005).pdf DreadHouse Dream Apart Dream Askew Dreaming the Devil (J. Dymphna Coy, 2018).pdf Dresden Files RPG (Evil Hat, 2010-2015) Dungeon World (Sage LaTorra _ Adam Koebel, 2012) Dungeons - A Solo Adventure Game (Shane Garvey, 2012).zip Dungeons o f Dekkom 0.1 (Mazur _ Goats, 2019) Durance (Jason Morningstar, 2012).zip Dusk City Outlaws Dust Devils - Revenged (Matt Snyder, 2006).pdf Dust Wardens (Nora Blake, 2019).pdf Dust, Fog & Glowing Embers - A Roleplaying Game of Alchemical Adventure Eden (Marc Hobbs, 2017).pdf Effigy (HB, 2019) Ehdrigohr (Allen Turner, 2012) Ekphrasis (Barak Blackburn, 2019).pdf Eldritch High (John Wick, 2011).pdf Elfs (Ron Edwards, 2009).pdf Embers of the Forgotten Kingdom Endless Waltz (Nora Blake, 2019).pdf Engine Heart (Viral Games, 2010-2013).pdf English Eerie (Scott Malthouse, 2017).pdf Entra il Vendicatore (Raffaele Manzo, 2013-2014).pdf EotE Beginner Game.pdf Epimas 2014 Epitaph (Anna Anthropy, 2019).txt Epyllion (Marissa Kelly, 2016) Escape From Dino Island (Sam Tung _ Sam Roberts, 2019) Escape from Tentacle City (Willow Palecek, 2009).pdf Esoterroristi (Robin D. Laws, 2008-2011).zip Eternal Contenders - screen (Joe J. Prince, 2012).pdf Everyone is John (Michael Sullivan, 2002-2019) Executive Decisions Exodus (Erika Shepherd, 2019) Exploding Kittens Explorers v. 1.2 (Daniel Comerci, 2015-2016) ExSpelled (Andrew Miller, 2017) Extreme Earth - Fate (Jon Gibbons _ Joe Bardales, 2015).pdf Eyes and Hands Facade (Nora Blake, 2018).pdf Faith - Daniel Hodges.pdf Fall of Magic (Ross Cowman, 2015) Familiars of Terra Backer Preview.pdf Fantaji - Universal RPG.pdf Farewell to Fear (David A. Hill _ Filamena Young, 2012).pdf Farflung - Sci-Fi Role-Play After Dark Fastlane - Everything, All the Time (Todd Crapper, 2004).pdf Fate Core Fate of the Norns Ragnarok - Second Edition (Andrew Valkauskas, 2013).pdf FateLess (Alessandro Piroddi, 2015-2016) Fates Fickle Winds (Nathan D. Paoletta, 2014).pdf FELINE DREAM-O-NAUGHTS AND THE GREAT CAT NAP! Fellowship (Jacob Randolph, 2015-2017) Feng Shui 2 (Robin D. Laws, 2015).pdf Fiasco (Jason Mornistar, 2009) Fiction (Elin Nilsen _ Ole Peder Giæver, 2013).pdf Finley _ Hayden (Jaon Morningstar, 2018).pdf Firefly (Margaret Weis Productions, 2014).pdf First Ride_Last Ride (Jason Morningstar, 2017).pdf Flame (Valentina Monacelli, 2019) Fleshscape (Emanuele Galletto, 2017) Flotsam (Joshua Fox, 2019) Follow (Ben Robbins, 2017).pdf For the Dungeon (Jordan Palmer, 2019) Forest Keeper (Giovanni Micolucci, 2012).zip Fortune’s Fool (Jay Stratton, 2012).zip Four Ways to Die in the Future (P. H. Lee, 2019).pdf Fragment (Dale Elvy, 2016).pdf Freemarket (Luke Crane _ Jared Sorensen, 2009).rar Full Moon (Paul Stefko, 2013).pdf Funnel World.pdf Game Poems (Anna Anthropy, 2018).pdf Ganakagok (Bill White, 2006) Gang Rape (Tobias Wrigstad, 2008).pdf Gate Watch (Christopher Allen, 2019).pdf Gazetteer - A Gygaxian Storygame (Kimberley Lam _ Levi Kornelsen, 2019).pdf Gears of Defiance (Ryan Schoon, 2019).pdf Geiger Counter EN (Jonathan Walton, 2008).pdf Geist the Sin-Eater Genesys - Core Rules.pdf Ghost Lines Gilded Age (Nathan D. Paoletta, 2014).pdf Gioventù Bruciata (Robert Bohl, 2010) Girl Underground (Lauren McManamon _ Jesse Ross, 2019) Glass Free Games - Jerkform Anthology Vol. 1 (David Hertz et al., 2016).pdf Glow in The Dark Goalposts & Gridirons Golden Sky Stories (Ryo Kamiya _ Tsugihagi Honpo, 2006) Good Society - A Jane Austen RPG (Hayley Gordon _ Vee Hendro, 2018) Grey Ranks EN (Jason Morningstar, 2007).pdf Gruel Truck! (David Kizzia, 2017).pdf Guts _ Glory Hack the Planet (Fraser Simons, 2019) Hack-Enhance 0.2 (Eric Mersmann, 2019).pdf Hair Metal Horror (Aaron Frost, 2019) Halfway Home Hamlet_s Hit Points.pdf Happy Birthday Robot.pdf Harder They Fall (Jay Iles, 2018) Harsg Generation (Emily O’Neil, 2019) Haunted (Nathan D. Paoletta, 2013).pdf Haven Heads of State (Mark Vallianatos, 2012).pdf Headspace (Mark Richardson, 2016) Heavy Metal Thunder Mouse (Derek A. Kamal, 2018) Hell 4 Leather EN (Joe Prince, 2010).pdf Hell for Leather (Sebastian Hickey, 2010) Hero Kids - Fantasy RPG .pdf Hero’s Banner (Tim C. Koppang, 2006).pdf Heroine (Josh Jordan, 2013) Heroines of the First Age High Plains Samurai (Todd Crapper, 2018) Hillfolk (Robin D. Laws, 2013) Hogshead - Puppetland _ Powerkill.pdf Hogwats RPG Hollowpoint 1.1 (C. W. Marshall _ B. Murray, 2011).pdf Home by Dark (Jason Olsan, 2017).pdf Honor Bound (Randy Lubin _ Jason Morningstar, 2018).pdf Hot Guys Making Out (Ben Lehman, 2013).pdf Hot War (Malcolm Craig, 2008).pdf House _ Home (Jason Brown, 2019).pdf House of Reeds (Sam Kabo Ashwell, 2015) Houses of the Blooded - Blood _ Honor (John Wick, 2010) How to Host a Dungeon (Tony Dowler, 2008).pdf How We Came to Live Here (Brennan Taylor, 2009).zip HQ 2.0 - Nameless Streets - A Supernatural Noir Game (alg0200).pdf Huddle (Gaia Sicolo, 2019).pdf Human Contact (Joshua A.C. Newman, 2011) Hunt the Wicked (Ben Dutter, 2016) Hunter the Vigil Hyakumonogatari Kaidankai (Julia B. Ellingboe, 2012).pdf I Am a Survivor (Zachary Wolf, 2011).pdf I Hate This Town (Renee Reeves, 2019) I_Miti_di_Korcol_(7714024).pdf I’d Like to Go Home Now Please (Tom Fendt, 2016).pdf Icarus (Spenser Starke, 2019) Il Mio Fantasy (Giovanni Micolucci, 2014) Il Mostro della Settimana (Michael Sands, 2012_ Narrattiva, 2013).pdf ilrichiamodigatthulu Imp of the Perverse (Nathan D. Paoletta, 2019) Impulse Drive (Adrian Thoen, 2019) In a Wicked Age (D. Vincent Baker, 2007).pdf Incidental Chain of Worlds Indie_Mixtape_Megamix_(10398951).zip Inept Sorcerers.pdf Infected (Levi Kornelsen, 2018) Inglorious.pdf Innocents (Manuel J. Sueiro, Ángel Paredes, Javier Santos, 2007-2017).pdf InSpectres (Jared A. Sorensen, 2002-2003) INTERIM Interstitial Into the Woods (Morgane Reynier, 2017).pdf Into_The_Odd_Print.pdf Iron Edda (Tracy Barnett, 2014-2015) Ironsworn It Came to Town That Night (Tracy Barnett, 2014).pdf It’s Complicated (Elizabeth Shoemaker Sampat, 2007-2010) Itras By (Ole Peder Giæver _ Martin Bull Gudmundsen, 2012).pdf Jack’s Trick (Matthew McFarland, 2019).pdf Jadepunk.pdf Journey Away (Jacob S. Kellogg, 2018).pdf Juggernaut (Jason Morningstar, 2015) Just Heroes KaGaymatsu Kagematsu (Danielle Lewon, 2009).pdf Katakumbas Manuale Base.pdf Katanas _ Trenchcoats—Pre-edit Build.pdf Kazekami Kyoko Uccide il Kublai Khan (Jonathan Walton, 2006).pdf KDL QSR Alpha 0_1.pdf Kerberos Club (Benjamin Baugh _ Mike Olson, 2009-2011) Kids on Bikes Killshot - The Director’s Cut (Todd Crapper, 2012).pdf King of the City (Alessandro Piroddi, 2015-2016) Kingdom (Ben Robbins, 2013) Kingdom of Nothing (Jeff Himmelman, 2010).pdf KingdomsofOoo WoDhack ALPHA.pdf Kintsugi (David Schirduan, 2016-2017) Kiss Her Before the World Ends (Alice Grizzle, 2019).pdf Kobold Endeavour (Grant Howitt, 2019).pdf Kult - Divinity Lost L’Amore al Tempo della Guerra (Mario Bolzoni e Luca Veluttini, 2012).pdf La spada e gli amori (Antonio Amato, 2017) Lacuna Part I. (second attempt) (Jared A. Sorensen, 2006).pdf Lady Blackbird ITA (John Harper, 2009-2010).pdf Lamentations of the Flame Princess Lasers and Feelings (John Harper, 2015) Last One Standing (Stephen Bretall, 2015) Le Notti di Nibiru (Daniele Fusetto e Luca De Marini, 2017).pdf Le Straordinarie Avventure del Barone di Munchausen (James Wallis, 1999).pdf League and Fathom (Levi Kornelsen, 2016).pdf Left Coast (Steve Hickey, 2015) Legacy 2e - Life Among the Ruins Legend of the Elements (Max Hervieux, 2016) Legends of Anglerre (Chris Birch _ Sarah Newton, 2010).pdf Legends of the Deep (Nora Blake, 2018).pdf Legends of the Guard Les Petites Choses Oubliées ENG (Sylvie Guillaume _ Christoph Boeckle, 2015).pdf Letter Bearer (Speak the Sky, 2019).pdf Letters that Will Never Arrive (Anna Anthropy, 2018).pdf Leverage - The Roleplaying Game (Margaret Weis Productions, 2010).pdf Life on Mars (Ross Cowman, 2013) Light on Stone (Anna Anthropy, 2018).pdf Liminal (Paul Mitchener, 2019) Little Fears (Jason L. Blair, 2001-2009) Lone Wolf Adventure Game (Joe Dever _ August Hahn, 2015) Lonely Timbers (Jason Pitre, 2018).pdf Lonely World - A Story-Telling Game of Survivalist Horror At the End of Everything Lord Scurlock (John Harper, 2015).pdf Lords Of Gossamer _ Shadow - Core Rulebook.pdf Lost in the rain Scan.pdf Love in the Time of Khvareneh (Matthijs Holter _ Jason Morningstar, 2016) Love in the Time of Seið (Matthijs Holter _ Jason Morningstar, 2010) Love Letters from the Baker House Band (Meguey Baker et al., 2019).pdf Lovecraftesque (Joshua Fox _ Becky Annison, 2016) Loving Fiercely (Kate Bullock _ Ryan Macklin, 2019) M.N.S.T.R. (Indigo McDonald, 2019) Machine of Death (David Malki, 2013).zip Madcap - Screwball Cartoon Role-Play Mage the ascension Magical Fury - A Magical Girl RPG Magicians (Kyle Simons, 2013).pdf Magister Lor (John Harper, 2015).pdf Maid (Ryo Kamiya, 2004-2008).pdf Malandros (Thomas McGrenery, 2016) Mall Kids (Matthew Gravelyn, 2019).pdf Mars Colony MASCHINE ZEIT - MAP0001.pdf MASH Moms in the PTA (Renee K Reeves, 2019).pdf MASHED (Mark Plemmons, 2017) Masks (Brendan Conway, 2016) Masks of the Mummy Kings (Nathan D. Paoletta, 2016).pdf Maze of the Blue Medusa Maze Rats v4.3 (Ben Milton, 2017) Mecha the RPG- Core Rules (Chris Perrin, 2010).pdf Mechnoir_120801.zip Meridian (Christian Griffen, 2016) Metempsychosis (Dymphna Coy, 2019).pdf Microfiction (Luca Bonisoli, 2017) Microscope (Ben Robbins, 2011-2015) Milkshake (Chris Longhurst, 2019).pdf Millenial Apartment Hunters (James D’Amato, 2016).pdf Misericorde (Boss Emily Care, 2013) Missing Files.txt Misspent Youth (Robert Bohl, 2010-2018) Mist-Robed Gate (Shreyas Sampat, 2007-2008).pdf Mobile Frame Zero - Firebrands Monster of the Week Monsterhearts 2e - A Story Game About the Messy Lives of Teenage Monsters Montsegur 1244 (Frederik J. Jensen, 2009).pdf Mortal Coil (Brennan Taylor, 2006-2008).pdf Motobushido (Nathanael Phillip Cole, 2013) Mouse Guard Roleplaying Game (Luke Crane, 2008).pdf Mummy the curse Murderous Ghosts (D. Vincent Baker, 2011).zip Murders And Acquisitions Musha Shugyo (Luca De Marini, 2014) Mutant Chronicles - Core Book 3rd Ed. - Modiphius.pdf Mutant Year Zero.pdf My Fantasy (Giovanni Micolucci, 2014) My Favorite Plaything (Eduardo Caetano, 2014).pdf My Jam (Eric Mersmann _ Jeff Dieterle, 2019) My Life with Master (Paul Czege, 2003) My Shadowed Heart (Jamila R. Nedjadi, 2019) Mystic Empyrean (D. Brad Talton Jr., 2011).pdf Mythender Roleplaying Game Mythic RPG Mythos Tales (Josh B. Mannon, 2013) Mythos World (Russel Brown, 2018).pdf Nahual_Quickstart.pdf Never Tell Me the Odds (David Somerville, 2019) Nicotine Girls.pdf Night Forest (Mo Golden _ Ross Cowman, 2018) Night Witches (Jason Morningstar, 2015) Nights Black Agents.pdf Nine Worlds - Aristeia Edition (Matt Snyder, 2005).pdf No Country for Old Kobolds (Steve Wallace, 2016) No More Room In Hell (Grant Howitt, 2019).pdf No Stone Unturned Nobilis.pdf Nod (Simon Carryer, 2014) Noir World (John Adamus, 2018) Noirlandia (Evan Rowland, 2016) Non andare nel bosco d’inverno.rar Nova Praxis (Mike McConnell, 2013).pdf Numenera (Monte Cook, 2013) Ocean (Jake Richmond, 2009).pdf Of the Woods - Lonely Games of Imagination (Brie Sheldon, 2017).pdf Okult (Wilhelm Person, 2013).pdf Omen (Daniel Comerci _ Alberto Tronchi, 2016) On a bed of moss (Anna Anthropy, 2018).pdf On Mighty Thews (Simon Carryer, 2011).pdf One Can Have Her 7th ed. (Jonas Ferry, 2007).pdf One Shot (Tracy Barnett, 2013) OPUS [Wizards Powered by the Apocalypse] Orgoglio e Pregiudizio (R. Grassi, 2013) Other Magic (Jesse Ephraim, 2019) Our Haunt (Jamila R. Nedjadi, 2019) Our Last Best Hope (Mark Diaz Truman, 2012) Our Mundane Supernatural Life (Vee Hendro _ Hayley Gordon, 2018).pdf Out-of-Dodge.pdf OVA_The_Anime_Role-Playing_Game_(6182477).pdf Over the Edge (Jonathan Tweet _ Chris Lites, 2019) Pacificadora! Pack of Strays (Phillip Wessels, 2018).pdf Pandemonio Panty Explosion.pdf Parsely (Jared A. Sorensen, 2018).pdf Pasion De Las Pasiones - Ashcan Edition Pataphysic Wander (Alberto Tronchi, 2017).pdf Perfect (Joe Mcdaldno, 2010).zip Perfection (Jason Morningstar, 2019).pdf Perseverant (Ben Dutter, 2017) Phasers + Photons Phones of Glory (Jason Morningstar, 2018).pdf Pickets _ Blinds (Kevin Allen Jr., 2011).pdf Pigsmoke (Chris Longhurst, 2017) Playing Nature’s Year (Meguey Baker, 2015).pdf Plunderground Zine Poet Glorious (Kimberley Lam, 2018).pdf Poison’d (D. Vincent Baker, 2007).pdf Polaris (Ben Lehman, 2005-2009) Posthuman Pathways (Jason Pitre, 2014) Praxis PreciousPDF__BR.pdf Pressure Drop (Eric Mersmann, 2019).pdf Primetime Adventures.zip Prism (Whitney Delaglio, 2018).pdf Project Ninja Panda Taco.pdf Promethean The Creater Psi Run italiano.pdf Punk as F__K (David Kizzia, 2018) Punks and the Fever Pitch (Linda H. Codega, 2019) Purgatory House (Robert Turk, 2018) Questlandia (Hannah Shaffer, 2014) Quilt Of Shadows Radioactive Bison (Jason Morningstar, 2018).pdf RavenDeath IT (Iacopo Frigerio, 2008).pdf Ready, Willing, Prepared (Nora Blake, 2019).pdf Red Like Roses Pt. III (Nora Blake, 2019).pdf RedMarkets.pdf Reflections (Jim McClure _ Tobie Abad, 2016).pdf Remember Tomorrow (Gregor Hutton, 2010).pdf RESISTOR Vol. 1 (Elissa Leach _ Kira Magrann, 2016).pdf Retrocalypse-8-18-11-Final.pdf Retrocausality (Paul Matijevic, 2019) Reunification (Travis D. Hill, 2019).pdf Revenant (Paul Stefko, 2012).pdf Revenant World Ribbon Drive (Joe Mcdaldno, 2013) Riders - A Game About Cheating Doomsday (Caias Ward, 2015) River Knife Trilogy Robber's Kin Romance Trilogy (Emily Care Boss, 2016).pdf Route Clearance (Andrew Millar, 2017).pdf Royal Blood v. 5 (Grant Howitt, 2016).pdf Ruma - Dawn of Empire (Martin Greening, 2017) Ryne Ryuutama - Natural Fantasy.pdf S-Lay w-Me (Ron Edwards, 2009).pdf Sagas of the Icelanders - A Roleplaying Game About the Lives Icelandic Settlers in The Saga Period Sail_the_Stars.pdf Scarlet Heroes Scarlet Wake (Ben O’Neal, 2017) Scheda Questlandia Italiano.pdf schedewip.pdf Schism (Nora Blake, 2018).pdf School Daze (screen) (Tracy Barnett, 2012).pdf Scum And Villany SCUP Preview April 2017.zip Sea Dracula (Nick Smith _ Jake Richmond, 2008).pdf.pdf Seat Five (Jason Morningstar, 2019) Seco Creek Vigilance Committee (Keith Stetson, 2018) Secrets _ Lies - Hardboiled Triple Feature (Daniel Bayn, 2011).pdf Seppuku (Emanuele Galletto, 2018) Serpent’s Tooth (Ross Cowman, 2012) Sertão Bravio Seven Wonders (Becky Annison et al., 2016) Sexytime Adventures Shahida (Ron Edwards, 2012) Shards - Worldbuilding Zine (April 2019).pdf Sharp Swords _ Sinister Spells (Diogo Nogueira, 2016) Shelter - Wartime Survival Shock - Social Science Fiction 1.2 (Joshua A.C. Newman).pdf Shooting the Moon (Emily Care Boss, 2006).pdf Short Film (Josh T. Jordan, 2016) Showdown (Seth Ben-Ezra, 2014).pdf Sign (Kathryn Hymes _ Hakan Seyalioglu, 2016).pdf Singularity (Caitlynn Belle _ Josh T. Jordan, 2016) Sixty Mile Sky - A Sci-fi Tabletop RPG by Ben Arndt Skew (Ben Lehman, 2013).pdf Skill Points (Daniel Kwan et al., 2019) Sky Deck (Jason Morningstar, 2019).pdf Smallville Roleplaying Game - The Watchtower Report (Margaret Weis Productions, 2011).pdf Sognami (Vas Quas, 2013).zip Solar System 1.1 (Eero Tuovinen, 2008).pdf Solipsist (David Donachie, 2008).pdf Something_to_Hide_(8879650).pdf Sorcerer Soth (Steve Hickey, 2015) Space Post (Jason Morningstar, 2019).pdf Spark (Jason Pitre, 2013) Spione (Ron Edwards, 2007) Spiralis - Lovecraftian Roleplaying Spire (Grant Howitt _ Christopher Taylor, 2018).pdf Spirit of 77 (David Kizzia _ Bob Richardson, 2015).pdf Spirit of the Century (Leonard Balsera _ Rob Donoghue _ Fred Hicks, 2006).pdf Spirit of the Season Upgraded Edition - cover (Atomic Sock Monkey _ Evil Hat, 2007).pdf Sporchi Segreti (Seth Ben-Ezra, 2007-2009) Star Crossed (Alex Roberts, 2018) Star Wars World Star Worlds - Streets of Mos Eisley Starblazer Adventures (Chris Birch _ Stuart Newman, 2008).pdf Steal Away Jordan - revised (Julia Bond Ellingboe, 2007-2008).pdf Stealing Cthulhu (home-edited).pdf Stories of Love in Manila (Jamila R. Nedjadi, 2019).pdf Story War (Brad O’Farrell _ Tom McLean, 2013).zip Strange Magic - Il gioco di ruolo fantasy old school (Stuart Robertson, 2016) Strange Nations (White Marble Block _ R. James Gauvreau, 2016).pdf Strangers (Hannah Shaffer, 2019).pdf Strings (Barak Blackburn _ Ellie Hillis, 2019).pdf Summer in Woodlake Summerland - Revised and Expanded Edition (Greg Saunders, 2009.pdf Summoner's Fate Sun and Daughter (Freeman Owle, 2019).pdf Super Destiny High School Rumble!! Super! (Chris Rutkowsky, 2008).pdf Superhuman Support (Wendy Gorman et al., 2016).pdf Swansong (Joe Prince, 2006).pdf Sweet Agatha (Kevin Allen Jr., 2009-2016).pdf Sword’s Edge (Fraser Ronald, 2017) Swords _ Wizandry Swords Without Master Synthesis (Riley Rethal et al., 2019) Tale - The Roleplaying Game Tales From The Loop.pdf Tall Pines (Miles Gaborit, 2017) Tears of a Machine (Russell G. 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mudaship39 · 5 years ago

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Alpha Centurion War:

Location:

Polynesia, Micronesia, & Melanesia:

In Tahiti, Tonga, Samoa, Aotearoa, Hawaii, Fiji, Guam, & the Marshall Islands:

“Dior Linh Heimana Tranh a Vietnamese and French Polynesian Tahitian woman of color, Hokulani Zhao Kaimana Ya Keali’i a Chinese and American Polynesian Samoan and Hawaiian woman of color, Vaulina Tagi a Melanesian Fijian woman, Runica Keju a Micronesian Marshallese Indigenous Pasifika woman were the first people I showed my Polynesian Indigneous Pasifika traditional tattoos to.” “I also showed them my Polynesian jewelry such as necklaces, bracelets, & rings that I wear to honor my cultural identity as someone Polynesian Hawaiian and Tongan.” Alexander Kana’i Mack Ryuu Francisco Makoa “Alex” Smith/Alexandria Ataahua Macy Haruka Francisca Kamalani “Lexi” Smith is a Polynesian Hawaiian and Tongan Indigenous Pacific Islander, East Asian Japanese, Latinx Columbian, & Indigenous of Colombia mixed person of color. Alex's/Lexi’s father Chieftain and Warchief Mark Akio Puleleiite Oshiro Kaimana Kato-Smith is a Southeast Asian Japanese Okinawan and Polynesian Hawaiian and Tongan Polynesian Indigenous Pasifika person of color metahuman. Alexander’s/Alexandria’s mother Maria Garcia Bahr Alejandra Smith is an Indigenous Colombian of the lowlands of Colombia and a Hispanic Latinx Colombian woman of color. Maria Garcia Bahr Alejandra Smith as the daughter of the Iuyamanian alien Marie Gabriella Bahr Smith is also an Iuyamanian hybrid. On Alex/Lexi’s body were traditional Polynesian Indigenous Pasifika tattoos. As someone Polynesian Alexander/Alexandria had on his/her/their body on their terra cotta or beige skin traditional Polynesian Indigenous Pasifika tattoos. They were on his/her/their chest because in the Polynesian culture Polynesian tattoos on the chest represent kindness, honesty, honor, & resolution. They were on his/her/their head because in the Polynesian culture Polynesian tattoos on the head represent spirituality, knowledge, wisdom, & intuition. He/she/they had Polynesian tattoos on his/her/their arms. He/she/they had Polynesian tattoos on his/her/their upper arms from his/her/their shoulders to his/her/their elbow to represent strength and valor and they relate to people such as warriors, warchiefs, & chieftains. He/she/they wear it as a child of a chieftain and warchief who is next in line. He/she/they had Polynesian tattoos on his/her/their lower arms from their forearms to their fingertips of his/her/their clawed hands with opposable thumbs to represent creativity, creation and making things. He/she/they had Polynesian tattoos of complex shark teeth. Alexander/Alexandria said, “Shark teeth or niho mano deserves a space of their own.” “Sharks are one of the favorite forms that aumakua choose to appear to man.” “They represent defense, leadership, power, & ferocity.” “However, they are also symbols of flexibility in many cultures.” It was fitting for the strike team commander of the Elites, Paragons, & Sentinels superhero teams. He/she/they had Polynesian tattoos of a pattern of spearheads. Alex/Lexi said, “Another typical symbol that is used to represent the warrior nature is the spear.” Fitting for a former super soldier who fought since he/she/they were a child as a former metahuman and superhuman child soldier. “Spear-heads are very symbolic in relation to sharp items too and they can be used to represent the sting of some animals.” He/she/they had Polynesian stylized tattoos of the ocean. “The ocean is a second home to Polynesian people and the place of rest when they leave for their last voyage.” “Coincidentally, turtles are said to join the deceased guiding them to their destinations.” “So sometimes the ocean can be used to symbolize death and the beyond.” “Since the ocean is the primary source of food it is no wonder it impacts so much tradition and myth.” “All the creatures living in the ocean are associated with several meanings usually mutated from their characteristic traits and habits.” “The ocean and the sea can be represented by waves.” “The stylizations of the ocean can often represent ideas such as life, change and continuity through change.” “Waves can also be used to represent the world beyond or the place where the departed go and rest on their last voyage.” He/she/they had a Polynesian tattoo of a Tiki. “One meaning of the word tiki is figure.” “So, the tiki is the name given to human-like figures that usually represent demigods contrasting to atua who frequently materialize to men under the shape of animals such as lizards.” “The tiki can also represent sanctified ancestors, priests, warchiefs, & chieftains who became demigods after their passing.” “They denote protection, fertility and they serve as sentinels.” “By stylizing the figure over and over there has been a simplified version that has been reached.” “This is called the brilliant eye where the eyes, nostrils and ears appear to be the prominent elements.” “Tiki figures can be portrayed in a front view.” “Sometimes with their tongue stretched out as a symbol of defiance to enemies.” He/she/they had a Polynesian tattoo of a turtle. “The turtle or honu is another significant creature throughout all Polynesian cultures and has been connected with several meanings.” “The first being the fact that turtles represent health, fertility, longevity, foundation, tranquility, & rest.” “The word hono, meaning turtle in Marquesan language has other meanings which include things such as joining and stitching together families and representing the idea of harmony.” “Contrary to what is sometimes believed turtles drawn upwards do not imply that they are taking the soul of a dead person into the other world.” “To represent this, a human figure must be placed on or near the shell of the turtle.” He/she/they had a Polynesian tattoo of a lizard. “Lizards and geckos are often called mo’o or moko and they play a significant role in Polynesian myth. Gods (atua) and minor spirits often appeared to men in the form of lizards and this may explain why the stylized element used to represent the lizard is very similar to the stylized symbol used to represent man.” “Lizards are very powerful creatures that bring good luck and communicate between the humans and the gods and who can access the invisible world.” “On the other hand, they can also bring death and bad omens to people who are disrespectful.” He/she/they had a Polynesian tattoo of a stingray. Alexander Mack Smith/Alexandria Macy Smith said, “Stingray tattoos come in several variations and styles.” “So, this image can hold symbolic meanings.” “The stingray has the ability to hide in the underwater sands mainly from sharks and is able to cover up with sand and lay still.” “Most sharks can sense prey in the sand based on movement but for the most part the stingray is able to hide.” “For this reason, its image is classed as a symbol of protection.” “Other themes that go hand in hand with the sting-ray image are adaptation, gracefulness, diplomacy, danger, dexterity, speed, & covertness.” Fitting for someone who is a shapeshifter, metamorph, & changeling. He/she/they showed these tattoos to Diona Artemis “Dee” Megalos, Tahlia Macar, Veronica Veracruz, Nijah Nadra Nadar, Inayat Aloomse, Carina Akali “Carrie” Ragorio, Hibiki Higa, Ylva Helga Olafsdotter, Loretta Dawn, & Joanna “Jo” Jacobson and explained to them their meanings. The only people that he/she/they didn’t have to explain the tattoos to was Kaimana Zhao Hokulani Ya Keali’i, Runica Keju, Dior Linh Heimana Tran, & Vaulina Tagi. Kaimana is his/her/their East Asian Chinese and mixed American person of color Polynesian Hawaiian and Samoan Indigenous Pasifika woman of color wife. Dior Linh Heimana Tran is his/her/their Vietnamese, French, & Polynesian Tahitian Indigenous Pasifika woman of color wife. Vaulina Tagi is his/her/their Melanesian Fijian Indigenous Pasifika wife. Runica Keju is his/her/their Micronesian Marshallese Indigenous Pasifika wife. They were all there when he/she/they received them as they are two Polynesian Indigenous Pasifika. “The ocean will always be my home as a Polynesian Indigenous Pacific Islander person of color.” 

King/Queen and Chieftain and Warchief Alexander Kana’i Mack Francisco Ryuu Makoa “Alex” Smith/Alexandria Ataahua Macy Francisca Haruka Kamalani “Lexi” Smith as a Japanese Okinawan, Colombian Hispanic person of color, Indigenous Colombian, & Polynesian Hawaiian and Tongan Indigenous Pasifika person of color he/she/they had many gifts from the Kings and Queens of the 9 Kingdoms of the Empire of Atlantis who were also Chieftains and Warchiefs as Polynesian, Micronesian, & Melanesian Hawaiian, Maori, Tahitian, Samoan, Tongan, & Fijian Indigenous Pasifika. These Indigenous Pasifika Atlantean hybrids had power over the earth, the sky, the ocean, earthquakes, wind, storm, volcanoes, fire, lava, & or magma. Including one of his/her/their wives Queen Kaimana Hokulani Keali’i a Polynesian Hawaiian and Samoan Indigenous Pasifika mixed Chinese and American person of color mixed Atlantean hybrid that had power over the ocean. These eight Polynesian Indigenous Pasifika who were mixed Atlanteans and one Indigenous Inuit mixed Atlantean were all led by their Emperor Angelo Vergilius Romano who is a son of Neptune and an Atlantean empress and their empress Cornelia Augusta Rossi a daughter of an Atlantean and a sea nymph. Making him the relative of Laurissa Owen Jones who is the daughter of Athena and a homo magi. Alexander Mack Smith/Alexandria Macy Smith he/she/they had a Toki (Adze) Polynesian Maori necklace. Alexander Mack Smith/Alexandria Macy Smith said, The Toki (Adze) is the Maori tribal emblem of strength.” “This symbol resembles resolve, control, power, focus, & honor.” “Its shape represents an axe head.” “The Toki (adze) was used by the Maori as an everyday working tool for shaving and chipping.” “Sometimes it was used as a weapon.” “Unique complex adzes were by tradition carved in stone and passed down as an heirloom.” “The Toki had much meaning to the Maori created from stone or greenstone.” “It was a vital tool for survival and day to day life of a Maori tribe.” So, this given to him/her/them by an Atlantean King and Polynesian Maori Indigenous Pasifika Chieftain and Warchief means a lot to him/her/them. Alexander/Alexandria said, “That’s the reason the Maori attribute the spiritual meaning of strength and power to the Toki.” “This design represents the Toki which was used to shape the great canoes.” “The toki was also used to cut and work timber for the fortresses where the Maori lived.” “It was such an important tool in Maori life that it became regarded as a symbol of power, authority & good character.” It was given to them by the King and Chieftain and Warchief as a sign of respect as he/she/they are a King/Queen and Chieftain and Warchief. “It is also the mark of a craftsman and an artist.” He/she/they also have a necklace of Hei-Matau (Fish Hook) given to them by an Atlantean Queen and Polynesian Maori Indigenous Pasifika Chieftain and Warchief. Alex/Lexi said, “These very stylized fish hooks represent power, affluence, wealth, fertility.” “It also represents vast reverence for the sea.” This makes sense since he/she/they are the last scion and lord/lady of his/her/their ancient and powerful house. “It also is said to provide good luck and safety when traveling over water so is often worn by travelers.” “The Hei-Matau are also symbols of authority and power which are held in great veneration by the Maori people.” “They were used as a practical tool for fishing and were often adorned as a sign of admiration for the creatures of the sea.” “There are many styles of Hei-Matau from the true hook designs to the more decorative styles which became cherished heirlooms for generations after.” “Initially the Maori have been fishermen.” “Their main food source was the sea so a fish hook of premium was a valued item to possess.” “Worn around the neck the hook became a symbol of wealth, abundance, good health, authority, & power.” “As well as a mark of reverence for the sea and its life in it.” “It is also believed to provide good luck and protection while traveling over water.” “The Maori fish hook symbol refers to being reliant on the sea for their food gathering.” “The matau is a talisman for good luck.” He/she/they also had a bracelet of whales, dolphins, & turtles. “The ocean has always been the prevailing force for the Maori people who traveled colossal distances in their long canoes and lived on the gift of the tropical waters.” “They had a great respect for the creatures on the sea and in particular dolphins and whales.” “The whale with its immense size and evident intelligence played an essential part in the traditions of the Maori people.” “They were often represented as an example of family love with mother and calf always side by side and touching at every opportunity.” “Beached whales were cherished as gifts from the gods.” “They were chiefly valued for the bone which after numerous years of curing was used to carve elaborate jewelry and art works that were frequently passed down for many generations.” “The whale is the most important animal in the life of the Maori.” “Besides speed and strength, the whale it also represents success, confidence, and sensitivity.” “It represents the bond between animal and human.” “A dolphin (Papahu) is an emblem of liveliness, harmony, & camaraderie.” “The turtle is the mark of a navigator.” “The dolphin is another Maori symbol of protection.” “Schools of dolphins were reported to attack sharks circling around canoes.” “The dolphin shows sympathy with the sea and nature in general.” “It resembles a free spirit.” “Nowadays the dolphin represents protection on all types of travelers.” “So, it is another Maori symbol of protection.” He/she/they had the jewelry of the symbol of the Koropepe (The Mythical Eel/Fish). “The Koropepe is an eel-type fish a legendary guardian.” “It is a symbol of new beginnings and youth, prosperity, & wealth.” “The koropepe is thought to characterize the curled eel which was one of the main protein sources hundreds of years back in Maori history.” “Many koropepe have a coiled appearance with bird-like heads.” “These heads are said to possess its divine power.” “The design is a relatively modern form as no ancient examples have been found.” He/she/they had jewelry of the White Heron bird (Kotuku). “Kotuku is the Maori word for the rare White Heron bird.” “It is a symbol of status, purity, & individuality.” “One of the greatest compliments among the Maori was to liken someone to Kotuku.” “For it signifies everything extraordinary and gorgeous.” “It is sometimes referred to as a darling or treasure.” “The kotuku is one of New Zealand’s rarest birds and is held in chiefly high regard in Maori mythology.” “As with other birds the kotuku stands for the connection between the afterlife.” “He is a messenger of the spirit world.” “The kotuku represents everything pure and beautiful in Maori legends and oratory.” “Most importantly the kotuku represents all the people of this land.” “The kotuku is a traveler who came to this beautiful country and chose to stay.” “There are more Maori bird symbols such as the huia, kaka, & torea.” He/she/they finally wear a bracelet of the huia bird of which the long feathers were used as hair adornments by Maori chiefs and notables. As King/Queen, Chieftain and Warchief, & as President/Madam President who is the ruler and sovereign of a few countries on several alien planets, moons, & asteroids they wear the long feathers of this Maori bird in their headdress. “Intricately carved wooden treasure boxes used to store the huia bird feathers are a characteristic form of Maori art work.” He/she/they had jewelry of a Tiki one of the most fashionable and most identifiable Maori symbols. “The Tiki is symbolic for the whole Polynesian hemisphere.” “It is the insignia of Polynesian cultures from Hawaii to Tahiti, to Samoa, & to New Zealand.” “According to folklore tiki was the first man on earth who originated from the stars.” “According to myth tiki was first mortal person who created the first woman after his image.” “The literal meaning of the tiki symbol is disputed.” “There are several opinions but the most acknowledged are that tiki stands for fertility.” “The regularly occurring hands placed on the groin are a direct reference to fertility.” “Tiki is a good luck charm meant to keep evil spirits away.” “Other theories state that tiki represents the human embryo” “The Maori god Tiki who was considered responsible for the creation of life.” “The Tiki is a very primordial symbol and is by far the least understood so there are a number of legends about its meaning.” “Some say he came from the stars and that he was the first man of the world.” “He is also often depicted with webbed feet which suggest a strong connection to the creatures of the sea.” “Tiki was respected as the instructor of all things and the wearer of this symbol is therefore seen to possess clarity of thought, devotion, great inner knowledge and strength of character.” “The Tiki is regarded as a good luck charm when worn and in some areas is also regarded as a fertility symbol.” He/she/they have a necklace of Koru (Spiral). Koru is the Maori word for “bight” or “loop” and refers to new shoots of the silver fern. “The spiral shaped koru design is derived from this unfolding silver fern frond.” “The circular movement towards an inner coil refers to going back to the beginning.”  “The unfurling frond itself is symbolic of new life, new beginnings, optimism, precision, regeneration, a new start, awakening, personal growth, purity, nurturing, a new phase in life, the spirit of innovation, & tranquility.” “The koru design repeatedly worn as a Maori necklace but present in many cultural expressions.” “It is a fundamental symbol in Maori art forms.” “Both on itself as well as integrated in more intricate designs such as carvings and Maori facial tattoos.” “The spiral is a Koru that represents the fern frond as it opens bringing new life and purity to the world.” “It also represents peace, tranquility, & spirituality as well as a strong sense of regrowth or new beginnings.” “The Koru is also often associated with nurturing so when interlocked with others is frequently used to represent the strength and purity of a loving relationship within a family.” He/she/they had a necklace of a circle (Porowhita). “The closed circle is said to embody the circle of life which is has no beginning or end.” “It also tells of the stars and planets which are part of the circle of life and contain the information of our origins.” “It is often used to enclose other elements such as the Koru linking love and new life or new beginnings with the circle of life.” For an artist like Alexander Mack Smith/Alexandria Macy Smith the circle represents the relationship or oneness between the artist and his/her/their craft bringing together head, hand, & heart. “The closed circle with a hole in between represents the never-ending circle of life and nature.” “It also stands for the belief that life has no beginning or end.” “Both the spiral and the circle are also described as a metaphor for a never-ending journey of discovery and rediscovery.�� “The journey itself with its aboriginal or Indigenous perspectives and sense of direction is the most important act of cultural convalescence.” “It reflects the importance of being on the move in the present while realizing that the path of tradition is a two-way track.” “It points concurrently in the present, towards the past, & towards the future.” He/she/they have a necklace of a twist. “The twist with the interweave form represents the many paths of life and love and as such is regarded as the primordial infinity symbol.” “The single twist or Pikorua (Single Twist) in particular shows the union together of two people for eternity even though they sometimes move away from each other on their own journeys.” “They will always come together again sharing their lives and blending to become one.” “It tells how the strength of the bond of friendship, devotion, & love will last forever.” “The Maori single twist symbol consists of a closed loop with three knots.” Pikorua as the Maori name this symbol refers to eternal emerging paths in life.” “The double and triple twists have a comparable meaning but refer more to the fusion of two peoples or cultures rather than individuals.” “They also refer the three baskets of knowledge.” They were given an eight shaped single twist when he/she/they married one of his/her/their wives (who are women of color and Indigenous women) when he/she/they married Queen and Chieftain and Warchief Kaimana Zhao Hokulani Ya Keali’i who was a Polynesian Hawaiian and Samoan Indigenous Pasifika mixed Chinese and American person of color mixed Atlantean hybrid. They were married by their childhood friends two Polynesian Indigenous Pasifika Atlantean hybrids. These Polynesian Indigenous Pasifika people who married them was European British Polynesian Maori Chieftain and Warchief and Atlantean King Arapeta William Rewi and his wife a Polynesian Indigenous Pasifika Atlantean Hybrid. It is something that they Alexander/Alexandria and Hokulani both treasures especially after being married for decades, centuries, & even millennia as two metahumans and superhumans. “The eight-shaped single twist denotes the power of the bond between two people, their loyalty & friendship.” “It signifies the sacred merger of two people for eternity.” “Although people will take different paths in their lives they will always be connected and will return to each other.” “The twist is a powerful statement of loyalty, friendship, and love.” Teardrop or roimata designates healing and console, hope, & optimistic energy.” “It is often called a comfort stone.” “The drop is a stylized version of the toki and signifies strength, power, pride, & independence.” “The core meaning of the teardrop is speed and strength.” “It indicates the support often shown by dolphins and whales to humans in anguish.” “So therefore, it is a symbol of protection but also of speed, power, & compassion.” “It represents the bond between animal and human.” “It expresses respect for the sea and nature.” “It is also a good luck charm providing safe passage over water.” 

Queen of Altantis and Chieftain and Warchief Hokulani Zhao Kaimana Ya Keali’i a Polynesian Hawaiian and Samoan Indigenous Pasifika mixed East Asian Chinese and American Caucasian person of color Atlantean hybrid superhero was on her throne in the 9 Kingdoms of the empire of Atlantis. She was clutching her Quident of power of Triton and calling upon the power of the sea and the earth. By her side was her friend Dior Linh Heimana Tranh a Vietnamese, French, Chinese, & Polynesian Tahitian Indigenous Pasifika woman of color with power over wind and fire. Dior was the other Polynesian Indigenous Pasifika spouse of Alexander/Alexandria. Hokulani she was remembering the moment she was forced to watch her spouse and partner Alexander Mack Smith/Alexandria Macy Smith an East Asian Japanese Latinx Colombian person of color and Indigenous Colombian and Polynesian Hawaiian and Tongan Indigenous Pasifika Indigenous person superhero be taken from Hawaii. He/she/they were kidnapped by human and alien metahuman and superhuman traffickers when he/she/they were a metahuman and superhuman kid to be experimented on and forced to become a metahuman and superhuman child soldier who fought until they were a young adult metahuman and superhuman super soldier. Alexander/Alexandria he/she/they were a nonbinary genderfluid pansexual or mahu or in the middle (Polynesian gender in Polynesian Indigenous Pasifika gender and sexual orientation fluidity that is a cultural identity and gender identity like Indigenous two spirit). It was a quiet day when kids were playing on hover bikes, hover skates, and hover boards. When the unmistakable sound of space ship engines roared as men and women in combat power and power armor started to abduct metahumans and superhuman children, preteens, teenagers, and young adults from across the planet, star system, & galaxy. “Run call the elders and kupana now! “Get his/her/their parents Chieftain and Warchief Mark Akio Puleleiite Oshiro Kaimana Kato-Smith (the Japanese and Polynesian Hawaiian and Tongan Indigenous Pasifika metahuman) and Queen Maria Garcia Bahr Alejandra Smith an Indigenous Colombian and Colombian Hispanic woman of color) now!” Screamed some of the older young adult and adult metahumans and superhumans to the teenage and preteen metahumans and superhumans who ran or flew to get help. They the older teens and young adults stayed behind to fight off the metahuman and superhuman traffickers since the Polynesian Indigenous Pasifika Atlantean hybrids had power over the elements. Some had power over earth, earthquakes, & stone, others had power over wind, thunder, lightning, storm, others had power over fire, magma, lava, & others had power over water, snow, ice, & or frost. They were all given this power because of their belief in the Polynesian polytheistic gods as Polynesian Pasifika and their faith in the gods of the sea and titans of the ocean of Neptune, Poseidon, Amphirite, Triton, & Oceanus as Atlantean hybrids. So, the traffickers were being attacked with elemental powers of earth, fire, & wind. “Alex/Lexi!” screamed Hokulani Zhao Kaimana Ya Keali'li as she watched him/her/them be chained in hard light shackles and plasma chains.” “Alexander/Alexandria!” She roared as she watched them put a collar on him/her/them that negated his/her/their power as a metahuman and superhuman. “Get your hands off of him/her/them!” She roared as she called upon the power of the earth and the sea as an Atlantean hybrid mixed Polynesian Indigenous Pasifika person of color by using her quident of power. "Neutralize her non lethally.” “She is important to our objective of Alexander Mack Smith/Alexandria Macy Smith.” “Stun her.” “We need her alive.” Alexander Mack Smith/Alexandria Macy Smith was put into a collar that negated their powers because earlier he/she/they were using his/her/their powers as a metamorph, changeling, & shapeshifter and shapeshifted into a yeti, Sasquatch, cave bear, dire wolf, saber toothed smilodon, gray wolf, polar bear, gorilla, hellhound, griffin, & dragon & chimera. He/she/they were also put into shackles of hard light because earlier he/she/they ripped through the combat armor using their claws on their clawed hands with opposable thumbs and clawed feet with opposable toes with his/her/their claws that can rip through materials stronger than even diamonds. He/she/they were put into chains of plasma because earlier with canines, fangs, & or saber teeth that can rip through even diamonds they tore through even power armor. So they were classified by the alien traffickers as a A rank threat even as a metahuman and superhuman child. The earth and the ocean shook as Kaimana used her powers to defeat several of the traffickers but it wasn’t enough as they traffickers left with most of their objectives. Hokulani dropped to her knees as she cried being powerless to stop Alex/Lexi be taken. Sitting on her throne tears ran down her face as she remembered the broken look in the parents of Alexander Mack Smith/Alexandria Macy Smith as they learned their child was taken. For years she blamed herself for the kidnapping of their fiance. That is why she trained stronger becoming stronger in her command of the earth and the ocean as a superhero. She joined the spec ops and black ops military of Atlantis and trained until she became one of the best as an Atlantean military officer. “Alexander Mack Smith/Alexandria Macy Smith is home!” Kaimana Hokulani Keali’i and Dior Linh Heimana Tranh both dropped their Quidents of Power as they ran to meet their fiance who was now home after all of this time. “Welcome home King/Queen and Chieftain and Warchief Alexander Kana'i Mack Ryuu Francisco Makoa Smith/Alexandria Ataahua Macy Haruka Francisca Kamalani Smith of Ethania the country on an alien planet in the Andromeda Galaxy,” said one of Alexander Mack Smith/Alexandria Macy Smith’s personal male and female honor guards as they escorted him/her/them out of the ship. Cardinal Changeling (Alexander Mack Smith/Alexandria) shouted as he/she/they hugged his/her/their father’s best friend, “King Zhao Makoa Li Keali’i!” King Zhao Makoa Li Keali'i said, “My son in law/daughter in law!” “Alex/Lexi, my daughter Queen Kaimana Zhao Hokulani Ya Keali'i has heard of what happened to you when you were taken. “She knows of you being experimented on, being enslaved, & being forced to become a super soldier.” “She wishes to command her honor guard to hunt them all down and kill the ones responsible with extreme prejudice.” Alexander Mack Smith/Alexandria macy Smith said, “Of course she did….” “In time they will be dealt with.” 

“I went to Atlantis and felt at home in the ocean there as someone Polynesian Hawaiian and Tongan Indigenous Pasifika like I belonged there somehow.” “The Empire of Atlantis it called to me.” “My Polynesian tattoos glowed sapphire there.” “It was home as a Polynesian person of color.” He/she/they said, “I am not exotic I am exhausted.” I greeted the demigod Angelo Vergilius Romano, the son of Neptune and an Atlantean empress, “Hello Angelo Vergilus Romano, the emperor of Atlantis.” “Hello Empress Cornelia Agusta Rossi.” “Angelo he was a demigod who married his wife Empress Cornelia Augusta Rossi-Romano the daughter of an Atlantean and a sea nymph.” Dior Linh Heimana Tranh is a Vietnamese and French Polynesian Tahitian woman of color. Hokulani Zhao Kaimana Ya Keali’i a Chinese and American Polynesian Samoan and Hawaiian woman of color. Vaulina Tagi is a Melanesian Fijian woman. Runica Keju is a Micronesian Marshallese Indigenous Pasifika woman. Hokulani Zhao Kaimana Ya Keali’i-Smith is a biracial Chinese and American woman of color Polynesian Hawaiian and Samoan Indigenous Pasifika Atlantean hybrid. She has power over the earth and ocean. She is a monogamous cis demisexual. Dior Linh Heimana Tran-Smith is a Vietnamese Chinese and French Polynesian Tahitian Indigenous Pasifika woman of color Atlantean hybrid who has power over fire and wind. ‬She is a monogamous trans maohi asexual. Cardinal Changeling or Scarlet Shapeshifter (King/Queen Alexander Kana’i Mack Ryuu Francisco Makoa Smith/Alexandria Ataahua Macy Haruka Francisca Kamalani Smith) said to Queen Dior Linh Heimana Tran his/her/their Vietnamese French and Polynesian Tahitian Indigenous Pasifika woman of color wife and Queen Zhao Hokulani Kaimana Ya Keali’i his/her/their Chinese and American Polynesian Hawaiian and Samoan Indigenous Pasifika woman of color wife, “It seems the elders or kupana are choosing me to become an elder.” “A mahu or maohi in the middle elder that is since being mahu or maohi that is my gender identity and cultural identity as a Hawaiian and Tongan Polynesian Indigenous Pasifika.” “That is so awesome Alexander/Alexandria,” said Linh and Zhao, “an elder is an important duty or kuleana.” “So much more as a mahu or in the middle elder.” “It’s a huge cultural responsibility and spiritual obligation among our peoples.” “People from families, clans, & nations will come to you for guidance and wisdom.” “You will do so well our love.” Alexander Kana’i Mack Ryuu Francisco Makoa Smith/Alexandria Ataahua Macy Haruka Francisca Kamalani Smith took out his/her/their hard-light ukulele and started to serenade his/her/their Indigneous Pasifika spouses and partners Dior Linh Heimana Tranh a Vietnamese and French Polynesian Tahitian woman of color, Hokulani Zhao Kaimana Ya Keali’i a Chinese and American Polynesian Samoan and Hawaiian woman of color, Vaulina Tagi a Melanesian Fijian woman, Runica Keju a Micronesian Marshallese Indigenous Pasifika woman. He/she/they sang in his/her/their male masculine form, female feminine form, nonbinary genderless form, & genderfluid androgynous form. As a songwriter and singer, he/she/they started to sing the following songs to Dior, Hokulani, Vaulina, & Runica. During some of the songs Alexander/Alexandria started to crying when singing them.

https://www.youtube.com/watch?v=kr5Znx4cxKQ.

https://www.youtube.com/watch?v=1yn9mKqDuHM.

https://www.youtube.com/watch?v=Bum4936KgOo.

https://www.youtube.com/watch?v=rAU620FgR_w.

https://www.youtube.com/watch?v=iafubcZ2EAY.

https://www.youtube.com/watch?v=_7ccKx3NHMU.

https://www.youtube.com/watch?v=WXPP2sgLMKQ.

https://www.youtube.com/watch?v=lX3YX1ffzDI.

https://www.youtube.com/watch?v=yblB87dpJGc.

https://www.youtube.com/watch?v=YEpLa4KyFOo.

https://www.youtube.com/watch?v=zNR--LWQeso.

https://www.youtube.com/watch?v=hjiAkUiPHqs.

https://www.youtube.com/watch?v=FBiRLp58qEE.

https://www.youtube.com/watch?v=SsGeHAMDTAA.

https://www.youtube.com/watch?v=piUSSiy-gUw.

https://www.youtube.com/watch?v=xIqk0NJwuMQ.

https://www.youtube.com/watch?v=UjMA6BP2Xo4.

https://www.youtube.com/watch?v=mOqoFc5dp4A.

https://www.youtube.com/watch?v=CFJ6qQ9K3N0.

https://www.youtube.com/watch?v=NFLppNGY1uA.

https://www.youtube.com/watch?v=WSoP2_sDaDw.

https://www.youtube.com/watch?v=7x0xJJUKQoo.

https://www.youtube.com/watch?v=e9XBf_5GsPE.

https://www.youtube.com/watch?v=hXQ089YTHoc.

https://www.youtube.com/watch?v=R3HRMdHtbq4.

https://www.youtube.com/watch?v=FqPpX5PrWZI.

https://www.youtube.com/watch?v=WHqR45z4-ss.

https://www.youtube.com/watch?v=z_TROKSJ5eQ.

https://www.youtube.com/watch?v=TxIgPoyEiPk.

https://www.youtube.com/watch?v=LaCNka7zZrA.

https://www.youtube.com/watch?v=ausm7Agez7Q.

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christianworldf · 5 years ago

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New Post has been published on Christian Worldview Institute

New Post has been published on https://christianworldviewinstitute.com/bible-prophecies/end-time-events/book-of-daniel/photons-entanglement-and-the-quantum-eraser/

Photons, Entanglement, and the Quantum Eraser

Do quantum particles actually know if they’re being watched like the double-slit experiment suggests? Does the delayed-choice quantum eraser finally prove this? No, but let’s ask some better questions and see what’s going on. ________________________________ VIDEO ANNOTATIONS/CARDS

How do we KNOW light is a wave?

What the HECK is a Photon?!

How Do Polarized Sunglasses Work?!

Three Quantum Myths:

________________________________ RELATED YOUTUBE VIDEOS

PBS Space Time on Quantum Eraser:

Vertasium on Single Photons:

Eugene Khutoryansky on Quantum Eraser:

________________________________ SUPPORT THE SCIENCE ASYLUM

Patreon: http://www.patreon.com/ScienceAsylum

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Merchandise: http://shop.spreadshirt.com/scienceasylum/ ________________________________ HUGE THANK YOU TO THESE PATRONS

Asylum Counselors: Matthew O’Connor

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Plutonium Crazies: JKLMN Anderson, Al Davis, Kevin MacLean

Platinum Crazies: Vittorio Monaco, Stephen Blinn, Mikayla Eckel Cifrese, Evgeny Ivanov ________________________________ OTHER SOURCES

http://www.feynmanlectures.caltech.edu/III_01.html http://adsabs.harvard.edu/abs/1982PhRvA..25.2208S https://arxiv.org/abs/quant-ph/9903047 https://arxiv.org/abs/1112.4522 https://motls.blogspot.com/2010/11/delayed-choice-quantum-eraser.html ________________________________ LINKS TO COMMENTS

Quantum Eraser:

Photoelectric Effect:

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iqvts · 6 years ago

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722 Maryland Avenue, Lansing, MI 48906 from iQ Visual Tours on Vimeo.

For more information: cb-hb.com/listing/215-114503/722-maryland-avenue-lansing-mi-48906

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Contact: Christina Bahr (517) 294-4203 [email protected]

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investmart007 · 6 years ago

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LOS ANGELES | Cicely Tyson, Kathleen Kennedy among film academy honorees

New Post has been published on https://is.gd/3BaMVf

LOS ANGELES | Cicely Tyson, Kathleen Kennedy among film academy honorees

Thalberg Memorial Award.

The Academy of Motion Picture Arts and Sciences announced the honorees Wednesday after a Tuesday night vote by its board of governors.

Schifrin, 86, is a six-time nominee, who has composed original scores for over 100 films including “Cool Hand Luke” and “Dirty Harry.”

Tyson, 93, was Oscar-nominated only once for the 1972 film “Sounder.” The prolific stage and screen actress has appeared in films like “The Help” and “Diary of a Mad Black Woman.”

The 10th annual Governors Awards will be held in Los Angeles on Nov. 18.

By LINDSEY BAHR , Associated Press

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drmarshallbahr · 9 months ago

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https://www.linkedin.com/in/dr-marshall-bahr/

Check out my linked in profile

#marshall bahr

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junker-town · 6 years ago

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The Rams and Patriots staffs are loaded with college no-names

Holders who got ejected, little-known talents, careers derailed by injuries, and more.

You know that old saying “Those who can’t do teach”? Maybe there’s a little bit of truth to it, at least as far as the coaches on the sideline at the Super Bowl.

They all have college football roots, but most of them didn’t even see a snap in the pros, much less have standout college careers. Now they’re coaching the best players in the world in the biggest game in the world. But ya gotta start somewhere, and here’s where they all did, led by Miami (Ohio’s) Sean McVay and Wesleyan’s Bill Belichick.

The Rams coaching staff includes a few college players who were at least somewhat memorable.

Head coach Sean McVay: Miami (Ohio) wide receiver/special teamer

He also had a bowl cut and played twice against Pats WR Julian Edelman, with McVay’s Miami and Edelman’s Kent State splitting their two games.

Before that, McVay was a high school quarterback in his native Georgia. He wasn’t half-bad either, winning a state championship and offensive player of the year.

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LBs coach Joe Barry: USC linebacker

Barry actually played his college ball in LA. After transferring from Michigan, he played in seven games for the Trojans and began a coaching career.

Run game coordinator Aaron Kromer: Offensive lineman at Miami (Ohio)

Also a Miami product like his boss. He played three seasons as a RedHawks offensive lineman.

Passing game coordinator Shane Waldron: Long snapper (!!!) at Tufts

I’m not sure how many NFL coaches are former long snappers, but Waldron snapped for the Tufts University Jumbos in addition to playing tight end and defensive end. A truly versatile athlete in his day. There can’t be many non-special teams coaches with that background.

QB coach Zac Taylor: quarterback at Nebraska

Photo by Brian Bahr/Getty Images

Taylor may just be the most accomplished former player on either staff. After redshirting at Wake Forest, he transferred to a JUCO and won a national title with Butler Community College. He came back to the big leagues at Nebraska. Career highlights include this game-winning drive to beat Texas A&M to help win NU’s only division title under Bill Callahan.

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Callahan’s tenure was notable for taking the Huskers away from their option roots to a West Coast offense. It was Taylor who manned the controls in 2005 and 2006 — the only seasons that Nebraska had actual success with it. He’s expected to be the Bengals’ next head coach.

RBs coach Skip Peete: wide receiver at Kansas

Peete had a cup of coffee with the Jets, but was a good WR for Kansas back in the mid-’80s. You may be familiar with his brother, Rodney, who finished second in the 1988 Heisman race to Barry Sanders and was a three-time MLB draft pick who played 15 years in the NFL.

WR coach Eric Yarber: Wide receiver at Idaho

With LA high school roots, Yarber was an exceptional FCS receiver at Idaho, where he was an All-American and conference MVP. He spent three years in the NFL with Washington and won a Super Bowl at the end of the 1987 season, working primarily as a punt returner.

Defensive coordinator Wade Phillips: linebacker at Houston

Phillips played at Houston 50 years ago, yet he’s still tied third-all time in fumble recoveries for the Cougars. He was also part of a defense that held Tulsa to six points in a game back in 1968 and a special teams unit that put the cherry on top of a 100-6 win. UH is still the last team to hit triple digits:

Phillips doesn’t remember who made the decision to put the first-team defense back on the field with about two minutes to play. But he knows he was lined up to block when Tulsa punted, and cornerback Mike Simpson promptly returned it for a touchdown — Houston’s 14th of the game. An extra point later and they had reached 100.

”We had scored a lot of points before, but all the sudden it just got out of hand,” Phillips said. “... To be honest, I’m surprised someone else hasn’t done it yet.”

D line coach Bill Johnson: center at Northwestern State

Johnson was a four-year letterwinner and two-year starter at center for the Northwestern State Demons in the late 1970s and got his start in coaching there as a defensive line coach in the early 1980s. That means he coached this guy at his alma mater:

#77 DAYS UNTIL LOUISIANA HIGH SCHOOL FOOTBALL IS BACK!! Former South Lafourche Tarpon, Northwestern State Demon, and The Head Football Coach of The LSU Fightin’ Tigers! Coach O, Ed Orgeron! .@Coach_EdOrgeron ( : Northwestern State) #LAHSFB pic.twitter.com/c8kMCs7Cxw

— #LAHSFB (@LouisianaHSFB) June 14, 2018

CB coach Aubrey Pleasant: DB at Wisconsin

Pleasant was a pretty good contributor for Wisconsin for three seasons. He confusingly didn’t get a fourth due to a situation he doesn’t discuss. He was initially suspended indefinitely by former coach Bret Bielema the summer before his senior season, apparently in connection to a party. But Bielema never offered details either, and Pleasant finished the year enrolled in school in Madison.

Safety coach Ejiro Evero: safety at UC-Davis

Evero was a Division II All-American twice.

Special teams coordinator John Fassel: QB at a lot of places

If the transfer portal existed back in the day, Fassel would have been a mainstay in it. He played at three schools during his college career:

Once a student himself, Fassel played quarterback for Anaheim and graduated in 1967. He led Fullerton College to the national title game in his second collegiate season and was recruited to USC. After a season he transferred to Long Beach State and was picked up by the Chicago Bears in the seventh round of the 1972 draft.

The Patriots coaching staff is packed with former players you’d have never heard of if they didn’t become coaches. Even the Rams staff had more star power.

The Rams may not have had a ton of highly-touted college players, but the Pats basically don’t have any. Just like he maximizes undrafted players on his roster, Belichick takes coaches from schools you’ve probably never heard of and makes them mainstays on his staff.

Head coach Bill Belichick: Actually a way better lacrosse player but — holy shit — look at this team picture for when he played football at Wesleyan

Bill Belichick rocking the Anton Chigurh look back in college. #SuperBowlLIII pic.twitter.com/XMptPE3KX9

— SportsPaper (@SportsPaperInfo) January 25, 2019

Offensive coordinator Josh McDaniels: wide receiver at John Carroll

He would have been a quarterback if he weren’t beaten out at the position by future Pats director of player personnel Nick Caserio.

Caserio and McDaniels, both local kids who quarterbacked high school teams in northeast Ohio, created their own branch of the tree. They met while competing for the backup quarterback job at John Carroll in 1995. A fifth-year senior was the starter, but when he broke his leg in the first game of the season against Ohio Wesleyan, Caserio took over. He would graduate with 16 school records. McDaniels, looking for another way to contribute, moved to receiver.

RBs coach Ivan Fears: running back at William & Mary

Fears had an unremarkable career for the Tribe. But it’s probably because of three knee surgeries.

WRs coach Chad O’Shea: QB at Houston

O’Shea transferred from Marshall and played some unremarkable games in an unremarkable Houston season in 1994 and 1995.

TEs coach Nick Caley: tight end at John Carroll

Another member of the John Carroll crew on the Pats’ coaching staff.

OL coach Dante Scarnecchia: offensive lineman at Cal Western

Not exactly the biggest guy. He describes his playing style like this: “Reach down and bite him in the ankles and don’t let go, man. That’s about all you can do.”

At 185 pounds during his playing days, he’s probably not that far off.

DL coach Brendan Daly: TE at Drake

Daly was a four-year letterwinner with the Bulldogs.

LBs coach Brian Flores: LB at Boston College

Flores actually may have gotten a shot at an NFL career had he not blown his quad muscle in the final bowl game of his college career. He was an integral cog for the Eagles, and stuck around Boston for the entirety of his coaching career.

CBs coach Josh Boyer: wide receiver at Muskingum College

All-conference as a defensive back ... after playing the first three years of his career at wide receiver.

Safeties coach Steve Belichick: Long snapper at Rutgers

The younger Belichick went to Rutgers and also played lacrosse like his father. If the Rutgers thing surprises you, it shouldn’t. Bill loves Rutgers.

Belichick has credited Greg Schiano in the past for helping his son learn the coaching side of football, which helped him progress with the Patriots. He will now coach former Rutgers standouts Devin McCourty and Duron Harmon. Steve represented his loyalty to Rutgers at his press conference back in April when he was announced as a full-time coach of the Patriots.

Special teams coach Joe Judge: Holder at Mississippi State

Besides the awesome name, Judge was a four-year letter-winner for the Bulldogs. He also has got to be the first holder ever ejected from a college football game.

While standing on the sidelines, Judge, a senior, pushed Alabama defensive tackle Jeremy Clark over a bench when Clark attempted to punch MSU tackle David Stewart.

The Super Bowl is proof.

You don’t need to have been a big star to be a great NFL coach. You just need to know how to work with big stars and get them to do what you need.

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