#mario paint composer

[teetytotty]

the Mario paint cat noise is my favorite noise

[datkooby]

made an original tune for a change! check it out.

[pikabluuu]

Charli XCX - Vroom Vroom on Mario Paint Composer

[trashworldblog]

someone made brat on mario paint composer and im obsessed

[walking-circles]

finally doing a page on my site ive been putting off for months . biting my computer

[buntaindreemurr]

damn this is pretty good for a toy app

[bronskibeet]

sparkstember day 4: propaganda

"something for the girl with everything" in mario paint composer, recreated as faithfully as possible

[resource-fm]

mario paint stuff :)) using images from @never-obsolete

creds only needed for the composer frame !

how i would use the composer frame below…

have the background behind everything and the focus in front, but crop it to fit the frame

use a pixel brush on top of the subject layer to cover the staff lines with shadow if your subject goes on top of the frame’s shadow!

here is the result!

[respiratory-kristem]

Kris information!!

It's all under the cut :)

@fukuzawa-armeddaddyagency @justsigma-bsd @currentlyeatingrocks

@fedya-the-rat-god @casinoownersigma @purplelockscreen @reaper-beneath-the-moon

@oscarsgallery @sayuutoria

@discourse-on-decadence @futuremafiabossdazaiosamu @the-caged-jester / @juniper-bunch @sugarthebee

TW for abuse, death, substance addiction, mentions to gore, body disfiguration, s/h, violence etc etc

Misc stuff

Derogatory terms he calls himself:

Failure

Revived Corpse

Weapon

Flesh puppet [with a soul]

Puppet

Addict

Monster

Creature

Demon

Empty doll

A thing to be manipulated

Creature of bloodlust

Frankenstein

Corpse puppet

Favorite things / Likes / Things that’ll win him over:

Robert the Lion, his plush toy

Bread

Cold cuts

Cheese

Chocolate cake

Brownies

My Chemical Romance

Sparkly stickers

Trains

Whiskey, wine and beer

Praise

Bubbles

Knives, machetes etc

Really decorated guns

His Nintendo + Video games in general

Five Nights at Freddy’s

The colors purple, pink and black

Sparkles

Gay shit

Feathers

Coffee

Spicy food

Homemade Indian food

Schnitzel

Bunnies

Cats

Oranges, Mangoes and apples

Hobbies / Interests:

Gaming

Singing (but he never does it in front of anyone)

Mathematics

Drawing

Reading

Writing

Painting

Composing music

Weapon collecting

Gun customization 

Ability details

Tendrils act as extra limbs

Can summon about thirty tendrils at a time

Most of them come from his back, he can summon them from the ground in a 5 feet radius around him as well

When not in use, they can take the form of wings but when he deactivates the ability they all disappear. Injuries sustained remained though.

Favorite family members

Fukuzawa (obviously)

Sigma

Karma

Oscar

Atsushi (BEAST)

Extra information

His top three games to play FNAF, Monopoly and Mariokart!! Mario Party Superstars and Super Mario Wonder are close runner ups

He can cook contrary to popular belief. He can cook palak paneer, schnitzel, ramen and idli sambar very very well. He does often set things on fire in the process but it’s tasty!

He can’t feel high temperature. He has no sense of heat

He does start calling his old boss from the mafia “Boss” or his mother “Mama” when he’s in a bad mental state

He loves turtlenecks an unhealthy amount

He also loves chunky booths and certain chokers

He likes emo / punk aesthetics

He loves to wear dresses or fem clothing and does his makeup sometimes

He has worn a bunny suit on several occasions for fun

He will also wear dresses and bunny suits for his boyfriend too

He’s got quite a bit of money from Katie’s will/inheritance

He owns a house in Sweden

His left eye is extremely weak

Behavior patterns

A absolute sucker for headpats and pets. He doesn’t care about the feeling or motive behind them, he will melt into the touch and slowly grow more attached to the person giving them to him

He loves rewards. Food, clothes, anything. He loves loves loves rewards

Doctors make him spiral. Even seeing a long white coat will send him into a panic, and he hates medical equipment

It’s even worse with needles. He sees a syringe, a needle or anything of the sort and he’ll be sent into a panic attack or a hallucination episode

Weirdly he finds some comfort in basements. Because when he was in the basement in the mafia he was “safe” with his box and plush, he couldn’t be hurt by punishments or Boss

He loves cheese. Katie used to only really manage to sneak scraps of cheese, bread and cold slices of meat to him when Kris was forced to starve as punishment, which led to him to viewing all of those as “safe foods” and finding deep comfort in them

He’s used to being called derogatory terms such as ‘creature’, ‘weapon’, ‘monster’, ‘demon’ etc etc so he often tries to call himself those terms when he thinks he’s done a “bad thing”

Dissection was a punishment in the mafia so when he’s had a really really bad day he will gut/dissect himself to punish himself

He drinks a lot after bad days

He spends time on roofs and throws things off of them to release anger and stress

Easily manipulated because he just needs to be praised and given physical affection. Currently working on it

Has bad trust issues but if someone tells him something that feeds into his own insecurities he will believe it after a little convincing

Behavior patterns (fused)

He will grow attached to a person he views as “Boss” and absorb some of their personality traits

He will also grow attached to anyone who speaks German with him!!

He only really eats human flesh when in this state. Any other type of food makes him nauseous and he can only really stomach raw flesh and blood

He has a permanent smile stuck on his face so he uses his eyes and the glow levels in them to show his emotions. Plus when he’s excited or angry or deeply annoyed more black liquid will drip from his mouth

The liquid dripping from his eyes will always be trickling out. It doesn’t matter how he feels, it’s an eternal flow of neon goop

He can’t really feel any other emotion other than all-consuming destructive anger, intense overwhelming joy, or complete and utter boredom or annoyance.

He’s basically run by his thirst for blood and violence, and his need for death and slaughter

He has really spotty memories when he unfuses, being able to remember some things but not others. These amnesia barriers are really frustrating for him

Does not trust anyone. Will only act on his own impulses + bloodlust and orders from whom he views as “Boss”

He genuinely is a monster. A weapon to be utilized for mass destruction

[mavis-the-apple-pie]

TIME TO INTRODUCE A MARIO OC AND HER KINGDOM

THE PRINCESS:

So this is Amandine, the princess ruling over the Heart Kingdom. She’s cheerful, optimistic, bubbly and kind to the people she meets, even though she can be sometimes an airhead who forgets some important things. She’s a hopeless romantic who wants to fall reaaally deeply in love with someone, she still haven’t met her soulmate though, but she doesn’t give up. She also loves roses, and writing.

HEART KINGDOM LORE:

The whole kingdom relies, both vegetation and inhabitants, on one being: Kardino. He’s a huge heart-shaped creature who lives deep inside the underground of the castle. Just like a normal heart, he’s constantly beating to give energy to the whole kingdom, without ever failing to the task.

He looks intimidating with his gigantic size, but don’t worry, he’s a gentle giant who wouldn’t hurt a fly. He’s only able to communicate through bellows that only the royal family is able to understand. It is the reason why their dynasty rules over the kingdom, meaning they have two main duties: leading the kingdom and taking care of Kardino. As for now, the royal family consists of the princess Amandine.

Kardino is also the father of all Kokoras, the main inhabitants of the kingdom. All Kokoras are born thanks to a little burgeon in Kokora town, directly connected to Kardino. It also happens that more powerful Kokoras are born, who have much more magic than the average. They’re simply called the Great Kokoras, and form the royal council in the castle.

(The current Great Kokoras, from left to right: Bravelt, Orkus, Karell, Maurik and Jennia)

THE LOCATIONS OF THE HEART KINGDOM:

The Heart Castle and Kokora Town: The castle where Amandine and the Great Kokoras live, and the town where all Kokoras are born, and where a lot of them live in. While there are towns in the other areas of the kingdom, this is by far the one where most of them live. As for the castle, it is also the only known access to Kardino’s cave.

The Rose Fields: Located in the middle of the map, the Rose fields connects every areas between them. As it’s name suggest, this is also where we can find most Rose Flowers, the kingdom’s equivalent to Fire Flowers. When used, it makes you able to shoot thorns towards enemies, but can also extends to a platform when shot in a wall.

The Mirror Mountain: Located in the northwest of the kingdom, it is an ice mountain which iced walls are actually mirrors. In the cave on top of the mountain, the many mirror walls inside reflects all the different forms and outfits people have worn and been through their life. Touching one of the mirrors will result in remembering all the memories linked to the form or outfit.

Heartwoods: Located in the west of the kingdom, it is an huge forest composed of heart-shaped trees that also looks like Kardino. The deepest parts of the woods are shrouded in a very thick fog, and who knows what could be there…

The Sugar Desert: Located in the south of the kingdom. Have you ever dreamed of a desert made out of sugar instead of sand? Well, your dreams came true. Though, it is still as hot and as suffocating than a regular desert. The Kokoras there live nearby an oasis, which itself is also nearby the Pastry Temple, in which, lots of pastries and cakes are made without anyone working. Sure sounds like a dream for people with a sweet tooth.

The Rainbow Falls: Located in the east of the kingdom, it consist of mountains that serves as the sources for the rainbow colored falls. It is a place of scenery and a very popular place for painters to paint. Some interpret the rainbow falls as the acknowledgement that anybody can love anybody, in a kingdom that reminds a lot about love with it’s heart theme.

The Poison Volcano: Located in the northeast of the kingdom, it consist of, as the name suggests, a volcano containing poison instead of lava. It is by far the most dangerous place of the kingdom, because not only the poison is dangerous, but the area is filled with a toxic gas due to the poison. Kokoras who goes there to extract minerals and tourists who wants to visit all have to wear a mask to protect themselves from the gas, and the only one who’s immune to the poison and gas is Orkus, one of the Great Kokoras. Venenous mushrooms have also been known for growing there.

And uhhh I think this is it! I hope you like it!

[pianokantzart]

I think I’ve finally figured out what is happening in The Super Mario Brothers Super Show

Okay, so... Mario and Luigi’s reality– reality as we know it– is fairly cohesive, with a consistent timeline and a singular dimensional plane. 

But when Mario and Luigi got transported to The Mushroom Kingdom (or wherever they were when they first rescued Princess Toadstool), they landed in a tiny piece of what I will refer to as a fractal reality: a world that is composed of hundreds of miniature worlds with their own histories, cultures, and timelines, all connected by warp pipes in a complicated kaleidoscope of splintered reality.  

But all these worlds are still pieces of a whole, so there are common threads, such as the violent conqueror King Koopa, and the kindhearted ruler-turned-fugitive Princess Toadstool. It is possible for anyone to hop between these dimensions, but if they do they will merely live out an echo of their preexisting life with a new coat of paint within a mirror of their own selves, every memory intact.

Then Mario and Luigi show up: an unprecedented element from a completely alien world, who ended up there by some grand cosmic fluke, and– whether intentionally or by accident– they have a ripple effect that steadily reshapes every timeline. Mario and Luigi don’t simply help Princess Toadstool defeat King Koopa, because there is no singular King Koopa or Princess Toadstool, and yet at the same time there is. They are one and hundreds simultaneously, tied to a single tree of shared memory, personality, and fate– with that fate being steadily reconstructed by two lost strangers from a separate plane of existence, fixing the sick timeline like a foreign antibody.

That is why Team Mario can collect a hoard of gold in one episode, and then be flat broke two episodes later! It’s why King Koopa appears to have an endless supply of resources no matter how many times he’s been overthrown, and keeps showing up with new kingdoms and new aliases. It’s why Team Mario keeps finding what they’re looking for, just to turn out empty handed by the start of their next journey.

That is why Mario and Luigi keep a plumber's log. It is crucial for them to maintain a concept of a steady timeline in a world where histories and cultures are constantly in rotation, with allies, enemies, and memories being the sole constant.

[meret118]

In fact, Dalla Ragione has spent more than a decade scouring the masterpieces of 15th- and 16th-century art for answers to one of the great questions of Italian agriculture: Whatever happened to the boisterous selection of fruits that, for centuries, were a celebrated part of Italian cuisine and culture? Slowly and indefatigably, she has been rediscovering those fruits, first in archives and paintings and then, incredibly, in small forgotten plots across Italy. Her nonprofit, Archeologia Arborea, is helping farmers and governments around the world preserve and even bring back into cultivation all manner of forgotten fruits. In the process, Dalla Ragione has become a globally renowned fruit detective, by recognizing in her country’s Renaissance artworks not only exceptional examples of cultural patrimony but also hidden messages from a bygone era of genetic abundance that can offer clues about how to recover what was seemingly lost.

. . .

Six centuries ago, Italy boasted hundreds of varieties for every fruit, each adapted to specific ecological niches. Apple, pear and cherry varieties across Umbria were different, in subtle and not-so-subtle ways, from Venetian, Florentine or Piedmontese varieties. At the turn of the 20th century, the country was home to at least 1,000 pear varieties, according to Dalla Ragione. Today, Italy is one of Europe’s foremost producers of pears. Yet for both pears and apples, a mere four varieties each now compose more than 70 percent of the country’s production, compared with the hundreds of varieties that were common a century ago. A 2020 Atlas of Biodiversity commissioned by the Ministry of Agriculture—to which Dalla Ragione contributed—documents how dozens if not hundreds of varieties of peaches, cherries, grapes and apricots once cultivated in Italy’s many regions have shrunk to a handful of uniform varieties for each fruit nationwide.

The loss of those varieties isn’t just a question of lost deliciousness. It also means that we’ve lost centuries of adaptability encoded in the genes of the fruits of yesteryear. According to Mario Marino, an agronomist working with the Climate Change Division of the United Nations’ Food and Agriculture Organization, who serves on the board of advisers for Archeologia Arborea, rediscovering the descendants of those old fruits will be crucial for Italy’s ability to withstand the unpredictable and increasingly dramatic effects of climate change.

A tree in Dalla Ragione’s orchard bursts with cow-nose apples, like the one she spotted in Bellini’s Madonna With Child. They’re often mistaken for pears.

. . .

In 2017, Dalla Ragione obtained a PhD in biodiversity from the University of Perugia. For her doctoral thesis, she analyzed the genomes of hundreds of pear varieties, which led to a radical discovery: Older pears, dating back to the 15th century and earlier, have many more alleles—meaning more genetic diversity—than 21st-century varieties. “That diversity,” says Lorenzo Raggi, a researcher in agricultural genetics and biotechnologies at the University of Perugia, “can translate into a greater capacity to adapt to different conditions.” This genetic diversity also meant that there were huge differences among the fruits themselves, even those from the same roots. “One year the trees would produce fruits of one color, then the next year, another color,” Dalla Ragione says. It also gave these varieties the capacity to adapt to shifting conditions, generation after generation. They might not produce as much per tree as modern varieties, but their traits helped them survive new pests and changing weather conditions, meaning they produced fruit more steadily over decades and even centuries. 

. . .

“Industrial agriculture created a few varieties that are very productive in very precise conditions, with a lot of chemicals and a lot of water. The new varieties may be bigger and have more consistent color, but they have very few genes—few words. Their genetic patrimony is very simple. If you present the right question, they can answer, because maybe they have four or five or maybe ten words. But if you present other questions—like drought or climate change or other situations—they have no words to answer. They can’t answer because they do not have enough genetic variability inside to answer these questions. Old varieties have a big vocabulary. They have many words to answer these new questions.” 

[spandexual]

I know we're all like what if Beethoven had a synthesiser what if Mozart had an electric guitar but can you IMAGINE the power of Tchaikovsky with Mario Paint Composer

[bentbliley]

a math teacher made super mario quadratics, a full video game in desmos.

frank henenlotter would shoot his silly horror movie in chunks to show investors as he was filming to make sure he always had enough money.

mozart composed minuet in g major at age 5.

aurachannelerchris started writing the longest piece of literature to practice their english.

you reading this likely wrote a book about magical animals as a kid, we've all done it.

there's no need to wait, just go do the thing. pick up the paint brush, go to your type writer, go be creative.

[toskarin]

a little bit of Past Risings Again from Hellsinker (and Radio Zonde), some liberties taken

toying with jummbox while doing actual work. it's kind of evil how it has the low-investment appeal of mario paint composer, except it's a fucking html fm synth so you can lose hours to it if you actually care about that aspect of things

enormous shoutout to ひまわり畑 for uploading his arrangement on youtube, because otherwise I would never have realised what was making my arrange sound off (I forgot to fake the strumming at first)