#marilyn models new york

[beautifulfaces2020]

Julia dunstall at marilyn models ny

[normadianasworld]

Marilyn Monroe 1957 New York City

[hedonistic-brunette]

🪽

[theboxblonde]

Hello Mr Crow

[belladonna-undead]

to do list ≽^•༚• ྀི≼

- find pdf of the chic diet

- covet fashion

ᶻ 𝗓 𐰁

- watch barbie rapunzel

- make phone cute

[beautiesofbygoneeras]

Marilyn Hanold (born June 9, 1938, in Jamaica, New York) is an American model and actress. She was Playboy Magazine's Playmate of the Month for its June 1959 issue. Her centerfold was photographed by Bruno Bernard.

[arrowstothehearts]

From the beginning of its existence, Alaska knew it could do significant things.

James Baudelaire, who in his early twenties was part of an influential family of founders of British high society in Birmingham, UK. The man in his youth was determined to explore the beauty of the world, where he was first captivated by North America, as soon as he set his eyes on the majestic glaciers of Alaska, US. His adventures and spirit attracted Elizabeth Brown, an aspiring actress who was known for her beauty and almost unearthly resemblance to Elizabeth Taylor. She was the next promise of Broadway as soon as she managed to go to New York City, but with her angelic face, it didn't take long for James to notice the woman in her various shows.

It didn't take long for her to be conceived from such love, a girl with almost celestial blue eyes, golden hair and rosy cheeks. James knew the very moment he saw his daughter, he remembered the first time he was swept away. Alaska Baudelaire. Born on April 16th.

Elizabeth, in fact, did not have such devotion to her daughter, the replica of Marilyn Monroe that grew around her reminded her of the life she had left behind, and even though she knew it was unfair and self-centered, she blamed the girl for the end of her career, but after all, she chose that. So, Elizabeth Brown transformed herself into Elizabeth Baudelaire, erased her glorious past and swore to herself that her career would be her family, she would raise a prodigy daughter. James put aside his adventures around the world, despite remaining true to his spirit, he followed the family business, which led to him becoming an important judge.

During her childhood, Alaska's every step was scripted to make her stand out, from ballet, painting and piano classes. The girl was dedicated and even with her mother's demand for perfection, in the name of her unconditional love, Alaska wanted to be a source of pride for her mother and did everything she could to impress her.

At the beginning of her pre-adolescence, “unconditional love” sent her away from her family, friends, everything she knew and loved, where Alaska spent long years at a boarding school in Germany, where luckily for the girl, she had the chance of making friends who helped her discover her real personality, dreaming her own dreams and inheriting from her father the same passion and desire to see the world as it really was.

She always had a camera in her hand, capturing moments around her. The girl captured every feeling, curiosity that surrounded her, from colleagues, landscapes, everything became beautiful in her lenses. In addition to using her beauty naturally given by her parents to venture as a photographic model, as she loved how each photograph could capture fragments of her identity, she felt as if they were pieces of her soul that were spread through each capture.

At the end of her stay in Germany, the girl, now almost a woman, felt that her heart was calling her to see the world, so with the help of her beloved father, she went to the United States, leaving behind the cloudy weather of Birmingham and being welcomed by the warm Miami sun.

The city was exotic and new, everything she needed to follow her new steps, the woman managed to find her peace in the midst of American chaos. Her greatest find in the city, Andrew Rockefeller, a man who reminded her of her father, was successful, restrained, a true German with his strong and imposing accent, had his air of mystery and that intrigued her from the first day.

Over the course of a short time, they developed a connection that transcended all rules of time, it was instant like a meeting of souls that led to the most genuine and purest friendship Alaska had ever experienced. The man was of great influence in her maturation and growth to become who she’s today. Luckily for both of them, after four years of living, loving each other as a family and overcoming the most diverse obstacles, they both found love in each other. For many it was simply destiny, Alaska deep down always knew that all the paths she took would lead her there.

Their new lives called for new air, and her mother's old passion for New York City returned to her memory, as if that concrete jungle now called Alaska too.

Upon arriving in the new city with her lover and dogs and cat, she instantly fell in love with the energy. The streets pulsed with life, skyscrapers touched the sky and cultural diversity fascinated. Every corner presented a new scene, a new story to be told. The soft night light reflecting off the buildings, the people running, every expression captured by the lens became a masterpiece. New York developed to explore its creativity, experiment with different techniques and understand the beauty of urban imperfections. The city, with its parks, street art and variety of cultures, has become her personal museum.

For her, each photo was a window into the soul of the city, and photography became a way to bring her passion for photography to life. Now feeling truly at home.

[candygrlsworld]

The Marilyn Monroe Effect ♡

Before Marilyn she was Norma Jean, a regular American girl with dreams of becoming a star. Through hard work and manifesting her dreams. She somehow cultivated this alter ego. So there is Norma Jean and Marilyn Monroe who is basically her at her fullest potential and the girl of her dreams. She explains this in this quote.

“I daydreamed chiefly about beauty. I dreamed of myself becoming so beautiful that people would turn to look at me when I passed. And I dreamed of colors - scarlet, gold, green, white. I dreamed of myself walking proudly in beautiful clothes and being admired by everyone and overhearing words of praise. I made up the praises and repeated them aloud as if someone else were saying them.”

She also is able to switch her energy just by her thoughts. Like when she was in New York one mintue she was a regular person that no one noticed. And as soon as she said “do you want to see me become her?” Something changed in her mind at first she thought “I’m a regular girl” and then to “I am the biggest movie star, I turn heads and am beautiful.” (These are not exact quotes but I think it was something along those lines.)

So not only is she able to manifest this version of herself but she is also able to express other aspects of herself and turn it off in a way. She did this by taking action/doing the work and thinking affirmations to herself.

Now to apply this to my self I am going to create my own Marilyn Monroe so to speak. A alter ego in a way not really. Just manifesting and working to become the girl of my dreams. The mentality of I want it I got it. So in terms of my dream girl. The

Who is she?

She is incredibly beautiful and smart. A professional and extremely successful cheerleader, model, YouTuber, and obviously fashion designer. She has a Marilyn Monroe level of beauty. She has pretty privilege and amazing opportunities come to her constantly. She is extremely charming. She has such a magnetic, alluring, mysterious and angelic, sensual aura. And she is easily able to manipulate people to get exactly what she wants. She is always able to attract anyone she wants and get exactly what she wants. All eyes are on her when she enters into the room, she turns heads and is the most beautiful person people know. She has obvious sensuality and sex appeal. She is easily able to seduce and have people be obsessed with her. She is so rich and successful and is celebrity status. She is unapologetically herself, and is able to accept all aspects of herself. She loves herself fully and does not need any external validation . Although she is beloved by many. She is strong kind, smart and beautiful. She is able to stand by her boundary protect her heart and be totally herself. Without having to come out of her soft and sweet character. Light as a feather and solid as a rock. She has such a happy bright aura. She is hyper intelligent literally smarter than Albert Einstein, smartest girl people know. The textbook example of beauty & brains. And she is the embodiment of thewizardliz teachings. She is a natural star which is why people are drawn to her and why she is mysteriously famous. She knows how to keep to herself and when certain actions are appropriate. She is mature classy and sophisticated. A total charmer and sweetheart.

Now it’s your turn!

Who is the best version of you visual her and take the steps to become irl

Yours truly~💋

[livsunit2]

THE SWINGING SIXTIES

The Defining Look of the Sixties

Taylah Brewer. (2022). 60S FASHION FOR WOMEN (HOW TO GET THE 1960S STYLE). [Online]. www.thetrendspotter.net. Last Updated: 7 August 2022. Available at: https://www.thetrendspotter.net/60s-fashion-for-women/#google_vignette [Accessed 4 January 2023]

The Supremes

They were not only the most commercially successful female group of the '60s but among the top 5 pop/rock/soul acts of that decade. Diana Ross, Mary Wilson, and Florence Ballard had a mature, glamorous demeanor that appealed equally to teens and adults. Beautiful, musically versatile, and unique, the original Supremes were America's sweethearts.

Steven Ward. (2019). VINTAGE GOLD: AMERICA’S MOST SUCCESSFUL VOCAL GROUP IN THE SUPREMES. [Online]. www.grimygoods.com. Last Updated: 25 February 2019. Available at: https://www.grimygoods.com/2019/02/25/americas-most-successful-vocal-group-in-the-supremes/ [Accessed 3 january 2023].

Edie Sedgwick

The original 'it girl' inspired Bob Dylan and Andy Warhol, and was the toast of the New York art scene with her bouffant blonde hair, vintage chandelier earrings and by wearing nothing but a leotard and tights.

The Designers

London's fashion sector existed until the 1960s in the shadow of the renowned Parisian couturiers. Paris served as the centre of global fashion, specialising in tailored clothing for a fantastically wealthy, elite group of women. But all of a sudden, as the youth market expanded, London started to lead the pace.

Thanks to a handful of up-and-coming young designers trained in the couture tradition, Paris has maintained its edge. Fashion firms like Saint Laurent, Cardin, and Courrèges discovered how to appeal to younger customers. They established ready-to-wear shops and concessions in department stores and produced "space age" clothing that was quickly imitated on the high street.

The youth market was enormous in the US, and department stores made millions by importing London fashions. But retailers also recognised the boutique's potential. Local stores that catered to affluent customers by selling unique, cutting-edge designs thrived, notably in New York.

Andrè Courrèges

André Courrèges

The French designer is best known for introducing the revolutionary space look- featuring white boots, goggles and boxy dresses designed in futuristic metallic shades, high shine fabrics such as PVC. His look was a blend of avant-garde geometry with sports classic driven by the youth culture.

Pierre Cardin

Became famous for his brightly colored mini dresses. At the time his garments were "avant-garde" he like other designers at the time was heavily influenced by “Age" movement. His design style is mainly geometric shapes and colours.

Paco Rabanne

The Spanish born designer made a name for himself in the 1960s with his space-age inspired fashions. He used materials such as metal, aluminum, plastic, plexi glass and even fiber optics. He was the first fashion designer to use black models in a catwalk show. As a result, he was almost thrown out of the Chambre Syndicale de la Couture Parisienne, the governing body of Parisienne fashion.

Givenchy

Responsible for the iconic little black dress that is essential to every woman's wardrobe and dressing the most elegant ladies of the time such as Audrey Hepburn, U.S. first lady Jacqueline Kennedy, Princess Grace of Monaco; Wallis Simpson, Duchess of Windsor and socialite Babe Paley.

Yves Saint Laurent

Shift dresses and pea coats became YSL trademark styles. In 1965, colour blocking made its entrance in the world of fashion, when Yves Saint-Laurent introduced the colour block dress, inspired by the works of the famous painter, Piet Mondria.

Emilio Pucci

Is best known for colorful psychedelic prints, especially for headscarves and dresses. In 1962 the world lost screen siren Marilyn Monroe. It's believed that she was buried in one of his dresses. Monroe was a huge fan of his work which can be clarified by the volume of Pucci garments in her personal collection displayed at Christies in 1999 prior to auction. Although an already established designer, Pucci saw an increase in sales in the sixties which he attributed to Miss Monroe and her popularity.

The Birth of the Hippie

(1960-70s)

Originally used to designate beatniks who had settled in San Francisco's Haight-Ashbury neighbourhood, the word hipple is derived from the hipster. The hippies sought for alternate lifestyles. The majority of hippies cherished independence, nature, closeness, peace, generosity, and spirituality.

Nudity was another expression of freedom that hippies used to set themselves apart from society's norms. They frequently stayed in parks or set up camp in the woods, discarding their belongings.

All throughout, people wore tight-fitting bell-bottom jeans, preferably with flower patches and ankle fringe, T-shirts, or just a skimpy halter top. All of the peasant blouses complemented jeans. Anything handcrafted was considered an accessory, and many of them had peace symbols. Popular shirts and dresses had floral prints that stood for peace and love.

In general, people dressed in a way that they believed represented who they were as individuals and not only to follow the rules of fashion. For instance, both sexes wore their hair longer and it had an unruly, uncared-for appearance. This was in response to the mid-60s girl in the miniskirt who had neat, short hair.

Woodstock 1969

At Woodstock over 250,000 hippies showed up to hear artists like Janis Joplin, The Who, Canned Heat, The Allman Brothers, and County Joe and the Fish. Woodstock was not just a music concert. It was a "profound religious experience."

vintag.es. (2015). 40 Rare and Incredible Color Photographs That Capture Scenes of the Woodstock Music & Art Fair in August 1969. [Online]. www.vintag.es. Last Updated: 7 February 2015. Available at: https://www.vintag.es/2015/02/40-rare-and-unseen-color-photos-of.html [Accessed 3 january 2023].

The controversy of drugs

The most popular music of the time was psychedelic rock. Many of concerts were places for lippies to protest, socialise, dance, or take drugs. Drugs like marijuana and LSD were a big art of the hippy/counterculture movement. Using drugs made hippies feel like the were belling from mainstream society.

[prestigeforsims]

Today Shayla met up with some of her new classmates for the new semester starting tomorrow. She thought it would be a good idea to study together since this semester would be a little bit harder than the last. 17 (3 classes down, 9 more to go)📆

Estella Ngati: Estella has been a designer in fashion for about 6 months but decided to enroll in Fashion School to further her studies. Her aspiration is to get hired with Kering as a Women's Lead Designer.

Kaitlin Sadler: Kaitlin has just began her dive into the Fashion World. She lives uptown New York and was inspired by countless of people in the city to take upon fashion. She loves dressing models during shows, designing signature pieces, and walking the runway. Shes not exactly sure what path she wants to go, but she knows she'll get there.

Mayumi Wayan: Mayumi came from a small town at the coast of Berlin. Shes attended countless fashion weeks, runway events, and designer showdowns. She was featured in "Vogue's Top 100 Signature Looks" during her first duration of Fashion School. Shes inspired by many icons like Audrey Hepburn and Marilyn Monroe. Her aspiration is to build a designer brand that consist of many signature high quality pieces.

[beautifulfaces2020]

Emilie waters at marilyn models ny ❤️

[whileiamdying]

Lauren Bacall Dies at 89; in a Bygone Hollywood, She Purred Every Word

By Enid Nemy Aug. 12, 2014

Lauren Bacall, the actress whose provocative glamour elevated her to stardom in Hollywood’s golden age and whose lasting mystique put her on a plateau in American culture that few stars reach, died on Tuesday in New York. She was 89.

Her death was confirmed by her son Stephen Bogart. “Her life speaks for itself,” Mr. Bogart said. “She lived a wonderful life, a magical life.”

With an insinuating pose and a seductive, throaty voice — her simplest remark sounded like a jungle mating call, one critic said — Ms. Bacall shot to fame in 1944 with her first movie, Howard Hawks’s adaptation of the Ernest Hemingway novel “To Have and Have Not,” playing opposite Humphrey Bogart, who became her lover on the set and later her husband.

It was a smashing debut sealed with a handful of lines now engraved in Hollywood history.

“You know you don’t have to act with me, Steve,” her character says to Bogart’s in the movie’s most memorable scene. “You don’t have to say anything, and you don’t have to do anything. Not a thing. Oh, maybe just whistle. You know how to whistle, don’t you, Steve? You just put your lips together and blow.”

The film was the first of more than 40 for Ms. Bacall, among them “The Big Sleep” and “Key Largo” with Bogart, “How to Marry a Millionaire” with Marilyn Monroe and Betty Grable, “Designing Woman” with Gregory Peck, the all-star “Murder on the Orient Express” (1974) and, later in her career, Lars von Trier’s “Dogville” (2003) and “Manderlay” (2005) and Robert Altman’s “Prêt-à-Porter” (1994).

But few if any of her movies had the impact of her first — or of that one scene. Indeed, her film career was a story of ups, downs and long periods of inactivity. Though she received an honorary Academy Award in 2009 “in recognition of her central place in the Golden Age of motion pictures,” she was not nominated for an Oscar until 1997.

The theater was kinder to her. She won Tonys for her starring roles in two musicals adapted from classic films: “Applause” (1970), based on “All About Eve,” and “Woman of the Year” (1981), based on the Spencer Tracy-Katharine Hepburn movie of the same name. Earlier she starred on Broadway in the comedies “Goodbye, Charlie” (1959) and “Cactus Flower” (1965).

She also won a National Book Award in 1980 for the first of her two autobiographies, “Lauren Bacall: By Myself.”

Though often called a legend, she did not care for the word. “It’s a title and category I am less than fond of,” she wrote in 1994 in “Now,” her second autobiography. “Aren’t legends dead?”

Forever Tied to Bogart

She also expressed impatience, especially in her later years, with the public’s continuing fascination with her romance with Bogart, even though she frequently said that their 12-year marriage was the happiest period of her life.

“I think I’ve damn well earned the right to be judged on my own,” she said in a 1970 interview with The New York Times. “It’s time I was allowed a life of my own, to be judged and thought of as a person, as me.”

Years later, however, she seemed resigned to being forever tied to Bogart and expressed annoyance that her later marriage to another leading actor, Jason Robards Jr., was often overlooked.

“My obit is going to be full of Bogart, I’m sure,” she told Vanity Fair magazine in a profile of her in March 2011, adding: “I’ll never know if that’s true. If that’s the way, that’s the way it is.”

Ms. Bacall was an 18-year-old model in New York when her face on the cover of Harper’s Bazaar caught the eye of Slim Hawks, Howard Hawks’s wife. Brought to Hollywood and taken under the Hawkses’ wing, she won the role in “To Have and Have Not,” loosely based on the novel of the same name.

She played Marie Browning, known as Slim, an American femme fatale who becomes romantically involved with Bogart’s jaded fishing-boat captain, Harry Morgan, known as Steve, in wartime Martinique. Her deep voice and the seductive way she looked at Bogart in the film attracted attention.

Their on-screen chemistry hadn’t come naturally, however. In one of the first scenes she filmed, she asked if anyone had a match. Bogart threw her a box of matches; she lit her cigarette and then threw the box back to him.

“My hand was shaking, my head was shaking, the cigarette was shaking, I was mortified,” she wrote in “By Myself.” “The harder I tried to stop, the more I shook. ... I realized that one way to hold my trembling head still was to keep it down, chin low, almost to my chest, and eyes up at Bogart. It worked and turned out to be the beginning of The Look.”

Ms. Bacall’s naturally low voice was further deepened in her early months in Hollywood. Hawks wanted her voice to remain low even during emotional scenes and suggested she find some quiet spot and read aloud. She drove to Mulholland Drive and began reading “The Robe,” making her voice lower and louder than usual.

“Who sat on mountaintops in cars reading books aloud to the canyons?” she later wrote. “I did.”

During her romance with Bogart, she asked him if it mattered to him that she was Jewish. His answer, she later wrote, was “Hell, no — what mattered to him was me, how I thought, how I felt, what kind of person I was, not my religion, he couldn’t care less — why did I even ask?”

An Impulsive Kiss

Ms. Bacall’s love affair with Bogart began with an impulsive kiss. While filming “To Have and Have Not,” he had stopped at her trailer to say good night when he suddenly leaned over, lifted her chin and kissed her. He was 25 years her senior and married at the time to Mayo Methot, his third wife, but to Ms. Bacall, “he was the man who meant everything in the world to me; I couldn’t believe my luck.”

As her fame grew in the ensuing months — she attracted wide publicity in February 1945 when she was photographed on top of a piano, legs draped over the side, with Vice President Harry S. Truman at the keyboard — so did the romance, particularly as she and Bogart filmed “The Big Sleep,” based on a Raymond Chandler whodunit.

But her happiness alternated with despair. Bogart returned to his wife several times before he accepted that the marriage could not be saved. He and Ms. Bacall were married on May 21, 1945, at Malabar Farm in Lucas, Ohio, the home of Bogart’s close friend the writer Louis Bromfield. Bogart was 45; Ms. Bacall was 20.

Returning to work, she soon suffered a setback, when the critics savaged her performance in “Confidential Agent,” a 1945 thriller with Charles Boyer set during the Spanish Civil War. The director was Herman Shumlin, who, unlike Hawks and Bogart on her first two movies, offered her no guidance. “I didn’t know what the hell I was doing,” she recalled. “I was a novice.”

“After ‘Confidential Agent,’ it took me years to prove that I was capable of doing anything at all worthwhile,” she wrote. “I would never reach the ‘To Have and Have Not’ heights again — on film, anyway — and it would take much clawing and scratching to pull myself even halfway back up that damn ladder.”

“Dark Passage,” her third movie with Bogart, came after several years of concentrating on her marriage. Had she not married Bogart, she told The Times in 1996, her career would probably have flourished, but she did not regret the marriage.

“I would not have had a better life, but a better career,” she said. “Howard Hawks was like a Svengali; he was molding me the way he wanted. I was his creation, and I would have had a great career had he been in control of it. But the minute Bogie was around, Hawks knew he couldn’t control me, so he sold my contract to Warner Bros. And that was the end.”

She was eventually suspended 12 times by the studio for rejecting scripts.

‘And We Made a Noise’

In 1947, as the House Un-American Activities Committee investigated Americans suspected of Communism, Ms. Bacall and Bogart were among about 80 Hollywood personalities to sign a petition protesting the committee’s actions. Investigating individual political beliefs, the petition said, violated the basic principles of American democracy.

The couple flew to Washington as part of a group known as the Committee for the First Amendment, which also included Danny Kaye, John Garfield, Gene Kelly, John Huston, Ira Gershwin and Jane Wyatt. “I am an outraged and angry citizen who feels that my basic civil liberties are being taken away from me,” Bogart said in a statement.

Three decades later, Ms. Bacall would express doubts about “whether the trip to Washington ultimately helped anyone.” But, she added: “It helped those of us at the time who wanted to fight for what we thought was right and against what we knew was wrong. And we made a noise — in Hollywood, a community which should be courageous but which is surprisingly timid and easily intimidated.”

Nevertheless, bowing to studio pressure, Bogart later said publicly he believed the trip to Washington was “ill advised,” and Ms. Bacall went along with him.

A year after that trip she had what she termed “one of my happiest movie experiences” starring with Bogart, Lionel Barrymore, Edward G. Robinson and Claire Trevor in John Huston’s thriller “Key Largo.” It was Bogart’s and Ms. Bacall’s last film together. “Young Man With a Horn” (1950), with Kirk Douglas and Doris Day, in which she played a student married to a jazz trumpeter, was less successful.

Ms. Bacall’s first son, Stephen H. Bogart (named after Bogart’s character in “To Have and Have Not”), was born in 1949. A daughter, Leslie Bogart (named after the actor Leslie Howard), was born in 1952. In a 1995 memoir, Stephen wrote, “My mother was a lapsed Jew, and my father was a lapsed Episcopalian,” adding that he and his sister, Leslie, were raised Episcopalian “because my mother felt that would make life easier for Leslie and me during those post-World War II years.”

Rat Pack Den Mother

Ms. Bacall, however, wrote that she felt “totally Jewish and always would” and that it was Bogart who thought the children should be christened in an Episcopal church because “with discrimination still rampant in the world, it would give them one less hurdle to jump in life’s Olympics.”

She was, she said, happy being a wife and mother. She was also “den mother” to the so-called Hollywood Rat Pack, whose members included Bogart, Frank Sinatra, David Niven, Judy Garland and others. (It would evolve into the better-known Rat Pack whose members included Sinatra, Dean Martin and Sammy Davis Jr.)

In 1952 she campaigned for Adlai E. Stevenson, the Democratic candidate for president, and persuaded Bogart, who had originally supported the Republican Dwight D. Eisenhower, to join her. The two accompanied Stevenson on motorcades and flew east to help in the final lap of his campaign in New York and Chicago.

Her film career at this point appeared to be going nowhere, but she had no intention of allowing Lauren Bacall the actress to slide into oblivion. In 1953 her fortunes revived with what she called “the best part I’d had in years,” in “How to Marry a Millionaire,” playing alongside Marilyn Monroe and Betty Grable as New York models with sights set on finding rich husbands.

In the early 1950s the Bogarts dabbled in radio and the growing medium of television. They starred in the radio adventure series “Bold Venture” and, with Henry Fonda, in a live television version of “The Petrified Forest,” the 1936 film that starred Bogart, Bette Davis and Leslie Howard. In 1956 Ms. Bacall appeared in a television production of Noël Coward’s “Blithe Spirit,” in which Coward himself also starred. She would occasionally return to the small screen for the rest of her career, making guest appearances on shows like “The Rockford Files” and “Chicago Hope” and starring in TV movies.

Bogart was found to have cancer of the esophagus in 1956. Although an operation was successful — his esophagus and two lymph nodes were removed — after some months the cancer returned. He died in January 1957 at the age of 57.

Romance With Sinatra

Shortly after Bogart’s death, Ms. Bacall, by then 32, had a widely publicized but brief romance with Sinatra, who had been a close friend of the Bogarts. She moved to New York in 1958 and, three years later, married Mr. Robards, settling in a spacious apartment in the Dakota, on Central Park West, where she continued to live until her death. They had a son, the actor Sam Robards, and were divorced in 1969. She is survived by her sons, Stephen Bogart and Sam Robards; her daughter, Leslie Bogart; and six grandchildren.

Lauren Bacall was born Betty Joan Perske in the Bronx on Sept. 16, 1924, the daughter of William and Natalie Perske, Jewish immigrants from Poland and Romania. Her parents were divorced when she was 6 years old, and her mother moved to Manhattan and adopted the second half of her maiden name, Weinstein-Bacal.

“I didn’t really have any love in my growing-up life, except for my mother and grandmother,” Ms. Bacall said in the Vanity Fair interview. Her father, she said, “did not treat my mother well.”

From then until her move to Hollywood, Ms. Bacall was known as Betty Bacal; she added an “l” to her name because, she said, the single “l” caused “too much irregularity of pronunciation.” The name Lauren was given her by Howard Hawks before the release of her first film, but family and old friends called her Betty throughout her life, and to Bogart she was always Baby.

Although finances were a problem as she was growing up — “Nothing came easy, everything was worked for” — her mother’s family was close-knit, and through an uncle’s generosity she attended the Highland Manor school for girls in Tarrytown, N.Y., where she graduated from grade school at 11. She went on to Julia Richman High School in Manhattan and also studied acting at the New York School of the Theater and ballet with Mikhail Mordkin, who had on occasion been Pavlova’s partner.

After graduation in 1940, Ms. Bacall became a full-time student at the American Academy of Dramatic Arts but left after the first year; her family could no longer subsidize her, and the academy at the time did not offer scholarships to women.

So she turned to modeling, and in 1941, at 16, she landed jobs with David Crystal, a Seventh Avenue dress manufacturer, and Sam Friedlander, who made evening gowns. During lunch hours she would stand outside Sardi’s selling copies of Actor’s Cue, a casting tip sheet, hoping to catch the attention of producers. She also became an usher at Broadway theaters and a hostess at the newly opened Stage Door Canteen.

Her first theater role was a walk-on in a Broadway play called “Johnny 2 x 4.” It paid $15 a week and closed in eight weeks, but she looked back on the experience as “magical.” Another stab at modeling, with the Walter Thornton agency, proved disappointing, but her morale soared in July 1942, with a sentence by George Jean Nathan in Esquire: “The prettiest theater usher — the tall slender blonde in the St. James Theater right aisle, during the Gilbert & Sullivan engagement — by general rapt agreement among the critics, but the bums are too dignified to admit it.”

Watching ‘Casablanca’

Later that year she was cast by the producer Max Gordon in “Franklin Street,” a comedy directed by George S. Kaufman, which closed out of town. It was her last time onstage for 17 years.

It was about this time that she saw Bogart in “Casablanca.” She later recalled that she could not understand the reaction of a friend who was “mad” about him. “So much for my judgment at that time,” she said.

In 1942, she met Nicolas de Gunzburg, an editor at Harper’s Bazaar, who took her to meet Diana Vreeland, the fashion editor. After a thorough inspection, Vreeland asked her to return the next day to meet the photographer Louise Dahl-Wolfe. Test shots were taken, and a few days later she was called.

A full-page color picture of her standing in front of a window with the words “American Red Cross Blood Donor Service” on it led to inquiries from David O. Selznick, Howard Hughes and Howard Hawks, among others. The Hawks offer was accepted, and Betty Bacall, 18 years old, left for the West Coast by train with her mother. She returned to New York less than two years later as Lauren Bacall, star.

In her 70s, Ms. Bacall began lending her distinctive voice to television commercials and cartoons, and her movie career again picked up steam. Between 1995 and 2012 she was featured in more than a dozen pictures, most notably “The Mirror Has Two Faces” (1996), in which she played Barbra Streisand’s monstrous, vain mother.

The role brought her an Academy Award nomination as best supporting actress; the smart money was on her to win. But the Oscar went to Juliette Binoche for her part in “The English Patient,” to the astonishment of almost everyone, including Ms. Binoche.

Ms. Bacall — who received a consolation prize of sorts when she was named a Kennedy Center Honors winner a few months later — was perhaps prepared for the Oscar rebuff. Shortly before the Academy Awards ceremony, she told an interviewer that she hadn’t been happy for years. “Contented, yes; pleased and proud, yes. But happy, no.”

Still, she said, she had been lucky: “I had one great marriage, I have three great children and four grandchildren. I am still alive. I still can function. I still can work.”

As she said in 1996: “You just learn to cope with whatever you have to cope with. I spent my childhood in New York, riding on subways and buses. And you know what you learn if you’re a New Yorker? The world doesn’t owe you a damn thing.”

A correction was made on

Aug. 15, 2014

: 

An obituary on Wednesday about the actress Lauren Bacall misidentified the borough in New York in which she was born. It is the Bronx, not Brooklyn.

A correction was made on

Aug. 21, 2014: An obituary on Aug. 13 about the actress Lauren Bacall referred incorrectly to a 1947 petition signed by Ms. Bacall and her husband, Humphrey Bogart, protesting the actions of the House Un-American Activities Committee. It was signed by about 80 Hollywood personalities, not 500, and it did not contain the words “to smear the motion picture industry.” (Those words are from a telegram sent earlier that year by members of the movie industry in support of colleagues who had been subpoenaed by the committee.)

When we learn of a mistake, we acknowledge it with a correction. If you spot an error, please let us know at nytnews@nytimes.com. Learn more

Emma G. Fitzsimmons contributed reporting.

See more on: Lauren Bacall

[haggishlyhagging]

Politicos who were distressed by the incipient radical feminism of Notes from the First Year must have been outraged by the polemical "Toward a Female Liberation Movement," written by Beverly Jones and Judith Brown, two long-time veterans of CORE and the Gainesville (Florida) SDS. Jones and Brown first published their paper (actually the article consisted of two parts, one written by Jones, the other by Brown) in June of 1968, and it soon became known in movement circles as the "Florida Paper." Later that summer, after Jones had moved to Pennsylvania, Brown and Carol Giardina co-founded the first women's liberation group in the South-Gainesville Women's Liberation.

Jones and Brown presented the article as a "radical" alternative to the "desegregation model" favored by politicos. Indeed, the “Florida Paper” was nothing less than a frontal assault on the politico position. Jones attacked the June 1967 SDS women's liberation workshop statement for its "NAACP logic and . . . its Urban League list of grievances and demands." Brown excoriated Marilyn Webb for "refus[ing] to acknowledge that for a time at least, men are the enemy," and for contending that women's liberation groups should remain wedded to the larger Movement. With Notes from the First Year, the "Florida Paper" was the earliest articulation of radical feminism. Despite its renunciation of left feminism, the "Florida Paper," like other early radical feminist statements, did not represent a repudiation of radical politics. Indeed, Brown emphasized that “[a]ny thorough radical analysis would, of course, incorporate a stance vis-a-vis the war, racism, and the Savage Society.” And she maintained that women needed to organize a women's movement most crucially so they could “begin to dismantle this system's deadly social and military toys, and stop the mad dogs who rule us every place we're at.”

Although many New York radical feminists were deeply affected by it, the "Florida Paper" nonetheless differed in certain respects from the strain of radical feminism developing in New York City. Whereas the New York group had declared male supremacy the enemy in Notes from the First Year, Brown went further, pronouncing all men the enemy:

“In the life of each woman, the most immediate oppressor, however unwilling he may be in theory to play that role, is "the man." Even if we prefer to view him as merely a pawn in the game, he's still the foreman on the big plantation of maleville.”

And while feminists like Firestone argued that women should form their own movement, they did not suggest that as individuals women should withdraw from the left. Jones may have intended to make such a distinction, but she did not. Jones contended that "[w]omen must resist pressure to enter into movement activities other than their own." And while New York feminists had not excluded the possibility of working with other Movement groups, Brown speculated that it might be “a long and dark passage before [our movement] should risk co-educational alliances or actions.” Although Brown suggested that this was only provisionally so, she nonetheless argued that "the most serious problem for the moment is not the war, the draft, the presidency, the racial problem, but our own problem."

-Alice Echols, Daring to Be Bad: Radical Feminism in America: 1967-75

[k00296157]

Today in my brainstorming workshop, i worked more in detail with my idea of visual disruption and the types there are and i’m trying to narrow down what i want to focus the subject matter to be and i was thinking about the city of limerick in the day and night or even just human figures . I prefer to work on human figures at the moment but i want to try experiment with the two to see which i like best . I did some artist research for inspiration and i really liked the idea of collage and loved all the works of these artists.

Artist Research

Marilyn Minter

Marilyn Minter (Born 1948) is an American visual artist who is perhaps best known for her sensual paintings and photographs done in the photo realism style that blur the line between commercial and fine art. Minter currently teaches in the MFA department at the school of visual arts in New York.

Her photographs and works often include sexuality and erotic imagery. Minter’s process begins by staging photoshoots with film. She eschews digital manipulation instead favouring a conventional darkroom process for developing stills. She does not crop or digitally manipulative her photographs. Her paintings on the other hand are made by combining negatives in photoshop to make a whole new image. This new image is then turned into paintings created through the layering of enamel paint on aluminium. Miner and her assistants work directly from this newly created digital image. The last layer is applied with fingertips to create a modelling or softening of the paintbrush lines.

John Stezaker

Stezaker attended the slade school of art in London in his early teens, he graduated with a higher diploma in fine art in 1973. In the early 1970’s he was among the first wave of British conceptual artists to react against what was then the predominance of pop art.

His work is surreal in tone and is often made using collage and the appropriation of pre-existing images such as postcards, film stills, and publicity photographs.

Rebecca Horn

Rebecca Horn (Born 24 March 1944, in Michelstadt) is a German visual artist, who is best known for her installation art, film directing and her body modifications such as Einhorn(unicorn)

Horn is one of a generation of german artists who came to international prominence in the 1980’s. She practices body art, but works in different media, including performance art, installation art, sculpture and film. She also writes poetry. Sometimes her poetry is influenced by her work, and on many occasions it has inspired her work. When Horn returned to the Hamburg academy she continued to make cocoon- like things. She worked with padded body extensions and prosthetic bandages. In the late sixties she began creating performance art and continued to use bodily extensions.

[randomestfandoms-ocs]

Glee S4 Locations

okay so I did do it and I’ve now made a list of where my ocs are at come s4 just to make my life easier so that I can actually keep track of it

New York:

Cece (Tisch)*

Colton (Tisch?)*

Christie (NYADA)

Daphne (broadway)

Delilah (broadway)

Demi (NYADA)**

Dolly (NYADA)

Hillary (NYADA)**

Lindsay (vogue)***

Marilyn (NYU)

May (NYADA)

Nell (vogue)

Ohio:

Aurora

Abbie (from 4x04 onwards)

Amelie

Betty

Bobby

Demi**

Jaci

Jeremy

Kendall

Lilibeth

Mac

Melody

Sadie

Savannah

Valeria

Other:

Abbie (backpacking in Europe, then goes back to Lima)

Ash / Roman (LA)

Haruki (military school)

Joy (UCLA)

June (UCLA)

Lindsay (modelling)***

Millie (national tour)

Roxie (LA)

*Cece & Colton theoretically go to New York but their story ends after s3

**Demi and Hillary both go to NYADA I just haven’t figured out if they graduate in s3 or s5

***In most verses, Lindsay lives in New York and models, in Corner Of The Sky she’s recently moved to LA for more modelling opportunities

[hitchell-mope]

Hypothetical titles for season fifteen of 88

Hudson hospital. Season premiere. Part one. Tragedy strikes when the Five Families of New York are invited to a gala at New York’s only fully hydroelectrically run hospital.

H2oh no. Season premiere. Part two. Captain Birch’s team work to hunt down the hackers while the Council tries to evacuate the hospital before any lives are lost.

Benefits. Jacob helps an elderly apartment tenant sort out his rights. Meanwhile. Zoey Anne struggles with her FWB who wants more out of their relationship. Guest starring Steve Carell. First appearance of Logan Lerman as Ethan Baum

The food chain. Drummond has to explain Satyr eating habits to his parents when Lysander Wilkins’s half pixie girlfriend arrives from England. First appearance of Millie Bobby Brown as Lady Justine Downey

The spectre of the ballet. Donovan reports a multiple homicide at a ballet school he frequently haunts.

Riot. A visit to Arizona state penitentiary turns violent for Drummond and stowaway Tina. Guest starring Asher Angel as Gerald Gauthier and John Krasinski as Warden Sommers

Shave and a haircut. Part one. Due to a highly preventable clerical oversight, Sweeney Todd has escaped Hell, which puts Leland Mulligan, who’s the head of the Supreme Court and has the middle name Turpin, in mortal danger. Guest starring Arthur Darvill as Sweeney Todd

Two bits. Part two. Thornton and Andy hunt down Todd as Leland starts climbing the walls in witness protection

Hotel unions. Jacob refuses to represent a hotelier who wants to break up an employee strike

Jury. Findlay is elected foreman of the jury on a case of third degree murder.

Stop lights. Thornton’s team investigates when a college senior accuses a freshman of raping him at a stop light party

ACS&Associates. Midseason finale. Part one. Jacob is offered a surprise promotion at Constance Bradley’s retirement party.

ACS&Associates. Midseason premier. Part two. Jacob weighs his options as Constance prepares to leave the firm for the last time. Final appearance of Ming Na Wen as Constance Bradley.

Zealots. Findlay and Sidney serve as witnesses on a case of racially motivated police brutality perpetrated by the late Irma Cahill’s daughter while Thornton and Jones desperately try and fail to prevent Carrie Hislop from sinking her claws into the situation. Guest starring Leven Rambin as Imogen Cahill.

My turn now. Part one. Incensed at how the Morris family was treated by Hislop. Findlay, accompanied by Winifred, Skipper, Lilith, Barnaby and Jonah, decides to go on the Hislop Hour one last time to bring down the crooked, conservative, talk show once and for all.

Your hour is up. Part two. Thanks to Findlay commandeering her talk show. Carrie Hislop is now connected to a string of suicides up and down the state. And Findlay’s going to make absolutely sure that the charges stick. Final appearance of Julia Louis Dreyfus as Carrie Hislop.

Vacation. Not knowing that Oswald’s father had recently hired Chambers as a ranch hand, the Five Families head to Oswald’s family’s holiday horse ranch in Alberta Canada to destress after taking down Hislop. Guest starring Donal Logue as Osmond Chatwin

A satyrs odyssey. Drummond wakes up as Captain of the Starship Enterprise. And it’s all Jonah’s fault.

Family strife. Part one. Findlay has offered to host the wedding of Aimee Davenport and Rani Burton. Much to the chagrin of Marilyn Davenport. Guest starring Dev Patel, Naomi Scott, Rhianne Barreto, Meera Syal, Miranda Hart, Dani Harmer, Chris Pratt, Aubrey Plaza, Bruce Campbell, Sally Field and Auli’i Cravalho.

Vows. Part two. Skipper plays mediator to Mrs Davenport and the queen mother while Findlay coaches Aimee through some cold feet.

Little England. Drummond intervenes when Findlay contemplates moving to a borough of New York that models itself on Great Britain.

Say yes to distress. Odessa has decided that she wants to be presented as a debutante. There’s just one problem. Her fathers can’t agree on what style of dress she should buy.

Debutante. Season finale. Part one. Drummond and Lysander wake up in a hotel in New Jersey, double tagged and with no memory of the night before. With four hours to go before Odessa and Tina make their debut.

Presentation. Season finale. Part two. Drummond and Lysander have made it and the debutante presentation is underway. And Barnaby has something to discuss with Lucia that is bound to cause Findlay a lot of emotional pain. Final appearance of Julian Hilliard as Barnaby and Jonah Sullivan.