#marcellite garner

[thebarroomortheboy]

BRAVE LITTLE TAILOR (1938) 

When a giant threatens the land, the city folk mistake Mickey’s boast of killing seven flies with one blow to be giants. He is then forced to fight the giant for real.

dir. Bill Roberts 

[theveniceangel]

Meet the sweet, gentle flower, the sweetest of sweethearts, Peony Galore!

Yes, I made a Tom And Jerry OC, I grew up watching the cartoon, as well as some of the movies (The 1992 movie has a special place in my heart. 😊), so I decided to finally make an OC for it.

BIO.

Name: Peony Galore.

Age: N/A.

Specie(s): Cat.

Gender: Female.

Height: 4'0.

Sexuality: Heterosexual.

Nicknames: Honey (By Tom).

Headcanon voice: Marcellite Garner (Classic voice actress), Andrea Libman (Modern voice actress).

Likes: Tom, animals, strawberries, bows, mystery novels, playing the piano, writing, painting, poetry, sparkly and shiny things, swimming, mostly classical music, but she also likes jazz and swing, fluffy things, flowers, nature, rock collecting, gardening, dancing, and baking.

Dislikes: Jerry messing with Tom, Toodles's snobbishness, confrontation, crowds, bullies, Butch's rudeness, being scared, hurting others, getting angry, shallowness, snobs, and loud noises.

Crush, Partner, ETC: Thomas "Tom"' Jasper Cat (Boyfriend).

Oc design based on: Appearance wise, mostly Toodles Galore, but like.. the opposite of her, personality wise, it's a mix between Minnie Mouse, and Fluttershy.

Parents? Relatives?: Toodles Galore (Sister).

Friends: Jerry Mouse (Kinda), Robyn Starling, Nibbles, Quacker, Spike, Tyke.

Personality: Shy, sweet, kind, gentle, generous, patient, smart, open minded, passionate, appreciative, minimalistic, a little sassy at times, feisty, caring, empathetic, selfless, sensitive, brave, assertive at times, creative, stubborn at times, and peaceful.

Birthday: October 17th.

Markings: She has dark bluish gray patches on her hands and feet.

Abilities: Being a cartoon cat, she has the gift of toon physics, only she doesn't have to rely on it as much as Tom and Jerry, she also has night vision, and she has a way of communicating with animals, especially tiny ones.

Favorite drink: Milk.

Favorite color: Pink.

Favorite type of outfit: She really likes to wear bows, her pink one is her favorite.

Story info for Oc: Peony is the twin sister of Toodles Galore, she grew up in a rich and privileged household, however unlike her sister, Peony prefers a more simple life and would rather enjoy the simple, little things in life than indulge in the expensive tastes of the high class lifestyle.

For as long as she can remember, Peony had always been in love with Tom, however she had never said anything about it to him, mostly due to her shy nature, but also due to his previous relationship with her sister, Toodles.

However, after the Blue Cat Blues incident, Peony had enough of Toodles's mistreatment towards Tom and decided to finally talk to him, acting as a source of light during his dark time.

The two started spending a lot more time together, and after a few months of spending time as friends, the two eventually got together and started dating, they have been together for many years now, and they're still going strong.

Credit to Tom And Jerry Wiki for the references.

@queenofwerewolves @citruslullabies @bumblehoneybee @glowpop20 @vvileentityart @ladysegagenesis @clg-artisa @valiantsuitcaseskellington

[princesssarisa]

Oc Info Questions: Minnie Mouse

FULL NAMES: Minerva Marcellite Mouse.*

NICKNAME(S): Minnie.

FACECLAIM: N/A

BIRTH: November 18, 1928.

DEATH: N/A

ZODIAC SIGN: Scorpio.

SEXUALITY: Heterosexual.

GENDER: Female.

ORIGIN: Los Angeles, CA.

NATIONALITY: US American.

FAMILY: Mickey Mouse (significant other), Fifi (pet dog), Marcus Mouse (father), Mrs. Mouse (mother), Marshall Mouse (grandfather), Matilda Mouse (grandmother), Mortimer Mouse (uncle), Ruffhouse Rat (cousin), Millie and Melody Mouse (nieces).

CHARACTERISTICS:

+ Friendly, cheerful, kind, lively, spunky, sassy, playful, stylish.

– Stubborn, sometimes short-tempered, sometimes fickle in the early days.

WEAPON OF CHOICE: It varies between cartoons.

OTHER PERSONAL INFO: Despite being far removed from the "classic" mold, she's one of Hollywood's most iconic leading ladies, and always will be.

*Minerva Mouse is her full name canonically. I gave her the middle name "Marcellite," after her first voice actress, Marcellite Garner.

[molly0611]

WORKING WITH DISNEY #1

Marcellite Garner

Marcellite Garner worked at Walt Disney’s studio predominantly between 1930 and 1941 in the inking and painting departments. In addition she was the voice of Minnie Mouse during her time at the company when required. While there is not much written on her past interviews and credits, she does seem to at least be widely praised for her defining of the character of Minnie Mouse (although how true that is could likely be debated). Both interviews chosen here were done so at near complete random, with the only caveat being that I wanted to get an interview with one of Disney’s “Nine Old Men” of animation and one of the women working at the studio.

Marcellite was interviewed by Hazel Sewell, Lillian Disney’s sister in late 1929, and hired the next year in February 1930 - joining when both she and the studio were fairly young, when the studio only had around thirty five people and most of the artists were between the ages of 19-21. Also of note, Garner mentions early into the interview that on the day she submitted her application “It was pouring rain… My hair was hanging down and I was a mess. I still think that’s why they gave me the job, because I came out in all that horrible weather.” whether or not that is the reason she got the job aside, it does put an interesting view onto how Garner saw herself within the company. Towards Walt she seems to have a relatively understanding attitude, even with mentions of how strict he was with his requirements and constraints for films, and that he was enjoyable to be around, even during voice acting, where it is mentioned that other interviewees did not read his emotions as such. She also decided to stay with the company during the strike, stating “I couldn’t see that we were not being treated fairly.” Elaborating on this more she talks on how she felt the studio before the strike was much more like a family than what it was like afterwards but also admits that that change, with the directions the studio was growing, would have happened regardless. While her interview is relatively short and I would have loved to have more of her current insights into the strike and working conditions, the interview is not completely devoid of them. One passage here Garner mentions work conditions as often “ink[ing] straight around the clock… We’d go to work at eight in the morning and work until eight the next morning sometimes.” Overall an interesting interview from an understandable point of view of someone who by all accounts likely would have befitted from the strike but chose to stay working instead.

Les Clark

Les Clark worked as an animator for Walt Disney from 1927 to 1975, later on he moved to directing films instead, namely television and educational films. There certainly appears to be more information about Clark than Garner, although there is some understanding there, as he seems to have had a much longer career than Garner did, at least in working with Disney. As stated before, my choices for this paper were largely at random, mostly because I was not very familiar with any of the names in the book I am referencing, “Working with Walt”.

Clark, in contrast to Garner’s interview, came about as first by meeting Disney via a job at a lunch counter they frequented and then two years later by showing him some copied artwork out of a “College Humor” magazine. Clark was then hired and scheduled to begin work two days later. There is an interesting contrast to be drawn here between Les Clark’s hiring on the basis of his clean linework and Marcellite Garner’s lifelong uncertainty that she was hired for anything more than how wet her hair was on the day of the interview. This should not be considered without the caveat that their hirings were done two years apart, and likely there were things that had changed during that time to warrant a different approach to interviews and hiring processes, but even still given the time period I do not think it is out of the question to suggest gender may have played some role in the difference. Clark also holds a very positive view of Disney throughout the interview, thinking highly of him even in response to the mixed images given by other interviewees and going as far to say “It was Walt, whose innovations and whose desire… developed the cartoon industry. It’s all credit to Walt Disney, no one else, because all the other studios took from him what he had proven.” This again is an interesting statement in no small part given to the fact that this interview, given a year before Clark’s death, is an opinion he held throughout his entire life knowing Disney. As with Garner, Clark stayed with the studio through the strike. He seems to agree that while he chose against the strike in the moment, there were parts of it that would have spilled over regardless, although unfortunately there is not enough in the interview to know fully his opinion on it now.

SOURCES

[dorothydalmati1]

Looney Tunes/Merrie Melodies 1932 Episode 11: Moonlight for Two

Written by Irving Kahal

Directed by Rudolf Ising

Animated by Friz Freleng & Larry Martin

Voice characterizations by Marcellite Garner, Rudolf Ising, The King's Men & Johnny Murray

[ducklooney]

Happy birthday, Walt Disney!

On this day (5th December), 120 years ago, in the United States, in the state of Illinois, in the city of Chicago, a man was born who would later become an animation legend and the founder of an important company and one of the greatest animators of all time. Also, the creator is one of the best Disney characters of all time, and it is... Donald Duck!

Sorry Mickey, but Donald is the best character for me.

Certainly besides Donald, Walt Disney has created other characters such as Pete, Oswald, Mickey, Minnie, Pluto, Goofy, Horace, Clarabelle, Daisy (along with Barks), Chip and Dale and finally Ludwig von Drake. Also, together with other animators, he worked on numerous animated feature films and animated adaptations of various fairy tales and literary works, and it was intended for everyone. He also created Disneyland. Unfortunately, he died of cancer on December 15, 1966 in Burbank, California. Unfortunately, various conspiracy theories are circulating around him, most of which are false accusations. That he had some grave sins that he committed, there are, but not as most say fabrications.

Certainly a genius animator who created legends, along with other animators such as Ub Iwerks, Pat Sullivan, Walter Lantz, Max Fleischer, Tex Avery, Bob Clampett, Friz Frieleng, William Bill Hanna and Joe Barbera, Robert McKinson, Chuck Jones and others. Walt mostly played Mickey Mouse alongside Clarence Nash who played Donald Duck, Pinto Colving who played Goofy and Billy Bletcher who played Pete. Yes, Marcellite Garner and Ruth Clifford played Minnie Mouse. Disney has also allowed Disney comic book legends such as Floyd Gottfredson and Carl Barks to work on their comics and who have created more famous characters.

Certainly, thank you Walt for everything and that Walt preferred Donald to Mickey and loved Caballeros (no joke)! ;)

Once again, happy 120th birthday Walt Disney! If you are a Walt Disney fan feel free to like this and reblog this.

[pianotuna]

Characters: Hobo Cookie and Sugar Cookie Girl / Miss Bonbon

Media: The Cookie Carnival (1935)

Voiced by: Pinto Colvig and Marcellite Garner

Setting: Cookietown

*~*~*~*~*~*~*~*~*~*~

The Hobo Cookie is a good-hearted wandering tramp who is crossing the railroad tracks when he realizes someone needs his help.

The Sugar Cookie Girl is lonesome and crying because she longs to be beautiful enough to participate in Cookietown’s beauty pageant, of which the winner will be crowned the Cookie Queen.

The Hobo Cookie sees the beauty in the Sugar Cookie Girl and immediately starts to cheer her up, using various icings and candies to transform her into Miss Bonbon, the most beautiful contestant in the carnival. Indeed, she wins the pageant and is crowned the Cookie Queen, but when the Hobo Cookie is chased away by the guards and she is presented with candidates for marriage, the Sugar Cookie Girl knows that there is only one Cookie King for her.

[coolchevistianofficialsite]

For postomous Disney Legend candidates, would Billy Bletcher (original voice of Pete (if you don't count Walt Disney or Pinto Colvig's tenures as him), Big Bad Wolf and others in the Walt Disney era shorts), Marcellite Garner (Minnie's most iconic voice in the classic Walt Disney era), Bill Thompson (various Disney characters in the movies and first voice of Scrooge McDuck), and Alan Young (Scrooge McDuck from 1974 to 2016) be good ones? Would Jason Marsden (Max Goof) be a good one too?

Honestly i wish they gave late VAs the awards for their families... and yep Jason has a historic profile to get the award.

[animation-reflection]

"Working with Walt"- Reflections.

After reading and researching a little more about the three interviewed characters from the book "Working with Walt." Clarence Nash, Marcellite Garner, Ken Anderson were three important people in the evolution of the Disney industries. Each played an important role within it, giving heart and soul to many of the most famous characters in Disney animations.

As we saw previously in the previous post “Working with Disney”. Each one came to work with Walt in a different way. The first interviewee, Clarence Nash (1904-1985), Voice Actor who gave life to the famous Donald Duck, entered the Disney studios thanks to his representations of different animals, but especially bird sounds. Thanks to one of his part-time jobs where he was the entertaining show on a radio of the time. A few days later he found himself outside the Disney studios and decided to apply and show his abilities in an interview. After showing his work the interviewer called to Walt directly at his office and said:” we have found our duck”. It happened that because of things of destiny Walt had already heard it on the radio, and he had decided to go looking for him at some point. Everything point that Clarence Nash was the perfect Donald Duck.

The second interviewed, Marcellite Garner (1910-1993), who was Minnie voice and personality, but also inking and painting of the final animations. She came to Disney studios when the studio was just a small office. She was a student at a polytechnic in the city of Los Angeles and with some of her drawings she decided to go looking for work. She was hired in 1930 only as an inker and painter, when the studio had no more than 35 people, situation that the animators and the ink and paint department were separated with only one small partition in the room where you could see through it, this allowed her to know Walt long before. She tells us how the team was just kids, and how they enjoyed and had fun at work together with Walt. After a few years came the day of her greatest opportunity, they came to ask if any of the women who were in the ink department knew how to speak some Spanish, Marcellitte knew how to read a little, so she was chosen for an interview. After her competitor was unable to do so, she was cast in the voice of Minnie, and she had the opportunity to work directly with Walt. Her relationship with Walt was always one of respect and superiority, but she had great affection for him as her boss since he helped her with her dialogues when they had to film together.

As the last interviewed we have Ken Anderson (1909-1993) who did work as animator, writer, art director, art supervision, color styling, production, layout, character development and others. He came to Disney Studios after he couldn’t find a job as an architect. Which was very difficult at the time, so he decided to apply for a job as an animator.

“I always knew when to call him Mister Disney or Walt or when I should laugh and when I shouldn't. It was never one of those buddy-buddy, pal-pal things. I don't know anybody that ever got that way with him, but I was closer with him than I could have been later, because later he had so many other things taking his mind”. Ken Anderson- (Working with Walt)

His relationship with Walt was much more direct and closer unlike the other two chosen interviewees, since being an animator and having a position where decisions were passed directly by Walt, they were constantly challenged each other due to the economic and technological circumstances of the time. He had the opportunity to work with him on Walt's personal projects, such as Disney's park planning, and he tells us anecdotes about him, worrying about his workers and families all the time. But at the same time, he reiterates that he was never close as a friend, there was always a wall that separated the real Walt.

As similarities between interviews, we have many good references regarding Walt, they point out how he was a great boss in his own way, how it was inspiring to see him work, how he loved his work and how he was detailed in everything that he did. They call him a genius and as a very interesting and inspiring person to meet. But we can also find differences between his interviews. It should be noted that the closeness that each of them had was different. For Clarence Nash, Walt was a great boss, always willing to help him, but He didn’t work directly with him many times as for Marcellite, she had the opportunity to know him from the beginning when Walt was still not so famous, and she was able to work directly with him on many occasions to record Minnie and Mickey. And on the other hand, as we have already seen, Ken Anderson had a much closer relationship with him because of his position in the studio.

While I was reading his interviews I found many references to the characters of Minnie and Donald Duck, who are so famous that it is impossible not to have seen a short or a movie of them, but what surprised me the most was the reference to 101 Dalmatians by Ken Anderson , This is one of my favorite movies, I think I have seen it with my sisters so many times that we invented games and small shows with Cruella de Vil costumes.

Walt Disney as a person is and will be a very important cultural icon, but at the same time it remains a mystery what went through his mind. After reading these interviews they leave me the impression that none of the interviewed could be a person close to Walt. He always was the big boss. There was always the barrier that separated him from it, leaving me with a feeling of continuous superiority from him. Today there are many opinions and theories about what Walt Disney was like, his life is so interesting, and he was so influential as a person that in these interviews we can see how there are no more than words of respect and admiration. They describe him as a youthful Walt, worker, retailer, lover of his work, concerned and attentive to his friends, dreamer, actor, and a great artist. If we can apply and rescue something for today, it is his constantly perseverance of his achievements and his constant search for his dreams.

As a surprise I find that these interviews say nothing but good things about him, so I had to investigate a little more after learning about the strike (1941) and the mention of it in the interview by Marcellite Garner where most of his workers united against him to demand good working conditions, so in theory not everything can be seen to be as perfect as these interviewers say. I found many polarized opinions, on the one hand, they name him as a fabulous and inspiring artist, but on the other hand as a cultural and commercial manipulator. There are always two sides of the coin, and the strike happened because his workers were not happy with the conditions of their work. Walt never noticed, and his work addiction and salary differences blinded him to the conditions they were in.

“I've never known anybody like him. I mean the guy could be cruel, but his cruelty was never premeditated. It was never because he set out to be cruel. It was because he was a driving force in a certain direction and you, or something, got in his way”. Ken Anderson- (Working With Walt)

Links:

https://digitalcommons.ric.edu/cgi/viewcontent.cgi?article=1017&context=honors_projects

https://collider.com/history-of-disney-strike-1941/

https://www.cartoonbrew.com/artist-rights/day-75-years-ago-disney-animation-changed-forever-140103.html

https://en.wikipedia.org/wiki/Disney_animators%27_strike

https://en.wikipedia.org/wiki/Walt_Disney

[kyreethekidinear-blog]

Disney's Mickey Mouse cartoon Boat Builders, featuring the voices of Walt Disney (as Mickey), Pinto Colvig (as Goofy), Marcellite Garner (as Minnie Mouse), and Clarence Nash (as Donald Duck) is released. #hauntedmansion #disney #disneyworld #disneygram #disneyside #love #instadisney #disneyparks #disneyland60 #waltdisney #disneylandresort #happiestplaceonearth #mickeymouse #dlr #disneyprincess #mickey #disneylandparis #california #disneylove #tokyodisneyland #instagood #cute #tdl #dca #diamondcelebration #disneyphoto #princess #californiaadventure #disneyland #disneyside #dreambigprincess @disneyland

[moviechristmas]

On Ice

Clarence Nash, Marcellite Garner, Pinto Colvig, Walt Disney

source

[myshowzip]

The Whoopee Party

The Whoopee Party: A house party. While Minnie plays piano and the guests dance, Mickey, Goofy, and Horace prepare a snack, which is brought out to much fanfare and immediately devoured. A band forms and plays Scott Joplin’s The Entertainer; Mickey dances with Patricia Pig and various inanimate objects also dance, while all cry “Whoopee!” from time to time. The police come to break up the party.

[darthshep]

Get A Horse Animated Short

.

Summary:

Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until…

View Post

[animation-reflection]

Working with Disney

Who was Walt Disney? How did he work and relate to his work team? We will discover it on the book “Working with Walt” by Don Peri. We will find interviews with different artists who were able to meet and work with the famous Walt Disney in person. We will review three Artists that I chose for their importance in the history of animation, for their different area of ​​specialization (voice actors, ink and paint, animation, character creator, film director, writers, etc.) and their closeness to Walt Disney.

“He came in with two or three other people, a couple who were known in the movies, but they weren’t big names. The whole place stopped, and I swear you could feel Walt was in the room. "We used to kid when we were doing Bambi that" Man is in the forest. " We used that line from Bambi for Walt. When Walt was around, you could feel him”- Ken Anderson (Working with Walt)

The three Artists below were chosen for their interviews and their importance into the Disney Studios. We will know a little about his life and what was his role on the animations, what relationship they have with Walt Disney and what was the importance of them in the creation of the most famous Disney characters in the world.

As the first interview is Clarence Nash (1904-1985), he was the person who gave life to the famous Donald Duck, his work in the Disney studio was only as a voice actor for which he was also in charge of impersonating other characters such as him they were Donald nephew's, Daisy and other animals.

“Actually, I wanted to be a doctor; but instead, I became the biggest quack in the world. " (1)

In 1930 he moved to Los Angeles where he got a job on a radio show called "The marry maker." His specialty was entertaining people. On one of his trips working as a promotion for a milk company, he decided to leave his resume at the Disney Studios. After a few days he was called in to audition and it was there that Walt found the perfect voice for his Donald Duck. Clarence Nash joined Disney in 1933 with the first appearance of Donald Duck with the short "The wise Little Hen" And retiring in 1983 with the last appearance of him with "Mickey's Christmas Carol".

Clarence brought joy and fun until his last days, he was in charge of entertaining his audience throughout the Second World War and after leaving the Disney studios he maintains his character by acting in orphanages, hospitals and others places. He was a person who appeared on camera in many moments of his time, so we can find many interpretations of his Donald Duck ventricle and his extraordinary and characteristic voice making his audience laugh on many videos on YouTube and the internet. (2)

As a second interview I chose Marcellite Garner (1910-1993), because as her perspective as a woman and how was working in an animation studio and her closeness to Walt as the main voice of Minnie mouse.

Marcellite Garner was an artist and voice actress, born in 1910 in Redlands, California. In 1930 she started working at Disney studios, in the beginnings of Disney studios where there were still no more than 35 people. She started out as a painter and later as an inker. She had been working for a while, when one day they were looking for a woman who speaks a little Spanish and can sing for the role of Minnie Mouse, she was the only one who dared to do it back then. She voiced Minnie Mouse in over 40 movies and other animal characters. She remained active as an artist and worker in different animation studios (Walter Lantz) from 1930 to 1941 and She finally retired from the industry to dedicate herself to taking care of her children and family.

Finally, as the third interview chosen, it is Ken Anderson (1909-1993) who surprised me by his learning capacity and variety of jobs at Disney studios. Anderson graduated from a degree in Architecture, unfortunately getting a job as an architect in those days was very difficult. It was in 1934 that he was convinced to apply to a job as a cartoonist in the Disney offices, his great knowledge and his desire to learn and improve were the key to develop as an animator, writer, art director, art supervision, color styling, production, layout, character development and others. Also he was one of the first animators to try recording Animator movies on Disney’s with the Xerox system, challenging Walt to use new technologies in his animations.

Among his works are Snow White and the Seven Dwarfs (1937), Pinocchio (1940), One Hundred and One Dalmatians (1961), and The Jungle Book (1967). Also, during the 1950s, Walt fully trusted Anderson to help him build his dream of the Disneyland amusement park.

He was at Disney Studios for 44 years, retiring in 1978, but He kept in contact and working on other projects with Walt.

Walt Disney's life is a whole movie, his life is so interesting and influential as a person that with these interviews it is very entertaining to be able to get to know him a little more from perspectives that were very close to him at work. By reading these interviews with three amazing artists, they introduce us to a Walt Disney youthful, hardworking, thoughtful, lover of his work, concerned and attentive to his friends, dreamer, great boss of respect and inspiration, actor and a great artist. He was a man who inspired many artists with his capacity for detail and imagination bringing all his magic to his films.

"Walt could be very friendly at times" "I think he was a very fair man, but if somebody crossed him, it took a long time [to get over it]" - "He was a genius. I certainly was very fortunate to meet him. ”- Clarence Nash (Working with Walt)

“We were just like one big family. We could take time to play around a little bit and everyone knew everyone else and there was a real good feeling. ” -He was a wonderful actor when it comes right down to it. But he never told you if you did anything well. He would say, “You’re supposed to do it well. If you, do it well, there’s no reason for me to say anything. If you don't, I'll tell you. ” -Marcellite Garner (Working with Walt)

“I was just scared of him. He was the big boss even if he was just a kid, but he was a lot of fun as I remember him” -Marcellite Garner (Working with Walt)

“We didn’t know we were great artists. We were trying to survive. There were great artists and great egos, but the greatest was Walt”- Ken Anderson (Working with Walt).

“But it was so pervasive that we who were in the business became plagues to our wives and our friends, because we couldn't get together for a social evening without branching into Walt and talking about what we were doing, what we were going to do. We were so excited. " -Ken Anderson (Working with Walt)

These three Artists and many more brought to life animated characters and movies that were very popular even to this day. They show the importance of animation as a sale of personalities seeking to match emotions and feelings that are recognizable anywhere in the world regardless of how old you are. For this the work and personalities of the people within the Disney studios were a great influence on the creative process of the animated characters. As is for example The character of Donald Duck that became the most famous animated character, due to the voice of Nash And how Marcellite Garner influenced big part on the personality and characteristics of Minnie Mouse.

On the other hand, I already understood that the animator job was only for men at that time but with the interview with Marcellite Garner, demonstrates the thinking of women of that time. Caring for her family and children was always her first priority.

“I think there was some little feeling that there were no women in animation at that time. And they used to say that there would never be any women animators, because men couldn't be as free in the gag meetings”. “We were pretty well separated. I think the only time I ever got over there was a couple of times when I had to go over and talk to Walt about something”- Marcellite Garner (Working with Walt)

Marcellite Garner highlights the separation of genres in the studios, The animator work was not for everyone at that time, in her stories she tells how the painting and inking part was largely only for women and the animators work only it was for men. Makes one wonder who was the first women animator in history?. And how did she get to that position?

I really enjoyed reading this book and getting to know a little more about the people behind the entire team and work that animation entails. My closeness to Disney studios is lifelong. For me, movies and iconic characters like Mickey, Minnie and Donald Duck accompanied me throughout my childhood. I remember my favorite Donald Duck mug. Also, for each tooth that fell out, me and my sister received a new movie, I think we watched all the princess’s movies, Mickey’s, etc. and always with great emotion we waited for the presentation video of the Disneyland Park, dreaming that we would go one day. Today my excitement for Disney movies has not changed, they are the first movies I see and especially now that it is much easier to access them.

Links:

https://www.youtube.com/watch?v=CKvEnSVWY9I (2)

https://d23.com/walt-disney-legend/clarence-nash/ (1)

https://en.wikipedia.org/wiki/Clarence_Nash

https://en.wikipedia.org/wiki/Marcellite_Garner

https://disney.fandom.com/wiki/Ken_Anderson

https://d23.com/walt-disney-legend/ken-anderson/

https://cartoonresearch.com/index.php/in-his-own-words-ken-anderson-2/

https://cartoonresearch.com/index.php/in-his-own-words-ken-anderson-on-disneys-robin-hood-1973/

[lziaum-blog]

How To Download A Walt Disney Christmas Gift online

A Walt Disney Christmas Gift movie download

Actors:

Allan Watson Walt Disney Marcellite Garner Pinto Colvig Buddy Clark Donald Novis Clarence Nash Frances Langford James MacDonald

Download A Walt Disney Christmas Gift

Plan your family. walt disney . Top 20 Christmas Gift Items at Walt Disney World for Everyone on Your List by Guest Blogger Amanda Tinney Nobody likes a Bah Humbug. Collection of Disney-themed Christmas toys and gifts. Amazon.com: A Disney Christmas Gift [VHS]: Movies & TV Amazon.com: A Disney Christmas Gift [VHS]: Movies & TV. Walt Disney created some of the most popular characters of all time. Buy Cirque du Soleil La Nouba Tickets; Disney Gift Card; Give A Gift; Online Parks. Also Known As: A Disney Christmas Gift See more Amazon.com: Walt Disney Christmas [VHS]: Walt Disney Christmas. A Disney Christmas Gift Part 1 of 5 - YouTube Part 1 of this Disney Christmas Special from 1982. A DISNEY CHRISTMAS GIFT BETA WALT DISNEY GREAT BOX ART | eBay a disney christmas gift beta. A Disney Christmas Gift [VHS] Top 20 Christmas Gift Items at Walt Disney World for Everyone on. Dont be like Scrooge McDuck. small clamshell. all beta tapes sold as is , i will try them on my beta player per special request.. Walt Disney Christmas [VHS] VHS ~ Walt Disney Christmas Give a Gift | Walt Disney World Resort Give a gift to a loved one visiting Walt Disney World Resort for a special celebration.. A Walt Disney Christmas (Video 1982) - IMDb With Buddy Clark, Pinto Colvig, Walt Disney, Marcellite Garner. Disney Christmas Decorations and Gifts - Future Website of. Walt Disney World Resort Come and enjoy the magic of Walt Disney World Resort in Orlando, FL

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