#marc barnett

[escalusia]

gets gf tattoo and then gets broken up with

[fkatwigsfashion]

FKA twigs for Eusexua - 2024

Wearing:

Custom curved earring by dosisg6c

Runway Kiki Multi Buckle Boot by Marc Jacobs

[plitnick]

The one-state reality goes mainstream

Writing in the journal Foreign Affairs, four noted, quite mainstream scholars of U.S. policy in the Middle East–Michael Barnett, Nathan Brown, Marc Lynch, and Shibley Telhami–describe “The One-State Reality” that exists in Palestine and Israel today. The piece is meant to promote their book, The One-State Reality: What Is Israel-Palestine? I should note, the book features a collection of essays…

[steveconte]

“WE LIKE IT”  - Music

“WE LIKE IT”  - Music & Lyrics by Steve Conte & Andy Partridge

Steve Conte - Vocals, Guitars, Percussion, Handclaps

John Conte - Bass

Prairie Prince - Drums

Rob Schwimmer - Keyboards 

Backing vocals - Ian Hunter, Rick Tedesco, Kevin Tyler Preston, Glen Matlock, Prairie Prince, Thommy Price, Marshall Crenshaw, Tommy Henrickson, Kyf Brewer, Marc Broussard, Steve Lillywhite, Kasim Sultan, Jessie Wagner, Palmyra Delran, Genya Ravan, Simon Kirke, Danko Jones, Nasty Suicide, Dennis Dunaway, Kevin Salem, Danny B. Harvey, Jonathan Clarke, Robert Eriksson, Dregen & Majsan, Kevin March, Chips Kiesbye, Rich Ragany, Keith Roth, Damon Johnson, Rich Jones, Billy Hopeless, Alycia Jones, Jay Millete, John & Jennifer Kerns, Danni Action Michael Imperioli, Frank Lammers, Christian Keiber, Kerry McGann, The Brazen Giant Ensemble, Ryan Hamilton, Ben Rubin, Jan Verdoorn, Mickey Leigh, Westley Crawford, Janie Barnett, Nicki Richards, Lajuan Carter-Dent, Baz Conte

We Like It  (Conte/Partridge)

Yeah, yeah we like it

Yeah, yeah we like it

I’ve got something gonna make you scream

Yeah, yeah we like it

I’m the candidate pushing your American dream

Yeah, yeah we like it

All politicians got their pants on fire

Everybody knows the situation is dire

I’m no messiah and I ain’t no liar

But I know what ya want and I know you’re gonna like it

Yeah, yeah we like it

A tap in the kitchen, that turns on the beer

Yeah, yeah we like it

There’ll be no hangovers, they’re illegal here

Yeah, yeah we like it

Now everyone is beautiful from north to south

The only ugly things are what come out our mouths

Peace, love and fun is what it’s all about 

‘Cause I know what ya want and I know you’re gonna like it

Improve your life, husband or wife

Until you're bored or dead and done

Promise you cash, your own fat stash

You know we print it by the ton

You won't go belly up

i'll overflow your cup

'Cause I know what you want and I know your gonna like it

Yeah, yeah we like it

Yeah, yeah we like it…

*Produced by Steve Conte (Additional remote production by Andrew Hollander & Andy Partridge)

*Arrangers - Andy Partridge & Steve Conte

*Published by Thunderdog Music / Teosto (Worldwide), ASCAP (North America) and Warner Chappell / PRS

*Recorded at Renegade Studios, NYC 

*Mixed by Geoff Sanoff

[packagecfgirlyevil]

the garcia girls.

stella garcia. stell. mid 30s. she/her, heteroflexible. ana de armas fc. primary muse.

nora garcia. late teens / early 20s. she/her, bisexual. jenna ortega fc. secondary muse. daughter of stella garcia & either javier vega ( michael trevino, @dcgtown ) or marc rodriguez ( peter gadiot, npc ). also potentially the stepdaughter of floyd barnett jr. ( ryan gosling, @dcgtown ) other siblings include tripp barnett ( in verses with floyd ) or ines garcia ( in verses with javier )

maya montgomery. late teens / early to mid 20s. she/her. bisexual. sydney sweeney fc. exclusive muse. daughter of stella garcia & emmett montgomery ( chris evans ). other siblings include ben montgomery.

ali vogel. late teens / early to mid 20s. she/her, bisexual. olivia rodrigo fc. daughter of stella garcia & sandy vogel ( manny jacinto. ) other siblings inlcude eli vogel.

eli vogel. mid 20s. she/her, bisexual. liza soberano fc. daughter of stella garcia & sandy vogel ( manny jacinto. ) other siblings include ali vogel.

[eahostudiogallery]

seeing red

Barnett Newman - Who’s Afraid of Red, Yellow, and Blue I 

::

Lauren Luloff - Figure and Castle (Red)

::

El Anatsui - Testimonial 2014

::

Sol LeWitt - Tangled Bands

::

Ali Banisadr 

::

B. Wurtz - Untitled

::

Dana James - Memphis, 2022

::

Jane Cornwell

::

Stura

::

Angela de la Cruz - Battered 4 (Red)

::

Marc Cinq-Mars - Untitled dots II 

::

Robert Rauschenberg - Untitled (Early Egyptian), 1973

::

Kishio Suga - Open Flow, 2015

::

Louise Bourgeois - Untitled, no. 21 of 24, from the series, Lullaby

::

Dirk de Bruycker

::

Jean Charles Millepied

::

Sunday: hanging a new show

eahostudio gallery

[packagecfgirlyevil-a]

garcia - barnett headcanons ;

( for the nora & tripp verse )

though stella never changes her last name, she does change nora's to barnett-garcia so that when floyd adopts her officially, he has no issue arguing that she's his child ( at school, doctors, etc. )

nora is three and a half years older than tripp and almost a foot shorter than him

stella teaches both their kids spanish so that they can visit her family in cuba, and floyd often listens in so he understands a lot more than people think he would

stella cuts all of their hair, and when nora hits 13, she starts to teach her how to do so too

nora takes her protective streak from stella and when the two move out on their own, she keeps a much closer eye on her little brother than he probably wants

while tripp is a mama's boy, nora is absolutely a daddy's girl and would often follow floyd around growing up so she could be wherever he is

floyd is the only father she's ever known - though her birth father, marc, said he wanted to be involved, it was evident by the time she was a toddler that he wouldn't be reliable and stella and floyd fought for full custody so nora wouldn't have her heart broken

tripp offered to beat up nora's first serious boyfriend who broke up with her, despite that he was 13 and scrawny and she was dating a baseball player who could destroy him

in turn, nora has not so subtly threatened anyone tripp ever brings home that if they hurt him, she knows how to kill someone and get away with it

literal sunshine vs goth princess, but family is important to all four of them and stella & floyd make them come home once a month for dinner so stella can fret about if they're eating enough and taking care of themselves and floyd can sneak money into tripp's wallet

they have a regular game night but monopoly is banned because nora once handcuffed tripp to the kitchen table after catching him cheating as the banker. they were in middle school. no one knows where she got the handcuffs.

bonus they both love spending time with tj because she never once treated them like kids and taught both of them how to throw a punch before they were even in double digits

[christophe76460]

Si quelqu’un veut venir après moi, qu’il renonce à lui-même, qu’il prenne sa croix et me suive. Marc 8. 34

✅ Pas moi, mais Christ

On entend quelquefois dire : Tout le monde a le droit d’être soi-même. – Bien sûr, Dieu nous a donné une personnalité distincte, et nous avons à respecter ces différences. Mais être soi-même n’est pas ce que doit rechercher un chrétien, car la Bible donne plutôt une autre ligne de conduite : elle nous demande de “renoncer à nous-même”.

D’un point de vue personnel, cela signifie renoncer à être le centre de notre propre vie, renoncer à faire des choix pour nous-même. Dieu demande au croyant de se décentrer (ce qui est impossible sans l’action de l’Esprit) et de donner à Christ cette place centrale. Plaire à moi-même doit être remplacé par plaire à Christ. Pour suivre Christ et lui plaire, je dois agir comme lui ; or, “le Christ n’a pas cherché à plaire à lui-même” (Romains 15. 3). Par amour pour nous, il a laissé la gloire du ciel et a vécu une vie d’homme sur la terre, dans l’inconfort et même la pauvreté ; il a travaillé et s’est fatigué à nous parler, à nous guérir, à nous nourrir.

La liberté d’être moi-même ne revient donc absolument pas à parler et agir comme bon me semble, en particulier dans le cadre de l’assemblée. En parlant de notre attitude envers nos frères et sœurs, Paul écrit : “Nous devons, nous, les forts, porter les infirmités des faibles et non pas nous plaire à nous-mêmes. Que chacun de nous cherche à plaire à son prochain, en vue du bien, pour l’édification” (Romains 15. 1, 2).

Le verset du jour va cependant encore plus loin : pour suivre Christ et être vraiment son disciple, il faut non seulement renoncer à soi-même, mais aussi “prendre sa croix”. Le Seigneur n’a pas dit : “Qu’il prenne ma croix”. Lui seul pouvait porter la terrible colère de Dieu sur la croix, souffrir et mourir pour le péché. Prendre notre croix témoigne de la volonté de partager le mépris, le rejet et l’opprobre auxquels le Seigneur a été confronté dans sa marche sur la terre. “Sortons vers lui… portant son opprobre” (Hébreux 13. 13). C’est renoncer même à notre image sociale, au souci de ce que les autres penseront de nous qui suivons Christ : n’oublions pas que la croix désignait celui qui la portait comme un criminel qui allait être exécuté. Cela peut paraître très exigeant, mais il n’en faut pas moins pour suivre réellement Christ, lui qui a porté sa croix pour nous.

Pas moi, mais Christ : telle devrait être notre règle de conduite.

⦁ < > d’après R.A. Barnett

⦁ Mercredi 2 octobre 2024

[gustavodominguez2007]

Literature for English 2 Blog "Cadillac Desert: The American West and Its Disappearing Water" by Marc Reisner

"Cadillac Desert" is a comprehensive work that examines the history of water management and allocation in the American West. The book discusses the political, economic, and environmental challenges surrounding water resources in the region. It offers a detailed look at the impact of human activity on water sources and the need for conservation efforts.

Literary Analysis:

"Cadillac Desert" by Marc Reisner is a meticulously researched and well-crafted book that explores the history of water management and allocation in the American West. The book provides a comprehensive examination of the political, economic, and environmental aspects of water usage in the region. It delves into the complex relationship between water resources and the development of the American West.

Reisner's writing is both engaging and informative, making a compelling case for the responsible management and conservation of water resources. He illustrates how human intervention in the natural water cycle has had far-reaching consequences, including water shortages, ecological degradation, and political conflicts. The book serves as a cautionary tale about the importance of sustainable water practices and the potential consequences of water mismanagement.

Reisner's thorough research and storytelling make this book a significant work in the field of environmental literature, shedding light on the challenges and lessons associated with water resource management in arid regions.

Author’s message: "Cadillac Desert" provides a comprehensive and thought-provoking examination of water management in the American West. Its messages underscore the critical need for responsible and sustainable water practices, the recognition of environmental and ecological consequences, and the importance of informed policy and governance to address water challenges in the region.

Practical advice: Readers  need to effort for a more sustainable approach to water conservation and management, as well as the implications of water mismanegemet.

Cadillac Desert" not only discusses the history of water usage in the American West but also emphasizes the need for a more sustainable approach to water conservation and management, as well as the implications of failing to do so.

Webgraphy

[afaimsarrowverse]

250(ish) Favorite Arrowverse Episodes: Part 7: 100-76

Picked from „Arrow“, „Black Lightning“, „Supergirl“, „Legends of Tomorrow“, „The Flash“, „Barwoman“ Season 1+2 and „Superman & Lois“ Season 1+2. I did consider kicking „Superman & Lois“ of this list, but since it pretended to be part of the Arrowverse for its first two seasons I left it on here.

 100. Armageddon Part 4 (The Flash 8x4)

155, Written by: Lauren Barnett, Directed by: Chad Lowe

 "Thawne, what did you do? You're not The Flash, Allen. I am."

 99.  Ground Control to Sara Lance (Legends of Tomorrow 6x1)

83, Written by: James Eagan, Mark Bruner, Directed by: Kevin Mock

 „See, my girlfriend's from another time.“

„ Oh, like the future?“ „No. Well, technically, yes. But she's from the future with a different timeline entirely. Now she lives in a totem. And I'm forced to be at peace with it.“

 98.  The Fixed Point (Legends of Tomorrow 7x10)

107, Written by: Matthew Maala, Paiman Kalayeh, Directed by: Maisie Richardson-Sellers

 "Fixed point. Noun. An occurrence so pivotal to history that no time travel is allowed on or near it."

 97.  Emerald Archer (Arrow 7x12)

150, Written by: Marc Guggenheim, Emilio Ortega Aldrich, Directed by: Glen Winter

 "Villains or vigilantes? Criminals or heroes? From Star City to Central City to Gotham City, Americans have debated this question. Do the ends justify the means? Does the law have to be broken to uphold it?"

 96.  The Quest for Peace (Supergirl 4x22)

87, Written by: Robert Rovner, Jessica Queller, Rob Wright, Derek Simon, Directed by: Jesse Warn

 "The truth is meaningless. The people of Earth believe I am their savior. They needed a human hero, and I fulfill that need. Nothing will ever change their minds. Facts are irrelevant. All that matters is spin."

 95.  Seance and Sensibility (Legends of Tomorrow 4x11)

62, Written by: Grainne Godfree, Jackie Canino, Directed by: Alexandra La Roche

 "You feel the energy in this room? It's like sitting on a keg of dynamite. You see, wakes are notorious soft spots where the supernatural meets the living world."

 94.  Lost Souls (Arrow 4x6)

75, Written by: Beth Schwartz, Emilio Ortega Aldrich, Directed by: Antonio Negret

 "What's happening with Ray - to Ray - is my fault!"

 93.  The Runaway Dinsoaur (The Flash 2x21)

44, Written by: Zack Stentz, Directed by: Kevin Smith

 "I don't understand. If I'm the Flash then why are you doing this to me? Why do I have to catch this 'thing' before you let me go back?"

 92.  Goldfaced (The Flash 5x13)

105, Written by: Jonathan Butler, Gabriel Garza, Directed by: Alexandra LaRoche

 "If I want to stop Cicada, I can't be so precious about getting the Flash's hands dirty. Sometimes the ends justify the means, I get that now."

 91.  Canary Cry (Arrow 4x19)

88, Written by:Wendy Mercile, Beth Schwartz, Directed by: Laura Belsey

 „ Laurel Lance became a lawyer to help people who may have appeared helpless. She wanted to give a voice to the silent. But just being a lawyer wasn't enough. She wanted to do more for those people, and for this city. And she loved this city so much. By now, everyone knows that Laurel was killed in the Iron Heights prison riot. And while it's true that she was an assistant district attorney, that's not what she was doing there that night. Before she died, Laurel told me the truth: Laurel Lance was the Black Canary.“

 90.  The Book of Resistance: Chapter Four: Earth Crisis (Black Lightning 3x9)

38, Written by: Lamont Magee, Directed by: Tasha Smith

„Are you seeing this?“

89.  This is Gus (Legends of Tomorrow 6x9)

91, Written by: Tyron B. Carter, Directed by: Eric Dean Seaton

 „I can promise you, alien hybrid to alien: bananas are overrated.“

 88.  Holding the Wrench (Superman & Lois 1x8)

8, Written by: Kristi Korzec, Directed by: Norma Bailey

 "Jon, if there's anyone here who gets what you're going through, It's me. I know what it's like to be in the orbit of someone who can juggle semi-trucks, and you want to help out. You want to save the world and all you can do is just stand there holding the wrench. And I know the fear of being vulnerable, and I want to teach you some ways to handle that. But right now, I just want you to know that we're on the same team. We are the extraordinary humans in a family of superpeople, and we have to stick together."

 87.  O Brother, where art though? (Supergirl 4x15)

80, Written by: Derek Simon, Nicki Holcomb, Directed by: Tawina McKiernan

 "Lex and Lena Luthor, teaming up to save Superman's best pal. What would Mother think?"

 86.  The House of L (Supergirl 4x16)

81, Written by: Dana Horgan, Eric Carrasco, Directed by: Carl Seaton

 "This is a paradigm shift. Aliens are among us. And for the rest of human history, there will only ever be 'before Superman' and 'after'. I am protecting mankind from an extinction event. And if this pearl-clutching jury of my... peers... wants to put me behind bars for it, they are welcome to try. But know this. I will always have my thumb on the scales."

 85.  Luck Be a Lady (The Flash 4x3)

72, Written By: Sam Chalsen, Judalina Neira, Directed By: Armen V. Kervokian

 "Becky, this isn't some higher power fixing a miscalculation. You have powers. And they're affecting everyone around you, making them feel as awful as you used to feel."

"I'm sorry about that. But, maybe it's just their turn. Maybe for once, everyone else can feel for a second how bad I felt my entire life."

 84.  Canaries (Arrow 3x13)

59, Written by: Jake Coburn, Emilio Aldrich, Directed by: Michael Schultz

 "I'm surprised. People usually don't return for a second dose of Vertigo."

 83.  Prom Night! / Prom Again (Supergirl 6x5/6x6)

111/112, Written by: Rob Wright, Jess Kardos, Directed by: Alexandra LaRoche; Chyler Leigh

 „There's nothing women like more than physics well applied. That and a modicum of emotional vulnerability.“

 „You were amazing today. How you handled those bad guys. How you handled yourself. You should be proud, Kara. I am. I'm sorry if I've been overprotective lately. When dad put me in charge of your safety, that job consumed me. But then I went away to college and-and I realized that I could be more than just Kara's older sister. But then I came home and I saw you and Kenny supering, and I was worried you were gonna mess things up. That I was gonna have to put my life on hold to help sort yours. But I was wrong. You can handle anything that comes your way.“

 82.  License to Elongate (The Flash 6x6)

120, Written By: Thomas Pound, Jeff Hersh, Directed By: Danielle Panabaker

 "Look, tonight's job was for Ralph Dibny because both parts of my identity have value. The same is true for you, only tonight I could've used your civilian half. What I'm trying to say is Barry Allen is just as important as the Flash. Try to remember that. I know I will."

 81.  What’s Past is Prologue (The Flash 5x8)

100, Written By: Todd Helbing, Lauren Certo, Directed By: Tom Cavanagh

 "Well... things just got a lot more complicated, didn't they?"

 80.  Stronger Together (Supergirl 1x2)

2, Written by: Greg Berlanti, Andrew Kreisberg, Ali Adler, Directed by: Glen Winter

 "Did he ever tell you what that 'S' means?" "The House of El." "Yes, but... it also stands for a Kryptonian phrase, our family motto. 'El mayarah.' It means, 'Stronger together.' You say people will see me the way they see Superman one day, but... I don't want to be a hero like him. My cousin, he's so used to going it alone. He doesn't know any other way. But I do. I see it now. You, Winn, my sister, Ms. Grant, even. You've all showed me that."

 79.  Left Behind (Arrow 3x10)

56, Written by: Marc Guggenheim, Eric Oleson, Directed by: Glen Winter

 "The League conducts matter of significance such as duels on grounds sacred to its beliefs. I went there. And found this. It's Ra's' custom to leave behind the instrument of death as a memorial to honor the fallen." "Merlyn, did you see... Oliver's body?"

 78.  Legion of Super-Heroes (Supergirl 3x10)

52, Written by: Derek Simon, Eric Carrasco, Directed by: Jesse Warn

 "We have to stop her." "Without Supergirl?" "We have a literal Legion of superheroes."

 77.  Mr. Parker’s Cul-De-Sac (Legends of Tomorrow 5x6)

74, Written by: Keto Shimizu, James Eagan, Directed by: Ben Bray

 „Dad, I am not a child! You can't just kill my friends anymore.“

 76.  The Climb (Arrow 3x9)

55, Written by: Jake Coburn, Keto Shimizu, Directed by: Thor Freudenthal

 "I arrived the same year as Ta-er Al-Sahfer. She was a great warrior. You did not kill her. When you face the Demon, it will be my duty to bear witness. I have no desire to watch you die. Under our code, you have 12 hours to settle your affairs. The 13th hour, be at this place. This location is consecrated ground for the League. A place for the settlement of blood debts—if one survives the climb. If you do."

[ib2se]

🎶 B:sides ~ Hall of Sand

💿 All Albums from Chant Records 💿

1. [5:37]

MoGoToYoYo (Yasuhiro Yoshigaki, Keigo Iwami, Ryuichi Yoshida, Motoharu, Rabbit Arimoto) – introducing of Theme for MoGoToYoYo Performed by: Yasuhiro Yoshigaki ds,perc,vo Keigo Iwami b,vo Ryuichi Yoshida bs,perc,vo Motoharu sax,perc,vo Rabbit Arimoto tp,perc,vo Composed by Keigo Iwami Arranged by MoGoToYoYo Produced by Yasuhiro Yoshigaki Engineered by Watanabe and Keigo Iwami Recorded live at Shinjuku Pit Inn

2. [4:18]

Fire_Arms (James Dellatacoma) – Hall of Sand Performed by James Dellatacoma Composed by James Dellatacoma Arranged by James Dellatacoma Produced by James Dellatacoma Engineered by James Dellatacoma Recorded at Orange Music Sound Studio

3. [3:36]

Freakdom (David Konopnicki, Shanir Ezra Blumenkranz, Kenny Grohowski) – Konop’s Vamp Performed by: David Konopnicki – Fretless Guitar Shanir Ezra Blumenkranz – Double Bass Kenny Grohowski – Drums Composed by Konopnicki, Grohowski, Blumenkranz Arranged by FREAKDOM Produced by Shanir Ezra Blumenkranz Engineered by Marc Urselli Mixed by David Konopnicki Recorded at East Side Sound – New York Mixed at 4A Sound Factory – Forges-les-Eaux – France This track is a piece of a “one day album session” at East Side Sound

4. [4:11]

Grextet (Gregor Frei) – Instant composing # 4 Performed by Gregor Frei – soprano sax, alto sax, tenor sax, piano, drums Composed by Gregor Frei Arranged by Gregor Frei Produced by Gregor Frei Engineered by Gregor Frei Recorded at downstairs One hour of inspiration

5. [6:49]

Guy Barash – Quintet No. 1 “Flowers Between the Fingers” Performed by: Thomas Piercy, conductor Ryuta Iwase, bass clarinet Christopher Yohmei Blasdel, shakuhachi Makoto Aruga, vibraphone Go Mochizuki, mandolin Sansuzu Tsuruzawa, bass shamisen Composed by Guy Barash Produced by Guy Barash and Thomas Piercy Recorded by Atsushi Yoshinaka Recorded live at Ohmi Gakudo concert hall, Tokyo Opera City Unlike traditional piano or string quintets, Quintet is a work for mixed ensemble of Japanese and Western instruments. It was inspired by the poetry of Chika Sagawa. Unlike most female Japanese poets of her time, she wove Western influences into her work, used free verse to explore her interiority rather than relying on traditional forms, and expressed an individual relationship with nature. On a personal level, I relate to her condition: fragile physically, standing up alone, trying to make sense of the universe. And aesthetically we converge: deep pain and radiant beauty resonate throughout her work, often triggered in the same moment. Chika Sagawa died before her twenty-fifth birthday. I dedicate my piece to her.

6. [2:39]

Hiromichi Sakamoto – Ophelia In Ashes Performed by SAKAMOTO Hiromichi Composed by SAKAMOTO Hiromichi Arranged by SAKAMOTO Hiromichi Produced by SAKAMOTO Hiromichi Engineered by SAKAMOTO Hiromichi Recorded at my home studio in Yokohama Japan

7. [4:13]

Erik Friedlander – SHIVER Performed by: Brad Shepik, guitar Matt Darriau, winds Lucia Pulido, voice Satoshi Takeishi, percussion Stomu Takeishi, elec bass Erik Friedlander, celli Composed by Erik Friedlander Arranged by Erik Friedlander Produced by Erik Friedlander Engineered by Erik Friedlander Recorded at ArconomX Studios

8. [3:05]

Ian Clark Smith – Succulents Performed by Ian Clark Smith

9. [7:06]

Jessica Lurie Ensemble – A Tiger For William Kentridge Performed by: Jessica Lurie – alto saxophone Naomi Siegel – trombone Brian Marsalla – piano Mike Gamble – electric guitar Todd Sickafoose – acoustic bass Allison Miller – drums Composed by Jessica Lurie Arranged by Jessica Lurie Produced by Jessica Lurie & Todd Sickafoose Engineered by Billy Barnett Recorded at Gung Ho Studios, Eugene, OR Mixed by Todd Sickafoose

10. [4:59]

John Lee’s Chu Bubaloo – Fish Out Of Water Performed by John Lee – electric and acoustic guitars TJ Turqman – electric bass Graham Doby – drums and piano Matt Rippetoe – tenor saxophone Composed by John Lee Arranged by John Lee Produced by John Lee Engineered by Adrian Olsen Recorded at Montrose Recording – Richmond VA Mastered by Steven Wright – Wright Way Studios Baltimore Md

11. [8:06]

Kaiser Musso / Echoes For Sonny – Promises Kept Performed by Henry Kaiser, Robert Musso, Nick Didkovsky, Jesse Krakow, Weasel Walter Composed by Sonny Sharrock, Robert Musso, Henry Kaiser Arranged by Musso, Kaiser Produced by Robert Musso Engineered by Robert Musso Recorded at OMSS on 2/9/2015 Copyright MussoMusic.com 2015, MuWorks Publishing 2015, Additional Recording by James Dellatacoma

Veckans BibelVers: “Then Jesus asked them, “When I sent you without purse, bag or sandals, did you lack anything?” “Nothing,” they answered.” ~ Luke 22:35🎧

Drink Espresso - God bless U! /MrZ :)

www.ib2.se Soli Deo Gloria

[fkatwigsfashion]

FKA twigs in her Eusexua promotional video - 9/3/24

Wearing:

SS24 outfit by Di Petsa

White Leather Kiki Ankle Boots by Marc Jacobs

Earrings and Cuff by Alina Alamorean

Super Spike Empire Chair by Craig Morrison

[talbottoabbott]

Quote: “Black women, in particular, have been subjugated and misinterpreted in photography since the early days of the medium.  This is true both in domestic treatments, such as Trouble Ahead, Trouble Behind, and in representations of “exotic” others. [...] Black subjects are used to sell an image - or, more generally, to attract attention. (Willis, 17 - 20)”

This quote comes from Willis’ response to the Photograph of Woman, South African, taken by photographer Barnett in the 1880s.  At the time, women were subjected to pose in various vulnerable positions, situations, environments, etc for the entertainment of white audiences.  They were treated like objects simply due to their physical features.  In this quote, Willis is referencing the wrongdoings against the black community, especially black women.  The women that toured were, at times, treated worse than circus animals; they were sometimes reduced to just a body that could be made fun of or sexualized, and were described by some viewers as exotic, “animal-like”, and deviant.  Today, these ideas/perspectives are starting to become rejected as many move towards inclusivity and diversity.  However, the mistreatment of the black community seems to be recurring despite the social changes.  In the past decade, we have seen instances of cultural appropriation such as the photograph above.  The models’ hair is stylized into dreadlocks at a Marc Jacobs fashion show in 2017.  Why are these models allowed to wear this hairstyle and praised while black women are sometimes discouraged from doing so in the workplace?  Although the show received backlash afterward, how was this allowed in the first place?  It’s interesting to see something that was to be ridiculed nearly two centuries ago become something sought after in the future, but at the expense of those who originated it.  Other high-profile individuals such as the Kardashians are often accused of black fishing.  This juxtaposition has left me wondering: why is it that appearing as a black woman is so attractive to those who aren’t, but then actual black women are often failed by society? In other words, how is it that black women are still such a marginalized group?

Photo Citation: Bianca, Rodin. “Cornrows, Dreadlocks and Afros Seen on the Runways.” WWD, 2 Nov. 2020,wwd.com/fashion-news/fashion-features/gallery/examples-of-hair-appropriation-from-the-runway-1234650504/examples-of-hair-appropriation-from-the-runway-10/?post_type=pmc-gallery&p=1234650504.

Sharlene Escaro

[steveconte]

It’s the premier of my new video, “We Like It” from The Concrete Jangle!

Featuring the voices of: Ian Hunter, Kevin Preston, Glen Matlock, Prairie Prince, Thommy Price, Marshall Crenshaw, Tommy Henrickson, Kyf Brewer, Marc Broussard, Steve Lillywhite, Kasim Sultan, Jessie Wagner, Palmyra Delran, Genya Ravan, Simon Kirke, Danko Jones, Nasty Suicide, Dennis Dunaway, Kevin Salem, Danny B. Harvey, Jonathan Clarke, Robert Eriksson, Dregen & Majsan, Kevin March, Chips Kiesbye, Rich Ragany, Keith Roth, Damon Johnson, Rich Jones, Billy Hopeless, Alycia Jones, Jay Millete, John & Jennifer Kerns, Danni Action Michael Imperioli, Frank Lammers, Christian Keiber, Kerry McGann, The Brazen Giant Ensemble, Ryan Hamilton, Ben Rubin, Jan Verdoorn, Rick Tedesco, Mickey Leigh, Westley Crawford, Janie Barnett, Nicki Richards, Lajuan Carter-Dent & Baz Conte (many of whom can be seen in this video…)

Strap in for some political commentary that doesn’t take sides and calls out the ridiculousness of both parties…

[spinstrackingsystem]

The 28h Annual USA Songwriting Competition Kicks Off, 2022 Winners Announced

Entries are now accepted for the 28th Annual USA Songwriting Competition. Win a top prize of $50,000 worth of cash and merchandise. Also, have your winning songs played on radio! Enter in Pop, Rock/Alt, Folk, R&B, Hip-Hop, Jazz, Instrumental, etc. Entrants come from all over the world: Australia, Canada, Japan, Brazil, Germany, USA, South Africa, etc.   USA Songwriting Competition is sponsored by: Michael Kelly Guitars, Hartke, Samson Technologies, Acoustic Guitar magazine, Klevgrand, Music Gateway, Fiedler Audio, PreSonus, New Music Weekly, Loggins Promotion, Airplay Access, Hal Leonard, Jamstack, Nembrini Audio, Melda Production, FL Studio, Discmakers, School of Rock, Singer Express, Songcraft, Berklee College of Music, etc.   Here are the winners of the 27th USA Songwriting Competition (2022): Overall Grand Prize “The Line” by Sav Buist; Nashville, TN Overall 2nd Prize “Dance In Heaven” by Kevin Stroud & Marc Alan Barnette; Wichita Falls, TX Overall 3rd Prize “Sleepless Summer” by Matty Gottesman; Los Angeles, CA Category Prize Winners (First Prize in each of the 15 categories) DANCE/ELECTRONICA “We’re Lucid Dreaming!” by Jon GK; Los Angeles, CA FOLK “The Line” by Sav Buist; Nashville, TN ROCK/ALTERNATIVE “HIGH3R” by Trent-Jean Michel; AUSTRALIA LYRICS ONLY “Cheap as a Kiss” by Michael R. J. Read the full article

[newmusicweekly]

The 28h Annual USA Songwriting Competition Kicks Off, 2022 Winners Announced

Entries are now accepted for the 28th Annual USA Songwriting Competition. Win a top prize of $50,000 worth of cash and merchandise. Also, have your winning songs played on radio! Enter in Pop, Rock/Alt, Folk, R&B, Hip-Hop, Jazz, Instrumental, etc. Entrants come from all over the world: Australia, Canada, Japan, Brazil, Germany, USA, South Africa, etc.   USA Songwriting Competition is sponsored by: Michael Kelly Guitars, Hartke, Samson Technologies, Acoustic Guitar magazine, Klevgrand, Music Gateway, Fiedler Audio, PreSonus, New Music Weekly, Loggins Promotion, Airplay Access, Hal Leonard, Jamstack, Nembrini Audio, Melda Production, FL Studio, Discmakers, School of Rock, Singer Express, Songcraft, Berklee College of Music, etc.   Here are the winners of the 27th USA Songwriting Competition (2022): Overall Grand Prize "The Line" by Sav Buist; Nashville, TN Overall 2nd Prize "Dance In Heaven" by Kevin Stroud & Marc Alan Barnette; Wichita Falls, TX Overall 3rd Prize "Sleepless Summer" by Matty Gottesman; Los Angeles, CA Category Prize Winners (First Prize in each of the 15 categories) DANCE/ELECTRONICA "We're Lucid Dreaming!" by Jon GK; Los Angeles, CA FOLK "The Line" by Sav Buist; Nashville, TN ROCK/ALTERNATIVE "HIGH3R" by Trent-Jean Michel; AUSTRALIA LYRICS ONLY "Cheap as a Kiss" by Michael R. J. Read the full article