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THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … November 22

JFK November 22, 1963

1869 – André Gide (d.1951) was a French author and winner of the Nobel Prize in literature in 1947. Gide's career ranged from its beginnings in the symbolist movement, to the advent of anticolonialism between the two World Wars.

Known for his fiction as well as his autobiographical works, Gide exposes to public view the conflict and eventual reconciliation between the two sides of his personality, split apart by a straight-laced education and a narrow social moralism.

Gide was born in Paris on 22 November 1869, into a middle-class Protestant family. His father was a Paris University professor of law and died in 1880.

Gide was brought up in isolated conditions in Normandy and became a prolific writer at an early age, publishing his first novel, The Notebooks of Andre Walter (French: Les Cahiers d'André Walter), in 1891.

In 1893 and 1894, Gide traveled in Northern Africa, and it was there that he came to accept his attraction to boys. He befriended Oscar Wilde in Paris, and in 1895 Gide and Wilde met in Algiers. There, Wilde had the impression that he had introduced Gide to homosexuality, but, in fact, Gide had already discovered this on his own.

In 1895, after his mother's death, he married his cousin Madeleine Rondeaux, but the marriage remained unconsummated.

In 1908, Gide helped found the literary magazine Nouvelle Revue Française (The New French Review).

In 1916, Marc Allégret, only 15 years old, became his lover. Marc was the son of Elie Allégret, best man at Gide's wedding. Of Allégret's five children, André Gide adopted Marc. The two fled to London, in retribution for which his wife burned all his correspondence, "the best part of myself," as he was later to comment.

In the 1920s, Gide became an inspiration for writers such as Albert Camus and Jean-Paul Sartre. In 1923, he published a book on Fyodor Dostoyevsky; however, when he defended pederasty in the public edition of Corydon (1924) he received widespread condemnation. He later considered this his most important work.

In 1923, he sired a daughter, Catherine, by Elisabeth van Rysselberghe, a woman who was much younger than him. He had known Elisabeth for a long time, as she was the daughter of his closest female friend, Maria Monnom, the wife of his friend, the Belgian neo-impressionist painter Théo van Rysselberghe. This would cause the only crisis in the long-standing relationship between Allégret and Gide and damaged the relation with Van Rysselberghe. This was possibly his only sexual liaison with a woman and it was brief in the extreme, but his daughter Catherine became his only descendant by blood. He liked to call Elisabeth "La Dame Blanche" ("The White Lady"). Elisabeth eventually left her husband to move to Paris and manage the practical aspects of Gide's life (they had adjoining apartments built for each of them on the rue Vavin). She worshipped him, but evidently they no longer had a sexual relationship. Gide's legal wife, Madeleine, died in 1938. Later he used the background of his unconsummated marriage in his novel Et Nunc Manet in Te.

From July 1926 to May 1927, he travelled through the French Equatorial Africa colony with his lover Marc Allégret. In his published journal, he criticized the behavior of French business interests in the Congo and inspired reform. In particular, he strongly criticized the Large Concessions regime, according to which part of the colony was conceded to French companies which could exploit all of the area's natural resources, in particular rubber. He related how natives were forced to leave their village during several weeks to collect rubber in the forest, and went as far as comparing their exploitation to slavery. The book had important influence on anti-colonialism movements in France and helped re-evaluate the impact of colonialism.

Gide left France for Africa in 1942 and lived in Tunis until the end of World War II. In 1947, he received the Nobel Prize in Literature. He devoted much of his last years to publishing his Journal. Gide died in Paris on 19 February 1951. The Roman Catholic Church placed his works on the Index of Forbidden Books in 1952.

1913 – Benjamin Britten, Baron Britten, (d.1976) was an English composer, conductor, and pianist. He showed talent from an early age, and first came to public attention with the a cappella choral work A Boy Was Born in 1934. With the premiere of his opera Peter Grimes in 1945, he leapt to international fame. For the next fifteen years he devoted much of his compositional attention to writing operas, establishing him as one of the leading 20th century figures in this genre. Britten's interests as a composer were wide-ranging; he produced important music in such varied genres as orchestral, choral, solo vocal (much of it written for the tenor Peter Pears), chamber and instrumental, as well as film music. He also took a great interest in writing music for children and amateur performers, and was an outstanding pianist and conductor.

Britten was born in Lowestoft, Suffolk. His father was a dentist, and his mother a talented amateur musician who gave Britten his first lessons in piano and notation. He showed musical gifts very early in life, making his first attempts at composition aged five, and thereafter composing prolifically as a child. He started piano lessons with a teacher from his pre-prep school when aged 7, and viola lessons when 10 years old.

Britten heard Frank Bridge's orchestral poem The Sea at a festival and was, as he put it, 'knocked sideways'. A family friend of Frank Bridge and was able to arrange an introduction. After examining Britten's work, Bridge took him on as a composition pupil.

In April 1935, he was approached by the film director Alberto Cavalcanti to write the film score for the documentary The King's Stamp, produced by the GPO Film Unit. He subsequently met W. H. Auden, who was also working for the GPO Film Unit; together they worked on the films Coal Face and Night Mail. They also collaborated on the song cycle Our Hunting Fathers Op. 8, radical both in politics and musical treatment, and other works.

Of more lasting importance to Britten was his meeting in 1937 with the tenor Peter Pears, who was to become his musical collaborator and inspiration as well as his life partner. In the same year he composed a Pacifist March (words, Ronald Duncan) for the Peace Pledge Union, of which, as a pacifist, he had become an active member, but the work was not a success and soon withdrawn. One of Britten's most noteworthy works from the 1930s was Variations on a Theme of Frank Bridge for string orchestra, Op. 10, written in 1937.

Britten (seated) and Peter Pears

In early 1939, Britten and Pears followed Auden to America. There, in 1940, Britten composed Seven Sonnets of Michelangelo, the first of many song cycles for Pears. Already friends with the composer Aaron Copland, Britten encountered his latest works Billy the Kid and An Outdoor Overture, both of which manifestly influenced his own music. While in America Britten wrote his first music drama, Paul Bunyan, an operetta (to a libretto by Auden). The period in America was also remarkable for a number of orchestral works, including the Violin Concerto Op. 15, and Sinfonia da Requiem Op. 20 (for full orchestra).

Britten and Pears returned to England in 1942, and both applied for recognition as conscientious objectors. He completed the choral works Hymn to St. Cecilia (his last large-scale collaboration with Auden) and A Ceremony of Carols during the long sea voyage. He had already begun work on his opera Peter Grimes based on the writings of Suffolk poet George Crabbe, and its première at Sadler's Wells in 1945 was his greatest success thus far.

Peter Grimes was the first in a series of English operas, of which Billy Budd (1951) and The Turn of the Screw (1954) were particularly admired. His Shakespeare opera, A Midsummer Night's Dream, followed in 1960. These operas share common themes. Even in his comic opera Albert Herring of 1947, all feature an 'outsider' character excluded or misunderstood by society. Often this is the eponymous protagonist, as in Peter Grimes and Owen Wingrave.

In his last decade, Britten's health deteriorated,and his later works became more and more sparse in texture. They include the operas Owen Wingrave (1970) and Death in Venice (1971-1973) Having previously declined a knighthood, Britten accepted a life peerage on 2 July 1976 as Baron Britten, of Aldeburgh in the County of Suffolk. A few months later he died of heart failure at his house in Aldeburgh. He is buried in the churchyard of St. Peter and St. Paul's Church there. The grave of his partner, Sir Peter Pears, lies next to his. A memorial stone to him was unveiled in the north choir aisle of Westminster Abbey in 1978.

1938 – John Eleuthère du Pont (d.2010) was an American philanthropist and heir to the Du Pont family fortune who in 1996 murdered Olympic gold medal winning wrestler Dave Schultz. He was a published ornithologist, philatelist, philanthropist, conchologist, sports enthusiast, and self-styled wrestling coach. In 1972 du Pont founded and directed the Delaware Museum of Natural History and contributed to Villanova University and other institutions.

After his mother's death, du Pont developed the 440-acre (1.8 km2) Liseter Hall Farm in Newtown Square as a high-quality wrestling facility for amateur wrestlers. He called the private group "Team Foxcatcher", after his father's noted racing stable. Du Pont established an Olympic swimming and wrestling training center and sponsored competitive events at the estate. He also allowed some people, such as Olympic champion wrestlers Mark Schultz and later his older brother David Schultz and his wife, to live in houses on the grounds for years. Schultz also coached the Foxcatcher team.

In August 1988, a problem-plagued wrestling program he funded at Villanova was shut down after just two years. In December 1988, a lawsuit (which was settled out of court) claimed du Pont had made improper sexual advances to Villanova assistant coach Andre Metzger.

Du Pont became a sponsor in wrestling, swimming, track, and the modern pentathlon. He was also involved in promoting a subset of the modern pentathlon (run, swim, shoot) as a separate event. He took up athletics and became a competitive wrestler in his 50s. His only prior wrestling experience was as a freshman in high school. He began competing again at the age of 55 in the 1992 Veteran's World Championships in Cali, Colombia; following that in 1993 in Toronto, Ontario; in 1994 in Rome, Italy; and in 1995 in Sofia, Bulgaria.In the 1990s, friends and acquaintances were concerned about his erratic and paranoid behavior, but his wealth shielded him. On January 26, 1996, du Pont shot and killed Dave Schultz in the driveway of Schultz's home on du Pont's 800-acre (3.2 km2) estate. Schultz's wife Nancy and du Pont's head of security Patrick Goodale were present and witnessed the crime. The security chief was sitting in the passenger seat of du Pont's car when du Pont fired three bullets into Schultz. Police did not establish a motive. Schultz had worked with du Pont to coach the wrestling team for years. Schultz had also tried to help du Pont with his drinking problem. On February 25, 1997, he was convicted of murder in the third degree for the January 26, 1996, shooting death of Dave Schultz. He was ruled to have been mentally ill but not insane and was sentenced to prison for 13 to 30 years. He died in prison at age 72 on December 9, 2010. He was the only member of the Forbes 400 richest Americans ever to be convicted of murder.

Du Pont is the subject of the 2014 film Foxcatcher, in which he is portrayed by Steve Carell.

1941 – On this date the American dancer and writer Nicholas Dante, best known for the hit musical A Chorus Line, was born (d. 1991). Born Conrado Morales in New York City to Puerto Rican parents, Dante's early career was spent dancing in the chorus of Broadway musicals such as Applause and Ambassador. In 1974, he was approached by friend Michael Bennett who invited him to the sessions which led to the basis of material for the book of a musical about Broadway "gypsies," the dancers who serve as a backdrop for the leading performers.

Eventually, collaborating with James Kirkwood, Jr., the result was A Chorus Line, a groundbreaking musical which earned him the 1976 Tony Award and Drama Desk Award for Best Book of a Musical and the Pulitzer Prize for Drama. In particular, the story of Paul, the homosexual Puerto Rican dancer whose early career consisted of working in a drag show, was based primarily on Dante. The actor who originated the role on the famous monologue, Sammy Williams, won a Beast Featured Actor in a Musical award in 1976 for the role. Dante himself went on to play the role in later mountings of the show.

He also authored a screenplay, Fake Lady, and a stage musical based on the life of entertainer Al Jolson entitled Jolson Tonite, but never again achieved the success he did with A Chorus Line. Dante died on May 21, 1991 from AIDS-related complications in New York City.

1943 – Billie Jean King is a former professional tennis player from the United States. She won 12 Grand Slam singles titles, 16 Grand Slam women's doubles titles, and 11 Grand Slam mixed doubles titles. King has been an advocate against sexism in sports and society. She won "The Battle of the Sexes" in 1973, in which she defeated Bobby Riggs, a former Wimbledon men's singles champion, for $100,000, winner take all.

Billie Jean Moffit was born in Long Beach, California, into a conservative Methodist family, the daughter of a fireman father and housewife mother. Billie Jean attended Long Beach Polytechnic High School. After graduating, she attended California State University, Los Angeles (CSULA) because her parents could not afford Stanford or the University of Southern California (USC).

She married Lawrence (Larry) King in Long Beach, California on September 17, 1965. In 1971, she had an abortion, which Mr. King revealed to the public in a 1972 Ms. Magazine article, without consulting Mrs. King in advance. King said in her 1982 autobiography that she decided to have an abortion because she believed her marriage was not solid enough to bring a child into her family. Billie Jean and Lawrence divorced in 1987.

By 1968, King realized that she was interested in women, and in 1971, the same year of the abortion and while still married to Lawrence King, she began an intimate relationship with her secretary, Marilyn Barnett. King was forced to acknowledge the relationship when it became public in a May 1981 "palimony" lawsuit filed by Barnett, making King the first prominent professional female athlete to come out as a lesbian. King said that she had wanted to retire from competitive tennis in 1981 but could not afford to because of the lawsuit. "Within 24 hours [of the lawsuit being filed], I lost all my endorsements; I lost everything. I lost $2 million at least, because I had longtime contracts. I had to play just to pay for the lawyers. In three months I went through $500,000 [$1,207,416 today]. I was in shock. I didn't make $2 million in my lifetime, so it's all relative to what you make." King said in 1998 that Martina Navratilova was not supportive when King was outed, resulting in their relationship having a "very bad five years."

Speaking about the lawsuit in 2007, 26 years after it was filed, King said:

It was very hard on me because I was outed and I think you have to do it in your own time. Fifty per cent of gay people know who they are by the age of 13. I was in the other 50%. I would never have married Larry if I'd known. I would never have done that to him. I was totally in love with Larry when I was 21.

Concerning the personal cost of concealing her sexuality for so many years, King said:

I wanted to tell the truth but my parents were homophobic and I was in the closet. As well as that, I had people tell me that if I talked about what I was going through, it would be the end of the women's tour. I couldn't get a closet deep enough. I've got a homophobic family, a tour that will die if I come out, the world is homophobic and, yeah, I was homophobic. If you speak with gays, bisexuals, lesbians and transgenders, you will find a lot of homophobia because of the way we all grew up. One of my big goals was always to be honest with my parents and I couldn't be for a long time. I tried to bring up the subject but felt I couldn't. My mother would say, "We're not talking about things like that", and I was pretty easily stopped because I was reluctant anyway. I ended up with an eating disorder that came from trying to numb myself from my feelings. I needed to surrender far sooner than I did. At the age of 51, I was finally able to talk about it properly with my parents and no longer did I have to measure my words with them. That was a turning point for me as it meant I didn't have regrets any more.

On August 12, 2009, she was awarded the Presidential Medal of Freedom by President Barack Obama for her work advocating for the rights of women and the lesbian, gay, bisexual, and transgendered community. "This is a chance for me - and for the United States of America - to say thank you to some of the finest citizens of this country and of all countries", President Obama said.

King currently resides in New York and Chicago with her partner, Ilana Kloss.

1964 – Stephen Geoffreys is an American actor. Born Stephen Miller in Cincinnati, Ohio, Geoffreys first began acting on the stage. In 1984, he was nominated for Broadway's Tony Award for "Best Performance by a Featured Actor in a Musical" for his performance in a play based on the The Human Comedy. For this role, he won the Theatre World Award in 1984.

Geoffreys appeared in several horror and teen films in the 1980s, most notably Heaven Help Us (1985) as well as Fraternity Vacation and 976-EVIL in 1989. He also played a supporting part in the critically acclaimed drama At Close Range in 1986. He is best known for playing the creepy "Evil Ed" in the 1985 vampire horror classic Fright Night starring Roddy McDowall. Two of Geoffrey's lines from that film became catch phrases in the mid 1980s: "To what do I owe this dubious pleasure?" and "You're so cool, Brewster!" Some have suggested that Geoffrey's refusal to appear in the Fright Night sequel was a major career misstep.

During the 1990s, Geoffreys appeared for several years in gay pornographic movies, using the aliases Sam Ritter and Stephan Bordeaux, moving from "bloodsucker to cocksucker" as one crtic put it.

Geoffreys returned to horror in a supporting role as "Mr. Putski" in the independent film Sick Girl, released in October 2007, after an almost 17 year absence from mainstream film. He went on to play a lead role in the horror film New Terminal Hotel. He later filmed the horror movie "Emerging Past", which also featured actor Brooke McCarter of The Lost Boys fame. Geoffreys' partner is John Wiliams.

2004 – Lord Peter Mandelson is the first openly gay Commissioner of the European Union. He is a British Labour politician, president of international think tank Policy Network and Chairman of strategic advisory firm Global Counsel. Reinaldo Avila da Silva, a Brazilian-British translator, was his partner from 1998 to 2007.

Today's Gay Wisdom:

Quotes from André Gide:

"Fish die belly-upward and rise to the surface; it is their way of falling."

"One does not discover new lands without consenting to lose sight of the shore for a very long time."

"It is better to be hated for what you are than to be loved for something you are not."

"Believe those who are seeking the truth. Doubt those who find it."

"Everything that needs to be said has already been said. But since no one was listening, everything must be said again."

It is easier to lead men to combat, stirring up their passion, than to restrain them and direct them toward the patient labors of peace.

It is only in adventure that some people succeed in knowing themselves - in finding themselves.

Know thyself. A maxim as pernicious as it is ugly. Whoever studies himself arrest his own development. A caterpillar who seeks to know himself would never become a butterfly.

Nothing prevents happiness like the memory of happiness.

The most important things to say are those which often I did not think necessary for me to say - because they were too obvious.

There are very few monsters who warrant the fear we have of them.

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justforbooks · 4 months ago

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Alain Delon

One of the most popular male stars of French cinema who often played tough guys and calculated killers

The actor Alain Delon, with his finely chiselled features and glacial gaze, was known as the “ice cold angel”. As a young man, his handsome, impassive face was a blank page on which apparently any emotion could be written. This served to cover the passion or perversity beneath, a trait used effectively by such directors as Luchino Visconti, Louis Malle, Joseph Losey, Jean-Pierre Melville and Michelangelo Antonioni.

Delon’s best work was done in the 1960s and 70s, the first two decades of a career spanning half a century. After this exciting initial period, he settled down, with occasional exceptions, to consolidating his tough-guy persona, becoming one of the most popular male stars in French cinema.

In the light of his unpromising background, Delon, who has died aged 88, deserved the success he achieved. Born in Sceaux, a large suburb in the south of Paris, he was the son of Edith (nee Arnold) and Fabien Delon. They divorced when Alain was four, and he was brought up by foster parents until they died in a car accident. He then moved back to live with his mother and her new husband, Paul Boulogne, a butcher, to whom Delon was unhappily apprenticed when he was 14.

This was soon after he completed his sporadic education, having been expelled from several schools for bad behaviour. At 17, he joined the French navy, serving in Indochina as a parachutist during the siege of Dien Bien Phu.

Out of his four years in the military, Delon spent 11 months in prison for being “undisciplined”. In 1956, after being dishonourably discharged, he returned to civilian life, working as a porter, a waiter and a salesman. During this time he became friends with the actors Brigitte Auber and Jean-Claude Brialy, and went with them to the 1957 Cannes film festival.

There, his looks attracted attention, especially from a talent scout for the producer David O Selznick, who offered him a Hollywood contract, provided that he learned English. But after Auber persuaded the director Yves Allégret to cast the young would-be actor in Quand la Femme s’en Mêle (When a Woman Meddles, 1957), Delon decided to start acting in France.

Surrounded by such veterans as Edwige Feuillère, Jean Servais and Bernard Blier, Delon, looking much younger than 22, made an impression as a hitman, the sort of role he perfected in later films. Despite being touted as France’s answer to James Dean, Delon was closer to the young Alan Ladd.

In Sois Belle Et Tais-Toi (Be Beautiful But Shut Up, 1958), directed by Marc Allégret, Yves’s older brother, Delon was cast as a petty crook, partnered by Jean-Paul Belmondo, who was to equal Delon in popularity in the 60s and 70s. They were later to appear together again in Borsalino (1970), Borsalino and Co (1974) and as sexagenarian action heroes in Une Chance sur Deux (Half a Chance, 1998).

Christine (1958), a love story set in Vienna at the turn of the century, gave Delon his first major role as a romantic lead, opposite Romy Schneider. During the shooting of the film – a remake of Max Ophüls’ Liebelei (1932) – the couple fell in love and became engaged soon afterwards. The romance lasted four years, and Delon and Schneider remained close until her death in 1982. They appeared together on stage in 1961 in a Parisian production of ’Tis Pity She’s a Whore, directed by Visconti, as well as in the films La Piscine (The Swimming Pool, 1969) and Losey’s The Assassination of Trotsky (1972).

It was in 1960 that Delon became an international star with his portrayal of Patricia Highsmith’s Tom Ripley in René Clément’s Plein Soleil (Purple Noon). With his pretty-boy looks, Delon perfectly reflected the calculated charm, indolence and coldness of the ambiguous character, who schemes to take his friend’s clothes, yacht, girlfriend and life.

In contrast, in the same year, Visconti cast him as a “wise fool” in Rocco and His Brothers, an epic three-hour neorealist drama. To save his poverty-stricken family, who have immigrated to Milan from southern Italy, Rocco (Delon) takes up boxing, a sport he detests. Dubbed into Italian, Delon does his best to convince as a saintly character, though it is doubtful whether any boxer could be so gentle and yet so successful.

Dubbed again into Italian, Delon was superb as an arrogant and materialistic stockbroker who has an affair with a translator (Monica Vitti) in L’Eclisse (Eclipse, 1962), the third in Antonioni’s trilogy of alienation. Delon’s third notable Italian film was Visconti’s The Leopard (1963), in which he played the dashing and cynical young revolutionary Tancredi. As a hotheaded opportunist who represents the future of Italy, Delon’s performance is in sharp contrast to Burt Lancaster’s contemplative one as his aristocratic uncle, who represents the past.

Back in France, Delon began to take on less challenging roles, mostly in swashbucklers and thrillers. The main interest of the conventional heist movie, Mélodie en Sous-Sol (Any Number Can Win, 1963), was the coming together of the biggest French star of the 30s, Jean Gabin, and the rising star of the 60s. As interesting was his pairing with Simone Signoret, 14 years his senior, in The Widow Couderc (1971).

Delon also appeared in several English-language films at the time, including The Yellow Rolls-Royce (1964), in which he was an Italian photographer cum gigolo making a play for a gangster’s moll (Shirley MacLaine), and a Spanish aristocrat in the comedy-western Texas Across the River (1966). At the time, Delon could claim to be an equal in fame to any movie star in large-budget films such as Once a Thief (1965), opposite Ann-Margret and Jack Palance; Lost Command (1966), a war film with Anthony Quinn and George Segal; and Red Sun (1971) with Charles Bronson and Toshiro Mifune, cashing in on Delon’s huge popularity in Japan.

In the artily erotic The Girl on a Motorcycle (1968), directed and photographed by Jack Cardiff, Delon played Marianne Faithfull’s lover, unzipping her leather gear with his teeth and murmuring: “Your toes are like tombstones.”

In 1964 Delon married Nathalie Barthélémy, who made her screen acting debut opposite him in Melville’s Le Samouraï (1967), the first of three ritualistic and atmospheric crime thrillers directed by Melville and starring Delon. In Le Samouraï, he was an expressionless hired killer; in Le Cercle Rouge (1970), he was a cool ex-con; and in Un Flic (Dirty Money, 1972), Melville’s final film, he was equally effective as a bitter cop.

Delon’s standing as a screen tough guy was enhanced when, in 1968, he and his wife, whom he was about to divorce, were implicated in a sensational political scandal. The discovery of the corpse of his bodyguard Stevan Marković in a rubbish dump – he had been shot in the head – led to revelations of drug and sex orgies involving a host of personalities from the world of politics and show business, including the wife of the president, Georges Pompidou.

Delon’s friend, the Corsican gangster François Marcantoni, was charged as an accessory to murder but was later released due to lack of evidence. Both Alain and Nathalie were held for questioning, but were not accused. What had alerted police was a letter Marković sent to his brother in which he wrote: “If I get killed, it’s 100% the fault of Alain Delon and his godfather François Marcantoni.”

In the same year, Delon began a 15-year relationship with the actor Mireille Darc, with whom he co-starred in Jeff (1969), the first film made by his own company, Adel, and a few other pictures.

During the same period, under Malle’s direction, he portrayed William Wilson, an Austrian officer and gambler, who murders his doppelganger, in one of three segments based on Edgar Allan Poe stories in Spirits of the Dead (1968).

Another of his outstanding performances was the title role of Losey’s Mr Klein (1976), as a French-Catholic art dealer who is mistaken for a Jew of the same name during the occupation in 1942. Unable to convince the Gestapo of the mistaken identity, he is deported.

Many years later, Delon claimed to be a supporter of the far-right leader Jean-Marie Le Pen. “He is dangerous for the political set because he’s the only one who’s sincere,” Delon declared. “He says out loud what many people think, and what the politicians refrain from saying because they are either too demagogic or too chicken. Le Pen, with all his faults and qualities, is probably the only one who thinks about the interests of France before his own.”

In the 80s, Delon, already a producer of a dozen movies, tried his hand at directing. His two films, Pour la Peau d’un Flic (For a Cop’s Hide, 1981) and Le Battant (The Fighter, 1983), were pale imitations of Melville. But, in 1984, Delon was given two of his last chances to display his acting talents. In Bertrand Blier’s Notre Histoire (Our Story), he was a morose alcoholic, and, in one of the most surprising casting decisions, he played the decadent gay dandy Baron de Charlus in Volker Schlöndorff’s Swann in Love, based on the first volume of Marcel Proust’s novel.

Following his dual role in Jean-Luc Godard’s Nouvelle Vague (1990), and a number of poorly received films, Delon announced his decision to retire from acting in 1997, although he did star in a television cop series, Frank Riva (2003-04), and made an unexpected appearance as Julius Caesar in Asterix at the Olympic Games (2008). A final TV role came in the drama Une Journée Ordinaire (2011), and he appeared as himself in S Novym Godom, Mamy! (2012), the story of a Russian New Year’s Eve, and Disclaimer (2019), as a talkshow guest.

An honorary Palme d’Or in 2019 provoked complaints against Delon’s history of misogynistic comments and support for the far right. The Cannes festival responded that its concern lay with achievement in cinema: “We’re not going to give (him) the Nobel peace prize.” Also that year came the video release of the song, Paroles, Paroles, that had given the singer Dalida and him a hit in 1973.

Delon, who became a Swiss citizen after many years’ residence in Geneva, with a second home in Douchy, south of Paris, spent most of his later years as president of a company that produced a variety of products such as perfume, wristwatches, clothing and sunglasses, all with the label AD.

The Velvet Underground singer Nico said that Delon was the father of her son Ari, though he denied it – the boy was adopted by Delon’s mother and stepfather, and took their surname, Boulogne; he died in 2023. Delon is survived by his son, Anthony, from his first marriage, and his children, Anouchka and Alain-Fabien, from his second marriage, to Rosalie van Breemen, which ended in divorce in 2002.

🔔 Alain Fabien Maurice Marcel Delon, actor and producer, born 8 November 1935; died 18 August 2024

Daily inspiration. Discover more photos at Just for Books…?

#just for books #Alain Delon #in memoriam

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